Justin Hartley is in development on a new TV show while still leading his hit series Tracker, which has been going through its own changes.

Deadline reported that ABC is working on a TV adaptation of Isabella Maldonado‘s novel A Forgotten Kill. Hartley, 49, will executive produce through his overall deal at 20th Television while Diana Son will write and executive produce the project alongside fellow EPs Ken Olin and Maldonado.

A Forgotten Kill, which was released in 2024, is centered on ex–Army Ranger Dani Vega. According to the official synopsis, Dani is “a Nuyorican from the Lower East Side and dauntless FBI agent whose specialty is breaking codes and detecting patterns.”

The description continued: “As part of a task force, Dani is partnered with NYPD Detective Mark Flint. Their clashing styles give them an edge in solving crimes and expose an undeniable chemistry, but Dani is haunted by a secret: a family tragedy in her past that comes back to put her career and life at risk.”

Related: Justin Hartley’s ‘Tracker’ Is Breaking TV Records: Biggest Accomplishments

When it comes to breaking TV records, there is no denying that Justin Hartley knows what America wants — just look at his hit show Tracker. Based on Jeffery Deaver‘s novel The Never Game, Tracker follows a survivalist named Colter (Hartley) who travels the country helping people and law enforcement tackle a variety of mysteries. […]

A Forgotten Kill is the second novel in Maldonado’s FBI Special Agent Daniela Vega Series, which follows A Killer’s Game and came before A Killer’s Code.

Hartley will balance A Forgotten Kill with CBS’ hit series Tracker. Based on Jeffery Deaver’s novel The Never Game, Tracker follows Hartley’s Colter around the country as he helps to find missing people and solve mysterious cases. After spending three seasons filming in Vancouver, news broke in May that Tracker was awarded $48 million on $129 million in qualified expenditures, prompting its move.

Tracker is 20th Television’s biggest series to be brought back to California with the help of a tax credit. Before that, Prime Video’s Fallout moved from New York to Los Angeles, while Dan Fogelman’s upcoming NFL drama, The Land, was given a $42.8 million tax credit.

“I’m proud of what we built in Vancouver. I’m also very excited we’re bringing Tracker to L.A.,” Hartley said in a statement at the time. “I’m looking forward to continuing to tell these stories alongside the new, fresh places we’ll be heading to next. Most importantly, I want to thank the fans for showing up for us every step of the way. We couldn’t do this without you.”

TV shows can earn an additional 5 percent tax credit bonus — on top of the 35 percent base credit — for qualified expenditures incurred outside the 30-mile zone that covers the Greater Los Angeles area and surrounding communities, according to Deadline.

Tax credits for relocation are being awarded to shows for their projected outsized economic effect, with jobs being created for Los Angeles-based crews and local businesses being boosted by returning production.

“Location is a huge part of the storytelling on Tracker,” showrunner Elwood Reid told Deadline. “We’re so grateful to the crew and people of Vancouver who made the first three seasons of this hit drama possible, and are simultaneously thrilled to be able to kick off the fourth season of Tracker by filming in Los Angeles, thanks to the tax incentive program that supports bringing production back to California.”

Harley recently broke his silence on the shakeup.

“In terms of tone and character, I don’t think it’ll impact the show at all,” Hartley told The Wrap on Monday, May 25. “Our show is a road show. Our character goes from town to town across the United States of America and meets people from all different walks of life and helps them out. These strangers become kind of his family in a way.”

The actor expressed excitement about making the move to Los Angeles.

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“To be able to shoot in a different place that gives us different landscapes, we’re able to go to places — New York, D.C., the desert, Texas, the beach,” Hartley noted. “It just opens up our world in terms of landscape, which is such a big character of our show.”

Despite the shift, Hartley expressed gratitude for the show’s time in Canada.

“We built a really great, wonderful show and we did it in Vancouver for the first three years. Just, inevitably, as things go, the show has to evolve,” he added. “We’re not really interested in doing something just for the sake of doing it. I want to push the envelope and I want it to be something different, so we’re excited about it. It’s going to be very good for the show and for the audience.”

By Chris Snellgrove
| Published 1 second ago

Most actors relish the challenge of playing a villain, the kind that audiences absolutely love to hate. However, some performers do their job a little too well and become something else: the kind of villain that makes audiences say, “wait, I can fix him.” A great example of this is Loki, a one-note Thor villain that Tom Hiddleston transformed into the most charismatic baddie of the Marvel Cinematic Universe. Audiences loved him so much that he just kept coming back, first as the Big Bad of The Avengers and later as big brother Thor’s fiercest frenemy in Thor: Ragnarok. 

Heck, Hiddleston’s Loki was so popular that he transcended death: the character was killed off in Avengers: Infinity War and then resurrected in Avengers: Endgame before headlining his own TV series on Disney+. In tracing Loki’s slow arc from supervillain to reluctant hero, many Marvel fans have compared this bad guy to Q, the godlike chaos agent of Star Trek: The Next Generation. Like Loki, Q had his own slow-burning transformation from the ultimate villain to the most unexpected hero. In an ironic twist, however, one of Trek’s best writers resisted humanizing Q because she wanted him to be more like the nefarious Loki of Norse mythology.

Right On Q

Originally, Q was created as a matter of convenience. When Star Trek creator Gene Roddenberry needed to stretch the first episode of The Next Generation into a two-parter, he created Q, a godlike alien that could easily overpower the entire Enterprise crew with his fantastic powers. Q was very important to Roddenberry: not only did he name the character after a fan, but he ignored the objections of former Original Series writers who insisted this “new” villain was just a reskinned Trelane, the bad guy who clashed swords with Captain Kirk in “The Squire of Gothos.” 

Since he is a cosmic trickster figure, fans have compared Q to Loki (the mythic Norse figure later adapted into a Marvel comics villain) from the very beginning. Later, though, things would come full circle. By the time Loki became a major player in the MCU, fans kept comparing him to Q!

Keeping It Loki

Loki became a major player in the Marvel Cinematic Universe. He was originally written as a standard-issue villain in the first Thor movie, but Loki actor Tom Hiddleston added a remarkable amount of nuance and charisma to the role. Correspondingly, he served as the headline villain in The Avengers and then a reluctant hero in Thor: The Dark World and Thor: Ragnarok. Fans were sad to see him killed by Thanos in Avengers: Infinity War, but a version of him escaped the timestream in Avengers: Endgame. After that, Loki had his own TV series that chronicled his transformation from cosmic trickster to full-blown hero.

Once Hiddleston’s Loki became a franchise mainstay, MCU fans began comparing him to Q. To be clear, nobody involved with Marvel has ever confirmed that their version of Loki was inspired by this iconic Star Trek villain. Why the constant comparisons? Both characters are godlike tricksters whose chief pleasure in life is messing with mortals. Each has traveled the cosmos and traveled to alternate realities. Finally, each had an unexpected transformation from villain to hero. Loki went from trying to rule humanity to saving humanity in every possible timeline. In “Deja Q,” Q began to soften, eventually becoming a character who would help save all of humanity in (wait for it) multiple timelines!

Everything Comes Full Circle

Weirdly enough, this roller coaster ride has one more loop, and it’s a doozy. The reason that Q began to soften in “Deja Q” is that he was stripped of his powers; he learned enough about humanity to try to sacrifice himself for the Enterprise crew, an act so noble that the Q Continuum restored his powers. However, according to Captain’s Logs: The Unauthorized Complete Trek Voyages, TNG staff writer Melinda Snodgrass wanted the character to stay mean because of a certain Norse deity.  

“I always think of Q as Loki. He’s chaos. Maury Hurley always thought Q was here to teach us a lesson, to guide and instruct us,” she said. “I can understand that to some extent, but I really see him as a mischief maker. He really just wants to foul Picard’s head.” How’s that for chaos? One of TNG’s best writers hated humanizing Q because she wanted him to be more like the ruthless Loki. However, when the MCU made Loki a main character, they humanized him so much that fans constantly compare him to Q!

Sadly, I can’t give you the awesome cosmic powers wielded by either Q or Loki, and I can’t burden you with glorious purpose. However, I can do the next best thing: just like that, you have been burdened with glorious trivia.

James McAvoy is among the most interesting actors we have around. When he started with features like Atonement and Wanted, the audience felt we had another heartthrob on the horizon, but then the actor made some brilliant choices, like M. Night Shyamalan’s Split and Glass, wherein he played a man with 23 distinct personalities, or playing a chaotic detective in Irvine Welsh‘s Filth. The actor has also portrayed a younger version of fan-favorite Professor X in Fox’s X-Men movies and Mr. Tumnus in The Chronicles of Narnia: The Lion, the Witch and the Wardrobe, making him a versatile actor who fits any genre easily.

McAvoy brings genuine sincerity and a lot of intensity to each role, which makes him stand out. Among such roles is Paddy, a sinister yet charming patriarch in James Watkins’ psychological horror thriller Speak No Evil. Watkins is well known for features like Daniel Radcliffe’s The Woman in Black, the Kelly Riley-starring Eden Lake, and will soon bring DC’s Clayface to the big screen. So, when the actor and director collaborated on the remake of the acclaimed Danish feature, the result was chilling.

Despite being a remake, Watkins’ vision and McAvoy’s performance make Speak No Evil a universally acclaimed film. It made $77.2 million at the box office on a $15 million budget, owing to its incredible performances and a thrilling plot. McAvoy gained praise for making Paddy an unpredictable psychopath who seamlessly switched between a warm, magnetic friend and a bully. To many, his menacing physical portrayal was akin to Split. The film got matching 83% scores from fans and critics on Rotten Tomatoes.

‘Speak No Evil’ Is a Late-Night Favorite

Seems like fans are returning to witness its brilliance as Speak No Evil is back on Netflix’s top 10 charts, as per FlixPatrol. The film resurrected on a list dominated by Netflix originals like Office Romance, The Marked Woman, Swapped, Ladies First, and more. Set in Italy, Speak No Evil follows an American family — Ben (Scoot McNairy), Louise Dalton (Mackenzie Davis), and their anxious daughter — who meet Paddy, his wife Ciara (Aisling Franciosi), and their mute son Ant (Dan Hough). Things take a turn when Paddy invites the family to his remote farmhouse for a weekend getaway. However, what begins as a dream holiday quickly unravels into a living nightmare.

Check out Speak No Evil on Netflix and stay tuned to Collider for more such updates.

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Release Date

September 13, 2024

Runtime

110 Minutes

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Director

James Watkins

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Steven Spielberg is one of Hollywood’s most celebrated filmmakers, known for directing some of the most iconic films in his decades-long career. Despite his extensive success and numerous accolades, the director has revealed that he was repeatedly rejected from directing James Bond movies, something that he strongly wanted to do at one point. Now, Spielberg is sharing how he would respond if he were approached to direct a James Bond film.

In an episode of “The Rest is Entertainment” podcast, Steven Spielberg sat down with Richard Osman and Marina Hyde to talk about his latest movie, “Disclosure Day,” as well as answer some fan questions.

One asked, “Were you ever approached to make a Bond film? Do you have any regrets about not doing that?” Spielberg made it clear that he was never approached to direct a Bond film. Instead, he was the one who approached the late Albert “Cubby” Broccoli, the James Bond franchise’s lead producer.

The director said he had always wanted to direct a Bond film since seeing 1962’s “Dr. No,” and after the success of “Jaws” in 1975, he approached the producer. “I called Cubby Broccoli after ‘Jaws’ and volunteered. I said, ‘If you need a director, I would love to direct one.’ And he said no,” Spielberg revealed.

The Director Attempted To Strike A Deal With Cubby Broccoli

That wasn’t the last time Spielberg was rejected. Years later, Broccoli contacted Spielberg and asked for a favor. After the release of his 1977 sci-fi movie “Close Encounters of the Third Kind,” Broccoli asked for his permission to use the famous five-note sequence that was played throughout the film. The producer wanted to use the notes for “Moonraker,” the James Bond film released in 1979.

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Spielberg used that opportunity to offer a proposal to the producer. “I said, ‘I’ll make you a deal. I’ll give you permission to use the five notes if you let me direct a Bond film.’ And he said no.” Despite not agreeing to his proposed deal, the director still allowed Broccoli to use the sequence.

“So they consistently turned me down. He never explained why he wasn’t letting me into the Bond family,” Spielberg said.

Steven Spielberg Confided In George Lucas

In 1977, Steven Spielberg wanted to direct a James Bond film but was turned down. George Lucas replied: “I’ve got something better: an archaeologist named Indiana.” Six months later, they began developing Raiders of the Lost Ark. pic.twitter.com/aS10rMBQ3i

— Kalshi Film (@Kalshi_Film) June 4, 2026

Spielberg confided in his fellow filmmaker and friend, George Lucas, after facing another rejection from Broccoli in 1977. The two were in Hawaii after the release of “Star Wars: A New Hope,” and upon hearing the director’s woes, Lucas said he had “something better” for Spielberg.

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Lucas then told him about a character he conceived named Indiana Smith (later changed to Jones), an archaeology professor and daring treasure hunter. The Indiana Jones franchise has since had five feature-length films, four of which Spielberg directed. He served as executive producer for the fifth installment.

“He told me the premise of the Indiana Jones series, and that’s how I got that job. So if they ever asked me to make a Bond film now, my answer would be, ‘You can’t afford me,’” Spielberg said in jest.

James Bond Wasn’t The Only Franchise The Director Was Interested In

The acclaimed director is also a gamer, as his son, Max, revealed in 2024. According to Max, Spielberg loves the first-person shooter video game series “Call of Duty” and plays it on a computer using a keyboard and mouse. “He loves gaming. He’s the one that got me into it. He plays games. He’s a big PC gamer and so that’s kind of our bonding point as well,” Max shared.

In 2015, Activision Blizzard, the company behind the “CoD” franchise, launched a film and TV division to make a live-action “Call of Duty” cinematic universe. While the first attempt was scrapped, the project was resurrected in partnership with Paramount, and a movie is in the works.

Spielberg reportedly wanted to direct the film, but Paramount and Activision turned him down because he wanted complete control over production and marketing. Instead, Pete Berg was chosen to helm the project, which is scheduled for release in 2028.

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Steven Spielberg’s Illustrious Career

Spielberg is regarded as one of the most influential filmmakers, with a career spanning more than five decades. Throughout the years, the director has directed some of the most iconic films across different genres, including “E.T. the Extra-Terrestrial,” “Jurassic Park,” “Schindler’s List,” and “The Color Purple,” just to name a few.

He has earned three Academy Awards, including two for Best Director for “Schindler’s List” and “Saving Private Ryan,” and one for Best Picture for “Schindler’s List.”

Spielberg’s latest project, “Disclosure Day,” a sci-fi film starring Emily Blunt and Josh O’Connor, will be released in U.S. theaters on June 12.

By Chris Snellgrove
| Published 37 seconds ago

Every fandom has its wildly polarizing figures. In Star Trek, for example, many fans revere William Shatner as an acting legend, but others see him as an egomaniac who’d phaser his costars in the back if it meant getting an extra minute or two of screentime. In Doctor Who, very few of the actors are quite as polarizing (not counting John Barrowman and his alleged problematic sexploits onset), but the same can’t be said about the showrunners. When the show goes off the rails, the fandom tends to blame the man at the top, which is why Chris Chibnall gets so much heat for Jodie Whittaker’s subpar seasons as the Doctor. 

Historically, Russell T. Davies was one of the most beloved showrunners. He was in charge during the first four seasons of the 2005 Doctor Who revival, essentially turning this venerable ‘60s franchise into something hip and sexy enough to win over younger fans. But Davies became significantly more controversial when he returned to Doctor Who nearly two decades later, and his run was canceled after two bad seasons that barely anyone watched. That was bad enough, but fans are now ready to take out their pitchforks because Davies took to Instagram and confirmed that he had been lying about working on a Christmas special, which was, seemingly, also a complete fabrication!

A Timey Wimey Rise And Fall

Once upon a time, Russell T. Davies’ return to Doctor Who was hailed as a return of the king. The original series had fizzled out in 1989, and an attempt to bring it back as a made-for-TV movie in the ‘90s was dead on arrival. Davies was the showrunner for the 2005 reboot, which was an unqualified success: with exciting stories and beloved actors like David Tennant, NuWho filled the sci-fi TV void that was left by the early cancellation of Star Trek: Enterprise. He eventually left the franchise, leaving it in the capable hands of Steven Moffat, a showrunner who added a distinctly movie-like feel to almost every episode.

When Moffatt left the franchise in 2017, the series got a new showrunner: veteran Doctor Who writer Chris Chibnall. Unfortunately, things went downhill, as fans were divided on new Doctor actor Jodie Whittaker and controversial changes to franchise lore. Eventually, the BBC threw a Hail Mary, partnering with Disney and bringing back Russell T. Davies as showrunner. Sadly, the new show failed to gain much of a viewership and was canceled after two seasons. Davies previously mentioned writing a script for an upcoming Christmas episode that fans hoped would tie everything together. Incredibly, though, Davies hopped onto Instagram to verify that he made up the Christmas special and had never written anything for it! 

Everything Falls Apart

While Russell T. Davies’ Instagram post was long-winded, it got to the point relatively quickly. He verified that he was saying “GOODBYE” to Doctor Who and that the BBC is “putting the show out to tender.” After that, Davies clarified that “there won’t be a Christmas Special–we only cooked that up to guarantee a future when no one knew what would happen, but now we do know, there’s no need for it.” Following on the heels of that rather stunning admission about the Christmas Special, he added, “For the record: there was no script, I never wrote it, and no actor was ever approached to play the next Doctor.”

Fans were salty about Davies’ admissions for several different reasons. First, he had claimed to be writing the script in December of 2025, a claim that had seemingly been backed up by Doctor Who composer Murray Gold. Taking his Instagram post at face value, we can’t help but wonder why Davies was comfortable just straight-up lying to fans about this Christmas special. Even more incredibly, it seems he is saying that the special was never in any level of active development and was simply announced as a last-ditch attempt to keep the franchise alive. 

Adding insult to injury, no script development and no attempt to cast a new lead means that even Davies (the man in charge!) had no idea how to wrap up the cliffhanger in which Ncuti Gatwa’s Doctor somehow regenerated into the body of Billie Piper’s Rose Tyler, a former Companion. When the episode aired, some cynical fans thought that bringing this sexy, beloved actor back was a last-ditch attempt to save the show. Now, that theory seems accurate, given that Rose was apparently plonked back into the franchise with no real idea of how to use her character. Now, that will be a problem for another showrunner, assuming that Doctor Who ever comes back.

The Crankiest Doctor Is Now Validated

Amid the hate spurred on by Russell T. Davies’ Instagram posts, more and more Doctor Who fans came to a simple conclusion: Christopher Eccleston was right! Eccleston played the Doctor for the first season of the 2005 revival; when fans asked why he left the show, the actor responded that he had concerns about how the crew was treated and that he was told to ignore these concerns. After leaving, he claimed that he had lost all trust in Davies. More recently, when Eccleston was asked at a fan convention what it would take for him to return to Doctor Who, he bluntly responded, “Sack Russell T Davies…and I’ll come back.”

For a long time, it was easy to dismiss some of Eccleston’s claims as sour grapes. Now, though, Davies returned to Doctor Who only to run it into the ground, and on his way out, he gloated about lying to fans about a Christmas special that will never come to be. In the rest of his Instagram post, he alternates between being weirdly defensive and mildly snarky. Now, it seems increasingly clear that Eccleston was right about the other man. However, we’re left with one silver lining: with Davies now sacked, Eccleston is one step closer to returning to the franchise that made him a household name!

By Chris Snellgrove
| Published 20 seconds ago

Star Trek: The Next Generation brought back some of the most famous bad guys from The Original Series, including the Klingons and the Romulans. This beloved spinoff also introduced some memorable new villains, including the Cardassians, the Nausicaans, and the Borg. While all of those new baddies resonated with fans, none struck a chord with the fandom quite as much as Q, the godlike being played by John de Lancie. He appeared in both the very first and very last episode of The Next Generation and several episodes in between, and he was always the perfect chaos agent to get under Captain Picard’s skin.

Over time, Q became less of a villain and more of an antagonistic ally: by the end of TNG, he was helping Picard to literally save all of humanity. Originally, though, he was written to be a recurring Big Bad, a kind of ultimate foe who can’t be overcome by advanced Starfleet technology. When did he begin his transformation from evil villain to the unexpected savior of mankind? It all started with “Deja Q,” an episode where Q was written to be a manipulator who merely lied about losing his powers. But Gene Roddenberry insisted he actually lose his powers, causing the former villain to discover humanity he didn’t even know he had.

Naked And Afraid

“Deja Q” is the memorable Next Generation episode in which Q shows up on the Enterprise, completely naked. He reveals that the Q Continuum decided to punish him for because he frequently torments lesser beings; subsequently, they stripped all of his powers, effectively leaving him at the mercy of previous alien victims such as the Calamarain. They attack Q when he is adjusting to life as a human, and he freaks out when he sees how the aliens hurt his new buddy, Data. Q tries to sacrifice himself to the Calamarain so the Enterprise crew would be safe, and his altruistic behavior is rewarded when the Q Continuum give him his powers back.

It’s a very heartwarming episode that quite literally humanizes Q, who was, up to this point, the scariest villain in Star Trek: The Next Generation. As recorded in Captains’ Logs: The Unauthorized Complete Trek Voyages, “Deja Q” was originally written as an episode where Q was lying about losing his powers. Showrunner Michael Piller said that Q spun “a whole story about how we were about to come into a war with the Klingons,” with the big reveal being that the godlike being “was just playing with us and pulling our strings just so that he could make himself a hero, become an officer and prove his value.”

Til Death Do Them Part

Such an elaborate ruse would be perfectly in line with the mustache-twirling villain that we saw in earlier episodes like “Encounter at Farpoint” and “Hide and Q.” So, why did the plot for “Deja Q” change so dramatically? This was because Star Trek creator Gene Roddenberry decided to effectively redeem TNG’s most iconic villain. According to Piller, Roddenberry “threw cold water” on him and the other producers with a very straightforward storytelling note: “If you’re going to do a story–Godlike and brought to Earth–then do it. Do a story about what it’s like to lose everything that you are and having to discover your own Humanity.”

It turned out to be great advice, and “Deja Q” became one of the best episodes of the entire series. This humanization of Q set up some important later arcs for the character, including him helping Picard save humanity in the TNG finale “All Good Things.” The godlike being also returned in Picard Season 2 to help give his oldest frenemy some closure. Sadly, Roddenberry didn’t live to see any of this; he died in October 1991, one year after the original broadcast of “Deja Q.” Fortunately, he had time before his death to help redeem his favorite villain, one named for a passionate Star Trek fan.

Obviously, Gene Roddenberry wasn’t a perfect storyteller, and some of the Season 1 TNT episodes under his tenure were pretty bad (“Code of Honor,” anyone?). But he always had good instincts when it came to his characters. He knew how to write Q as one of the greatest and most menacing villains in television history, but he also knew exactly when and how to transform that bad guy into one of Star Trek’s most unexpected heroes. He also gets the coolest hero-to-villain glow-up, ever. After all, how many do-gooders have you seen that have their own mariachi band?

Meghan Markle has been compared to one of the most controversial figures in royal history, Anne Boleyn, amid ongoing debate about her departure from royal life alongside Prince Harry.

The comparison was made by author Catherine Mayer, who argued that both women were viewed as outsiders and faced intense hostility after entering the royal fold. The remarks come as reports suggest Harry and Meghan are considering spending more time in Australia following their warmly received visit to the country earlier this year.

Meghan Markle has been linked to controversial royal predecessor Anne Boleyn, who served as Queen Consort during her marriage to King Henry VIII.

On the surface, the two women appear to have little in common. Meghan lives in Montecito with Prince Harry and their two children, while Anne met a notorious end in 1536 after being accused of treason.

However, while promoting her new book, “Divide and Rule: Royal Women and Their Battles,” author Catherine Mayer suggested that Meghan’s “brutal” departure from royal life mirrors Anne’s experience in several ways, particularly as both women were viewed as cultural outsiders.

“Critics hold [Anne] solely responsible for her own downfall. If you assume this to be a description of Meghan, you’re right – but here’s the thing: the same details apply, word for word, to Anne Boleyn,” Mayer wrote in the book, per Sky News.

Meghan’s Reputation Was ‘Damned,’ Author Claims

Mayer went on to describe Meghan as the least popular royal “except for Andrew Mountbatten-Windsor,” who lost his royal patronages and military affiliations following scrutiny over his association with Jeffrey Epstein.

According to Mayer, Meghan’s reputation may have been “damned” by a palace culture she characterized as hostile toward outspoken women.

“To those who clamour for Meghan to be expunged from public life like a latter-day Anne Boleyn, I’d ask one question: what exactly has she done to earn such hostility?” Mayer added.

Meghan Markle Continues To Face Online Criticism

Meghan has frequently found herself at the center of online criticism, so much so that she once claimed she was the “most trolled person in the world” during the past decade.

Whether through products released under her As Ever lifestyle brand, her Netflix series “With Love, Meghan,” or her social media activity, critics have regularly questioned the Duchess’s decisions.

Most recently, Meghan marked Princess Lilibet’s birthday by sharing photos of herself and Harry with their daughter. Days earlier, she posted images from a family outing that included Archie and Lilibet.

The posts sparked criticism from some social media users, who argued that sharing images of her children conflicted with her advocacy for child safety and online privacy.

Duchess Defends Sharing Family Photos

The criticism eventually prompted a response from Meghan’s camp, which argued that sharing family moments while protecting children’s identities is entirely consistent with her message on online safety.

“The Duchess has always been clear that there is a distinction between sharing moments from her life and exposing her children to public scrutiny,” a representative told Newsweek.

They continued, “By obscuring their faces, she is demonstrating the very principle she advocates for: giving children privacy, agency, and protection in an increasingly digital world.”

“Far from being contradictory, by concealing their faces she is actually reflecting the message she delivered in Geneva: that parents can choose to share family experiences while still taking deliberate steps to protect identities, privacy, and digital footprint,” the spokesperson added.

Harry Reportedly Wants Meghan Markle Back In Australia

After a challenging few years in the United States, reports suggest Harry and Meghan may be exploring Australia as a potential fresh start.

The couple spent four days in the country in April on what many described as a quasi-royal tour, receiving a warm welcome while participating in charity engagements and private events.

According to reports, Harry has become particularly fond of the country and is eager to return with Meghan and their children.

“He can’t wait to get back with Meghan and the kids,” an insider claimed. “Harry would love to spend an extended amount of time there. It’s no secret they’re looking to make a fresh start somewhere, and Harry seems to think Australia can offer that.”

The Sussexes previously toured Australia in 2018 during an official royal visit while Meghan was pregnant with Prince Archie. They have not undertaken a similar royal tour since stepping back from official duties in 2020.