Related: Reese Witherspoon Wore a Loose Black Dress With Boots — The $33 Look
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Ke Huy Quan is recalling a bizarre encounter with a fellow actor at an awards ceremony where he was nominated for Best Supporting Actor for his role in the acclaimed movie “Everything Everywhere All at Once.”
According to Quan, the well-known star told him he would not win after he made a silly face while taking a selfie with him. Quan ultimately took home the award, becoming the first Asian actor to win in the category.

In his recently published memoir, Quan shared details for the first time about an incident at the 2023 SAG Awards, where he was nominated for Best Supporting Actor for his role in “Everything Everywhere All at Once.”
“I spotted a well-known actor I’d respected for years standing right behind me,” Quan wrote in his memoir, Never Say Die. “Without thinking too much about it, I asked if we could take a picture together. I held the phone out between us, angled it back toward our faces, and leaned in.”

However, when Quan made one of his silly faces while taking the selfie, the actor, whom he did not name, responded with a cutting remark.
“He shook his head and added, ‘You’re not going to win tonight with that stupid face,’” Quan recalled.
At that moment, Quan brushed off the remark and decided to enjoy the rest of the show.

At that moment, Quan brushed off the remark and decided to enjoy the rest of the show.
Eventually, his name was called as the winner, leaving him momentarily stunned as the crowd erupted in applause.
“For a second, I didn’t move,” Quan recalled. “Then I stood, that familiar disbelief rushing back in. I walked to the stage and accepted the award, feeling the weight of it settle into my hands.”
After receiving the award and returning to his seat, Quan remembered the actor’s comment and felt a surge of pride.
“I went back to my seat, holding the statue, and smiled to myself. I’d won with that stupid face. I wasn’t going to let someone else’s comment touch that night. It was too big for me,” he shared.

At that year’s SAG Awards, Quan not only won the award for the first time but also became the first Asian actor to win in the category.
The moment left him deeply emotional, but he also used it to honor other Asian performers in Hollywood, including fellow nominees Michelle Yeoh, Stephanie Hsu, and Hong Chau.
“I recently was told that if I were to win tonight, I would become the very first Asian actor to win in this category,” the actor said onstage. “When I heard this, I quickly realized that this moment no longer belongs to just me; it also belongs to everyone who has asked for change.”

For fans still hoping for a sequel to “Everything Everywhere All at Once,” the prospect remains unlikely, based on comments from cast and crew.
At the 2023 Cannes Film Festival, Michelle Yeoh, who played lead character Evelyn Wang, appeared to rule out a follow-up.
“We would just be doing the same thing,” she told Variety at the time, as PopSugar reported.
A year earlier, directors Daniel Kwan and Daniel Scheinert also dismissed the idea and refuted a report claiming a potential sequel would focus on parents being “radicalized” by social media.
“Don’t even remember making this joke,” the filmmakers wrote in a tweet. “Must have been back in March when the idea of a sequel was especially comically far-fetched to us.”
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‘Wedding’ might make you think ‘black dress,’ especially if you want something slimming, but Penélope Cruz proved that the right floral dress is just as flattering and much more luxe. Her fall maxi is loose, classy and totally rich-mom-coded, and we found the chic look for only $36!
Spotted in Venice with beau Javier Bardem, Cruz wore a floral wrap dress, mini heels and a crossbody bag. The dress was scattered with dainty red, yellow and purple flowers that created a dreamy, romantic Italian aesthetic — one that makes you rethink all the neutrals in your wardrobe. Polished and sleek, this Amazon twin hits every note.
Get the Alisoker Floral Maxi Dress for $36 at Amazon! Please note, prices are accurate at the date of publication but are subject to change.
Like Cruz’s, this Alisoker Floral Maxi Dress works wonders for your figure, thanks to the wrap waist, flowy fabric and long sleeves that feel autumnal without being heavy. The red and yellow flowers channel Cruz’s Venice moment perfectly, and they visually smooth cellulite without even trying.
The waistband is another superpower. One happy shopper raved, “The smocked waist is probably my favorite part because it gives the dress some shape without being tight or uncomfortable. It hits in a flattering spot, and then the skirt flows nicely from there.”
It also happens to be a stealth wedding-guest weapon, so consider all the fall nuptials, autumn garden parties and cousins’ rehearsal dinners on your calendar handled.
Another five-star reviewer summed it up: “The floral print is vibrant and elegant, while the V-neck design creates a flattering, feminine look. The fabric is lightweight, breathable and flows beautifully, making it ideal for vacations, church, brunch, weddings or everyday wear.”
It’s a staple fall dress that transitions from a piazza lunch to a museum day without a costume change — or, more realistically, from a school pick-up to a rehearsal dinner. Clearly, you don’t need Bardem on your arm or a Venetian palazzo booking to copy Cruz’s look.
Get the Alisoker Floral Maxi Dress for $36 at Amazon! Please note, prices are accurate at the date of publication but are subject to change.
Looking for something else? Explore more chic dresses, and don’t forget to check out all of Amazon’s Daily Deals for more great finds!
UsNow Fall Sale Alert: These chic fashion finds are up to 60% off – plus free shipping
Welcome to fall with our biggest sale of the season. Our favorite dresses, tops, handbags, and shoes are all on sale + free shipping. Inventory is limited so hurry before they’re gone.
Dolly Parton’s voice filled the room one more time on Wednesday night, and for many in attendance, it felt less like an awards-show moment and more like a final conversation.
Just weeks after her death at age 80, the country icon was honored with the Americana Music Association’s Lifetime Achievement Award through a pre-recorded message that blended gratitude, reflection, and the unmistakable warmth that defined her career.
By the time the video ended, Parton had once again done what she spent a lifetime doing: making millions feel like she was speaking directly to them.
The night’s most powerful moment arrived when Dolly Parton appeared on screen to accept an honor she would never receive in person. Rather than dwelling on her achievements, the music legend immediately shifted attention to the genre and traditions that helped shape her.
“Well, hey, it’s Dolly. I’m honored to be receiving a Lifetime Achievement Award from the Americana Music Association,” she said per PEOPLE.
The message carried the same conversational charm that made Parton one of entertainment’s most beloved figures. She spoke not as a global icon but as someone still connected to the music she grew up playing in Tennessee.
As the audience listened, the speech gradually became something bigger than an acceptance message. Parton reflected on artistic chapters that transformed her career and thanked the Americana community for embracing her work. Then came the line that instantly resonated throughout the room.
“I want to thank everyone at the AMA for recognizing me with this award. It’s a great honor truly, and just know that I will always love you.”
For the audience familiar with both the woman and the song that became one of her signatures, the words landed with extraordinary weight.

While Dolly Parton’s legacy is often measured through chart records, sold-out tours, and cultural influence, her message revealed how much value she placed on a later chapter of her career.
“I mean, roots music, or what is now called Americana music, is what I grew up playing back in the Smoky Mountains,” she said during her speech.
Parton pointed to her 1997 return to East Tennessee to create “Hungry Again,” describing it as a turning point that led her toward a string of bluegrass and acoustic projects.
Those albums introduced her music to new audiences while reconnecting her with the sounds that first inspired her.
“And that project really opened the door to a series of bluegrass and acoustic albums that changed the course of my career in so many ways,” the “Jolene” singer continued.
Looking back on that period, Parton offered a perspective that surprised even longtime followers of her career.
In her words, “Now, new fans discovered these albums, new Americana music communities embraced them, and now looking back at it all, I see this era of my career as a musical renaissance of sorts.”

Before the video played, Emmylou Harris framed Parton’s story through a different lens, not as a list of accomplishments, but as the story of a woman who consistently refused to let others define her path.
“In 1967, Dolly got a good start on her big dream when she landed a gig as the girl singer with Porter Wagoner,” Harris said. “Their duets were a hit on the show and on the charts, but Dolly was nobody’s sidekick. She wanted more and she deserved more, and she set out to get it always, always on her own terms.”
Harris described a career that moved effortlessly from country music to television, film, business, and philanthropy.
The musician noted, “She was one of our all-time greatest songwriters, but she shined just as brightly on stage. She lit up the TV screen and then she, she lit up the movie screen.”
The tribute also celebrated Parton’s impact beyond entertainment, from Dollywood and the Imagination Library to charitable efforts that changed lives.
Harris ultimately summed up the icon’s influence with a simple observation, admitting, “There was nothing Dolly couldn’t do, and so she did it.”

If Dolly Parton’s final recorded message at the Americana Honors & Awards felt like a farewell, the country music community is now preparing for an even larger celebration of the icon’s life.
Rather than allowing the emotional moment to stand alone, the Country Music Association has announced a two-hour live television event dedicated entirely to Parton’s legacy.
The special, titled “CMA Presents I Will Always Love You: A Celebration of Dolly Parton,” will air on October 21 and feature performances, personal stories, and archival footage honoring the singer’s extraordinary career.
As PEOPLE reported, the event will take place at Belmont University’s Fisher Center for the Performing Arts in Nashville, a venue that already shares deep ties with Parton through previous collaborations and educational initiatives.
The broadcast is scheduled to air on ABC and Disney+, with streaming availability following on Hulu. Beyond the performances, the tribute will carry a charitable component that reflects Parton’s lifelong commitment to helping others.
Proceeds from the event will benefit the Imagination Library, the literacy program that became one of her most enduring philanthropic achievements. Organizers have not yet revealed the full performer lineup, but anticipation is already building over which artists will take the stage to celebrate one of country music’s most influential figures.

While television producers are preparing a nationwide celebration, officials in Tennessee are moving forward with a tribute that could become part of everyday life for millions of travelers.
Just weeks after Parton’s death, momentum surged behind an effort to rename Nashville International Airport in her honor.
The Associated Press reported that the proposal gained widespread public support, including a petition that reportedly attracted more than 175,000 signatures. Airport officials ultimately voted unanimously to begin the renaming process, a decision backed by leaders across political lines.
The move is especially notable because Parton spent years declining many forms of public recognition. According to reports, supporters believed that honoring her after her death would be an appropriate way to recognize her impact on Tennessee, not only as a performer but also as a philanthropist, businesswoman, and cultural ambassador.
Tennessee Governor Bill Lee praised Parton’s influence, describing her as the state’s “favorite daughter” and pointing to her generosity and volunteer spirit as reasons she deserves such a prominent honor. Nashville Mayor Freddie O’Connell also supported the effort, emphasizing the lasting mark Parton left on the city and the state as a whole.
The process won’t happen overnight. Airport officials have acknowledged that changing the name of a major international airport involves extensive updates to signs, documents, branding, merchandise, and operational systems across thousands of acres of property.
The airport’s familiar BNA code will remain unchanged, but the final name is still being determined in consultation with Parton’s estate.
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Martha Stewart just reminded me that sometimes the best fall wardrobe staples are the ones already hiding in plain sight. The lifestyle icon recently stepped out in the quintessential transitional layer: an oversized denim button-down. It’s classic, easy to throw on and exactly the kind of piece that makes me wonder why I don’t already have one hanging by the front of my closet.
Stewart recently showed off the look on Instagram, pairing her light-wash denim layer with crisp white skinny jeans for an effortlessly polished outfit. The oversized silhouette gave the classic fabric a relaxed feel, while the slim white jeans kept the whole look streamlined. Naturally, I went searching for an affordable way to recreate it and found a $30 version on Amazon.
Get the Genhoo Denim Oversized Button Down Shirt Jacket for $30 at Amazon! Please note, prices are accurate as of the publishing date but are subject to change.
The Genhoo Denim Oversized Button Down Shirt Jacket captures the same laid-back energy for a fraction of what I’d expect to pay for such a versatile fall staple. It comes in a similar light wash with an oversized silhouette that gives it that cool, borrowed-from-the-boys feel. Medium and dark washes are also available if you prefer a moodier fall denim.
Made from a cotton-blend denim, the shirt jacket features a button front, chest flap detail and a roomy fit that leaves plenty of space for layering. Wear it open over a simple tee while the weather is still mild, then add a lightweight sweater underneath once temperatures start dropping. It comes in sizes S to XXL, making it easy to play around with just how oversized you want the fit to feel.
Shoppers seem especially sold on how many ways they can wear it. One reviewer called it a “versatile layering piece,” while another buyer described it as one of those “easy, throw-on pieces” that “makes an outfit look more put-together.” That’s basically everything I want from a fall layer: minimal effort with maximum outfit potential.
Stewart may have been standing in her kitchen, but consider the fall styling inspiration served. A relaxed denim button-down can take you from those first cool September mornings straight through sweater season, whether you pair it with white denim like Stewart or layer it over practically anything else in your closet. For $30, I’m ready to make room for one in my fall rotation.
Get the Genhoo Denim Oversized Button Down Shirt Jacket for $30 at Amazon! Please note, prices are accurate as of the publishing date but are subject to change.
Looking for something else? Explore more from Genhoo here and don’t forget to check out all of Amazon’s Daily Deals for more great finds!
UsNow Fall Sale Alert: These chic fashion finds are up to 60% off – plus free shipping
Welcome to fall with our biggest sale of the season. Our favorite dresses, tops, handbags, and shoes are all on sale + free shipping. Inventory is limited so hurry before they’re gone.
Adapting Gone Tomorrow, the 13th novel in Lee Child‘s long-running series, the fourth season of Prime Video’s flagship action series Reacher has been the talk of the streaming world for the last few weeks, with the most action-packed installment yet for Alan Ritchson‘s titular skull-crusher culminating in an explosive finale today. Penned by Sam Hill and directed by Scott Sullivan, the eighth and final episode of Season 4, “Cut,” would normally prove a difficult pill for fans to swallow, considering this marks the end of their favorite streaming series for another year.
But the blow of another Reacher season coming to a close has been considerably softened by the arrival of the long-awaited spin-off, Neagley. The first proper spin-off in the franchise, which premieres immediately following the Reacher Season 4 finale, hands over the baton to Maria Sten (Swamp Thing), who has transitioned from Reacher’s former 110th Special Investigations Unit protégé to a difficult, dangerous life as a Private Investigator in Chicago.
All eight episodes of Neagley have debuted at once on Prime Video and are sure to find their way to the top of the streaming charts. But before they make their bid for streaming supremacy, how have all eight episodes fared in the eyes of critics? Now that the embargo has been lifted on Neagley, fans will be wondering if this ambitious spin-off can match its beloved predecessor. At the time of writing, Neagley boasts a strong average score of 88% from critics on review aggregator Rotten Tomatoes, which is 7% short of the total series score for Reacher.
According to Rotten Tomatoes, Neagley falls just short of the heights of Reacher, a sentiment shared by Collider’s David Caballero, who awarded a 7/10 in his review, calling it “a show that delivers exactly what it promises, with a simple but well-executed mystery led by an incredibly intriguing lead and greatly elevated by a likable cast.” “If executed right, Neagley has a good chance of reaching the same popularity as the flagship, if not more,” wrote ScreenRant’s Ana Dumaraog in a glowing review, with CBR’s Jamie Parker praising the series for letting the titular fan-favorite “shine.”
Neagley is available to stream in full on Prime Video. Make sure to stay tuned to Collider for the latest news.
September 16, 2026
Prime Video
Greyston Holt
Detective Hudson Riley
Maria Sten
Frances Neagley
Science fiction is one of the biggest film genres on the planet and, in turn, one of the highest-grossing of all time. People scramble to theaters to escape into new and unique worlds that keep the real one from being so scary and invasive. Whether they travel to space in a galaxy far, far away, or Earth in an alternative reality or dark future, fans always seem to enjoy some incredible journeys through things they’ve never seen before.
Some of the highest-grossing sci-fi projects also happen to be among the highest-earning in history, largely because the genre holds some of the greatest cinema franchises ever. Star Wars, Dune, Avatar, and Jurassic World are among the sci-fi series that dominated the last ten years, taking sci-fi to a new level of critical and commercial acclaim. This list will rank the highest-grossing sci-fi movies of the last ten years based on their worldwide gross.
Any fan of sci-fi knows who King Kong is, and they can’t deny that one of his best projects is, without a doubt, Kong: Skull Island—clear from the box office revenue it pulled in. Taking place just after the Vietnam War, this King Kong flick is such a stylized project—being a period piece—with a strong cast and great direction from director Jordan Vogt-Roberts.
Kong: Skull Island does some great worldbuilding for the Kong/Godzilla universe and introduces some super cool creatures. This 2017 film feels like a perfect blend between a wild, mindless blockbuster that’s fun to watch and a good screenplay from writers Dan Gilroy, Max Borenstein, and Derek Connolly.
There’s no denying that everyone loves Godzilla, and everyone loves King Kong. So, the idea of creating a franchise that brings the two together is pretty genius. The second project in the franchise, Godzilla x Kong: The New Empire, took everything good about Godzilla vs. Kong and improved upon it.
Godzilla x Kong: The New Empire is big, bold, fun, thrilling, and everything a blockbuster action flick needs to be. Does it have much depth? No. Is it very thought-provoking? No. But the film knows that it absolutely does not have to be, and simply has fun being exactly what it is: an action flick that is thrilling and entertaining for the eyes.
The Transformers franchise has always been one of the most popular sci-fi franchises ever made. Optimus Prime (Peter Cullen) and the Autobots have ruled the box office for most of the years they’ve released projects. Despite how rough around the edges they can be at times (aka, the Michael Bay series), this series is known for making a great amount of cash.
One of the more recent examples is the fifth and final entry in the Michael Bay series, Transformers: The Last Knight. Bringing home an incredible $605.4 million, this project may very well be the worst Transformers movie, but it is a high-earner. Funny enough, Transformers: The Last Knight may be one of the highest-grossing sci-fi movies of the last ten years, but it’s actually the lowest-grossing of the Michael Bay movies.
Based on the hit book of the same name, Steven Spielberg‘s more recent sci-fi success, Ready Player One, had a great time at the box office in 2018. This is partially because the book was already so popular, but also because it’s the one and only Steven Spielberg, and nobody wants to miss a Spielberg release when it comes around. Therefore, many flocked to theaters when Ready Player One had its big release.
Despite what people think of the film’s quality (book fans, as typical, not enjoying it as much as the source material), the movie made a good amount of money, and gamers specifically loved it. Spielberg did a great job bringing the world of the Oasis to life, and while some people have issues with the plot, the movie is a really enjoyable one for the most part.
With how popular the first movie was (more on that later), it only made sense that audiences were going to see The Wandering Earth II. What this Frant Gwo movie does best is exactly what the first movie did best, as well—subverting the typical Hollywood tropes for the genre and serving as a breath of fresh air for anyone who’s a fan of the genre.
The Wandering Earth II tells a story about worldwide teamwork that brings people together for the greater good. The idea of the entire planet working as one force to do good may sound like an impossible future, but that’s what sci-fi is for, is it not? The Wandering Earth II‘s story is one that is inspiring and worth giving a watch.
One of the most recent sci-fi hits is none other than Project Hail Mary, based on the book of the same title by Andy Weir—also the author of The Martian. This Ryan Gosling-led film is such a refreshing movie for the genre, and provides a plot that is not only fun and entertaining, but heartwarming, as well.
The relationship between Gosling’s character, Ryland Grace, and the little alien he meets, Rocky (James Ortiz), is a phenomenal character dynamic that serves as the beating heart of the movie. The critical reception of Project Hail Mary should be proof enough that the 2026 project is going to go down in history as an unforgettable cult-classic.
If one were to ask a real cinephile, they’d be told that many American audience members are totally missing out on international movies. However, sometimes an international product breaks through and becomes one of the highest-grossing sci-fi movies of all time—said product being The Wandering Earth. This 2019 Frant Gwo movie was a breakout hit, and for very good reason.
The Wandering Earth is the seventh highest-grossing non-English film to date. It is a huge spectacle of a movie that emphasizes humanity’s ability to survive, no matter what the scenario. It’s a genuine vision, and Gwo is quite easily one of the greatest directors of all time—somehow not being recognized as such, which is a massive shame. For a sci-fi fan, The Wandering Earth is a must-see.
Dune was so popular and garnered such a large fanbase that the second movie, Dune: Part Two, out-grossed the first by around a whopping $304 million, bringing home about $714 million. The first movie displayed some of Timothee Chalamet’s best acting work, but it doesn’t even compare to the performance he brings to Dune: Part Two.
Many consider Dune to be the new generation’s Star Wars, and that makes complete sense, given the critical love it’s gotten and the massive box office return it brings in. Dune: Part Two helped define the franchise’s reputation and cement it in not only the sci-fi genre but the Hollywood landscape of films as a whole.
Despite how absolutely horrific the reviews were for Jurassic World: Rebirth, it, as usual for the Jurassic Park franchise, brought home the bacon at the box office. In spite of trying to do something new and different with the series (which, in theory, is a great idea), the love was not critically present for Jurassic World: Rebirth. They got very lucky with how many people went to see it, due to the money it received, but it was also a detriment, thanks to the horrible reputation it now has.
Jurassic World: Rebirth takes place five years after the last entry in the franchise and brings in an entirely new cast—thank goodness, due to the nostalgia bait that so horribly held down the last trilogy—and has fun with new concepts. Again, in theory, this was a great idea, and if written a bit better, this could have easily been one of the most critically successful movies in the Jurassic Park series.
Since the beginning of the genre, the Jurassic Park franchise has been one of the defining staples of it in cinema—of course, Hollywood needed to keep it around for more big bucks. Thus, the world got the Jurassic World franchise. While it has been hit-or-miss critically (with the entire franchise feeling tired at this point), it has been a massive earner at the box office.
Still, when the original Jurassic Park cast returned for the third Jurassic World film, people immediately sprinted to theaters on June 10th, 2022. The assumptions were true, as Jurassic World: Dominion became one of the highest-grossing movies of 2022. The movie didn’t get great reviews, but the box office numbers cannot be denied.
The fiercest debate surrounding Ed Sheeran’s Loop Tour has centered on who was removed, who left, and who said what.
However, according to a new revelation from Robert Kraft, a significant part of the story had been unfolding behind closed doors long before the controversy hit the public eye.
As Macklemore’s challenge dominated headlines and social media feeds, Kraft disclosed that Sheeran had already been working on a multimillion-dollar humanitarian initiative.
As Macklemore’s challenge to Kraft spread online this week, many assumed it marked the beginning of a conversation about financial support for Palestinians affected by the ongoing conflict. Kraft, however, says that discussion had started much earlier.
In a statement posted on Instagram, the Gillette Stadium owner said Ed Sheeran had privately asked him to match a $2 million donation for humanitarian relief efforts in the region.
“I have dedicated much of my life to building bridges between all people. I believe deeply that all lives are worth protecting,” Kraft wrote.
He then explained that Sheeran had asked him to match his contribution “to aid in the region to fight this humanitarian crisis.”
Kraft also indicated that the initiative may not stop there. “Ed now plans to reach out to other venue owners and our goal is to continue to work together to build bridges,” he added.
The statement further noted his longstanding support for programs designed to bring Palestinians and Israelis together to “build businesses, create jobs, and forge relationships.”

The whole controversy that would eventually engulf the Loop Tour began in a very public setting, in front of thousands of fans at MetLife Stadium in New Jersey.
The Blast reported that during his opening set on September 4, Macklemore used the platform to voice support for Palestinians, a move that immediately generated attention far beyond the concert itself.
According to the report, the rapper shouted “Free Palestine” from the stage and performed his protest song “Hind’s Hall,” which has become closely associated with his advocacy on the issue.
The performance quickly triggered backlash from groups that had already criticized Macklemore for his long-running activism regarding Israel and Palestine.
The Israeli-American Council reportedly launched efforts to have him removed from the tour, while venues, including Gillette Stadium, began expressing concerns about future appearances.
Within days, Ed Sheeran was forced to remove Macklemore from the remaining dates of the Loop Tour.
Rather than focus on the controversy surrounding his departure, Macklemore attempted to redirect attention toward Palestinians living through the conflict.
Taking to Instagram, the 43-year-old wrote, “With everything that has happened over the last 48 hours, I want to bring the conversation back to where it belongs: to the Palestinian people who are still being killed, still living under military occupation, and still fighting for their freedom.”
Macklemore also announced that he would donate all of his net earnings from the tour to six organizations supporting Palestinians and directly appealed to Kraft.
“I invite Robert Kraft to match my donation,” he wrote, adding, “Whatever we disagree about, perhaps we can agree on this: Palestinian lives are worth protecting.”
Macklemore expanded on that message in another statement, writing, “A Palestinian life is no less valuable than any other life on this earth.”
Amid the controversy, Ed Sheeran eventually broke his silence and attempted to explain how the situation had unfolded behind the scenes.
According to the singer, the decision to remove Macklemore did not originate with him. In a statement addressing the controversy, he wrote, “Macklemore coming off tour was the promoter’s decision, it was not mine.” He further explained: “Macklemore’s contract for the tour was with the promoter, not me.”
Sheeran said he spent days trying to find a solution that would satisfy everyone involved. The “Shape of You” singer explained he had been attempting to mediate between venue owners, promoters, and Macklemore while keeping the tour intact.
One major obstacle was that several stadiums reportedly said they would not host the concerts if Macklemore remained on the lineup.
Sheeran emphasized that his focus was on preserving the tour while maintaining relationships with all parties involved. He said he spent the week “trying to build bridges” amid the growing dispute.

If Sheeran hoped his statement would calm tensions, the opposite happened. The fallout expanded beyond Macklemore’s removal and began affecting the rest of the tour lineup.
In the days that followed, The Blast reported that opening acts Finneas, Lukas Graham, Aaron Rowe, and Irish folk group Beoga all withdrew from upcoming tour dates in solidarity with Macklemore.
Finneas was among the first artists to address the situation publicly. In a statement shared online, the Grammy-winning musician wrote, “I have decided not to perform on the remaining dates of the Loop Tour. I stand with Macklemore and with the Palestinian people.”
Graham followed with a statement of his own, explaining that he could not continue with the tour under the circumstances. The Danish singer expressed support for Palestinians and indicated that remaining on the lineup no longer aligned with his personal position on the issue.
Rowe also announced his departure, while Beoga confirmed they would no longer participate in the upcoming shows.
For men facing a prostatectomy or working through recovery from prostate surgery or radiation, pelvic floor training is increasingly showing up as part of the roadmap back to bladder control and sexual function. App-connected trainers like the kGoal Boost for Men are positioning themselves at the intersection of prostate cancer recovery, sexual health and aging. What started as a clinical afterthought is turning into a consumer segment with a clear commercial arc, and the evidence base for post-surgery continence recovery is what’s anchoring it.
The kGoal Boost for Men is a sit-on-top biofeedback device paired with a mobile app, currently listed at $179. Its manufacturer markets it as “purpose-built to help you perform both Kegel and Down Training exercises consistently,” aimed at men strengthening bladder-control muscles, recovering from prostate surgery or working on erectile function and stamina.
The device is non-insertable and used fully clothed, with an app that gamifies contractions and tracks strength, endurance and control over time. Customer reviews on the product page include men using it after radical prostatectomy for prostate cancer, along with clinicians describing it as a biofeedback tool for patients with either weak or high-tone pelvic musculature.
That clinical framing lines up with mainstream medical guidance. Cleveland Clinic recommends men perform 10 Kegels three times per day, for 30 total, and notes the exercises “can be beneficial for people who are preparing for prostate cancer surgery (prostatectomy) or after prostate-altering procedures to improve incontinence.” UCLA Health advises a target of “20 Kegel exercise three to four times each day” for men recovering from prostate treatment.
Three forces are converging.
First, the clinical evidence has caught up to the marketing. kGoal cites a 2009 study that “tracked men after prostate surgery and found that those who performed guided pelvic floor exercises regained continence significantly faster, with 88 percent achieving control within 3 months compared to 56 percent in the control group.” A 2004 study by Dorey et al. of 55 men with erectile dysfunction found 40 percent regained normal function and 34.5 percent saw improvement after six months. A 2014 study by Pastore et al. reported 82.5 percent of men gained control over premature ejaculation after 12 weeks of pelvic floor rehabilitation.
Second, the addressable market is enormous and growing. UCLA Health notes that after prostate cancer surgery or radiation, incontinence “is a very common side effect.” As prostate cancer diagnoses continue and surgical volume holds steady, the pool of men actively looking for a recovery tool refreshes each year.
“This device is very user friendly and a great alternative for patients in the clinic that want to build connection to their muscles for either high tone, muscle weakness or both.”
Verified clinician review, kGoal Boost for Men product page
Third, the stigma is cracking. Cleveland Clinic’s instructions describe how to isolate the muscles, telling readers to “imagine that you’re trying to close the openings to stop yourself from peeing or passing gas,” in the same plain-language register now used for any other men’s health category. When mainstream health systems normalize the anatomy, the retail category follows.
Expect the men’s pelvic floor category to move along three tracks over the next 12 to 24 months, and each has a decision point for readers.
Prescription-adjacent positioning. Devices like the kGoal Boost are already being handed to patients by clinicians as a between-visit tool. The next step is formal integration into post-prostatectomy recovery protocols, which would push app-connected trainers from “consumer wellness” into something closer to durable medical equipment. Reader action. If you or a family member has prostate surgery scheduled, ask the urologist or pelvic floor physical therapist specifically whether a biofeedback device is part of the recovery plan, and whether it can be initiated before surgery rather than only after. UCLA Health’s guidance is explicit that Kegels should not be done while a catheter is in place, so timing matters.
Price compression and competition. The $179 price point sits above disposable-habit territory but well below clinical equipment. As more entrants arrive, expect bundled subscriptions, HSA/FSA eligibility pitches and lower-cost non-app alternatives. Reader action. Before buying, decide whether you actually want the biofeedback loop. Both Cleveland Clinic and UCLA Health are clear that Kegels require no equipment. UCLA Health notes “You do not need any special equipment.” Pay for a device only if you’ve tried unguided Kegels and struggled to confirm you’re engaging the right muscles.
Broader men’s health framing. Marketing will increasingly bundle prostate recovery with erectile function, ejaculatory control and “core stability,” widening the buyer beyond post-surgery patients to younger men. The evidence base is uneven across those claims. The strongest data is on post-prostatectomy continence, with softer data on sexual performance. Reader action. Match the product claim to the study behind it. Ask a healthcare professional before starting, as Cleveland Clinic recommends, especially if you have pelvic pain or high-tone pelvic floor muscles, where standard Kegel routines can make symptoms worse.
The takeaway for anyone in recovery is straightforward. Pelvic floor training for men is transitioning from an unmentioned homework assignment into a purchasable, trackable product category. Whether you buy the hardware or not, the underlying exercise has real clinical backing, and the smartest move is to start the habit now, device optional.
THREE SIGNALS TO WATCH
1. Whether app-connected pelvic floor trainers begin appearing on standard HSA/FSA eligibility lists in the next benefits cycle.
2. Movement off the current $179 kGoal Boost price point, either through direct discounting or lower-cost competitors entering retail.
3. New peer-reviewed trials updating the 2004 Dorey, 2009 post-prostatectomy and 2014 Pastore findings with app-based biofeedback cohorts.
Taylor Sheridan is best-known for creating some of the biggest shows of the last decade, especially his magnum opus, the Paramount+ series Yellowstone. His work for the big screen, however, is just as formidable. Sheridan is known for his American Frontier trilogy, comprising three neo-Westerns — Sicario, Hell or High Water, and Wind River. While the first two were directed by other filmmakers — Denis Villeneuve and David Mackenzie, to be precise — Sheridan considers Wind River to be his directorial debut. He has directed two other movies as well. The first was a low-budget horror film that he has mostly disowned, and the second was a neo-Western that became a victim of Warner Bros.’ infamous Project Popcorn.
This was when the studio decided to release every film on its 2021 slate day-and-date on HBO Max and in theaters. While some films, such as Godzilla vs. Kong and Dune, did surprisingly well at the box office despite being simultaneously available on streaming, others weren’t as lucky. Sheridan’s Wind River follow-up fell into the second category. The Oscar-nominated writer-director rounded up an impressive cast for the film, headlined by Angelina Jolie and also featuring Aidan Gillen, Jon Bernthal, and Nicholas Hoult. The movie didn’t set the box office on fire, but it appears to have found an audience at home thanks to a recent release on Netflix.
According to Netflix’s latest viewership report, the movie in question — Those Who Wish Me Dead — finished fifth on the top 10 list, which was topped by Tyler Perry‘s Why Did I Get Married Again? Those Who Wish Me Dead accumulated 4.3 million views for the week of September 7 to September 13, outpacing animated hits such as KPop Demon Hunters and Shrek. It did, however, fall one spot below fellow Project Popcorn victim The Little Things. The psychological thriller, starring Denzel Washington, Rami Malek, and Jared Leto, scored 4.4 million views during the same week.
The Little Things and Those Who Wish Me Dead grossed around $30 million and $20 million, respectively, during their theatrical runs, and are currently available for a wider audience to check out on Netflix. Stay tuned to Collider for more updates.
Sean “Diddy” Combs is facing another legal headache from behind bars, this time involving attorneys representing him in a civil case.
Three lawyers have asked a federal court for permission to stop representing the music mogul, claiming he owes a significant amount in legal fees and has become difficult to work with.
However, Diddy strongly disputes their account of events, maintaining that money is not the real problem and claims he decided to change lawyers after being billed for charges he never approved.

Three attorneys from Sher Tremonte LLP, Michael Tremonte, Erica Wolff, and Katie Renzler, are seeking to withdraw from Diddy’s civil case against Nexstar Media, Ariel Mitchell, and Courtney Burgess.
According to TMZ, the lawyers claim Diddy has failed to settle a “substantial balance of attorney’s fees” along with other expenses connected to their work. They alleged that his last payment was made more than six months ago and that he remains significantly behind on what he owes.
Money is not their only complaint. The attorneys also described Diddy as “unreasonably difficult” to work with and accused him of failing to cooperate. They maintain that communication between both sides has deteriorated to the point that they no longer want to continue representing him.
The dispute adds another complication for Diddy as he serves his sentence at the Federal Correctional Institution, Fort Dix, in New Jersey. He was sentenced to just over four years after being convicted on two federal counts of transportation to engage in prostitution.

Diddy has rejected the claims that his attorneys simply want out because he refused to pay them. Instead, he claims the disagreement stems from charges that he believes should never have appeared on his legal bills.
Through spokesperson Juda Engelmayer, Diddy told The Blast that he personally decided it was time to find different representation.
“I made the decision to switch lawyers because I won’t let anyone take advantage of me by overcharging me and running up bills that were never approved,” he said.
The music mogul described the disagreement as “strictly a business matter.” He also argued that claims surrounding unpaid fees are part of a larger dispute over expenses he says he did not authorize.
His position differs sharply from that of the attorneys, who accuse him of deliberately failing to meet his financial obligations to them. A judge will ultimately have to decide whether the three lawyers can withdraw from the ongoing civil case.

Diddy’s current legal problems may not be the only ones he has to worry about. Prosecutors have not completely ruled out the possibility of charges connected to the 1996 murder of Tupac Shakur if new evidence emerges.
Clark County District Attorney Steve Wolfson told TMZ there is currently not enough evidence to bring charges against anyone else in the case. However, he explained that prosecutors could reconsider if additional information becomes available.
The comments followed Duane “Keefe D” Davis’ murder conviction. During his trial, jurors heard recordings in which Davis alleged that Diddy had offered $1 million to have Tupac and Suge Knight killed. Diddy has consistently denied being involved in the rapper’s death.
A source close to the music mogul previously insisted that “Diddy had absolutely nothing to do with the Tupac murder. He did not pull the trigger or set it up.” For now, prosecutors have not charged him in connection with the killing, and Wolfson stressed that any additional charges would depend on new emerging evidence.

While Diddy remains behind bars, his 19-year-old twin daughters, D’Lila and Jessie Combs, continue to build their own identities.
The sisters recently stepped out together at New York Fashion Week, attending LaQuan Smith’s spring/summer 2027 show at Brookfield Place.
The twins coordinated their outfits for the event, with D’Lila wearing red while Jessie opted for black.
They completed their similar looks with matching hairstyles and accessories and held hands as they entered the venue.

The rapper’s twins’ appearance at NYFW comes as they prepare to launch their own fashion brand, 12TWINTY1, a project they have reportedly been developing for three years.
Jessie explained that their interest in the industry goes way back, saying, “Ever since we were little, we’ve loved fashion.”
D’Lila has also made it clear that they do not want their father’s situation to define what they are building. “His press is his press, and our press is our press; our journey is separate,” she said, per Page Six.
As Diddy serves his prison sentence, the sisters appear focused on establishing a name for themselves through their shared passion for fashion.
Maddie Price has received plenty of gifts from fans, but one OnlyFans subscriber took generosity to another level.
The social media star tells The Blast her No. 1 subscriber sent her a staggering $400,000 so she could buy her dream Porsche 911 GT3 RS.
Price got the car she wanted, but its latest adventure didn’t exactly go according to plan. After losing control on a tree-lined road, her six-figure dream car ended up against a tree. Thankfully, Price walked away unharmed.

For Price, the Porsche meant considerably more than adding another expensive vehicle to her growing collection.
“I have one subscriber who has been unbelievably good to me, and he knew this car was the dream,” Price told The Blast. “So when he sent me the money to go get exactly the one I wanted, I honestly couldn’t believe it. I’d been working really hard for a long time, and that was the first moment I really felt like it was paying off.”
The $400,000 gift allowed Price to get the Porsche 911 GT3 RS she had been dreaming about. That made what happened next particularly painful.
Price shared footage of the accident on Instagram, turning an expensive mishap into a joke at her own expense.
The reel begins with footage from two months earlier showing Price admiring the gray Porsche at a dealership.
“I’m gonna buy my dream $400k supercar & prove women can drive too,” she wrote over the clip.
The video then jumps forward to Price behind the wheel on a tree-lined road. As the Porsche moves through the road, its rear swings out and the vehicle fishtails off the pavement before coming to a stop against a tree.
Price was not injured. “I’m totally fine. The Porsche took it worse than I did,” she told The Blast. “That’s my baby, so I was definitely crushed when it happened. She’s already fixed and back where she belongs, though.”
Price also leaned into the irony of her original declaration. “Back to the kitchen I go,” she joked in the Instagram caption.

Price may have been able to laugh about the accident, but her followers weren’t going to let the moment pass without joining in.
The comments quickly filled with jokes about the crash and her initial promise to prove women could drive, although some followers defended her and pointed out that handling a high-performance vehicle requires experience.
“It’s actually quite impressive you managed to lose traction with this type of car,” one commenter wrote.
Another joked, “Ohh she could drive, into a tree.”
A third offered a more sympathetic assessment, noting, “Men can’t magically drive either. It takes years of practice.”
The Porsche has since been repaired, according to Price, meaning the dramatic encounter with the tree did not permanently remove her dream car from her garage.
The wrecked Porsche may have an unusually memorable origin story, but it is far from the only noteworthy vehicle Maddie Price owns.
Earlier this year, Price showed off a car collection valued at roughly $3 million.
The garage includes multiple Porsche GT3 RS models, a custom pink Porsche 911, a Lamborghini and two lifted Mercedes-AMG G 63 4×4² trucks.
Her tastes also extend beyond expensive supercars. Price owns motorcycles, a Honda Acty and a tiny Suzuki Cappuccino worth around $4,000.
That unusual mix has attracted attention from car enthusiasts online. Complex reported in April that the inexpensive Japanese Cappuccino had become one of the most talked-about vehicles in her collection despite sharing garage space with cars worth dramatically more.
Price’s love of cars has become a significant part of her social media identity, alongside the subscription content that helped finance her lifestyle.
An expensive collection naturally comes with skeptics. Price has faced speculation over whether the vehicles appearing throughout her social media content actually belong to her or are simply being used to cultivate an online image.
She previously shut down those questions when discussing her collection.
“I think people expect the car girl thing to be performative,” Price told InTouch Weekly. “But I can tell you the torque specs on every single one of mine. I picked the colors. I sat at the dealership. I signed the paperwork. These are mine.”
That claim matches how Price presents herself online, where cars remain a defining part of her public persona. Her social profiles describe her interests in cars and lifestyle content, and her collection has continued to generate attention beyond her OnlyFans audience.
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