Entertainment
New King Arthur Series Fixes All The Problems With Modern Female Characters
By Jennifer Asencio
| Published
Daily Wire+ has been streaming the show The Pendragon Cycle: Rise of the Merlin, and I have been an enthusiastic fan as I’ve reviewed it for GIANT FREAKIN ROBOT. Going into the show, one concern I had about a conservative take on a masculine fantasy was the role of the women in the story. Characters like the Lady of the Lake, Igraine, and Morgan Le Faye have classically been portrayed as passive set pieces with little role in the larger story. Morgan’s power is often deferred to her son, Mordred, and Igraine is a victim of circumstance, passed from one husband to another.
My fears that The Pendragon Cycle would follow this classical approach to female characters were unfounded. The show takes a very different approach to the women of Arthurian legend, and the result is a group that can conquer even the bossiest of girl-bosses.
The four main female characters in The Pendragon Cycle are Charis and Morgain, Atlantean sisters operating at cross-purposes; Ygerna, daughter of the experienced warlord Gorlas; and Ganieda, Merlin’s wife. All four of them begin as princesses and wind up as queens, and all four of them exhibit their own strength and bravery. None of these women sits idly by, allowing the men around them to control events.
The Lady of the Lake Is A Sexy Athlete
Charis begins as a bull leaper, which was a real sport in ancient Minoa that required physical prowess and acrobatic precision. Right away, Charis is introduced as an athlete willing to risk her life to protect her team.
This is no damsel in distress who needs a man to rescue her; if anything, she needs a very powerful man just to equal her. That powerful man is Taliesin, who gives her the nickname by which we know her in Arthurian legend: The Lady of the Lake. And yes, she is the one who had the infamous sword Excalibur made, a symbol of her power that overwhelms every man she’s tried to give it to.
As Charis, Rose Reid is always dressed in white robes that resemble the Greek garb of her homeland, Atlantis. It is modest enough to be family-friendly but just revealing enough to remind us how muscular she is. Low-cut bodices flaunt her femininity while flowing garments swirl around her. The ensemble punctuates her dignified frame and regal presence.
Morgain Is Wicked Smart
Merlin’s famous nemesis is his aunt Morgain, Charis’s jealous sister, played by Emree Franklin. Not only was she tired of living in the shadow of her heroic sister, but she also fell in love with Taliesin, only to find herself rejected.
Morgain is so sinister that the court magician at Ynis Avallach refuses to train her in the arts of magic, and so driven that she is responsible for the shocking ending of episode 2. As queen of the Isle of Fear, she rules over Lot’s house with a charm and sensuality that extends outside the walls of her castle. Being the archvillain of the piece, she must be Merlin’s mirror, and her intelligence and political sense make her a formidable foe.
Being more forward than Charis, Morgain’s dresses are cut lower and a little more revealing. Her poison green and black garments cling to her, taunting us with her sexuality but denying us that final peek. She is beautiful, which is dangerous, but she’s smart enough to know how to use her beauty, which is deadly.
The Valiant Huntress Who Caught A Wizard
Ganieda has been a mysterious vision only Merlin can see through most of the series, but in the latest episode, she is very real when she bursts out of the bush on horseback in pursuit of a wild boar. She bears an armored chest plate and a leather tunic of the silver-and-black colors of her father’s stronghold of Goddeu. She also carries a spear: she is as much a warrior spirit as she is a huntress.
Brett Cooper’s portrayal of her teases and nudges at a youthful Merlin, like he’s a loose tooth, finally winning his heart. When danger strikes, she is the first to grab a weapon and isn’t afraid to die fighting.
As a married woman, Ganieda’s wardrobe is a little less militaristic, but it walks right out of a medieval tapestry. She is the classic medieval lady, while simultaneously being the only woman strong enough to be Merlin’s wife.
The Mother Of The Once And Future King
The demure future mother of Arthur is played by Flo Thompstone, and she is not letting the world around her collapse. Clad in a wine-colored early Briton wardrobe, Ygerna is the daughter of Gorlas, a powerful figure in the Britons’ world and thus the subject of manipulations by other power-hungry lords.
Ygerna sees what they’re up to and is willing to speak up to Gorlas in favor of the Pendragon brothers, despite Gorlas not getting along with Uther. Ygerna has met Uther, and the seeds of their future romance have already begun to sprout, leading this young lady to a huge destiny.
The Pendragon Cycle Doesn’t Make Women Strong By Turning Them Into Men
All these characters are forces to be reckoned with in their own right. They don’t need to be rescued, and in fact do some of the rescuing themselves. They all take matters into their own hands, despite the world they live in being mainly concerned with the machinations of men. They are not the traditional princesses of fairy tales or Arthurian legend. They are not victims, even when they are.
In today’s world, the media often portrays women as the only smart people in the room. They’re hypercompetent, often bossing around the men around them. It is as though the men can’t function without them, but the women don’t need them because they can do everything themselves, from programming the big computer to bashing around mooks twice their size.
This is intended to combat the idea that women have historically been portrayed as weak and helpless. That’s not entirely true, however. Classics like Charade (1963), His Girl Friday (1941), and North by Northwest (1959) feature strong female characters who are anything but helpless. More recent offerings like Heathers and Mean Girls are all about female power. Yet there have been enough damsel-in-distress female leads in movies and on television that the response to the trend has been to make women, as DH Lawrence writes, “just like the men, only better, because they were women.”
The women of The Pendragon Cycle don’t have to be “better” than anyone. They know their own strengths and weaknesses and those of the men around them. With the exception of Morgain, they are the companions and supports for the men in their lives; Morgain exhibits strategy and calculation worthy of any male villain. They don’t outright reject men, but they don’t let them get away with acting the fool, either.
The Pendragon Cycle strikes a balance between damsels in distress and girl-bosses by portraying women who can be powerful while still embracing their femininity. Their strength comes as much from being wives and mothers as from their abilities to survive the masculine world around them, but they are never just “trad wives.” They don’t have to be nude or sensationalist to get our attention, but they can still have the agency they deserve. Many women could learn from their example.
The Pendragon Cycle: Rise of the Merlin is streaming on Daily Wire+. The final episode will be released next Thursday. Catch up on this great show, and enjoy this sexy quartet of brilliant female role models.