A year after the word-of-mouth success of the four-part series Adolescence, Netflix released the documentary film Louis Theroux: Into the Manosphere, which revisited similar themes. Now, some months later, Adolescence writer Jack Thorne finds himself returning to ideas of masculinity and power once again in another four-part series for Netflix. Well, to be precise, the series was acquired by Netflix for domestic release, but it was aired in its home country of the United Kingdom back in February on BBC One. The new series has been met with near-universal acclaim, and it has a Rotten Tomatoes score that’s only one point below that of Adolescence.
We’re talking, of course, about Lord of the Flies. The series was released domestically on May 4, and according to FlixPatrol, it has already found a spot for itself on the streamer’s viewership chart. It trails the runaway hit true-crime series Should I Marry a Murderer and the recently released action-thriller Man on Fire. But Lord of the Flies ranks ahead of the second season of Running Point and the six-part drama-thriller series Unchosen. Based on the classic 1954 novel by William Golding, Lord of the Flies follows a handful of boys — they’re played by Lox Pratt, David McKenna, Ike Talbut, and Winston Sawyer — stranded on a tropical island after a plane crash. They create a makeshift society that descends into chaos.
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Collider Exclusive · Sci-Fi Survival Quiz Which Sci-Fi World Would You Survive? The Matrix · Mad Max · Blade Runner · Dune · Star Wars
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Five universes. Five completely different ways the future went wrong — or sideways, or up in flames. Only one of them is the world your instincts were built for. Eight questions will figure out which dystopia, galaxy, or desert wasteland you’d actually make it out of alive.
💊The Matrix
🔥Mad Max
🌧️Blade Runner
🏜️Dune
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🚀Star Wars
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01
You sense something is deeply wrong with the world around you. What do you do? The first instinct is often the truest one.
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02
In a world of scarcity, what resource do you guard most fiercely? What we protect reveals what we believe survival actually requires.
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03
What kind of threat keeps you up at night? Fear is useful data — if you’re honest about what you’re actually afraid of.
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04
How do you deal with authority you don’t trust? Every dystopia has a power structure. Your approach to it determines everything.
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05
Which environment could you actually endure long-term? Survival isn’t just tactical — it’s physical, psychological, and very much about where you are.
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06
Who do you want in your corner when things fall apart? The company you keep is the clearest signal of who you actually are.
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07
Where do you draw the line — if you draw one at all? Every survivor eventually faces a moment that tests what they’re actually made of.
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08
What would actually make survival worth it? Staying alive is one thing. Having a reason to is another.
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Your Fate Has Been Calculated You’d Survive In…
Your answers point to the world your instincts were built for. This is the universe your temperament, your survival instincts, and your particular brand of stubbornness were made for.
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The Resistance, Zion
The Matrix
You took the red pill a long time ago — probably before anyone offered it to you. You’re a systems thinker who can’t help but notice the seams in things.
You’re drawn to understanding how the system works before figuring out how to break it.
You’d find the Resistance, or it would find you — your instinct for spotting constructed realities is the machines’ worst nightmare.
You function best when you have access to information and the freedom to act on it.
The Matrix built an airtight prison. You’d be the one probing the walls for the door.
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The Wasteland
Mad Max
The wasteland doesn’t reward the clever or the well-connected — it rewards those who are hard to kill and harder to break. That’s you.
You don’t need comfort, community, or a cause larger than the next horizon.
You need a vehicle, a clear threat, and enough fuel to outrun it — and you’re good at all three.
You are unsentimental enough to survive that world, and decent enough — just barely — to be something more than another raider.
In the wasteland, that distinction is everything.
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Los Angeles, 2049
Blade Runner
You’d survive here because you know how to exist in moral grey areas without losing yourself completely.
You read people accurately, keep your circle small, and ask the questions others prefer not to answer.
In a city where humanity is a legal designation rather than a feeling, you hold onto something that keeps you functional.
You’re not a hero. But you’re not lost, either.
In Blade Runner’s world, that distinction is everything.
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Arrakis
Dune
Arrakis is the most hostile environment in the known universe — and you are precisely the kind of person it rewards.
Patience, discipline, and political awareness are your core strengths — and on Arrakis, they’re survival tools.
You understand that the long game matters more than any single victory.
Others come to Dune and are consumed by it. You’d learn its logic and earn its respect.
In time, you wouldn’t just survive Arrakis — you’d begin to reshape it.
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A Galaxy Far, Far Away
Star Wars
The galaxy far, far away is vast, loud, and in a constant state of violent political upheaval — and you wouldn’t have it any other way.
You find meaning in being part of something larger than yourself — a cause, a crew, a rebellion.
You’d gravitate toward the Rebellion, or the fringes, or whatever pocket of the galaxy still believes the Empire’s grip can be broken.
You fight — not because you have to, but because standing aside isn’t something you’re capable of.
In Star Wars, that willingness is what makes all the difference.
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Jack Thorne’s New Show Has All the Makings of a Word-of-Mouth Sensation
Lord of the Flies currently holds a “Certified Fresh” 96% score on the aggregator Rotten Tomatoes, where the consensus reads, “Fleshing out William Golding’s text with thoughtful observations about boyhood and sharpened by a uniformly terrific troupe of child actors, this retelling of Lord of the Flies seizes the conch shell and commands attention.” By comparison, Adolescence is now sitting at a 97% score. In his review, Collider’s Shawn Van Horn noted Lord of the Flies‘ similarities to the recent series Yellowjackets and wrote, “If its four episodes had been a bit shorter, and a few changes to the source material had been reversed, Lord of the Flies could have achieved greatness; instead, it settles for being pretty good.” Incidentally, an animated adaptation of the similarly themed novel “Animal Farm” is currently playing in theaters, albeit not too successfully. Stay tuned to Collider for more updates.
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