Related: A Comprehensive Guide to the Duggar Family: Kids, Grandkids and More
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By Chris Snellgrove
| Published

The Marvel Cinematic Universe is filled with colorful supervillains, but no matter how strong these foes are, our heroes always come out on top. The same can’t be said for the MCU as a whole, though. After the blockbuster success of Avengers: Endgame, Disney+ introduced a firehose of content in the form of one new show after another. This ushered in the one villain the MCU itself could never defeat: superhero fatigue. Revenues went down, some ventures lost money, and fans and execs alike were left asking the same question: Is Marvel ever going to be as popular as it once was?
Last year, there was a glimmer of hope. Daredevil: Born Again brought the fan-favorite Netflix hero back for brand new adventures where he once again clashed with the Kingpin. Hopes rallied around this new show, and Marvel Studios decided to use its second season as a launchpad to bring other beloved characters (like Jessica Jones) back into the fold. Sadly, the comeback has already failed: despite all the hype and all the hope, viewership for Daredevil: Born Again has dropped by more than 50 percent.

This news comes to us from ComicBook.com. They trawled through Luminate data and discovered some sobering numbers. In its first five weeks, Daredevil: Born Again Season 2 had “4,515,000 season views, 10,867,000 hours watched, and 652,000,000 minutes watched.” That may sound good on paper, but as it turns out, Season 1 had “8,357,000 season views, 24,000,000 hours watched, and 1,440,004,000 minutes watched.” That means that the second season of this hit show had 46 percent fewer total viewers and a decline of more than 54 percent in total hours watched.
The pattern is very consistent, with every episode of Season 2 getting about half of the fan engagement as each corresponding Season 1 episode. That leads to the obvious question: why the sudden drop? Based on other metrics, it doesn’t seem like this is a reaction to fans hating Season 1. That premiere season of Daredevil: Born Again has an 87 percent critical score on Rotten Tomatoes; meanwhile, Season 2 has (so far) an 88 percent critical score. Interestingly, the audience score for Season 1 was 78 percent, but the audience score for Season 2 is, as of this writing, 87 percent.

It’s normal for shows (especially hit shows) to lose some viewers from season to season as more casual fans find newer, shinier shows to glom onto. However, losing over half your audience from season to season is downright catastrophic, and it seems like a seriously bad sign for Daredevil: Born Again. As ComicBook.com points out, the second season failed to break the Nielsen Top 10 for streaming, which is something that both Ms. Marvel and She-Hulk: Attorney at Law managed to do. If Marvel’s hit new show can’t draw as many viewers as its most controversial ones, the MCU is in serious trouble!
For better or for worse, though, the show will go on. Production has already begun on Daredevil: Born Again Season 3, which will reunite the Defenders from the Netflix-era of Marvel. Meanwhile, Defender and Born Again guest star Krysten Ritter is (according to Marvel Television head Brad Winderbaum) likely going to headline a new project very soon. These future projects may very well get a boost from Avengers: Doomsday, the ambitious blockbuster that is premiering later this year. That movie is Marvel’s biggest, most expensive effort at combating superhero fatigue, and the plan to reignite the fandom is so crazy it just might work.

If it doesn’t work, though? The failure of Daredevil: Born Again Season 2 will be seen as the canary in the coal mine for the death of the most ambitious cinematic universe ever created.
As the current TV season draws to an end in the coming weeks, details about what to expect in season finales are finally trickling in. And for CBS‘ hit firefighter procedural, Fire Country, the season finale is one for the books. The show typically goes all out for the season finale, as a multi-level emergency pushes the firefighters’ physical and emotional limits. Whether it’s a massive landslide or a wildfire, these emergencies amplify the chaos in the characters’ lives.
In the fourth season’s finale, the town deals with a flood. Everything starts in the penultimate episode when a fire causes structural damage to Pineville Dam. Things get progressively worse as its integrity is compromised, and the dam can’t contain the water. “After a catastrophic dam failure unleashes historic floodwaters across Edgewater, Station 42 and Three Rock battle rising waters and dwindling resources,” the logline for Fire Country Season 4, Episode 20, “Try Not to Drown,” reveals. And while previous finales have featured major emergencies, this one is intimidating because it’s unlike anything the station has dealt with before.
Fire Country star Jordan Calloway said in an interview that “the incident is very intense,” and that “it takes a lot of work.” He also revealed that even though the emergency tests everyone, there will be some great moments for the characters that set up the story for Season 5. “What I will say, though, is the ending of it, you can take a deep breath. You can take a breath,” the actor said. Meanwhile, the show brings back Chief Richards to oversee the rescue efforts.
Following his recurring appearance throughout the season, The Pitt‘s Shawn Hatosy returns for the final two episodes of the season. Chief Richards is always ready to shake things up, so it will be interesting to see what brings him back and how he handles the emergency that starts in Episode 19, “Rain Check for Tomorrow.” Meanwhile, in this week’s episode, Bode (Max Thieriot) once again confronts his actions as a past crime comes to light. The logline for Episode 18, “Best Man,” explains:
“When Bode’s past resurfaces far from Edgewater, a volatile chain of events leads to a perilous off-duty rescue that forces him to confront guilt, accountability and what it truly means to step up when lives – and friendships – are on the line.”
Watch new episodes of Fire Country on Fridays on CBS at 9 pm ET. Stay tuned to Collider for more updates.
October 7, 2022
Tia Napolitano
Bill Purple, Dermott Downs, Eagle Egilsson, Gonzalo Amat, Kevin Alejandro, Max Thieriot, Sarah Wayne Callies, Marie Jamora, Kantu Lentz, Antonio Negret, Laura Nisbet Peters, Lisa Demaine, Nicole Rubio, James Strong, Anton Cropper, Erica A. Watson, Joy T. Lane, Jacquie Gould, Chi-Yoon Chung
Tia Napolitano, David Gould, Natalia Fernandez, Barbara Kaye Friend, Tony Phelan, Joan Rater, Dwain Worrell, Julia Fontana, Sara Casey, Manuel Herrera, Jen Klein, Anupam Nigam, Tonya Kong
Thrillers live or die on pressure. They do not need giant budgets, perfect realism, or profound dialogue every minute. They need tension that tightens, characters whose bad choices make the room hotter, and a sense that every new scene is pushing somebody closer to exposure, collapse, or death.
And when thrillers fail, they fail in a special way. They do not just become bad movies. They become dead machines. You can see the gears turning, and none of them catch. That is what these eight are. Not fun junk. Not glorious trainwrecks. Mostly just hollow, frustrating, tensionless wastes of good premises, good stars, or both.
Unforgettable is the kind of psycho-ex thriller that thinks a raised eyebrow and a few passive-aggressive smiles count as escalation. Julia Banks (Rosario Dawson) and Tessa Connover (Katherine Heigl) both deserve better. The setup, new wife, unhinged ex, domestic sabotage, should have produced tight, nasty fun. Instead the movie keeps choosing the safest, flattest version of every scene.
The biggest issue in this film is rhythm. A thriller like Unforgettable should keep turning the screw until ordinary life feels infected. Here, the tension arrives in obvious, prepackaged beats. You are never leaning in. You are just waiting for the next act of sabotage to show up on schedule.
Amnesia thrillers can work beautifully when memory itself becomes a trap. Secret Obsession has that hook and does almost nothing with it. Jennifer Williams (Brenda Song) wakes injured, confused, and vulnerable, and the movie immediately squanders the unease by making everything too obvious too early.
That kills the entire game. A thriller needs the viewer to feel unstable with the protagonist, not twenty steps ahead of the movie. Once the central threat is this transparent, the film turns into a slow walk through foregone conclusions. Even the detective subplot, which should add urgency and crosscutting pressure, feels generic and drained. But there is no paranoia here, only plot.
Erotic thrillers need danger in the seduction and seduction in the danger. Sliver has Carly Norris (Sharon Stone), a voyeuristic apartment building, surveillance, possible murder, and absolutely no clue how to fuse any of it into real heat. It just sits there, glossy and vacant.
The premise should have been irresistible. A building where somebody is watching everyone should feel diseased from the inside. Instead the film never develops an atmosphere of corruption thick enough to matter. Zeke Hawkins (William Baldwin) is a black hole of charisma here, and the mystery keeps flattening instead of deepening. It wants to be sleek and perverse. It ends up feeling weirdly bloodless.
This is one of those detective thrillers where the protagonist’s damaged psyche is supposed to make everything unstable, but the movie mistakes instability for muddle. Jessica Shepard (Ashley Judd) plays a police inspector with trauma, alcohol problems, and a serial killer possibly circling her life. Good ingredients. Bad execution.
The whole film feels secondhand, stitched together from better thrillers about compromised investigators and memory gaps. John Mills (Samuel L. Jackson) brings some gravity, but the movie never earns the reveals it is hoarding. Thrillers can get away with contrivance if the tension is sharp enough. In Twisted, the tension is so weak that every twist feels less like a shock than a screenwriter tugging your sleeve.
This one hurts because the bones of a good movie are visible. Agoraphobic woman. pill haze. possible murder seen through a window. unstable perception. Anna Fox (Amy Adams) trapped in a house full of dread. That should have been catnip. Instead the film plays like a prestige thriller that lost its nerve in the edit.
Nothing settles into menace. The house never becomes the oppressive psychological chamber it should be. Adams is giving the movie more emotional weather than it knows how to use, and the supporting cast feels imported from different tonal universes. A good paranoid thriller makes you question what is real while tightening your chest. The Woman in the Window just turns fuzziness into drift.
Serenity is less a bad thriller than a baffling collapse of genre judgment. The film follows Baker Dill (Matthew McConaughey) as a fishing boat captain being pulled into a murder plot by Karen Zariakas (Anne Hathaway), and for a while you think the movie is heading toward sweaty neo-noir trash. Then it keeps swerving into stranger territory without any control over tone, suspense, or payoff.
A thriller can survive absurdity if the absurdity sharpens the unease. Here it just melts the movie. Scenes arrive with the wrong energy, revelations land with accidental comedy, and the whole thing seems convinced it is blowing your mind when it is really just losing the room. Wild twists are fine. Wild twists with no tension underneath are fatal.
The first Basic Instinct is ridiculous, but it understands how to weaponize style, star power, and erotic menace. The sequel has Catherine Tramell (Sharon Stone) back and none of the voltage. That is the disaster. It tries to recreate transgression in a world where everything feels clinical, airless, and tired.
The psychological games are weak, the sexuality is forced rather than dangerous, and Dr. Michael Glass (David Morrissey) is left carrying a role that needed much more instability and allure than the film can generate. Erotic thrillers depend on appetite making people stupid in ways that feel believable. Here everybody just seems trapped in an expensive imitation of provocation. Nothing pulses. Nothing seduces. Nothing threatens.
A serial killer thriller with Harry Hole (Michael Fassbender), snowbound misery, Jo Nesbø source material, and a title this good should not be this inert. But The Snowman is the worst of the bunch because it does not merely waste potential and instead seems structurally broken. Scenes do not connect with proper momentum. Clues appear without force. Characters drift in and out like the movie misplaced whole reels.
And that is basically what it feels like: incomplete. A thriller can be dark, cold, and fragmented. It still needs a pulse. This thing has none. Hole wanders through the film looking stranded, Katrine Bratt (Rebecca Ferguson) never gets a real dramatic line to hold, and the killer plot never turns sick fascination into actual dread. It is just frozen sludge. For a thriller, that is death.
October 20, 2017
119minutes
Hossein Amini, Matthew Michael Carnahan, Peter Straughan
Former TLC star Joseph Duggar was arrested on March 18 after being accused of molesting a 9-year-old girl in 2020.
His arrest marks the second child sex abuse case to hit the famous family following Joseph’s older brother Josh Duggar‘s child pornography conviction. Josh was sentenced to 151 months in federal prison in December 2021.
The Duggar family rose to fame through their TLC show 19 Kids and Counting, which premiered in 2008. The series followed Jim Bob and Michelle Duggar as they raised their children: Josh, twins Jana and John-David, Jill, Jessa, Jinger, Joseph, Josiah, Joy-Anna, twins Jedidiah and Jeremiah, Jason, James, Justin, Jackson, Johannah, Jennifer, Jordyn and Josie.
Joseph married wife Kendra Duggar in September 2017, and they share four children: Garrett David, born in June 2018, Addison Renee, born in November 2019, Brooklyn Praise, born in February 2021, and Justus Joseph, born in February 2022.
Keep scrolling for everything to know about Joseph’s arrest so far:
Joseph Duggar was arrested at approximately 3 p.m. on March 18 by the Tontitown Police Department in Arkansas. Authorities obtained a warrant from Bay County, where the alleged incident took place, according to a press release from the Bay County Sheriff’s Office.
The Bay County Sheriff’s Office press release outlines two charges against Joseph Duggar. The first: lewd and lascivious behavior involving molestation of a victim less than 12 years old. The second: lewd and lascivious behavior conducted by a person 18 years or older.
The alleged victim is a 14-year-old girl, and the alleged incident occurred in 2020 — roughly six years before his arrest. Joseph Duggar allegedly sexually abused the girl during a family vacation in Panama City Beach when she was 9 years old.
“The victim reported Duggar repeatedly asked her to sit on his lap,” Bay City police shared in a statement. “As the vacation continued, he also asked her to sit next to him on a couch and covered them with a blanket. During this time, Duggar manipulated the victim’s underwear and grazed her genitals. Duggar would also continue to rub his hands on her thighs.”
The victim told a detective from Arkansas’s Tontitown Police Department in a forensic interview that there were “several instances of sexual abuse” involving Joseph, according to the affidavit obtained by Us. Joseph was 25 years old at the time, while his wife, Kendra Duggar, was pregnant with their third baby.
The accuser recalled feeling “uncomfortable” and “confused” during the incidents. Joseph “eventually approached the victim and apologized for his actions,” at which time “the incidents stopped occurring,” according to the affidavit.
Physical evidence was collected during the investigation into Joseph, the affidavit revealed.
There has been no statement from Joseph Duggar or his legal representation. His wife, Kendra Duggar, has not yet addressed his arrest or her own.
Joseph Duggar appeared in court virtually on March 20. He did not enter a plea and waived his right to an extradition hearing. The reality TV alum is currently awaiting extradition to Florida, which began on March 27.
Joseph Duggar and wife Kendra Duggar were each charged on March 20 with four counts of endangering the welfare of a minor in the second degree and four counts of false imprisonment in the second degree. Following Joseph’s arrest earlier that month for his child molestation case, Kendra was arrested, booked and subsequently released after paying a $1,470 bond the same day.
“After his charge, they automatically do a home study if minors live there,” a source exclusively told Us of Kendra’s arrest, noting it had “nothing” to do with Joseph’s alleged actions. “Apparently, they had two rooms where the lock of the doorknob was on the outside instead of inside. They arrested her and took her kids for that, saying it’s evidence that she wrongly detains her kids.”
Joseph Duggar’s attorney has been the sole person to visit him in Washington County Correctional Facility, Page Six reported on March 27. No family members have visited Joseph, according to the outlet.
Joseph has had contact with his wife, Kendra Duggar, over the phone. “I’ve been spending a lot of time reading, uh, reading the Bible, they got me a Bible in here,” Joseph told Kendra during a phone call from the detention center obtained by People on March 27. “I’m in solitary [confinement].”
He claimed he was spending 23 hours a day in the room. “[It’s a] pretty small area, but I’ve been able to read a lot actually, and resting some, but I’m not sleeping great through the night,” Joseph added.
Us confirmed that Joseph Duggar was transferred from the Washington County Detention Center in Fayetteville, Arkansas, on March 27. He was held there for nine days while waiting to be extradited to Florida.
As of March 30, Joseph’s whereabouts were unknown as he had not yet been listed as being in the custody of the Bay County Sheriff’s Office (BCSO).
After being transferred out of the Washington County Detention Center in Fayetteville, Arkansas, on March 27, Us confirmed that Joseph Duggar is in custody at the Bay County Jail in Florida as of March 31.
A new mugshot was also released on March 31 and showed Joseph smirking with messy hair.
Joseph Duggar entered a written not guilty plea and requested a jury trial on March 29, Us confirmed via online records.
Joseph appeared in court for his arraignment in Florida on March 31. During the hearing, his lawyer stated that Joseph was “asking to be treated as fairly as anyone else, regardless of his status in the television industry” and that his family is “asking for the most reasonable bond,” according to Page Six.
“He has no criminal history whatsoever,” the lawyer added.
Meanwhile, a prosecutor from the State Attorney’s Office stated that the allegations made against Joseph are “a serious charge against the child.”
“We ask there be a no contact in place with the victim, as well as no contact with any minors,” the prosecutor continued. “While he doesn’t have a criminal history and no ties to the community … he was on vacation and stayed here a short period of time … We ask for a substantial bond.”
The judge set Joseph’s bond at $600,000. Additionally, the reality TV personality was ordered to have “no contact with the alleged victim” and “no unsupervised contact with any minors under the age of 18.”
In a court motion filed on May 1, 2026, Joseph’s legal team asked a Florida court to allow them to question officials from the Department of Children & Families, Big Ben, Child Protection Team, who interviewed the alleged victim prior to Joseph’s arrest in March.
His lawyers also reserved the right to speak with “any other law enforcement or child protection agency involved with this investigation (including out of state equivalents, specifically Arkansas),” in addition to seeking access to all evidence gathered by child protection officials in their investigation.
“The Defendant is entitled to discovery of the witness testimony, including records and evidence in the possession of the witnesses for a fair determination of the Defendant’s guilt or innocence at trial,” his legal brief read.
Us has reached out to Joseph’s legal team for comment.
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Heidi Klum just gave Us a masterclass in New York rich mom dressing, and all it takes is the right bag to nail it. Her red bucket bag style hit two of the biggest trends at once, and you don’t need a model salary to do it yourself. The chic spring look is on sale for only $28!
Strolling through Soho with her pup in tow, the supermodel turned heads with a burgundy bucket bag that hit every mark. Soho rich moms rock the style nonstop, and although the color seems unconventional for spring, ‘it’ girls like Klum make the rules!
Get the Kadynow Vegan Leather Bucket Bag for $30 at Amazon! Please note, prices are accurate at the date of publication but are subject to change.
The luxe-looking Kadynow Leather Bucket Bag has been quietly racking up reviews from shoppers who can’t believe what they’re getting for $28. One five-star fan said it best: “I’ve had people walk up and want to see it. I tell them it is not a Picotin but looks like one.” That tells you everything you need to know about this bag.
Made from vegan leather, this bucket bag has a structured look that adds sharpness to any outfit. The top handle gives it a classy flair, as does the dainty horse charm that attracts eyeballs from across the restaurant. It also comes with a small makeup bag, ideal for lipstick, deodorant and other essentials.
Plus, the red color itself attracts attention. It’s a rich, confident shade that flatters every skin tone and pairs beautifully with what you already have in your closet. Not too bright, not too dark, but perfectly spring-coded.
So if you’ve been scrolling through Soho street style and wondering how to recreate the look (without raiding the Hermès counter), here’s your answer. This number-one top-handle bag is selling out for a reason, so snag Heidi Klum’s style for $28 while you can!
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Yung Miami has issued an apology after going viral for publicly telling DJ Sean Mac he was putting her and other clubgoers to sleep.
Over the weekend, Instagram user @drshahphotography took to the platform to share a clip from a recent club event attended by Yung Miami. In the clip, Miami took to the microphone, which was on stage near the DJ.
“The party’s lit, but the music is f*****g trash,” Miami said before the DJ tried to drop another song. “No! No! No! I’m about to DJ this party.”
Social media users entered TSR’s comment section with reactions to Yung Miami publicly calling out DJ Sean Mac.
Instagram user @__christinabinaa wrote, “This was very rude. She could’ve just gone to him instead of embarrassing him. Idc what y’all say.”
While Instagram user @djrenmovement added, “Imagine he took the mic and say well you can’t rap or sing 😂😂😂”
Instagram user @djeclazz wrote, “I’m petty; I’d reverse that shit… Played 5 of her songs, back to back‼️ Let her seen the reaction to her music‼️”
While Instagram user @carolinneoficial added, “THANK YOU, Caresha, for doing that 😂 I was at the party too and everyone around me was also complaining about the DJ, until she went over there and handled it 😅”
Instagram user @shayasanders wrote, “This how I be feeling about her and JT’s solo music 😩😩😩”
While Instagram user @thatsmylawyer added, “She needs to have the same type of criticism with her own music🤞🏽 imagine he was playing her own records and you had to do this🤣”
Instagram user @djclue wrote, “That shoulda been a side bar conversation…now it’s a viral moment and homie looking crazy smh…🤦🏾♂️..we gotta do better as a culture”
While Instagram user @theunstablebarbb added, “This is exactly how I feel about her music. Turn that sh*t off! 😭”
Instagram user @djyungrage wrote, “Yea After That she woulda heard all diddy hits 😂🤏🏾”
While Instagram user @kenni_bee added, “Girl beat it u got Chicago Fucked up!!!”
Instagram user @ty.b_ wrote, “We all have feelings but one thing I never do is be rude/disrespectful to people. This was really mean honestly 😬”
While Instagram user @jennifernashae_ added, “The party was good until she came with that negative energy”
Instagram user @dionne_nowarwick wrote, “Telling the DJ to play better music but the 1st line to your latest song is ‘You knw it’s tea when them 2 fingers touching’ is insane 😂😂😂😂😂😂😂😂😂”
While Instagram user @peexweezy added, “Being rude and mean will NEVER be it…EVER”
Furthermore, even Yung Miami stepped in to add:
“It’s not what you do it’s how you do it. I was litt tryna have fun I didn’t mean no harm. I’m in Miami tryna turn up another notch!!!!”
Then, on Monday, May 4, Yung Miami returned to her Instagram Story to share a public apology while tagging DJ Sean Mac’s account. In the clip, Miami explained that she was “genuinely” trying to “turn up and have a good time.”
What Do You Think Roomies?
Love was in the air on Sunday as Tokyo Jetz and Shaquill Griffin officially tied the knot. The couple’s beautiful ceremony was livestreamed on TikTok for supporters to witness the special moment. Additionally, while guests made their way into the wedding, viewers spotted several familiar faces as attendees stopped to take photos before sitting down. Once clips began circulating online, one particular pop-out quickly pulled Rod Wave into the mix.
During Tokyo Jetz and Shaquill Griffin’s livestreamed wedding, one attendee who caught viewers’ attention was Dee. Dee, an entrepreneur and mother of Rod Wave’s twins, wore an elegant fitted black one-shoulder dress. By her side was New Orleans Saints cornerback Ga’Quincy “Kool-Aid” McKinstry in a black tuxedo. The two smiled as they posed for photos together and separately before heading to their seats.
After Dee’s pop-out with Ga’Quincy McKinstry, fans quickly dragged Rod Wave into the mix. Rod Wave and Dee dated on and off for nearly four years, with the rapper dedicating several songs to her throughout their relationship.
Supporters were heavily invested in the pair, making their 2024 breakup a shock to many. At the time, Dee took to the internet to reveal that she and Rod Wave had ended their relationship. In a lengthy Instagram post, she shared that she was hurt by the breakup and apologized to her daughters while choosing to prioritize her happiness moving forward. Dee also made it clear that Rod was officially single and told supporters not to update her on his moves.
Since then, the two have focused on co-parenting their 5-year-old twin daughters. Rod Wave has also since gone public with rapper Mini Barbie. Despite both moving on, fans still can’t help but bring up Rod Wave and Dee whenever either is spotted with someone new.
Last month, rumors swirled that Dee and Ga’Quincy were involved after Dee posted a “no face, no case” video in March set to Jhene Aiko’s ‘Blue Dream.’
Although she never showed the mystery man’s face, internet detectives believed the chain seen in the clip resembled one worn by Ga’Quincy. However, things took a turn when rumors surfaced claiming he was also involved with a woman named Jaslyn.
Those claims gained traction after a post shared by TeaByJas2.5 alleged the two had dealings of their own. Amid the speculation, Dee took to Instagram with a blunt message for those commenting on her personal life. She wrote, “Stay out my business f* a** h***.”** Dee followed up by adding, “B* this my world, so whatever I say go. I call all the shots round this b***!”
Many folks gathered across social media after watching Dee pop out with Ga’Quincy. Some were happy to see her moving on. Others brought up Rod Wave, joking that they’re ready for him to channel the moment into his next project. Meanwhile, a few questioned whether rumors about Ga’Quincy allegedly having a girlfriend were true.
Instagram user wrote @amourxx.des wrote, “I’m sorry i love rod wave but Dee and her new dude look so MUCH BETTER 😩😩😩🥰🥰”
Instagram user @_shaunkairenee added, “I LOVE THISS FOR HER… She deserves to be happy. Y’all be wanting her bitter and mad soooo bad”
While Instagram user @for.ou6992 wrote, “Rod about to want her back. What Trina said they see you with a new man then they want you back”
Instagram user @zephanarnia wrote, “Yesssss perfect now Rod will definitely be dropping heat in November 🥰”
Instagram user @im.iconnn added, “Ohh Yes The Rod Wave Album finna be fire 🔥 YAS Dee!”
While Instagram user @wintersdiary._ wrote, “Now that’s how you clear em !!! Thangyaaaaa she said f them rappers we want NFL MONEY”
Instagram user @niggaslovebabygirl wrote, “damn she took that girl man 😭”
Instagram user @x_t_r_a_o_r_d_i_n_a_r_y wrote, “Where did the ex gf say he cheated withDEE? Cause until she get on here and say that nobody gives af bout nun”
While Instagram user @_charityyyyyb wrote, “Dont start hating in the comments! & also my girl said his past is his past and my past is my past! Thannnggyaaaa!”
What Do You Think Roomies?
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Examining the warring lawsuits between the two actors.
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Martha Stewart’s latest glam moment proves the magic is often in the final step. The product behind her smooth, airbrushed finish? The Charlotte Tilbury Airbrush Flawless Setting Spray, a cult-favorite mist that’s become a go-to for locking in makeup while keeping skin looking fresh, not flat. Makeup artist Alex Rutkovskiy spritzed the setting spray on Stewart at the 5th annual King’s Trust Gala in NYC, where her makeup looked seamlessly blended, softly diffused and camera-ready from every angle.
The formula is designed to do more than just “set” — it actively helps fuse makeup layers so everything looks more skin-like. Featuring film-forming polymers that create a breathable veil over makeup, the spray helps makeup stay in place without that tight, stiff feeling some sprays leave behind. At the same time, hydrating ingredients like aloe vera and Japanese green tea work to keep skin feeling comfortable and looking fresh, which is key if you’re wearing makeup for long events or under harsh lighting.
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There’s also a subtle smoothing effect that gives skin that soft-focus, almost filtered finish. Instead of emphasizing texture or dryness, the mist helps blur the look of pores and fine lines, which is why it photographs so well — and why it’s often used on red carpets. It doesn’t add shimmer or obvious glow, but it enhances whatever finish you already have, whether that’s dewy, natural or matte.
Amazon shoppers are quick to give this spray a positive review. One 50+ customer raved: “I finally caved and bought the Charlotte Tilbury Airbrush Flawless Setting Spray, and two or three quick spritzes later my mind was blown. My makeup didn’t just ‘stay on’ — it suddenly looked like someone had softly airbrushed my entire face. Powdery patches disappeared, everything blended into my skin like it was my actual complexion and I had this natural, healthy glow that lasted all day long.”
If you’ve been chasing that blurred, long-wear glam that still looks like real skin, this is one of those final-step products that can completely enhance your look!
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This week, the landmark superhero satire series The Boys is once again topping the charts on Prime Video, and things are heating up for the show as it approaches the last three episodes of its fifth and final season. Created by Eric Kripke and based on the comics by Garth Ennis and Darick Robertson, the show is a beloved fan-favorite and a critical hit that’s easily one of the most popular superhero franchises of the 21st century, and Season 5 has so far been exactly as bloody, brutal, and glorious as fans would have hoped. But whether you’re all caught up and eagerly awaiting the next episode, or you’re just not that into hyper-violent superhero shows, the streaming platform has many more options for you to explore. Here’s a look at three great shows that we think you should binge on Prime Video this week, including some of the best TV series of all time.
For more recommendations, check out our list of the best shows and movies on Prime Video.
Inspired by J. Robert Lennon‘s 2008 short story “The Rememberer,” Unforgettable is a police procedural series developed by Ed Redlich and John Bellucci that stars Poppy Montgomery as Carrie Wells, a troubled detective with a photographic memory. Using her unique skills, Carrie helps the NYPD crack complex, baffling cases, while simultaneously attempting to uncover the one memory she can’t remember: the death of her sister. The show also stars Dylan Walsh, Michael Gaston, Kevin Rankin, Daya Vaidya, Jane Curtin, Dallas Roberts, and more in key roles.
A unique show in the vast canon of TV procedurals, Unforgettable is a relatively little-known entry that had a troubled production history, being canceled twice by CBS over its first three seasons and then picked up by A&E for a fourth and final installment. While its narrative and stories are quite formulaic, the series does feature a truly intriguing premise and some great performances, particularly by Poppy Montgomery in the central role. And though it never quite became a critical success, the show continues to enjoy a cult following and airs reruns in syndication.
An iconic period drama series, Downton Abbey was created and co-written by Julian Fellowes and revolves around the residents of the titular English country estate. Set between 1912 and 1926, the show follows the changing lives of the Crawley family and their servants in the context of major historical events of the time, like the sinking of the Titanic and the First World War. The ensemble cast includes Hugh Bonneville, Elizabeth McGovern, Michelle Dockery, Laura Carmichael, Jessica Brown Findlay, Maggie Smith, Dan Stevens, and many more.
During its six-season run in the 2010s, Downton Abbey was one of the biggest television shows, earning critical and commercial success and becoming a major pop culture phenomenon. A gorgeously produced period drama with engaging characters and storylines, the show has been praised by critics and viewers alike for its writing, direction, costumes, and performances, garnering numerous accolades. After the show’s conclusion, the series further expanded into a multimedia franchise with a sequel film trilogy, the last of which was released in September 2025.
Inspired by H. G. Bissinger’s 1990 book and developed by Peter Berg, Friday Night Lights is a sports drama series that follows a high school football team in the rural West Texas town of Dillon. Starring Kyle Chandler as coach Eric Taylor and Connie Britton as his wife, Tami, the show explores the many issues that plague life in American small towns through the stories of its ensemble. The series cast also stars Gaius Charles, Zach Gilford, Minka Kelly, Adrianne Palicki, Taylor Kitsch, Jesse Plemons, Aimee Teegarden, Michael B. Jordan, and Jurnee Smollett, among others.
A spiritual successor to Berg’s 2004 film of the same name, Friday Night Lights is an engaging and underrated character drama that deals with pressing topics like school funding, racism, substance use, abortion, and more, which earned it highly positive reviews from critics. Though it was never a very big ratings hit, the show is well-remembered as one of the best TV dramas of the 2000s, and many of its cast members would go on to become major stars in later years. The series also earned several accolades, including three Emmys, a Peabody Award, and an NAACP Image Award.
2006 – 2011
Jason Katims
Patrick R. Norris, Jonas Pate, Allison Liddi-Brown, Adam Davidson, Dean White, Peter Berg, Seith Mann, Jason Katims, Chris Eyre, Ami Canaan Mann, Charles Stone III, Dan Lerner, Josh Pate, Kyle Chandler, Mark Piznarski
Brent Fletcher
Spaghetti Westerns can best be defined as Westerns that were made in Europe, rather than America, often (but not exclusively) in Italy. So, the term was a bit of a derogatory one, since the sentiment at the time, according to some, was that Westerns made outside the U.S. just weren’t as good, or couldn’t be as good, even though some spaghetti Westerns genuinely could rival American classics like The Searchers, High Noon, and The Man Who Shot Liberty Valance in terms of quality. Actually, those ones aren’t ideal to bring up if you want to contrast American Westerns with spaghetti ones, since those three can be considered at least a little revisionist or subversive.
Maybe it’s accurate to say spaghetti Westerns just pushed things further, and got a little darker (and more realistic) than most American Westerns made around the middle of the 20th century. With that, you get fewer traditional heroes in spaghetti Westerns, so a ranking like the following does have to include some anti-heroes and at least a couple of characters who are kind of rogue-ish, but endearing – or sympathetic – compared to the villains they’re up against. There’s a limit of one character per movie, and also, only traditional spaghetti Westerns will be considered below (it was tempting to have Django Unchained here, since both the title character and Dr. King Schultz qualify as memorable heroes, but that’s more of a homage to spaghetti Westerns than an actual spaghetti Western).
Maybe Keoma is a little underrated, as far as spaghetti Westerns go, and there’s another starring Franco Nero, from a decade earlier, that’s certainly more popular (more on that one in a bit), but this one’s still quite good overall. It’s about the titular character coming home, after fighting in the Civil War, and finding his town is under the control of various nefarious people, so he has to go about resuming fighting, only it’s more personal and everything.
He also has some half-brothers on the other side of the conflict, which makes things a bit dicier and overall darker, befitting the spaghetti Western sub-genre… though they’re also not exactly good people, by any means. Keoma builds to an inevitably violent final act that is the highlight of the movie overall, though it’s still fairly good and generally reliable before then, too, and Nero was undeniably strong in this kind of role.
Just as you can recommend Singin’ in the Rain to people who hate musicals, or The Shawshank Redemption to people who usually stay away from prison movies, you can quite confidently recommend The Good, the Bad and the Ugly to those who usually swear off older Westerns. It’s not one that feels old, by any means, which helps, though 1966 was… (*checks notes*) oh, wow, 60 years ago now. At the time of writing. Could be even longer, depending on the time of reading.
There is a character played by Clint Eastwood who’s technically “the Good,” but he’s not all that good, or at least he’s not the easiest to root for. Also, he’s in the other two movies in the Dollars trilogy, so his time will come. It’s Tuco who’s getting a shout-out here. It might even be a stretch to call him an antihero, since he’s not a very good guy by most standards (his worst misdeeds are said to have happened before the events of the film), but it’s also hard not to like him in a weird sort of way. He’s the underdog, of the three characters referred to in the title, and gets played the most often during the whole chaotic race toward a hidden fortune, so yeah, he’s getting counted as a spaghetti Western sort of hero here. Deal with it.
So, there’s a limit of one character per movie here, but Franco Nero is going to show up in this ranking twice, because 10 years before Keoma, he also played the titular character in Django. You can’t really go past Django, and not just because it was (obviously) a reference point for Django Unchained. The premise here is similar to another spaghetti Western made a couple of years earlier, and that’s also going to be mentioned right below.
Django might not seem like a real hero in a non-spaghetti Western, but he comes into a town with some pretty bad people in it, in this movie, and so he’s worthy of being considered a hero by comparison.
The titular Django might not seem like a real hero in a non-spaghetti Western, but he comes into a town with some pretty bad people in it, in this movie, and so he’s worthy of being considered a hero by comparison. That can be said about a fair few spaghetti Westerns when it comes to the main characters, though Django is admittedly closer to traditional hero territory than Tuco from The Good, the Bad and the Ugly.
Hey, there he is. There’s Clint Eastwood. His first movie as the Man with No Name was A Fistful of Dollars, and it was also something of a star-making role for Eastwood, as far as big-screen appearances were concerned. A Fistful of Dollars was the first movie in the Dollars trilogy, and it’s the one that lets Eastwood be the most outwardly heroic, or at least he’s not kind of upstaged by someone like The Good, the Bad and the Ugly’s Tuco, nor the “real” hero of the second movie in the trilogy.
In A Fistful of Dollars, the Man with No Name comes into a town and cleans it up in his own distinct way, a little like Django in Django. Okay, he does clean up the town a little like the main character in Yojimbo, perhaps notoriously so, but judged as an unofficial remake, A Fistful of Dollars is about as good as they get. Eastwood was instantly iconic here, and it was essential in making him forever associated with the Western genre (well, that and his earlier role on the Western TV series, Rawhide).
As previously alluded to, the Man with No Name is sort of outshone in the second of the Dollars trilogy movies, For a Few Dollars More. Eastwood’s character is going after a bandit, and then he crosses paths with someone else who’s after the same individual. His name is Col. Mortimer, and he’s played by Lee Van Cleef, who was also “the Bad” in The Good, the Bad and the Ugly, with the two characters being remarkably different.
Mortimer has more of a personal reason for pursuing the main villain in For a Few Dollars More, to say the least, and it’s revealed slowly, making the eventual showdown all the more enthralling. It’s also funny to think about how in Sergio Leone’s version of the Old West, there are two men stomping around who both look exactly the same, albeit with almost opposite personalities, and the Man with No Name rather nonchalantly gets involved with both of them.
Once Upon a Time in the West slowed things down a little, compared to the Westerns Sergio Leone directed before 1968. There’s still tons to like here if you also enjoyed the Dollars trilogy movies, but no Eastwood here, and things are probably a bit more somber than that trilogy ever got. That being said, you do get perhaps the most clear-cut hero of any Sergio Leone movie: Jill, who’s made a widow early on and finds herself targeted by the man responsible for (nearly) making her lose everything. His name’s Frank, and he wants her land.
Henry Fonda might well come the closest to stealing the show, as the villain here, but Claudia Cardinale is also amazing as Jill, and stands out for being a Western female protagonist; something that’s even rarer for spaghetti Westerns than Westerns generally. Also, an honorable mention does have to go out to Harmonica (Charles Bronson), who’s far more mysterious and perhaps ruthless enough to be more of an anti-hero, but he’s still heroic compared to Frank (who he’s targeting for his own vengeance-fueled reasons).
Released the same year as Once Upon a Time in the West, The Great Silence is probably the best spaghetti Western not directed by Sergio Leone, instead being helmed by Sergio Corbucci, who was also behind the aforementioned Django. The main character of The Great Silence is mute, so he’s only really known as “Silence,” and he has a tragic past, not to mention a potentially tragic future, seeing as he goes up against remarkably cruel bounty hunters who are all targeting more sympathetic individuals.
There’s more that can be said about The Great Silence for sure, and to say too much would be undermining a good deal of what the film’s most famous for (if it counts as famous; The Great Silence still feels pretty underrated, even with people re-evaluating it decades on from its release). There’s a real savageness to this film that still hits quite hard, but its central character is undeniably heroic, even if you could see him as reckless for being so frequently outgunned.
January 27, 1969
105 Minutes
Sergio Corbucci
Sergio Corbucci, Vittoriano Petrilli, Mario Amendola, Bruno Corbucci, John Davis Hart, Lewis E. Ciannelli
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