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Jimmy Kimmel Breaks Silence on Trump Calling for His Firing

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Jimmy Kimmel has broken his silence over President Donald Trump and first lady Melania Trump demanding his firing from his late-night show.

“Sometimes you wake up in the morning and the first lady puts out a statement demanding you be fired from your job. We’ve all been there, right?” Kimmel, 58, joked in his Jimmy Kimmel Live! monologue on Monday, April 27.

Controversy arose following a shooting at the White House Correspondents’ Dinner on Saturday, April 25, where a Secret Service agent was injured. The president, first lady and members of the cabinet were safely evaluated from the Washington Hilton ballroom, while authorities captured suspected shooter Cole Tomas Allen.

(On Monday, Allen was charged with “one count of attempt to assassinate the President of the United States, transportation of a firearm and ammunition in interstate commerce with intent to commit a felony, and discharge of a firearm during a crime of violence,” per the Justice Department. Allen has not yet entered a plea.)

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Jimmy Kimmel Addresses Melania Trump's Epstein Comments


Related: Jimmy Kimmel Weighs In After Melania Trump Shuts Down Epstein Rumors

Jimmy Kimmel shared his thoughts after Melania Trump held a press conference to clear up her supposed connection to Jeffrey Epstein. “Why is this happening today?” Kimmel, 58, asked the audience during the Thursday, April 9, episode of Jimmy Kimmel Live! before making reference to President Donald Trump‘s threats against Iran. “He spent the past […]

The comments the Trumps took issue with were made on Jimmy Kimmel Live! on Thursday, April 23 — two days before the White House Correspondents’ Dinner. As part of a 10-minute roast of the president, Kimmel joked that Melania had a “glow like an expectant widow.”

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Kimmel later teased that Melania would celebrate her 56th birthday on Sunday, April 26, “the same way she always does — looking out a window and whispering, ‘What have I done?’”

Following the White House Correspondents’ Dinner shooting, Melania released a statement accusing Kimmel of “hateful and violent rhetoric” that “is intended to divide our country.”

“His monologue about my family isn’t comedy — his words are corrosive and deepens the political sickness within America,” she insisted. “People like Kimmel shouldn’t have the opportunity to enter our homes each evening to spread hate.”

Kimmel stressed during his monologue on Monday that his reference to Melania, 56, being an “expectant widow” was a simple joke about the age gap in her marriage.

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“This was Thursday. There was no big reaction to it, until this morning, when I greeted the day facing yet another Twitter vomit storm and a call to fire me from our first lady, Melania Trump, saying I should be fired because of a joke I made, again, five nights ago. It was a pretend roast,” he pointed out.

The Jimmy Kimmel Live! host went on, “It obviously was a joke about their age difference and the look of joy we see on her face every time they’re together. It was a very light roast joke about the fact that he’s almost 80 and she’s younger than I am. It was not, by any stretch of the definition, a call to assassination, and they know that. I’ve been very vocal for many years, speaking out against gun violence, but I understand that the first lady had a stressful experience over the weekend, and probably every weekend is pretty stressful in that house.”

Kimmel outright rejected Melania’s accusation that he’d contributed to “hateful and violent rhetoric” with his joke last Thursday.

“I think a great place to start to dial that back would be to have a conversation with your husband about it,” he quipped.

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Kimmel then more seriously told Melania, “I am sorry that you, and the president and everyone in that room went through that. I really am. Just because no-one got killed doesn’t mean it was not traumatic and scary. We should come together and be best.”

Us Weekly has reached out to the White House for comment.

GettyImages-2272944468 Jimmy Kimmel Breaks Silence on Donald and Melania Trump Calling for His Firing

Donald Trump and first lady Melania Trump on April 27.
Getty Images/AP Photo/Alex Brandon, Pool

On Monday, Donald, 79, took the matter one step further than the first lady by calling for ABC to fire Kimmel from his late-night show.

“Wow, Jimmy Kimmel, who is in no way funny as attested to by his terrible Television Ratings, made a statement on his show that is really shocking,” the president shared via his Truth Social on Monday. “He showed a fake video of the First Lady, Melania, and our son, Barron, like they were actually sitting in his studio, listening to him speak, which they weren’t, and never would be. He then stated, ‘Our First Lady, Melania, is here. Look at Melania, so beautiful. Mrs. Trump, you have a glow like an expectant widow.’”

The president went on, “A day later a lunatic tried entering the ballroom of the White House Correspondents Dinner, loaded up with a shotgun, handgun, and many knives. He was there for a very obvious and sinister reason. I appreciate that so many people are incensed by Kimmel’s despicable call to violence, and normally would not be responsive to anything that he said but, this is something far beyond the pale. Jimmy Kimmel should be immediately fired by Disney and ABC. Thank you for your attention to this matter!”

Kimmel was briefly suspended by ABC last September following comments he made on air following the death of conservative activist Charlie Kirk. Numerous Hollywood stars and fans mounted a campaign in his defense and he eventually returned to the airwaves. (He later signed a one-year contract extension with ABC.)

Jimmy Kimmel Live! airs weeknights on ABC.

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Thigh Chafing? These Shorts Keep You Cool and Comfy All Day

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Thigh Chafing? These Shorts Keep You Cool and Comfy All Day

Us Weekly has affiliate partnerships. We receive compensation when you click on a link and make a purchase. Learn more!

Sponsored content. Us Weekly receives compensation for this article as well as for purchases made when you click on a link and buy something below.

If you’ve ever planned an outfit around avoiding thigh chafing, you already know how frustrating spring and summer dressing can be. Between warm afternoons, long walks and those first truly mild days, staying comfortable isn’t always as simple as throwing on a breezy dress. The wrong base layer can make things worse — but luckily, there’s an easy fix that makes getting dressed feel so much simpler.

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That’s exactly where Thigh Society’s Cooling Shorts come in. At $44 (and 15% off your first order), they’ve become the brand’s bestselling style — and for good reason. Designed to feel lightweight, breathable and barely there, they slip seamlessly into your routine just as the season starts calling for easier, more effortless outfits.

Get The Cooling Shorts for $44 at Thigh Society!

The Cooling Shorts are designed for breathability, stretch and all-day ease. Unlike bulky bike shorts that require layering, they work as underwear and shorts in one, preventing thigh chafing and reducing sweat in a single, lightweight layer that feels like a second skin.

They’re also built to stay put — no rolling down at the waist or riding up throughout the day (a true summer miracle). Wear The Cooling Shorts under flowy dresses and enjoy smooth, no-fuss comfort.

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Available in versatile shades like beige, black, almond and more, they’re easy to layer under just about anything. And with a range of lengths to choose from (5-inch to 21-inch), you can customize your coverage depending on your outfit — shorter for mini dresses, longer for maxis or extra protection on especially warmer days.

With more than 12,700 five-star ratings on the brand’s website, reviewers call them “a life saver” during “very hot summers,” pointing to the “super cool, comfortable” fabric. One shopper also loved the “no chaffing” design, saying they “forgot” they even had them on with “skirts and dresses.”

If thigh chafing has ruined your warm-weather outfits, consider this your easy fix. Designed for breathability, movement and everyday wear, The Cooling Shorts make getting dressed feel effortless again. Once you try them, you might not want to wear a dress without them!

Get The Cooling Shorts for $44 at Thigh Society!

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The 15 best anime movies and TV shows to stream on HBO Max

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The prestige streamer is home to a huge number of anime titles, with something on offer for every taste.

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Internet Cracks Up At Viral Tweet Toward Him

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Oop! Internet Users Are Cracking Up At Viral Tweet Directed Toward Klay Thompson Amid His Breakup With Megan Thee Stallion

Internet users are cracking up at a viral tweet directed toward Klay Thompson amid his breakup with Megan Thee Stallion.

RELATED: Internet Users Are Goin’ IN On Boston Richey After He Shared His Reaction To Klay Thompson Allegedly Cheating On Megan Thee Stallion

More On The Viral Tweet Directed Toward Klay Thompson Amid His Breakup With Megan Thee Stallion

On Monday, April 27, the official X account for The Sims video game shared a tweet via the platform formerly known as Twitter. Furthermore, the tweet featured text accompanied by a video.

If you can’t handle a Hottie… stay out of the kitchen,” the text read.

Meanwhile, a video clip showed a light-skinned man in an NBA uniform standing in a kitchen amid flames. To date, the tweet garnered more than 2.8 million views.

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Internet Users Are Cracking Up

Internet users slid in TSR’s comment section, crackin’ up at the tweet directed toward Klay Thompson.

Instagram user @momoalex15 wrote, I just know a GenZ employee made that 😂”

While Instagram user @_suckafreesi added, FashionNova bouta send a text like ‘Bad breakups mean it’s a #HotGirlSummer enjoy 90% off!!”

Instagram user @island_md wrote, Sims ate 😂 lemme go get on the game”

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While Instagram user @yanni_rane added, Klays performance for the past 2 years ain’t even good enough to be cheating.”

Instagram user @kweenmocha wrote, Gen Z finna have Klay go back to his Yogurt clan 😂”

While Instagram user @kweenmocha added, Sims is messy.. they the birthday cake 😂”

Instagram user @bestofbrooke wrote, 😂😂😂 As a sims player, this so funny”

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While Instagram user @grettaissanerd added, Meg had an in game collab with The Sims. It’s nice to see the brand showing her love. So many lil boys who could never even speak to her calling her out her name just doesn’t sit well with me.”

Instagram user @steffybubblez wrote, These men love men omg! I promise yall Tory don’t want yall 😂🫠”

While Instagram user @imeshanicole added,He fumbled sooo bad….like everybody knows…this is the most relevant he has been…wild.”

More On Klay Thompson’s Viral Breakup With Megan Thee Stallion

As The Shade Room previously reported, on Saturday, April 25, Megan Thee Stallion took to her Instagram Story to share a few words, seemingly directed at Klay Thompson. “Cheating, had me around your whole family playing house…got ‘cold feet’ Holding you down through all your HORRIBLE mood swings and treatment towards me during your basketball season now you don’t know if you can be ‘monogamous’???? b*tch I need a REAL break after this one..bye yall,” she wrote at the time.

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Subsequently, in a statement to TMZ, Meg confirmed that she chose to end their relationship.

Since then, a WNBA player has addressed rumors linking her to Thompson, Boston Richey has gone viral for his reaction to the breakup, and Megan has announced her early departure from the Broadway show ‘Moulin Rouge.’

RELATED: Fans React As Megan Thee Stallion Announces Early Exit From ‘Moulin Rouge’ Amid Breakup With Klay Thompson (PHOTOS)

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Chaos at Six Flags St. Louis opening day as 'large fight' involving 100 people breaks out

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The park is one of seven properties recently acquired from Six Flags by Enchanted Parks, following the high-profile closure of Six Flags America in Maryland.

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8 Thriller Movies That Are Even Better the Second Time Around

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Edward Norton stars as The Narrator in Fight Club (1999)

Thriller movies engage and entertain audiences through the use of suspenseful storytelling and unexpected twists. When executed well, these films leave audiences with a genuine “thrill” that lasts long after the credits roll. But the masterpieces of the genre are the films that deliver the same thrill every time you revisit them.

Some of these are films that are so dense and layered that they require multiple rewatches to decode their true meanings; others are movies that may not even seem all that good on first watch, but unfold previously unnoticed intricacies that elevate the experience on second viewing. Without further ado, here’s our handpicked selection of thriller movies that are even better the second time around (and don’t worry, we’ve kept the spoilers to a minimum).

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1

‘Fight Club’ (1999)

Edward Norton stars as The Narrator in Fight Club (1999)
Edward Norton stars as The Narrator in Fight Club (1999)
Image via 20th Century Fox

Directed by David Fincher and adapted from the novel by Chuck Palahniuk, Fight Club is a psychological thriller that follows a disillusioned white-collar professional suffering an existential crisis that manifests as insomnia, depression, and anxiety. A chance encounter with a soap salesman, Tyler Durden, transforms his life in strange and dangerous ways as the two men create the titular underground club and embrace an intensely nihilistic worldview. Edward Norton stars as the unnamed protagonist and Brad Pitt as Tyler, with Helena Bonham Carter, Meat Loaf, Jared Leto, Zach Greiner, and Holt McCallany in other key roles.

A controversial and polarizing cult classic, Fight Club is a surreal, post-modern thriller that explores philosophical and social themes through a twisted psychological narrative. The film keeps the audience completely entranced throughout its moody, chaotic plot, leading up to a genuinely shocking twist that upends your entire understanding of its story. However, as amazing as that first experience is, it’s only with multiple rewatches that you can fully grasp the deeper meanings and easily missed symbolisms woven into Fight Club’s narrative.

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2

‘The Pale Blue Eye’ (2022)

Christian Bale looking up at something with cadets around him in the woods in The Pale Blue Eye
Christian Bale looking up at something with cadets around him in the woods in The Pale Blue Eye
Image via Netflix

Written and directed by Scott Cooper and adapted from Louis Bayard’s 2006 novel, The Pale Blue Eye is a period mystery thriller that blends historical settings and people with a fictional story. Set in 1830, in and around the United States Military Academy in West Point, New York, the film follows retired detective Augustus Landor (Christian Bale) as he investigates a series of murders that appear to be linked to black magic rituals with the help of a charming if eccentric cadet by the name of Edgar Allan Poe (Harry Melling). The movie also features Gillian Anderson, Lucy Boynton, Charlotte Gainsbourg, Toby Jones, Harry Lawtey, Simon McBurney, Timothy Spall, and Robert Duvall in his final film appearance before his death.

A gripping Gothic thriller with an unexpected twist, The Pale Blue Eye initially appears to be an occult story, then transforms in the final act into a very different kind of narrative. While the shift can feel convoluted at first watch, revisiting the film with the twist in mind makes it a much better experience, revealing all the subtle clues and red herrings that the story employs in its earlier half. While the movie may have had mixed reviews, particularly in comparison to the novel, The Pale Blue Eye is still a gorgeously crafted Gothic mystery that’s worth a second watch.

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3

‘Mulholland Drive’ (2001)

Naomi Watts and Laura Harring looking upward in Mulholland Drive.
Naomi Watts and Laura Harring looking upward in Mulholland Drive.
Image via Universal Pictures

Written and directed by David Lynch, Mulholland Drive is a surrealist neo-noir mystery thriller set in the magical world of Los Angeles. The film revolves around the bizarre story of aspiring actress Betty (Naomi Watts) and amnesiac accident victim Rita (Laura Harring), following their growing bond through an inexplicable, dreamlike narrative. The movie also features Justin Theroux, Ann Miller, Mark Pellegrino, Robert Forster, and more in supporting roles.

A surreal and chaotic thriller, Mulholland Drive doesn’t rely on any single twist; instead, it constantly subverts the viewer’s expectations by shifting the narrative, setting, and even the characters in unexpected ways. Arguably the most popular example of Lynch’s dream-logic approach to storytelling, the film is an unsettling blend of reality and fantasy that requires more than one watch to take in fully. To be completely honest, even a second watch may not be enough to grasp the uniquely Lynchian narrative and decipher all its hidden layers.













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Collider Exclusive · Oscar Best Picture Quiz
Which Oscar Best Picture
Is Your Perfect Movie?

Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country
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Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.

🪜Parasite

🌀Everything Everywhere

☢️Oppenheimer

🐦Birdman

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🪙No Country for Old Men

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01

What kind of film experience do you actually want?
The best movies don’t just entertain — they leave something behind.





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02

Which idea grabs you most in a film?
Great films are driven by a central obsession. What’s yours?





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03

How do you like your story told?
Form is content. The way a story is shaped changes what it means.





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04

What makes a truly great antagonist?
The opposition defines the protagonist. What kind of opposition fascinates you?





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05

What do you want from a film’s ending?
The final note is the one that lingers. What do you want it to sound like?





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06

Which setting pulls you in most?
Where a film takes place shapes everything — mood, stakes, what’s even possible.





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07

What cinematic craft impresses you most?
Every great film has a signature — a technical or artistic element that makes it unmistakable.





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08

What kind of main character do you root for?
The protagonist is the lens. Who you choose to follow says something about you.





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09

How do you feel about a film that takes its time?
Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.





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10

What do you want to feel walking out of the cinema?
The best films leave a mark. What kind of mark do you want?





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The Academy Has Decided
Your Perfect Film Is…

Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.

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Parasite

You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho’s Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it’s ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.

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Everything Everywhere All at Once

You want it all — and this film gives you all of it. The Daniels’ Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn’t want cinema to choose between being entertaining and being meaningful. This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it’s about.

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Oppenheimer

You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens. Christopher Nolan’s Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.

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Birdman

You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it’s about. Alejandro González Iñárritu’s Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor’s ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn’t be possible. Michael Keaton’s performance and Emmanuel Lubezki’s restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all.

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No Country for Old Men

You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning. The Coen Brothers’ No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest. No Country for Old Men is honest in a way that most cinema never dares to be.

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4

‘Oldboy’ (2003)

Oh Dae-su (Choi Min-sik) holding a hammer at the camera in Oldboy
Oh Dae-su (Choi Min-sik) holding a hammer at the camera in Oldboy
Image via Show East
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Directed and co-written by Park Chan-wook and loosely adapted from the Japanese manga by Garon Tsuchiya and Nobuaki Minegishi, Oldboy is a South Korean action thriller film starring Choi Min-sik as Oh Dae-su, a man who is inexplicably imprisoned for 15 years and then released. Seeking revenge on his mysterious captor, Dae-su finds himself pulled into a complicated conspiracy. The movie also stars Yoo Ji-tae, Kang Hye-jung, Yoon Jin-seo, and Oh Dal-su in supporting roles.

An extremely grim, brutal, and dark revenge movie, Oldboy is a landmark thriller film that’s internationally renowned for its genuinely twisted story and impeccable action, particularly its highly influential fight sequences. Though the movie has inspired multiple remakes, none of those films had the guts to adapt the original’s sickening twist, which genuinely catches the viewer by surprise. And once you know the ending, every subsequent rewatch just makes the whole experience all the more dark and horrifying.

5

‘The Silence of the Lambs’ (1991)

Anthony Hopkins as Hannibal Lecter smiling sinisterly in The Silence of the Lambs (1991).
Anthony Hopkins as Hannibal Lecter smiling sinisterly in The Silence of the Lambs (1991).
Image via Orion Pictures
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Adapted from the novel by Thomas Harris and directed by Jonathan Demme, The Silence of the Lambs is a psychological horror thriller that follows Clarice Starling, an FBI trainee who is recruited to interview Dr. Hannibal Lecter, a brilliant psychiatrist and imprisoned serial killer. Hoping to use his insights to catch another killer, Clarice enters into a game of wits with Lecter, revealing her darkest secrets in exchange for his help. Jodie Foster stars as Clarice and Anthony Hopkins as Hannibal Lecter, with Scott Glenn, Anthony Heald, Kasi Lemmons, Ted Levine, and more in supporting roles.

The Silence of the Lambs is widely regarded as one of the greatest horror thrillers of all time, and it made history by becoming one of only three films to win all “Big Five” Academy Awards–Best Picture, Director, Actor, Actress, and Adapted Screenplay. What really strikes the viewer about the film, whether on the first watch or the second, isn’t the twist or the main investigation; rather, it’s the subtle foreshadowing and detailed performances, particularly Anthony Hopkins’s central performance as the movie’s iconic psychopath. The masterful pacing and cinematography make every rewatch just as enjoyable an experience as the first time you saw the movie.

6

‘The Usual Suspects’ (1995)

The Usual Suspects Image via MGM
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Directed by Bryan Singer and written by Christopher McQuarrie, The Usual Suspects is an iconic crime thriller film that begins with a deadly massacre. As the police interrogate petty criminal Roger “Verbal” Kint, one of only two survivors of the incident, they learn the elaborate sequence of events that led to Kint and a group of other criminals falling on the wrong side of a legendary crime boss known as Keyser Söze. The film stars Kevin Spacey, Gabriel Byrne, Benicio del Toro, Stephen Baldwin, Kevin Pollak, Chazz Palminteri, and Pete Postlethwaite in lead roles.

The Usual Suspects is easily one of the most masterfully executed examples of the “unreliable narrator” trope, using the inconsistencies of Verbal’s account to create maximum suspense and unexpected twists, right until its final moments. The film’s puzzle is a scintillating experience the first time you watch it, but it’s only on the second watch that you notice all the small details and easily-missed clues that were hiding in plain sight all along.

7

‘The Game’ (1997)

Michael Douglas in 'The Game'
Michael Douglas in ‘The Game’
Image via Walt Disney Studios Motion Pictures
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Directed by David Fincher and starring Michael Douglas, The Game is a mystery thriller that follows successful yet lonely San Francisco man Nicholas Van Orton. Haunted by the death of his father, Nicholas dreads his 48th birthday, but on the day, he is visited by his estranged brother (Sean Penn), who gifts him an invitation to join a mysterious game, which soon begins to take over his life. Deborah Kara Unger, James Rebhorn, Peter Donat, and more appear in supporting roles.

Anchored by a stellar Michael Douglas performance, The Game is one of Fincher’s most overlooked ’90s movies, but it’s every bit as thrilling a film as you would expect from the iconic auteur. Though its twist ending has been quite divisive with critics (and retrospectively criticized by Fincher himself), it’s still a startling, unpredictable turn that elicits a lot of shock at the moment. After the fact, however, you may find yourself questioning the twist, which is why it’s best to give the film a second watch, so you can see the subtle mechanisms that move the central character to the right place, time, and state of mind.

8

‘Deathtrap’ (1982)

Michael Caine as Sidney and Dyan Cannon as Myra sitting together on the couch in Deathtrap (1982)
Michael Caine as Sidney and Dyan Cannon as Myra sitting together on the couch in Deathtrap (1982)
Image via Warner Bros.
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Directed by Sidney Lumet and based on Ira Levin’s 1978 play, Deathtrap is a black comedy suspense film starring Michael Caine, Christopher Reeve, and Dyan Cannon. Sidney Bruhl (Caine), a famous playwright whose recent plays have all been flops, reveals to his wife, Myra (Cannon), that he has received a promising manuscript from a student (Reeve) and that he’s considering killing the young man so he can claim it as his own. A deadly game of deception ensues where nothing is as it seems. Irene Worth, Henry Jones, and Joe Silver appear in supporting roles.

Despite comparisons to Caine’s 1972 film Sleuth, Deathtrap was generally well-received by most critics, and though it’s not very well-known these days, the film is easily one of the most deviously entertaining films of the ’80s. A highly suspenseful thriller with a very twisted sense of humor, Deathtrap’s now-iconic twist and narrative shift were both quite divisive at the time of its release, but the film is now regarded as a landmark piece of queer cinema history. The reasons why are a huge spoiler, so let’s not get into it; suffice to say, it’s the sort of thing that makes you want to go back and see the whole movie all over again with fresh eyes.


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Release Date

March 19, 1982

Runtime

116 Minutes

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It’s Time for the Most Entertaining Western Movie of the ’90s to Get a Remake

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Doc Holliday, Virgil Earp, Wyatt Earp, and Morgan Earp walk side by side in Tombstone.

If film studios and executives are hell-bent on continuing the remake trend, constantly farming known movies or IP for new takes, then they need to take a much closer look at the Western genre. There may be an aversion to Westerns because of the price tag that sometimes accompanies the set and costume designs, but the genre has already proven itself as a bountiful well for remakes and reimaginings. The Coen Brothers gave new life to True Grit in 2010 and out shined the original in every way. James Mangold’s 3:10 to Yuma may not have been better than its predecessor, but it was a damn good ride that got a younger generation excited about what Westerns could be.

With that in mind, there’s one widely adored Western from the 1990s that could actually benefit from the remake treatment. It’s hard to imagine a new take becoming better, but with modern technology and the versatility of many current Hollywood stars, there’s no reason a remake couldn’t at least stand up alongside its predecessor. Some may feel this is blasphemous, but it’s time we talked about remaking Tombstone.

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Getting a ‘Tombstone’ Remake Right

Doc Holliday, Virgil Earp, Wyatt Earp, and Morgan Earp walk side by side in Tombstone.
Doc Holliday, Virgil Earp, Wyatt Earp, and Morgan Earp walk side by side in Tombstone.
Image via Buena Vista Pictures

There are certain movies from the ’80s and ’90s that are too good and too impactful to ever be remade. Films like Back to the Future (which keeps gracefully avoiding the reboot trap) or E.T. are virtually impossible to try again. While Tombstone is absolutely fantastic and wildly entertaining, it isn’t exactly in that same territory. Tombstone is a movie that is still as fun to watch as it used to be, but could also benefit from another perspective. The most difficult part would be keeping alive the charm of movies from that era, which Tombstone has in spades. It feels simple and defined in a way that makes it so much better than most modern movies, if that makes sense. If it lost that sensibility and tone, then you can go ahead and throw a remake out the window.

But if the right filmmaker got their hands on Wyatt Earp and Doc Holliday, especially in the more focused version of their iconic story that is depicted in Tombstone, they could create some real magic. Filmmakers like the aforementioned Mangold, who have a real reverence for Westerns and know how to make something feel tactile, or true blockbuster visionary like Ryan Coogler or Christopher Nolan. Who knows if any of those directors would actually take on a project like a Tombstone remake, but it would need a director of their caliber and style.

There are lots of movies about the gunfight at the O.K. Corral out there, with tons of films depicting the life and career of Wyatt Earp. Tombstone stood out for its modern (at the time) approach to the characters and its focus on the fantastic action pieces. The film only cared about the small sliver of the Earp story that took place once the brothers arrived in Tombstone, Arizona, allowing all the drama to directly build up the gunfight itself. That same narrative idea would be key to making a new version of Tombstone, setting it apart from most other Wyatt Earp movies.

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Val Kilmer and Kurt Russell as Doc Holliday and Wyatt Earp on a promotional image for 'Tombstone'


10 Movies To Watch if You Love ‘Tombstone’

“You called down the thunder, well, now you’ve got it!”

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Why Remake ‘Tombstone’ Now?

We don’t need more remakes, let’s make sure we’re clear about that. Original stories or fresh adaptations, like Sinners or The Odyssey, are more than strong enough to become big tent pole events for moviegoers. But there is still an insistence on bringing known IP back to the screen, and it isn’t going to disappear tomorrow. So, if these kinds of rehashes are a necessary evil in the current state of entertainment, why not at least try to make them count?

Tombstone is the perfect balance of a good, well-loved movie that isn’t untouchable. It’s also part of a genre that hasn’t completely permeated pop culture over the last decade or so. Unlike sci-fi films, Westerns can feel fresh again, and something like a Tombstone remake could jump-start the intrigue amongst audiences. And it’s great to think about the plethora of big stars who could actually find unique approaches to those iconic characters. No one can ever replace Val Kilmar’s Doc Holliday, but could you imagine what kind of diabolical, “I’ll be your huckleberry” line deliveries we’d get from a mustached Robert Pattinson?

Western remakes have a knack for evolving to explore the wildest era in American history through the eyes of modern ideals, oftentimes taking new approaches to the core ideas of those classic stories. We could use a new hit Western right now, and a fresh take on Tombstone is a surefire way to get one.


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Release Date

December 25, 1993

Runtime
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130 minutes

Director

George P. Cosmatos

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Writers

Kevin Jarre

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Producers

Bob Misiorowski, James Jacks, Sean Daniel

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Boots Riley Reveals the Chaotic and Fun Films ‘I Love Boosters’ Lifts From in New Alamo Drafthouse Guest Selects [Exclusive]

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Eight years after his leap from making music with The Coup to directing with his absurdist black comedy Sorry to Bother You, the visionary Boots Riley is finally heading back to the big screen next month with a colorful cinematic statement. His next film, I Love Boosters, brings together bright outfits and clothing chaos as it follows a group of shoplifters known as the Velvet Gang who steal from a cutthroat fashion designer played by Demi Moore. Filled with crime, absurd comedy, and plenty of star power, it’s another bonkers effort from the artist, and Alamo Drafthouse is preparing to clear the runway for its arrival. With tickets on sale today, Collider is excited to exclusively share a new installment of the theater chain’s Guest Selects series, highlighting some of Riley’s greatest inspirations.

For a creator with as distinct a style as Riley, it’s unsurprising that he also has an eclectic mix of films that have shaped him and his latest film over the years. Leading off the list is Black Cat, White Cat, a 1988 romantic crime comedy helmed by acclaimed Serbian filmmaker Emir Kusturica. Above all else, for Riley, it’s just fun to watch, constantly presenting new things and keeping the chaos fresh with scenes, like one of a couple frolicking in a sunflower field, that stand among his favorites in cinematic history. He also cites Michel Gondry for shaping his surreal approach to filmmaking, particularly with the film Moon Indigo. The 2013 feature doesn’t just focus on execution, but gets inventive with its setpieces and costumes in a way that conveys just how fun it must’ve been to make.

Riley’s last three Guest Selects will all be screened at select Alamo Drafthouse locations across the U.S. starting next week as appetizers before I Love Boosters arrives. Among those is the surreal fantasy Holy Motors by Leos Carax, which the director loved for its ability to surprise him with what it actually is at its heart. A stellar Denis Lavant performance helped make the piece all the more mind-blowing for him. Riley also highlights Mishima: A Life in Four Chapters, which he believes is Paul Schrader‘s best film, for how it marries three distinct visual styles and makes a statement about art and action. Last but not least is Jacques Tati‘s Playtime, a mostly dialogue-less film that has directly inspired the multi-hyphenate’s sense of physical comedy. The use of space, long-takes, and architecture to make painstakingly crafted humor that Riley is “delighted” to share with more viewers.

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Collider Exclusive · Oscar Best Picture Quiz
Which Oscar Best Picture
Is Your Perfect Movie?

Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country

Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.

🪜Parasite

🌀Everything Everywhere

☢️Oppenheimer

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🐦Birdman

🪙No Country for Old Men

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01

What kind of film experience do you actually want?
The best movies don’t just entertain — they leave something behind.





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02

Which idea grabs you most in a film?
Great films are driven by a central obsession. What’s yours?





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03

How do you like your story told?
Form is content. The way a story is shaped changes what it means.





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04

What makes a truly great antagonist?
The opposition defines the protagonist. What kind of opposition fascinates you?





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05

What do you want from a film’s ending?
The final note is the one that lingers. What do you want it to sound like?





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06

Which setting pulls you in most?
Where a film takes place shapes everything — mood, stakes, what’s even possible.





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07

What cinematic craft impresses you most?
Every great film has a signature — a technical or artistic element that makes it unmistakable.





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08

What kind of main character do you root for?
The protagonist is the lens. Who you choose to follow says something about you.





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09

How do you feel about a film that takes its time?
Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.





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10

What do you want to feel walking out of the cinema?
The best films leave a mark. What kind of mark do you want?





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The Academy Has Decided
Your Perfect Film Is…

Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.

Advertisement

Parasite

You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho’s Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it’s ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.

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Everything Everywhere All at Once

You want it all — and this film gives you all of it. The Daniels’ Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn’t want cinema to choose between being entertaining and being meaningful. This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it’s about.

Advertisement

Oppenheimer

You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens. Christopher Nolan’s Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.

Advertisement

Birdman

You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it’s about. Alejandro González Iñárritu’s Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor’s ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn’t be possible. Michael Keaton’s performance and Emmanuel Lubezki’s restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all.

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No Country for Old Men

You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning. The Coen Brothers’ No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest. No Country for Old Men is honest in a way that most cinema never dares to be.

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Critics Are in Love With ‘I Love Boosters’

Accompanying Riley in his return to theaters is a stacked roster, including a couple of familiar faces from his last cinematic outing. Keke Palmer leads the film alongside Moore, Naomi Ackie, Taylour Paige, Poppy Liu, Eiza González, LaKeith Stanfield, Will Poulter, and Don Cheadle. Between the star power, Riley’s colorful chaos as both a writer and director, and a timely message about workers’ rights against the leaders of a capitalist society, I Love Boosters won over critics at its SXSW debut earlier this year, earning a 94% score on Rotten Tomatoes. Collider’s Ross Bonaime similarly lauded it in his 8/10 review, saying, “I Love Boosters is an adventure unlike anything you’ve ever seen before, proof that Boots Riley is one of our most adventurous filmmakers, and a film that feels essential in 2026.”

Tickets are now on sale to see I Love Boosters at Alamo Drafthouse on May 22. Check out the exclusive new Guest Selects video in the player above.


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Release Date

May 22, 2026

Runtime

113 minutes

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Director

Boots Riley

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Writers

Boots Riley

Producers
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Aaron Ryder, Allison Rose Carter, Jon Read, Andrew Swett, Boots Riley

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“Jeopardy!” star Jamie Ding reacts to shock elimination, dedicates run to immigrants as 'government is going after' them

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The game show contestant exited the competition Monday, after winning $882,605 across 31 episodes.

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The 12 best true crime shows now streaming on Amazon Prime Video

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Cold cases, hot leads, and detectives who won’t stop until they find the perp can all be found within the streamer’s true crime category.

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Apple TV’s Most Popular Series Ever Finally Sets Release Date After 3-Year Delay

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Apple TV's Most Popular Series Ever Finally Sets Release Date After 3-Year Delay

Ted Lasso has been out of our lives for long enough that many AFC Richmond fans were probably contemplating hanging up their scarves for good after the Apple TV comedy closed its original run in 2023. The series “ended” with Ted back in Kansas, AFC Richmond moving into a new era, and just enough emotional closure to make everyone cry into their biscuits. But hey, Ted would want us to believe and the dreams of the fans came true, because now, the Emmy-winning comedy finally has a return date.

Ted Lasso Season 4 will premiere on Apple TV on August 5, bringing Jason Sudeikis back as Ted for a new chapter that shifts the series in a brand new direction. This time, Ted is heading back to Richmond for what sounds like his biggest challenge yet. Season 4 will see him coaching a second division women’s football team, and that’s a pretty smart way to move the show forward without simply trying to replay the AFC Richmond story beat for beat.

After all, the introduction of an AFC Richmond Women’s team was teased in the Season 3 finale. Sudeikis previously teased the emotional idea behind the new season when Season 4 was first announced, saying:

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“As we all continue to live in a world where so many factors have conditioned us to ‘look before we leap,’ in season four, the folks at AFC Richmond learn to LEAP BEFORE THEY LOOK, discovering that wherever they land, it’s exactly where they’re meant to be.”































































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Collider Exclusive · Oscar Best Picture Quiz
Which Oscar Best Picture
Is Your Perfect Movie?

Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country

Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.

🪜Parasite

🌀Everything Everywhere

☢️Oppenheimer

Advertisement

🐦Birdman

🪙No Country for Old Men

Advertisement

01

What kind of film experience do you actually want?
The best movies don’t just entertain — they leave something behind.





Advertisement

02

Which idea grabs you most in a film?
Great films are driven by a central obsession. What’s yours?





Advertisement

03

How do you like your story told?
Form is content. The way a story is shaped changes what it means.





Advertisement

04

What makes a truly great antagonist?
The opposition defines the protagonist. What kind of opposition fascinates you?





Advertisement

05

What do you want from a film’s ending?
The final note is the one that lingers. What do you want it to sound like?





Advertisement

06

Which setting pulls you in most?
Where a film takes place shapes everything — mood, stakes, what’s even possible.





Advertisement

07

What cinematic craft impresses you most?
Every great film has a signature — a technical or artistic element that makes it unmistakable.





Advertisement

08

What kind of main character do you root for?
The protagonist is the lens. Who you choose to follow says something about you.





Advertisement

09

How do you feel about a film that takes its time?
Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.





Advertisement

10

What do you want to feel walking out of the cinema?
The best films leave a mark. What kind of mark do you want?





Advertisement

The Academy Has Decided
Your Perfect Film Is…

Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.

Advertisement

Parasite

You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho’s Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it’s ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.

Advertisement

Everything Everywhere All at Once

You want it all — and this film gives you all of it. The Daniels’ Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn’t want cinema to choose between being entertaining and being meaningful. This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it’s about.

Advertisement

Oppenheimer

You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens. Christopher Nolan’s Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.

Advertisement

Birdman

You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it’s about. Alejandro González Iñárritu’s Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor’s ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn’t be possible. Michael Keaton’s performance and Emmanuel Lubezki’s restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all.

Advertisement

No Country for Old Men

You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning. The Coen Brothers’ No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest. No Country for Old Men is honest in a way that most cinema never dares to be.

Advertisement

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Who Stars in ‘Ted Lasso’?

The returning cast includes Sudeikis (Horrible Bosses, We’re the Millers) as Ted Lasso, Hannah Waddingham (Game of Thrones, Hocus Pocus 2) as Rebecca Welton, Juno Temple (Atonement, Fargo) as Keeley Jones, Brett Goldstein (Thor: Love and Thunder, SuperBob) as Roy Kent, Brendan Hunt (Horrible Bosses 2, Bless This Mess) as Coach Beard, and Jeremy Swift (Gosford Park, Mary Poppins Returns) as Leslie Higgins. New Season 4 additions include Tanya Reynolds (Emma., Sex Education), Jude Mack, Faye Marsay (Andor, Game of Thrones), Rex Hayes, Aisling Sharkey, Abbie Hern (Enola Holmes 2, The Pact), and Grant Feely (Obi-Wan Kenobi, Creepshow).

Ted Lasso Season 4 will premiere on Apple TV on August 5. Check out the new teaser above.

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