Sometimes the drama doesn’t stay on TV—it hits close to home. Reality star Jenelle Evans is facing a frightening situation off-screen as her 16-year-old son, Jace, has been placed in a mental health facility. The placement follows a serious incident involving his grandmother, Barbara Evans. Jenelle and her mother became household names after appearing on hit shows like ‘16 and Pregnant’ and ‘Teen Mom 2,’ where grandma often stepped in—even when unwanted—to care for Jace. 

RELATED: ‘Teen Mom 2’ Alum Jenelle Evans Shuts Down Speculation Amid Alleged Child Abuse Claims Concerning Son Jace

What Happened Between Jace And His Grandmother?

According to reports, the incident occurred on February 22 at Barbara Evans’ home in North Carolina. Authorities responded to what they described as a “troubled teen disturbance” after Barbara reportedly called 911. Sources tell TMZ that Jace allegedly pulled a gun on his grandmother, put it to his own head, and threatened both Barbara and himself. There were also concerns about possible substance use in the lead-up to the incident, with claims that Jace had been drinking and using drugs.

For context, Jace has been in his grandmother’s care since birth, when she took custody of him. Custody was returned to Janelle 13 years later, in 2023, per PEOPLE. It’s unclear why he remained with Barbara Evans after the legal change.

How Jenelle Is Handling The Situation

A spokesperson for Jenelle told Entertainment Weekly that the reality star is “still trying to find him the best [facility] to meet his needs.” Jenelle currently lives in Las Vegas and is a full-time mom to her other children: 11-year-old Kaiser with ex-boyfriend Nathan Griffith, and 9-year-old Ensley with ex-husband David Eason. Jace, her oldest, was conceived with her high school boyfriend Andrew Lewis.

Jace’s Next Steps Revealed

Jace is now receiving professional care at a mental health facility, though it’s unclear how long he will remain in treatment. Those close to the family say the focus is on his health and stability rather than public commentary. Furthermore, law enforcement confirmed the response to Barbara’s 911 call, but details remain limited. Both Jenelle and Barbara have not publicly commented on the situation beyond statements through representatives.

RELATED: Time Flies! ‘Teen Mom 2’ Alum Jenelle Evans Celebrates Son Jace Turning 14

Maya Hawke is in the honeymoon phase of her relationship with husband Christian Lee Hutson one month after they tied the knot.

Hawke, 27, called married life “absolutely fantastic” while attending the world premiere of her new movie Wishful Thinking on Thursday, March 12.

“I’m a very, very lucky person who’s very happy right now,” Hawke told People at the SXSW Conference & Festivals in Austin, Texas. “And yeah, [I] couldn’t be more grateful.”

The Stranger Things alum couldn’t stop gushing about her romance with Hutson, 35, at the event.

Related: Maya Hawke Marries Christian Lee Hutson in Surprise Valentine’s Day Wedding

Stranger Things star Maya Hawke is married after saying “I do” to Christian Lee Hutson on Valentine’s Day. Hawke, 27, and Hutson, 35, exchanged vows on Saturday, February 14, in New York City, according to photos obtained by People. The bride looked elegant in a white ballgown with a matching cropped jacket, while Hutson sported […]

“I feel so lucky to have found my best friend and to have someone I can tell anything to,” Hawke told Page Six on Thursday of her spouse, who is a singer-songwriter. “It makes something like getting married feel like, ‘Oh, of course,’ you know, not like, ‘What?’ And I’m very, very, very lucky, so I’m really happy.”

She added that she’s “ecstatically happy” following her wedding. “I mean … love is the best,” Hawke revealed.

Hawke and Hutson surprised fans by exchanging vows on Valentine’s Day, February 14, in New York City.

Related: Uma Thurman and Maya Hawke Show Off Their Mother-Daughter Style at NYC Gala

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Uma Thurman and Maya Hawke looked refined and aligned at the Room to Grow 25th anniversary gala in New York City.  The mother-daughter duo graced the Wednesday, October 25, blue carpet in coordinated all-black ensembles. Thurman, 53, opted for a timeless black dress that featured a subtle but sexy thigh-high slit. She teamed the garment […]

According to photos from the nuptials obtained by multiple outlets, Hawke wore an elegant white ballgown with a matching cropped jacket. Hutson wore a classic black tuxedo to say, “I do.”

The bride’s famous parents, exes Uma Thurman and Ethan Hawke, were on hand to celebrate their special day. (Thurman, 55, welcomed Maya with Ethan, 55, in July 1998. The exes, who split in 2005, also share son Levon, 24. Ethan is also father to daughters Clementine, 17, and India, 14, whom he shares with wife Ryan Shawhughes Hawke.)

Maya’s Stranger Things costars were also represented on the guest list, with Finn Wolfhard, Gaten Matarazzo, Caleb McLaughlin, Sadie Sink, Natalia Dyer and Joe Keery all showing up to toast the happy couple.

Maya and Hutson’s wedding day was unexpected as the pair never publicly announced their engagement.

The newlyweds dated for roughly three years before they walked down the aisle. They were first romantically linked in 2023.

Maya opened up about finding love with Hutson in 2024 during an appearance on The Zach Sang Show.

Related: See the ‘Stranger Things’ Cast From Season 1 to Now

Millie Bobby Brown, Gaten Matarazzo and the rest of the Stranger Things cast have evolved tremendously since the show began in 2016. The once relatively unknown actors burst into the Hollywood industry full speed ahead after the drama’s massive success. “I don’t think Netflix thought it was going to be as huge as it became, […]

“I cannot recommend highly enough dating your friends. It’s the best,” she gushed. “They know you, and as a human being who has dated other people. They really know you as a person who has feelings … not just a piece of paper for them to project their image of [the] perfect girlfriend onto. It’s the best to feel seen in that way.”

That same year, Hutson peeled back the curtain on his and Maya’s working relationship after recording several songs together.

“I just have so much fun writing with her, similar to Phoebe [Bridgers],” Hutson told Extra in November 2024. “I think she really understands how my brain works and is very good at helping flesh out the little world. It’s fun to be bouncing these characters around with her, and it’s just unbelievable.”

Netflix has yet to confirm the return of Selling Sunset for season 10, but the cast has already hinted who will — and won’t — return.

Season 9, which premiered in October 2025, left the future of the show unclear, with many of the central friendships fractured. Emma Hernan was no longer close to Chrishell Stause — or Chelsea Lazkani — due to her relationship with then-boyfriend Blake Davis.

Chrishell, meanwhile, was only on good terms with Chelsea, who was also keeping her distance from the rest of the cast. Chelsea was specifically at odds with Mary Bonnet and Bre Tiesi after individual feuds addressed on screen.

The cast member with the most drama became Nicole Young after Jason and Brett Oppenheim fired her following a controversial group dinner. Most of the show’s stars refused to film with Nicole, which led to further complications.

Related: What the ‘Selling Sunset’ Cast Has Said About Returning — Or Quitting

Netflix Selling Sunset getting renewed for season 9 feels inevitable, but will the whole group be back? The reality series, which debuted in 2019, became an overnight success for Netflix as viewers were introduced to employees at high-end Los Angeles real estate brokerage the Oppenheim Group. Selling Sunset always has fans talking — whether it […]

By the time the group sat down for the reunion, the division was worse than ever. Several cast members later teased that they were unsure about coming back for more episodes while former stars like Christine Quinn hinted at a possible return.

Scroll down to see which stars are — and are not — planning to return for a season 10:

Jason Oppenheim

It wouldn’t be Selling Sunset without the brothers who put the Oppenheim in the Oppenheim Group, so Jason Oppenheim is expected to be back.

Brett Oppenheim

The same goes for Brett Oppenheim, since Jason needs someone to argue with about the hedge in front of their office.

Christine Quinn

Christine Quinn exited Selling Sunset after season 5, which aired in 2022. Christine teased the possibility of her return to the reality show in February 2026. Us exclusively revealed in March 2026, “Christine is coming back” for season 10 after nearly four years off the show.

An insider told Us at the time that filming was already “supposed to start” but it had been “delayed because they are waiting for [Christine] to finish negotiations.”

Mary Bonnet

“Absolutely [I will come back]. I think so,” Mary Bonnet said during a red carpet interview at the 2025 National Television Awards. “As long as everyone’s on the same page on the direction that we want the show to go in. I’ll always be back.”

Chrishell Stause

When asked about returning for another season of the hit reality series, Chrishell Stause appeared to hint she was weighing her options.

“The reunion was so brutal. In that moment, I realized I will be done here going forward. I wish everyone the best, but this isn’t the place for me. It felt a little bit like a dog pile,” she told Variety in October 2025. “I don’t know when they will start filming. I hope they never tell me.”

She confirmed her exit one month later. “I’ve gotten to a place where I don’t need the show financially. I’m lucky to have other forms of employment, because it’s no longer good for my mental health,” she told Bustle.

Us confirmed in March 2026 that Chrishell is “not coming back” after previously talking about her need to take a step back.

Heather Rae El Moussa

“If I was to ever go back, it would be with Selling Sunset [and not Selling the OC] — just because that was my group,” Heather Rae El Moussa told Us in July 2025 before her season 9 cameo. “We were all an office and friends before Selling Sunset was even a show.”

She continued: “I have a rapport with them, I have loyalty with them and I have a lot of history with them. So if I want to go back, it would be Selling Sunset and not Selling the OC.”

Us exclusively confirmed in March 2026 that Heather is returning for season 10 of the Netflix series after leaving during season 7 in 2023.

Amanza Smith

Despite shifting back to interior design instead of selling real estate, Amanza Smith will likely return in season 10.

Emma Hernan

During an exclusive interview with Us in November 2025, Emma Hernan remained unsure about her future with the show.

“It’s one of those things where we’ll see when the call comes. But I’m really happy with my life right now, and it’s been really peaceful. It was just such a refreshing feeling to be done with the reunion, because that was so emotionally draining,” she explained. “I’ve been just really enjoying my time on the East Coast. A lot of time with my family, a lot of time with Blake, and I can’t picture at this moment filming again. I’m really happy with where things are at, and we’ll see what happens.”

Emma hinted at a possible departure on the “Untraditionally Lala” podcast, saying, “I was basically done [after] season 8 and I came back to tell my side of the story. I mean, I’m kind of … I’m tapped [out].”

Emma said she didn’t want to make an official statement. “I’ll never say never. I don’t like when people say they’re not going to join the show and then they do. I’ve heard that so many times where people are like, ‘I’m never coming back.’ And they’re back every season,” she added. “A lot of people have done and said that — I’m not naming names.”

She continued: “I’ve actually never said it but I’m at a point where I’m really happy with my life. I love my family. I’ve been trying to spend more time with them. I enjoy being home with the family and I’ve been on the East Coast a lot this year, which has been really nice for me.”

Chelsea Lazkani

While attending the 2025 National Television Awards, Chelsea Lazkani said she was “undecided” about coming back for more seasons. Us exclusively confirmed in March 2026 that, like Chrishell Stause and Nicole Young, Chelsea is not coming back for another season.

Nicole Young

Season 9 showed Nicole Young getting fired from the Oppenheim Group, which she later claimed was just for show.

“I still work at the Oppenheim Group. Getting ‘fired’ was just a dramatic story line,” she wrote via Instagram in October 2025. “I wasn’t privy to [it] until I saw the episode where the cast was told I was let go.”

Nicole then hinted she could return in season 10, telling Netflix’s Tudum, “My new priority will be Nashville, but it definitely won’t be goodbye to L.A. real estate.”

A source exclusively told Us in March 2026 that Nicole would not be returning to the reality show for the new season.

Bre Tiesi

Bre Tiesi will likely return in season 10 but hasn’t confirmed or denied anything yet.

Alanna Gold

After joining the show one season prior, Alanna Gold was largely missing from most scenes in season 9. It remains unclear whether she will come back for more episodes.

Sandra Vergara

Sofía Vergara‘s sister Sandra Vergara hinted to Us that she wanted a chance to share more of her side of the story after joining season 9 later on.

“I came in midseason. So, I just wish I was introduced before,” she told Us in October 2025. “I don’t come from that world and I am a big personality, but these people had a lot of history with one another. You have to navigate [a lot]. At first, I didn’t want to watch the show because I wanted to make my own impressions. But then I’m like, ‘F*** it. I’m going to watch the show.’”

She continued: “I watched it and I understand why certain people have anger toward certain people. To me, it’s all very unnecessary. It is little things, and how is that a reason for an ongoing feud? Don’t make a thing more than what it actually is.”

The early 1950s were a fascinating period in film history, a moment when Hollywood spectacle, international artistry, and daring storytelling intersected in new ways. In particular, the movies of 1951 capture a world in transition, reflecting postwar anxieties, romantic idealism, technological curiosity, and evolving cinematic language.

They come in all shapes and sizes, from noirish psychological thrillers and sweeping romances to groundbreaking sci-fi and dazzling musicals. The best went on to be deeply influential. Their combination of artistry and emotional power has ensured their place in movie history.

10

‘Ace in the Hole’ (1951)

Image via Paramount Pictures

“I don’t go to church. Kneeling bags my nylons.” Ace in the Hole is a satirical drama from Billy Wilder with strong hints of film noir. It features Kirk Douglas as a cynical journalist who stumbles upon a man trapped in a cave (Richard Benedict) and manipulates the situation into a media spectacle to revive his career. This setup becomes the springboard for a study of the darker sides of ambition and public fascination. These themes continue to ring true today, perhaps even more than they did in the ’50s.

Much of the movie’s success comes courtesy of Douglas’ fierce performance. Here, he’s charismatic, ruthless, and deeply flawed, making the character both fascinating and repellent. He’s handed a tight, smart script that maintains its momentum and serves up more than a few great lines. All in all, while Ace in the Hole was not popular in its own time, it remains a sharp critique of media sensationalism.

9

‘The River’ (1951)

Image via United Artists

“The river flows and we must follow.” Directed by French legend Jean Renoir, The River tells the story of a British family living along the Ganges in India, seen through the eyes of a young girl (Patricia Walters) coming of age amid cultural encounters, personal loss, and quiet discoveries. Rather than being a conventional narrative, the movie consists of a series of reflections on childhood, change, and the passage of time. The storytelling is gentle and observational, touching on universal experiences of growing up. As a result, despite being rooted in a very specific moment, The River feels timeless.

In addition, the movie stands out with its extraordinary sense of atmosphere and place. Renoir richly captures the rhythms of life along the river, showing festivals, daily routines, and the changing seasons. The lush Technicolor photography brings the landscape to life, making the natural environment feel almost like another character in the story.

8

‘The Lavender Hill Mob’ (1951)

Image via Universal Pictures

“I’m not a criminal. I’m an entrepreneur.” The Lavender Hill Mob is one of the defining comedies from British production company Ealing Studios. It follows a mild-mannered bank clerk (Alec Guinness) who devises an elaborate plan to steal gold bullion and smuggle it abroad by melting it into souvenir statues. But as the scheme unfolds, unforeseen complications naturally arise, leading to a series of comedic misadventures that test the conspirators’ ingenuity. A big part of the fun comes from watching the characters’ carefully laid plans unravel spectacularly.

The movie continues to hold up today because the pacing is brisk and the script is clever. The plot moves quickly from set piece to set, buoyed by a constant stream of witty dialogue. Plus, the film benefits enormously from Guinness’ performance. Instead of portraying the mastermind as a typical criminal, he plays him as timid, polite, and almost painfully ordinary. This contrast drives much of the humor.

7

‘The African Queen’ (1951)

Image via United Artists

“Nature, Mr. Allnut, is what we are put in this world to rise above.” The African Queen is one of the major works by director John Huston. The story pairs a rough riverboat captain (Humphrey Bogart) with a prim missionary (Katherine Hepburn) as they journey through treacherous waters during World War I. Their unlikely partnership evolves into mutual respect and affection over the course of their daring mission. While that premise might not sound like anything special, the film succeeds due to the sheer megawatt star power and the chemistry between the leads.

The characters begin as complete opposites: Charlie is scruffy, cynical, and fond of drinking, while Rose is disciplined, determined, and morally upright. Watching these two personalities clash, cooperate, and gradually grow closer is endlessly entertaining. The character development is very satisfying. Not to mention, the plot is filled to the brim with adventure, with danger dogging the protagonists at every turn.

6

‘An American in Paris’ (1951)

Image via Loew’s Inc.

“Why can’t you behave?” This is one of the great musicals, a colorful extravaganza boasting some of the decade’s most enjoyable music and dance routines. The story focuses on an expat painter (Gene Kelly) pursuing both artistic success and romantic fulfillment in postwar Paris. There, he falls in love with a young French woman, Lise (Leslie Caron). Kelly is great in the part, turning in a physical and incredibly expressive performance that’s heightened yet still feels emotionally real.

Acting aside, An American in Paris simply wows with its choreography (also handled by Kelly). The most famous sequences are the provocative chair dance and the extended ballet finale, which lasts nearly seventeen minutes. In this ambitious dream sequence, the sets and costumes are designed to resemble famous styles of French painting, including Impressionism and other artistic movements. The result is a breathtaking fusion of dance, music, and visual art.

5

‘The Day the Earth Stood Still’ (1951)

Image via 20th Century Studios

“Klaatu barada nikto.” The Day the Earth Stood Still begins with the arrival of an alien visitor, Klaatu (Michael Rennie), and his imposing robot Gort, who land in Washington, D.C., bearing a warning for humanity. Klaatu seeks to communicate a message about the dangers of violence and the need for global cooperation in the atomic age, but governments react with fear and suspicion. At the time, this premise bucked sci-fi convention, presenting the extra-terrestrial not as a fearsome invader but a moral messenger.

The imagery is striking and went on to be influential, helping to define the look of sci-fi. Sure, these visual effects are very dated now, but the themes are still relevant, speaking to Cold War anxieties yet offering a broader commentary on fear, responsibility, and the possibility of change. Klaatu’s warning serves as a metaphor for the dangers of unchecked militarism and paranoia, especially when it comes to nuclear weapons. Despite that bleakness, the movie is fundamentally hopeful.

4

‘A Place in the Sun’ (1951)

Image via Paramount Pictures

“I love you… I love you… I love you.” Montgomery Clift leads this one as George Eastman, a young man who rises from poverty and becomes entangled in a romantic triangle between a wealthy socialite (Elizabeth Taylor) and a factory worker (Shelley Winters) who becomes pregnant. He struggles with ambition and desire, and his choices eventually lead to devastating consequences that test his character. The story that follows is emotionally intense and deeply tragic.

This might have been a little overwhemingly grim were it not for the stellar performances. Clift plays George as sensitive and conflicted, a man torn between love, ambition, and desperation. Meanwhile, Taylor is typically memorable in her part, bringing elegance and idealism. Their dynamic crackles with romantic energy. Director George Stevens knows how to shoot his stars, using evocative lighting, close-ups, and carefully composed frames to heighten the emotional tension, winning the Best Director Oscar for his efforts.

3

‘Strangers on a Train’ (1951)

Image via Warner Bros.

“Crisscross.” Here, Alfred Hitchcock adapts Patricia Highsmith‘s novel into a terrific psychological thriller, built on the sturdy foundation of a screenplay co-written by Raymond Chandler. Strangers on a Train centers on two men (Farley Granger and Robert Walker) who meet by chance and discuss the idea of exchanging murders to avoid detection. When one of them takes the conversation seriously, the other becomes trapped in a psychological nightmare as he struggles to escape the consequences of a pact he never intended to honor.

Hitchcock’s directorial brilliance is on display the whole way through. Here, he uses visual storytelling, clever editing, and carefully staged sequences to build white-knuckle suspense. Scenes such as the chaotic carousel climax and the famous tennis match, where Bruno’s still gaze contrasts with the crowd’s moving heads, demonstrate his mastery of cinematic tension. While it opened to mixed reviews, Strangers on a Train is now ranked among the Master of Suspense’s very best films.

2

‘A Streetcar Named Desire’ (1951)

Image via Warner Bros.

“I have always depended on the kindness of strangers.” Directed by Elia Kazan, A Streetcar Named Desire brings Tennessee Williams’ play to the screen, following Blanche DuBois (Vivien Leigh) as she arrives in New Orleans to stay with her sister Stella (Kim Hunter) and Stella’s husband Stanley (Marlon Brando). Their apartment sooms becomes a pressure cooker of tension and desire, as Blanche’s fragile illusions collide with Stanley’s harsh realism.

The result is one of the great ensemble dramas, with practically everybody turning in a phenomenal performance. Indeed, Leigh, Hunter, and Karl Malden would all win Oscars for their work. That said, the most impactful performance belongs to Brando. With this role, he brought a new style of naturalistic acting to the screen, combining physical intensity with emotional unpredictability. His energy is truly explosive, making it hard to look away. It’s one of the very best performances of the 1950s.

1

‘Alice in Wonderland’ (1951)

Image via Walt Disney Studios Motion Pictures

“We’re all mad here.” Alice in Wonderland is one of those animated classics so good that it feels less like a regular movie and more like a modern myth or shared dream. Vividly bringing Lewis Carroll‘s vision to the screen, this iconic tale follows a curious young girl (Kathryn Beaumont) who tumbles down a rabbit hole into a whimsical world filled with eccentric characters, talking animals, and surreal adventures. The most memorable figures include the Cheshire Cat, the Mad Hatter, and the Queen of Hearts, characters now recognized the world over.

The visual design is amazing the whole way through. The animators fully embrace the surreal nature of Wonderland, filling the film with shifting perspectives, strange landscapes, and exaggerated characters. The colorful animation gives the film a dreamlike quality that perfectly captures the playful nonsense of Carroll’s writing. In this regard, Alice in Wonderland was a forerunner to the psychedelic aesthetic that would become popular a decade later.

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Alice in Wonderland

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Release Date

July 26, 1951

Runtime

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75 Minutes

Director

Clyde Geronimi, Wilfred Jackson, Hamilton Luske

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Writers

Winston Hibler, Ted Sears, Bill Peet, Erdman Penner, Joe Rinaldi, Milt Banta, Bill Cottrell, Dick Kelsey, Joe Grant, Dick Huemer, Del Connell, Tom Oreb, John Walbridge

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Ahh, springtime! The season of longer, warmer days, outdoor dining and lighter, brighter fashion. If you, like Us, are ready to shed your bulky layers and welcome breezy dresses and easy footwear this time of year is known for, you’re in luck. Amazon is full of stylish pieces that will not only make getting dressed feel joyful again but are also totally ‘in’ for spring 2026.

After some research, we narrowed down our list of the season’s top fashion trends to a fierce four. These tiny upgrades will complement what you already own, ensuring your warm-weather outfits don’t look dated. And, while this mix of printed tops, lacy skirts and eye-catching accessories look luxe, they’re secretly budget-friendly, so your spring shopping spree will leave you feeling satisfied rather than guilty.

Spring 2026’s Top Fashion Trends

Lots of Spots

No need to get your vision checked — you really are seeing spots. While forever-chic polka dots are no doubt taking over the fashion scene, we’ve also noticed an uptick in deer, Dalmatian and cheetah prints, proving that circular designs are ‘in’ this year.

1. Everyday Essential: If the goal is to find pieces you can pull on in a pinch, this lightweight, short-sleeved sweater is calling your name. It’s super stylish, thanks to the polka dots and flutter sleeves, and since it’s knit, you won’t have to break out the iron.

2. Secretly Slimming: There’s a lot to love about Grace Karin’s spotted dress — the brown and white color scheme, an easy front-zip design, etc. But perhaps our favorite detail is the smocked middle. It creates a flexible, fit-and-flare silhouette that’s subtly slimming and flattering on all body types.

3. Outfit Enhancer: On days when your T-shirt and jeans combo isn’t quite cutting it, just add a vest. This LifeShe option features a spotted animal print that instantly livens up any look, making it feel more fashion-forward.

4. Breezy Bottoms: Trade that everyday denim for comfy-cool trousers. Decorated with white spots, this black, high-waisted pair is just bold enough to make a statement without feeling over-the-top. The pants look just as great with a button-down shirt at the office as they will with an oversized tee on your day off.

Touch of Texture

After a few cold and dreary months, we’re itching to feel something again. . . and in this case, we mean fringe, lace, sequins and crochet. Some of our favorite spring 2026 designs include details that make you want to reach out and touch ’em, giving your outfits a much-needed dose of fun.

5. Expensive-Looking: Between the crocheted design, preppy collar and colorful side stripes, this short-sleeved polo feels like something you’d spot at a fancy boutique. It’s the perfect piece to pull on and go, pairing well with everything from swishy A-line skirts to white, rich mom pants.

6. Two in One: Satin skirts are a mainstay in our wardrobe — the foundational piece is extremely versatile, whether you’re dressing it up with heels or keeping things casual with sneakers or sandals. Spring 2026’s version includes a hint of lace, giving this bottom a lingerie-like twist that adds interest to every outfit.

7. Easy Sequins: We still enjoy sequin dresses and jumpsuits, but this year, you don’t have to wait for a fancy occasion to rock some sparkle. An embellished tank top can seamlessly be worked into your rotation, amping up your outfits in a way that’s low-effort and wearable.

8. Tiny Update: Fringe finds its way back into our closet every few years, but this time, it’s less Western. The detail has been added to everyday staples, such as denim jackets, making your spring uniform feel fresh and modern.

Soft Shades

Like florals, pastels for spring aren’t exactly groundbreaking, but in 2026, it feels that way. After years of shocking neon shades, like the electric green of ‘Brat summer,’ and clean-girl neutrals, we’re back to something softer, sweeter and somewhere in the middle.

9. Pale Pink: As the most neutral of the bunch, light pink shades are just as easy to style as beige and white. Still, if you’d rather take the guesswork out of putting together an outfit, go with a matching set. This short-sleeved pick is made from cotton-blend materials, so it’s breathable enough for warmer days, but will still protect you on chillier ones.

10. Dusty Blue: On days when the temperature falls in the 60s or 70s, this blue cardigan will prove to be the ultimate layer. The cozy, knit design is practical and pretty, complete with puffy sleeves and feminine, bow-like ties.

11. Butter Yellow: Let’s face it — spring really does come in like a lion. If it’s still super cold in your neck of the woods, this sunny sweater is a smart way to wear the season’s hottest color without sacrificing warmth. Even Martha Stewart is a big fan of butter yellow!

12. Mint Green: PrettyGarden’s smocked dress is no doubt a worthy investment. While the green checkered design pairs perfectly with denim jackets and bombers on in-between days, you’ll reach for the same piece come summer when you need an easy, breezy yet elevated outfit.

Eye-Catching Extras

By now, you’re likely noticing that this season is less about quiet luxury and more about being bold. However, there’s no need to do a clean sweep of your closet. Little additions, like large brooches and satin scarves, will instantly make old items feel new again.

13. Pin Up: Much like your favorite necklace or pair of earrings, a brooch pin is an easy way to give your outfit a personal touch. Whether you rock one or layer up, this pearl-embellished flower looks eerily similar to designer options, making your outfit feel extra luxe.

14: Arm Candy: You’re bound to spot a chunky gold bangle on nearly every red carpet, but the accessory is totally wearable in everyday life, too. This set makes it easy to stack ’em or wear solo, elevating everything from button-ups to wedding guest dresses.

15. Satin Scarves: This spring, a satin-like scarf is the ultimate must-have. While you can knot it around your neck and wear it in a more traditional way, many fashionistas are wrapping them around their waist, layering printed picks over jeans and maxi skirts. So chic!

16: Shoe Swap: Nothing makes your outfit look more expensive than a sleek shoe. . . which is probably why Steve Madden’s Leni flats are selling fast! The slipper-inspired design is simple yet unexpected, and looks just like a trendy, celeb-loved shoe that costs over $1,000!

Vampires movies have been around since the beginning of the horror genre. With an undead force stalking its victims in the dark, the subgenre feels like a mashup of zombie movies, slashers, and creature features, while being something so much more. Sometimes vampires are purely there to scare, other times they’re sympathetic, and often sensuality and romance are involved, with a once living person now cursed by an insatiable desire.

Because they’ve been part of film for over a century, limiting the absolute best and most important vampire movies to just four is a challenge. This means omitting the likes of The Lost Boys, Bram Stoker’s Dracula, Interview With a Vampire, and all of those Christopher Lee Hammer Films. So which four make it as the faces of the vampire Mount Rushmore?

‘Nosferatu’ (1922)

Image via Film Arts Guild

There is no list like this that does not begin with Nosferatu, the first ever vampire movie. Although it’s an unofficial adaptation of Bram Stoker‘s novel Dracula, director F.W. Murnau is not restrained. Nosferatu follows familiar beats, with Max Schreck as Count Orlok, a vampire who travels across the ocean to Germany, complete with a plague in tow. Once he lands, he sets his sights on Ellen Hutter (Greta Schröder), the only woman who may be able to bring an end to his terror.

Nosferatu is a course in filmmaking and how to overcome limitations. Because it’s 1922, this is a silent film, meaning that the film must succeed based on its visuals. Murnau uses German Expressionism, a form of storytelling with the emotion layered on the screen through the use of lighting and twisted shapes. Nosferatu is filled with dark corners and elongated shadows, like the terrifying shots which show Orlok’s visage lit against a wall, or in a brilliant moment, his long hand reaching out. Max Schreck becomes the character, so much so that his peculiar performance led to the biopic Shadow of a Vampire starring Willem Dafoe. With his long face, pointy ears, and rat-like teeth, Orlok will send chills down your spine from a century away. There have been reboots of Noseferatu, but none did so much with so little.

‘Dracula’ (1931)

Image via Universal Pictures

The most famous vampire movie ever made came nine years later with Tod Browning‘s Dracula. The plot is close to what Nosferatu had already done, except with the addition of Van Helsing (Edward Van Sloan) as the famed vampire hunter, and a much different representation of the villain. Rather than being monstrous, the titular Dracula, with Bela Lugosi in the role, is a suave, sophisticated antagonist with his cape, bow tie, and slicked back hair. He’s portrayed as more man-like than a horrendous creature. The pop culture representations of Dracula now, from the Hammer films to the Count in Sesame Street, started here. Bela Lugosi IS Dracula, no matter how many other adaptations there have been.

Notably, this is the first variation of Dracula to appear on-screen with sound, allowing the audience to hear what the Count sounds like with his thick, rolling, hypnotic accent. Browning nails the gothic horror aesthetic while continuing to employ the German Expressionism-like style of filmmaking that focuses on shadows and atmosphere. The director also takes his time, letting the dread slowly build, and using the tension of silence to great effect. Maybe Dracula is dated for some modern audiences, but this is the most iconic vampire movie and always will be. Dracula is a moving history lesson playing out right in front of your eyes.

‘Let the Right One In’ (2008)

Image via Sandrew Metronome

There were countless vampire movies between 1931 and 2008. So why does the Swedish film Let the Right One In find itself on Mount Rushmore? Because it takes everything we know about vampires and turns it on its head, defying expectations to take a well-worn subgenre in a fresh direction. Based on a novel of the same name by John Ajvide Lindqvist, Tomas Alfredson (Tinker Tailor Solider Spy) directs this unique coming-of-age film about a bullied boy named Oskar (Kåre Hedebrant) in desperate need of a friend. He finds one in an odd girl new to town named Eli (Lina Leandersson). The twist is that Eli is a centuries-old vampire. However, rather than Oskar’s life being in danger, Let the Right One In is a sweet story about friendship and what two people will do for each other.

Vampire movies often relegate the undead to the role of the antagonist. Let the Right One In switches that up by making Eli the hero. She’s a dangerous, bloodthirsty killer, for sure, but she’s written as a creature in pain who needs someone even more than Oskar does. Rather than fearing Eli, both the audience and Oskar fall for her through one shocking twist to the next. Alfredson doesn’t overdo it with his direction. Rather than being too stylish, he stands back and lets the kids tell the stories, dipping in here and there to show the contrast of deep red blood on white snow. It’s a sad story, but Let the Right One In has one of the most messed-up, feel-good endings in horror history.

‘Sinners’ (2025)

Image via Warner Bros. Pictures

Will Ryan Coogler ever make a bad movie? If anything, the writer and director only seems to be getting better, and Sinners proves it. Yet again, he teams up with Michael B. Jordan in what may be his most challenging role yet, because this time, he plays two characters, twin brothers Smoke and Stack. The first third of the movie isn’t a vampire movie at all. Instead, it’s a well-shot period piece about siblings in 1930s Mississippi who start their own juke joint. There’s already enough drama with local racists and the return of love interest Mary (Hailee Steinfeld). Then the vampires show up, led by the terrifying Remmick (Jack O’Connell), and all hell breaks loose.

Sinners made history by becoming the most nominated film in Academy Award history. It more than deserves every single one of them. Coogler’s directing is flawless. Jordan makes you forget that he’s playing two different people on screen at the same time. Veteran actor Delroy Lindo shines. The cinematography is stunning, the costumes impeccable. Sinners has it all. There’s a deep message there about racism. Rather than being a downer of a movie though, Sinners is also a celebration of Black culture, especially with the transformative history of Black music scene. Even if those aspects were missing, Sinners is still a great vampire movie. What puts it on Mount Rushmore is that it’s so much more.

Christine Quinn is back with the “Selling Sunset” crew!

The reality TV personality has rung the bell on her four-year break on the show as she prepares to join the cast for filming right after the negotiations are done and dusted.

The 37-year-old’s “Selling Sunset” exit has been credited for changing the entire trajectory from an authentic production to a less interesting one due to the genuine energy Christine Quinn brought to the show and how well she connected with the viewers.

Inside Christine Quinn’s Return To The Real Estate Series

The show’s tenth season will welcome Quinn back after filming was delayed for her to complete negotiations, four years after she bowed out in 2022. Quinn’s TV comeback comes a few months after Chrishell Stause announced in November that she was leaving the show after nine seasons.

Stause will not be making a return to the series, nor will Nicole Young and Chelsea Lazkani, who joined the show in 2020 and 2022, respectively. Quinn debuted on the show in 2019 alongside Stause, Maya Vander, Heather Rae El Moussa, and Davina Potratz.

Together, they formed part of the Oppenheim Group in Los Angeles, owned by twin brothers Jason and Brett Oppenheim. As noted by US Magazine, she left the show after the conclusion of its fifth season in 2022, stating that her departure was meant to propel her to pursue her own brokerage, which she created with her ex-husband, Christian Dumontet.

The Reality Star Hinted At A Possible Return In February

As shared by The Blast, Quinn got candid about making a return to the show and largely leaned towards being unsure, but noted that talks were being had behind the scenes. According to her, she would always be open to having fun and closing deals on the show, but the entire situation needs to make sense for her as well before she gives a positive nod.

Quinn further revealed that despite exiting the show, she still keeps in touch with some of the cast, like Jason, whom she loves so dearly, alongside other female cast members from the show. The former Netflix star then added that since leaving, she has not watched the show, but she is fully aware that things took a darker turn compared to when she was on the show.

She stated that people have been acting like a veil was lifted off their faces about certain situations she had addressed, where they thought she was being dramatic. According to her: “I had a lot of people that told me, ‘I went back and watched the season over again, and it’s like I was wearing rose colored glasses the first time I saw it.’ And so that does make me feel good.”

Davina Potratz Spilled The Tea On The Effect Of Constantly Changing Casts

Potratz noted that since Quinn left the show alongside other stars like Vander, the tone and balance of the series changed totally. The Blast stated that she described the early cast of the show as the perfect storm of ambition, luxury, and personality, which had been difficult to replicate since they left.

She praised the combination of Quinn’s charming personality, Maya’s calm demeanor and pragmatism, with Potratz’s honest professionalism as a chemistry made-for-TV success. Potratz emphasized that fans loved watching them unravel and find their way back in front of the camera, although what they had was not perfect, it was real.

She continued that as the show introduced more storylines and new faces every season, the emotional connections that once defined the season began to wane. Potratz added that while the new cast brought their flair and unique touch to the show, constantly swapping out casts prevents audiences from building the same kind of investment and commitment.

Christine Quinn’s Return Comes Right In The Middle Of Her Divorce

The former Netflix star dealt with a huge blow in her marriage, two years after she stepped aside on the show, as she filed for divorce from Dumontet in April 2024. Nearly one year after the filing, she revealed in a 2025 interview that people did not really know the things going on in the marriage and how bad things were.

The reality star, who is currently staying in Texas with her son, stressed that she had to relocate because she did not have a choice, and was granted an emergency protective order, but her ex violated that. She added that her ex kept coming back to the house, prompting them to stay in hotels and couch-surfing while in Texas.

Quinn revealed that relocating meant leaving her life behind, completely stripped of everything she knew overnight and forced to deal with a resourceless, dehumanizing situation. She alluded to several issues leading to the marriage deteriorating before she eventually filed for divorce.

The 37-Year-Old And Christian Dumontet’s Divorce Began With A Domestic Conflict

The reality star and Dumontet’s marriage came crashing down after five years, and what followed was a nasty legal battle. The former couple got into it when the police got involved right after the Netflix alum claimed her estranged husband threw a bag of clothes, which accidentally landed on their son.

While Dumontet denied the incident, he was still arrested on an assault with a deadly weapon charge, but he was eventually released on bond. Following his experience and arrest, Dumontet proceeded with the divorce filing, stating that their marriage broke down due to irreconcilable differences. The software engineer requested sole custody of their son and requested for a termination of the “Selling Sunset” star’s right to spousal support.

Quinn and her estranged husband advanced their legal battle by seeking a restraining order against each other. The Netflix alum emerged victorious in two ways: first, getting her estranged husband to stay 100 yards away, and also winning exclusive use of their home in Los Angeles.

Season 10 of “Selling Sunset” is shaping up to be a blast with Christian Quinn’s presence!