Thriller movies engage and entertain audiences through the use of suspenseful storytelling and unexpected twists. When executed well, these films leave audiences with a genuine “thrill” that lasts long after the credits roll. But the masterpieces of the genre are the films that deliver the same thrill every time you revisit them.

Some of these are films that are so dense and layered that they require multiple rewatches to decode their true meanings; others are movies that may not even seem all that good on first watch, but unfold previously unnoticed intricacies that elevate the experience on second viewing. Without further ado, here’s our handpicked selection of thriller movies that are even better the second time around (and don’t worry, we’ve kept the spoilers to a minimum).

1

‘Fight Club’ (1999)

Image via 20th Century Fox

Directed by David Fincher and adapted from the novel by Chuck Palahniuk, Fight Club is a psychological thriller that follows a disillusioned white-collar professional suffering an existential crisis that manifests as insomnia, depression, and anxiety. A chance encounter with a soap salesman, Tyler Durden, transforms his life in strange and dangerous ways as the two men create the titular underground club and embrace an intensely nihilistic worldview. Edward Norton stars as the unnamed protagonist and Brad Pitt as Tyler, with Helena Bonham Carter, Meat Loaf, Jared Leto, Zach Greiner, and Holt McCallany in other key roles.

A controversial and polarizing cult classic, Fight Club is a surreal, post-modern thriller that explores philosophical and social themes through a twisted psychological narrative. The film keeps the audience completely entranced throughout its moody, chaotic plot, leading up to a genuinely shocking twist that upends your entire understanding of its story. However, as amazing as that first experience is, it’s only with multiple rewatches that you can fully grasp the deeper meanings and easily missed symbolisms woven into Fight Club’s narrative.

2

‘The Pale Blue Eye’ (2022)

Image via Netflix

Written and directed by Scott Cooper and adapted from Louis Bayard’s 2006 novel, The Pale Blue Eye is a period mystery thriller that blends historical settings and people with a fictional story. Set in 1830, in and around the United States Military Academy in West Point, New York, the film follows retired detective Augustus Landor (Christian Bale) as he investigates a series of murders that appear to be linked to black magic rituals with the help of a charming if eccentric cadet by the name of Edgar Allan Poe (Harry Melling). The movie also features Gillian Anderson, Lucy Boynton, Charlotte Gainsbourg, Toby Jones, Harry Lawtey, Simon McBurney, Timothy Spall, and Robert Duvall in his final film appearance before his death.

A gripping Gothic thriller with an unexpected twist, The Pale Blue Eye initially appears to be an occult story, then transforms in the final act into a very different kind of narrative. While the shift can feel convoluted at first watch, revisiting the film with the twist in mind makes it a much better experience, revealing all the subtle clues and red herrings that the story employs in its earlier half. While the movie may have had mixed reviews, particularly in comparison to the novel, The Pale Blue Eye is still a gorgeously crafted Gothic mystery that’s worth a second watch.

3

‘Mulholland Drive’ (2001)

Image via Universal Pictures

Written and directed by David Lynch, Mulholland Drive is a surrealist neo-noir mystery thriller set in the magical world of Los Angeles. The film revolves around the bizarre story of aspiring actress Betty (Naomi Watts) and amnesiac accident victim Rita (Laura Harring), following their growing bond through an inexplicable, dreamlike narrative. The movie also features Justin Theroux, Ann Miller, Mark Pellegrino, Robert Forster, and more in supporting roles.

A surreal and chaotic thriller, Mulholland Drive doesn’t rely on any single twist; instead, it constantly subverts the viewer’s expectations by shifting the narrative, setting, and even the characters in unexpected ways. Arguably the most popular example of Lynch’s dream-logic approach to storytelling, the film is an unsettling blend of reality and fantasy that requires more than one watch to take in fully. To be completely honest, even a second watch may not be enough to grasp the uniquely Lynchian narrative and decipher all its hidden layers.

4

‘Oldboy’ (2003)

Image via Show East

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Directed and co-written by Park Chan-wook and loosely adapted from the Japanese manga by Garon Tsuchiya and Nobuaki Minegishi, Oldboy is a South Korean action thriller film starring Choi Min-sik as Oh Dae-su, a man who is inexplicably imprisoned for 15 years and then released. Seeking revenge on his mysterious captor, Dae-su finds himself pulled into a complicated conspiracy. The movie also stars Yoo Ji-tae, Kang Hye-jung, Yoon Jin-seo, and Oh Dal-su in supporting roles.

An extremely grim, brutal, and dark revenge movie, Oldboy is a landmark thriller film that’s internationally renowned for its genuinely twisted story and impeccable action, particularly its highly influential fight sequences. Though the movie has inspired multiple remakes, none of those films had the guts to adapt the original’s sickening twist, which genuinely catches the viewer by surprise. And once you know the ending, every subsequent rewatch just makes the whole experience all the more dark and horrifying.

5

‘The Silence of the Lambs’ (1991)

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Adapted from the novel by Thomas Harris and directed by Jonathan Demme, The Silence of the Lambs is a psychological horror thriller that follows Clarice Starling, an FBI trainee who is recruited to interview Dr. Hannibal Lecter, a brilliant psychiatrist and imprisoned serial killer. Hoping to use his insights to catch another killer, Clarice enters into a game of wits with Lecter, revealing her darkest secrets in exchange for his help. Jodie Foster stars as Clarice and Anthony Hopkins as Hannibal Lecter, with Scott Glenn, Anthony Heald, Kasi Lemmons, Ted Levine, and more in supporting roles.

The Silence of the Lambs is widely regarded as one of the greatest horror thrillers of all time, and it made history by becoming one of only three films to win all “Big Five” Academy Awards–Best Picture, Director, Actor, Actress, and Adapted Screenplay. What really strikes the viewer about the film, whether on the first watch or the second, isn’t the twist or the main investigation; rather, it’s the subtle foreshadowing and detailed performances, particularly Anthony Hopkins’s central performance as the movie’s iconic psychopath. The masterful pacing and cinematography make every rewatch just as enjoyable an experience as the first time you saw the movie.

6

‘The Usual Suspects’ (1995)

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Directed by Bryan Singer and written by Christopher McQuarrie, The Usual Suspects is an iconic crime thriller film that begins with a deadly massacre. As the police interrogate petty criminal Roger “Verbal” Kint, one of only two survivors of the incident, they learn the elaborate sequence of events that led to Kint and a group of other criminals falling on the wrong side of a legendary crime boss known as Keyser Söze. The film stars Kevin Spacey, Gabriel Byrne, Benicio del Toro, Stephen Baldwin, Kevin Pollak, Chazz Palminteri, and Pete Postlethwaite in lead roles.

The Usual Suspects is easily one of the most masterfully executed examples of the “unreliable narrator” trope, using the inconsistencies of Verbal’s account to create maximum suspense and unexpected twists, right until its final moments. The film’s puzzle is a scintillating experience the first time you watch it, but it’s only on the second watch that you notice all the small details and easily-missed clues that were hiding in plain sight all along.

7

‘The Game’ (1997)

Image via Walt Disney Studios Motion Pictures

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Directed by David Fincher and starring Michael Douglas, The Game is a mystery thriller that follows successful yet lonely San Francisco man Nicholas Van Orton. Haunted by the death of his father, Nicholas dreads his 48th birthday, but on the day, he is visited by his estranged brother (Sean Penn), who gifts him an invitation to join a mysterious game, which soon begins to take over his life. Deborah Kara Unger, James Rebhorn, Peter Donat, and more appear in supporting roles.

Anchored by a stellar Michael Douglas performance, The Game is one of Fincher’s most overlooked ’90s movies, but it’s every bit as thrilling a film as you would expect from the iconic auteur. Though its twist ending has been quite divisive with critics (and retrospectively criticized by Fincher himself), it’s still a startling, unpredictable turn that elicits a lot of shock at the moment. After the fact, however, you may find yourself questioning the twist, which is why it’s best to give the film a second watch, so you can see the subtle mechanisms that move the central character to the right place, time, and state of mind.

8

‘Deathtrap’ (1982)

Image via Warner Bros.

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Directed by Sidney Lumet and based on Ira Levin’s 1978 play, Deathtrap is a black comedy suspense film starring Michael Caine, Christopher Reeve, and Dyan Cannon. Sidney Bruhl (Caine), a famous playwright whose recent plays have all been flops, reveals to his wife, Myra (Cannon), that he has received a promising manuscript from a student (Reeve) and that he’s considering killing the young man so he can claim it as his own. A deadly game of deception ensues where nothing is as it seems. Irene Worth, Henry Jones, and Joe Silver appear in supporting roles.

Despite comparisons to Caine’s 1972 film Sleuth, Deathtrap was generally well-received by most critics, and though it’s not very well-known these days, the film is easily one of the most deviously entertaining films of the ’80s. A highly suspenseful thriller with a very twisted sense of humor, Deathtrap’s now-iconic twist and narrative shift were both quite divisive at the time of its release, but the film is now regarded as a landmark piece of queer cinema history. The reasons why are a huge spoiler, so let’s not get into it; suffice to say, it’s the sort of thing that makes you want to go back and see the whole movie all over again with fresh eyes.

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Release Date

March 19, 1982

Runtime

116 Minutes

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If film studios and executives are hell-bent on continuing the remake trend, constantly farming known movies or IP for new takes, then they need to take a much closer look at the Western genre. There may be an aversion to Westerns because of the price tag that sometimes accompanies the set and costume designs, but the genre has already proven itself as a bountiful well for remakes and reimaginings. The Coen Brothers gave new life to True Grit in 2010 and out shined the original in every way. James Mangold’s 3:10 to Yuma may not have been better than its predecessor, but it was a damn good ride that got a younger generation excited about what Westerns could be.

With that in mind, there’s one widely adored Western from the 1990s that could actually benefit from the remake treatment. It’s hard to imagine a new take becoming better, but with modern technology and the versatility of many current Hollywood stars, there’s no reason a remake couldn’t at least stand up alongside its predecessor. Some may feel this is blasphemous, but it’s time we talked about remaking Tombstone.

Getting a ‘Tombstone’ Remake Right

Image via Buena Vista Pictures

There are certain movies from the ’80s and ’90s that are too good and too impactful to ever be remade. Films like Back to the Future (which keeps gracefully avoiding the reboot trap) or E.T. are virtually impossible to try again. While Tombstone is absolutely fantastic and wildly entertaining, it isn’t exactly in that same territory. Tombstone is a movie that is still as fun to watch as it used to be, but could also benefit from another perspective. The most difficult part would be keeping alive the charm of movies from that era, which Tombstone has in spades. It feels simple and defined in a way that makes it so much better than most modern movies, if that makes sense. If it lost that sensibility and tone, then you can go ahead and throw a remake out the window.

But if the right filmmaker got their hands on Wyatt Earp and Doc Holliday, especially in the more focused version of their iconic story that is depicted in Tombstone, they could create some real magic. Filmmakers like the aforementioned Mangold, who have a real reverence for Westerns and know how to make something feel tactile, or true blockbuster visionary like Ryan Coogler or Christopher Nolan. Who knows if any of those directors would actually take on a project like a Tombstone remake, but it would need a director of their caliber and style.

There are lots of movies about the gunfight at the O.K. Corral out there, with tons of films depicting the life and career of Wyatt Earp. Tombstone stood out for its modern (at the time) approach to the characters and its focus on the fantastic action pieces. The film only cared about the small sliver of the Earp story that took place once the brothers arrived in Tombstone, Arizona, allowing all the drama to directly build up the gunfight itself. That same narrative idea would be key to making a new version of Tombstone, setting it apart from most other Wyatt Earp movies.

Related

10 Movies To Watch if You Love ‘Tombstone’

“You called down the thunder, well, now you’ve got it!”

Why Remake ‘Tombstone’ Now?

We don’t need more remakes, let’s make sure we’re clear about that. Original stories or fresh adaptations, like Sinners or The Odyssey, are more than strong enough to become big tent pole events for moviegoers. But there is still an insistence on bringing known IP back to the screen, and it isn’t going to disappear tomorrow. So, if these kinds of rehashes are a necessary evil in the current state of entertainment, why not at least try to make them count?

Tombstone is the perfect balance of a good, well-loved movie that isn’t untouchable. It’s also part of a genre that hasn’t completely permeated pop culture over the last decade or so. Unlike sci-fi films, Westerns can feel fresh again, and something like a Tombstone remake could jump-start the intrigue amongst audiences. And it’s great to think about the plethora of big stars who could actually find unique approaches to those iconic characters. No one can ever replace Val Kilmar’s Doc Holliday, but could you imagine what kind of diabolical, “I’ll be your huckleberry” line deliveries we’d get from a mustached Robert Pattinson?

Western remakes have a knack for evolving to explore the wildest era in American history through the eyes of modern ideals, oftentimes taking new approaches to the core ideas of those classic stories. We could use a new hit Western right now, and a fresh take on Tombstone is a surefire way to get one.

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Release Date

December 25, 1993

Runtime

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130 minutes

Director

George P. Cosmatos

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Writers

Kevin Jarre

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Producers

Bob Misiorowski, James Jacks, Sean Daniel

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Eight years after his leap from making music with The Coup to directing with his absurdist black comedy Sorry to Bother You, the visionary Boots Riley is finally heading back to the big screen next month with a colorful cinematic statement. His next film, I Love Boosters, brings together bright outfits and clothing chaos as it follows a group of shoplifters known as the Velvet Gang who steal from a cutthroat fashion designer played by Demi Moore. Filled with crime, absurd comedy, and plenty of star power, it’s another bonkers effort from the artist, and Alamo Drafthouse is preparing to clear the runway for its arrival. With tickets on sale today, Collider is excited to exclusively share a new installment of the theater chain’s Guest Selects series, highlighting some of Riley’s greatest inspirations.

For a creator with as distinct a style as Riley, it’s unsurprising that he also has an eclectic mix of films that have shaped him and his latest film over the years. Leading off the list is Black Cat, White Cat, a 1988 romantic crime comedy helmed by acclaimed Serbian filmmaker Emir Kusturica. Above all else, for Riley, it’s just fun to watch, constantly presenting new things and keeping the chaos fresh with scenes, like one of a couple frolicking in a sunflower field, that stand among his favorites in cinematic history. He also cites Michel Gondry for shaping his surreal approach to filmmaking, particularly with the film Moon Indigo. The 2013 feature doesn’t just focus on execution, but gets inventive with its setpieces and costumes in a way that conveys just how fun it must’ve been to make.

Riley’s last three Guest Selects will all be screened at select Alamo Drafthouse locations across the U.S. starting next week as appetizers before I Love Boosters arrives. Among those is the surreal fantasy Holy Motors by Leos Carax, which the director loved for its ability to surprise him with what it actually is at its heart. A stellar Denis Lavant performance helped make the piece all the more mind-blowing for him. Riley also highlights Mishima: A Life in Four Chapters, which he believes is Paul Schrader‘s best film, for how it marries three distinct visual styles and makes a statement about art and action. Last but not least is Jacques Tati‘s Playtime, a mostly dialogue-less film that has directly inspired the multi-hyphenate’s sense of physical comedy. The use of space, long-takes, and architecture to make painstakingly crafted humor that Riley is “delighted” to share with more viewers.

Critics Are in Love With ‘I Love Boosters’

Accompanying Riley in his return to theaters is a stacked roster, including a couple of familiar faces from his last cinematic outing. Keke Palmer leads the film alongside Moore, Naomi Ackie, Taylour Paige, Poppy Liu, Eiza González, LaKeith Stanfield, Will Poulter, and Don Cheadle. Between the star power, Riley’s colorful chaos as both a writer and director, and a timely message about workers’ rights against the leaders of a capitalist society, I Love Boosters won over critics at its SXSW debut earlier this year, earning a 94% score on Rotten Tomatoes. Collider’s Ross Bonaime similarly lauded it in his 8/10 review, saying, “I Love Boosters is an adventure unlike anything you’ve ever seen before, proof that Boots Riley is one of our most adventurous filmmakers, and a film that feels essential in 2026.”

Tickets are now on sale to see I Love Boosters at Alamo Drafthouse on May 22. Check out the exclusive new Guest Selects video in the player above.

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Release Date

May 22, 2026

Runtime

113 minutes

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Director

Boots Riley

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Writers

Boots Riley

Producers

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Aaron Ryder, Allison Rose Carter, Jon Read, Andrew Swett, Boots Riley

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Ted Lasso has been out of our lives for long enough that many AFC Richmond fans were probably contemplating hanging up their scarves for good after the Apple TV comedy closed its original run in 2023. The series “ended” with Ted back in Kansas, AFC Richmond moving into a new era, and just enough emotional closure to make everyone cry into their biscuits. But hey, Ted would want us to believe and the dreams of the fans came true, because now, the Emmy-winning comedy finally has a return date.

Ted Lasso Season 4 will premiere on Apple TV on August 5, bringing Jason Sudeikis back as Ted for a new chapter that shifts the series in a brand new direction. This time, Ted is heading back to Richmond for what sounds like his biggest challenge yet. Season 4 will see him coaching a second division women’s football team, and that’s a pretty smart way to move the show forward without simply trying to replay the AFC Richmond story beat for beat.

After all, the introduction of an AFC Richmond Women’s team was teased in the Season 3 finale. Sudeikis previously teased the emotional idea behind the new season when Season 4 was first announced, saying:

“As we all continue to live in a world where so many factors have conditioned us to ‘look before we leap,’ in season four, the folks at AFC Richmond learn to LEAP BEFORE THEY LOOK, discovering that wherever they land, it’s exactly where they’re meant to be.”

Who Stars in ‘Ted Lasso’?

The returning cast includes Sudeikis (Horrible Bosses, We’re the Millers) as Ted Lasso, Hannah Waddingham (Game of Thrones, Hocus Pocus 2) as Rebecca Welton, Juno Temple (Atonement, Fargo) as Keeley Jones, Brett Goldstein (Thor: Love and Thunder, SuperBob) as Roy Kent, Brendan Hunt (Horrible Bosses 2, Bless This Mess) as Coach Beard, and Jeremy Swift (Gosford Park, Mary Poppins Returns) as Leslie Higgins. New Season 4 additions include Tanya Reynolds (Emma., Sex Education), Jude Mack, Faye Marsay (Andor, Game of Thrones), Rex Hayes, Aisling Sharkey, Abbie Hern (Enola Holmes 2, The Pact), and Grant Feely (Obi-Wan Kenobi, Creepshow).

Ted Lasso Season 4 will premiere on Apple TV on August 5. Check out the new teaser above.

Megan Thee Stallion is ending her time on Broadway earlier than expected amid her breakup with Klay Thompson. Meg was set to perform as Harold Zidler in ‘Moulin Rouge! The Musical’ until May 17. However, on Monday (April 27), she announced her last show will take place two weeks earlier than planned.

RELATED: Curtain Call! Megan Thee Stallion Sheds Tears On Broadway Stage After Announcing Split With Klay Thompson (VIDEO)

Rapper Pushed Through Performance Hours After Breakup Announcement (RECAP)

Thee Stallion’s early exit announcement came as a shock to her fans, nicknamed the Hotties. Over the weekend, they praised the Houston rapper for pushing through her ‘Moulin Rouge’ performance on Saturday (April 25). It had been just hours since she revealed her breakup with Klay Thompson. By the end of her performance, videos showed Megan wiping away tears while the cast applauded her and the crowd gave her a standing ovation. Videos of that moment quickly went viral as the Hotties praised her work ethic through heartbreak.

Megan Thee Stallion Thanks Cast & Crew Of ‘Moulin Rouge’

By Monday (April 27), it seemed Megan’s personal life was taking its toll. She took to Instagram to announce that she’ll be stepping away from ‘Moulin Rouge! The Musical’ on May 1 rather than completing the 8-week run. In addition to sharing photos of her time with the show, she thanked her Broadway family and praised their hard work.

“Hotties, my last performance as Zidler in @moulinrougebway will be May 1 ❤️‍🩹 It’s been such an honor to be part of thee Moulin Rouge family and I’ve met so many amazing people in this theater! Y’all work so hard and I have so much respect for the dedication, the stamina, the work ethic, the time and the effort y’all put into the work! I’m so grateful for the cast and crew that made this experience so meaningful. And to all the Hotties that showed up or planned to attend, thank you for supporting me during this incredible journey! I LOVE YALL🥹 See you soon 💙,” Megan Thee Stallion wrote.

Why Is Thee Stallion Cutting Her Broadway Debut Short? 

Although Megan Thee Stallion didn’t explain her early departure, the internet is speculating her split from Klay Thompson is one reason. It’s unclear when Meg and Klay’s relationship issues began. However, in her breakup post, she accused him of having mood swings and treating her horribly during his NBA season, which ran from late October to April.

Fans are also speculating that her hospitalization in late March was due to issues with Thompson as well. As previously reported, Megan received treatment after becoming ill and faint during her performance on March 31. She later revealed her symptoms were due to exhaustion, dehydration and low metabolic levels. After a rest day, she returned to the stage but called the moment a “wake-up call.”

Also, to note, her final day on the Broadway stage is just one day before the birthday of her late mother and former manager, Holly Thomas. Holly passed away in March 2019 from brain cancer and Megan annually celebrates her life with emotional tribute posts.

Hotties React To Megan’s Early Departure From Broadway

The world is still waiting to hear directly from Klay Thompson after Megan Thee Stallion accused him of infidelity. While he’s been mum about the breakup, the Hotties have continued to flood his personal profiles and social platforms with hateful wishes. And, as expected, a new wave of criticism hit after Megan’s Monday announcement about ‘Moulin Rouge.’ Just peep the comments under his most recent Instagram post, shared on April 5. 

Meanwhile, in the comment section of Megan’s announcement post, the Hotties are showing her the opposite energy. She’s being flooded with praise and well wishes on her overall healing, while a few others who have tickets for after May 1 are sharing their disappointment.

@__kingmvchael__ wrote, “I speak for so many people when I say we are so proud of you. Thank you for giving your all and making the Moulin Rouge an unforgettable experience ❤️🤞🏻.”

“WE LOVE YOU REAL BAD!!!! ALWAYS & 4 Ever Queen 😍🥹,” @smithwoods__ commented.

“beyond proud of you, you left it all on that stage every night! time to get ready for tour now 😅,” @quinnxandrew said.

“We love you so much, take all the time you need 🥹❤️,” @melah.anjelica added.

@tdwebber_30 added, “Congratulations Megan on your first broadway run! You’re the champ! ❤️👏🏾👏🏾👏🏾❤️.”

Meanwhile, @pettysnation said, “Yeah we’re going have to drag Klay by his ankles ATP 😒.” Adding in another comment, “Damn it! Iwas planning to come for Mother’s Day weekend 😭 But I understand Megan!”

@emily_lorraine123 said, “Got tickets, flights, hotel and PTO for the show on the 9th… damn this sucks we wanted to have a hot girl weekend to see you 💔.”

“Main character all the way through. Some folks were just… extras💋,” @tessholliday added.

@sin_machine said, “❤️‍🩹❤️‍🩹❤️‍🩹 damn I had tix for the 12th, but I understand 💕.” 

@myeung_ commented, “I can’t wait to see the abundance and safety you will receive on the other side of this. You are EVERYTHING and don’t ever forget it.”

@_mo.moneyyy__ had a heated take, writing, “this is CORNY AS HELL! ngl i understand the heart break & public humiliation but to give a final date for May 1 and have everyone purchase tix at wildly increased rates (me included) .. im so freaking sad 😔 i wanted to see my girl so bad – we just got our tix.”

“We love u girl🥹🩷🔥 stay strong u taught so many girls to keep their head high and not let anybody play in their face ik it hurts rn but u will come back from this head up mama YOURE SO LOVED 😭❤️‍🩹,” @suavaecitas commented.

RELATED: Aht! Aht! WNBA Player Lexie Brown Addresses Rumors Linking Her To Klay Thompson Cheating On Megan Thee Stallion

Blindspot never bothered to ease you in. Immediately, it pulls you in knee-deep and expects you to catch up. The opening image of the procedural is immediately gripping. A woman is zipped inside a duffel bag in Times Square, no memory, her skin mapped with tattoos that point to crimes no one has committed yet. It should feel like a stunt, but instead, it feels like a promise. The show tells you right then and there what it’s going to do, and then, bless its heart, it actually does it.

Coming back to it now on Netflix, the thing that stands out isn’t just the hook but also the follow-through. Blindspot doesn’t stall or circle its own mythology like it’s afraid to touch it. It keeps pulling threads, letting them knot together, and trusting the audience to keep up. In a landscape where a lot of shows take half a season to decide what they are, this one knows immediately and never really looks back.

It Doesn’t Waste Time Pretending to Be Patient

Image via NBC

The woman is named Jane Doe (Jaimie Alexander), a placeholder name given to her by the FBI after she’s found with no memory of who she is, and one she continues to use because her identity remains a moving target. By the time you hit Season 1, Episode 10, “Evil Handmade Instrument,” the show has already burned through what other series might have stretched across two seasons. Tom Carter (Michael Gaston) is a CIA Deputy Director with his own agenda, and one of the first people to treat Jane like a threat instead of a mystery to solve. That suspicion quickly turns violent, with Carter kidnapping and torturing her, exposing just how deep the conspiracy runs. The result fractures whatever fragile trust Jane had left.

Then comes “8:00 PM,” the Season 1 finale, which doesn’t just escalate the season, it detonates. The reveal that Jane might actually be a long-dead character isn’t treated like a neat twist to end the season. It forces everything that follows to adjust around it as each reveal doesn’t just close a door, but opens three more and expects the characters to walk through them, ready or not.

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‘Sheriff Country’s Morena Baccarin on Mickey’s Blind Spot: “Sometimes She Has to Bend the Rules”

“She has soft spots, and she hates them,” says Baccarin of playing a sheriff that also has an ex-con father.

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The Procedural Is Just the Delivery System for ‘Blindspot’

Image via NBC

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On the surface, the procedural formula is clear when it comes to Blindspot. A tattoo points to a crime, the team chases it down, the case closes, cue the next one — neat, efficient, and almost comforting. Except Blindspot never actually resets. It just pretends to, long enough to pull you into the next layer. Season 1 Episode 11 starts like a standard entry point, a tattoo leading to a child abduction that should fit neatly into the formula, but it doesn’t. The case gets solved, sure, but it leaves its mark, and you see it reshaping how the team operates and how they look at the next problem. Then you get to Season 2, Episode 12, “Devil Never Even Lived,” and the illusion fully drops. The case-of-the-week doesn’t just run alongside Roman Briggs’ (Luke Mitchell) redemption arc; it feeds it. Nothing is random, but it sure looks that way at first glance.

Blindspot feels confident in its storytelling. It doesn’t over-explain by pausing to remind you who everyone is or why something matters. Whether it’s the Remi storyline or the shifting loyalties within Sandstorm, it assumes you’ve been paying attention. If you haven’t, it doesn’t slow down for you. There’s no hand-holding, which only encourages rewatches and for audiences to pay attention. That faith is also what makes it work in a binge format now. The pieces click because they were always designed to stack, not sit in isolation. In a sea of shows that hesitate, Blindspot just keeps powering forward, and that alone makes it feel sharper than most.

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Release Date

2015 – 2020-00-00

Showrunner

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Martin Gero

Directors

Martin Gero

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Writers

Martin Gero

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Kate Middleton is the queen of balancing trendy and refined, and her latest spring dress style is the perfect example. Instead of elegant neutrals, Middleton rocked a unique color that transitions beautifully from spring to summer. We found the royal look for thousands less!

During a reception at Buckingham Palace, the Princess of Wales stepped out in a lilac-colored dress that made warm-weather dressing feel fun again. Soft yet bold, it’s no wonder this lookalike dress is already trending. If you love Middleton’s chic, polished style, we found your new everyday outfit for just $37.

Get the Zesica Long-Sleeve Spring Midi Dress for $37 at Amazon! Please note, prices are accurate at the date of publication but are subject to change.

This Zesica Long-Sleeve Spring Midi Dress has a clean round neckline, a billowy tiered skirt and long sleeves with smocked cuffs. As such, the dress is perfect for spring days, summer nights and everything in between. Two side pockets (yes, real pockets) seal the deal.

The high-waist design is genuinely flattering, creating definition without feeling restrictive. It flows beautifully from the ribcage down. To make things even sweeter, the fabric is stretchy, breathable and skin-friendly, with a relaxed fit that’s comfortable for morning coffee runs or evening dinner plans.

Shoppers even love it for travel. One happy reviewer wrote, “Nice dress, super comfortable. I cannot wait to get other colors. Great for traveling and wearing all day. . . Almost like pajamas but that you can wear out . . . It lays nicely and not tight. Highly recommend for taking on trips.”

For fashionistas who want to experiment with color but still feel like themselves, this classy dress hits that sweet spot. The modest cut is elegant without being stuffy, and the lilac shade adds character. Whether you pair it with nude flats for the office or sneakers for weekend errands, you’ll look like a royal rich mom.

Get the Zesica Long-Sleeve Spring Midi Dress for $37 at Amazon! Please note, prices are accurate at the date of publication but are subject to change.

Not what you’re looking for? Shop other dresses on Amazon and don’t forget to check out Amazon’s Daily Deals here!

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Mentalist Oz Pearlman dropped out of his planned appearance on the Monday, April 27, episode of Jimmy Kimmel Live! following the White House Correspondents’ Dinner shooting.

Deadline reported on Monday that Pearlman “backed out of the appearance” and was replaced by comedian Jon Lovett.

Us Weekly has reached out to Pearlman for comment.

Pearlman, 43, was one of the attendees at the White House Correspondents’ Dinner in Washington, D.C., on Saturday, April 25, when gunfire broke out at the annual event.

Related: Donald Trump Praises Melania’s Reaction to ‘Traumatic’ WHCD Shooting

President Donald Trump praised first lady Melania Trump’s reaction to a shooting at the White House Correspondents’ Dinner. “I want to thank the first lady, that was a rather traumatic experience for her,” Trump, 79, told reporters from the White House on Saturday, April 25. “We’re not going to let anybody take over our society, […]

“I was performing right then for the president, the press secretary and the first lady,” the magician recalled during a Sunday, April 26, appearance on CNN’s State of the Union. “It [was] kind of a pivotal moment in the trick where you’re just about to do the reveal … and we hear commotion.”

“I see everyone swarming one table,” Pearlman said. “I didn’t hear any shots or see what looked like a shooter. I thought there was about to be a bomb. I really, very much thought, ‘Oh my god, it’s about to explode,’ because of the way it was being approached.”

Last week, Kimmel spoofed the annual political event on the Thursday, April 23, episode of Jimmy Kimmel Live!

“Our first lady is here. Mrs. Trump … you have a glow like an expectant widow,” Kimmel said in the bit. “By the way, in the unfortunate event that our president has a medical emergency tonight, do we have a doctor in the house — oh, I’m sorry. I mean, do we have a Jesus in the house? I always confuse them, too.”

Days after the joke aired, gunfire erupted at the White House Correspondents’ Dinner on Saturday. President Donald Trump, wife Melania Trump and additional administration officials were escorted out of the ballroom at the Washington Hilton hotel. A Secret Service agent was caught in the crossfire and shot and transported to the hospital. The Secret Service member is expected to make a full recovery. No one else was injured.

The suspected shooter was later identified as 31-year-old Cole Tomas Allen, an engineer and part-time teacher from Torrance, California. He was allegedly armed with a shotgun, handgun and multiple knives, per authorities. The suspect appeared in court on Monday, April 27, and was charged with three criminal counts, including attempting to assassinate the president.

Two days after the incident, Donald, 79, slammed Kimmel’s joke and called for his immediate termination.

“Wow, Jimmy Kimmel, who is in no way funny as attested to by his terrible Television Ratings, made a statement on his show that is really shocking,” Donald shared via his Truth Social platform on Monday. “He showed a fake video of the First Lady, Melania, and our son, Barron, like they were actually sitting in his studio, listening to him speak, which they weren’t, and never would be. He then stated, ‘Our First Lady, Melania, is here. Look at Melania, so beautiful. Mrs. Trump, you have a glow like an expectant widow.’”

The president continued, “A day later a lunatic tried entering the ballroom of the White House Correspondents Dinner, loaded up with a shotgun, handgun, and many knives. He was there for a very obvious and sinister reason. I appreciate that so many people are incensed by Kimmel’s despicable call to violence, and normally would not be responsive to anything that he said but, this is something far beyond the pale. Jimmy Kimmel should be immediately fired by Disney and ABC. Thank you for your attention to this matter!”

Related: Donald Trump Explains Why He ‘Slowly’ Evacuated WHCD During Shooting

President Donald Trump recalled his experience during the White House Correspondents’ Dinner shooting on Saturday, April 25. The president said in an interview on the Sunday, April 26, episode of 60 Minutes that he “wanted to see what was happening,” which led to Secret Service agents taking longer to usher him out of the Washington […]

Melania, 56, also reacted to Kimmel’s joke in a statement shared via X on Monday, “Kimmel’s hateful and violent rhetoric is intended to divide our country. His monologue about my family isn’t comedy — his words are corrosive and deepens the political sickness within America. People like Kimmel shouldn’t have the opportunity to enter our homes each evening to spread hate.”

The first lady continued, “A coward, Kimmel hides behind ABC because he knows the network will keep running cover to protect him. Enough is enough. It is time for ABC to take a stand. How many times will ABC’s leadership enable Kimmel’s atrocious behavior at the expense of our community?”

Donald and Kimmel have had a contentious relationship over the years. The late night host has frequently joked about Donald since he took office. Donald has been critical of Kimmel for his countless jokes.

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Last year, Donald supported ABC’s decision to temporarily suspend Jimmy Kimmel Live! in September 2025 following controversial jokes about Charlie Kirk‘s death. After coming back on air from a suspension period, Kimmel has stood by his decision to address politics on his show.

“To me, it just seems obvious and unavoidable, and I just can’t imagine on those nights talking about anything other than what we are talking about,” Kimmel said on an April episode of the “IMO With Michelle Obama and Craig Robinson” podcast. “I give a lot of credit to my colleagues for doing the same thing.”

Jimmy Kimmel Live! airs on ABC every weeknight at 11:35 p.m. ET.