“There was a brief interaction involving Ms. Taylor and a member of our security team during the show last evening,” the security firm said in a statement to EW.
Sci-fi has emerged as maybe the most important genre in the streaming era, with every big platform always on the hunt for its next big sci-fi hit. Streamers like Apple TV have proven to be one of the premier homes for sci-fi TV shows, with hits like Silo (starring Rebecca Ferguson), Severance (led by Adam Scott), and Pluribus (featuring Rhea Seehorn) all set to return soon with new seasons. Even HBO positioned the sci-fi series Westworld as its successor to Game of Thrones, but the studio canceled the series after only four seasons despite clear plans for more episodes. However, it’s Prime Video that has released some of the best sci-fi hits in the last few years.
One of Prime Video’s most successful enterprises to emerge in the last few years is Fallout, the hit sci-fi TV show based on the series of video games from Bethesda. Fallout, the show, is not based on a single game, but instead a new story inspired by the universe that fits into the timeline created by the games rather than clashing with it. The series has earned widespread critical acclaim throughout its first two seasons, which star Ella Purnell as Lucy and Walton Goggins as The Ghoul. It’s already been renewed for Season 3.
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It’s now been over a month since Fallout Season 2 aired its finale, but the show is still sitting comfortably in the Prime Video top 10, despite the arrival of several newer shows. It’s becoming increasingly clear that Prime Video made the right call by renewing Fallout for a third season long before an episode of Season 2 ever hit the screen. It’s unclear at this time when Season 3 will be released, but production on Season 3 is set to begin this May.
Pi Day was Saturday (3/14), but instead of testing your pie knowledge, we’re going to go a different culinary route. How much of a Bear Buff are you?
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What’s Next for Walton Goggins and Ella Purnell?
Fallout’s Walton Goggins will soon be seen starring opposite Amber Midthunder (Prey) in The Painter, the new John Wick-esque action thriller that was originally set to star Alan Ritchson. Purnell will soon return as Rhiannon in the second season of the Starz original series, Sweetpea, which is expected to premiere before the end of this year. She will also star opposite Rhys Ifans (House of the Dragon) and Daniel Mays in Craig Roberts’ new horror comedy, The Scurry.
Check out the first two seasons of Fallout on Prime Video and stay tuned to Collider for more coverage of Season 3 and future streaming updates.
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Release Date
April 10, 2024
Network
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Amazon Prime Video
Showrunner
Lisa Joy, Jonathan Nolan
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Directors
Frederick E. O. Toye, Wayne Che Yip, Stephen Williams, Liz Friedlander, Jonathan Nolan, Daniel Gray Longino, Clare Kilner
UPDATE: 3/16/26 at 9:38 p.m.: Utah jurors found children’s book author and mother-of-three Kouri Richins guilty of fatally poisoning her husband with a fentanyl-laced cocktail, returning their verdict after deliberating for only three hours on Monday, March 16.
Richins was declared guilty of first-degree aggravated murder, attempted aggravated murder, forgery and insurance fraud in the overdose death of her husband, Eric Richins, 39, on March 4, 2022, at the couple’s home in Kamas, Utah.
Richins, 35, bowed her head as the first guilty verdict was read, showing almost no emotion.
At trial, prosecutors argued Richins poisoned her husband for financial gain.
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Original story:
Defense attorneys for children’s book author Kouri Richins — who has been accused of murdering her husband — claimed that state investigators have harassed and intimidated potential witnesses.
Richins’ attorneys filed a motion on Sunday, January 25, requesting the disclosure of all texts and communications exchanged between the prosecution team and any witnesses in the case, according to KUTV.
“Last week, the defense team received notice from one of the State’s witnesses … that she was being harassed by an investigator working with the prosecution and inquiring whether there was anything we could do to protect her from them,” the document stated, according to the outlet.
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Attorneys claimed that the witness shared text messages she exchanged with lead detective Jeff O’Driscoll, in which the cop threatened to serve her with a warrant for her arrest.
Erika Kirk has accused Tyler Robinson, the man suspected of killing her husband, Charlie Kirk, of attempting to delay his trial. An attorney for Erika, 37, filed for a speedy trial in the case against Robinson, 22, on Friday, January 16, according to multiple reports. “Nobody believed in the importance of the United States Constitution […]
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“Make your life easier and answer our calls so we can prep you on what you will be asked. Otherwise, the next time I knock on your door, I’ll have a warrant and a catch pole for the dog,” O’Driscoll allegedly said in the texts, according to the documents.
Defense attorneys argued that the conversation was “blatant witness intimidation.” Additionally, prosecutors allegedly said they did not think O’Driscoll acted improperly in the exchange.
A second witness also claimed to the defense that they were harassed by investigator Travis Hopper.
According to text messages allegedly exchanged with Hopper, the investigator asked the witness to cooperate. After the witness referred him back to his original statement, the witness told Hopper that he could send any additional questions in writing.
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“Investigator Hopper then threatened to withdraw previous immunity granted to this witness and submit him to prosecution if he does not agree to come in to discuss his testimony in person with the prosecution team,” the defense claimed.
The defense attorneys went on to claim that Utah Code prohibits threatening witnesses with harm, which includes “physical, emotional or economic injury or damage.” They added that threatening to arrest someone for not providing testimony ahead of trial would “suffice as ‘harm.’”
In the annals of true crime, the Sherri Papini case ranks as one of its most jaw-dropping. Now the woman at the heart of a headline-making kidnapping gives her first on-camera interview since admitting it was a hoax — and what she says in Investigation Discovery’s two-night Sherri Papini: Caught in the Lie is truly […]
Additionally, the attorneys said that the prosecutors violated the Victim and Witness Rights with the way they conducted the questioning.
“The defense is hereby requesting the Court to compel the prosecution to disclose any and all text messages, voice mails, recorded calls emails, or any other digital messaging with witnesses,” their request stated.
The prosecutors have not publicly responded to the filing and told KUTV that they will be dealing with the issue privately with the court. “We will be responding non-publicly with the Court, as is appropriate this close to jury selection,” Attorney Margaret Olson said, per the outlet.
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Richins, 35, has been accused of fatally poisoning her husband, Eric Richins, by spiking his drink with fentanyl in March 2022. Additionally, she is facing multiple counts of forgery, mortgage fraud and insurance fraud for alleged actions she took before and after her husband’s death.
She became a local celebrity when she published a children’s book called Are You With Me?, which detailed her grieving process following her husband’s death.
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Richins’ trial is scheduled to start in February. She has pleaded not guilty to all of the charges, according to ABC News.
Pop star Britney Spears is getting some love from her former lawyer, Mathew Rosengart, who was by her side at the end of her approximately 13-year conservatorship, which was struck down by a judge in November 2021. Fans have continued to express concern for the “Toxic” singer’s health since that time, but things took a turn in early March when she was arrested under suspicion of driving under the influence.
Britney Spears’ Former Lawyer Breaks Silence On Her Arrest
Lumeimages / MEGA
In a brief statement made to Us Weekly approximately two weeks after her arrest, Rosengart called the “Oops!… I Did It Again” singer an “icon” and shared that he will always be immensely “proud” of her and what she’s accomplished throughout her long career.
“It was my great honor to work with and protect Britney as her litigator, and I will always be proud of her and the work we did together, ranging from helping, at her request and direction, to restore her freedom, civil rights and civil liberties after a 13-year conservatorship that stripped her of those rights, to many other matters,” he said.
“Britney is and always will be an icon,” he continued. “While I do not have the facts concerning March 4, with freedom comes responsibility, and I was pleased to see that Britney will take the right steps and comply with the law. I’ll always care greatly about her and help and support her in any way I can.”
Inside Mathew Rosengart’s Role In Ending Her Conservatorship
Instagram | Britney Spears
After her court-appointed attorney, Samuel D. Ingham III, resigned, the “Crossroads” actress retained the former federal prosecutor to represent her in her conservatorship battle. Rosengart was able to get her estranged father, Jamie Spears, suspended as her conservator two months before a Los Angeles judge decided to terminate the conservatorship entirely.
In addition to helping end her controversial guardianship, he also helped her obtain several lucrative deals, including her bestselling 2023 memoir, “The Woman In Me,” in which she opened up about her conservatorship in her own words.
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In 2024, he stepped down after Britney and Jamie settled their court case.
Britney Spears Settled Her Conservatorship Case In 2024
Lumeimages / MEGA
In April 2024, Britney and Jamie finally settled their conservatorship case, finally ensuring Britney’s freedom once and for all. At the time, Rosengart also made a brief statement to Us Weekly, saying that it was an “honor” for him to work with the Princess of Pop in this regard.
“It has been our honor and privilege to represent, protect, and defend Britney Spears. Ms. Spears is and always will be an icon and a brilliant and brave artist of historic and epic proportion,” he said at the time. “Although the conservatorship was terminated in November 2021, her wish for freedom is now truly complete.”
As part of the settlement, Britney would no longer have to “attend or be involved with court or entangled with legal proceedings,” as was her wish.
“Britney Spears won when the court suspended her father, and Britney Spears won when her fundamental rights and civil liberties were restored,” he added.
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Britney Said That She Felt Like A ‘Robot’ During Her Conservatorship
MEGA
In “The Woman In Me,” the pop star compared herself to a “child-robot” and claimed that the conservatorship “stripped” her of her womanhood, turning her “into a child.”
“I became a robot. But not just a robot — a sort of child-robot. I had been so infantilized that I was losing pieces of what made me feel like myself,” she wrote. “The conservatorship stripped me of my womanhood, made me into a child. I became more of an entity than a person onstage. I had always felt music in my bones and my blood; they stole that from me.”
Inside Britney Spears’ March 2026 DUI Arrest
Xavier Collin/Image Press Agency / MEGA
On March 4, Britney was arrested near her home in Ventura County, California, after law enforcement officials suspected she was driving under the influence. Although she was released from jail the following day, she has a hearing scheduled for May 4.
“This was an unfortunate incident that is completely inexcusable,” her rep said in a brief statement. “Britney is going to take the right steps and comply with the law, and hopefully this can be the first step in long overdue change that needs to occur in Britney’s life. Hopefully, she can get the help and support she needs during this difficult time.”
Director Guy Ritchie‘s catalog is full of hits and misses, with his latest directorial effort an undeniable hit. An instant success on the Prime Video charts, the series Young Sherlock, based on the young adult thriller novel series Young Sherlock Holmes by Andrew Lane, is already proving one of the defining new streaming arrivals this first half of 2026. Starring Hero Fiennes Tiffinas the titular crime-solver, the series boasts a strong supporting ensemble featuring the likes of Natascha McElhone, Joseph Fiennes, Dónal Finn (Whel of Time), Max Irons, and Colin Firth.
Less than two weeks since Young Sherlock‘s arrival, and fans of the series have another new project to look forward to. Headlined by the aforementioned Finn, who stars in Young Sherlock as James Moriarty the brand-new audio drama Turpin is on its way from Big Finish Productions, the team behind a hugely successful catalog of Doctor Who audio stories. Set to follow the life of the popular British legend, highwayman Dick Turpin, the series is billed as a “gritty, visceral and darkly funny take on the legend.” Written by award-winning screenwriters Mat Braddy and Darren Rapier, and directed by the pair alongside Ken Bentley, the audio drama is scheduled to debut this Summer. In a statement about the upcoming adaptation of the folkloric figure, Rapier said:
“Ever since discovering the real-life story of Richard Turpin, of which there are many factual accounts and reports of the time, I’ve been keen on telling this story – rather than the dashing highwayman cliché. When I discovered Mat was keen on doing the same, we started talking about creating something together. The true story has more in common with the Kray twins than Robin Hood, and this is something we were eager to get across. Audio has allowed us to tell this epic tale in a fast and chaotic fashion. We like to describe it as a period action drama.”
Pi Day was Saturday (3/14), but instead of testing your pie knowledge, we’re going to go a different culinary route. How much of a Bear Buff are you?
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What Is ‘Turpin’ About?
Hero Fiennes Tiffin as Sherlock and Dónal Finn as Moriarty stand in the street together in Young SherlockImage via Prime Video
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Sure, we know it is about the over-romanticized violent criminal, but what direction will this adaptation actually take? A synopsis of the drama begins, “Impatient butcher Richard Turpin wants his share of the emerging wealth of the new United Kingdom.” It continues, “After poaching for easy profits, he finds himself on the run and falls in with the vicious Gregory Gang. As his comrades are sent to the gallows, Turpin evades the hangman and becomes the country’s most wanted man.”
For more updates on the latest news, stay tuned to Collider. You can catch Finn in Young Sherlock on Prime Video now.
A lot of horror movies get called masterpieces because people remember the idea of them more vividly than the actual experience of watching them. That is not what this list is. These are the ones where the premise, the execution, the performances, the escalation, the images, the endings, and the aftertaste all line up so cleanly that arguing against them starts to feel like arguing against gravity. They do not just have great scenes. They hold their nerve for the full runtime. They know exactly when to explain, when to withhold, when to go quiet, and when to make the audience feel trapped.
And the thing that makes them 10/10 without any notes is not just that they are scary. It is that each one understands the specific kind of fear it wants to create and then follows that fear all the way to the wall. Some of them work like breakdowns. Some work like infections. Some work like nightmares that seem almost rational until one detail turns everything rotten. But all ten feel complete. Nothing essential is missing. Nothing major needs fixing. These are horror movies you can revisit years later and still end up thinking, yes, that is exactly how it should be.
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‘Halloween’ (1978)
Laurie Strode holding a knife and looking scared in Halloween (1978).Image via Compass International Pictures
Halloween became a horror, and its titular event’s phenomenon, and still is even half a century later. It mercilessly strips horror down to presence, space, and anticipation. The film does not need elaborate mythology, psychological over-explanation, or nonstop carnage to get under your skin. It understands that fear becomes much more powerful when it feels patient. Michael Myers (Nick Castle) is terrifying. The movie withholds so much of him. And that’s exactly why he is terrifying. He is an absence moving through suburban normalcy, a shape standing at the edge of frames, behind hedges, near laundry lines, outside schoolyards, always close enough to make safety feel like a misunderstanding. That is what makes the film so unnerving.
Laurie Strode (Jamie Lee Curtis), on the other hand, feels young, alert, responsible, and increasingly trapped by a danger she can sense long before she can fully understand it. Dr. Samuel Loomis (Donald Pleasence) helps give the movie its dread because he talks about Michael less like a damaged man and more like something that learned how to wear a man’s outline. Every time Michael appears in the background, every time Laurie realizes nobody is listening, every time the night gets quieter instead of louder, Halloween becomes more suffocating.
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‘Hereditary’ (2018)
Toni Collette in HereditaryImage via A24
A lot of horror films promise a family nightmare and then eventually abandon the family part for lore. Hereditary never makes that mistake. The occult machinery matters, but the movie’s real power comes from how thoroughly it understands domestic damage. Before it becomes a full supernatural nightmare, it is already one of the harshest depictions of inherited pain in modern horror. Annie (Toni Collette)’s grief is ugly, defensive, and unstable. Peter (Alex Wolff) looks like a teenager who has spent years learning that any room can suddenly become dangerous. Charlie (Milly Shapiro) feels uncanny before anything overtly demonic is confirmed, which makes every family interaction feel slightly off-center.
Then the movie gives you the car scene. And that is where Hereditary earns its reputation permanently. Not just because of what happens, but because of what follows. Peter driving home in shock. Lying in bed. Waiting. Annie discovering the body offscreen through her screams. That sequence is directed with such ruthless confidence that the film never has to beg for your attention again. After that, every argument at the dinner table, every attempt to assign blame, every sleep-deprived look on Peter’s face has weight. Hereditary is about bloodline as destiny, yes, but even more than that, it is about the feeling that your life was structured long before you understood the rules.
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‘Possession’ (1981)
Sam Neill as Mark and Isabelle Adjani as Anna looking directly at the camera in 1981’s Possession.Image via Gaumont
There are horror movies about divorce, and then there is Possession, which makes divorce look like the first tear in the fabric of reality. The genius of the film is that it does not ask you to separate emotional collapse from physical horror. It treats them as the same event. Mark (Sam Neill) and Anna (Isabelle Adjani) are a couple breaking apart but while they’re at it, they are tearing open the world around them with suspicion, betrayal, rage, and desire.
Adjani’s performance is one of the most unhinged and physically committed performances in horror history, and the movie knows it. It builds itself around the fact that Anna does not seem like a woman hiding an affair so much as a person disintegrating under pressures that no normal language can hold. The subway tunnel scene alone would be enough to justify the film’s legend. It is not scary in a conventional sense. It is something worse. It feels like the body revolting against reason.
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‘The Texas Chain Saw Massacre’ (1974)
Marilyn Burns as Sally Hardesty crying and crawling on the ground in The Texas Chain Saw MassacreImage Via Bryanston Distributing Company
What still feels unbelievable about The Texas Chain Saw Massacre is how immediate it is. There is no cushion. No elegant buildup. No reassuring genre distance. Tobe Hooper makes the whole thing feel sunstruck, filthy, dehydrated, and cruel. The movie does not feel like it is presenting horror for your enjoyment. It feels like it found horror already happening and shoved you into it.
The movie’s plot is brutally simple, which is part of why it works so perfectly. A group of young people drifts into hostile territory, and one by one they disappear into a house that seems to exist outside ordinary human order. The first kill with Leatherface (Gunnar Hansen) is still one of the great shock cuts in the genre because of how fast and practical it is. What follows is a descent into industrialized madness. Bone furniture. The grandfather at dinner. The family’s grotesque parody of domestic ritual. Sally (Marilyn Burns) playing it all like a human being whose mind and body are being stripped for parts in real time. That is why her hysterical laughter in the back of the pickup truck feels so right. Escape does not restore order. It just leaves her alive enough to understand what she saw. That ending, with Leatherface spinning the chainsaw in the sunrise, is iconic.
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‘The Thing’ (1982)
Kurt Russell in ‘The Thing’Image via Universal Pictures
There may not be a better horror premise than the one The Thing gives itself: a shape-shifting organism that can perfectly imitate any member of an isolated group. John Carpenter understands immediately that the monster is not just the creature effects, incredible as they are. The real monster is the collapse of trust. Every conversation becomes unstable. Every glance starts to look incriminating. Every test, every accusation, every delay matters because one mistake could mean absorption, imitation, extinction.
What makes the movie 10/10 is how mercilessly it escalates while staying totally lucid. You always understand the geography, the stakes, and the emotional logic of the men at the station. MacReady (Kurt Russell) is such a great central figure because Russell never plays him as a superhero. He is competent, skeptical, and increasingly cornered. When he starts forcing blood tests with a flamethrower in hand, the movie has already earned that level of paranoia. And then there are the effects. The chest opening into a mouth. The spider-head. Norris (Charles Hallahan) convulsing into a thing that has no respect for anatomy as we understand it. It’s an amazing r-rated horror film.
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‘The Exorcist’ (1973)
Linda Blair as a possessed Regan seated in ‘The Exorcist’.Image via Warner Bros.
The brilliance of The Exorcist is that it takes its time making evil feel intolerably intimate. Before the head-spinning and levitation, the film is about a mother watching her daughter become unreachable. Regan (Linda Blair)’s transformation is horrifying because William Friedkin grounds it in procedure first. Doctors, tests, specialists, scans. The movie makes you sit through medical attempts to explain what is happening, and that choice matters because it strips away easy comfort. Rational systems are not ignored but exhausted first and that makes it authentic.
By the time Father Merrin (Max von Sydow) arrives and the exorcism begins in full, the film has already built such a dense atmosphere of dread that the set pieces do not feel like gimmicks. They feel like the final proof of something ancient and hateful entering a room and refusing to leave. Regan’s obscenities, the voice, the bed shaking, Karras trying to reach the girl inside the possession rather than simply shouting doctrine at it — all of it still hits because the movie never loses sight of the child at the center. The horror is cosmic, but the pain is personal.
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‘Suspiria’ (1977)
Suzy, played by actor Jessica Harper, looks suspiciously at a glass in her hand in Suspiria.Image via Produzioni Atlas Consorziate
Suspiria is one of the clearest examples of a horror film becoming perfect by refusing realism entirely. The colors are too rich, the sets too deliberate, the sound too invasive, the deaths too designed. And because every element is pushed so hard, the film achieves a kind of total nightmare logic that very few horror movies can sustain. It’s so artificial that it becomes so good.
The opening is enough to announce the film’s control. Suzy Bannion (Jessica Harper) arrives in a storm, sees a terrified student fleeing, and within minutes Argento gives us one of the most visually extravagant murder sequences in horror history. The hanging body crashing through stained glass is the movie teaching you the rules of its world. Beauty and violence are not opposites here. They are partners. What makes Suspiria a 10/10 is that it never accidentally slips into ordinary mode. From the maggot infestation to the blind pianist’s death to the final revelation of Helena Markos, the movie maintains an atmosphere that feels enchanted and diseased at once.
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‘Alien’ (1979)
Sigourney Weaver in a space suit looking up in Alien.Image via 20th Century Studios
There is not a single wasted idea in Alien. It starts by doing something genius and deceptively simple: it makes space travel feel like labor. The crew of the Nostromo are tired workers arguing about bonuses, chain of command, and procedure. That ordinary, slightly annoyed human texture is what makes everything that follows hit so hard. When Kane (John Hurt) encounters the egg, when the facehugger attaches, when the chestburster explodes out at dinner, the violation lands inside a world that had already convinced you of its physical reality.
Ridley Scott, through Alien, showed that he understands that horror is often strongest when the environment itself feels indifferent. The Nostromo is a maze of chains, steam, shadows, and industrial corridors. Once the xenomorph is loose, the ship stops feeling like shelter and starts feeling like a gigantic delivery system for fear. The crew is always a step behind, and the film never cheats that dynamic. Dallas (Tom Skerritt) in the vents remains one of the best suspense sequences ever shot because you can feel the trap closing in before he does. And then there is Ripley (Sigourney Weaver), who does not play her as an instant action icon. She becomes great through attention, caution, and the refusal to panic as quickly as everyone else. Her insistence on quarantine protocol early on is one of those details that gets better every time you revisit the film.
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‘The Shining’ (1980)
Jack Nicholson in ‘The Shining’Image via Warner Bros.
What makes The Shining almost impossible to shake is that it never lets you settle on one neat explanation for what Jack Torrance (Jack Nicholson) becomes. Is the Overlook awakening what is already inside him, or simply giving it a grander stage? Jack arrives at the hotel with resentment, vanity, failure, and buried violence already in him. The horror is that the Overlook does not create those things. It curates them. Every part of the film contributes to that feeling of elegant corruption.
Danny (Danny Lloyd) riding the tricycle through the halls. Wendy (Shelley Duvall) hearing too much and understanding too late. Hallorann (Scatman Crothers) sensing the danger from far away. The woman in Room 237 turning from seduction into rot. The ballroom populated by the dead as if they were merely waiting for Jack to accept his place among them. These are not isolated scary scenes. They are parts of one sustained assault on psychic stability. The Shining is not just about madness. It is about a place that knows how to make madness look ceremonial.
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‘The Silence of the Lambs’ (1991)
Scott Glenn wears a jacket and thin gold glasses in an image from ‘The Silence of the Lambs’Image via Orion Pictures
Yes, it is a thriller. Yes, it is a procedural. It is also horror, and one of the most perfect horror films ever made, because it understands that terror can come from intelligence, from violation, from humiliation, from being watched, from being psychologically read faster than you can protect yourself. That is what makes The Silence of the Lambs untouchable. And Clarice Starling (Jodie Foster) is the reason the movie rises above almost everything else. Foster plays her as capable, observant, and ambitious, but also very aware of how every room reads her.
The film never stops showing the pressure she is under as a young woman moving through male institutions, male violence, and male scrutiny. That texture matters because it makes her scenes with Hannibal Lecter (Anthony Hopkins) even more electric. Hopkins is legendary here not because he is loud, but because he is so composed. Lecter’s stillness is what makes him monstrous. Buffalo Bill (Ted Levine), meanwhile, gives the film its physical horror: the basement, the pit, the moths, the skinning, the dog, the night-vision climax where Clarice is inches away from death and does not know where to aim until instinct finally saves her. The movie balances those two horrors perfectly — the refined monster behind glass and the predator in the dark.
Thanks to the high-profile build-up to the 98th Academy Awards, movie fans have had a chokehold over media discourse for the past couple of months. Last night, at the Dolby Theatre in Los Angeles, the biggest night on the cinema calendar finally took place, and the dust is still settling on an eventful ceremony. If you’re more of a television fan and have been waiting for all this Oscars fuss to die down, now is your time to shine. But how should you take advantage of your favorite medium getting the chance to be in the spotlight once again? With that in mind, here’s a list of three other shows you should give a try on Netflix this week.
Disclaimer: These titles are available on US Netflix.
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1
‘A Friend, A Murderer’ (2026)
IMDb: 6.5/10
True-crime fans are in for a treat this week, courtesy of Denmark. A brand-new three-part true-crime docuseries, sure to have your jaw on the floor, A Friend, A Murderer follows one town, Korsør, haunted by a serial killer for almost a decade. Horrific assault, kidnapping, and murder keep the community fearing for their lives, and how will a trio react when the identity of the perpetrator is revealed to be one of their close friends?
A shocking story recounted by the three friends themselves, true-crime documentaries rarely come as gripping as this. Not only interested in discussing the crimes themselves, but the three episodes also look at how these crimes ripped apart a once-close-knit friendship group from the inside out. Fascinating and engrossing, this is perfect for true-crime fans.
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2
‘Beastars’ (2019–Present)
Rotten Tomatoes: 85% | IMDb: 7.6/10
There is no better time than now to begin your binge-watch of this arguably underrated anime. Based on Paru Itagaki‘s manga of the same name, Beastars is set in a world where creatures and beasts co-exist, as a classmate’s murder and the awakening predatory urges of a wolf threaten to upend his friendship with a rabbit.
Earlier this month, the long-awaited second half of Beastars Season 3 finally debuted after over a year’s wait since Part 1. Back with a bang, the excitement around the series continues to grow as more discover a real anime gem. With that in mind, and with 48 gripping episodes available, make sure you don’t miss out on this supernatural coming-of-age tale this week.
3
‘Younger’ (2015–2021)
Rotten Tomatoes: 97% | IMDb: 7.8/10
If true-crime or anime aren’t to your taste, and you’d prefer a more traditional series to try this week, look no further than Younger. From the mind of Sex and the City creator Darren Star, Younger follows Liza Miller (Sutton Foster), a 40-year-old who is struggling to get ahold of her spiraling life following a messy divorce and her daughter leaving for college. However, all that changes when she is mistaken for a 26-year-old on a night out, giving her a chance to start afresh.
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Hilarious, poignant, and packed with guest stars, Younger ticks all the comedy series boxes. Starring Foster at her absolute best, the series also boasts the talent of the likes of Hilary Duff, The Kill Room star Debi Mazar, Nico Tortorella, Pluribus‘ Miriam Shor, Peter Hermann, and Chicago Med‘s Molly Bernard. An acclaimed gem that deserves more love, Younger should be at the top of your watchlist.
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Release Date
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2015 – 2021-00-00
Network
TV Land, Paramount+
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Showrunner
Darren Star
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Directors
Peter Lauer, Steven K. Tsuchida, Todd Biermann, Andrew Fleming, Jennifer Arnold, Tamra Davis, Tricia Brock, Brennan Shroff, Darren Star, Miriam Shor
Writers
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Joe Murphy, Rick Singer, Lyle Friedman, Sarah Choi, Jessie Cantrell, Terri Minsky, Eliot Glazer
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We’re of the mindset that a sale is never a step down — especially if it’s at Nordstrom. The go-to luxury retailer always delivers the best deals on the best brands during its legendary spring sales. During these must-shop events, you’ll find fan-favorites like Tory Burch, Vince Camuto, Spanx, Levi’s and more offering unheard-of discounts.
As more spring sale styles start rolling in, we’re diving into the latest Nordstrom markdowns to uncover our favorite looks — from slimming floral dresses and Tory Burch pumps to cozy elevated basics, celeb-loved brands and other stylish spring essentials. We’ve curated our 14 favorite sale finds below, marked down up to an astounding 81% off. Take it from the pros: don’t wait long to stock up, because with deals this good, your size will be gone in a flash.
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Nordstrom’s New Markdowns Are Up to 81% Off
1. Take up to 60% off Tory Burch
Our Pick: We’re of the opinion that one can never have too many black wedge pumps — especially if they’re from Tory Burch. We’re earmarking this 2-inch pair for those spring statement‑making occasions, thanks to the bold gold emblem at the toe that practically radiates luxury.
Check out all Tory Burch deals included in the salehere!
2. Take up to 60% off Julia Jordan
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Our Pick: Spring has arrived, and this gorgeous Julia Jordan floral dress is ready for the occasion. Made from 100% cotton with a silhouette that does all the flattering for you, it’s a piece you’ll reach for when the calendar fills up — spring weddings, patio cocktails, all of it.
Check out all Julia Jordan deals included in the salehere!
3. Take up to 73% off Sam Edelman
Our Pick: Denim dresses are trending, and this embroidered floral style from Sam Edelman is giving Us all the feels. The airy, button-up piece is chic and cozy, with a belted waist that brings the whole slimming look together.
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Check out all Sam Edelman deals included in the salehere!
We never sleep on a good sale, and there’s an amazing one hiding in plain sight — packed with affordable designer finds we’re adding to cart immediately. Nordstrom is hosting a can’t-miss end-of-winter sale packed with thousands of designer markdowns from brands like Tory Burch, Vince Camuto, Veronica Beard, Farm Rio and more. But don’t […]
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4. Take up to 40% off Nordstrom
Our Pick: With breezy spring days still ahead, it only makes sense to add this cashmere‑and‑wool cardigan to our carts. The eye‑catching pointelle stitches along the front give the chic piece a tailored, almost atelier‑level finish.
Check out all Nordstrom deals included in the salehere!
5. Take up to 35% off Levi’s
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Our Pick: Spring showers are here, and we’re staying chic — not soggy — in this roomy Levi’s rain jacket. The hooded, long style brings all the coverage you need while still looking polished enough to wear anywhere and everywhere.
Check out all Levi’s deals included in the salehere!
6. Take up to 45% off Spanx
Our Pick: Give your backside a lift with these Spanx Booty Boost leggings. The supportive-but-comfy compression fabric works overtime, smoothing out your tummy and hips so every angle looks like your absolute best one.
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Check out all Spanx deals included in the salehere!
7. Take up to 81% off CeCe
Our Pick: If we’re ever due for a closet revamp, a CeCe fit‑and‑flare dress is always at the top of our list. This corset‑bodice mini style is flirty, polished and ready to do all the heavy lifting for your spring wardrobe.
Check out all CeCe deals included in the salehere!
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8. Take up to 35% off DÔEN
Our Pick: It’s rare to ever find the Meghan Markle-loved brand DÔEN on sale. The pricey bohemian label is always in high demand, which is exactly why we’re snagging this gorgeous smocked midi dress while it’s still shockingly in stock.
Check out all DÔEN deals included in the salehere!
9. Take up to 65% off Dolce Vita
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Our Pick: Give your well‑worn ballet flats a break and opt for these edgy Dolce Vita Mary Jane flats. The flexible, fashion‑forward shoe comes in an array of playful and practical colors, including black, mulberry, blush and more.
Check out all Dolce Vita deals included in the salehere!
10. Take up to 50% off Fifteen Twenty
Our Pick: Fifteen Twenty is a brand that practically radiates quiet luxury. The capsule collection-rooted label’s gorgeous pintuck cropped pants have a sleek, sculpted shape that’s an absolute standout in any minimalist wardrobe.
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Check out all Fifteen Twenty deals included in the salehere!
11. Take up to 50% off Donna Karan New York
Our Pick: If Sarah Jessica Parker can’t resist Donna Karan’s designs, how are we supposed to choose just one favorite? This little black dress is a quintessential Donna Karan staple — sleek, sensual and made to flatter.
Check out all Donna Karan New York deals included in the salehere!
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12. Take up to 35% off Free People
Our Pick: We’re giving our sleepwear a bohemian revamp with these breathable, beautiful Free People pajamas. The camisole set pairs romantic florals with a flirty shape and a cozy feel that makes winding down something to look forward to every night.
Check out all Free People deals included in the salehere!
13. Take up to 51% off Ugg
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OurPick: Morning coffee just got a whole lot cozier with these Ugg shearling‑lined slippers. The laid‑back luxury brand has reimagined its classic slippers with a modern twist—a gender‑inclusive loafer that works just as well around the house as it does out pounding the pavement.
Our Pick: We only splurge for a basic tee when it’s impeccably cut, cloud‑soft and built to last. This rag & bone pima cotton tee checks all those boxes, and makes you wonder why you ever settled for anything less.
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Check out all rag & bone deals included in the salehere!
There’s never been a better reason to starting spring cleaning your closet! Nordstrom is having a huge end-of-winter sale that includes thousands of new markdowns, and you don’t want to miss out. You’ll find a little bit of everything here, including winter favorites to wear through transitional weather and new pieces to make up your […]
Kathy Ireland and her husband, Greg Olsen, are suing their former business managers.
According to court documents obtained by Us Weekly in March 2026, Ireland and Olsen accuse multiple defendants of negligence, theft, intentional representation, constructive fraud and other allegations.
“This case is about trust betrayed on a staggering and unconscionable scale,” the lawsuit claims. “For over 35 years, defendants Jason Winters and Erik Sterling held themselves out to Kathy and Greg, not only as their managers, but as their family. … But in fact, they concealed and misrepresented information from Kathy and Greg to hide their predatory misdeeds.”
According to the lawsuit, Ireland claims the defendants are liable for damages “in the tens of millions of dollars, if not exceeding $100 million.” (According to Forbes, Kathy Ireland Worldwide generated retail sales of $3.1 billion in 2021 alone.)
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“My clients granted sweeping authority to people who concealed the truth while exercising total financial control and enriching themselves. Their conduct will be exposed, and it will have consequences,” Ireland’s attorney, Jill Basinger of Stris & Maher LLP, said in a statement to Us. “The scale and sophistication of this fraud demand an equally sophisticated response. We are pursuing this matter aggressively. The defendants are not facing a garden-variety dispute — they are facing comprehensive scrutiny that will expose what has been hidden for years. This is a serious reckoning.”
Keep reading to read more of Ireland and Olsen’s shocking claims in the lawsuit:
Who Is Kathy Ireland?
In the lawsuit, Kathy Ireland is described as a “celebrated model, actress, business person and entrepreneur” who resides in Santa Barbara, California.
Over the years, Ireland found success with home decor, furniture, jewelry and fashion. Her items can be found at various stores, including HSN, Home Depot and Walmart.
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What Is Kathy Ireland and Greg Olsen Accusing the Defendants of Doing?
Kathy Ireland and Gregory OlsenCourtesy of Kathy Ireland/Instagram
According to court documents obtained by Us, Kathy Ireland and Greg Olsen “do not know the whole story” of what they could have lost because of the defendants’ alleged actions.
“Kathy and Greg now know there are no substantial retirement accounts,” the lawsuit claims. “There are no prudently managed investments securing their future, as promised. There is no wealth securing their retirement and their children’s futures, as they were led to believe. Instead, in the wake of Defendants misconduct, there was staggering debt, misused credit, secret loans and missing funds.”
Ireland and her husband claim they’ve been forced to sell their home and have been left without substantial savings, court documents state.
“Defendants treated Plaintiffs as their work horses and piggy banks, all the while scheming to fund their own lifestyle, while hanging the Ireland-Olsen family out to dry,” the lawsuit alleges.
How Close Were Kathy Ireland and Her Business Managers?
One year after marrying Greg Olsen, Kathy Ireland started working with Jason Winters and Erik Sterling as her managers.
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“Over the years, Winters continually preached to Kathy and Greg about the great personal ‘wealth’ he and Sterling were creating for them, and the very successful financial ‘investments’ he and Sterling were managing for them,” the lawsuit alleges. “Kathy always believed Winters and Sterling because she trusted them. Greg also believed they were working in Kathy’s and his best interests.”
Court docs also allege Winters and Sterling (who are married) claimed they “loved” Ireland and Olsen.
“Based on the promises made by Winters and Sterling, Kathy and Greg believed they had millions of dollars invested by Winters and Sterling and that they had extremely significant net worth,” the suit alleges. “When Plaintiffs asked about their financial condition, Winters and Sterling scoffed at them, telling them they were so extremely wealthy and successful that they would never have anything to worry about.”
From the runway to the playroom, many well-known supermodels have learned to balance their careers with raising little ones at home. Gigi Hadid became a mom in September 2020 when she and then-partner Zayn Malik welcomed their daughter, Khai. (Hadid and Malik dated on and off beginning in 2015 before they split for good in […]
What Have the Defendants Said About the Case
Before Jason Winters was involved with a lawsuit, he alluded to a falling out with a business in a crypticInstagram post. (Kathy Ireland was not named in the social media post.)
“Why does a real ‘relationship’ fail in business? Because it wasn’t real,” Winters wrote in October 2025. “We should have seen the signs. We did not. We were deceived. It’s easy to be deceived by people you trust. Especially, when decades of faith, success and love appear wrapped in a faux-relationship older than my grandchildren. …. Whatever you hear about any situation? Hold your reaction until you learn the truth.”
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In response to Ireland’s suit, Winters told Us Weekly, “When enmeshed in 100M litigation, no one can claim value was not created.”
What Have Kathy Ireland’s Coworkers Said About the Suit?
After Kathy Ireland’s lawsuit made news, kathy ireland Worldwide (kiWW) chair and chief executive Officer Brittany Duncan shared a statement via Linkedin, slamming the suit.
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“Kathy Ireland may be spiritually broken, but she is not financially ‘broke,’” Duncan wrote on March 12, 2026. “I have known this woman my entire life. This situation is deeply sad. … What is being done is beneath the dignity of this firm.”
Jason Winters commented on Duncan’s post, writing in part, “Dear Brittany: Thank you for telling the truth. Courage. Leadership. Integrity. Talent. These are hallmarks of your character. … Your career is stellar and more importantly, unlike others, your future is purely ahead of you. Onward!”
Us Weekly has reached out to Ireland’s attorney for comment on the Linkedin post.
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