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The Terrible TV Trend That Needs To Die With The Buffy Reboot

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The Terrible TV Trend That Needs To Die With The Buffy Reboot

By Chris Snellgrove
| Published

Recently, Hulu canceled a new Buffy the Vampire Slayer show, which understandably upset fans. After all, they had been waiting decades to see more of their favorite ‘90s icon kicking butt onscreen. Plus, many of those fans are now parents, and they were hoping to use the new show as a way of introducing kiddos to their own childhood.

Personally, though, I was a bit relieved to see the new show get canceled. Because Sarah Michelle Gellar was the only returning cast member and she was barely in it, I worried that it would be Buffy in name only. Plus, I worried that the absence of the original creative team meant the new show wouldn’t have the old magic. Mostly, though, I’m hoping the death of this new Buffy show leads to the death of the most annoying trend in media: the television revival.

Rise Of The Revival

These days, streaming platforms (especially Netflix) are increasingly filled with absolute slop. You know the kind: original content that is either play-by-numbers melodrama, CGI schlockfest, or both. This has led audiences to stream more of the content they loved growing up. Unsurprisingly, this primarily consists of classic TV shows, which now function as so much more than nostalgia. They are our comfort food and security blanket all rolled into one, something many of us increasingly turn to now that the world (both streaming and otherwise) is turning into such a hellscape.

Obviously, it didn’t take network executives very long to realize they were sitting on a golden opportunity. When shows from yesteryear are more popular than ever on streaming, it’s a no-brainer to revive them with a completely new show. More often than not, these feature actors who haven’t exactly been very busy (like David Duchovny and even Patrick Stewart) lately and are happy to relive their television heyday. Best of all, networks can deploy these revivals on the very same streaming platforms their biggest fans use, meaning they don’t have to worry about broadcast restrictions, sponsors, or any of the other drama that comes from network television.  

On paper, TV revivals seem like a great idea for actors, networks, and fans. What could possibly go wrong, you ask? As it turns out, everything.

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Few Diamonds, Plenty Of Rough

Before anyone yells at me, I do want to acknowledge the obvious: there are some really great TV show revivals out there. David Lynch’s Twin Peaks: The Return was a masterpiece of staggering, often heartbreaking genius. Fuller House was full of great nostalgia and crowd-pleasing moments for anyone who grew up quoting “You got it, dude.” If you can ignore that annoying ending, the Veronica Mars revival was a great reminder that Kristen Bell’s titular character is one of the best protagonists in television history.

Make no mistake, though: these good revivals are the exception, not the rule. Streaming platforms are littered with revivals that fizzled out because they could never match the quality of the original show. Frasier, for example, brought back only the title character while changing the setting and premise of the series; unsurprisingly, it was canceled after two seasons because what fans wanted was more of the original show’s ensemble brilliance. Conversely, The X-Files brought back plenty of characters, but the writing revealed there was nothing really left to do with everyone’s favorite pair of spooky FBI agents.

Similarly, the Murphy Brown revival was a dud because its quaint ‘90s political sensibilities just didn’t work in a world where both politics and the discourse surrounding it have completely changed. Heroes Reborn just served as a sloppy reminder of what we already knew: that Heroes should have ended after Season 1. Gilmore Girls: A Year In The Life provided exciting new reasons to scream at Rory about her increasingly terrible life decisions. Let’s not forget the Night Court revival, whose attempts at comedy were just as dead on arrival as, well, a huge chunk of the original cast!

Killing Franchise Reputations, One Show At A Time

patrick stewart picard

So far, I’ve covered two kinds of TV revivals: the ones that are mostly solid and the ones that are completely awful. But there’s a secret, third kind of revival: the ones that are both bad and good. That ‘90s Show, for example, was actually starting to show promise when Netflix killed it. Star Trek: Picard served up two completely awful seasons before finally turning in a fan-favorite final season. Will & Grace, meanwhile, started out strong, but that final season was so limp that I can only imagine Jack making a crude joke about it.

For fans of the original shows, these revivals are just as bad as the completely terrible TV reboots. That’s because they sully the reputation of the original show while wasting our time. Why even bring back Captain Picard after nearly two decades, for example, if it will take another couple of years to give him a good season? Speaking as a huge fan of Star Trek: The Next Generation, I’d have preferred if this show had never gotten a revival. If I wanted to see one of my favorite shows reduced to a mediocre action fest filled with out-of-character performances, I don’t need Picard; I can just go rewatch Star Trek: Nemesis.

No More, With Feeling

While the creators are hoping to shop it to a new platform, the Buffy show is currently dead. With any luck, this will be the final nail in the coffin for the TV show revival. With any luck, the Powers That Be will finally get the message that audiences no longer have any appetite for halfhearted remakes of shows that were once great.

Hopefully, this will lead to the creation of brand-new IPs, a pleasant alternative to producers lazily strip-mining the hits of yesteryear. As always, viewers need to realize how much actual power they wield over the various corporations and streaming platforms that keep bringing these franchises back to life. If you really want to see fresh ideas return to the small screen, the solution is simple: stop streaming these crappy revivals and stick to physical media for your nostalgia fix. Otherwise, the modern adage remains true: if you keep watching slop, they’ll just keep making it!

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Garcelle Beauvais Shares New Insight Into ‘RHOBH’ Exit

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Garcelle Beauvais posing on the red carpet.

Former “Real Housewives of Beverly Hills” star Garcelle Beauvais is getting candid about her dramatic exit from the popular Bravo series. In a new interview, the “Coming to America” actress said she made the difficult decision after realizing she was in a position that no longer served her.

Garcelle Beauvais posing on the red carpet.
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Beauvais stopped by “The Today Show” in early May 2026 to promote her new Audible Original memoir, “Protecting My Peace… at All Costs.”

During her interview, the mother of three opened up about leaving the “Real Housewives of Beverly Hills” in March 2025 after five years.

“A line was drawn for me that I no longer wanted to cross. I felt like my spirit could no longer do it. (It was) just drama for the sake of drama,” Beauvais told NBC host Savannah Sellers.

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Beauvais announced her exit with a vulnerable video on Instagram, noting that her time on Bravo was a “wild ride,” according to a previous report from The Blast.

The “Jamie Foxx Show” alum added. “Some amazing things have happened, and some hard things have also happened, but it’s been a ride nevertheless.”

Garcelle Beauvais Talks Leaving ‘RHOBH’ In Her New Memoir

While Beavuais’ departure from the series was more than a year ago, she’s keeping things as real as she can in her new memoir.

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“I realized something I couldn’t unsee. I didn’t have an ally. Not one. Not a single friend sitting on that stage with me. No one to lock eyes with, no one to lean toward. No one saying, ‘I see you,’” she said in her latest book released on May 7.

She added, “The same way I walked in is how I walked out. Alone. I didn’t wanna fight anymore. I didn’t wanna be a grown a, woman, a grandmother, going after other women.”

Garcelle Beauvais Didn’t ‘Connect’ With Anybody On ‘Real Housewives’ During Her Final Season

Garcelle Beauvais posing on the red carpet.
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Beauvais became even more candid in the publication, admitting that she was no longer connecting with her co-stars as she once had.

“And like I said (in my book), I felt like there wasn’t anybody there anymore that I connected with. And it was just time. I mean, ‘Housewives’ was never my last stop. I’ve done a lot of things prior to that and hope to do more afterward. But it was just time for me. It really was,” she said.

This isn’t the first time Beauvais has revealed that she felt like she was on an island while filming the final season of “RHOBH.” The Blast reported on Beauvais’ dramatic falling-out with her ex-friend, Sutton Stracke, who joined the cast at the same time as the iconic actress.

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While speaking with Andy Cohen on “Watch What Happens Live,” Beauvais said she was “hurt” by Stracke’s lack of support during the season 14 reunion.

“Not only did she not have my back when she called, she never took accountability for it, and that hurt my feelings a lot,” Beauvais said.

Beauvais Has One Friend In This Socialite Turned Reality Star

Garcelle Beauvais posing on the red carpet.
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While she’s no longer on the show, Beauvais appears to have formed a lasting bond with one of the show’s recurring cast members, Kathy Hilton.

“I love and adore her. I called her, obviously, right when I walked off the set from the reunion and talked to her,” Hilton said about Beauvais’ departure.

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Hilton went on to say that she actually met with Beauvais following the reunion; however, she refused to bring up the show “because I just want her to know that she’s very loved and will be missed.”

How Does Beauvais Feel About Her Exit Today?

Garcelle Beauvais posing on the red carpet.
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Being missed might not be enough for Beauvais to return, though. In December 2025, Beauvais said she’s been enjoying life since leaving the series and doesn’t know if she could see herself being back in the mix.

“You know, it was tough to be in that fishbowl. And I know the fandom is amazing, and everybody loves the show, and I took a lot away with me from it,” she said.

“But I’m also happy that I get to spend more time with my kids before they go off to college, and I get to do all these great creative things that I like to do,” she added.

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Kris Jenner Says Ozempic Left Her ‘Nauseous’

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Kris Jenner at Wizard Of Oz At Sphere World Premiere

Kris Jenner is finally addressing two of the biggest rumors surrounding her recent transformation. 

After months of speculation about Ozempic use and backlash over her facelift, the Kardashian matriarch is now speaking openly about both. 

During a candid podcast appearance, Jenner admitted she tried the trendy weight-loss medication before it exploded across Hollywood, but said the experience left her feeling ill. 

At the same time, she fiercely defended the plastic surgeon behind her dramatic new appearance while insisting she has zero regrets about her cosmetic choices.

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Kris Jenner has officially confirmed she experimented with Ozempic long before the medication became one of Hollywood’s biggest obsessions.

The reality star first sparked rumors in 2023 after fans noticed her noticeably slimmer appearance during a vacation in Tuscany. Social media users immediately flooded the comments section with speculation about weight-loss injections.

For years, Jenner stayed silent about the rumors. However, during Tuesday’s episode of the “SHE MD” podcast, she finally admitted she had tried the medication.

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“We tried it once when no one knew what it was,” Jenner revealed. The 70-year-old said the injections quickly became a problem because they made her feel “really sick” and “nauseous.”

After abandoning Ozempic, Jenner explained that she turned to other wellness methods instead. She said she now uses peptide injections and supplements, which she claims give her “more energy” and help her gain “an extra couple of hours every day.”

Jenner also stressed the importance of monitoring hormone health as women age, noting, “I get my blood drawn every three months just to keep my hormones balanced.”

Jenner Furiously Denies Facelift Regret Rumors

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Kris Jenner is also shutting down reports claiming she regrets her facelift. The television personality recently faced rumors suggesting she was unhappy with the results of her expensive cosmetic procedure and believed the facelift had started “slipping.”

According to speculation, Jenner was allegedly considering another surgery despite working with celebrity plastic surgeon Dr. Steven M. Levine, often nicknamed the “facelift maestro.”

However, the reality TV star forcefully denied the claims while appearing on daughter Khloé Kardashian’s podcast, “Khloé in Wonderland.”

“Lately, it’s this headline about my facelift, which is really truly driving me crazy,” Jenner admitted, adding, “The headline right now is that I hate my facelift, and I’m really mad at… I’m furious at my doctor, Steven Levine, which couldn’t be further from the truth.”

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She continued m, “It’s a flat-out lie. I love my facelift. I adore my doctor. I’m obsessed with him,” explaining that the entire purpose of the surgery was simply to refresh her appearance.

“The goal was to do a beautiful lift and give me a refresh and do a beautiful jawline, which I achieved,” she said. The Kardashian matriarch added that she normally ignores gossip, but felt compelled to defend Levine because the rumors were damaging his reputation.

Jenner Says She Does Not Need Public Approval

Kris Jenner at Wizard Of Oz At Sphere World Premiere
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Kris Jenner made it clear she has no interest in changing herself to satisfy critics.

During the podcast conversation, the momager insisted she feels completely comfortable with her appearance and no longer worries about public opinion.

“At 70 years old, I don’t really care what someone thinks of me. I don’t need anyone’s approval,” Jenner declared,” further noting, “I love my face. And I’m really okay with the way I look.”

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Since undergoing the facelift, Jenner has confidently shown off her refreshed appearance during several major public events.

She attended the lavish wedding celebrations for Jeff Bezos and Lauren Sanchez, where fans once again commented on her youthful appearance. 

The TV personality also turned heads during the Kardashian family’s annual holiday party alongside longtime boyfriend Corey Gamble.

Kris Jenner Reveals Secret ‘Password’ With Her Plastic Surgeon

In the past, Jenner has shared surprising behind-the-scenes details about her relationship with Dr. Levine.

During an appearance on the “Not Skinny But Not Fat” podcast in October, she revealed the surgeon initially wanted to avoid the publicity connected to her facelift.

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“He didn’t want the attention, which I loved,” Jenner explained per the Daily Mail. She said she eventually asked whether she had permission to publicly reveal his identity.

In her words, “And he goes, ‘Listen, I’ll tell you what. As long as we can come up with a password so that if somebody calls and says, I’m Kris Jenner’s best friend, and can I have a consultation? They have to say the secret password.’”

Kris Jenner Explains Why She Openly Discusses Surgery

Kris Jenner Allegedly Said O.J. Simpson Threatened Nicole Brown Simpson
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Jenner has become increasingly open about discussing cosmetic procedures publicly. 

In an interview with Vogue Arabia last August, she explained that she decided it was time for another facelift after more than a decade.

“I had a facelift about 15 years ago, so it was time for a refresh,” she shared, adding that she decided to do the procedure because she wanted a better version for herself.

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The socialite later revealed she intentionally chose to speak publicly about the surgery because she hoped it would encourage others not to feel ashamed.

She explained that being honest about cosmetic procedures could “inspire others not to be afraid of surgeries that you need that are necessary or even something you wanna do because you wanna feel better about yourself.”

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Peacock’s 9-Part ‘Narcos’ Meets ‘Ozark’ Crime Thriller Is an Instant Global Hit

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Shannon Gisela as Etta Tiger Jonze on M.I.A.

Combining the grittiness of popular streaming crime dramas and the addictiveness of telenovelas, Peacock’s new series seems to have attracted enough attention to debut on the streamer’s most-watched list. Now, it remains to be seen if the series strikes a chord with the audience and compels them to watch every episode. The nine-episode series hails from Bill Dubuque, best known for co-creating the hit Netflix crime drama Ozark, starring Jason Bateman, Laura Linney, and Julia Garner. Ozark ran for four seasons and concluded its run in 2022. Earlier this year, Dubuque created his follow-up show, His & Hers, which also aired on Netflix. Starring Jon Bernthal and Tessa Thompson, the series received positive reviews and topped the streamer’s viewership charts upon release.

Dubuque has now completed a hat trick with his latest series, which premiered on Peacock on May 7. It stars Shannon Gisela as a young woman who seeks revenge for the annihilation of her family, and charts a Scarface-like ascent to the top of Miami’s crime pyramid. The series also features Cary Elwes, Brittany Adebumola, and Danay Garcia. The series debuted to mostly positive reviews on Rotten Tomatoes, and is currently sitting at a 67% score. Viewers seem to be enjoying the series so far, describing it as a “fun ride” and “very good” in the audience review section of Rotten Tomatoes.

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Collider Exclusive · Taylor Sheridan Universe Quiz
Which Taylor Sheridan
Show Do You Belong In?

Yellowstone · Landman · Tulsa King · Mayor of Kingstown

Four worlds. All of them brutal, complicated, and built on power, loyalty, and the price of survival. Taylor Sheridan doesn’t write heroes — he writes people who do what they have to do and live with the cost. Ten questions will reveal which one of his worlds you were made for.

🤠Yellowstone

🛢️Landman

👑Tulsa King

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⚖️Mayor of Kingstown

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01

Where does your power come from?
In Sheridan’s world, everyone has leverage. The question is what kind.




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02

Who do you put first, no matter what?
Loyalty in Sheridan’s universe is always absolute — and always costly.




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03

Someone crosses a line. How do you respond?
Every Sheridan protagonist has a line. What matters is what happens after it’s crossed.




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04

Where do you feel most in your element?
Sheridan’s worlds are as much about place as they are about people.




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05

How do you feel about operating in the grey?
Nobody in a Sheridan show has clean hands. The question is how they carry the dirt.




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06

What are you actually fighting to hold onto?
Every Sheridan character is fighting a war. The real question is what they’re defending.




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07

How do you lead?
Authority in Sheridan’s world is never given — it’s established, maintained, and constantly tested.




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08

Someone new arrives and tries to change how things work. Your reaction?
Every Sheridan show has an outsider disrupting an established order. Sometimes that outsider is you.




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09

What has your position cost you?
Nobody gets to where these characters are without paying for it. The bill is always personal.




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10

When it’s over, what do you want people to say?
Sheridan’s characters all know the ending is coming. The question is what they leave behind.




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Sheridan Has Spoken
You Belong In…

The show that claimed the most of your answers is the world you were built for. If two tied, both are shown — you’re complicated enough to straddle two Sheridan universes.

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🤠
Yellowstone

🛢️
Landman

👑
Tulsa King

⚖️
Mayor of Kingstown

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You are a Dutton — or you might as well be. You understand that some things are worth protecting at any cost, and that the modern world’s indifference to history, to land, to legacy, is not something you’re willing to accept quietly. You lead from the front, you carry your family’s weight without complaint, and when someone threatens what’s yours, you don’t escalate — you finish it. You’re not cruel. But you are absolute. In Yellowstone’s world, that combination of ferocity and loyalty doesn’t make you a villain. It makes you the only thing standing between everything that matters and everyone who wants to take it.

You thrive in the chaos of high-stakes negotiation, where the money is enormous, the margins are thin, and the wrong word in the wrong room can cost everyone everything. You’re a fixer — the person called when a situation is already on fire and needs someone with the nerve to walk into it. West Texas oil country rewards exactly what you are: sharp, adaptable, unsentimental, and absolutely clear-eyed about what people want and what they’ll do to get it. You’re not naive enough to think this world is fair. You’re smart enough to be the one deciding who it’s fair to.

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You are a Dwight Manfredi — someone who has served their time, paid their dues, and arrived somewhere unexpected with nothing but their reputation and their wits. You adapt without losing yourself. You build loyalty through respect rather than fear, though you’re not above reminding people that the two aren’t mutually exclusive. Tulsa King is for people who are still standing when everyone assumed they’d be finished — who find, in an unfamiliar place, that they’re more capable than the world gave them credit for. You don’t need a throne. You build one, wherever you happen to land.

You carry the weight of a system that is broken by design, and you do it anyway — because someone has to, and because you’re the only one positioned to do it without the whole thing collapsing. Mike McLusky’s world is for people who are comfortable operating where there are no good options, only less catastrophic ones. You speak every language: law enforcement, criminal, political, human. That fluency makes you invaluable and it makes you a target. You’ve made your peace with both. Mayor of Kingstown belongs to people who understand that keeping the peace is not the same as being at peace — and who do the job regardless.

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Peacock’s Sweaty New Crime Drama Is Waiting to Be Binged

We’re talking about M.I.A. — the series finds itself at the intersection of Narcos and CSI: Miami, while also making an effort not to alienate female viewers. In her review, Collider’s Jessica Toomer praised the series for offering a “fresh take” on the popular crime drama genre and hailed Gisela’s central performance. She described M.I.A. as “a humid Miami noir built on a saturated Kodachrome palette and a Brian De Palma appetite for camp.” According to FlixPatrol, the series found a spot on the domestic Peacock top 10 list immediately after its debut, while also scoring a spot on the global Paramount+ leaderboard. On Peacock, it debuted at the number one spot, but on Paramount+, it was sandwiched at number three between Taylor Sheridan‘s Marshals, Yellowstone, and Tulsa King. Stay tuned to Collider for more updates.


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Release Date

May 7, 2026

Network

Peacock

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Showrunner

Karen Campbell

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Directors

Alethea Jones, Benjamin Semanoff, Gwyneth Horder-Payton, John Dahl, Mairzee Almas

Writers
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Bill Dubuque, Karen Campbell

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Cast

  • Cast Placeholder Image

    Shannon Gisela

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    Etta Tiger Jonze

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“The Fifth Element ”cast, then and now: See the stars of the cult classic nearly 30 years later

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Leaving no mystical stone unturned as we track the careers of the stars of the 1997 epic.

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West Wilson Slams Ciara Miller’s Jennifer Fessler Claim

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Summer House’s West Wilson is setting the record straight after Ciara Miller accused him of sleeping with Jennifer Fessler.

Ciara, 30, made the claim on Friday, May 8, after Real Housewives of New Jersey alum Jennifer, 57,  defended West amid his ongoing relationship dramas.

“[West] is the cutest, sweetest golden retriever puppy dog. He does not mean any harm. He didn’t mean it. He’s just trying to have a good time. He doesn’t wanna hurt anyone. Give him a break,” Jennifer said at Vulture’s The Masterminds of Reality TV event on Thursday. (Wilson, 31, caused controversy by hooking up with his costar Amanda Batula, 34, after previously dating her friend, Ciara.)

When the comments were posted via Threads, Ciara responded to Jennifer’s remarks by commenting, “Lol, because they slept together too.”

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Taking to his Instagram Stories on Friday, West denied his ex’s accusations. He wrote “news to me” and tagged Jennifer alongside a popular meme that indicates confusion and facts not adding up.

A source close to West also hosed down the accusation, exclusively telling Us Weekly on Friday the claim was “absolutely not true.” The insider described Ciara’s comment as “such a silly allegation.”

After facing widespread speculation about their relationship, West and Amanda confirmed their romantic connection via a joint statement shared on March 31.

“We’ve seen the growing online speculation, so while this is still very new, we wanted to provide some clarity,” read the statement. “It was never our intention to purposely hide anything. Given the complicated relationship dynamics involved and the scrutiny that comes with being on a reality show, we needed a little space to process things privately before speaking on it.”

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West Wilson.
(Photo by: Charles Sykes/Bravo via Getty Images)

 

The pair added that their platonic relationship evolved into something romantic over time.

“We’ve shown up for each other as friends over the years, through all the highs and lows, and what’s developed recently was the last thing either of us expected,” they continued. “Our connection grew out of a genuine, longstanding friendship, which made it especially important for us to approach this with care.”

The new romance came just two months after Amanda and her Summer House costar Kyle Cooke announced their split after four years of marriage.

“After much reflection, we have mutually and amicably decided to part ways as a couple,”  Amanda and Kyle wrote via an Instagram statement in January. “We share this with a heavy heart and kindly ask for your grace and support while we focus on our personal growth and healing.”

Meanwhile, Ciara shared her thoughts on West and Amanda’s budding relationship via an interview with Glamour published on April 17, revealing she had “less than 24 hours notice” before West and Amanda’s public statement was shared with the world.

“It’s one thing to experience hurt behind closed doors,” Ciara told the magazine. “To experience it so publicly is like another layer, and then to have to see what you thought was your life still play out in season 10. It’s a major mindf***.

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Sally Field details first time she channeled rage from her traumatic childhood into a performance: 'How angry can I be here?'

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The “Steel Magnolias” actress says she learned to do it from her famous acting coach.

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Jennifer Fessler Reacts to Ciara Miller’s West Wilson Claim

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Jennifer Fessler is hitting back after Ciara Miller accused her ex West Wilson of hooking up with the Real Housewives of New Jersey alum.

Speaking to Page Six on Friday, May 8, the F Major cofounder, 57, brushed off Ciara’s claim that she had been intimate with West, 31.

“It’s flattering that anyone would think someone who slept with Ciara Miller would be interested in sleeping with me,” Jennifer, who has been married to Jeff Fessler since 1999, told the outlet.

Jennifer’s comments about West at Vulture’s The Masterminds of Reality TV event on Thursday prompted Ciara, 30, to make the unsubstantiated claim.

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The RHONJ alum defended West as he continues to face public backlash for embarking a romance with his Summer House costar Amanda Batula — who is also a former friend of Ciara’s.

“[West] is the cutest, sweetest golden retriever puppy dog. He does not mean any harm. He didn’t mean it,” Jennifer said at the event. “He’s just trying to have a good time. He doesn’t wanna hurt anyone. Give him a break.”

When Jennifer’s comments emerged via Threads, Ciara responded via the platform, “Lol, because they slept together too.”

West took to his Instagram Stories on Friday to hose down the speculation. The Summer House alum sarcastically wrote, “news to me.” He tagged Jennifer in his post.

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Ciara Miller.
(Photo by Roy Rochlin/GA/The Hollywood Reporter via Getty Images)

After briefly dating, West and Ciara confirmed they’d split for good at the Summer House season 8 reunion, which was filmed in May 2024.

For her part, Amanda, 34, and husband Kyle Cooke, 43, confirmed their separation in January after four years of marriage.

When rumors then began to intensify that Amanda and West’s relationship had become more than platonic, the duo confirmed the speculation in March via a joint Instagram statement.

“We’ve seen the growing online speculation, so while this is still very new, we wanted to provide some clarity,” they wrote in March. “It was never our intention to purposely hide anything. Given the complicated relationship dynamics involved and the scrutiny that comes with being on a reality show, we needed a little space to process things privately before speaking on it.”

Meanwhile, Jennifer has spoken candidly in the past about the ups and downs in her own marriage to husband Jeff, including infidelity that occurred seven years after tying the knot.

“My marriage was definitely not my priority at that time, and it wasn’t for Jeff either,” Jennifer explained on the “I Do Part 2” podcast in February 2025. “We were just not connecting. We were not connecting on an emotional level, and we were not connecting on a physical level.”

While the couple eventually patched things up and continued to work hard on their union, Jennifer admitted on the podcast that she “completely lost my mind” after discovering Jeff was having an affair.

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Blake Lively Hoping To Fix Taylor Swift Friendship After Legal Mess

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Taylor Swift and Blake Lively get dinner at the Emilio's Ballato

Blake Lively is reportedly optimistic about rekindling her close bond with Taylor Swift. The friendship between the actress and the singer became strained amid Lively’s lawsuit against actor Justin Baldoni.

However, with the lawsuit recently settled, Lively is said to be hopeful that the resolution could pave the way for a reconciliation with the acclaimed pop star.

It remains unclear whether Taylor Swift feels the same way, as sources claim that she still harbors some resentment and has disinvited Blake Lively and her husband, Ryan Reynolds, from her wedding.

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Taylor Swift and Blake Lively get dinner at the Emilio's Ballato
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In the months since Blake Lively sued Justin Baldoni for sexual harassment and other claims, both sides have endured significant fallout.

For Lively, one of the most painful consequences appears to be the strain on her once-close friendship with Taylor Swift.

Once best of buddies, the two have grown apart after Swift was name-dropped multiple times amid the drama, and have not been spotted together since.

Now that Lively and Baldoni have reached a settlement in their lawsuit, sources suggest the actress is hopeful that she and Swift can repair their friendship and regain the closeness they once shared.

“Blake genuinely believes there’s still a path back,” one insider told Rob Shuter’s “Naughty But Nice” Substack. “Now that the legal mess is over, she thinks the hardest part is behind her, and there’s real hope they can move forward.”

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Blake Lively Is Confident Her Friendship With Taylor Swift Can Be Saved

Taylor Swift and Blake Lively holding hands
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According to the sources, Lively is so hopeful about things improving again that she has already set her mind on attending Swift’s upcoming wedding to her boyfriend,  NFL star Travis Kelce.

“Just like she had her Met Gala dress ready, she already has a dress picked out for Taylor’s wedding,” an insider said. “That’s how convinced she was — and still is — that this friendship can be saved.”

Despite her optimism, Lively is said to be well aware that it may take some time before any true reconciliation can occur. However, she reportedly believes it will eventually happen now that the legal drama with Baldoni has reached some form of resolution.

“She knows not everything snaps back overnight,” another source says. “But Blake believes removing the chaos changes everything. She thinks once the noise is gone, there’s room for real healing.”

Taylor Swift at Miss Americana World Premiere, Sundance Film Festival 2020
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Swift became indirectly tied to the legal battle between Lively and Baldoni after her name appeared in court documents over alleged text conversations involving Lively that included disparaging remarks about Baldoni.

Lively was also reportedly seen in text messages telling the actor that she “happens to have a few dragons” who would defend her, a statement widely believed to reference Swift and Lively’s husband, Ryan Reynolds. The message was allegedly sent following a meeting between Lively and Baldoni regarding a scene from their film, “It Ends with Us.”

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During the lawsuit, Baldoni’s legal team argued that the messages suggested Swift may have had some influence over Lively’s decisions related to the project.

Swift’s representatives, however, strongly denied any involvement. They stated that the singer never visited the set and had no role in the film’s creative development or production beyond licensing one of her songs for use in the movie.

Release Of Taylor Swift And Blake Lively’s Text Messages Worsened Things

Taylor Swift at the 2025 Grammy Awards - Arrivals
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The legal fight between Baldoni and Lively led to the unsealing of Swift’s alleged private chat with the actress, which was said to have negatively impacted the pop star.

The text messages showed Swift agreeing to hype up Lively’s adjustments to the “It Ends With Us” script, “even without reading it.”

In other messages, Lively praised the singer as “epically heroic” while labeling Baldoni a “clown” and a “doofus,” with Swift also calling him a “b-tch.”

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According to People Magazine, the release of the messages left Swift feeling “uncomfortable.”

“Taylor feels like her privacy was impacted,” a source told the publication. “Anyone would be uncomfortable if their private texts were suddenly made public.”

Taylor Swift Reportedly Won’t Invite Blake Lively To Her Wedding

Taylor Swift, Blake Lively, and friends at NFL game
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While the lawsuit was still ongoing, Swift did not make any public comments about the matter despite speculation that she could potentially be deposed as part of the legal proceedings.

Even now that the case is over, Swift has continued to remain silent, including on rumors surrounding any possible reconciliation with Lively.

On this, sources close to the situation have hinted that Swift is still holding onto some resentment and has decided not to invite Lively or her husband, Ryan Reynolds, to her wedding.

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“They’re not invited. Period,” one source told Rob Shuter’s “Naughty But Nice” Substack, adding, “Taylor wants a drama-free day and no longer trusts Blake or Ryan.”

Another insider alleged that Swift had made the decision a long time ago, suggesting that the singer may have already moved on from her friendship with Lively.

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Sheriff Country’s Michele Weaver Reveals If She Was Written Off

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Sheriff Country

A Sheriff Country star revealed if they were “written off” after a prolonged onscreen absence.

Michele Weaver, who plays Cassidy, took to Instagram on Friday, May 8, to address why she hasn’t been in recent episodes, adding, “People keep asking if I was written off. Nope .. just had to leave to have a baby.”

She continued: “I’m back next week! Don’t miss tonight’s episode! If you think you know what’s going to happen next… trust me.. you don’t.”

During an April episode of the hit CBS series, Cassidy was finally able to solve her missing sister’s case. That involved Cassidy getting kidnapped by a serial killer who got away with murdering women for years.

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While Mickey (Morena Baccarin) saved Cassidy just in time, the deputy asked for some time off. The final scene showed Cassidy and her mother driving off in her car while healing from their loss.

The network previously renewed Sheriff Country for season 2 — with Weaver, 36, expected to reprise her role as Cassidy. Sheriff Country also stars Baccarin, Christopher Gorham, Matt Lauria and W. Earl Brown while Amanda Arcuri and Ian Quinlan were promoted to series regulars for the second season.

Sheriff Country
Darren Goldstein/CBS ©2025 CBS

Concern about Cassidy’s future comes after Sheriff Country‘s predecessor, Fire Country, received backlash when budget cuts led to Billy Burke and Stephanie Arcila‘s exits.

“It’s a fire show. Anyone can go at any time,” showrunner Tia Napolitano told Us Weekly in October 2025. “But in terms of losing people, we’re also adding some really fun guest cast. It’s a revolving door of people from Sharon’s past and new faces that are exciting to bring conflict and secrets and twists and turns.”

Napolitano teased how the show will have to balance “really spicing it up” while still walking a “fine line” of paying tribute to the loss.

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FIRE COUNTRY


Related: How Many ‘Fire Country’ Stars Have Left the CBS Series Over the Years?

Fire Country has faced numerous surprising cast — and crew — changes over the years. The CBS series, which premiered in 2022, introduced Us to the town of Edgewater after inmate Bode (Max Thieriot) returned home and began volunteering for the California Conservation Camp Program. By season 2, a backdoor pilot set up the world […]

“What we’ve done is really thread the needle of honoring — especially Vince — because Gabriella is gone, but she’s gone to a happy and successful life. She’s still out there. But we really walk this line of honoring Vince while also finding hope rather quickly,” she noted. “Looking forward, the theme of the season is rising from the ashes and recovery.”

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Napolitano continued: “How do you recover from something like this? And we’re really going to see everybody rise to the occasion, in celebration of Vince, of his life and in honoring the sacrifice that he made.”

After speaking with Us, news broke that Napolitano was leaving the show as well. It was announced in March that Eric Guggenheim will be taking over for Napolitano. According to Deadline, Guggenheim is coming on board after previously serving as showrunner of Magnum P.I. and coshowrunner of Hawaii Five-0.

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Sheriff Country airs on CBS Fridays at 8 p.m. ET and Fire Country follows at 9 p.m. ET. New episodes will be streaming the next day on Paramount+.

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8 Worst Movies That Were Empty Rage Bait

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A close-up of Marilyn Monroe crying in Blonde.

Rage bait consists of online content deliberately produced to provoke anger, outrage, and scandal in order to generate high levels of engagement. It has become a massive pillar of Internet culture, and sadly, not even the movies have been able to steer clear of rage bait. Indeed, particularly in recent times (when online discourse has become an essential part of a film’s anticipation and reception), it has become increasingly common for studios to make and promote movies in such a way that it’s clear they’re trying to stir a passionate reaction in audiences.

Whether it’s a biopic humiliating a beloved actress, one of Disney’s many live-action recreations of their animated classics, or a sequel that destroys everything that its beloved predecessor stood for, there have been many ways in which filmmakers have engaged in clear rage bait over the years. These aren’t just movies that happened to be bad and happened to anger audiences as a result: They were movies clearly designed from the get-go to incite rage in order to be in the conversation.

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8

‘Blonde’ (2022)

A close-up of Marilyn Monroe crying in Blonde.
A close-up of Marilyn Monroe crying in Blonde.
Image via Netflix

Marilyn Monroe was one of the biggest and brightest stars of Hollywood’s Golden Age, an immensely talented actress who still remains one of the era’s most beloved performers. She was also, however, a deeply tragic figure. Childhood trauma, mental health struggles, failed relationships, and notorious exploitation from the Hollywood studio systems all characterized her life. As a result, she’s become one of the most enigmatic and often-explored figures of the era across documentaries, books, movies, and the like. This leads us to Andrew Dominik‘s Blonde, based on Joyce Carol Oates‘ 2000 novel of the same name, a fictionalized account of the life and career of the actress.

In no way is Blonde celebratory or respectful of Monroe. Instead, it feels like a film that shamelessly humiliates her and manipulates her image, resulting in one of the worst rage-bait movies ever made. It’s posthumous tabloid trash in cinematic form, a drama clearly intended to stir up controversy in the way it distorts Monroe’s life with the excuse of being a “fictionalized account.” It’s time to let this beloved actress finally rest.

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7

‘Snow White’ (2025)

Snow-White-gal-gadot Image via Walt Disney Studios Motion Pictures

Disney has been making live-action remakes of their beloved animated classics since the ’90s, but it was following the success of 2015’s Cinderella that the House of Mouse really started to turn this highly-criticized practice into a full-on business model. Disney live-action remakes have been getting lazier and lower-quality as the years have passed, culminating in what many would say is the worst one so far: Marc Webb‘s Snow White.

There are countless ways in which this remake failed the original, and that generated a storm of online hate that led the film to being one of the biggest box office flops in film history. From the controversial color-blind casting of Rachel Zegler and Gal Gadot, to the CGI monstrosities that served as the story’s Seven Dwarfs, to the controversial marketing campaign that made it very clear this remake’s narrative wouldn’t stick very close to the original’s, everything about Snow White felt specifically engineered to generate controversy.

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6

‘Mean Girls’ (2024)

Renee Rapp, Bebe Wood, and Avantika as The Plastics in Mean Girls
Renee Rapp, Bebe Wood, and Avantika as The Plastics in Mean Girls
Image via Paramount Pictures

2004’s Mean Girls is one of the most beloved comedies of the 2000s, a cult classic that has only gotten better with age. A stage rock musical adaptation of the movie premiered in 2017 to high critical acclaim, and that musical served as the basis of 2024’s Mean Girls. Directed by Samantha Jayne and Arturo Perez Jr. from a screenplay by Tina Fey, who wrote the original musical’s book, the film was met with a lukewarm reception from critics and a fiery swarm of hate from audiences.

The movie itself, though definitely considerably inferior to its predecessor and its source material alike, would have been fine enough by itself. What made it seem like shallow rage bait, however, was Paramount’s marketing strategy. The studio bafflingly decided to hide the fact that the film was a musical, and seeing as the Broadway version of the story isn’t exactly a universally-known sensation quite like the original film is, this meant that many viewers were met with an unpleasant surprise when they went to see 2024’s Mean Girls in theaters.

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5

‘The Emoji Movie’ (2017)

A multi-expressional emoji embraces a disapproving hand emoji in 'The Emoji Movie'.
A multi-expressional emoji embraces a disapproving hand emoji in ‘The Emoji Movie’.
Image via Sony Pictures Releasing

The Emoji Movie is one of the worst animated movies of all time, and that’s an almost universally-agreed-upon consensus. It’s not just that it’s visually ugly, or too dumb for anyone over the age of four to find any enjoyment in, or so unfunny that it almost inflicts physical pain on its viewers. It’s the fact that a movie about emojis, corporate slop clearly made to get kids to beg their parents for a phone so they can play Candy Crush, was an entirely broken concept to begin with.

No kind of movie is more deserving of the label of “rage bait” than a cynical, lazy cash-grab with a pandering tone and some of the most shameless product placement of any major-studio film in Hollywood history. Somehow, The Emoji Movie‘s controversy-generating strategy worked: It was a significant box office success, though the years have allowed it to age as one of the most universally hated animated films in the medium’s history.

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4

‘Joker: Folie à Deux’ (2024)

Throughout history, many movie franchises have taken a nosedive after the first movie. The Joker duology is one such franchise. Though definitely divisive, it’s an objective fact that the first film was a smash hit and a massive success, garnering 11 Academy Award nominations and becoming the highest-grossing R-rated movie ever at the time (a record since broken by Deadpool & Wolverine). Joker: Folie à Deux, on the other hand… much less of a success. That’s a nice way of saying that it was a total failure that massacred everything that its predecessor had done right.

If there is any pair of DC Comics characters who might have made sense as the stars of a campy jukebox musical on paper, it’s Joker and Harley Quinn. The problems here are that the hyper-pretentious Folie à Deux takes itself far too seriously to be campy, that the version of Gotham that Todd Phillips had built in Joker made zero sense as the setting for any kind of musical, and that the film very clearly made genuine efforts to get people’s feelings stirred up. In the end, this resulted in a major box office bomb.

3

‘Terrifier’ (2016)

David Howard Thornton as Art the Clown waving his bloody hands gleefully in Terrifier 2
David Howard Thornton as Art the Clown waving his bloody hands gleefully in Terrifier 2
Image Via Cinedigm
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Nowadays, horror fans fondly think of the horrifying-yet-oddly-amusing Art the Clown as the face of 2020s slasher horror, but that was only after the success of Terrifier 2 and Terrifier 3. The character actually originated in a 2008 short film, and went on to serve as the main villain of his own feature in 2016’s Terrifier. Whereas its two sequels have been successful in expanding the story, world-building, and character work of the franchise in tons of interesting ways, the original Terrifier is just plainly atrocious.

Misogynistic, boring, awfully acted, visually ugly, full of poorly-executed gore, and with a script that feels like it’s barely a couple of pages long, this controversial splatter horror cult classic has nothing to offer beyond juvenile shock value. It’s a movie that seems like it was designed specifically to annoy, offend, and provoke people, and for the most part, it definitely had its desired effect.

2

‘365 Days’ Trilogy

Laura Biel and Massimo Torricelli about to kiss in 365 Days: This Day
Anna-Maria Sieklucka as Laura Biel and Michele Morrone as Massimo Torricelli about to kiss in 365 Days: This Day.
Image via Netflix
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The erotic thriller genre is one that has produced a number of genuinely masterful films over the years. Netflix’s 365 Days movies aren’t among them. We’re talking about three of the most unwatchable drama movies in history, painfully un-sexy and un-erotic failures that misunderstood everything the genre should be so badly that it’s almost laughable—or it would be, if the movies weren’t so infuriatingly misogynistic from start to finish.

But that’s just the thing: 365 Days rage-baiting misogyny in no way feels incidental. Instead, it feels like the whole point of the trilogy. It’s so painfully obvious that these films were created to stir up controversy and invite hate-watching that it’s almost—the keyword here is once again “almost”—funny. They’re poorly made, amateurish in every sense imaginable, and an all-out affront on the cinematic art form.

1

‘A Serbian Film’ (2010)

A bloodied woman holding a gun in Serbian Film
A bloody woman in Serbian Film
Image via Unearthed Films
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A Serbian Film is famous for being one of the most disturbing and traumatizing movies ever made. In fact, that’s the only thing it’s famous for. Using graphic violence and taboo subjects to criticize censorship in Serbia sounds like a smart and honorable enough concept on paper, but there’s definitely such a thing as “too far.” Director Srđan Spasojević goes light years beyond that blurry line, to the point that watching A Serbian Film doesn’t just take a strong stomach: It takes a bit of a masochistic attitude as well.

For a wide variety of reasons too grotesque and provocative to even name, A Serbian Film is one of those movies capable of disturbing pretty much anyone. It’s the quintessential rage-bait film par excellence, a movie made entirely and exclusively to generate controversy and provoke strong negative reactions not just in viewers, but in anyone even aware of the movie’s mere existence.































































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Collider Exclusive · Oscar Best Picture Quiz
Which Oscar Best Picture
Is Your Perfect Movie?

Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country

Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.

🪜Parasite

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🌀Everything Everywhere

☢️Oppenheimer

🐦Birdman

🪙No Country for Old Men

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01

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What kind of film experience do you actually want?
The best movies don’t just entertain — they leave something behind.





02

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Which idea grabs you most in a film?
Great films are driven by a central obsession. What’s yours?





03

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How do you like your story told?
Form is content. The way a story is shaped changes what it means.





04

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What makes a truly great antagonist?
The opposition defines the protagonist. What kind of opposition fascinates you?





05

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What do you want from a film’s ending?
The final note is the one that lingers. What do you want it to sound like?





06

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Which setting pulls you in most?
Where a film takes place shapes everything — mood, stakes, what’s even possible.





07

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What cinematic craft impresses you most?
Every great film has a signature — a technical or artistic element that makes it unmistakable.





08

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What kind of main character do you root for?
The protagonist is the lens. Who you choose to follow says something about you.





09

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How do you feel about a film that takes its time?
Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.





10

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What do you want to feel walking out of the cinema?
The best films leave a mark. What kind of mark do you want?





The Academy Has Decided
Your Perfect Film Is…
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Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.

Parasite

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You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho’s Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it’s ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.

Everything Everywhere All at Once

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You want it all — and this film gives you all of it. The Daniels’ Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn’t want cinema to choose between being entertaining and being meaningful. This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it’s about.

Oppenheimer

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You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens. Christopher Nolan’s Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.

Birdman

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You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it’s about. Alejandro González Iñárritu’s Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor’s ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn’t be possible. Michael Keaton’s performance and Emmanuel Lubezki’s restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all.

No Country for Old Men

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You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning. The Coen Brothers’ No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest. No Country for Old Men is honest in a way that most cinema never dares to be.

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A Serbian Film Movie Poster
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A Serbian Film


Release Date
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June 11, 2010

Runtime

104 Minutes

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Director

Srđan Spasojević

Writers
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Aleksandar Radivojević, Srđan Spasojević


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