Related: What ‘The Pitt‘ Cast Has Said About the Show‘s Numerous Exits
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The Pitt‘s Noah Wyle broke down Dr. Robby’s ending in season 2 after concerns of suicidal ideation.
During the finale on Thursday, April 16, Robby had separate goodbyes with most of the people at the hospital. His comments about how he didn’t know if he was coming back from his sabbatical concerned Dana (Katherine LaNasa), Abbot (Shawn Hatosy) and Duke (Jeff Kober) but Robby was determined to go.
Robby then had an argument with Langdon (Patrick Ball) before going to check on Baby Jane Doe. In an emotional final moment, Robby told the infant that she had a lot to look forward to because of how loved she was. It served as a direct parallel to Robby, who couldn’t seem to see the support he had from his loved ones.
“Emotionally, it was the culmination of a lot of goodbyes. We’d seen him say goodbye to Abbot, Duke and Dana — and then he has the exchange with Langdon. It removes all of his resistance to going,” Wyle, 54, exclusively told Us Weekly while examining Robby’s mental state. “Then he sits there and he looks at this innocent [baby] — who is also an abandoned soul and who is also helpless in the world. He just connects.”
It was important to have Robby end this chapter of his story with the baby.
“He spills a secret to the only person that can’t answer back or can’t repeat what he has to say in the room where all of his secrets are,” Wyle continued. “So it just seemed like very nice and poetic symmetry to bring him back into that room and to have him deal with that baby at the end of it all.”
Wyle recalled the biggest challenge of bringing the scene to life, adding, “Any time you’re working with babies on set, you’re working very quickly. We had three babies that day and they were being totally uncooperative with what we needed them to do. That baby finally stopped crying — or started crying — and we just started shooting.”
He continued: “We shot all that in 16 minutes. It was technically very quick and efficient work.”
According to creator R. Scott Gemmill, the show’s conclusion never changed.
“That was decided right before we even put pen to paper. It was a bit crazy because it meant we’re going to have that baby for the whole season, which is challenging,” he explained to Us. “But to me, it was about Robby finding solace in the one person that has no connections to him and it’s safe. He can tell that baby anything he wants. In some cases, he does say things that he wouldn’t tell to anyone else because he knows it’s safe.”
Gemmill hoped the emotion came across, saying, “There’s comfort there. I think he sees a kindred spirit in somebody that’s got a tough life ahead of them and he is reflective in that moment of what he’s been through to get to this point.”
Looking ahead, the screenwriter teased the changes planned in season 3. “We’re not going to do a holiday next year. We’re just going to do a time of year,” Gemmill shared. “It will be a little colder. Close to [winter]. Because nobody wants to be in Pittsburgh in the middle of winter.”
Wyle, meanwhile, suggested other possibilities for future seasons.
“ER’s pilot was St. Patrick’s Day, and we’ve now done Fourth of July on The Pitt. Christmas is too many clothes and bulkiness — and we’d all get sick of the decor by the time we were finished shooting,” Wyle said about possible holidays to cover on the show. “Halloween is a little gimmicky. New Year’s Eve is a very busy ER night. So maybe New Year’s Eve.”
The Pitt has been renewed on HBO Max and is returning for season 3.
If you or someone you know is in emotional distress or considering suicide, call the National Suicide Prevention Lifeline at 1-800-273-TALK (8255).
The Crow, director Alex Proyas‘ towering baroque spectacle, immortalized itself into a pop-culture touchstone almost instantaneously. A true artifact of its generation, teens donned black eyeliner and pretended to race across rooftops, while wearied adults recognized the somber life pulsing underneath the cult classic’s hyper-stylized sensibilities — the moody noir iconography, the straightforward mythology, and the trauma layering every frame. Creator James O’Barr‘s comic of the same name was born out of his fiancée’s tragic death, while Proyas’ 1994 movie is eternally haunted by Brandon Lee‘s accidental on-set passing.
No matter how low or high your tolerance for melodramatic aesthetics, these motifs lend The Crow‘s agonized rage a sense of true gravity and substance. It’s a superhero revenge epic built not upon the cynical scaffolding its cultural reputation occasionally suggests, but a vigilante fantasy about exacting what bare-minimum justice remains when the world’s on perpetual fire and our loved ones have been swallowed up by the flames. The Crow‘s familiarity with visceral grief resonates with even more emotional truth than perhaps ever before.
A familiar descriptor it may be, but The Crow‘s rendering of Detroit, Michigan turns said setting into a living character overrun by police corruption and greed-driven criminals. Random violence and senseless depravity provoke Eric Draven’s (Lee) revenge spree against the four men who murder him and his fiancée, Shelly Webster (Sofia Shinas). Except for a handful of daytime scenes, impenetrable shadows and artistically timed rainstorms drench every moment. Whether it’s production designer Alex McDowell and art directors John Marshall and Simon Murton‘s miniature buildings, grimy apartment interiors, or cramped, smoke-filled bars, the design’s distinct details craft a story. As much as the manufactured cityscape evokes a menacing quality, like some upside-down nightmare reality, Detroit also feels prone to shrieking in despair.
The Crow‘s heightened suspension of disbelief never rings hollow or satirically self-conscious. Proyas has a rock-star music video vision, and cinematographer Dariusz Wolski‘s dreary yet lyrically beautiful edge embraces unrepentant theatricality — black leather, composer Graeme Revel‘s grunge guitar riffs, lightning crackling above romantic Gothic architecture — without descending into outright farce. No, Eric doesn’t need to flip his rain-soaked hair in slow motion any more than a car should veer into the river before exploding into a gaseous fireball. It still makes for a spectacular tableau. Each avant-garde characteristic supports Proyas’ structure, which, in turn, infuses Eric’s righteous quest with high-octane energy.
Beyond the hypnotic aesthetics, The Crow‘s skeleton key will forever be Lee’s spellbinding, utterly soulful commitment. Eric claws out of his grave into the soaking mud and screams raw anguish. When he revisits his apartment and recalls the fatal attack, the frenzied montage slices like a dozen metaphorical glass shards. Yet for all Eric’s searing fury and avenging-demon makeup, he hops onto tables and cackles, vindictively toying with his prey as often as he prowls with murderous intent. Balanced against his earlier maelstrom of mourning, his gleeful satisfaction reflects the duality of a tormented heart better than an entirely brooding man. No character with a moral compass holds any qualms about Eric dispatching his assailants, either — nor, despite The Crow‘s action-heavy reputation, does he devote more effort to their deaths than minimal martial arts. They deserve their fates, but rather than flashy gore, Eric achieving satisfactory closure is the focus.
The moments when The Crow‘s stumbles aren’t deal-breakers: occasional threadbare dialogue, a lack of character depth, and Shelly’s fate, the latter playing straight into the tired cliché of a man motivated by a brutalized woman. The film’s transformative pathos onscreen and offscreen has ensured The Crow‘s continual resurrection for over three decades. Sarah (Rochelle Davis), Eric and Shelly’s surrogate daughter, temporarily believes that the world reduces anything joyful or lovely to ashes. Eric, of all people, counters her nihilism with bittersweet hope. His posthumous resolution emphasizes the ways love endures despite heartbreak. Some may find that too sentimental, but the main points stand: an ode to surviving grief not by overcoming it, but living alongside its existence, and how a community of abandoned outcasts can become one another’s salvation. After 30 years, The Crow‘s earnest, wounded heart remains vividly ambitious, imaginative, and cathartic.
May 11, 1994
102 Minutes
David J. Schow, John Shirley
Brandon Lee
Eric Draven / The Crow
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Stan and Wallis sparked romance rumors in 2022 but became more public with their relationship in 2024.
The first season of Off Campus is focused on Hannah and Garrett’s love story — but will Ella Bright and Belmont Cameli return for future seasons of the show?
“I totally understand your concern,” Cameli, 28, exclusively told Us Weekly about each season of the Prime Video show being focused on a different fictional couple. “We will be along for the ride the whole time.”
Bright confirmed the plan is for them to be “sticking” around before Cameli, 19, added, “We’re excited to see what season 2 holds for [us].”
Based on the Off Campus book series by Elle Kennedy, the show, which premieres Wednesday, May 13, follows an elite ice hockey team — and the women in their lives — as they “grapple with love, heartbreak, and self-discovery — forging deep friendships and enduring bonds while navigating the complexities that come with transitioning into adulthood,” read the official synopsis.
Season 1 is centered around the “sexy and fun ‘opposites attract’ romance between quiet songwriter, Hannah, and Briar University’s all-star hockey athlete, Garrett.”
For Bright and Cameli, the experience of introducing the Off Campus universe was made easier because of their quick offscreen friendship.
“Doing a job like this would be so miserable if you didn’t like your costar,” Cameli shared. “We are so lucky. Ella and I are really, really good friends. We get along so well and we spend a ton of time together on set.”
Bright was just as grateful to have Cameli as her onscreen partner in crime.
“Honestly, we just have so much fun. It’s so cool to be able to go on this journey with everybody who just cares so much about this show and these characters,” she gushed to Us. “Everyone is here for the same reason. It definitely loosens the pressure a lot, because you’re sharing it with all these really great and talented people.”
Cameli pointed out that he and Bright have a seamless bond. “We just told you, that our faces literally hurt right now. We just sat here unmoving and laughing all day,” he noted.
While season 1 will make fans fall in love with Hannah and Garrett’s story, the show introduces characters played by Mika Abdalla, Antonio Cipriano, Jalen Thomas Brooks, Josh Heuston and Stephen Kalyn as well.
Prime Video has already been renewed for another season — but the next leads have yet to be confirmed.
Off Campus premieres on Prime Video Wednesday, May 13.
Jamie Foxx has been linked to Alyce Huckstepp since 2022. Their relationship was then confirmed in August of the following year. Now, according to new reports, the two are expecting a child in the coming months. This comes as the beloved actor is attached to multiple upcoming movie roles, including the yet-to-be-released “All-Star Weekend,” which he directed.

TMZ reported on May 12 that Foxx, 58, is set to become a third-time dad as his girlfriend, Huckstepp, 31, is expecting.
Currently, it’s unclear how far along the former fitness model is in her pregnancy. The baby’s gender is also unknown at this time.
Foxx’s first child, Corinne, was born in 1994, while his second, Anelise, arrived in 2008.

Foxx and Huckstepp were first spotted together in August 2022 at the “Day Shift” premiere. Reportedly, their relationship then kicked into high gear the following year, and they were later spotted at the Nobu Hotel in Los Cabos, Mexico.
It’s also worth noting that the expectant parents had broken up around the end of 2024, with it being confirmed in January of the following year. Notably, per The Blast, Foxx joked about being single in his Netflix special, “Jamie Foxx: What Had Happened Was,” which was released in December 2024.

Now that Foxx and Huckstepp are rumored to be expecting a child, fans are offering their best wishes to the couple.
One person said on X, “Jamie Foxx is going to be a dad again! This is the kind of positive energy we love to see. Wishing Jamie and Alyce nothing but the best on this journey!”
Someone else said, “Whoa, that’s a big personal milestone for him. Jamie Foxx has had quite a journey.”

The world rallied around Foxx in April 2023 after he suffered a severe medical complication in Atlanta while filming Netflix’s “Back in Action” alongside Cameron Diaz. Later, he revealed the nature of the medical emergency, revealing that he’s endured a brain bleed.
He made his first public appearance after the incident in December of that year at the Critics’ Choice Awards. According to Good Morning America, he gave an emotional speech, saying, “I want to thank everybody. I’ve been through something. I’ve been through some things. You know, it’s crazy, I couldn’t do that six months ago, I couldn’t actually walk.”
Foxx added, “So it feels good to be here. I cherish every single minute now. It’s different. I wouldn’t wish what I went through on my worst enemy, ’cause it’s tough, when you almost – when it’s almost over. When you see the tunnel. I saw the tunnel, I didn’t see no light. It was hot in that tunnel.”
Per ABC News, the actor also opened up about the day the incident occurred in July 2024 while speaking to fans in Phoenix, Arizona. Foxx told the crowd, “April 11 last year, bad headache, asked my boy for an Advil. I was gone for 20 days. I don’t remember anything.”
He went on, “So they told me, I’m in Atlanta, they told me — my sister and daughter took me to the first doctor. They gave me a Cortisone shot. The next doctor said there’s something going on up there. I won’t say it on camera.”

Despite the recent health complications, Foxx has multiple films and shows in various stages of development. This includes projects where he’ll star as well as films where he serves as a producer. Among his upcoming films is Netflix’s “Fight for ’84.” As of now, the film has no release date but is expected in late 2026 or early 2027.
That is not all. According to Deadline, he was cast in 2021 to lead an upcoming miniseries about Mike Tyson, in which he’ll play the legendary boxer. This will be the second limited series about the sports icon, with this one being produced by Antoine Fuqua and Martin Scorsese.
Additionally, he still has his unreleased comedy “All-Star Weekend,” which he filmed in 2016. The movie included Jeremy Piven, Robert Downey Jr., Benicio del Toro, Gerard Butler, and Eva Longoria. However, despite the A-list cast, the movie has remained shelved.
Chile! Blueface and Chrisean Rock have the internet on fire after unexpectedly linking up over the weekend and seemingly afterward. First, Blue brought out Rock as a special guest during a Seattle show, and they also kicked it in his trailer. Then, on Monday, a video surfaced of them play-fighting, with her offering to train him in boxing.
Chrisean Rock had the crowd going in Seattle when she popped out on stage to perform ‘Yahweh.’ The invite was courtesy of her on-and-off boyfriend, Blueface. Despite previously claiming she was staying away from his “circus,” Chrisean was super chill in the footage of them in a trailer. It appears Blue was streaming with nearly 3,000 people, as she later refused to say hi to his “chat,” when he asked her to.
SWIPE BELOW TO SEE BOTH VIDEOS.
Meanwhile, on Snapchat, Chrisean Rock posted a video of her and Blueface play boxing. She told the camera that Blue fights backwards, and she offered to train him. He previously lost a boxing match on March 14 against another streamer, Chibu. Meanwhile, Rock recently won her professional boxing debut against Zenith Zion on April 25, a moment that she emotionally applauded afterward. In the Snapchat video Chrisean posted, she added the caption “Chrisean parents,” referring to her son Chrisean Jesus. Interestingly enough, last weekend, the internet was also chatting after Blueface doubled down on not being Chrisean Jesus’ father, which he has also said in March.
WATCH THE VIDEO BELOW.
What Do You Think Roomies?

Sebastian Stan and Annabelle Wallis have been one another’s biggest fans since they started dating in 2022.
Stan and Wallis kept their romance tight-lipped until making their red carpet debut at the 2025 Golden Globes. After Stan won the award for Best Performance by a Male Actor in a Motion Picture — Musical or Comedy, he gave Wallis a romantic shout-out during his acceptance speech.
“Annabelle, I love you,” the Marvel star exclaimed.
Stan — who previously dated the likes of Leighton Meester, Jennifer Morrison and Dianna Agron — has long been candid about his dating experiences.
armor,’ the hero complex over on the masculine side which, obviously, I think is a big part of the toxic masculinity that kind of develops,” Stan said on “The Jess Cagle Podcast” in March 2022. “But this idea of ‘knight in shining armor’ and this idea that we often see sometimes in Disney movies and narratives growing up.”
He added at the time, “Sometimes we just have to reevaluate [those ideals] and just understand how those narratives subconsciously influence us as we meet people because we often meet people and we’re looking for evidence of certain things we know or we’ve heard of.”
If Stan’s continued romance with Wallis is any indication, his remarks clearly struck a chord. Keep scrolling to look back at their full romance journey:
Stan and Wallis, who previously dated Chris Pine, were first romantically linked in May when they were spotted together at Robert Pattinson’s birthday party. According to a since-deleted Instagram snap from photographer Myles Hendrik, Wallis stood close to Stan and nearly bit his bottom lip.
The following August, Stan was spotted celebrating his 40th birthday with a trip to Greece with a handful of friends and Wallis.

They made their red carpet debut nearly three years later at the Golden Globes. After Stan won for his role in A Different Man, he sweetly packed on the PDA with Wallis before taking the stage.
“Annabelle, I love you,” Stan closed out his speech as she looked on in awe.

Wallis was proudly on Stan’s arm at the 2025 EE BAFTA Film Awards, where he was up for Best Leading Actor for his performance in The Apprentice. While he looked dapper in a classic black tux, Wallis shimmered in an off-the-shoulder silver gown.

Stan brought Wallis and his mother, Georgeta Orlovschi, to the 97th annual Academy Awards when he was up for Best Actor in a Leading Role. Despite losing to Adrien Brody, he had his loved ones’ tireless support.
Ahead of the ceremony, an eyewitness told Us Weekly that Wallis kissed Stan for luck before leaving the Roosevelt Hotel.

Stan and Wallis twinned in black for the 2025 Academy Museum Gala, in which they walked the red carpet together.
Stan confirmed in an interview with Deadline that Wallis is pregnant with the couple’s first child.
“I want to be a good dad,” the Thunderbolts actor said, adding, “I’m feeling the responsibility of being a good father. And not to mention a good man. I’m 43 and I feel, in a lot of ways, I’m just starting to learn now. It’s just crazy to me.”
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Take one look at runways, city streets and rich mom wardrobes — polka dots are totally back, and they work magic in the polish department. Our 17 favorite dresses, blouses and skirts nail the trend, channeling sophisticated vibes every step of the way. These chic designs should cost hundreds. . . but luckily, they don’t!
Our top classy, polka-dot picks work just as well for school pickups as they do for client lunches. Whether you prefer tiny pin dots or bold graphic spots, you’ll find them below. Each elevated piece adds personality to your wardrobe without trying too hard.
1. Our Favorite: When you’re trying to look put together, this ruffle-hem maxi does the heavy lifting. The wrap style flatters every figure, while the ruffles add gentle movement.
2. Beach Babe: Spaghetti straps keep you cool while pockets stash your keys, phone and sunscreen. It’s hard to believe this beachy maxi dress is only $15.
3. Sunny Yellow: Yellow on yellow makes this bright, buttery sundress fresh instead of busy. Dark yellow dots add just enough contrast.
4. Quiet Luxury: Appear mega expensive in Verdusa’s simple black-and-beige midi dress. Wear it with a blazer and you’ll be the office envy — guaranteed.
5. Wedding Guest: This polka-dot dress is classier than most, thanks to the oversized dots that feel both stylish and luxe. The stretchy top means no squeeze!
6. Wrapped Up: Sleeveless dresses can feel too exposed for office settings, but this blue wrap design has ruffled cap sleeves that split the difference.
7. Polka-Dot Princess: Toss this flowy vacation dress in your weekender for a beach-town getaway. It packs without wrinkling and is just as stunning with flip-flops as with wedges.
8. Our Favorite: A tie-neck detail elevates Dokotoo’s chiffon blouse from basic to boardroom-ready. It’s a staple you’ll reach for weekly.
9. Yacht Wife: Long-sleeve shirts can feel stuffy, tank tops too revealing. This cap-sleeve number sits right in the middle.
10. CEO Status: An oversized ruffle runs down the front of this elegant blouse, adding drama without bulk. The chiffon fabric keeps it light.
11. Boutique Find: Short puff sleeves and a peplum hem give Cicy Bell’s boutique-like top real shape, the kind that defines the waist without clinging.
12. Puff-Sleeve Princess: This refined top features puff sleeves that do the styling work for you while quietly concealing your upper arms. It’s an easy yes!
13. Everyday Outfit: A V-neck lengthens while flutter sleeves soften. Together, they make this flutter-sleeve top one of the most universally flattering pieces.
14. Our Favorite: Trends come and go, but this black and white skirt will still be ‘in’ come 2036. It pairs perfectly with every color and style.
15. Smocked and Ready: A tee and sneakers in spring, a tank and flip-flops in summer. This smocked maxi skirt stretches across seasons as easily as it stretches at the waist.
16. Nice Stretch: Shapewear under a skirt is a sticky mess. Thankfully, this elastane-blend skirt is masterfully smoothing, no extra layer required.
17. Maxi Maven: Pencil skirts feel too restrictive, and mini skirts are tough to move in. This polka dot maxi offers length and ease with a romantic tiered shape.
By Steven Nelson
| Published

In a world bursting with dystopian tales, 2017’s What Happened to Monday manages to offer a fresh, thrilling spin, catching viewers in a web of suspense, emotion, and intricate plotting. It went under-watched and underappreciated at the time of its release, but we can correct that now.
It’s streaming on Netflix, and this gripping sci-fi film poses the question: In a future where overpopulation leads to a strict one-child policy, what happens when you have seven identical sisters living in secret?
If you’re in the mood for a pulse-pounding ride that merges mystery with futuristic paranoia, then What Happened to Monday is one to add to your watchlist. And if you are a parent handling multiple kids at home, don’t worry, this will make your own living situation seem peaceful by comparison.

In the not-so-far-off future depicted in What Happened to Monday, overpopulation isn’t just a looming issue, but rather a critical crisis. The world’s governments, in a desperate attempt to control the situation, implement a strict one-child policy. The Child Allocation Bureau ensures this policy is followed ruthlessly, taking away any additional children from families and putting them in cryosleep, with the promise that they’ll be awakened in a better, less crowded future. It’s into this world that the Settman sisters, seven identical siblings, are born.
Now, how do you hide seven sisters in a one-child society? Ingeniously named after each day of the week, the sisters rotate, stepping outside on the day they’re named after, and all impersonating the same identity: Karen Settman. Indoors, they’re Sunday through Saturday (hence, What Happened to Monday), each with her own personality and quirks. Outdoors, they maintain a collective facade, sharing experiences and memories with one another to keep their secret intact.

But the system, as meticulous as it is, starts to crumble when Monday doesn’t return home after her designated day out. Panic ensues among the remaining sisters. Has she been discovered? Did she run away? Or is there a more sinister reason behind her disappearance? The ensuing search pulls the sisters into a whirlwind of danger, conspiracy, and revelations as they race against time, not just to find Monday, but to ensure their own survival.
The film’s stellar cast elevates this intriguing premise. Noomi Rapace takes on a challenging feat, portraying all seven distinct sisters, each with her own nuances and depth. Glenn Close, as the unwavering head of the Child Allocation Bureau, is the embodiment of the hard decisions and sacrifices made in the name of the greater good. Willem Dafoe also makes his mark as the Settman grandfather, the architect of the sisters’ intricate hide-and-seek life.

What Happened to Monday isn’t just another dystopian tale. It’s a story of sisterhood, survival, and the lengths to which one will go to preserve family.
The film generated a potpourri of reactions from critics upon its release. It was lauded for its intriguing premise and the tour de force performance by Noomi Rapace. Playing seven distinct characters in a single film is no easy feat, and Rapace’s portrayal was often spotlighted as the movie’s shining strength.

However, critics also had their reservations. Some felt that the movie, while ambitious, occasionally stumbled in its narrative execution. There were concerns that the film veered into formulaic territory, occasionally becoming predictable or borrowing tropes from other dystopian tales. Some critiques pointed towards the character depth, feeling that despite Rapace’s commendable effort, not all sisters received equal and adequate characterization.
On the flip side, the film’s pacing, action sequences, and visual aesthetics were often praised. The tension-laden plot kept many viewers at the edge of their seats, even if it sometimes sacrificed deeper thematic exploration for thrills.

If What Happened to Monday were to be granted a sequel, it could take multiple intriguing directions. Here’s one way to envision it:
Building on the first movie’s exploration of a world strangled by overpopulation, the sequel could venture beyond the Settman sisters’ story. The aftermath of the events of the first film has shaken the foundations of the Child Allocation Bureau. People across the world are now aware of the dark secrets of cryosleep and the fate of “extra” children. This revelation could trigger widespread unrest, with communities and families demanding transparency, accountability, and change.

The remaining Settman sisters could be at the heart of this revolution, becoming symbols of resistance against the oppressive one-child policy. They could join or even lead a movement seeking to challenge and overthrow the system. Along the way, they might uncover even deeper secrets about the Bureau and the global elite’s real intentions behind the policy.
What Happened to Monday garnered a mixed-to-positive reception, securing a 62 percent critical score against a slightly more favorable 67 percent Popcornmeter score on Rotten Tomatoes. While it might not have been hailed universally as a classic in the sci-fi dystopian genre, it was recognized for its ambition, Rapace’s commendable performance, and its fresh take on a future grappling with overpopulation.

For many viewers, especially those fond of suspenseful, high-stakes cinema, What Happened to Monday became a must-watch, and is available to steam on Netflix.
Colin Farrell has become one of the biggest stars in the world in the last few years, featuring in some of the most successful movies and TV shows on streaming and in theaters. Back in 2022, Farrell made his feature debut as The Penguin, and his role was so beloved that HBO greenlit an entire spin-off series around the character, which arrived in 2024. The show earned widespread critical acclaim, including nine Emmys, but its future beyond Season 1 is still unclear at this time. Farrell also recently teamed up with Margot Robbie for the romantic fantasy adventure A Big Bold Beautiful Journey, which is now streaming around the world on Netflix. He even earned his first Oscar nomination a few years ago for his performance in The Banshees of Inisherin — it’s safe to say now is the best time to invest in Colin Farrell stock.
While The Penguin was a smash hit by every metric, many fans would argue that it wasn’t Farrell’s best show of 2024. You could make a case that the title belongs to Sugar, the Apple TV hard-boiled detective thriller co-starring Kirby Howell-Baptiste and Amy Ryan. Sugar went off the air on May 17, almost exactly two years ago, but Apple TV has already confirmed that the series will return with its long-awaited sophomore season on June 15. As part of our Exclusive Summer Preview Event here at Collider, we’re thrilled to partner with Apple TV to debut a new image from Sugar Season 2 ahead of its June 15 launch date. Before its return, Sugar is also surging in the top 10 on Apple TV in several countries right now.
Sugar follows the private detective, John Sugar (played by Colin Farrell), who investigates the disappearance of Olivia, who is the granddaughter of Hollywood producer Jonathan Siegel (James Cromwell). Sydney Chandler, who broke out last year thanks to her role in the hit sci-fi series Alien: Earth, can be seen in Sugar playing Olivia. Sugar was written and created for TV by Mark Protosevich, with Donald Joh, Sam Catlin, and David Rosen also serving as writers in Season 1. Additional cast members include Dennis Boutsikaris as Bernie Siegel, Nate Corddry as David Siegel, Alex Hernandez as Kenny, and Anna Gunn as Margit Sorensen.
Check out the first season of Sugar on Apple TV and stay tuned to Collider for more from our Exclusive Summer Preview.
April 4, 2024
Apple TV
Mark Protosevich, Sam Catlin
Miguel Sandoval
Thomas Kinzie
Scott Lawrence
Dr. Vickers
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I crowned myself a wannabe Posh Spice as a kid, so it’s no surprise that Victoria Beckham’s style has always been an enduring inspiration for me. And while her figure and mine couldn’t be more different, there’s one thing we both seem to look great in: Oner Active’s ultra‑flattering workout leggings.
The 52‑year‑old beauty and fashion mogul recently shared a photo in the brand’s UnifiedMove Wrap Leggings — and they’re proof that figure‑flattering leggings can look incredible on women of every age and size. The celeb-loved brand is known for its flattering and functional pieces that contour, support and move with you at every stage and age — whether you’re lifting weights, walking the neighborhood or keeping it cozy-comfy for the day.
Get the UnifiedMove Wrap Leggings for $62 at Oner Active! Please note, prices are accurate as of the publishing date but are subject to change.
Unlike other stretchy leggings that can emphasize areas that many of Us would rather keep subtle or hidden (looking at you, muffin top), these pants offer an easy, comfortable fit that looks good without insane effort. They’re comfortable, confidence-boosting leggings that work on real bodies, real-life demands and real women of every age.
Thoughtful design details like a wrap‑front waistband not only look sleek, but they’re also incredibly supportive and flattering. A hidden mesh layer in the waistband helps keep the lower belly in check, while still feeling good when you’re on the move. The fabric is incredibly breathable and silky, and stays cool even during the sweatiest outside workouts or hectic mom-duty days.
When it comes to the backside, the sculpting workout leggings have glute‑defining lines that create a defined, lifted look without veering into obnoxious territory — i.e., nothing overly youthful, flashy or revealing. Instead, the effect is subtle and functional — the kind of body-boosting detail that feels appropriate whether you’re in your 20s, 40s, 50s or beyond.
These Oner Active leggings come in regular and long lengths, plus sizes XS through XXL. And while Victoria’s go‑to cocoa shade is running low, there are twelve total colors to choose from, including classics like black and blue, as well as bolder hues, like green and purple.
While Oner Active doesn’t post reviews for these leggings, if social channels like Instagram are any indication, women of all ages and sizes are obsessed. From gym‑goers in their twenties to busy moms in midlife, everyone says they’re flattering, comfortable and ready for anything on the agenda.
A little Posh, a little sporty and perfect for every age — consider this your sign to embrace the Spice Girl in you, like Victoria Beckham, and snag a pair of these Oner Active wrap workout leggings while they’re still in stock.
Get the UnifiedMove Wrap Leggings for $62 at Oner Active! Please note, prices are accurate as of the publishing date but are subject to change.
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