By Chris Snellgrove
| Published 11 seconds ago

These days, most Star Trek fans look back at The Next Generation as the gold standard of the franchise. Criticisms of NuTrek shows like Discovery and Starfleet Academy don’t occur in a vacuum; instead, the harshest critiques come from veteran fans who wish these newer series could be more like TNG and its spinoffs, Deep Space Nine and Voyager. Ironically, though, TNG was considered far from a perfect show when it was originally airing. The first season is notoriously bad, and the third season is decidedly hit-or-miss. Star Trek: The Next Generation didn’t achieve true greatness until Season 3, and even then, producers agonized over how to improve the show. 

For example, one frequent producer note was that The Next Generation could use more action. The series excelled at exploring moral dilemmas and wrapping everything up with a stirring speech from Captain Picard. However, it lacked the swashbuckling savoir-faire of The Original Series. Producers wanted to add more derring-do into the show, and at their behest, the writers created “The High Ground.” Unfortunately, the episode was a disaster: not only did it feature a script change that got the episode banned in other countries, but it led the writers to an unfortunate revelation. Namely, when you focus on action for the sake of action, you lose everything that makes Star Trek special!

The Warp On Terror

The premise of “The High Ground” admittedly sounds more like the plot of an ‘80s action movie than the plot of a Star Trek episode. After terrorists set off a bomb on an alien planet and abduct Dr. Crusher, she discovers that the special teleporter they are using for their attacks is slowly killing them by changing their DNA. While the Enterprise crew tries to find the enemy base, the terrorist leader boldly attacks the Enterprise; when he fails to blow up the warp core, he successfully kidnaps Captain Picard. Eventually, Riker finds the base and leads an attack in which the planetary security chief kills the lead terrorist.

One of the most fascinating things about “The High Ground” is that pretty much nobody who made it ended up liking the episode. According to Captains’ Logs: The Unauthorized Complete Trek Voyages, legendary staff writer and future Battlestar Galactica reboot showrunner, Ronald D. Moore, dubbed this episode “an abomination. It’s our one terrorist show. We didn’t have anything interesting to say about terrorism except that it’s bad and Beverly gets kidnapped – ho hum.” Not holding back, Moore sarcastically described how the show “[got] to have nice, big preachy speeches about terrorism and freedom, fighting and security forces versus society. It’s a very unsatisfying episode, and the staff wasn’t really happy with it.”

The Episode With Nothing To Say

Fellow iconic writer and frequent Moore collaborator Brannon Braga felt the same way. “Very rarely do we start thinking about an episode in terms of an issue. Let’s do a show about AIDS, let’s do a show about terrorism. We rarely think in those terms,” he said. “We usually think in terms of neat science-fiction twists, and that’s what sends us in the direction of what’s this story about and who’s in it?” Sadly, “The High Ground” had none of that: the day is saved by simply killing the terrorist leader and saying a few pretty words after Dr. Crusher convinces a young boy to put his gun down. 

Star Trek: The Next Generation showrunner Michael Piller agreed that this was an episode without substance. “We set out to do a show about terrorists. What was the statement we made about terrorism in the show?” he asked. Was it the point where the boy puts down the gun…? It was effective in the context of that show, but is certainly not a statement that provides any great revelation.” He then summed up his thoughts on why this failed as a Trek episode: “You must be prepared to say something new about social issues.” Obviously, “The High Ground” failed to do so, and the whole episode felt like empty action schlock. 

The Explosive Moment That Got This Episode Banned

However, nobody hated “The High Ground” quite so much as episode writer Melinda M. Snodgrass. She wanted to give the plot parallels to the American Revolution, with Picard reluctantly realizing that he had taken the side of the oppressor. But producers forced her to instead give the episode parallels to Northern Ireland’s fight for freedom against the UK.  Eventually, those producers would regret this decision: the final script has Data referencing how the reunification of Ireland was made possible through terrorist attacks. Because of this, the episode was banned from airing on the BBC until 2007, and it has never aired on RTÉ, Ireland’s national broadcaster.

Most fans consider Season 3 to be when Star Trek: The Next Generation became must-watch television. Sadly, “The High Ground” is one of the season’s most disappointing episodes, offering nothing but empty action, empty words, and an implicit terrorism endorsement from Data. This resulted in an episode hated by the fans, the writers, the showrunner, and multiple countries that banned its broadcast. None of this would have happened if the producers hadn’t demanded an action-packed episode. Fortunately, the show never dabbled in weird terrorist plots again, and The Next Generation crew became known for exploration, communication, and diplomacy instead of action.

Except for ladies’ man Riker, who’s known for his love of an entirely different kind of action!

More and more people are discovering how South Korea has an incredible range of shows for TV. Aptly named K-dramas, these shows highlight Korean culture and introduce to audiences some of the most popular plot points and themes in Korea, including medical dramas. In fact, not many viewers might know that the hit ABC drama The Good Doctor was originally a Korean drama of (almost) the same name.

The success of a medical K-drama is due in large part to its complex plots, unique premise, characters who have the chance to grow, and the development of character relationships. Since they rely on one season to make a great drama, medical K-dramas should be able to wow and dazzle viewers to leave a lasting impression.

25

‘Hyper Knife’ (2025)

Image via Disney+

Hyper Knife is an unconventional but exciting medical crime-thriller, and a Disney+ original K-drama. Though it’s darker than most common medical dramas, it’s a novelty in a world of similar patterns when it comes to medical drama narratives. Hyper Knife contains some psychological tension, moral ambiguity, and character-driven conflict; it’s less about teamwork or institutions, and more about individual brilliance as a doctor—neurosurgeon, no less. Park Eun-bin steps into a darker role than her usual work and delivers a great, commanding lead.

Hyper Knife is about Dr. Jung Se-ok (Park), a prominent and highly talented neurosurgeon who gets stripped of her license after an incident. After this, she retreats underground to perform illegal surgeries and push the boundaries of her work. Her conflict appears when her former mentor, Choi Deok-hee (Sul Kyung-gu), finds her once again and tests her resolve to push boundaries. They clash on various ideas and principles, including ethics and pride; redemption, revenge, and ambition play a big part in this tense thriller. Its medical background isn’t accidental, either—it reflects the idea of modern medicine that it needs to constantly push boundaries.

24

‘Blood’ (2015)

Credit to KBS2 TV

One day, HPB surgeon Park Ji-sang (Ahn Jae-hyun) meets and falls for Yoo Ri-ta (Koo Hye-sun), an arrogant physician who thinks highly of herself. The only problem is that Ji-sang is a vampire who seems to contradict all stereotypes. He strongly desires to be close to humans and values their lives extensively, but then he finds himself on a divisive line when he meets hospital director Lee Jae-wook (Ji Jin-hee).

Blood is a uniquely fascinating Korean drama that includes a take on vampires living in the modern world. While vampires are the least-encountered mythical creatures in Korean dramas, Ahn Jae-hyun puts on an incredible performance as an outwardly cold vampire who is actually caring and deeply invested in the human race. It’s hard not to root for Jae-hyun, whose intricate values make him one of the best vampires to exist. Not to mention, the chemistry between him and Hye-sun was absolutely real—it makes it almost easy to forget her and Lee Min-ho‘s chemistry in the defining K-drama Boys Over Flowers.

23

‘Dr. Brain’ (2021)

Koh Sewon (Lee Sun-kyun) is a brilliant neuroscientist whose life is upended when his young son is kidnapped and his wife ends up in a coma. Wrongfully accused of the crime, Sewon resorts to a risky experimental procedure he invented: “brain sync,” a technology that allows him to transfer the memories of the deceased directly into his own. As he delves into the traumatic final moments of suspects and victims, Sewon begins to lose his grip on reality, absorbing others’ consciousnesses while racing to uncover the truth about his family and running from a shadowy conspiracy that will go to any length to conceal his discovery.

Dr. Brain is a groundbreaking medical thriller that challenges genre conventions. As the first Korean-language original on Apple TV, it deviates from the traditional hospital-drama format. Instead, writer/director Kim Jee-woon creates a chilling entry point into psychological horror and noir mystery, delving into the most sinister aspects of memory transfer. The late Lee Sun-kyun delivers a hauntingly quiet performance that perfectly captures a man losing himself one stolen memory at a time. While not as soothing as Dr. Romantic or Hospital Playlist, Dr. Brain rewards viewers who enjoy cerebral, unsettling storytelling. It’s a powerful, visually stunning reminder that medical K-dramas of all genres are awesome.

22

‘Ghost Doctor’ (2022)

Image via tvN

Go Seung-tak (Kim Bum) is an insecure surgeon who possesses a high level of medical knowledge. His fears and lack of knowledge surrounding the surgical field, however, inhibit him from becoming a great doctor. One day, though, Seung-tak’s body is possessed by an intelligent cardiothoracic surgeon, Cha Young-min (Rain), ​​​​​who falls into a coma. Though the two do not exactly get along, they must work together. ​

Ghost Doctor is a fun, lighthearted Korean drama with a supernatural twist: a genius doctor who falls into a coma finds himself only able to possess another, unskilled doctor’s body. From the get-go, it’s obvious that this premise is a setup for a hilarious comedy. Unlike other Korean medical dramas, Ghost Doctor establishes a bromance that involves great chemistry between the two leads, both of whom are known for their roles in other great and popular series. For those who enjoy bromance, supernatural themes, and comedy, Ghost Doctor is the medical K-drama to watch.

21

‘Live Up to Your Name’ (2017)

Image via tvN

A Joseon doctor and acupuncture specialist, Heo Im (Kim Nam-gil), is left at death’s door after being tried for treason. However, instead of outright dying, Heo Im finds himself transported four hundred years into the future in Seoul, Korea. There, he meets modern-day cardiothoracic surgeon Choi Yeon-kyung (Kim Ah-joong)​​​​, who strongly believes in modern-day medicine over traditional medicine. The two form an unlikely connection.

A hidden gem, Live Up to Your Name is a Korean medical drama that features comedy, romance, and time travel: all factors of a great K-drama. Though it’s not particularly popular due to its being extremely underrated, Live Up to Your Name is a great time-travel Korean drama that viewers will undoubtedly love.

20

‘Life’ (2018)

Image via JTBC

Ye Jin-woo (Lee Dong-wook) is a highly skilled emergency doctor who works at Korea’s top medical institution. However, when new CEO Koo Seung-hyo (Cho Seung-woo) is appointed, Jin-woo and Seung-hyo begin to clash with one another, and the dark politics of the hospital are brought to light.

A well-written Korean drama, Life examines the politics of hospital care and explores very real issues seen in real life in the medical industry. As usual, Lee Dong-wook puts on a believable and emotional performance, proving that he is a versatile actor. Not to mention, Life delves deeply into the mind of a corporate business and how it clashes with a life-saving medical facility when money-making is the priority over saving lives.

19

‘Hospital Playlist’ (2020–2021)

Image via Netflix

Hospital Playlist examines the challenges and routines that five friends and doctors go through at Yulje Medical Center. The story follows Ik-jun (Jo Jung-suk), Jeong-won (Yoo Yeon-seok), Seok-hyeong (Kim Dae-myung), Song-hwa (Jeon Mi-do), and Jun-wan (Jung Kyung-ho), all of whom share a common interest, which is music.

Hospital Playlist, despite its simple premise, is actually an excellent and interesting medical drama. It features a wholesome story of friendship, which exhibits growth through their love of music. Though at times it can feature very serious scenarios, it is actually a lighthearted comedic drama for the most part, and it is one of the best Korean medical dramas to date.

18

‘Doctor John’ (2019)

Image via SBS TV

Cha Yo-han (Ji Sung) was once a well-known anesthesiologist and professor at Hanse Hospital, until he was imprisoned for three years for performing euthanasia on a dying patient. After being released, he returns to the same hospital, now secretly suffering from a rare condition that prevents him from feeling physical pain. There, he meets Kang Shi-young (Lee Se-young), and these two scarred doctors solve complex medical mysteries together that involve patients with undiagnosed pain conditions, all while grappling with the ethical boundaries of life and death.

Doctor John is a philosophical reflection on pain, suffering, and the limitations of modern medicine. Unlike most Korean dramas that focus on heroic life-saving, this one questions when death is more merciful than life. Ji Sung gives a layered performance as a man haunted by his past and estranged from his own body, while Lee adds warmth and resilience to her role. The drama’s procedural format, where each episode delves into a different pain mystery, keeps viewers interested, much like House. Doctor John is a must-see for anyone looking for morally complex medical dramas.

17

‘D-Day’ (2015)

Image via JTBC

The aftermath of a devastating 6.5-magnitude earthquake that devastates Seoul is the setting of the K-Drama D-Day. The story pits surgeon Lee Hae-seong (Kim Young-kwang) against a profit-driven hospital system. He fights for his patients alongside Jung Ddol-mi (Jung So-min), an ambitious doctor shaken by harsh realities, as well as Ha Seok-jin (Han Woo-jin), a talented doctor caught between career ambition and a genuine calling to save lives.

Gripped by the series’ realistic portrayal of a disaster and its aftermath, viewers were drawn to the characters’ emotional and ethical struggles. A particularly memorable scene showcases Hae-seong’s dedication, performing lifesaving surgery on the street surrounded by rubble, a testament to the doctors’ unwavering resolve. Akin to the best disaster movies, D-Day weaves together thrilling action with emotionally resonant storylines, exploring the complexities of human experiences and the professional challenges faced by its characters.

16

‘Doctors’ (2016)

Image via SBS TV

Yoo Hye-jung (Park Shin-hye) was a delinquent teenager until a compassionate teacher named Hong Ji-hong (Kim Rae-won) saw the intelligence beneath her tough exterior and inspired her to become a doctor. Years later, Hye-jung has advanced through the ranks to become a brilliant neurosurgeon, and Ji-hong is now her senior colleague at the same hospital. Their reunion is full of unspoken history, unresolved feelings, and professional rivalry, forcing both to confront complex medical cases and their emotional past.

Doctors shows a triumph of transformation and second chances, led by Park’s fierce, career-defining performance. Unlike in many medical dramas, where the female lead plays a supporting role, Hye-jung steals every scene with her intelligence, grit, and refusal to be pushed around. The romance between her and Hong is perfectly tense, but the drama never loses sight of its medical roots—neurosurgery cases are depicted with genuine suspense and detail. Hye-jung’s troubled childhood and hard-earned success are depicted in an emotionally satisfying tale of resilience, mentorship, and finding family in unexpected places.

Could the spark between former flames Katie Holmes and Joshua Jackson be making a comeback? Their latest public appearance certainly has fans wondering.

Holmes and Jackson first captured hearts as an iconic couple on “Dawson’s Creek.” Their chemistry eventually extended beyond the screen, and while their real-life romance was short, the connection between them has endured for decades.

Now, after reuniting for a new project, the pair’s recent appearances together have reignited speculation that their relationship may be more than just friendship.

Over the weekend, Holmes and Jackson attended the premiere of their new film, “Happy Hours,” in New York City, where their interactions quickly became a talking point among fans.

In a video shared on X, the duo appeared especially affectionate as Jackson discussed the project and praised Holmes for her creativity. Jackson and the “Jack and Jill” actress locked hands as he reminisced about their time working together years back. 

“The time that we spent together when we were young is very precious to both of us,” Jackson said, placing their joined hands against his heart. “And [it] is, like, one of the core personal and professional relationships in my life,” he continued as Holmes responded with a warm smile. 

Jackson went on to share how meaningful it was to reconnect with Holmes after years apart and praised her for creating a space for them to work side by side again. 

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“You wrote this for us. You did the whole thing,” Jackson gushed about Holmes, who looked back at him lovingly. “So it was magical for me to be able to come back. And you waited for me, which I appreciated.”

Fans Speculate On Katie Holmes And Joshua Jackson’s Bond 

The pair’s appearance did not go unnoticed by fans who suggested that the affection on display hinted at feelings that have never fully faded.

One fan on X wrote, “These two, it’s a soul level love.” Another referenced the sitcom “New Girl,” joking, “This isn’t puppy love. It’s old -ss dog love.”

A third admirer called Holmes and Jackson “ultimate soulmates,” and a fourth described Jackson’s speech as a “true declaration of love.”

This observer pointed out that Jackson “didn’t let go of her hand for a second while answering the question,” while another argued that the pair “should date in real life” because “their chemistry is off the charts.”

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A seventh fan chimed in, “It has always been impossible to hide their chemistry and their special relationship beyond the cameras…and these words of Josh to Katie are the confirmation! NOW GET MARRIED, THANKS!”

Inside Katie Holmes And Joshua Jackson’s Close Relationship Over The Years 

Holmes and Jackson’s history dates back to the late 1990s, when they were romantically involved after meeting on the set of the soap opera. 

Over the years, the “Wonder Boys” star has spoken fondly about their relationship, once describing Jackson as her “first love” and calling the experience “incredible and indescribable.” She added that she felt lucky that he later became one of her closest friends.

Even after the series ended in 2003, their bond remained intact. The “Little Fires Everywhere”  actor previously admitted that although they don’t stay in constant contact, every reunion feels effortless because of their shared history.

“There’s always that, ‘I know, you know,’” the actor explained in a past interview, according to Us Weekly.

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Now their recent public appearances have sparked hopes of a romantic reunion. Holmes reportedly liked comments from one of her followers suggesting they should be a couple. 

Katie Holmes Shared A Secret Romance With Another Of Her ‘Dawson’s Creek’ Co-Stars 

Despite the speculation, both have had high-profile relationships since. Holmes dated Chris Klein, Tom Cruise, and later Jamie Foxx, Emilio Vitolo Jr., and Bobby Wooten III. 

However, The Blast reported that insiders revealed that Holmes was briefly with James Van Der Beek, who also acted in the show. 

Sources claimed that the two briefly dated in secret while filming in Wilmington, North Carolina. Holmes reportedly described James as her “teen love,” and although they tried to keep their relationship private, word eventually spread among the cast and crew.

However, the fling was short-lived, and they quickly realized they were better suited as friends.

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Joshua Jackson Sparked Romance Rumors With Ashley Simone

Jackson’s dating history has been equally high-profile. Following relationships with Diane Kruger and Jodie Turner-Smith, with whom he shares a daughter, the 47-year-old actor was recently linked to Simone Ashley.

Last year, the pair sparked dating speculation after they were photographed together looking particularly comfortable in each other’s company.

As The Blast reported, the images from the outing showed Jackson and Ashley in good spirits, moving side by side with an ease that suggested familiarity rather than a casual first meeting.

By Joshua Tyler
| Published 1 minute ago

The fantasy genre is too often overlooked, and it’s time that changed. Some of the best movies ever made have involved swords, magic, and wild creatures crossing lands beyond imagination. 

Fantasy is a big tent, so for this list we’re going to focus on the sword and sorcery of it all. That means no vampires, no magical nannies, and no steampunk zeppelins. To qualify for this ranking, a movie must have two things: magic and swords.

These are the twenty-four best sword & sorcery fantasy movies of all time.

24. Krull

Krull was the butt of everyone’s jokes for years, but it’s filled with wild creativity and charm. Enough to deserve a place on this list. Besides, it has the glaive, one of the coolest weapons ever created for any movie. 

Prince Colwyn races to rescue his bride from an alien fortress that literally moves across the landscape, backed by a band of outlaws and guided by a blind seer played by Freddie Jones. Along the way, you get cyclops, fire mares, shape-shifting enemies, and the iconic glaive. Everybody loves the glaive!

It’s messy, ambitious, and completely sincere. A movie where the sheer volume of ideas being thrown at the screen becomes the point.

23. Ladyhawke

Ladyhawke is a medieval fantasy that skips the usual bombast and instead builds something more romantic and enduring. Rutger Hauer and Michelle Pfeiffer play cursed lovers. He’s a wolf by night, she’s a hawk by day, and they’re kept tragically out of sync by a vengeful bishop. They’re aided by Matthew Broderick as a quick-talking thief pulled into their orbit. 

The movie looks dark and gritty, but it’s actually fun and optimistic in its own way. Ladyhawke never quite got the reception it deserved when it was released in 1985. Reviews were mixed, and box office results were solid but not spectacular. Over time, it gained legitimate cult status, and it’s now celebrated as one of the best things about the 80s.

22. Legend

Dreamlike and unapologetically mythic, 1985’s Legend is Ridley Scott at his most visually indulgent, building a fairy-tale world that feels less like a setting and more like a living painting. Tom Cruise plays the forest-dwelling hero Jack, pulled into a battle to save light itself after darkness, embodied by the greatness of Tim Curry in a towering, iconic performance as the Lord of Darkness. 

Future Ferris Bueller star Mia Sara adds a fragile, otherworldly presence as the princess whose choices set everything in motion, but the real power of the film lies in its atmosphere, shaped by practical sets, elaborate creature design, and a sense of fantasy that feels ancient. 

21. Conan the Destroyer

A sequel that goes broader and more openly mythic, Conan the Destroyer (1984) trades some of the raw edge of its predecessor (a movie that might show up higher on this list) for a colorful, quest-driven adventure. Arnold Schwarzenegger returns as Conan, this time leading a ragtag party, including a thief, a wizard, and a reluctant princess, on a mission that quickly spirals into gods, monsters, and double-crosses. 

Grace Jones brings a striking, physical presence as the warrior Zula, while Wilt Chamberlain adds sheer size to the lineup. It works as a fast-moving fantasy ride, packed with practical creatures, oversized sets, and the kind of unapologetic sword-and-sorcery energy that defined the genre’s peak era.

20. Clash of the Titans

Long before CGI flattened everything into the same glossy blur, Clash of the Titans (1981) arrived as a handcrafted spectacle, directed by Desmond Davis and powered by the unmistakable work of effects legend Ray Harryhausen. 

The story tracks Perseus, played by Harry Hamlin, as he’s pushed through a gauntlet of gods and monsters (Medusa, the Kraken, and everything in between), while Laurence Olivier looms over it all as Zeus and Maggie Smith sharpens the edges as Thetis. 

Every creature feels built, every moment staged like myth carved into stone. It’s simple hero’s-journey storytelling, but delivered with enough visual imagination and analog charm that it still feels bigger than most modern attempts to do the same.

19. The Forbidden Kingdom

2008’s The Forbidden Kingdom is a glossy East-meets-West martial arts fantasy directed by Rob Minkoff that exists mostly as an excuse to finally put Jackie Chan and Jet Li in the same movie. The story follows an American teenager who gets magically transported to ancient China, where he teams up with Chan’s drunken warrior and Li’s stoic monk to return a mystical staff and free the Monkey King. 

Along the way, the film leans hard into fun martial-arts movie tropes like wire-fu fights, mythic villains, and a lot of destiny talk. It does that while staying accessible to Western audiences with a familiar fish-out-of-water structure. Instead of getting bogged down, the film leans into what works: fluid, inventive fight choreography, colorful world-building, and a sense of adventure that keeps things moving.

18. Dragonheart

Dragonheart is a 1996 medieval fantasy built around Dennis Quaid as Bowen, a knight turned dragon-slayer who’s given up on ideals after a dragon saves a future tyrant. That dragon, Draco, is voiced perfectly by Sean Connery, playing him as witty, tired, and more human than anyone else on screen. They team up to run a scam, faking fake dragon hunts for money. That works until the king, played by David Thewlis, proves too brutal to ignore. 

Draco was one of the first fully CG lead characters that actually felt present in scenes, built by Industrial Light & Magic using then-cutting-edge CGI and motion reference from Sean Connery’s performance. At the time, it was a major leap in making a digital creature carry real emotion and screen time, and for audiences, the first time they’d seen a dragon on screen that actually felt alive.

17. The Chronicles of Narnia

Four kids walk through a wardrobe and accidentally trigger a regime change in the 2005 Andrew Adamson adaptation of author C.S. Lewis’s The Chronicles of Narnia: The Lion, the Witch and the Wardrobe.

The Pevensie siblings land in a frozen fantasy world stuck under the White Witch’s control, where winter never ends, and dissent gets turned to stone. Suddenly, these outsiders are central to a war they barely understand, and there’s a lion, who seems to act a lot like Jesus. 

It’s a heavily structured, deliberate fantasy that did justice to the books, even if it doesn’t hold up quite as well now as it did back in the early 2000s. 

16. Dungeons & Dragons: Honor Among Thieves

Based on the popular role-playing game it gets its name from, Dungeons & Dragons: Honor Among Thieves picks up after the adventuring party of Edvin the Bard, Holga the Barbarian, Simon the Sorcerer, Doric the Druid, and Forge the Thief were betrayed by the obviously evil wizard Sofina. 

Out for revenge, Evin and Holga get the band back together, go into an actual dungeon complete with a dragon, and pull off a fantastical heist. It failed at the box office thanks to a fan boycott centered on the company that owns the IP and had nothing to do with the movie itself. 

That’s a shame because Honor Among Thieves is great sword-and-sorcery fantasy. Whether you play the tabletop game or not, the comedy beats all and makes it a fun fantasy adventure everyone must see. 

15. Jason and the Argonauts

Despite its 1963 release, Jason and the Argonauts is a visual feast thanks to the brilliant, groundbreaking stop-motion effects of Ray Harryhausen. The film follows Jason as he assembles a crew of heroes and sails into dangerous territory to claim the Golden Fleece, encountering a series of episodic threats along the way. He faces down harpies, a living bronze giant, crashing cliffs, and the famous skeleton army. 

The plot is a delivery system for Harryhausen’s amazing set pieces, each designed to top the last, with gods quietly manipulating events in the background. 

14.  Willow

Released in 1988, Willow is a fantasy adventure built by director Ron Howard and producer George Lucas as a more traditional fairy-tale quest than the darker ’80s fantasy around it. The story follows Willow, a reluctant farmer and aspiring sorcerer, who gets pulled into protecting a prophesied baby destined to overthrow an evil queen.

He ends up paired with a rogue swordsman, Madmartigan (played by Val Kilmer), and the movie runs them through a familiar structure: travel, ambushes, magic encounters, and escalating confrontations with the queen’s forces. It leans on practical effects, creature work, and straightforward stakes, with Willow’s arc built around stepping up rather than discovering something hidden. It’s an accessible hero’s journey, but one with enough of a darker edge to keep it from feeling like pure kids’ fantasy.

13. Harry Potter

There are too many Harry Potter movies to put them all in one spot, and also I don’t want this list to be nothing but Harry Potter. Plus, it’s borderline whether Harry Potter really qualifies for a Sword & Sorcery fantasy list. But it’s such a juggernaut that I felt it deserved at least a mention.

So for this entry, I’m focusing on my favorite Potter movie, Harry Potter and the Prisoner of Azkaban. It may be the best-written of all the films, and it developed the visual palette used in the subsequent films, despite being the third entry in the series.

The movie shifts the tone darker and more controlled, following Harry as he returns to Hogwarts under the threat of escaped prisoner Sirius Black, who’s believed to be coming for him. What starts as a manhunt turns into a reveal-heavy mystery, flipping assumptions about who’s actually dangerous and why. 

It doesn’t really matter which Potter movie is your favorite; if you’re talking fantasy movies of any kind, even the more sword-focused ones, it deserves a place.

12. Pirates of the Caribbean: Curse of the Black Pearl

Turning a Disney amusement park ride into a movie shouldn’t have worked, but in 2003 director Gore Verbinski pulled it off with a once-in-a-lifetime performance from Johnny Depp as Captain Jack Sparrow and a willingness to embrace the inherent darkness of a proper pirate tale. 

The story follows blacksmith Will Turner, played by Orlando Bloom (the only actor to be in two entries on this list), teaming up with the unpredictable pirate Jack Sparrow to rescue Elizabeth Swann from Captain Barbossa and his crew. The twist is that Barbossa and his men aren’t just pirates; they’re cursed undead who can’t feel anything and can’t die. 

11. Excalibur

For many, 1981’s Excalibur is the ultimate movie version of the King Arthur legend. Director John Boorman leans all the way into the idea that this story is less history and more a fever dream. It tracks the rise and fall of King Arthur, from pulling the sword from the stone to building Camelot, and then watching it rot from within amid betrayal, lust, and power struggles.

The genius of Excalibur lies in the way it creates mood, prioritizing it over realism. The full Arthur cycle is compressed into one operatic, stylized film about how idealism creates its own downfall.

10. The NeverEnding Story

The NeverEnding Story begins in the real world, with Bastian, a lonely kid, being bullied and looking for an escape. Director Wolfgang Petersen’s 1984 movie only becomes a fantasy film as Bastian reads. 

He becomes tied to the fate of a collapsing fantasy world called Fantasia, inside which a young warrior named Atreyu is sent on a quest to stop a spreading force known as the Nothing, which is literally erasing existence. The story keeps folding back on the reader, blurring the line between fiction and reality, until Bastian himself becomes part of the narrative. 

It’s part adventure, part a story about imagination, and it leans hard on practical effects and big emotional swings to sell the idea that stories only survive if someone believes in them. After it’s over, you’ll be ready to say: I believe.

9. Stardust

While it’s based on the work of Neil Gaiman, director Matthew Vaughn’s 2007 adaptation of Stardust avoids the infamous writer’s more macabre instincts to create a fantasy tale of wonder and nobler adventure.

The story starts in a quiet English village where a wall separates the real world from a magical one. A young man, Tristan Thorn, promises to retrieve a fallen star to win a woman who barely cares about him. When he crosses the wall, he finds the star isn’t an object but a woman, Yvaine (played by Claire Danes), and suddenly everyone wants her.

Witches need her heart to stay young. Princes hunt her to claim a throne. Tristan just wants to drag her home as proof he can deliver. What starts as a transaction turns into a chase across a world that keeps escalating in danger and scale.

8. The Hobbit Trilogy

The Hobbit trilogy was a project Lord of the Rings director Peter Jackson didn’t want to make. When he learned Hollywood was making it with him or without him, he jumped in to save the legacy he’d built with The Lord of the Rings and gave it everything he had left in the tank.

It faced criticism because it’s not as good as The Lord of the Rings. But then nothing is as good as Lord of the Rings (more on that in a minute), and everything seems lacking in comparison.

It’s still a deeply beautiful, complex, and interesting sword-fighting fantasy tale. The dwarves sing a mournful song in Bilbo’s Hobbit hole, and it carries them on a journey across Middle-earth to face a dragon and an army. It’s not as good as it should have been, but The Hobbit is better than it has any right to be, and it’s better than most things that don’t take place in Middle-earth. 

7. Highlander

Highlander is a 1986 fantasy in which immortals roam history, locked into ritual combat where the only way to win is beheading. In modern New York and across centuries of flashbacks, Connor MacLeod slowly learns the rules of a secret war that’s been going on forever, all building toward “there can be only one.” 

The movie is famous for its style, Queen on the soundtrack, MTV editing, and an iconic villain performance from Clancy Brown. Despite its R rating and frequent head decapitating, Highlander feels more dangerous than it actually is. That’s part of its charm and also why it has endured.

6. Monty Python and the Holy Grail

Monty Python and the Holy Grail is one of the funniest movies of all time, and it’s barely a movie at all. It’s the pinnacle of the iconic comedy troupe Monty Python’s style, and there’s never been anything like it before or since. 

It begins when King Arthur is sent by God to find the Holy Grail in medieval England. It ends with King Arthur being arrested by modern-day British police, even though no time travel is involved. That arrest sequence, by the way, actually happened; the police showed up on the scene and arrested them for filming without a permit. So they threw it in the movie and used it as their ending. 

Holy Grail is a fantasy movie built on refusing to behave like a normal story, and I wouldn’t have it any other way. Ni!  

5. Hook

Hook begins with the story of Peter Banning, a man who is everything Peter Pan was never supposed to become: a corporate lawyer, glued to his phone, too busy to notice his own kids slipping away. When his kids are snatched out of their beds and dragged to Neverland by Captain Hook, Peter Banning follows, but the problem is that he’s forgotten he was ever Peter Pan. 

The Lost Boys don’t buy him; their current leader, Rufio, flat-out rejects him, and Hook toys with him like a washed-up relic. What should have been a rescue mission turns into a midlife crisis with swords, as a man grapples with what really matters to him in the world. To save his kids, Peter has to relearn imagination, rediscover joy, and essentially undo adulthood long enough to become the thing he abandoned.

Taking place on massive, lovingly crafted sets filmed with all the magic peak Steven Spielberg can muster, it’s a perfect story for every adult facing down the stress of middle age, while also a family story filled with all the magic and wonder kids need to fire up their own imaginations. 

4. The Wizard of Oz

L. Frank Baum’s iconic Oz books were once revered in the same way the books of Tolkien and C.S. Lewis are. Over the years, that’s somehow been overshadowed by the 1939 film adaptation of his work, even though Baum’s books are better than the movie. 

Yet the movie itself is one of the best fantasy stories ever told, using what by modern-day standards would be viewed as only very rudimentary techniques. Despite the unkind rigors of aging, it’s still fun to watch.

Released near the end of the Great Depression, the film takes a black-and-white Kansas defined by exhaustion and hardship and explodes it into the impossible color of Oz, creating one of the most famous transitions in movie history. The story follows Dorothy, a lonely farm girl swept into a fantasy world where every strange encounter reflects fears and desires pulled from her real life back home. It defined what big-screen fantasy could feel like. 

3. The Princess Bride

The Princess Bride begins with a grandfather reading a story to his sick grandson, then unfolds into a fantasy adventure filled with sword fights, revenge plots, kidnappings, monsters, and true love. What makes the film totally unique is the way it’s delivered, with a heavy layer of dry self-awareness that never turns cynical. 

Westley’s quest to reunite with Buttercup is intentionally simple, allowing the movie to focus on its characters rather than complicated lore. Every supporting player feels iconic because the film gives them instantly memorable personalities and dialogue, from Inigo Montoya’s obsession with vengeance to Vizzini’s constant claims of “inconceivable.” 

Instead of trying to make fantasy feel realistic, The Princess Bride embraces the artificiality of storybook adventure and turns that sincerity into meaning.

2. Conan the Barbarian

1982’s Conan the Barbarian tells the origin of a warrior forged by loss, slavery, and violence, moving through a brutal fantasy world ruled by cults, warlords, and gods that don’t care. Director John Milius presents Conan’s story as destiny rather than spectacle. 

The plot is classic pulp: revenge, survival, and power taken through strength. It believes, fully, in all the values it espouses. As such, despite its brutality, no film on this list feels more pure, innocent, and untouched. 

The movie follows Conan, past a child enslaved after his parents are murdered by a snake cult led by Thulsa Doom. He grows into a massive warrior shaped entirely by pain, survival, and violence. 

Arnold Schwarzenegger barely speaks for long stretches because the movie understands his presence is the point. Conan is s a human weapon trying to carve meaning out of revenge. The result is a fantasy movie that feels heavy, dangerous, and strangely mythic in a way most modern fantasy never does.

1. The Lord of the Rings Trilogy

There’s an argument to be made that The Lord of the Rings may be Hollywood’s peak. That everything the filmmaking art form had been building towards led to this one moment in cinema, and that since The Return of the King, everything in the world of moving pictures has been on a slow, steady downward slide.

Whether you believe that or not, the notion that this is a serious discussion large numbers of people in the world are having is a solid indicator of just how good The Lord of the Rings trilogy is. More than just the best fantasy movies of all time, director Peter Jackson’s three movies are among the greatest things ever put to film, extended editions and all.

It’s the greatest ever application of special effects techniques, appearing at the exact moment when CGI had progressed to the point to give us a character like Gollum, while at the same time practical effects and hard work were still frequently used enough to create the incredible, hand-built artistry of Tolkien’s Middle-earth as an actual place the film’s actors could walk around in. 

The story is based on one of the greatest ever works of fiction, and the story which basically invented the entire modern fantasy genre. Without Tolkien’s work, most of the other fantasy movies on this list wouldn’t even have existed. Jackson kept the heart of Tolkien’s story, while adapting it for screen in a feat most thought impossible before he pulled it off.

The cast is one of the greatest ensembles ever assembled, and they, along with everyone working on the film, were as much fans of Tolkien’s world as the rest of us. The entire production was locked away for years in an isolated location, doing nothing but living and breathing Tolkien. Nothing like this, nothing on this scale, or with this much passion, has ever been made before, and it almost certainly never will be again. 

All we have to decide is what to do with the time that is given us. If you’ve any sense, you’ll spend a lot of it watching and rewatching all three movies in The Lord of the Rings. Extended Editions, of course.

Days of Our Lives spoilers for June 8th through the 19th have EJ DiMera (Dan Feuerriegel) hoodwinked by Cat honey potting him. Plus, Joy Wesley (AlexAnn Hopkins) may be ready to pack her bags and leave Salem.

Days of Our Lives Spoilers: Monday, June 8th – Declined Offers and Hospital Mystery

Monday, June 8th, EJ’s offer is declined. And Sarah Horton (Linsey Godfrey) needs help from Brady Black (Eric Martsolf). She tells Brady on Monday something doesn’t feel right. This is about her patient Destiny that just died.

So, Sarah wants Brady to do his PI thing and find Liam Selejko (Hank Northrop). Plus, Xander Cook (Paul Telfer) isn’t happy when Philip Kiriakis (John-Paul Lavoisier) threatens him.

Lexie Carver (Nikki Crawford) gets checked out by Dr. Rolf (Richard Wharton) and he asks how much risk is she willing to take” And Lexie says anything. She also has a catchup with Kristen DiMera (Stacy Haiduk).

Days of Our Lives: Tuesday, June 9th – Warnings and Bedroom Drama

On Tuesday, June 9th, EJ warns Gwen Rizczech (Emily O’Brien). Later, Kristen and Xander are back in bed. Kristen’s hoping to use Xander to hurt EJ, and he’s never going to do that. And then somebody’s banging on the door. It’s Gwen yelling she knows Xander’s in there.

Joy is an issue for Alex Kiriakis (Robert Scott Wilson) and Stephanie Johnson (Abigail Klein). Joy knocks and rattles the doorknob to Alex’s place as Stephanie’s napping on the couch. She wakes up startled, grabs her gun, and fires.

Later, Jada Hunter (Elia Cantu) chastises Stephanie for pulling a loaded gun on an innocent person and firing. Also Javi Hernandez (Al Calderon) wants a favor from Gabi.

And this week, Kate Roberts (Lauren Koslow) glares at Gabi. And she and Ari Horton (Vico Escorcia) have a nice mother-daughter lunch. But Ari will rage at her mom soon.

Days of Our Lives: Wednesday, June 10th – Danger and Romance

On Wednesday, June 10th, Leo Stark (Greg Rikaart) is at the pub watching over Joy’s daughter Kelsey for a moment. Then, Gwen shows up to meet him and Leo begs Gwen to please be careful on Days of our Lives.

Alex tries to calm things down between Stephanie and Joy. But Joy probably doesn’t want her kid near Stephanie. Steve Johnson (Stephen Nichols) and Kayla Brady (Mary Beth Evans) are over at Alex and Stephanie’s place and may bring her home with them.

Shawn Brady (Brandon Beemer) and Jada get much closer on Wednesday. And Amy Choi (Shi Ne Nielson) has a heartfelt talk with Melinda Trask (Tina Huang). Tate Black (Leo Howard) and Holly Jonas (Ashley Puzemis) enjoy alone time and romance.

Days of Our Lives Spoilers: Thursday, June 11th – Confessions and Confrontations

Then on Thursday, June 11th, Xander spars with EJ. And Holly and Ari get a special gift from Sarah. And Kate Roberts confesses to Roman Brady (Josh Taylor). He’s going to feel so betrayed that she played Johnny with the Bonnie plagiarism thing.

Kate’s with Philip and Xander and tells them they have to stand together as one or they’ll go down. That same day, Roman confronts Kate about lies. She comes clean to Roman, but maybe not about everything.

Paulina Price (Jackée Harry) goes to extremes for Chanel Dupree (Raven Bowens).

Days of Our Lives: Friday, June 12th – Nightmares and Deception

Then on Friday, June 12th, Steve and Kayla are there for Stephanie. She screams when she wakes from napping with a nightmare about the shooting incident. I hope Steve takes that gun away from her.

Cat Greene (AnnaLynne McCord) tells EJ lies about Clyde and Italy. Looks like Cat may be faking memories. EJ and Cat wind up in a passionate kiss as she keeps tricking him.

Alex tries to get Joy to see reason but may not want Kelsey at his place again. And Joy may consider leaving Salem over the Stephanie incident. Shawn and Jada talk about feelings and have a date this week.

Chad DiMera (Conner Floyd) takes Belle Black (Martha Madison) out with Thomas and Charlotte DiMera (Autumn Gendron) to a Cubs game. Then, Chad and Belle have their first kiss after the baseball game.

Days of Our Lives Spoilers: June 15th-19th – Family Confrontations and Broken Hearts

In the week of June 15th through the 19th, Lexie vows to do everything to survive. However, Lexie may hide her prognosis and symptoms from Theo Carver (Tyler Joseph Andrews) and Abe Carver (James Reynolds) initially.

But, Lexie may confront EJ and is going to lay into him about bringing her back only to face the risk of death and losing Theo and Abe all over again. Alex is torn between Stephanie and Joy, but his daughter’s the priority.

Brady should bring Liam back to help Sarah figure out what is going on with those sudden deaths. Leo tries to keep his mind off Javi and Gus. Plus, Gabi owes Theo an apology. And Xander, may double cross Kristen.

Even though Whitney Leavitt left “The Secret Lives of Mormon Wives” behind her, that doesn’t mean she isn’t excited about the upcoming batch of episodes. In a new interview, the mother of three and Broadway star teased what fans can expect and also shared a little more about what she and her husband, Conner Leavitt, have been up to over the last few months.

Speaking with E! News, Leavitt said that she will be watching the upcoming season of “The Secret Lives of Mormon Wives” when it returns to Hulu later this year.

Don’t forget, the reality star announced her exit from the popular series in May 2026 while playing Roxie Hart in “Chicago” on Broadway.

“I’ve talked to a couple of them,” she told the outlet. “When you’re in it, it is so grueling. It’s so time-demanding. Nobody really thinks that because obviously they’re following your day-to-day, but it is also a job, so I’m sure they’re exhausted, but it’s gonna be great. I’m so excited to watch it. It’s a great, great cast.”

Regrading the cast, which includes Taylor Frankie Paul, Jessi Draper, Jen Affleck, Mayci Neeley, Mikayla Matthews, Layla Taylor, and Miranda Hope, Leavitt implied that there’s a bit of tension amongst the ladies right now.

“I don’t think that as a cumulative it’s really a group right now,” she said, “but I’m good with everyone.”

Whitney Leavitt Says She’s Grateful For The Show Despite Her Exit

According to a previous report from The Blast, Leavitt said that she was grateful for her role on “The Secret Lives of Mormon Wives” despite her intense feuds with her co-stars.

“It’s honestly so crazy to me looking back on this journey because I had been trying to get into theater and film way before ‘Secret Lives’ even came into my life,” she said. “We have been through so much together, even more than what you’ve seen. We’ve had really big highs, really big lows and no matter what happens with our relationships like that is something that will always be a part of our life, will always be a part of my life and I wouldn’t change a thing.”

In another interview, Leavitt said that she felt “content” with her decision to leave, saying that series had provided her with opportunities she’d always dreamed of. “I’m ready for the next chapter and I cannot wait to share with you guys what’s next,” she said.

Whitney Leavitt Teases More To Come With Her New Production Company

And speaking of what’s coming next, Leavitt teased a solo reality show coming with her husband, Conner, in a new TikTok video, per The Blast. It’s one of the first projects that her production company, Leavitt Media House, is working on.

During her conversation with E!, Leavitt said that her team is leaning more into the world of unscripted content. “We’re definitely in the development of an unscripted show right now, so I’m really excited to be able to share more about it, so we’ll see. You’ll find out soon,” she said.

A ‘SLOMW’ Spin-Off Is Coming To Hulu Later This Year

Also coming to Hulu later this year is a “SLOMW” spin-off set in Orange County, California.

According to The Blast, the cast will feature Bobbi Althoff, Madison Bontempo, Aspyn Ovard, Salomé Andrea, Chandler Higginson, Ashleigh Pease, McCall DaPron, Avery Woods, and Affleck.

While the details about the series have been kept under wraps, Woods recently spilled a little bit of tea about the program and said fans can expect there to be as much drama as the original series.

“There’s a lot of different personalities and a lot of different beliefs and views,” she added.

Will The OC Version Touch On Mormonism?

There’s been a lot of discussion about the Orange County spin-off, including questions about whether the cast members were actual Mormon wives.

Woods said that while many of the cast members were raised Mormon and have since distanced themselves from the church, some of the other women are still very much active in the LDS community.

Even then, Woods said the cast’s differences is what will really make the show pop.

“We all could not be more different, but I think the coolest part about us all coming together is we’ve started to understand and be more open to how each one of us lives our life, because we all make different choices and different decisions, and we raise our children differently, we dress differently, we speak differently,” she said.

By Jonathan Klotz
| Published 5 seconds ago

The 90s were an interesting time for animation. Beavis and Butthead, Aeon Flux, Ren & Stimpy, all were pushing the medium forward in a new, adult direction while Batman: The Animated Series perfected the noir style of Batman that’s influenced a generation. None of those shows had a character banned by the studio for being too hot. Animaniacs, the after-school Warner Bros. cartoon has that distinction with a character who only appeared twice before getting yoinked off stage. Minerva Mink, a female take on Tex Avery’s classic Wolf, was too much for the adults to handle. 

Minerva Mink Flipped The Script

Take one look at Minerva Mink (voiced by Julie Brown), and you can tell what the crew was going for: she’s a Hollywood bombshell, in mink form. Designed by the production team of Batman: The Animated Series, Paul Dini, and producer Sherri Stoner (the real-life model for Disney’s Ariel and Belle), Minerva’s mere presence caused male characters to lose their minds. Think the reaction from Yakko and Wakko whenever the Nurse walks by, but magnify it to include every man, oh, and heap on plenty of more innuendo. 

As with most characters and plots from Animaniacs, there was another layer to the character. Minerva would also lose her mind and go crazy when she saw an attractive man. Flipping the script from the classic cartoon playbook was one thing, but then the producers went ahead and, as with the Wolf and Pepe Le Pew, turned Minerva into the villain. She’s vain, obsessed with looks, and is greedy. The concept behind the character is a good one, but she can’t help she’s drawn that way. 

Under 30 Minutes Of Screentime

Minerva Mink only appeared in two shorts of her own, “Moon Over Minerva,” and “Meet Minerva,” which ironically, aired 20 episodes later. Animaniacs creator Tom Ruegger expanded on why she was cut short, explaining in interviews that the President of Warner Bros. Animation Jean MacCurdy thought “[Minerva] was too voluptuous and her storyline a but too one-note in that she was very sexy.” The choice was made, even before the segments aired, to bring down her curves and rework her cleavage lines to be more family-friendly. 

Two appearances was all Minerva Mink needed to become an icon. She continued to appear in background shots, as part of the opening title sequence, and then in later Warner series, including Pink and the Brain. The Animaniacs comic turned her into a recurring character and even allowed for some character development. Not bad for under 30 minutes of screentime.

90s Animation Was Built Different

The Animaniacs revival had a chance to bring her back, but they didn’t take advantage of the opportunity. Both of her appearances in the reboot were silent and background roles. It was a missed opportunity given the way the character subverts tradition, which would find her more of a fanbase today. Then again, as everyone has learned from Warner Bros. recent decisions regarding animation, they’re not fans. 

We’ll never have another era of experimentation and change like we did during the 90s. Animaniacs changed what an after school cartoon could be and avant-garde sketch style animation started becoming more popular. Misfires like Minerva Mink were bound to happen here and there, but that’s the price for daring to do something different.

Beyond the Gates prediction edition for the week may see Bill Hamilton (Timon Kyle Durrett) and Dani Dupree (Karla Mosley) getting way too close during the disaster at Fairmont Crest. They may cross lines. Plus, there may be a hero no one expects as the tornado hits.

We also have got predictions for Joey Armstrong (Jon Lindstrom), the Impaler and Leslie Thomas. Also, predictions for Bill and Dani, for Eva and Kat, and for Martin.

Beyond the Gates: The Impaler’s Identity Revealed – Heather Armstrong

Let’s get started with our first prediction. The Impaler is Joey’s sister, Heather Armstrong. So, on Monday, the identity of the Impaler is revealed. That’s the same day that Heather Armstrong (Ashley Jones) makes her Beyond the Gates debut.

If you do not know Ashley Jones, showrunner Michele Val Jean worked with her over on Bold and the Beautiful where she played Bridget Forrester. You may also recognize her from True Blood or For All Mankind.

Joey and Vanessa McBride (Lauren Buglioli) talked about his sister Heather, who he’s not seen in years. And Vanessa started looking for Heather, which ticked Joey off, and he demanded she drop it.

On Friday, the Impaler walked into the meeting with Joey and Randy Parker (Maurice P. Kerry), and Joey immediately recognized the person, but they didn’t show their face but we’ll see it on Monday.

Beyond the Gates Spoilers: Ashley Jones Does Double Duty?

Of course, he thought all this time she was a realtor, but it looks like she might be a criminal like him. And Heather may actually be worse than her brother. And Joey may try and keep Vanessa away from her if this is what the situation is.

Joey said he was going to give the red market ring operator a warning to stay off his turf, but he might not follow through with that if it’s his sister, Heather. Or Joey might make the same ultimatum and Heather ignores him and does what she wants.

Beyond the Gates: Leslie’s Unlikely Heroism at the Fundraiser Disaster

Our second prediction is Leslie Thomas (Trisha Mann-Grant) does something heroic at the fundraiser. Monday Beyond the Gates spoilers have Leslie determined to score an invitation to Martin Richardson’s (Brandon Claybon) big fundraiser.

On Tuesday, Leslie crashes Mona’s event, and I think this is part of her scheme to get the ticket. Wednesday, Leslie promises Ted Richardson (Keith D. Robinson) she won’t be naughty at the fundraiser. She also annoys Joey calling him partner.

Eva Thomas Richardson (Ambyr Michelle) is there with Isaiah Gannon (Sawandi Wilson). No doubt she worries about her mom embarrassing her. It would go a long way towards redeeming Leslie if she did something heroic.

A tornado slams into the club, causes a blackout and other damage. It looks like a bunch of people are injured and some are trapped. So if Leslie steps up and helps people or digs a Dupree out of the rubble, that might soften people on her.

Beyond the Gates: Bill and Dani’s Elevator Moment During the Tornado

Our third prediction, Bill and Dani kiss during the elevator terror. Thursday Beyond the Gates spoilers have Hayley Lawson (Marquita Goings) flirting with Young and the Restless crossover character Kyle Abbott (Michael Mealor).

Her husband Bill is in an elevator with his ex-wife Dani when it hits. So, Dani and Bill have to rely on each other. And in the elevator, he is telling Dani that the power is out and there’s nothing left to do but wait for help. She doesn’t like that.

Beyond the Gates: Dani and Bill in Dangerous Territory

Dani and Bill have both been thinking a lot about the past and the bad path of their marriage. Dani opened up to Andre Richardson (Sean Freeman) about what Bill and Hayley did her.

It’s also been on Bill’s mind and he’s got regrets and seems increasingly off-put by Hayley. So, I fully expect Bill to get Dani in his arms for a kiss. If those elevator doors open and Andre gets an eyeful, it’ll be big trouble because that’s low-key cheating.

Beyond the Gates: Tomas Injured – Eva and Kat Work Together

Our fourth prediction is that Tomas is hurt during the disaster. And Eva helps Kat save him. Spoilers say Eva and Kat are forced to work together. Friday spoilers for Beyond the Gates have Ted running around putting out fires.

He’s scared when he sees Kat with blood all over her hands. Ted freaks out but Kat’s really upset and crying and saying that it’s not her blood. Isaiah is standing nearby as Ted asks, “Whose blood is it?”

So lately, Kat has been cautiously letting Eva get closer to her. This is a big chance for true bonding as sisters. The promo from the tornado aftermath shows Isaiah there with Kat and Ted, but there’s no sign of Tomas or Eva.

Beyond the Gates: Martin Trapped in Tornado Rubble

Our fifth and final prediction is that’s Martin trapped and the family freaks out. Beyond the Gates spoilers hint Martin may be trapped because Smitty (Mike Manning) is calling out to him asking if Martin can hear him and sounds panicked.

So, I expect life and death action. Although, Daphnee Duplaix, who plays Nicole, recently did an interview alongside Eric Braeden, who plays Victor Newman from Y&R. And they said everybody survives.

But at the event, Nicole looks really scared. And with Smitty calling out to Martin, it could be that he is trapped in the rubble.

Former “Real Housewives of Beverly Hills” star Crystal Kung Minkoff is opening up about her possible return to the network and popular franchise. In a new interview, the mother of two said that while she was initially opposed to coming back to the show following her departure in 2024, the 43-year-old is feeling different about the program these days.

Speaking with E! News, Minkoff told the outlet that should Bravo call her to be featured in season 16, she’d be up for the challenge.

“I think I just needed some time and Cynthia Bailey is my co-host of Humble Brag and so she saw rumors out there and she had to ask me so it became sort of a thing,” she said in June 2026. “And it’s always one of those topics where Housewives in the past are asked these questions.”

Crystal Kung Minkoff Explains Why She’d Accept An Offer To Return To Bravo And ‘RHOBH’

Minkoff went on to say that it took her “a couple years” to even consider making a return to Bravo or the “Real Housewives” franchise. However, this year, the TV personality said that she found herself mulling over the question more than she has in the past.

Additionally, Minkoff, who will also be featured in the network’s massive 20th anniversary special for the “Real Housewives” later this year, said that her deep love and appreciation for Bravo would also be part of the reason why she’d return.

“I just love Bravo and I love the whole experience,” she said, adding, “and I just feel through Humble Brag I’m comfortable being myself so that’s all.”

Crystal Kung Minkoff Spoke With ‘RHOA’ Cast Member, Cynthia Bailey, About Making A Comeback

Minkoff’s latest comments come days after the former “Real Housewives” star told her “Humble Brag” co-host, Cynthia Bailey, that she had been having conversations with the network about her future.

“I’m always having conversations in general at Bravo,” she said. “Just, you know, doing little things here and there.”

As for her return, Minkoff said that she would love to pop up as an official friend to the show. “Like, you’ve made that the ideal role,” she said to Bailey. “But it just depends on the cast. But yeah, I think I’d be ready. I think I’m finally ready.”

Minkoff announced her departure from the program in April 2024, calling her exit “bittersweet.”

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“Never did I think I would have been asked to do the show in a million years, let alone film it for three seasons. Every single year I was asked back, it was a blessing. It was an honor,” she said, noting how important it was for her to be the first Asian-American on “RHOBH.”

Continuing, Minkoff said that her appearance on the show meant a lot to her and for other people before thanking the audience for their unwavering support.

“But this is not goodbye, this is a see you soon,” she added. “I have some other things going on that I will be sharing with you soon that I’ll still be able to connect with you because at the end of the day, that is been my biggest gift of filming. This show is connecting with so many of you with your beautiful stories.”

Garcelle Beauvais Seems To Have A Different Feeling About Returning To ‘RHOBH’

While Minkoff is open to returning to “RHOBH,” former cast member Garcelle Beauvais feels the complete opposite.

For those who may be unfamiliar, the “Coming to America” actress departed the series in 2025, revealing she left to spend more time with her children, Jax and Jaid.

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According to a previous report from The Blast, Beauvais opened up about her departure in her new memoir, “Protecting My Peace… At All Costs,” sharing that she said goodbye to the series after revealing that a “line was drawn” in the sand.

“I felt like my spirit could no longer do it. (It was) just drama for the sake of drama,” she said.

Beauvais Teased Her Book With A Candid Social Media Post

Beauvais teased her book on Instagram, sharing that she “poured my heart” into it.

“Open, intimate, vulnerable,” she added. “Some might say brave.”

According to the decorated actress, her memoir is a “love letter” to her family, detailing her journey from Haiti to the bright lights of Hollywood.

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By Chris Snellgrove
| Published 11 seconds ago

There are few actors in the world quite as divisive as Adam Sandler. Every now and then, he’ll go out of his way to prove what a great performer he can be in more serious roles, including the poignant Punch-Drunk Love and the downright harrowing Uncut Gems. Mostly, though, Sandler sticks to the kinds of comedy that made him famous on Saturday Night Live: that means silly voices, broad humor, and gimmicks taken well past their breaking point. It doesn’t always work, especially with recent comedies like Hubie Halloween, which I maintain should be classified as a war crime.

When Sandler is bad, he’s bad enough to take the entire film with him. It goes in reverse, though: when Sander is really good, he can elevate even the stupidest of films into box office gold. That’s the case with The Waterboy, a 1998 gem about a backwoods waterboy discovering he is inexplicably skilled at college football. Is the movie dumb? Like, room temperature IQ dumb. Is it filled with stupid jokes, including a bizarre running gag character from eternal Sandler +1, Rob Schneider? That’s a Texas-size 10-4, good buddy! If those aren’t dealbreakers, though, you’ll likely enjoy this raunchy, politically incorrect laugh riot, now streaming on Tubi.

When Boy Meets Water

The premise of The Waterboy is that Adam Sandler plays the stuttering manchild who serves as the water boy for the University of Louisiana football team. He loses that gig thanks to a jerk of a coach, and he ends up slinging water for a rival football team: the South-Central Louisiana State University Mud Dogs. However, it doesn’t take long before this new team’s coach realizes that his waterboy is an idiot savant when it comes to football. He puts Sandler’s character on the field, transforming him almost instantly into a local legend.

The waterboy enjoys his newfound fame, but he runs into trouble balancing his new responsibilities with his old life. For example, his childhood crush (played by Fairuza Balk) wants to date him, but that doesn’t fly with his domineering mother (played by a very game Kathy Bates). Plus, he constantly has to worry about pleasing his coach, who is played to hangdog perfection by Henry Winkler. As with all sports comedies, The Waterboy culminates in a showdown between rival teams that (one way or another) will transform our hero’s life forever.

Deliciously Dumb Humor

When I rewatched The Waterboy for the first time in over a decade, I was surprised by how much I enjoyed its deliciously dumb humor. I was still in high school when this film premiered, and all of the goofy jokes still resonated with my inner child. Some of them aren’t even jokes so much as silly things said in silly ways, like when the Colonel Sanders-looking professor keeps repeating “medulla oblongata” until Sandler screams like a pig and charges. My personal favorite is when the waterboy’s mother dismisses wisdom from a college textbook, shouting, “That’s nonsense, I invented electricity. Ben Franklin is the Devil!”

Real talk? How much you cringed when you read that will determine whether or not you’ll like The Waterboy. Again, Sandler is notoriously divisive, and his style of comedy isn’t for everyone. But he was on an absolute tear of good films in the ‘90s, including Billy Madison, Happy Gilmore, and The Wedding Singer. The Waterboy arguably isn’t quite as good (or at least, as memeworthy) as some other films in the actor’s oeuvre, but it’s arguably Sandler at his most gloriously unhinged. If you’ve ever enjoyed singing along to his nonsense tunes or quoting Happy Gilmore to your hapless friends and family, you’ll likely love his performance as village idiot turned football icon.

The ’90s Most Quirked-Up White Boy

Adam Sandler is predictably solid in The Waterboy: he knows his limits as an actor and, within those confines, knows how to make us laugh with a perfect mixture of physical comedy and stuttered punchlines. The real surprise of the movie, though, is just how many Hollywood greats joined the cast. Henry Winkler is great as the waterboy’s pseudo-father figure, and his more understated humor makes him a kind of straight man to Sandler’s wackiness. Meanwhile, Kathy Bates steals scenes from Sandler by embodying a very persistent (and often very accurate) Southern stereotype: the domineering, overly religious mother. Seriously, watching The Waterboy is worth it just for her scenes alone.

There are some other wild surprises in The Waterboy cast, including Clint Howard as an idiotic football fan. Needless to say, Rob Schneider appears, making the most of a running gag that would eventually become perfect meme fodder (him screaming “You can do it!”). Perhaps the most surprising revelation of the cast is just how good Fairuza Balk is as Sandler’s love interest. Channeling some of her manic pixie scream girl energy from The Craft, she is absolutely captivating as a bad girl with a criminal past. Honestly, Balk should have been one of the biggest stars of the ‘90s and early aughts, and she makes a relatively minor role into one of the most memorable performances of the entire film. 

Stream Today? You Can Do It!

In terms of humor, The Waterboy is a throwback to a simpler time. A politically incorrect time, too, which is why this movie could never be made today. Adam Sandler’s Bobby Boucher makes Forrest Gump look like a Mensa candidate, and the fact that we’re basically laughing at a special needs kid is admittedly a bit uncomfortable. If you can get past the somewhat offensive nature of the jokes, though, there’s a lot to love about The Waterboy. Bobby isn’t exactly a brain trust, but he’s effortlessly charming and innocently charismatic. Throw in some well-written gags, great physical humor, and a surprisingly smart script, and you’ve got a ‘90s comedy classic worth revisiting.

Ready to kick back with one of the raunchiest, funniest, and most influential comedies of yesteryear? You can currently stream The Waterboy for free on Tubi. Remember that with a movie his dumb, you should probably go ahead and pour yourself a drink before you grab the remote. Will it be a beer or a spirit? In honor of Bobby Boucher, there’s only one real option: a tall glass of high-quality H2O!

THE WATERBOY REVIEW SCORE