Cindy Crawford’s daughter, Kaia Gerber, is looking back on her allegedly haunting childhood — literally.

“My mom gave me holy water to go to set,” Gerber, 24, began during a Friday, August 14, interview on the “Mitch Churi Chat Show,” referring to her stint on American Horror Story season 10. “She was like, ‘I don’t want you to get possessed.’ I was told I was possessed as a child.”

Kaia, the daughter of supermodel Crawford, 60, and husband Rande Gerber, further claimed that she was “haunted [her] whole life.” (Crawford and Rande, 64, also share son Presley, 27.)

“I do feel I attract beings from other dimensions in a very casual and chill way,” Kaia quipped, alleging that she “actually did” have an exorcism to ward off alleged evil spirits. “Do you know how they did the exorcism? They played a didgeridoo all over me! That’s how they did the exorcism. … That actually did happen. I’ve never talked about it, but it actually did happen.”

Related: Kaia Gerber Doesn’t ‘Deny’ Being a ‘Nepo Baby,’ Gets Career Advice From Mom

Kaia Gerber knows she’s privileged. The supermodel shared her perspective on the “nepo baby” conversation and revealed how her famous mom, Cindy Crawford, has shaped her career.  “I won’t deny the privilege that I have,” Gerber, 21, said in her February 2023 cover story for Elle magazine, which was published online on Tuesday, January 24. […]

Kaia added, “I’m all healed.”

Kaia, who did not further address her apparent childhood possession, has since followed in her mom’s footsteps in Hollywood. After finding her own success as a model, Kaia made the leap to acting with roles in Palm Royale and Ryan Murphy’s AHS and The Shards.

“Fame was something that I was born into, so I didn’t experience what it was like to become famous,” Kaia told Vogue in a profile published earlier this month. “I, kind of, thought that my way of being raised was the most anonymous it could get under the circumstances, and then I met Homer [Gere]. Like, there are no photos of him as a child online, whereas my entire childhood and teenage years are on the internet. I can only imagine. I’m 24 but…very interviewed.”

Homer, Kaia’s costar in The Shards, is the son of exes Richard Gere and Carey Lowell. (Richard, 76, was famously married to Crawford from 1991 to 1995.)

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Related: Cindy Crawford’s Family Guide: Meet Her Husband, Siblings and More

Cindy Crawford has always put her family first on her way to becoming one of the industry’s most legendary models. Crawford and Rande Gerber, who tied the knot in 1998, share son Presley Gerber and daughter Kaia Gerber. Both children have followed in their mother’s footsteps. “I could help guide her and help her navigate,” […]

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“Twenty minutes into knowing each other, I was like, ‘Should we just acknowledge the fact that our parents were married?’” Homer, 26, recalled to Vogue of meeting Kaia on set of The Shards. “She was like, ‘Yeah. Cool.’ And that was it.”

As for Kaia, she immediately noted how similar Homer was to his character.

“I think Homer has Robert’s charisma without his cruelty. I looked around [at the cast when we met], and I said to the group, ‘You guys are all so much like your characters. That’s so interesting, since I’m nothing like mine,’” she said. “They all looked at me, and they go, ‘Hmm. No, I don’t think you’re the exception.’ Susan is a lot more like me than I want to admit.”

Rep. Alexandria Ocasio-Cortez is addressing the political “backlash” she is receiving after going public with her decision to freeze her eggs.

“One question that I received earlier is do I regret coming out publicly about this due to all of the political negativity and the larger political context, and especially this idea that, for me, I’m quite young in my career — especially when it comes to politics — so would the backlash around this have any future impact on my career and do I regret it for those reasons,” Ocasio-Cortez, 36, said in a video shared via her Instagram Stories on Saturday, August 15.

“And the answer to that simply is — no. I was born a woman. Period,” she continued. “And I have no control over that, and I wouldn’t want to change that. And the way I feel is any negativity or judgement that I would receive at any point is negativity that I would receive for being a woman whether I shared this information or not, and so I might as well help others.”

The Democratic congresswoman representing New York City’s 4th congressional district announced she had made the personal decision to start freezing her eggs one week earlier, on August 8.

Related: Rep. Alexandria Ocasio-Cortez Slams Criticism Over Freezing Her Eggs

Rep. Alexandria Ocasio-Cortez is shutting down the haters over her decision to freeze her eggs. During an Instagram Story Q&A on Wednesday, August 12, Ocasio-Cortez, 38, received a supportive message in which an unknown follower hoped the politician could “ignore the idiotic Republican men saying dumb things” about her. “They hate me ‘cause they ain’t […]

“I want to share with you all a decision that is very personal that I have made that has taken me time to consider, weigh and save up for,” she said via her Instagram Stories at the time. “And it is of a sensitive matter and a personal matter and usually I keep my private life quite private, but I have made the decision to start freezing my eggs.”

Ocasio-Cortez, considered a potential future frontrunner for the Democratic party’s presidential nominee, has since received a slew of backlash from conservative Republicans and right-wing internet personalities for her choice to freeze her eggs and decision to share the journey publicly.

On Saturday, the congresswoman said that, unfortunately, she is used to the endless and often sexist and misogynistic scrutiny she’s endured since entering office in 2019. (The congresswoman became the youngest woman ever elected to the House of Representatives after defeating Republican nominee Anthony Pappas.)

“Another element of this as well is that ever since I was 28 years old, when I first won my primary largely unexpectedly to the national media, I have been subject to personal scrutiny and dissection ever since — for years,” she explained. “And it’s no secret to anyone that it’s been done in a way that is just simply not something that my male colleagues have been subject to, and when you go through that level of national scrutiny the first time it can be very unsettling. But I’ve gone through this so many times and for so many years — and it’s not to say that it’s fair, or right, or isn’t hurtful – but I have the privilege of being more resilient to this kind of negativity than someone going publicly that hasn’t.”

She added, “And what I find interesting, I think, sometimes with this negativity is that a lot of people think that, you know, who engage in it, they think that there’s no issue with them engaging in discourse about me, but when I take control of my life and I participate in that discourse and I open it proactively for people and shape it in a way that creates community and space for other women in a similar position — and other people in a similar position and other couples in a similar position – to feel less alone, that’s when people have an issue. It’s fine if I’m just being subject to it, but once I participate in it that’s when people get upset.”

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In the end, the congresswoman reiterated that she is a woman and is refusing to “ignore that fact when no one else does.”

“It’s not to be obnoxious about it and it’s not to be whatever, but it’s to just live in the world and I want to be able to live in the world as myself,” she continued. “When I first decided to run for office, I made a deal with myself and it was that I would do this as long as I could remain myself and the day that I could no longer do this and be myself is the day that I leave. And part of this process is me being myself — this moment. And I don’t want to do this while not being me.”

She continued, growing somewhat emotional, “That’s my bargain. No one can make that determination but me and my loved ones and I’m very grateful that my friends and my family are the friends and family and loved ones that I’ve had before all of this ever even happened. And I’m also incredibly grateful for all the friends I’ve made since and all of you all that have created a tremendous community — not for me but for each other.”

At the heart of the appeal of so many great crime shows is a sense of macabre intrigue, a morbid curiosity that invites viewers to revel in the dark depravity of human behavior. It doesn’t matter whether the series focuses on complicated and compromised detectives investigating a deranged serial killer or an ordinary man’s descent into the corruption, violence, and power of the drug trade, the wicked immersion in human evil is compelling to say the least.

Ranging from monumental smash hits of network television to streaming sensations, novel adaptations, and even underrated cult classics, these crime TV series all excel at delivering stories that grow increasingly dark with each passing episode. Striking a balance between entertainment value, thematic depth, and confronting bleakness, these shows stand not only among crime television’s best titles, but among its most addictive and impressionable as well.

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‘Sharp Objects’ (2018)

Image via HBO

One of HBO’s most criminally underrated series in the past decade, Sharp Objects combines a gruesome murder mystery with nuanced and piercing character drama while capturing a mesmerizing atmosphere of Southern Gothic eeriness. Based on Gillian Flynn’s novel, it unfolds as a crime reporter, still recovering from her own issues of abuse and addiction, travels to her hometown to investigate the murder of two young girls. As she wrestles with the increasingly disturbing crime, she must also confront re-emerging demons from her childhood.

Powered by Amy Adams’s outstanding lead performance, Sharp Objects never loses grasp of its dramatic might even as the intricacies of the case and the intensifying family conflict continuously deliver shocking twists and turns. With a final scene that is sure to leave all who view it in a state of petrified dissonance, Sharp Objects grows darker and bolder as each episode pries deeper into Camille’s traumatic past and how it clashes with the violent atrocity she is investigating.

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‘The Wire’ (2002–2008)

Image via HBO Max

Given that The Wire starts as a brutally realistic descent into the Baltimore drug trade, it is difficult to say the series truly grows darker throughout its five-season run. However, it undeniably becomes increasingly hopeless and depressing as it drastically expands its scope to analyze the systemic issues in a vast range of societal institutions that plague the city, ranging from corruption in the police force to the shifting, self-interested priorities of city hall, and even to the ineffectiveness of the public school system.

While enrapturing, its tone is undeniably bleak, especially as it combines its all-encompassing scale and its penchant for authenticity with profoundly human characters. Seasons 4 and 5 do become particularly confronting as well, with the series expanding to explore the lives of school kids embroiled in the drug war and the career-minded immorality of journalism that reduces reporting crime in the city to an entertainment spectacle. As a whole, The Wire is one of TV’s most astonishing masterpieces and a quintessential viewing experience, but its relentless tonal intensity and cold realism do make it challenging to watch.

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‘The Shield’ (2002–2008)

Image via FX

While it was underrated when it was airing, The Shield has come to be celebrated as one of the most absorbing and intense series of the 2000s. Produced by FX, it revolves around the Strike Team, a police unit operating in a crime-riddled region of L.A. under the command of Vic Mackey (Michael Chiklis), who encourages the use of illegal and brutal methods to enforce the law while finding ways to profit from street crime.

Its first episode is renowned for its jaw-dropping ending that reveals the immorality and corruption of the Strike Team in no uncertain terms. The series only grows darker and more harrowing from there, delving into every detail of the main characters’ complex psyches of moral bankruptcy and self-justification while touching on their own personal dilemmas that range from familial dysfunction to issues with sexuality. Impressively, The Shield is at its darkest in its final season as the characters face dire consequences for their crimes, with its sense of real-world recompense painting a morbid portrait of justice in modern society as reputations and public image play a more significant role than punishing those who have done wrong.

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‘Bates Motel’ (2013–2017)

Image via A&E

As is the case with any spin-off of an all-time classic, Bates Motel is an intriguing combination of original ideas and respect for the original story, in this case, Alfred Hitchcock’s genre-defining classic, Psycho. Serving as a prequel, the five-season series follows Norman Bates (Freddie Highmore) and his mother, Norma (Vera Farmiga), in their murderous escapades as they manage the Bates Motel.

While earlier seasons feel misguided, viewing Norman and Norma as anti-heroes to a certain extent, the series does begin to indulge in its dark and twisted allure in time. It is no coincidence that as the series grows more depraved, it also becomes more transfixing and wickedly delightful. By Season 5, Bates Motel has bridged the gap between its lackluster opening and the events of Psycho to be one of the most psychologically twisted yet grotesquely absorbing treats of crime television as well as a hard-hitting highlight of small-screen horror.

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‘True Detective’ (2014–Present)

Image via HBO

While its exceptional first season is a clear standout of the anthology series, each installment of True Detective runs with a similar formula as they start vague and eerie before delving deeper into both the gruesome details of the crimes and the complexity of the detectives investigating them. Whereas many mystery shows start with a sinister inexplicability only to grow more comfortable and simpler as major clues are revealed, True Detective excels at only growing darker and more disturbing as new details of the crimes emerge.

Season 1 is perhaps the greatest example of this television has ever seen, a moody Southern Gothic slow-burn thriller that sees an occult killing expand into a web of corruption, power, and sexual depravity revolving around major figures in the Louisiana region. Ensuing seasons, while not quite as potent, are similarly adept at opening on an isolated crime that becomes tied to a wider conspiracy. Through not only the nature of the criminal actions, but the way in which the stories unfold as well, True Detective is brilliant at ensuring its unfurling mysteries grow increasingly darker with each episode.

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‘The Fall’ (2013–2016)

Image via BBC

Taking a completely original approach to a familiar crime premise, The Fall revolves around a police officer’s hunt for a serial killer in Northern Ireland. However, while Superintendent Gibson’s (Gillian Anderson) meticulous and often obsessive investigation of the case is a core focus of the series, so too are the experiences and plotting of the murderer, with Jamie Dornan co-starring as Paul Spector, a man launching violent attacks on professional women in Belfast while hiding under the guise of a harmless and ordinary family man.

The series’ unique approach imbues it with a piercing, energized air of dread and intrigue from the outset. Seeing how Spector plans and executes his killings only imbues Gibson’s investigation with a greater sense of urgency, and the series masters the art of extracting tension even when the audience knows far more about what is going on than the characters. By Season 3, The Fall is firing on all cylinders as a relentlessly suspenseful and viciously dark crime series powered by two outstanding lead performances.

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‘We Own This City’ (2022)

Image via HBO

Co-created by David Simon—the co-creator of the aforementioned The Wire—We Own This City is a sprawling and intricately layered descent into true crime as it examines the corrupt practices of the Baltimore Police Department’s Gun Trace Task Force. Based on Justin Fenton’s nonfiction book, the six-part miniseries is framed as an FBI investigation into the unit’s illegal activities, with Sgt. Wayne Jenkins’s (Jon Bernthal) history with the squad as both a recruit and a commander being the major focus.

Its intense time-jumping narrative style does make it difficult to grasp on first viewing, but We Own This City excels as one of the most incisive and essential crime series of the past decade. Not only does it address the integral issue of police corruption with incredible depth and detail, but it also analyses America’s failed campaign in the War on Drugs, how trust between the public and integral social institutions has been dismantled, as well as the cultural issues that make combating police malpractice so difficult. With each episode broadening the story’s scope while deepening the examination of its core issues, We Own This City only grows bleaker and more damning as it goes on.

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‘Ozark’ (2017–2022)

Image via Netflix

One of the most noteworthy television successes in Netflix’s brief history so far, Ozark toes a delicate line between ferocious crime drama and enthralling thrills throughout its gripping four-season run. A huge reason why the series works so well and maintains such a propulsive sense of momentum is its ability to constantly up the stakes while delving into darker and more unnerving threats surrounding the Byrde family.

It follows financial advisor Marty Byrde (Jason Bateman) as a poor business decision from a partner lands him in debt to a Mexican drug cartel. When he conceives a plan to smuggle drugs into the country through the Missouri Ozarks and use local businesses to launder money, he and his family are sent to the region to oversee the criminal operation. Between clashing with local crooks, evading the clutches of law enforcement, and answering to the cartel, Ozark sees the Byrdes thrust on a relentlessly suspenseful and increasingly sinister journey of violent crime where any misstep could bring about a swift demise for the entire family.

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‘Hannibal’ (2013–2015)

Image via NBC

An astonishing feat of network television that was not appreciated enough when it was on the air, Hannibal broke new ground for free-to-air censorship with its ultra-stylized gore, violently twisty storytelling, and its pervasive air of darkness and dread. Based on characters created by Thomas Harris, the NBC series unfolds as Will Graham (Hugh Dancy), an FBI profiler with a unique ability to empathize with serial killers, works with the bureau’s Behavioral Science Unit on an active case. Due to concerns for Graham’s well-being, forensic psychiatrist Dr. Hannibal Lecter (Mads Mikkelsen) is assigned to monitor him.

In addition to its exceptional performances, gorgeous though gruesome production, and its creative dare, Hannibal soars through the complex evolution of the relationship between Graham and Lecter. By the third and final season, the series’ murder mystery component is playing second fiddle to its intimate focus on the depraved nuances and animosity of the two men’s bond. Growing darker in both a thematic sense and in terms of its creative fervor for explicit gore, Hannibal starts off deliciously depraved and only intensifies from there.

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‘Breaking Bad’ (2008–2013)

Image via AMC

One of the most famous arcs in television history, Walter White’s (Bryan Cranston) morbid descent from being a suburban family man and high school teacher to becoming a ruthless, cruel, and brutal crime lord makes for arguably the best story the small-screen has ever seen. It also makes for one of the darkest, with Breaking Bad’s tone drifting from thrilling entertainment to bleak and confronting character drama over the course of its five-season run.

While there are noteworthy milestones in Walter’s journey of corruption and amorality—from watching Jane (Kristin Ritter) overdose to actively poisoning a child to manipulate Jesse (Aaron Paul)—the series as a whole tracks his gradual decline in a linear fashion. Complimented by an abundance of volatile twists, plenty of passages of unbearable suspense, consistently magnificent performances from all involved, and Vince Gilligan’s uncompromised vision for the series, Breaking Bad excels as one of the greatest and darkest shows television has ever seen.

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Breaking Bad

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Release Date

2008 – 2013-00-00

Network

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AMC

Showrunner

Vince Gilligan

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Directors

Vince Gilligan, Michelle Maclaren

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Chris Evans has found himself in the spotlight after offering a rare glimpse into his personal life since becoming a father. 

The “Avengers” actor has been married to Portuguese actress Alba Baptista for three years and has kept most of their relationship out of the public eye. 

However, Evans has also been making headlines for more than one reason, following his much-discussed appearance in the “Avengers: Doomsday” trailer earlier this year. 

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Recently, the “Captain America” star reflected on how fatherhood has changed his attitude towards work. 

“I have a daughter now. You need a really good reason to want to go to work now. My priorities have shifted a bit.” Evans shared during an appearance at Fan Expo Boston 2026, as seen in a clip.

Fans may recall that Evans welcomed his daughter, baby Alma Grace Baptista Evans, with his wife, Baptista, last October, as confirmed by The Blast. The happy news came just weeks after the couple celebrated their second wedding anniversary. 

The pair tied the knot in a private Cape Cod ceremony in September 2023, just months after they became Instagram official. 

Chris Evans Shared Details Of His Wedding To Alba Baptista 

Shortly after their wedding, Evans spilled the tea, revealing that he and Baptista were married and had not one, but two wedding ceremonies. 

The actor explained that they held a wedding on the East Coast and another in Portugal, Baptista’s home country, per The Blast.

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The “Gifted” actor reflected on how special both parties were, also noting how stressful it has been to plan two separate events.  Evans proudly flaunted his wedding ring while speaking at the New York Comic Con event.

Chris Evans And Alba Baptista’s Relationship Timeline 

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Although he shared details of their nuptials, the Marvel star has kept his relationship private. 

Evans and Baptista were rumored to be together since January 2022; it wasn’t until November that a source confirmed the relationship to People Magazine.

“They are in love and Chris has never been happier. His family and friends all adore her,” the informant revealed at the time. After months of speculation, the Hollywood star surprised fans by sharing a video on his Instagram story in January 2023. 

The video showed the lovebirds in multiple clips as they pranked each other in various spots around the house. In the video, it appeared Baptista was getting used to the Hollywood stars’ tricks. The caption read “A look back at 2022, heart emoji,” thus confirming the pair’s involvement. 

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The couple continued to let fans in on their romance, with Evans sharing romantic videos on Valentine’s Day, and Baptista showing up to support him at the premiere of his movie, “Ghosted.”

Chris Evans Age Gap To Wife Alba Baptista Sparked Heated Debates Online 

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Although Evans and Baptista continue to enjoy marital bliss, fans didn’t initially approve of their relationship. Many criticized the actor for marrying someone much younger than him.

“The only thing I’ll say about the Chris Evans/Alba Baptista news is their age gap is virtually the same as the one between me and my son (I’m 40, he’ll be 23 soon), so I find it gross as f-ck and have lost a lot of respect for Evans,” one fan wrote, per The Blast.

Others, however, noted the backlash was double standards, citing Nick Jonas and Priyanka Chopra as an example.

Chris Evans Raised Eyebrows With His New Look In ‘Doomsday’ Trailer 

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Evans’ personal life aside, the beloved Hollywood hunk was the subject of intense chatter following his return to the Marvel Cinematic Universe in the “ Avengers: Doomsday.”

After the trailer was released last month, wild theories surfaced about the actor’s physical appearance. The Blast reported that while fans were excited about his return to the MCU, the noticeable change in his looks was hard to ignore. 

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“I’m sorry, did Chris Evans just have his first glowdown?” one comment on social media read.

Evans, however, has never commented on whether he has had any procedures done.

Bachelor Nation alum Joe Amabile is offering a glimpse into his recovery process after undergoing brain surgery.

“So, it’s true. Do you really have the … the scar?” Joe’s wife, Serena Pitt, lip-synched a line from Harry Potter in a social media video shared on Saturday, August 15. (Harry Potter famously has a lightning bolt-shaped scar on his forehead, hidden beneath his bangs.)

In response, Joe, 40, shyly lifted his black baseball cap to reveal a thin but substantial scar that spans the length of his hairline.

“Wicked,” Serena, 28, mouthed in response.

Related: Joe Amabile’s Wife Gives Recovery Update After Brain Surgery

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Joe had brain surgery earlier this month to remove a tumor.

“A few peaceful moments from the hospital 🤍Incredibly grateful to the team at NYU Langone Health for their endless patience, care, compassion and kindness these past few days,” Serena wrote via Instagram on August 9, sharing a handful of post-op photos featuring her spouse. “Joe is 1786847358 home recovering, and we’re so grateful to have been in such good hands.”

Joe, who met Serena on season 7 of Bachelor in Paradise, announced in July that he was preparing to undergo the invasive procedure.

“So a little medical update. I didn’t share my Prenuvo [full body scan] results because they ended up finding a lesion in my brain,” Joe said in an Instagram video last month, revealing his health battle. “Then, I had to go get a brain MRI and there was a blueberry size lesion in my brain that looks to be a glioma, which is a tumor. I now need to get brain surgery next week to get it removed and get it tested.”

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The former grocery store owner continued at the time, “And then we’re going to go from there. So it’s been a wild couple weeks. I definitely wasn’t expecting this. I think it’s one of those things where you’re like, ‘Oh, something like this will never happen to me.’ And here I am.”

Related: Serena Pitt Thanks Fans for Support Ahead of Joe Amabile’s Brain Surgery

Bachelor Nation alum Serena Pitt is thanking fans for their “love and support” after news of husband Joe Amabile’s brain tumor. “Finding out that Joe has a brain tumor has come with so many emotions. It has felt very scary, overwhelming and heavy at times,” Serena, 28, captioned an Instagram post on Tuesday, July 14. […]

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Nearly one week after the procedure, Joe revealed that he had been diagnosed with a “very low grade” astrocytoma. (Astrocytoma is a type of brain or spinal cord tumor that may result in headaches, seizures, nausea or changes in mood or behavior, according to the Mayo Clinic.)

“They did get the whole thing,” he said in his video update shared on Wednesday, August 12. “When it comes to malignant brain tumors, they don’t know what’s left over, so I will be going on treatment, which is just a pill every day for the rest of my life to put the bad cells to sleep and hopefully they stay asleep.”

Slipknot is confirming the iconic heavy metal band is no longer affiliated with DJ and keyboard player Sid Wilson amid rumors he was kicked out of the group.

“Effective immediately, Slipknot will no longer be associated with Sid Wilson,” a statement shared via the rock music festival Knotfest’s official Instagram account on Friday, August 14, read. “We wish him the best in his future endeavours.”

The caption continued, “Slipknot have parted ways with Sid Wilson. The announcement could briefly be found on the band’s website.”

According to multiple media outlets including Rolling Stone, People and more, the band did share the same announcement via their website, though it was subsequently deleted shortly after it was posted, per a screenshot captured by the media outlet Stereogum.

Related: Lady Gaga, Adam Sandler and More Stars Remember Ozzy Osbourne After Death

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TMZ reported weeks ago that Wilson had been unceremoniously kicked out of the band. The keyboardist has not publicly responded to the band’s announcement. Us has reached out to a rep for Wilson for comment regarding his status within the band but did not hear back at the time of publication.

The news of Wilson’s departure after nearly 30 years with the band comes just days after he reportedly referred to himself as a member. According to video shared via social media, Wilson, 49, cohosted the World Scratch Invitational earlier this week, in which he introduced himself a DJ from “the world famous Slipknot.”

“What’s up ya’ll, Sid, DJ Starscream/#0, from the world famous Slipknot, how ya’ll doing tonight,” Wilson told the crowd, per the footage.

The news also comes in the wake of his broken engagement to Kelly Osbourne, daughter of the late legendary rockstar Ozzy Osbourne.

On August 3, Kelly, 41, seemingly threw some very public and not-so-cryptic shade at Wilson accusing him of not taking “responsibility” for his alleged actions, though she did not elaborate any further.

“Strange how the loudest defense of the guilty is rarely innocence … It’s distraction,” she wrote via her Instagram Stories at the time. “When the mask slips, they don’t face the mirror they throw it at someone else.”

She added, “I also heard that when you break a mirror you get 7 years bad luck! Or is that just karma? This is why I always take accountability. As they say some are sicker than others.”

Related: Sharon Osbourne Claims She Removed Band From Black Sabbath’s Last Show

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Osbourne, who shares 3-year-old son Sidney with her ex-fiancé, also shared an inspirational quote about mothers keeping their children safe.

“My son’s little heart once beat right beside mine. So trust me when I say … I will protect it all costs,” the Everyday Motherhood quote read.

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In a subsequent post, Osbourne wrote another cryptic message, seemingly directed at the former Slipknot member.

“Wake the f*** up and take some responsibility I will not take your s*** anymore! I’m done,” she wrote. “I want to be happy and I have a beautiful son to raise. Leave me alone. Let me heal. I can’t protect you from yourself anymore.”

Us reached out to Wilson at the time for comment regarding his ex’s posts but did not hear back.

Travis Kelce is showing off his new husband hardware ahead of the Kansas City Chiefs’ first football game of the 2026 preseason.

Kelce, 36, was spotted walking into Kansas City’s Arrowhead Stadium on Saturday, August 15, looking effortlessly chic in a black-and-orange tie-dye two-piece. He accessorized his ensemble with a pair of black sunglasses, a metallic watch and his impossible-to-miss gold wedding band.

Kelce, whose team will face off against the Los Angeles Rams on Saturday, married pop star Taylor Swift on July 3 inside New York City’s famed Madison Square Garden arena.

“It was a fun offseason, man,” the tight end gushed to reporters during a Wednesday, August 12, press conference from training camp. “[Our] wedding was the best night of my life. I appreciate everybody who came out and celebrated and had fun with us. That’s about all I really got from that night. It was a crazy night. It was full of a lot of celebration.”

Related: Travis Kelce Breaks His Silence on Taylor Swift Wedding: ‘A Crazy Night’

Travis Kelce gushed over his wedding to Taylor Swift for the first time since the power couple officially tied the knot. “It was a fun offseason, man,” Kelce, 36, told reporters at Kansas City Chiefs training camp on Wednesday, August 12. “Wedding was the best night of my life. I appreciate everybody who came out […]

Kelce was particularly starstruck that he and Swift, 36, were able to say “I do” inside the legendary music and sports venue.

“MSG, man, I always told myself I’d go for a playoff game when the [New York] Knicks were rocking, and my wife went when I was stuck in minicamp,” Kelce said, referring to Swift’s attendance at Game 4 of the 2026 NBA Finals. “I didn’t get the opportunity to go then, so it’s kind of cool to get to live out my childhood dream of being in that venue, the mecca of all sports venues, [by] being able to get married in there.”

He continued at the time, “I can’t thank the owners of MSG [enough] for allowing us to get the opportunity to do that, knowing that we wanted a private event and everything. The A/C was cooking, baby. That was the best part.”

Swift and Kelce, who exchanged vows amid a major heatwave in the Big Apple, have not shared any additional details of their big day.

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Related: Travis Kelce Worked With Dior on Creating Custom Wedding Suit: Details

Travis Kelce brought his signature flair to his wedding day ensemble. Kelce, 36, tied the knot with fiancée Taylor Swift in a “whimsical” ceremony at New York City’s Madison Square Garden on Friday, July 3, where he surely looked dapper in a classic tuxedo designed by Christian Dior. Swift, also 36, wore a bespoke gown […]

As Us previously reported, Swift and Kelce each wore bespoke Christian Dior outfits for the white-veiled occasion.

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“The bride and groom’s wedding ceremony looks have been created by Christian Dior Haute Couture,” a press release shared with Us in July read. “They are designed by Jonathan Anderson, Creative Director of Dior Women’s, Men’s and Haute Couture Collections, in close collaboration with the Bride and Groom. This is the designer’s first couture wedding dress for a world-renowned celebrity. Their shoes were custom made by Christian Louboutin and the bride wore Cartier jewelry.”

Anderson, 41, later told Women’s Wear Daily that it was a “joy” collaborating with Swift on her bridal gown, which a source told Us featured a lengthy train and looked “classic and elegant.”

A rep for Dior has since confirmed that Swift is expected to share the first images of her wedding dress via Instagram at a currently undisclosed time.

Lucky is a great new show on Apple TV. But when it comes to crime series, the streamer has a diverse selection of options beyond that. If you are looking for something else to watch in the genre while waiting for new episodes of Lucky, or once you’ve finished, you don’t have to go elsewhere: you can stick with the same service.

Some of the best crime shows on Apple TV are already several seasons in, while a few recently premiered. Each one has an incredible cast, often led by actors known for their Hollywood movie performances. You won’t be disappointed with any of these exciting and gripping crime shows.

1

‘Slow Horses’ (2022–Present)

Image via Apple TV

The British spy thriller Slow Horses has become a massive hit for Apple TV, earning countless nominations and awards. It’s already renewed through seven seasons, with the sixth scheduled to premiere in September 2026. Gary Oldman stars as Jackson Lamb, the grumpy lead of the Slough House department of MI5, where lackluster agents are sent to push papers instead of getting fired. When one massive case after another arises, however, they are unexpectedly given the chance to prove their worth.

The near-perfect Apple TV series is a fun flip on the traditional spy genre, praised for its fast-paced storytelling and incredible acting. The main characters are underdogs rather than typical heroes, with Lamb the antithesis of a charming James Bond type. You can’t help but love him anyway, however, as he speaks for the everyman, approaching the job his own way and poking fun at the very organization that employs him. It’s a wonderful story about outcasts rising up, and the short six-episode seasons make it an easy binge.

2

‘Hijack’ (2023–Present)

Image via Apple TV+

Admittedly, Hijack‘s first season is much stronger than its second, and the show probably should have ended with that. Nonetheless, Season 1 will draw you in and keep you at the edge of your seat the entire time. Most of the action takes place aboard a flight from Dubai to London, where lawyer and corporate business negotiator Sam Nelson (Idris Elba) becomes the de facto leader of the passengers when they discover the plane has been hijacked.

Sam figuring out who these hijackers are, what they want, and how to navigate the situation is what drives most of the plot. There’s also a parallel and connected storyline as those on the ground try to understand why communication has been lost on this plane and the best course of action to save the most lives. Seeing Sam put his negotiation skills to use in a way he never has puts Elba in the hot seat and makes him an expected hero. It’s tense, gripping, and a wild ride through the first seven episodes. Even if you don’t bother with Season 2, Hijack Season 1 is worth checking out.

3

‘Criminal Record’ (2024–Present)

Image via Apple TV

In this British crime thriller, Peter Capaldi is veteran detective DCI Daniel Hegarty, and Cush Jumbo is rookie DS/DI June Lenker when an older murder case comes back into the conversation. Daniel wants to let sleeping dogs lie, and you can’t help but wonder why. But June’s passion for the job and suspicions about the case mean she won’t stop looking into the new evidence, presented by an anonymous phone caller.

Everything in Criminal Record comes together wonderfully, from the fantastic performances to the psychological tension and the not-so-subtle look at institutional corruption. It’s the type of story that has been told many times before, but the plot doesn’t fall into the usual good cop, bad cop dynamic, allowing for a much more nuanced story.

4

‘Sugar’ (2024–Present)

Image via Apple TV

Colin Farrell is captivating in this neo-noir mystery drama with a huge twist revealed halfway through Season 1 that will throw you for a loop if you haven’t yet heard about it. He’s John Sugar in Sugar, a private detective in Los Angeles who is a quiet loner with a unique personality and a deep desire to help others.

Sugar presents with a lovely throwback old Hollywood aesthetic, a plot that intrigues you, and a lead character who’s so likable and magnetic that you can’t help but want to follow him along on his journey. The detective show subverts typical tropes, choosing instead to beat to its own drum. The story poses deep questions about the state of humanity, too.

5

‘Presumed Innocent’ (2024–Present)

Image via Apple TV

A remake of the 1990 film of the same name, which is also based on the Scott Turow novel, Presumed Innocent takes the story in its own unique direction with a few unexpected twists. Jake Gyllenhaal plays Rusty Sabich, a prosecutor who finds himself on the other side of the courtroom when he is accused of committing a heinous murder.

The story develops into a steamy tale of affairs, lies, secrets, and vendettas. With a plot that keeps you guessing and a twist you won’t see coming, Presumed Innocent is a solid eight episodes of storytelling. With confirmation that a second season is coming, based on the Jo Murray book Dissection of a Murder, the legal thriller is perhaps one of Apple TV’s most underrated gems.

6

‘Your Friends & Neighbors’ (2025–Present)

Image via Apple TV

Your Friends & Neighbors is a delightfully funny dark comedy crime drama about a wealthy man who resorts to thieving from his neighbors when he loses his job. He can’t work due to a non-compete and is desperate to continue keeping up with the Joneses. But in this new state of observing his so-called friends and the excess of material items they possess, Coop (Jon Hamm) develops a disdain for the very one-percent club to which he has long been a member.

The series, one of the greatest crime shows on Apple TV, is thoughtfully written, with Hamm’s narration of his character giving viewers an insider look at the absurdity of wealth. As Coop becomes drawn to the adrenaline rush and ups his theft game, he gets himself into increasingly dangerous situations. Your Friends & Neighbors is a show that oddly makes you sympathize with the criminal and despise the supposed victims in a way few other shows have managed to achieve.

7

‘Bad Monkey’ (2024–Present)

Image via Apple TV+

If you love Vince Vaughn, you’ll love Bad Monkey since he plays exactly the type of character you think he would. The Bill Lawrence black comedy crime drama centers around his character Andrew Yancy, a former police detective who has been demoted. When he learns that a tourist found a severed arm in the ocean, however, he thinks investigating and solving this case could get him back in his boss’s good graces.

As the gripping case unfolds, the backdrop of South Florida and Vaughn’s signature comedic style draws you in. Meredith Hagner is a stand-out playing a well-to-do woman with big plans, while Jodie Turner-Smith brings an air of mystery to the plot as Gracie, an Obeah woman from the Bahamas who goes by the name of Dragon Queen. The show is the personification of breezy charm, so it’s no surprise that Bad Monkey is coming back for a second season.

8

‘Maximum Pleasure Guaranteed’ (2026)

Image via Apple TV

Arguably Tatiana Maslany‘s best performance since Orphan Black (nothing will ever top her performance in that sci-fi series), she plays Paula Saunders in Maximum Pleasure Guaranteed, a recently divorced single mom trying to put her life back together. When she witnesses what she believes is a murder on camera while chatting with a webcam model, she feels compelled to look into it. He appeared to have been scamming her, but even so, a young man is possibly dead. How could she ignore that?

The plot in this comedy thriller crime takes Paula down a dangerous rabbit hole she has no business being in, especially while in a custody battle with her ex-husband Karl (Jake Johnson). Maximum Pleasure Guaranteed is indeed maximum pleasure — a wild and fun ride through its 10-episode first season. The ending is satisfying but also opens the door for a potential second season should Apple TV be so inclined.

9

‘Cape Fear’ (2026)

Image via Apple TV

This remake of the 1962 and 1991 movies, both based on the John D. MacDonald novel The Executioners, creates a modern-day tale that has a throwback feel. Javier Bardem is intoxicating as this new version of Max Cady in Cape Fear, an ex-convict who is released after 17 years. With his newfound freedom, Max sets out to get revenge on the lawyers he blames for having him put away for a crime he claims he did not commit.

The psychological thriller is a masterclass in manipulation, a depiction of a family being torn apart at the seams, slowly and methodically. Yes, Cape Fear takes some wild turns and is even campy at times. But so was the 1991 movie starring Robert De Niro as Cady. Despite polarizing views on the finale, Cape Fear will keep you curious, invested, and drawn to the plot through all 10 episodes.

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Cape Fear

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Release Date

2026 – 2026-00-00

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Network

Apple TV

Showrunner

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Nick Antosca

Directors

Amanda Marsalis, Morten Tyldum, Stephen Williams, Jon S. Baird, Jonathan van Tulleken, Reed Morano, S.J. Clarkson, Trey Edward Shults

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On Friday, Adam Driver revealed that he would be joining the Marvel Cinematic Universe with his role as Mister Sinister at the Disney D23 event. On the same day, Lucasfilm boss Dave Filoni gave fans hope that the actor would also be returning to his role as Kylo Ren/Ben Solo from the “Star Wars” sequel trilogy.

Inside ‘The Hunt For Ben Solo’

“The Hunt for Ben Solo” was the name of a “Star Wars” film created by Adam Driver and Steven Soderbergh. The pair worked on the movie for years with help from Scott Z. Burns, who wrote the script. Although Lucasfilm initially approved it, Driver told AP News in October 2025 that the project was shut down because former Disney boss Bob Iger could not see how his character, Ben Solo, could return after he died at the end of 2019’s “The Rise of Skywalker.”

“We presented the script to Lucasfilm. They loved the idea. They totally understood our angle and why we were doing it,” Driver said at the time. “We took it to Bob Iger and Alan Bergman, and they said no. They didn’t see how Ben Solo was alive. And that was that.”

Although he has been asked about the future of the movie at multiple interviews, Soderbergh has insisted that everyone involved has moved on from the project. In an interview with The Playlist, Soderbergh confirmed that the movie was dead, saying, “Look, if it was gonna happen, it would have happened.”

However, at the Disney D23 event on Friday, Filoni gave fans hope that the project might be resurrected in the future.

Animation is a limitless format when done right. Creators can conjure up magical, experimental, ambitious worlds on screen without worrying about the constraints that come with live action. That creative freedom has given audiences some of the greatest stories of all time.

However, the same idea can also backfire pretty badly when storytellers are given more playing room than they know what to do with. Taking risks does not automatically make something good, and these forgotten animated shows prove exactly that, because boy, have they aged like milk.

‘Ren & Stimpy “Adult Party Cartoon”‘ (2003)

Image via TNN/Spike TV

Ren & Stimpy never needed an adults-only version, and Ren & Stimpy “Adult Party Cartoon” is a pretty convincing argument for why. The original Nickelodeon series was already one of the strangest cartoons on television. It follows the unstable chihuahua Ren (John Kricfalusi and Billy West) and the painfully dim-witted Stimpy (Billy West and Eric Bauza) through stories filled with gross-out humor, surreal imagery, and jokes that should never have aired on a children’s network. This controversy surrounding the cartoon was a huge reason why it became part of mainstream pop culture conversations back then. Then, in 2003, creator John Kricfalusi returned with a revival specifically designed for an older audience as part of the network’s new adult-animation lineup.

Ren and Stimpy were still getting themselves into ridiculous situations, but now the show could be far more explicit with its violence, sexuality, bodily humor, and whatnot. The network ordered several episodes, but only three episodes actually aired during the original television run, and thank goodness for that. Now, the issue wasn’t that the series was going too far. In fact, that was the entire identity of the original cartoon, too. The difference was that the original actually had some creativity behind all the grotesque humor. The revival seemed to believe that stretching those same ideas beyond their endpoint was the way to go. With time, Adult Party Cartoon has only gotten grosser with its violence and need to make every joke as uncomfortable as possible.

‘Stripperella’ (2003–2004)

Image via Spike TV

Stripperella might just be one of the strangest things comic-book legend Stan Lee has ever created. The animated series follows Erotica Jones, voiced by Pamela Anderson, an exotic dancer who secretly works as the superhero Stripperella. She fights crime for an organization called T.H.U.G.G. and takes on villains with names like Cheapo and Pushy Galore while using an arsenal of increasingly ridiculous abilities and gadgets, one of them being a lie detector built into her chest. Now, on paper, there is actually something fun about the idea. Stripperella is confident and far more competent than everyone around her. The problem is that the series wants credit for making her powerful while simultaneously turning practically every part of that power into another sexual joke.

Even the villains and storylines revolve around breast implants, beauty standards, sex, and increasingly desperate innuendos. After a few episodes, it becomes obvious that the show has exactly one joke and is going to keep finding different ways to tell it. That pretty much “strips” the otherwise intriguing premise of all meaning, no pun intended. The series ran for just 13 episodes, and with time, its cancellation has only made more sense. The show’s idea of being provocative now feels less rebellious than stereotypical. Its constant objectification and obsession with turning every female character into a punchline make the humor feel painfully dated, especially because the series rarely has anything else to say underneath all that shock value.

‘Hulk Hogan’s Rock ‘n’ Wrestling’ (1985–1986)

Image via DIC Enterprises

Hulk Hogan’s Rock ‘n’ Wrestling arrived at the height of Hulkamania, when the WWF was aggressively moving professional wrestling into mainstream pop culture. However, for a show about the iconic Hulk Hogan, the series barely features any wrestling. The show follows an animated Hogan, who leads the good guys alongside cartoon versions of André the Giant, Junkyard Dog, Wendi Richter, and Hillbilly Jim, while Roddy Piper heads a group of villains that includes Iron Sheik, Nikolai Volkoff, and Big John Studd. Instead of settling their problems in a ring as one would expect, the wrestlers spend most episodes getting involved in goofy adventures that have nothing to do with the sport. There is something fascinating about watching the show now because it’s easy to understand that it was little more than a marketing ploy for the WWF.

Every wrestler is reduced to the broadest stereotype of their in-ring persona. Wrestling already relied heavily on exaggerated characters during this era, but turning those gimmicks into cartoons somehow makes them feel even more ridiculous. The strangest part is that the wrestlers did not even voice their animated counterparts because their touring schedules made recording together impractical. Instead, the actual wrestlers appeared in occasional live-action comedy segments between the cartoons. That disconnect was always hard to ignore. The cartoon itself was simplistic and boring after the first few episodes. It’s interesting to revisit as a piece of wrestling history, but there’s nothing that would make fans want more of it.

‘Father of the Pride’ (2004–2005)

Image via DreamWorks Animation

Father of the Pride is less of a cartoon and more of an animation identity crisis. DreamWorks tried to bring feature-quality CGI to network television with this primetime sitcom based around the animals from Siegfried & Roy’s Las Vegas show. The series follows Larry (John Goodman), a white lion who performs at the Mirage and lives behind the scenes with his wife Kate (Cheryl Hines), their two children, and Kate’s overbearing father Sarmoti (Carl Reiner). Imagine a traditional family sitcom, except everyone is a lion and Siegfried & Roy occasionally wander into the story. NBC reportedly paid around $2 million per episode, so this was an enormous gamble for an animated comedy at the time.

Now, the production value definitely shows at moments, but the biggest problem with Father of the Pride was that it could never decide between being a cute DreamWorks cartoon versus an edgy adult comedy. The show follows Larry as he deals with marriage, parenting, and work, but those stories are constantly punctuated with sex jokes and crude humor. The show sits somewhere between family animation and raunchy adult TV, which is a combination that just didn’t work for anyone, and with time, that confusion has only gotten more glaringly obvious.

‘Minoriteam’ (2005–2006)

Image via Adult Swim

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Minoriteam is a classic Adult Swim animated sitcom. The series follows a superhero team made up of exaggerated racial, ethnic, and religious stereotypes who use equally stereotypical abilities to fight discrimination. There is Dr. Wang (Dana Snyder), the team’s wheelchair-using leader, the Jewish superhero Jewcano (Enn Reitel), Indian convenience-store worker Non-Stop (Keith Lal), and several others. Their main enemy is called White Shadow (Adam de la Peña), who operates a corporation alongside villains like Racist Frankenstein (de la Peña) and Corporate Ladder (Todd James). The entire concept was designed as an intentionally offensive parody of superhero comics and racial stereotypes.

However, the execution was a total mess that destroyed any kind of value that the show could have brought to TV. Minoriteam might try to show how ridiculous these racial stereotypes are, but the series exaggerates them to the point where any social commentary loses its point. Almost every character, superpower, accent, and punchline circle back to the same racial caricatures. The heroes themselves repeatedly reinforce the attitudes the series is supposedly ridiculing, which defeats the very purpose of the kind of satire the show attempts to emulate. The writing is plain lazy and lacks any sense of personality, and those things become even harder to ignore almost two decades later.

‘Chozen’ (2014)

Image via FX

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Chozen had an opportunity to be genuinely subversive, and it’s unfortunate how things turned out. The FX animated series follows Phil “Chozen” Collins (Bobby Moynihan), an overweight, gay white rapper who returns from prison determined to rebuild the music career that was stolen from him by his former friend and bandmate Phantasm (Method Man), who framed him for a crime and went on to become a successful rapper himself. Once released, Chozen moves in with his sister, Tracy (Kathryn Hahn), and begins putting his old crew back together so he can finally take his revenge and reclaim his place in hip-hop. That premise gave the show plenty to work with. It was interesting how the series was specifically designed around a protagonist whose sexuality challenged gender norms and the very masculine identity that people associate with rap culture.

However, like most shows on this list, Chozen used its premise as a source of shock-driven humor instead of anything remotely meaningful. The show was borderline vulgar with how it inserted prison jokes, sexual encounters, drugs, and harassment into everything. That’s not to say Chozen did not make funny observations about the cost of fame. Later episodes of the cartoon even give supporting characters, including Ricky (Michael Peña) and Crisco (Hannibal Buress), enough room to become funny outside their stereotypes. Unfortunately, some of the show’s best ideas are never fully developed because it spends most of its short run re-telling the same crass jokes over and over again.

‘Butt-Ugly Martians’ (2001)

Image via Nickelodeon

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Butt-Ugly Martians has aged like milk, but it felt dated even back when it was still airing. The series is set in 2053 and follows three Martian soldiers who are sent to Earth by Emperor Bog to conquer the planet. The problem is that the soldiers love the planet after discovering junk food, video games, and human culture. They completely abandon the invasion and befriend three teenagers while sending fake progress reports back home. Whenever trouble arrives, they activate their “Butt-Kicking Mode” and transform into armored versions of themselves to save the planet they were supposed to destroy. The premise is harmless, and the show could have definitely become a fun early-2000s sci-fi cartoon.

Unfortunately, it arrived at exactly the wrong stage of TV CGI. The characters look stiff, the environments feel empty, and there is an uncanny-valley feel to the show that one just can’t shake. If the series had relied on traditional, tried-and-tested forms of animation rather than jumping on a new trend too early, it could have been a moderate success. Instead, Butt-Ugly Martians turned into a lesson about how staying ahead of the curve might not always be the best idea. Aside from that, the show also didn’t benefit from its forgettable villains and repetitive humor. All of that contributes to why it has become a forgotten relic of the 2000s.

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Butt-Ugly Martians

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Release Date

2002 – 2001-00-00

Network

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Nickelodeon

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• 

  Charlie Schlatter

  B-Bop A-Luna (voice)

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  Kath Soucie

  Shaboom Shaboom (voice)

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  Ogie Banks

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  Cedric (voice)

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  Robert Stack

  Stoat Muldoon (voice)

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