Of all the different types of horror movies out there, those that focus on demonic possession have proven continually popular over the years. Regardless of whether one believes in the supernatural, the idea of a demonic entity or some kind of spirit entering one’s body is a frightening one. This kind of horror works because losing control of oneself is inherently scary, and when it’s a demon doing the possessing, chances are their reasons for taking control aren’t going to help the person in question.
Demonic possession movies are also notable for being popular throughout the world, with this kind of horror being mixed with various cultures and folklore, which keeps such films interesting and from feeling stale. It also shows that the idea of being possessed is an unsettling one on a global scale, with the following best possession movies—ranked below from worst to best—demonstrating the various ways this kind of supernatural terror has been portrayed in cinema. Possession horror movies and films about exorcisms aren’t going out of style anytime soon, and any time is the perfect time to dive into some of the best ones.
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35
‘Evil Dead’ (2013)
Jane Levy as Deadite Mia poking her head out of the basement in Evil Dead 2013Image via Sony Pictures Releasing
If you want to read about good possession movies, you’re going to have to get used to seeing the films from the Evil Dead series keep popping up. Most of these are reliably scary and gross (well, Army of the Darkness aside, given that one is pretty much just a comedy), and 2013’s Evil Dead is no exception, with the Fede Álvarez-directed remake(of sorts) being especially grimy and graphic.
The premise here involves a young woman trying to kick a drug habit, which involves spending time in an isolated cabin with friends while going cold turkey. But this is an Evil Dead movie, so the cabin has some horrific stuff inside, and then people start behaving oddly, and then violence ensues. Like, it’s the usual sort of thing, but it gets especially intense and gory here, which makes it stand out, to some extent.
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34
‘Alucarda’ (1977)
Image via Yuma Films
Alucarda is a deeply unstable and bizarre film, but that’s perhaps more of a feature than a bug. It’s about a young girl who goes to live in a convent following the deaths of both her parents, but then when she’s there, weird things keep happening, and the interactions she has with another girl who initially seems to be a friend grow in intensity, in more ways than one.
Eventually, Alucarda explodes into something borderline incomprehensible, but it’s a ride worth taking. It’s an odd and feverish sort of film in ways that feel unique, even among other horror movies that deal with psychological stuff and demonic possession. Even calling it just a demonic possession movie feels like underselling it, given Alucarda—despite its brief runtime—intends to be a good deal more, and arguably pulls it off, by and large.
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33
‘When Evil Lurks’ (2023)
A bloodied Jimi is inside a car with the windshield broken in When Evil Lurks.Image via IFC
Though recent, When Evil Lurks already feels like it could be some kind of (minor) modern classic, because it’s at least bold enough to make a mark alongside so many other horror films released in recent years. Mostly, the plot here involves people in a small town reacting to the revelation that there is about to be some kind of demon born in their midst.
Evil does indeed lurk and affect their behavior, with the impending disaster creating a lot of dread that stands out, and is complemented by some more in-your-face horror elements, namely, a fair bit of grisly violence. When Evil Lurks doesn’t reinvent the brand of horror it explores, but it takes on the idea of demonic possession with style and confidence that make it easy to get wrapped up in.
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32
‘Saint Maud’ (2019)
Morfydd Clark in Saint Maud (2019).Image via StudioCanal
Saint Maud is a fairly slow film, but it’s slow with a purpose, working as a character study first and then a possession-related horror movie second. That might mean it’s not for everyone, but it’s still worth taking a chance on if you like supernatural horror, since if you give it the chance to get under your skin, it probably will.
Given it’s simple and also pretty short, it’s best not to go into too much depth about the plot of Saint Maud, but broadly, it centers on a young woman working as a carer for an older woman. Gradually, the younger woman unravels, and then things get gradually more horrific and surreal. It’s odd, but it is also effective, and it works well as a stripped-back and psychological sort of horror film.
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31
‘The Blackcoat’s Daughter’ (2015)
Emma Roberts as Joan in The Blackcoat’s DaughterImage Via A24
Before he directed one of 2024’s best thrillers (Longlegs), Osgood Perkins made The Blackcoat’s Daughter, which centers on young women in the same manner that so many solid demonic possession movies seem to do. Both are isolated during winter break, and this makes them extra vulnerable to some sort of dangerous spirit that preys on them and ensures that both their lives start to fall apart.
It’s another slow and offbeat sort of horror movie, too, but it’s effectively cold and desolate, using its setting and aesthetics to add immensely to the scare factor already present in such a premise. The Blackcoat’s Daughter ends up doing quite a lot, as a film, with relatively little by way of narrative and scale. It’s intimate, intense, and eerie, and also served as a promising sign of greater things to come for its director.
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30
‘Evil Dead Rise’ (2023)
Evil Dead Rise Opening SceneImage Via Warner Bros.
While it’s not the best movie to carry the Evil Dead name, Evil Dead Rise is still a good deal better than you’d expect it to be, and an arguable improvement on the other non-Sam RaimiEvil Dead movie from 2013. Rather than a cabin in the woods, Evil Dead Rise mixes things up by taking place largely inside an apartment complex, which proves to be often just as claustrophobic as a cabin would.
There are people getting possessed, jump scares, and some sequences of very gnarly violence and bloodshed; all things you’d expect from an Evil Dead movie that isn’t Army of Darkness. Evil Dead Rise keeps things simple but ultimately satisfies, feeling so familiar and satisfying that it’s the closest a demonic possession movie will probably ever come to being like a warm hug.
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29
‘Immaculate’ (2024)
Cecilia, played by actor Sydney Sweeney, screaming with her face covered in blood in Immaculate. Image via Neon
Plenty of movies about demonic possession also happen to be movies that deal with religious themes, and Immaculate belongs in such a camp. It’s about possession, and it also deals with religious horror pretty full-on, given it’s mostly set in a convent in Italy, with the main characters being the nuns who live there.
The central character is a newcomer to said convent, and while there, unusual things keep happening to her and around her, eventually suggesting that something fishy is going on within this isolated and seemingly peaceful countryside location. The premise of Immaculate is one that very easily gives way to horror of a particular flavor, meaning it’s hard to praise the film necessarily for being original. Then again, some conventions often get followed when it comes to movies about demonic possession, and at least Immaculate follows such conventions, perhaps not immaculately, but fairly well.
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Collider Exclusive · Oscar Best Picture Quiz Which Oscar Best Picture Is Your Perfect Movie? Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country
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Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.
🪜Parasite
🌀Everything Everywhere
☢️Oppenheimer
🐦Birdman
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🪙No Country for Old Men
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01
What kind of film experience do you actually want? The best movies don’t just entertain — they leave something behind.
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02
Which idea grabs you most in a film? Great films are driven by a central obsession. What’s yours?
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03
How do you like your story told? Form is content. The way a story is shaped changes what it means.
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04
What makes a truly great antagonist? The opposition defines the protagonist. What kind of opposition fascinates you?
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05
What do you want from a film’s ending? The final note is the one that lingers. What do you want it to sound like?
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06
Which setting pulls you in most? Where a film takes place shapes everything — mood, stakes, what’s even possible.
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07
What cinematic craft impresses you most? Every great film has a signature — a technical or artistic element that makes it unmistakable.
Advertisement
08
What kind of main character do you root for? The protagonist is the lens. Who you choose to follow says something about you.
Advertisement
09
How do you feel about a film that takes its time? Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.
Advertisement
10
What do you want to feel walking out of the cinema? The best films leave a mark. What kind of mark do you want?
Advertisement
The Academy Has Decided Your Perfect Film Is…
Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.
Advertisement
Parasite
You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho’s Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it’s ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.
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Everything Everywhere All at Once
You want it all — and this film gives you all of it. The Daniels’ Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn’t want cinema to choose between being entertaining and being meaningful. This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it’s about.
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Oppenheimer
You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens. Christopher Nolan’s Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.
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Birdman
You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it’s about. Alejandro González Iñárritu’s Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor’s ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn’t be possible. Michael Keaton’s performance and Emmanuel Lubezki’s restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all.
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No Country for Old Men
You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning. The Coen Brothers’ No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest. No Country for Old Men is honest in a way that most cinema never dares to be.
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28
‘Event Horizon’ (1997)
Sam Neill wears a space uniform and looks anxious in Event Horizon.Image via Paramount Pictures
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Demonic possessions alongside religious horror? That can be fairly expected stuff. But a demonic possession movie with a sci-fi spin? That’s something more novel, and a big reason why Event Horizon – despite its flaws – proves so memorable. It’s set in the future and in space, following astronauts as they travel to a ship that went missing several years earlier.
Uncovering what made it disappear leads to some unsettling discoveries, with Event Horizon being at its best when it’s at its most brazen. Some parts are genuinely quite shocking, and there’s a certain creative spark to the whole thing; a thrill in seeing this kind of horror take place in such a setting. Other parts of Event Horizon don’t work quite as well, but it’s an ambitious movie – and a minor cult classic of sorts – where the strengths outweigh the weaknesses.
27
‘Constantine’ (2005)
Keanu Reeves is John Constantine in ‘Constantine’Image via Warner Bros. Pictures
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Constantine, like Event Horizon, also earns some points for being a unique take on demonic possession-related horror. This Keanu Reeves-starring movie also works as a fantasy/action flick, and technically counts as a superhero movie of sorts, too, as it follows a man who’s able to travel between Hell and Earth while also having the ability to battle demons.
It’s fairly mild as far as demonic possession movies go, watering things down enough to make it broadly appealing—and only slightly scary—to not alienate those more interested in seeing a Keanu Reeves action movie. Constantine‘s a film that’s become a little more appreciated as time has gone on, being perhaps a little too young to be a full-on cult classic in the traditional sense, but certainly feeling as though it’s on its way to attaining such a label.
26
‘Late Night with the Devil’ (2023)
David Dastmalchian as Jack Delroy in Late Night with the DevilImage Via IFC Films
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While it wasn’t the first movie to combine a found footage format with demonic possession-related horror, Late Night with the Devil does have enough novelty to its presentation to be a distinctive viewing experience. The premise is nice and simple, being about a late-night talk show that has various guests related to paranormal activities on one night, which eventually leads to genuine terror and possible possessions.
Late Night with the Devil is one of the more exciting and interesting horror movies of the 2020s so far, not hitting it out of the park entirely but taking enough risks that pay off to make it an engaging and memorable watch. It does a great deal with a modest budget and a confined setting, and has an approach that makes it more than worthwhile for anyone who feels a bit burnt out by films about demonic possession and/or the found footage sub-genre.
Tom Cruise Red Carpet Image SmilingImage via Marion Curtis
Now in its sixth week of release in theaters worldwide, Project Hail Mary passed two massive box-office milestones. The movie held its ground this weekend, trailing The Super Mario Galaxy Movie and the week’s big new release, Michael. It added another $12 million to its domestic haul and passed the $300 million mark. The movie probably has the legs to hit the $350 million milestone by the end of its run. This is a terrific result for Amazon MGM Studios, which delayed the movie’s Prime Video release and put it back into select IMAX theaters for a one-week run. This is in contrast to its release strategy for Red One, starring Dwayne Johnson and Chris Evans, which landed on Prime Video only three weeks after debuting in theaters.
Red One failed to recoup its reported $250 million budget theatrically. Amazon’s other sci-fi release of 2026, the Chris Pratt and Rebecca Ferguson-led Mercy, also fell short of its reported $60 million budget. Both movies, however, proved to be quite successful on streaming. Produced on a budget of more than $200 million, Project Hail Mary will likely deliver huge numbers on Prime Video as well, but its box-office performance has been nothing short of extraordinary. It has greatly benefited from enthusiastic audience support, an event-movie status, and excellent reviews. It now stands at a “Certified Fresh” 94% critics’ score and a “Verified Hot” 96% audience score on the aggregator website Rotten Tomatoes.
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Collider Exclusive · Action Hero Quiz Which Action Hero Would Be Your Perfect Partner? Rambo · James Bond · Indiana Jones · John McClane · Ethan Hunt
Five legends. Five completely different ways of getting out alive — with style, with muscle, with charm, with luck, or with a plan so intricate it probably shouldn’t work. Ten questions will reveal which action hero was built to have your back.
🎖️Rambo
🍸James Bond
🏺Indiana Jones
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🔧John McClane
🎭Ethan Hunt
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01
You’re dropped into a dangerous situation with no warning. What do you need most from a partner? The first few seconds tell you everything about who belongs beside you.
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02
You have to get somewhere dangerous, fast. How do you travel? How you get there is half the mission.
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03
You’re pinned down and outnumbered. What does your ideal partner do? This is when you find out what someone is really made of.
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04
The mission is paused. You have one evening to decompress. What does your partner suggest? Who someone is when the pressure drops is who they actually are.
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05
How do you prefer your partner to communicate mid-mission? Good communication is the difference between partners and a liability.
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06
Your enemy is powerful, well-resourced, and has the upper hand. How should your partner approach them? The approach to the enemy defines the partnership.
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07
Things go badly wrong and you’re captured. What do you trust your partner to do? Who someone is when you need them most is the only thing that matters.
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08
What does your ideal partner bring to the table that you couldn’t replace? A great partner fills the gap you didn’t know you had.
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09
Every partnership has a cost. Which of these can you live with? No one comes without baggage. The question is whether you can carry it together.
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10
It’s the final moment. Everything is on the line. What do you need from your partner right now? The last question is the most honest one.
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Your Partner Has Been Assigned Your Perfect Partner Is…
Your answers have pointed to one action hero above all others. This is the person built to have your back — for better or considerably, spectacularly worse.
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Rambo
Your partner doesn’t talk much, doesn’t need to, and will have assessed every threat in your immediate environment before you’ve finished your first sentence. John Rambo is not a man of plans or politics — he is a force of nature shaped by survival, loyalty, and a capacity for endurance that goes beyond anything training can produce. He will not leave you behind. He has never left anyone behind who deserved to come home. What you get with Rambo is the most capable, most quietly ferocious partner imaginable — one who has been through things that would have broken anyone else, and who chose to keep going anyway. You’ll never need to ask if he has your back. You’ll just know.
James Bond
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Your partner will arrive perfectly dressed, perfectly briefed, and with a cover story so convincing it’ll take you a moment to remember what’s actually true. James Bond is the most professionally dangerous person in any room he enters — and the most disarmingly charming, which is the point. He operates in a world of layers, where nothing is what it appears and every advantage is used without apology. You’ll never be bored. You’ll occasionally be furious. But when it matters — when the mission is genuinely on the line and the margin for error has collapsed to nothing — Bond is exactly the partner you want. He has survived things that have no business being survivable. He does it with style. That is not nothing.
Indiana Jones
Your partner will know the history, the language, the cultural context, and exactly why the thing everyone else is ignoring is actually the most important thing in the room. Indiana Jones is brilliant, reckless, and occasionally impossible — but he is also one of the most resourceful, most genuinely knowledgeable partners you could find yourself beside. He approaches every situation with a scholar’s eye and a brawler’s instinct, which is an unusual combination and a remarkably effective one. He hates snakes and gets personally attached to objects of historical significance, both of which will slow you down at least once. It doesn’t matter. What Indy brings is irreplaceable — and the adventures you’ll have together will be the kind people write books about. Assuming you survive them.
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John McClane
Your partner was not supposed to be here. He does not have the right equipment, the right information, or anything approaching the right odds. He has a sarcastic remark and an absolute refusal to accept that the situation is as bad as it looks. John McClane is the greatest accidental hero in the history of action cinema — a man whose superpower is stubbornness, whose contingency plan is improvisation, and whose capacity to absorb punishment and keep moving would be alarming if it weren’t so useful. He will complain the entire time. He will make it significantly more chaotic than it needed to be. And he will absolutely, unconditionally, without question come through when it counts. Yippee-ki-yay.
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Ethan Hunt
Your partner has already run seventeen scenarios by the time you’ve finished reading the briefing, and the plan he’s settled on involves at least two things that should be physically impossible. Ethan Hunt operates at the absolute edge of human capability — technically, physically, and intellectually — and he brings the same relentless precision to protecting his partners that he brings to dismantling organisations that shouldn’t exist. He is not easy to know and he will never fully tell you everything. But he will carry the weight of the mission so completely, so absolutely, that your job is simply to trust him — and the remarkable thing is that trusting him always turns out to be the right call. The mission will be impossible. He will complete it anyway.
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Here’s How Much ‘Project Hail Mary’ Has Grossed at the Box Office
Directed by Phil Lord and Christopher Miller and starring Ryan Gosling, Project Hail Mary is based on a bestseller by Andy Weir, who also wrote the novel that inspired The Martian. With this weekend’s performance, Project Hail Mary has shrunk the gap between itself and Ridley Scott‘s film. With more than $300 million domestically and $600 million worldwide, the film has also overtaken the $598 million lifetime global haul of the sci-fi-adjacent Tom Cruise-led tentpole Mission: Impossible — The Final Reckoning. Directed by Christopher McQuarrie, the eighth Mission: Impossible movie was released to mostly positive reviews in 2025, but even with nearly $600 million at the worldwide box office, it was considered an underperformer because of a massive $400 million reported budget. It was marketed as the long-running action franchise’s last installment, and for once, it seems like they weren’t bluffing. Both Cruise and McQuarrie have found new projects, and the fate of the Mission: Impossible franchise remains undecided. Stay tuned to Collider for more updates.
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Release Date
March 15, 2026
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Runtime
157 minutes
Director
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Christopher Miller, Phil Lord
Writers
Drew Goddard, Andy Weir
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Producers
Aditya Sood, Amy Pascal, Andy Weir, Christopher Miller, Phil Lord, Rachel O’Connor, Ryan Gosling
Jaafar Jackson as Michael Jackson in a poster image for Michael (2026)Image via Lionsgate Films
After an infamously uneven run over the last couple of years, Lionsgate is ready to rebound. This weekend, the studio released its controversial Michael Jackson biopic, which exceeded already-bullish projections to deliver a record-breaking debut at the box office. Later this year, Lionsgate will also release The Hunger Games: Sunrise on the Reaping, the second prequel in the dystopian action franchise. Michael delivered the studio’s biggest debut since The Hunger Games: The Ballad of Songbirds & Snakes, which was released three years ago. Directed by Antoine Fuqua, Michael survived a highly dramatic production that reportedly saw a major creative overhaul to the third act and conflicts between the filmmakers and Jackson’s estate. The film’s release has also attracted renewed attention to the longstanding abuse allegations against the King of Pop. The movie has been criticized for omitting this aspect of Jackson’s life entirely.
However, it has clearly struck a chord with fans. Michael delivered the biggest-ever box-office debut for a biopic, overtaking not only Bohemian Rhapsody but also Christopher Nolan‘s Oppenheimer. Starring Jaafar Jackson as his iconic pop star uncle, the movie holds a 38% critics’ score and a “Verified Hot” 97% audience score on the aggregator website Rotten Tomatoes. The site’s consensus reads, “While Jaafar Jackson’s smooth moves bring the King of Pop to uncanny life, this musical biopic mostly plays like a ‘greatest hits’ album that could’ve benefited from including liner notes to give actual insight into the icon.”
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Collider Exclusive · Oscar Best Picture Quiz Which Oscar Best Picture Is Your Perfect Movie? Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country
Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.
🪜Parasite
🌀Everything Everywhere
☢️Oppenheimer
Advertisement
🐦Birdman
🪙No Country for Old Men
Advertisement
01
What kind of film experience do you actually want? The best movies don’t just entertain — they leave something behind.
Advertisement
02
Which idea grabs you most in a film? Great films are driven by a central obsession. What’s yours?
Advertisement
03
How do you like your story told? Form is content. The way a story is shaped changes what it means.
Advertisement
04
What makes a truly great antagonist? The opposition defines the protagonist. What kind of opposition fascinates you?
Advertisement
05
What do you want from a film’s ending? The final note is the one that lingers. What do you want it to sound like?
Advertisement
06
Which setting pulls you in most? Where a film takes place shapes everything — mood, stakes, what’s even possible.
Advertisement
07
What cinematic craft impresses you most? Every great film has a signature — a technical or artistic element that makes it unmistakable.
Advertisement
08
What kind of main character do you root for? The protagonist is the lens. Who you choose to follow says something about you.
Advertisement
09
How do you feel about a film that takes its time? Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.
Advertisement
10
What do you want to feel walking out of the cinema? The best films leave a mark. What kind of mark do you want?
Advertisement
The Academy Has Decided Your Perfect Film Is…
Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.
Advertisement
Parasite
You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho’s Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it’s ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.
Advertisement
Everything Everywhere All at Once
You want it all — and this film gives you all of it. The Daniels’ Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn’t want cinema to choose between being entertaining and being meaningful. This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it’s about.
Advertisement
Oppenheimer
You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens. Christopher Nolan’s Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.
Advertisement
Birdman
You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it’s about. Alejandro González Iñárritu’s Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor’s ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn’t be possible. Michael Keaton’s performance and Emmanuel Lubezki’s restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all.
Advertisement
No Country for Old Men
You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning. The Coen Brothers’ No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest. No Country for Old Men is honest in a way that most cinema never dares to be.
Advertisement
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Here’s How Much ‘Michael’ Grossed at the Box Office This Weekend
Produced on a massive reported budget of $200 million, Michael grossed just under $100 million domestically and more than $215 million worldwide in its opening weekend. A path to the $1 billion mark lies ahead, and, given near-unanimous audience praise, it seems highly achievable. Were the movie to hit this milestone, it would have overtaken both Bohemian Rhapsody and Oppenheimer to become the highest-grossing biopic of all time. Also starring Colman Domingo, Miles Teller, and Nia Long, the movie could also spawn a sequel that tackles the second half of Jackson’s life and career. A significant portion of footage that was edited out of the first film could reportedly be used in a second installment. Stay tuned to Collider for more updates.
“I’ve made the decision to end my relationship with Klay,” Megan, 31, tells Us Weekly in a Saturday, April 25, statement. “Trust, fidelity and respect are non-negotiable for me in a relationship, and when those values are compromised, there’s no real path forward.”
She continued, “I’m taking this time to prioritize myself and move ahead with peace and clarity.”
Several hours earlier, Megan appeared to publicly claim that Klay, 36, had been unfaithful during their relationship.
Megan Thee Stallion and Klay Thompson are heating up! After posting a few subtle hints online, Megan and Thompson confirmed their romance in mid-July 2025 when the pair each shared photos and videos featuring one another via Instagram. On July 12, Thompson shared a series of photos on the platform that featured a woman bearing […]
“Cheating, had me around your whole family playing house … got ‘cold feet,’” Megan wrote via her Instagram Stories earlier on Saturday without mentioning Klay by name. “Holding you down through all your HORRIBLE mood swings and treatment towards me during your basketball season.”
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She added, “Now you don’t know if you can be ‘monogamous???’ Bitch, I need a real break after this one. Bye y’all.”
Klay has not publicly addressed his relationship status or the cheating accusations. Us Weekly has reached out to the athlete’s rep for comment.
Courtesy of Megan Thee Stallion/ Instagram
Megan and Klay were first romantically linked in July 2025, making their red carpet debut later that month at her Pete & Thomas Foundation Gala. (Megan started the nonprofit in 2022 to support women, children, seniors and underserved communities in Houston, Texas.)
“Well, it feels incredible because Megan is such a special person and she inspires so many around the world. I’ve seen it firsthand,” Klay exclusively told Us on the red carpet. “This is just another incredible feat of hers to be able to give back, create [a] foundation and raise a ton of money for those in need. I’m honored to be here by her side.”
Klay Thompson won’t sit by and let two former NBA players drag his girlfriend. Thompson, 35, jumped into the comments of the “Hoopin’ N Hollerin’” podcast’s Instagram account on Wednesday, November 12, to defend Megan Thee Stallion after Jason Williams used a derogatory term to describe her to his cohost, Patrick Beverly. “Referring to my […]
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The gala was held in honor of Megan’s late parents, whom Klay told Us that he “would have loved to meet.”
“I know both of them would be so proud of their only daughter because of what — not only what she’s been able to accomplish, what she’s also going to continue to do,” Klay said at the time. “She has never been put in a box, or allowed herself to be in a box, and she just continues to inspire so many people around the world. And, on top of that, raise a ton of money this evening and just do so much for so many in need.”
Megan previously datedPardison Fontaine and Torrey Craig, respectively.
Reflecting on the sitcom that made her a global star, the actress said the show now feels more meaningful than ever. She also revealed how revisiting the sitcom has become difficult in the wake of Perry’s death, as it reminds her she’ll never again experience Perry’s presence and talent off-screen.
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More than two decades after “Friends” first aired, the sitcom remains a cultural staple, still pulling in new generations of fans.
Kudrow was at the center of that success, starring alongside Jennifer Aniston, Courteney Cox, David Schwimmer, Matt LeBlanc, and the late Perry.
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Now, Kudrow says her view of the show has shifted, especially after revisiting it following Perry’s death.
“After Matthew died, I watched the show again,” she told The Times. “Before, I only saw what I did wrong or could have done better. But for the first time, I truly appreciated just how great it was. I felt I did OK, but Jennifer and Courteney? Amazing. David and Matt? They had me laughing so hard. And then Matthew, he was just beyond us all.”
Kudrow Says Matthew Perry’s Death Made ‘Friends’ Hard To Rewatch
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While their characters often clashed on “Friends,” Kudrow and Perry shared a much closer bond off-screen.
The actress later honored that friendship by writing the foreword to her co-star’s 2022 memoir, “Friends, Lovers and the Big Terrible Thing,” where she admitted she hadn’t fully grasped the depth of his struggles with addiction.
Now, that realization has made revisiting “Friends” more emotional than ever.
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“Because there was a genius at work,” Kudrow said of Perry’s performance as Chandler. “And whatever any of us do in the future, we will never experience something like that again.”
Lisa Kudrow Once Gave Herself A Deadline To Make It In Hollywood
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After “Friends” wrapped in May 2004, the cast branched out in different directions, with varying levels of success.
For Kudrow, the transition led to a steady run in comedy, with roles in films like “Happy Endings,” “Hotel for Dogs,” “Easy A,” and “Neighbors.” She also moved behind the scenes, producing projects including “Web Therapy” and the TLC/NBC series “Who Do You Think You Are?”
However, Kudrow says her career wasn’t always something she took for granted. Early on, she gave herself a limited window to make acting work, with a backup plan already in mind.
“I said to myself, ‘You’re young… Have fun and try it.’ But always in the knowledge that life gets harder. You take on family and responsibilities,” she told The Times.
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The Actress Hesitates On AI Bringing Back ‘Friends’
As AI continues to make inroads in Hollywood, Kudrow isn’t convinced it should be used to revive “Friends.”
When asked whether she’d sign off on a deal allowing her likeness to be used in AI-generated episodes of the hit sitcom, Kudrow made it clear the choice wouldn’t be hers alone.
“Well, it wouldn’t be my decision,” she said. “All the cast would have to agree. Bright, Kauffman, Crane [the show’s creators and producers] would have to agree too.”
Even then, she suggested the idea may not get far. Kudrow noted that not everyone involved would necessarily be interested, regardless of how lucrative the offer might be.
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Lisa Kudrow Reflected On Being Married Before ‘Friends’ success
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Away from Hollywood, Kudrow built a stable personal life long before “Friends” turned her into a household name. She has been married for decades to French-born advertising executive Michel Stern, per PEOPLE.
That timing, she says, helped her sidestep the level of public scrutiny that followed co-stars like Jennifer Aniston and Courteney Cox at the height of the show’s fame.
Reflecting on it now, Kudrow acknowledged the role that decision played, while also stressing the importance of keeping her career separate from her home life.
“For sure, and all because I married early and outside the business,” she said. “No one was interested. There was no story. And very early on, I was pretty clear: actors on a big show are well paid and really looked after. But you cannot take that attitude home with you. At home, it’s family, life, kids.”
“I know that you guys see a lot of headlines and videos and photos about my life, and something that I have learned from being on reality TV is that everyone has an opinion,” Jessi, 33, said in a “get ready with me” video shared via Instagram on Saturday, April 25. “But healing after divorce is so interesting because everyone’s process is different.”
Jessi and her estranged husband Jordan Ngatikaura — who share kids Jager, 5, and Jovi, 3 — called it quits after making their reality TV debut on the hit Hulu show in September 2024. Their marriage issues were documented on The Secret Lives of Mormon Wives, including Jessi’s emotional affair with Marciano Brunette.
Following the news of their split, Jessi broke her silence on their divorce during a March episode of the “Call Her Daddy” podcast, claiming she experienced “emotional abuse” from Jordan.
“So for me, I did a lot of mourning in my relationship,” Jessi continued on Saturday. “I don’t know if anyone can relate to that. I know a lot of people don’t understand that I’m dating and hanging out and just having fun and when you’re in a relationship where you don’t feel valued and you don’t feel like you were treated well, it feels so nice to just talk to people who make you feel valued and treat you well.”
She added, “And I think one of the biggest comments I see is, ‘Go heal and focus on your children.’ And what I want to say to that is: two things can be true. I have my kids 50 percent of the time now, so I am focusing on healing and spending time with them but when I don’t have them I’m also focusing on myself and reprioritizing being happy, honestly. And it’s been really fun to just be happy and to be giddy and to just let loose and kind of see that men don’t have to be what I have experienced for so long.”
Jessi went on to say that while she does believe that “being alone,” going to therapy and “journaling” are all “ a big part of healing,” she also believes that “another part of healing is dating.”
“Because I am definitely jaded when it comes to relationships now and I am really scared,” she explained. “So it’s been kind of nice just to, like, be happy again and experience other things. I do plan on being single for a long time and just hanging out with different people and having fun and finding connections while also focusing on myself.”
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Jessi — who admitted she hasn’t been “single since I was 19 or 20 years old” — also addressed comments she has made about her previous relationship, saying that she doesn’t want to “talk badly” about her failed marriage.
“I already said my piece on that,” she added, claiming that she lived in “fight or flight” mode for years. “But there is an element of, like, when you do get divorced you kind of unwind what you’ve been through.”
The reality TV star acknowledged that there are “going to be plenty of judgments” about the decisions she makes moving forward, but despite the online hate and criticism she is “so happy just to be in this new phase in life.”
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“Divorce is so freaking scary and so hard and so heartbreaking,” she continued. “I am so excited to film again and show that process for me.”
The former Bachelorette is said to be focused on her mental health after her split and legal issues with Dakota, and will reportedly “not be involved” in the show moving forward.
Megan Thee Stallion’s whirlwind romance with Klay Thompson has come to an abrupt and messy end, leaving fans stunned by how quickly things unraveled.
What started as a highly publicized, affectionate relationship filled with gifts, trips, and red carpet moments has now turned into a breakup fueled by serious accusations.
With Megan speaking out directly and hinting at deeper issues, the split is already sparking intense reactions online as fans try to piece together what really went wrong.
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Megan Thee Stallion didn’t hold back when confirming the breakup, making it clear that her decision was rooted in values she refuses to compromise.
In a statement to PEOPLE on April 25, the rapper shared, “I’ve made the decision to end my relationship with Klay.”
Megan then shared a hint about the possible cause of the breakup, revealing, “Trust, fidelity and respect are non-negotiable for me in a relationship, and when those values are compromised, there’s no real path forward.”
In her final words, the Grammy Award winner shared that she would be stepping away and focusing on herself.
According to her, “I’m taking this time to prioritize myself and move ahead with peace and clarity.”
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Fans Erupt With Mixed Reactions Amid Megan’s Announcement
Megan Thee Stallion issues statement regarding breakup with Klay Thompson to TMZ:
“I’ve made the decision to end my relationship with Klay. Trust, fidelity and respect are non-negotiable for me in a relationship, and when those values are compromised, there’s no real path… pic.twitter.com/AkSP8NKM1d
In no time, Megan Thee Stallion’s statement spread across social media, sparking a wave of reactions from fans.
On X, some users showed the 31-year-old some support, noting that it was Thompson’s loss.
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“Trust and fidelity are the bare minimum, no matter who the man is. Seeing her stand on her values so publicly is incredibly empowering,” one person wrote.
Another commented, “She settled for less and the less still cheated on her and made her do wifey duties with no ring. This Arab boy fumbled a hottie damn.”
A third fan also noted, “The fact she led with values instead of vibes is the real story. Most people stay silent or spiral. She set a standard and moved, that’s grown woman behavior.”
On the other hand, some users revealed that Megan deserved what she got, considering her complicated history with Tory Lanez.
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“What goes around comes around. Karma is what again?” a fan wrote over a screenshot of a tweet Lanez made about God fighting his enemies.
Another fan also shared the same screenshot and added, “god is working for Tory Lanez,” alongside a laughing emoji.
Megan Thee Stallion Sparks Cheating Claims In Emotional Post
Instagram Stories | Megan Thee Stallion
Before the official confirmation, Megan Thee Stallion had already set social media on fire with a raw and emotional Instagram Stories post that appeared to call out her partner.
Although she didn’t mention the NBA star by name, the context made the situation clear.
“Cheating, had me around your whole family playing house… got ‘cold feet,’” she wrote.
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Megan also claimed she held Thompson down during all “your HORRIBLE mood swings and treatment towards me during your basketball season.”
According to her, she did all these only for Thompson to reveal he wasn’t sure he could be “monogamous.” “B*tch I need a REAL break after this one .. bye yall,” she continued.
As expected, the post wasted no time going viral and fans had a lot to say.
Fans React To Megan’s Instagram Outburst
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On X, many users revealed it was disappointing to see Thompson choosing infidelity, considering how much effort Megan Thee Stallion put into the relationship.
One fan wrote, “Klay Thompson really fumbled on this one, I really don’t know the basis of this whole issue but he supposed to learn from then curry and do better next time. No offense.”
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Another user commented, “Klay really had Meghan Thee Stallion holding him down through the whole season just to fumble her like that. Some dudes don’t deserve a real one.”
A third fan added, “Megan said she’d done playing games and walked. Queens don’t stay for mood swings and side pieces. Klay just lost the best thing he ever deserved.”
Megan Thee Stallion And Klay Thompson’s Romance Once Seemed Strong
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The breakup has shocked many because the relationship once appeared solid and full of excitement. Megan and Thompson had shared several moments that painted a picture of happiness and stability, especially after going public.
In February, Thompson surprised Megan with a powder-blue Bentley for her birthday, and the two celebrated with a tropical getaway.
She later reflected on the trip, writing, “Aw man I was not ready for this birthday trip to be over. A time was definitely had. THANK YOU BABY.”
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In late March, she posted a mirror selfie of her and her Thompson together, with the latter standing behind her and holding her waist, further fueling fan excitement about their bond.
Their relationship had first sparked headlines last summer before becoming official at her Pete & Thomas Foundation Gala in New York City.
At the time, Megan openly praised him, calling him the “nicest person I’ve ever met in my life,” which made the sudden breakup even more surprising.
“Fear Factor: House of Fear” host Johnny Knoxville is opening up about one of his favorite parts of filming the reality competition show: keeping up with behind-the-scenes gossip about contestants. He recalled reading daily updates during production, turning it into a morning routine while having breakfast.
Season 1 aired its final episode in March, and Knoxville will be returning for a second season after the show was renewed, giving him more gossip fodder with a new set of players.
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At the Deadline Contenders TV panel on April 25, “Fear Factor: House of Fear” host Johnny Knoxville and Executive Producer Michael Heyerman discussed the series, a reboot of the dare game show that originally aired from 2001 to 2006 and was hosted by Joe Rogan.
Unlike the original “Fear Factor,” the reboot requires contestants to live together in a creepy house where they can strategize and form alliances, adding an extra layer of drama to the already stressful challenges they face.
As Knoxville revealed, he gained a new hobby while filming the 10-episode series. “One of my favorite things is the first thing in the morning when we were shooting was they would send out the gossip report — the ‘hot gos report’ of all the things that are happening in the house. And my wife and I sat over breakfast every morning loving it,” he said during the panel, per Deadline.
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The Host Was Invested In The Relationships
14 hopefuls are ready to conquer their fears, but who will conquer the competition and take home $200k!? 💸👀
The original “Fear Factor” was a self-contained competition where a new set of three men and three women competed against each other in each episode. The reboot added a social-strategy element and had a player eliminated each episode until one was crowned the winner at the end of the season. This allowed Knoxville to get to know the players better and form bonds with them.
“I’ve never had a host be so invested in the hot sheet that comes out the morning of,” Heyerman said of Knoxville’s keen interest in the players. “I was really invested in it. Who’s trying to form a friendship, who’s backstabbing someone, is that a real romance or a showmance, did they kiss or barely kiss? I love it,” explained Knoxville.
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Knoxville formed a kinship with some contestants, admitting that he became emotional when some were eliminated. “I turned into that person, but you can’t help it. You form relationships with these people.”
Johnny Knoxville Dishes On His Fear
Knoxville doesn’t seem like someone who scares easily, especially given his history of facing dangerous and often frightening situations throughout “Jackass,” where he regularly pushed himself through stunts that would intimidate most people. However, he revealed one thing about the show that scared him.
In the first season, the challengers were made to face their biggest fears, including getting shocked, being buried alive, and being stuck with dangerous animals and critters, among other things. “Snakes, fine. Spiders, fine. I don’t care about heights. But the communal bathrooms in the house, it gives me anxiety. I don’t want to live with 14 people and have to share a bathroom. I’ll go out in the woods before I’ll do that. That gives me fear,” Knoxville shared.
The Stunt Performer Felt Like A ‘Perverted Life Coach’
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In an episode of the podcast “Books That Changed My Life” released in January, Knoxville spoke about his experience on “Fear Factor: House of Fear,” saying that his initial thought upon taking the project was to make the contestants’ experiences “worse” for them. However, as they started filming, his perspective changed, and he ended up encouraging the players to conquer their fears.
Knoxville said he told them not to quit, and to “at least try it.” “I became like a really perverted life coach,” he said, as he alternated between scaring them in one moment and motivating them in the next. The actor said he ended up liking the contestants and had more fun hosting than he expected.
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Johnny Knoxville Returns For ‘Fear Factor’ Season 2
A two-part follow-up special titled “Fear Factor: 48 Hours of Fear” will premiere on May 14, where six contestants endure challenges for 48 hours without sleep. Fox also announced that “Fear Factor: House of Fear” has been renewed for a second season.
As reported by Variety, the first episode of Season 1 drew in 16.5 million viewers from various platforms. “Johnny Knoxville’s fearless, unpredictable energy makes him the perfect ringmaster,” Fox Television Network President Michael Thorn said. According to him, the team behind the show is now “plotting new ways to raise the shock-and-awe quotient for Season Two.”
“Fear Factor: House of Fear” Season 1 is now streaming on Hulu and Disney+.
Filming for Season 4 of the Emmy-winning show “The White Lotus” is well underway in France, and producer David Bernad is sharing some tidbits about the upcoming season without revealing the plot. As he recently revealed, he and showrunner Mike White had an encounter with Cannes waitstaff that convinced them France was the perfect backdrop for the black comedy anthology series’ fourth season.
At the Cannes International Series Festival, “The White Lotus” producer David Bernad dished on how France was chosen as the location for the show’s upcoming season. Showrunner Mike White initially had a list of countries in mind, but an encounter several years ago convinced him that France was the most fitting environment for the idea he had brewing.
As Bernad noted, the interaction happened in 2021 in Cannes while they were attending the Canneseries Festival, per Variety. “We went to dinner and we had a really specific experience with a waiter and a maître d’, and it was the stereotype,” the producer said, without adding further details about what happened, only saying that it was “a funny moment.”
“And I think that it suddenly unlocked what the show is and the dynamics of the show,” he continued. At that point, he and White eliminated all the other locations they were considering and decided then and there that they were shooting Season 4 in France.
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David Bernad And Mike White Share The Focus Of Season 4
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Before choosing France, White already had a general idea of what Season 4 would be about, with Bernad saying it would focus on “the arts and what it is to be an artist.” Careful not to reveal anything further, the producer said the series will show “how fame can be corrosive and can dictate your choices in life,” adding that Season 4 is the “funniest season” yet.
In an interview with W Magazine in February, White, who writes and directs the series, confirmed that Season 4 will be about fame. “Who has the world’s attention, who is the plus-one, and how that can organize a relationship. Some people are satisfied with the love of just an intimate partner, and some people need the love of strangers and a bigger kind of attention,” he explained.
How ‘Survivor’ Helped Mike White’s Storytelling For ‘The White Lotus’
White was a castaway on “Survivor” twice, the second time on Season 50, which is currently airing. The director took time off before starting work on “The White Lotus” Season 4 to join the reality series’ milestone season that includes past players. According to White, one of the reasons he loves the show is seeing how the players react to and handle situations.
“It’s like a king’s court of intrigue and showing people under stress in these high stakes situations and how they act… it’s getting some insight into the human mind and motivations, it’s really valuable as a storyteller,” White told The Hollywood Reporter.
White revealed that he developed the characters and concept of “The White Lotus” Season 4 while he was on “Survivor 50,” adding that one of his early thoughts was which character to kill in the new season.
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Helena Bonham Carter Leaves ‘The White Lotus’
Helena Bonham Carter has departed ‘The White Lotus’ Season 4 just days into production, Deadline reports.
HBO says her character didn’t work once filming began and will be rewritten and recast. pic.twitter.com/SGbUmBVRMk
In January, Helena Bonham Carter was announced as part of “The White Lotus” Season 4 cast. Filming began on April 15 on the French Riviera, but more than a week later, it was reported that the English actress would no longer be part of the series.
As The Blast previously reported, Carter’s character did not translate on set, and some rewrites will be done. “The role has subsequently been rethought, is being rewritten and will be recast in the coming weeks,” the statement read. The news was met with disappointment from fans who were looking forward to seeing Carter in the highly anticipated season.
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What Do We Know About ‘The White Lotus’ Season 4?
New cast members for ‘The White Lotus’ Season 4:
• Max Greenfield • Kumail Nanjiani • Chloe Bennet • Charlie Hall • Jarrad Paul pic.twitter.com/I2eh1WYuoC
“The White Lotus” Season 4 is already in production, with filming taking place across the French Riviera, including Cannes, Saint-Tropez, Monaco, and Paris. The story is set during the Cannes Film Festival, unfolding at luxury hotels such as the Airelles Château de la Messardière and Hôtel Martinez.
Season 4’s ensemble cast includes Heather Graham, Vincent Cassell, Kumail Nanjiani, Max Greenfield, Sandra Bernhard, Steve Coogan, Marissa Long, Frida Gustavsson, Rosie Perez, Ben Schnetzer, Chris Messina, AJ Michalka, Steve Coogan, and Alexander Ludwig.
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An official date has not been announced, but “The White Lotus” Season 4 is expected to premiere sometime in 2027.
Presented by Matt Smith, Olivia Cooke, and Fabien Frankel, the new trailer promises what the cast described as a “bigger, bolder, bloodier, more brutal, more dangerous” season, and the footage absolutely seems to back that up. The trailer puts a heavy spotlight on two major conflicts, including the Battle of the Gullet and a large-scale field battle, while scattering glimpses of chaos from across the season. One of the standout additions is James Norton as Ormund Hightower, delivering a fiery speech about Rhaenyra’s illegitimacy. Elsewhere, Tom Glynn-Carney’s battered Aegon vows revenge against Ewan Mitchell’s Aemond, who now appears to be settled as King and is even seen occupying the Iron Throne himself.
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Collider Exclusive · Sci-Fi Survival Quiz Which Sci-Fi World Would You Survive? The Matrix · Mad Max · Blade Runner · Dune · Star Wars
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Five universes. Five completely different ways the future went wrong — or sideways, or up in flames. Only one of them is the world your instincts were built for. Eight questions will figure out which dystopia, galaxy, or desert wasteland you’d actually make it out of alive.
💊The Matrix
🔥Mad Max
🌧️Blade Runner
🏜️Dune
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🚀Star Wars
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01
You sense something is deeply wrong with the world around you. What do you do? The first instinct is often the truest one.
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02
In a world of scarcity, what resource do you guard most fiercely? What we protect reveals what we believe survival actually requires.
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03
What kind of threat keeps you up at night? Fear is useful data — if you’re honest about what you’re actually afraid of.
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04
How do you deal with authority you don’t trust? Every dystopia has a power structure. Your approach to it determines everything.
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05
Which environment could you actually endure long-term? Survival isn’t just tactical — it’s physical, psychological, and very much about where you are.
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06
Who do you want in your corner when things fall apart? The company you keep is the clearest signal of who you actually are.
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07
Where do you draw the line — if you draw one at all? Every survivor eventually faces a moment that tests what they’re actually made of.
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08
What would actually make survival worth it? Staying alive is one thing. Having a reason to is another.
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Your Fate Has Been Calculated You’d Survive In…
Your answers point to the world your instincts were built for. This is the universe your temperament, your survival instincts, and your particular brand of stubbornness were made for.
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The Resistance, Zion
The Matrix
You took the red pill a long time ago — probably before anyone offered it to you. You’re a systems thinker who can’t help but notice the seams in things.
You’re drawn to understanding how the system works before figuring out how to break it.
You’d find the Resistance, or it would find you — your instinct for spotting constructed realities is the machines’ worst nightmare.
You function best when you have access to information and the freedom to act on it.
The Matrix built an airtight prison. You’d be the one probing the walls for the door.
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The Wasteland
Mad Max
The wasteland doesn’t reward the clever or the well-connected — it rewards those who are hard to kill and harder to break. That’s you.
You don’t need comfort, community, or a cause larger than the next horizon.
You need a vehicle, a clear threat, and enough fuel to outrun it — and you’re good at all three.
You are unsentimental enough to survive that world, and decent enough — just barely — to be something more than another raider.
In the wasteland, that distinction is everything.
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Los Angeles, 2049
Blade Runner
You’d survive here because you know how to exist in moral grey areas without losing yourself completely.
You read people accurately, keep your circle small, and ask the questions others prefer not to answer.
In a city where humanity is a legal designation rather than a feeling, you hold onto something that keeps you functional.
You’re not a hero. But you’re not lost, either.
In Blade Runner’s world, that distinction is everything.
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Arrakis
Dune
Arrakis is the most hostile environment in the known universe — and you are precisely the kind of person it rewards.
Patience, discipline, and political awareness are your core strengths — and on Arrakis, they’re survival tools.
You understand that the long game matters more than any single victory.
Others come to Dune and are consumed by it. You’d learn its logic and earn its respect.
In time, you wouldn’t just survive Arrakis — you’d begin to reshape it.
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A Galaxy Far, Far Away
Star Wars
The galaxy far, far away is vast, loud, and in a constant state of violent political upheaval — and you wouldn’t have it any other way.
You find meaning in being part of something larger than yourself — a cause, a crew, a rebellion.
You’d gravitate toward the Rebellion, or the fringes, or whatever pocket of the galaxy still believes the Empire’s grip can be broken.
You fight — not because you have to, but because standing aside isn’t something you’re capable of.
In Star Wars, that willingness is what makes all the difference.
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What Can We Expect From ‘House of the Dragon’ Season 3?
Showrunner Ryan Condal, who appeared via video link at the event, teased that there would be a lot more of what the fans have been demanding — dragons.
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“I’m very sad to not be joining you all there, but I’m back here in the U.K., putting the finishing touches on post-production in season three. This is a huge season. It’s the biggest we’ve made by any margin and by a wide measure. It is dark. It’s funny. It’s action-packed. It’s emotional. And, of course, it has lots and lots of dragons. This season demanded the very best of everybody that collaborated to make it together, and I can’t wait for the world to experience it.”
Smith also teased that, unlike the more dialogue-heavy episodes of Season 2, this outing would contain “a lot of battles.” He added: “This season, we’re trying to make it bigger, bolder, bloodier, more brutal, more dangerous — just get back to the nuts and bolts of what we are as a show.”
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