Related: Ali Larter‘s Strapless Mini Dress Is a Warm-Weather Must-Have
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While we often rely on celebrities for outfit inspiration, those of Us of shorter stature have to keep one thing in mind whenever we love a look: most of our favorite fashion icons are actually kind of tall. Nicole Kidman is 5’11”, Katie Holmes is 5’9″ and even Meghan Markle is a perfectly average 5’6″.
So, naturally, when we spot someone like Kate Mara rocking something stylish, we’re thrilled. At 5’2″, the actress wears clothes that really do flatter petites — and that includes the white mini dress she stepped out in while in New York City.
Mara has been busy promoting her Apple TV+ thriller, Imperfect Women, and all those promo appearances called for an outfit that was sleek, stylish and seasonal. Switching things up from the multicolored floral dress she wore to the show’s premiere, she recently opted for a white A-line number, pairing it with a contrasting black blazer, beige heels and a large leaf necklace. The look was clean and simple, and the structured dress would no doubt work for a number of spring occasions. With no knowledge of the exact brand, we set off to find a similar design — and our search led us to an Amazon option that’s just $46.
Get the LuFeng’s Mock Neck Mini Dress for $46 on Amazon! Please note, prices are accurate as of the publishing date but are subject to change.
LuFeng’s Mock Neck Mini Dress is the perfect, budget-friendly alternative to what Mara wore. The sleeveless style is slightly stretchy, thanks to the inclusion of spandex, and, along with a high neck, has a slight fit-and-flare silhouette that hugs the body without constricting. Just like Mara’s version, this pick is modest in the front, but the Amazon find secretly shines from the back. The scoop design shows just enough skin to qualify as sexy without feeling risqué.
Of course, photos of the dress are one thing — we needed to check reviews to see what other shorties were saying about this mini. As it turns out, petites really do love it, calling the piece “cute and flattering.”
“Fits well!” one customer wrote. “Flattering. I’m short (4’11), and it falls right above my knees. I love the scoop back. I ordered a size small.”
Another short shopper agreed, noting that the “dress fit perfectly.”
“I’m a bit short, so most dresses look too long on me. But this one fit like a glove,” they promised.
Now that it’s finally spring, we’re about to enter white dress season, and this Mara-approved style works for a variety of events on your calendar. Whether you pair it with heels for the office, ballet flats for a family function, dress it down with sneakers for a warm-weather date night or add sandals for a holiday gathering, it’s likely to become the staple you reach for again and again. Throw in the fact that it’s made to complement your body type, and it should be a done deal. Grab one now!
Get the LuFeng’s Mock Neck Mini Dress for $46 on Amazon! Please note, prices are accurate as of the publishing date but are subject to change.
Looking for something else? Explore more white mini dresses here and don’t forget to check out all of Amazon’s Daily Deals for more great finds!
From director Paul Greengrass‘ pulse-racing The Lost Bus, starring Hollywood icon Matthew McConaughey and Barbie‘s America Ferrera, to Joseph Kosinski‘s fast-paced sports drama F1, Apple TV has a great recent history of delivering critically acclaimed movies. In fact, the two mentioned were Academy Award nominees at this year’s 98th ceremony, with F1 earning a nod for the coveted Best Picture prize, and even walking out victorious in the Best Sound category.
Sadly, the streamer’s latest feature-length project has failed to have the same impact as the aforementioned duo. The film in question is Outcome, the latest directorial effort from Jonah Hill, which stars the ever-brilliant Keanu Reeves as Reef Hawk, the world’s biggest movie star who takes a hiatus from the industry after struggling with heroin addiction. Ready to make a comeback, Reef’s chances of redemption are hurt when a reputation-destroying video surfaces. Sadly, the initial response from critics to Outcome has been disappointing.
Dubbed “streaming filler” by one critic, with another saying, “Jonah Hill’s new movie rarely has anything of value to say,” Outcome has earned a terrible 25% score, from 24 reviews at the time of writing, on review aggregator Rotten Tomatoes, which marks Reeves’ lowest score for a film since 2018’s Replica. Writing for Collider, Nate Richard scored the film just 4/10 in his review, writing, “It moves at too quick a pace to leave much of an impact, and it’s a bit of a tonal nightmare. Hill has already proven himself as a director, but Outcome was a strange yet bold choice to make as his second narrative film.” Despite this, the film is at least proving an instant hit on Apple TV, as it has risen past the likes of F1 and the Elizabeth Olsen-led fantasy rom-com Eternity to take the top spot on the U.S. streaming charts.
As Hill’s second narrative feature as a director, following the release of the skateboarding dramedy mid90s in 2018, Outcome was written by the Wolf of Wall Street star alongside Ezra Woods, with producer credits going the way of Hill, Matt Dines, and Alison Goodwin. The rest of the cast includes Matt Bomer, Cameron Diaz, Susan Lucci, Laverne Cox, David Spade, Atsuko Okatsuka, Roy Wood, Jr., Welker White, Kaia Gerber, Ivy Wolk, and even Hollywood icon Martin Scorsese as a washed-up talent agent.
Outcome is streaming on Apple TV. Stay tuned for more streaming stories.
April 10, 2026
83 Minutes
By Jonathan Klotz
| Published

Sydney Sweeney had a rough 2025 at the box office, culminating in the launch of a new franchise following the success of The Housemaid. Her earlier flop, Christy, a biopic about the life of American boxer Christy Martin, was a complete bomb in theaters.
Now that it’s on HBO Max, Sweeney’s home turf thanks to Euphoria, it debuted as the number one movie on the streamer, finally finding success away from the big screen. It’s also continuing the trend for Sweeney of two steps backwards for every one step forward her career takes.

Christy seems like an odd choice for Sydney Sweeney. It’s about the boxing champion, who fought in the first female boxing main event on pay-per-view, the first female boxer on the cover of Sports Illustrated, and easily the most popular female boxer of the 90s. Her rise was sudden, thanks in part to legendary promoter Don King (The Walking Dead’s Chad Coleman), and the support of her husband, James (Ben Foster, who was born to play creeps like James Martin). It’s the latter that led to the downfall of her career and nearly cost her life.
The meat of Christy’s story isn’t the boxing career; it’s the abusive, codependent relationship with James, which is especially difficult as Christy’s a lesbian. Closeted to start with, but that doesn’t stop James from going to extreme lengths to retain his control over her. Drugs, sex, blackmail videos, you name it, James does it, right down to attempted murder. It’s an awkward mashup of underdog sports movie and terrifying domestic abuse that doesn’t quite work, but it’s not Sweeney’s fault.

Christy Martin goes against Sweeney’s public image as a blonde bombshell with great jeans. It’s the same as her earlier film, Reality, about Reality Winner’s interrogation by the FBI for her role as a national security whistleblower. These are not glamorous roles, and Sweeney does her best to bring them to life, but in the case of Christy, she’s undercut by a confused script, and going up against the underrated acting powerhouse that is Ben Foster is a task for any performer.
No one was surprised when Christy bombed at the box office with a haul of only $2 million. Fresh off the “great jeans” scandal, the film became a lightning rod for a culture war, with one side boycotting and the other showing no interest in a film about a lesbian boxer. It was a no-win situation, which, at the end of the day, with the film’s arrival on streaming, ultimately meant nothing. Anyone can now stream it no matter their personal feelings on the actress, in the privacy of their own home, and without paying movie theater prices, which means a lot of Sweeney fans are now checking it out, and a lot of her detractors are now hate-watching.

At the end of the day, it’s a lot of online discourse over a film that’s ultimately, decent. Christy isn’t the best boxing movie, it’s not the best movie about domestic violence, but it is a close examination of the fascinating life of Christy Martin, who today, is living her best life as an out lesbian with her partner, and given the hell she endured to get there, you can’t help but cheer for her. As for Sydney Sweeney, Euphoria Season 3 is about to debut, so you might want to stay off social media for a few days.
Christy is now streaming on HBO Max.
Theo James had certain fears about becoming a boy dad.
“Capitalism is the dominant force and if you are celebrated, no matter what you are, if you are stinking rich and driving around in flash cars [that] has been epitomized by Trumpism and everything that goes with that,” James, 41, said on the Wednesday, April 8, episode of Josh Smith’s Great Chat Show, referencing the cultural influence of President Donald Trump. “It’s terrifying having a son because people get lured into this idea very easily.”
He continued, “You don’t have to be ‘hyperwoke,’ but it’s about a base level of empathy and some semblance of morality. I think now that isn’t cool. It’s not cool to talk about those things. It’s cool to be like, ‘F*** you, I earn loads of cash.’ But, at the end of the day, there’s a deep emptinessiness within that as we all know and eventually all those people will find out.”
James and his wife, Ruth Kearney, welcomed their son in late 2023. (The couple also share a daughter, who was born in 2021.)
“We have a 4-month-old. We’re in the thick of it,” James said at the Emmy Awards in January 2024, confirming that Kearney, 41, gave birth months earlier. “We have a daughter and then a 4-month-old son.”
James and Kearney, who have been married since 2018, have not publicly revealed their children’s names and maintain a private family life. As they remain out of the public eye, James is hopeful to raise his son without the influence of toxic masculinity.
“I [also] try and have conversations with my friends and be open about mental health and if you’re struggling with things,” James said on Wednesday’s episode. “I think it’s super important because mental health affects a lot of men.”
The White Lotus alum further believes that toxic masculinity “comes down to a fact of an unclear identity.”
“They feel untethered, reduced. I think the misogyny comes from lots of successful, strong women around them. They don’t know how to deal with that,” he speculated. “They’re confused by who they are or who they should be, and the easiest thing to do is to latch on to something [whether it’s] money, going to the gym a lot of telling people to ‘go f*** themselves.’ That’s easy.”
A man’s identity can also affect body image, which James believed is “a problem.”
“It constantly evolves and changes when we talk about men, obviously, women have dealt with it for thousands of years and they continue to do so,” James acknowledged. “With men, I think the idea of, and again it goes into this kind of toxic masculinity thing about identity and forming identity through your body [where] you have to be bigger and more muscular, more swole.”
While David Fincher is typically associated with dark thrillers, arguably his most acclaimed movie, The Social Network, is a psychological comedy-drama. In fact, another of his gut-wrenching thrillers, Gone Girl, is funnier than most viewers might remember. What this proves is that Fincher’s talents are still rather underrated, despite the highly acclaimed career that he has cultivated so far. But his biggest creative leap, both in terms of scale and ambition, has to be a fantasy epic that combines sweeping romance with character-focused drama and American history. It was the recipient of several Oscar nominations over 15 years ago, but is rarely counted among Fincher’s top movies even though it’s displaying its staying power this week on streaming.
It reunited the filmmaker with his Se7en star Brad Pitt and also featured Cate Blanchett, Mahershala Ali, and Taraji P. Henson. The movie grossed $335 million worldwide against a reported budget of approximately $165 million. Why was it more expensive than, say, Interstellar? Well, because Fincher used cutting-edge digital aging techniques throughout the film, years before the technology became mainstream with Captain America: Civil War and The Irishman. In fact, Fincher movie was released two years before Tron: Legacy, which is remembered for being one of the earliest Hollywood movies to experiment with digital de-aging.
We’re talking, of course, about The Curious Case of Benjamin Button. Written by Forrest Gump screenwriter Eric Roth, the film tells the fantastical story of a man who ages in reverse — going from an old man to a young child while experiencing all the heartbreak and euphoria of life. The movie received mostly positive reviews and is now sitting at a 72% score on Rotten Tomatoes. The website’s consensus reads, “The Curious Case of Benjamin Button is an epic fantasy tale with rich storytelling backed by fantastic performances.” The movie earned a leading 13 nominations at the 81st Academy Awards, including Fincher’s first in the Best Director category. It also remains notable for being the first film entirely shot using digital cameras to be nominated in the Best Cinematography category at the Oscars. According to FlixPatrol, The Curious Case of Benjamin Button was among the most-watched movies on the global HBO Max chart this week. Fincher’s all set to reunite with Pitt for this year’s The Adventures of Cliff Booth. Stay tuned to Collider for more updates.
December 25, 2008
166 minutes
Former United States Secretary of Homeland Security Kristi Noem‘s husband, Bryon Noem, is at the center of a growing scandal involving allegations that he’s explored online fetish communities.
Byron was accused of speaking with models in the “bimbofication” on online forums, referring to individuals who have undergone surgical enhancements to look like dolls.
“Ms. Noem is devastated,” a spokesperson for Kristi said in a March 2026 statement. “The family was blindsided by this, and they ask for privacy and prayers at the time.”
Keep scrolling for more details:
In late March 2026, the Daily Mail published photos of Bryon Noem allegedly dressed in pink hot pants and wearing fake breasts apparently made of balloons. He was also pictured wearing green leggings in another set of images obtained by the outlet.
The outlet reported that Bryon allegedly paid $25,000 to chat with online models in the online “bimbofication” scene, which involves people who use silicone injections and various surgical enhancements to appear doll-like. He allegedly sent a message to one model and shared his love for “huge, huge ridiculous boobs.”
Kristi Noem responded to the allegations through a spokesperson.
“Ms. Noem is devastated,” the spokesperson told the New York Post in a March 31, 2026 statement. “The family was blindsided by this, and they ask for privacy and prayers at the time.”
The allegations deepened when OnlyFans model Nicole Raccagno claimed she had been in contact with Bryon Noem, who allegedly offered to finance a breast augmentation for her.
“I f***ing want to pay it,” Bryon allegedly wrote to Raccagno, according to text messages obtained by the Daily Mail in March 2026. “You’re the one that I love. I would love to marry you.”
Raccagno, who goes by “Plastic Trophy Bimbo” online, claimed she started interacting with Bryon in 2020, when he allegedly subscribed to her OnlyFans page under the name “Jason From Chicago.” Bryon allegedly paid $1,500 per month to view Raccagno’s content.
“The arrangement was he’d get all my videos for $1,500 every month, to help me pay half my rent,” she told the Daily Mail. “He would never say no to me. He had to pay for my fillers, my Botox. Whenever I was not looking like a hot bimbo, he would give me money.”
Bryon has not publicly addressed the allegations.
Bryon Noem’s alleged dominatrix, Shy Sotomayor, told the Daily Mail in April 2026 that Bryon claimed that he would leave wife Kristi Noem for her.
“He really liked a confident woman,” Sotomayor said. “I don’t embrace the airhead, ditzy personality that a lot of bimbos do. I expect to be worshipped, not degraded.”
Sotomayor claimed that she connected with Bryon in 2025, during which he reportedly said that he could see them both “leaving [their] spouses for each other” and asked to be called “Crystal.”
“I was just jaw to the floor, thrown for a loop that he wanted to be called that,” Sotomayor said, acknowledging that “Crystal” sounds similar to Kristi’s name. “[It is] so close to her name, when he could have gone with Stephanie or something.”
Sotomayor revealed that Bryon agreed to pay $20,000 to meet in person, though neither the payment nor the meeting actually took place. She further alleged Bryon did pay her $7,600 in November 2025 for her services.
Conservative commentator Megyn Kelly claimed on an April 2026 episode of her podcast that Bryon Noem once attempted to enter a rehabilitation program for alleged sex addiction.
“I can report that he was — he texted — I have been reliably told by a source and sent the text messages which my source, who I believe, has provided to me that he attempted a 12-step program for sex rehab,” Kelly said on The Megyn Kelly Show. “It was a place called Pure Desire, and it incorporates the 12 steps. We looked that up to see if that was a known rehab place in South Dakota and we found that it’s, like, a ministry.”
Kelly claimed that she obtained a screenshot of an alleged text from Byron.
“I’m entering a therapy program. Much needed and much overdue. 40 days,” the text apparently read. “I appreciate the conversations we had in getting to know you better. You seem like a great person. I’m a work in progress!”
According to Kelly, Bryon did not complete the program.

Kristi Noem and Bryon Noem have been married since 1992, tying the knot in Watertown, South Dakota. They share three children: daughters Kassidy and Kennedy and son Booker.
Kristi briefly served as the secretary of Homeland Security during President Donald Trump’s second term in the White House. Trump, who fired her in early March 2026, has since addressed the accusations against Byron.
“They confirmed it? Wow, well, I feel badly for the family if that’s the case, that’s too bad,” Trump told the Daily Mail on March 31, 2026. “I haven’t seen anything. I don’t know anything about it. That’s too bad, but I just know nothing about it.”
Us Weekly reached out to both Bryon and Kristi for comment.
This story was compiled with the help of AI tools and edited by journalists.
The Wrong Turn franchise is part of the low-budget horror boom of the 1990s and early 2000s. The films followed a similar pattern where strangers find themselves in a dangerous part of the country after taking a… wrong turn. The movies were not well received by critics, with many in the franchise receiving low ratings — if any — on the review aggregator Rotten Tomatoes. However, they delivered pure horror fun with their twists, suspense, and gore. There are seven movies in the franchise, with the latest being released five years ago.
Wrong Turn 7 (2021) is one of the franchise’s top-rated films, with a 64% score on Rotten Tomatoes. The other top-rated installment is the second one at 67%. Wrong Turn 7 is now available to stream on Prime Video, and the movie is making waves. Streaming data from FlixPatrol shows it has found a sizable audience, ranking sixth on the streamer’s global chart at the time of writing. It’s still quite a distance from dethroning the number one film, Crime 101, and it might not.
Wrong Turn 7 is a slight departure from the other movies but follows similar beats. It takes place in the backwoods inhabited by a secluded community. While hiking, Jen (Charlotte Vega) and her friends encounter one such community after taking a wrong turn. Named The Foundation, this community of mountain dwellers is bent on protecting their centuries-old way of life by any means necessary. The task for Jen and her friends is to stay alive until her father (Matthew Modine) can find them, but that’s easier said than done. The film marked Alan B. McElroy‘s return to the franchise after he started it in 2003 by writing the first film. Wrong Turn 7 was directed by Mike P. Nelson and also stars Adain Bradley (Darius), Emma Dumont (Milla), Vardaan Arora (Gary), Dylan McTee (Adam), and Daisy Head (Edith), among others.
Hollywood loves success stories, and whenever a cult classic like Wrong Turn or Final Destination sees renewed interest, another installment is almost guaranteed. So what does that mean for this franchise? “I had planned two more films, so there would be a trilogy, based around this idea of The Foundation and these characters,” B. McElroy said in an interview when asked what the future looks like for the franchise. “I’d love to finish it and see it all come out the way I wanted.”
Stream Wrong Turn on Prime Video in the U.S., and stay tuned to Collider for more updates.
January 26, 2021
120 minutes
Mike P. Nelson
Alan B. McElroy
wrong turn
Tron is a film that’s a study in contrasts. Upon its release, it received mixed reviews but went on to become a cult classic, not to mention part of a watershed moment in science fiction history. It revolutionized visual effects, yet most of Disney’s animation department didn’t want to work on it. It’s even spawned two sequels, Tron: Legacy and Tron: Ares, with each film receiving a wildly different reception upon release. Yet Tron‘s strangest claim to fame is inspiring the short-lived sci-fi television series Automan, especially since that series cribbed its entire visual language and plot ideas from the movie.
Automan follows Walter Nebicher (Desi Arnaz Jr.), a brilliant but socially awkward police officer who works in the computer programming department. Desperate for action, Nebicher creates artificial intelligence in the form of “Automan”, a holographic being (Chuck Wagner) that can fight crime with Nebicher’s help. The two work together to solve crimes, while also passing Automan off as a FBI agent that befriended Nebicher. Even by the standards of 80s-era television, Automan was utterly ridiculous — and it didn’t help that it felt like the poor man’s version of Tron.
Automan‘s debt to Tron is evident in its premise, which features a human being and a computer program joining forces, to the vehicles that Automan uses. Both the “Autocar” and the “Autochopper” feature the same glowing blue hues as the original Tron, and Automan even wears a blue suit similar to the programs in Tron‘s Grid. To its credit, Automan did try to introduce some original ideas. One of those ideas involved Automan merging with Nebicher to form a singular being that possessed the former’s abilities and the latter’s intelligence. Chuck Wagner would later talk about what drew him to Automan in a documentary chronicling the series’ creation:
“I loved the script. I loved the honesty and simplicity of the script…I approached it really honestly and it was a gift, but my focus, my imagination, and my whole life had geared me toward superheroes. So this was like a magical signpost, and the fact that I got cast was a real blessing.”
Automan also boasted a superstar creator in Glen A. Larson, who brought some of the ’80s biggest television shows to life. In addition to creating the original Battlestar Galactica and Buck Rogers in the 25th Century, Larson was also the man behind Knight Rider. Much like Automan, Knight Rider features a cool car and a cutting-edge sci-fi concept, as the car is powered by a living computer. What separates the two shows is that Knight Rider had the charismatic presence of David Hasselhoff; despite the best efforts of Chuck Wagner and Desi Arnaz Jr., Automan lacked the same flair as Larson’s other productions.
Screenwriter Jesse Wigutow, who serves as EP for ‘Daredevil: Born Again,’ also drops exciting details for Seasons 2 and 3 of the Disney+ series.
During its short-lived run, Automan ran into a combination of problems. Not only were its special effects extremely costly, but it was also crushed in the ratings by other shows. Its biggest competition was the spy series Scarecrow and Mrs. King, which, ironically, featured Bruce Boxleitner — Tron himself — in a starring role. Another factor that contributed to Automan being relegated to the annals of sci-fi history is the fact that, for years, the only place you could get the complete series on DVD was in the UK. That would eventually change in 2015, when Shout! Factory released the entire series on DVD.
Despite its short run, Automan showed a fair amount of promise. The idea of a digital being taking human form would be explored in other television series, most notably with the iconic anime Ghost in the Shell. Automan was also proof that Tron had plenty of appeal, whether it was the cutting-edge visuals or the potential in its story. Time will tell if someone manages to unlock that potential, but considering Tron: Ares exists, this is far from the worst thing someone’s done with the Tron franchise.
1983 – 1984-00-00
Kim Manners, Winrich Kolbe, Allan Burns, Allen Baron, Bruce Seth Green
Sam Egan, Larry Brody, Bruce Kalish, David Garber
Whew, Roomies! Things between Drew Sidora and Ralph Pittman are far from over. Folks are tuned in as Drew just came through with a major update amid their ongoing divorce.
Drew Sidora is breaking her silence following reports that she has been ordered to vacate the Georgia home she shares with her estranged husband by May 31. In a statement shared to social media, Drew kept things focused on her role as a mother, making it clear where her priorities lie. She shared that she and Ralph Pittman are committed to co-parenting and doing what’s best for their children. Drew also emphasized that she’s choosing to move forward with grace, while continuing to show up as the best mom she can be despite the public nature of their situation.
Taking to X, Drew set the record straight, sharing:
“Good morning. Some details regarding my divorce have recently become public, although the process is not yet finalized. During this time, Ralph and I are committed to co-parenting and doing what’s best for our children. While certain things are beyond my control, my focus remains on showing up every day as the best mother I can be. Living in the public eye comes with challenges, but I’m choosing to move forward with grace, growth, and intention. My children are my priority, and I’m committed to leading with love, peace, and positivity. There is no ill intent toward anyone just a continued focus on healing, evolving, and becoming the best version of myself.”
Folks wasted no time running to The Shade Room Instagram comment section and sharing their thoughts. Some said Drew Sidora doesn’t owe anyone an explanation, while others pointed out that just because the dad has custody doesn’t mean the mom did anything wrong.
This Instagram user @prettydarkskin_witdimples commented, “A man won’t be your peace but they will take it!“
And, Instagram user @heatheralexia_ said, “Something is off for a mom to not receive primary custody of her kids. Maybe it’s just her unstable work schedule.“
While Instagram user @_sunshiineex4_ claimed, “Girl you don’t owe nobody nothing. It’s 2026 🗣️🗣️”
Then Instagram user @saaphyri added, “Word to the wise NEVER DIVORCE IN GEORGIA.. it’s a man’s state“
The Instagram user @_littyandwitty joked, “Drew have a blast. ❤️😂”
Lastly, Instagram user @itsjustnitza said, “Just bc he has custody, doesn’t mean there HAS to be something wrong with her…“
Now, let’s get into what Drew Sidora is speaking out about. As previously reported, a judge has ordered her to move out of the Georgia home she shares with Ralph Pittman by May 31, with both of them continuing to split household expenses in the meantime due to their current financial situation. On top of that, things get even more layered as the court reportedly granted Ralph primary physical custody of their children during the school year, while Drew will have weekend parenting time starting in August—though they will still share joint legal custody.
The update is just the latest twist in their ongoing divorce, which has been playing out since they filed dueling petitions back in March 2023. However, Drew’s legal team made it clear this isn’t the final word, noting the current ruling is only temporary as the case is still actively being litigated—meaning this situation is far from over.
What Do You Think Roomies?
A surprising detail has emerged in the ongoing legal battle between Blake Lively and Justin Baldoni and it involves none other than Taylor Swift. According to newly filed court documents, Lively’s legal team submitted additional evidence that includes what has been described as “a Taylor Swift cookie recipe that was linked in other correspondence,” adding an unexpected twist to the high-profile case.
Taylor Swift has long been known for her love of baking. The pop star’s chai sugar cookie recipe famously went viral years ago, becoming a fan-favorite among Swifties and widely shared across social media. More recently, she’s reportedly leaned into sourdough baking, making homemade bread for friends and family.

In response to the latest filings, which include Taylor Swift’s cookie recipe, Baldoni’s legal team has asked the judge for more time to review the materials, which reportedly include dozens of exhibits.
His representatives have also downplayed the likelihood of the recipe being presented in court, stating it “is exceptionally unlikely” to be shown to the jury during the trial, which is set to begin May 18.
Alongside the recipe, Lively’s submission reportedly includes personal photos with Swift and a speech about her husband, Ryan Reynolds.

As the case intensifies, Lively has expanded her witness list to include Reynolds, who has publicly supported her throughout the legal dispute. He is expected to testify about issues related to production and promotion, as well as alleged retaliation and damages tied to the case.
Lively herself is also expected to take the stand, along with Baldoni, after both parties declined settlement efforts earlier this week.
Additional names on Lively’s witness list include her sister Robyn Lively and “It Ends With Us” co-stars Jenny Slate and Isabela Ferrer. She has also identified several individuals connected to Baldoni, such as former podcast co-host Liz Plank, former publicist Stephanie Jones, and PR manager Melissa Nathan, as potential witnesses.
Meanwhile, author Colleen Hoover has been listed as a possible witness, though her testimony is expected to be delivered via deposition rather than in person.

Baldoni’s team has raised objections to several proposed witnesses, including Hoover, arguing her testimony should not be included since she was not present during the film’s production.
They have also pushed to exclude certain claims made by Slate, asserting that any prior issues had already been resolved.
The legal battle stems from a lawsuit filed by Lively in December 2024, in which she accused Baldoni of sexual harassment, retaliatory conduct, and intentional infliction of emotional distress.

Swift’s name has surfaced multiple times throughout the case. The singer was drawn into the situation after Baldoni’s legal team sought access to communications between her and Lively, including text messages and emails. In one exchange, Lively reportedly referred to herself as a character from “Game of Thrones” and described Swift as one of her “dragons.”
There have also been claims that Swift was present during a meeting at Lively’s New York penthouse related to script changes, though sources close to the singer have denied she had any prior knowledge of the gathering. According to those sources, Swift arrived unaware that a meeting was taking place and later felt “exploited” by the situation.

Baldoni recently scored a major legal win after a judge dismissed the bulk of Lively’s claims, but not necessarily on substance. The court ruled her sexual harassment allegations couldn’t proceed because she cited a California law, despite the alleged conduct taking place in New Jersey. The judge made it clear, however, that the decision was not based on whether her claims were valid.
The court also threw out Lively’s defamation claim, which centered on statements made by Baldoni’s attorney, Bryan Freedman, including accusations that she fabricated the situation. In total, 10 of Lively’s 13 claims against Baldoni were dismissed.
As more evidence keeps dropping and both sides brace for court, this legal showdown between Lively and Baldoni is only getting messier. With the May 18 trial date looming, even something as random as a cookie recipe tied to Swift proves just how wild this case has become.
By Chris Snellgrove
| Published

You want the really short review of They Will Kill You? Here it is: “We’ve got Ready or Not at home.”
As a movie about a young woman (played by Zazie Beets) who must fight for her life against rich devil worshipers, it’s clear that this film was inspired by Ready or Not, a film in which a young woman (played by Samara Weaving) must, well, fight for her life against devil worshipers. The blunt truth is that They Will Kill You really suffers from the inevitable comparison: Ready or Not had better kills, better humor, and better characters, and the sequel (which brought the awesome Kathryn Newton into the mix) arguably perfects this quirky narrative formula. By comparison, They Will Kill You comes across like someone is frantically copying a better student’s paper.
With that said, it’s a fairly good copy. Zazie Beets (who genre nerds will best know for her appearances in Joker and Deadpool 2) is really great in the role of a young woman who infiltrates a wealthy household as their latest maid. It turns out that she is on a mission to rescue her little sister, and she’s spent the last decade in a particularly brutal prison. Constant fighting with other inmates has given her the kind of fighting skills that would make John Wick blush, but she must now fight the ultimate foe: Satanists who, through a demonic pact, seemingly can’t stay dead.

As you have probably sussed out, They Will Kill You doesn’t really have a lot of plot to get in the way of the movie. The highly unoriginal premise is just an excuse to get our main character into a series of memorable fights with bland characters. Interestingly, the fights are heavily flavored by martial arts movies; while Ready or Not favored more realistic combat, often emphasizing Samara Weaving’s vulnerability against stronger, better-armed foes. They Will Kill You transforms Zazie Beets into a borderline superhuman kung-fu star who never truly seems like she’s in danger because she is infinitely more dangerous than her enemies.
That’s not inherently a bad thing, of course: if you want to see a gorgeous woman engage in scene after scene of ultraviolence, They Will Kill You is an entertaining, nonstop thrill ride. Beets imbues her character with passionate intensity that makes every kill feel transgressively intimate, which helps make up for how bland almost everyone she fights is. Plus, the film as a whole is anything but boring: once the barebones plot is established, almost every single scene is nonstop, stylized violence that you can’t tear your eyes away from.

The result is a mixed bag of a movie, and how much you enjoy it will depend on your sensibilities as a film lover and simply what you’re in the mood for at the time. As a “turn your brain off” action picture, They Will Kill You is stunning: we get killer fight after killer fight, all of which culminates in a demonic showdown that’s as fierce as it is funny. Horror fans will enjoy all the buckets of blood Zazie Beets spills, and Quentin Tarantino fans will enjoy high-energy battles that were very clearly inspired by Kill Bill.
If you want something more, though, you’re out of luck. The plot (minus a few very fun twists near the end) is depressingly by the numbers, and Beets is basically the only actor who gets to shine. This is a film that also stars genre heavyweights Tom Felton and Patricia Arquette, but they are given so little to do that they feel like just another pair of blood-soaked set pieces. The attempts at quirky humor (the kind that Ready or Not excelled at) often fall flat, and even the breathless action scenes get repetitive over time. This is ultimately a film that only has one gear, and whether or not you enjoy it depends greatly on what your expectations are.

Obviously, having watched Ready or Not 2 recently, I couldn’t help but be a little disappointed by They Will Kill You, a movie that copied that Samara Weaving franchise’s core idea without adding much to the formula. But “little” is the operating word here: Zazie Beets does her best work yet as the lead, the action is fun and memorable, and the climax is bonkers in the best possible way. Is all of this highly derivative of better films? Of course! But for better or for worse, They Will Kill You is the best unoriginal movie you will ever see.

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