Entertainment
The Worst Movie of Each of the Last 6 Years
For the most part, the last six years have been a great time for cinema. From genre-defining masterpieces like Dune: Part Two to Oscar-winning indie darlings like Everything Everywhere All At Once, the 2020s as a whole have offered some exceptional cinematic achievements. From 2021 until the present, however, there have also been some truly awful movies; shameful disasters that give the art form a bad name and prove that not just anyone deserves to be given the budget to make a motion picture. There are many reasons why a film could be awful, from clunky artistic direction to a poorly-written script, and the worst of the worst of the last six years checks all of those boxes and many more.
Some awful movies are even worse than others, however. As such, every year of the last six years has had an awful film that stands out above all the others as the bottom of the barrel of that year. From so-bad-they’re-good cult classics like War of the Worlds to embarrassing streaming originals like Megamind vs. the Doom Syndicate, these films show just how unexciting, unappealing, unfunny, and uninteresting movies can be when done without any true semblance of passion or artistic competence.
6
2021: ‘2025: The World Enslaved by a Virus’
Not many people have watched the English-language German film 2025: The World Enslaved by a Virus. Good. It really should stay that way. There are plenty of Christian films that are legitimately strong movies made by a team of creatives who clearly knew what they were doing, but this? It’s far and away one of the worst movies of the last 25 years, a beyond-incompetent disaster made by people who probably had never seen a single movie before in their lives. It’s a Christian persecution fantasy with zero artistic value, barely any semblance of a plot, and politics so confused that they’re almost dizzying.
All of this could perhaps be forgiven if 2025: The World Enslaved by a Virus were at least funny, but this is one of those instances of a movie being so bad that there isn’t even any ironic humor to find in it at all. Stupidly written, visually appalling, and complete with some of the worst acting that cinema has seen at any point during the 21st century, it’s entirely incompetent dystopian fiction that has nothing to offer beyond conspiracy theories that can be taken down with so much as a puff of wind.
5
2022: ‘Morbius’
Morbius is one of the saddest instances of a box office disappointment of the 2020s as a whole. Released by Sony in April, the film was a financial whimper that nevertheless became the target of countless memes mocking it on social media. Sony took this as a sign that they had a so-bad-it’s-good classic on their hands and decided to re-release the film in theaters in June, only for it to bomb a second time. This failure was entirely deserved, too: This complete mockery of the cinematic medium doesn’t even have the decency to be terrible enough to become a cult classic.
Instead, Morbius‘ biggest sin is that it’s boring. Complete with terrible performances, ugly visuals, one of the worst post-credits scenes of any movie, and a poorly-plotted story that’s nothing short of nonsensical, it’s everything that a comic book film should aim not to be in this post-Infinity Saga era of the genre. There’s no life, no heart, and no humor in this irredeemable slog, only CGI noise that doesn’t lead anywhere interesting or even remotely entertaining.
4
2023: ‘Spy Kids: Armageddon’
Though some may call it divisive, Robert Rodriguez‘ Spy Kids franchise at least offered three iconic installments that many cinephiles hold as fond cinematic memories of their childhood. The franchise was never the same again, reaching its most abysmal point to date with the fifth main installment in the series, Spy Kids: Armageddon. Though a little more than half of critics on Rotten Tomatoes liked it well enough, earning it a 55% score on the Tomatometer, its 4.3/10 rating on IMDb and 1.7/5 rating on Letterboxd make it one of the lowest-rated movies of the decade on both platforms.
It’s no wonder this family spy romp was as much of a flop with general audiences as it was. The smallest members of the family are bount to find at least a few redeeming qualities to have some fun with it, but anyone over the age of 10 is going to inevitably have a difficult time with this trite, poorly-written cheesefest. Bad performances, terrible visuals, poorly-shot action, and no semblance of a sense of excitement whatsoever all make this the worst possible thing to play on the family TV on a Saturday night.
3
2024: ‘Megamind vs. the Doom Syndicate’
Back when it originally came out in 2010, Megamind didn’t receive much fanfare, even though it performed well financially. It was in the years following its release that it slowly started to grow more and more of a cult following, becoming one of the most beloved standalone DreamWorks movies ever. With this gradual cult resurgence, Peacock saw dollar signs. As a pilot to their series Megamind Rules!, the streaming platform ordered DreamWorks Animation Television to produce Megamind vs. the Doom Syndicate, which is now the lowest-rated film of the decade thus far on Letterboxd.
By no means is this level of hate an exaggeration, but rather a fully-deserved reception for what’s essentially a visually atrocious, poorly written, shoddily directed cashgrab. Megamind vs. the Doom Syndicate is both an insult to fans of the original (who had been begging for a proper sequel for years) and an affront to the animated medium itself, a complete misfire without a single aspect worthy of even the slightest of praise. The animation? Awful. The humor? Awful. The voice acting? Awful. The story? Awful. There’s virtually nothing here for anyone who enjoys movies that actually have something of value to offer.
2
2025: ‘War of the Worlds’
Typically, it takes some time for a terrible movie to start garnering a cult following with an ironic appreciation of it, eventually cementing itself as a so-bad-it’s-good disasterpiece. Such wasn’t the case with War of the Worlds. From the very moment it came out, this screenlife contemporary adaptation of H. G. Wells‘ 1898 literary sci-fi classic (if one can even call it an adaptation) immediately grew a reputation as one of the most hilariously awful movies of the decade.
Not only does War of the Worlds live up to the hype: It’s even worse than anyone who hasn’t actually seen it could possibly imagine, the sort of cinematic catastrophe that must be seen to be believed. It’s easily one of the worst movies of the last 40 years, with some of the most shameless production placement, awful acting, and dull writing that the modern cinematic landscape has ever seen. When done right, screenlife thrillers can be irresistibly entertaining, but there was virtually nothing in War of the Worlds that was actually done right.
1
2026: ‘Mercy’
So far, 2026 has been a relatively good year for thrillers, but by no means does that imply that there haven’t been some duds. Case in point: Mercy, which came out at what’s probably the worst-ever time to release a sci-fi thriller that’s overtly and shamelessly in favor of Artificial Intelligence. Placing Chris Pratt and Rebecca Ferguson in a position where they have zero chance to deliver anything of value or leverage any of their skill, it’s a film that (somewhat admirably) manages to mix bad politics, horrible aesthetics, and poor writing in equal measure.
There’s nothing original here, nothing fresh or exciting, nothing that delivers any kind of impact that will last beyond the credits. Mercy is more of a cheap knock-off of the infinitely better sci-fi thriller that was Minority Report, without any of the creativity, stakes, or heart. It’s emotionally shallow, narratively nonsensical, and way too ambitious for its own good. This year has offered some pretty awful movies, but so far, none have sunk as low as Mercy.
Mercy
- Release Date
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January 19, 2026
- Runtime
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100 minutes
- Director
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Timur Bekmambetov
- Writers
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Marco van Belle
Entertainment
Snooki Shares Hysterectomy Must-Haves Amid Cancer Battle
Nicole “Snooki” Polizzi is gearing up — literally — for her upcoming hysterectomy amid her battle with cervical cancer.
The Jersey Shore: Family Vacation star, 38, took to TikTok on Tuesday, July 28, to share the must-have items she bought from fans’ recommendations in preparation for her surgery, which she said is happening “soon.” Included in her haul were an abdominal band for support in her midsection, constipation aids and a weighted heating pad.
In a follow-up video, Snooki shared that she also bought several loose-fitting, lightweight nightgowns, as well as oversized underwear to keep the area around her incision comfortable.
“You guys know I don’t like pain, and I want to be cozy and comfy, and I needed recommendations on how to, like, recover the best way after my hysterectomy,” she said. “If I’m missing anything, mamas, anybody who has gotten a hysterectomy with the big cut, please help. I don’t want to feel pain. If you know me, I’m a baby. I don’t like pain. I don’t like any type of uncomfortableness, and yeah, I just, I don’t like it. So obviously, I’ll have, like, some pain meds and stuff.”
Snooki also explained why she must get an open abdominal hysterectomy versus laparoscopic. (The former uses a large horizontal cut, similar to a C-section, to remove the uterus, while the latter uses small cuts and a camera, leading to an easier recovery in many patients, according to WebMD. In some cases, a hysterectomy may also involve removing the cervix, ovaries or fallopian tubes.)
“If [the surgeon] does it [laparoscopically], there’s a nine percent chance that he doesn’t get all the cancer, so he’s got to do the C-section cut to get everything out,” she explained. “So that’s what we’re dealing with, and that’s what it’s got to be. And I know the recovery is, like, way worse.”
Snooki revealed her stage I cervical cancer diagnosis in February.
“Obviously not the news that I was hoping for,” the mom of three — who shares kids Lorenzo, 13, Giovanna, 11, and Angelo, 7, with husband Jionni LaValle — said in a TikTok video at the time after noting that the cancer had been discovered through a biopsy. “But also not the worst news, just because they caught it so early.”
She added, “The oncologist said you can either do chemo, radiation or the hysterectomy. Obviously, I think the smart choice here is the hysterectomy. I’ll still keep my ovaries, which is a good sign, but the hysterectomy, got to get the cervix in, the uterus out and then possibly lymph nodes, because it can [spread there].”
In June, Snooki exclusively opened up to Us about her initial fears after she was diagnosed.
“I called my mom, crying, like, ‘Schedule my funeral, this is what I want,’ like, being so dramatic,” she shared. “I was hysterical for, like, three days, and then I was like, ‘You’re a bad bitch, you’re going to be fine, you tackle everything.’ And then I went to Short Hills and spent, like, thousands of dollars. Then, after that mental breakdown, I was like, ‘Alright, let’s get this done.’”
Entertainment
Family Reportedly Seeks Social Media Account Data
Nolan Wells’ family has reportedly issued subpoenas to several social media companies for access to his account information and data.
RELATED: Warren Hudson Reveals Why He Chose Not To Attend Nolan Wells’ Funeral (VIDEO)
Nolan Wells’ Family Reportedly Takes New Step In Search For Answers
Nolan Wells’ family reportedly issued the subpoenas on Tuesday, July 28, seeking records from his accounts on Snapchat, WhatsApp, TikTok, Meta Platforms, and Life360. Court documents show the family requested account details, including usernames, passwords, emails, phone numbers, display names, IP addresses, and communications such as chats, posts, and stories.
Nolan’s phone remains a key focus in the investigation into his death, which gained national attention earlier this month. His mother, Christine Wonsley, previously said the family became concerned after they received his phone and found no photos or videos on his Snapchat accounts, raising fears that the content might have been deleted, per The Shade Room.
Warren Hudson Previously Addressed Claims Of Deleted Content From Wells’ Phone
As TSR previously reported, Officer Tatum shared part four of his podcast interview with Warren Hudson. Hudson, a reported friend of Wells, explained that many people spent the Fourth of July on Horn Island, and some left their phones behind on the boat. He added that several phones remained with the group after they returned to the house later that night. He said no one had a reason to go through Nolan’s phone or delete any content.
“And the boat was having issues. Why would our concern be getting on Nolan’s phone or something? I mean, I don’t even know Nolan’s password. None of our friends do… I didn’t even touch Nolan’s phone. None of us touched Nolan’s phone […] until we handed it to mom that was at my buddy’s house,” Warren explained.
Nolan’s Friends Reportedly Receive Notices Ahead Of Potential Legal Action
Before Nolan Wells’ family reportedly issued subpoenas to social media companies, Magnolia Tribune reported that several of Nolan’s friends and their parents received spoliation letters from Carroll Bufkin, PLLC, on July 20. Attorneys use spoliation letters to notify individuals that they must preserve potential evidence connected to a legal matter. The letters typically warn recipients against deleting, altering, or destroying information that could become important in a future lawsuit. Sending a spoliation letter often marks an early step before someone pursues legal action.
The same law firm is reportedly handling the subpoenas sent to the social media companies.
RELATED: Cajun Navy President Says He’s Willing To Turn Over Photos From The Day Nolan Wells Was Found (VIDEO)
What Do You Think Roomies?
Entertainment
34 Years Later, Peter Gabriel’s Most Heartbreaking Song Still Captures the End of an Era
Peter Gabriel‘s career has been one of the most prolific and groundbreaking in music history. From his beginnings in Genesis, where his progressive rock compositions and shocking and disruptive stage performances stunned audiences, to his incredible solo career, where he experimented with rhythms and sounds from around the world, he never stopped reinventing himself. He now has an album coming up at the end of 2026, and the singles he has released so far prove that he’s not slowing down.
Most of his biggest hits came out during the ’80s and ’90s, and they range from funk and dance rock tracks like “Sledgehammer” to beautiful, moving ballads. On his 1992 album, Us, he recruited Irish singer Sinéad O’Connor and recorded a few duets with her. One of them is his hit ballad, “Come Talk to Me.” Most likely, when fans first listened to this song, they assumed it was a classic love song about estranged lovers. But the true meaning behind it is more heartbreaking. Gabriel wrote it about his daughter, and it was a desperate attempt at connection.
Why Peter Gabriel Wrote His Most Personal Song for His Daughter
“Come Talk to Me” opens Peter Gabriel’s 1992 album, Us, the album that he described as his most vulnerable one. And with good reason. Right away, the song reveals the many different influences he wanted to include from around the world. It starts with distorted guitars, African drums, synthesizers, and bagpipes, creating a dissonant but hypnotic sound. According to Peter Gabriel, it grew out of a Senegalese groove he’d recorded years before. “I tried to introduce quite a lot of textures, so it’s more of a journey than some of the other tracks,” he explained. “Starting off with these bagpipes, there’s something gutsy and primal about the sound of pipes.”
Who’s Your Perfect Classic Rock Band?
But while the rich melody is beautiful, the lyrics are the most moving part. Especially considering the real meaning behind it. “Darkness creeps in like a thief / And offers no relief / Why are you shaking like a leaf? / Come on, come talk to me,” Gabriel sings earnestly, before going into a chorus that is basically a plea. “Oh please talk to me / Won’t you please talk to me / We can unlock this misery / Come on, come talk to me / I did not come to steal / This all is so unreal / Can’t you show me how you feel? / Now come on, come talk to me.”
Around the time he was writing this album, he was divorcing his first wife, and his family was struggling as a result. “In ‘Come Talk To Me’ there’s a block in communicating,” Gabriel shared, and added that it was with one of his daughters. “I saw that she was angry and was unable to externalize her feelings, so it was a real cry from the heart.”
The Pain Behind ‘Us’ Shaped Peter Gabriel’s Greatest Songs
His estrangement from his daughter and the end of his marriage were weighing on Gabriel, and this album, Us, is very vulnerable as a result. But vulnerability doesn’t mean it’s grim; it just means it’s honest. And Gabriel was proud of that. “I don’t think the tone of the album is dark,” Gabriel argued. “It feels quite alive for the fact that it is letting stuff out, and relationships are more directly addressed than before… I feel that by looking in the darkness and by plunging into it, diving into it, that there is some light at the other end of it, which otherwise you bury, it gets suppressed. It feels quite hopeful to me, quite positive.”
“I have never been more sincere in my life. Whether that’s sincere enough, I don’t know. But I do know that I have taken a lot of trouble to give the listener an unadulterated glimpse of my inner life. Therapy taught me that it’s always essential to be open about one’s feelings and emotions, in order to get a grip on them,” he went on. For him, working on the album was the best way to do that. He explained that, while his life was falling apart around him, he felt that music was something he could control. The theme of the album, at its core, is connection and communication. Everything he felt he couldn’t say to his family, and especially to his daughter, he was saying through music. It makes the name Us take on a whole different meaning. And it’s clearly perfectly fitting.
Entertainment
Kamu confronts Jason in super awkward “Big Brother” tea party video
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And in the process ruins Mallory’s “dream come true.”
Entertainment
Outer Banks Season 5 Trailer Hints at More Deaths After JJ Exit
The first look at Outer Banks‘ final season hinted at more potential deaths after Rudy Pankow‘s controversial exit as JJ.
Netflix released the official trailer on Wednesday, July 28, which showed John B. (Chase Stokes), Sarah (Madelyn Cline), Kiara (Madison Bailey), Pope (Jonathan Daviss) and Cleo (Carlacia Grant) mourning the loss of JJ. They ultimately decide on a revenge plan that seems to led to some potentially fatal moments including someone on a motorcycle falling off a cliff, deadly explosives and more.
Outer Banks, which debuted in 2020, follows the conflict between two groups of teenagers in a coastal North Carolina town. The social divide is introduced with the wealthy residents (a.k.a. the Kooks) and the working class (the Pogues).
Season 5, which premieres August 20, will follow the aftermath of JJ’s shocking death. The show originally received backlash when Pankow’s departure was confirmed despite the writing team claiming it was always the plan to kill off the fan-favorite character.
“It’s been kind of lurking in his DNA from the beginning. He’s really a tragic figure, and the idea of mortality, and you only have a finite window — it’s also a theme of the show,” executive producer Jonas Pate told The Hollywood Reporter in November 2024. “It’s something John B. has talked about from the first season. So believe it or not, this is something that was always sort of baked in the cake, and we just wanted to tell the story as elegantly and interestingly as possible.”
After JJ’s onscreen death, the show’s creators explained their decision to kill off a Pogue.
“The overarching plan was to begin with just some kids who wanted to have a good time all the time, and take them on a whole journey,” Shannon Burke told Deadline in November 2024. “One of them was going to end up dying, and pretty early on, we knew that was going to be JJ, he’s the most reckless. He is also the most beloved and, in one way, the most sacrificing and the most risk-taking. And this was going to be JJ’s year.”
He continued: “The kids, they’re getting older. We wanted to begin in a place of innocence and then go to a place that at least one point to go is really dark for them, and then have them come out of it. That’s the overarching plan for the show. It was always JJ that was going to be, we just weren’t sure how we were going to play it.”
Viewers subsequently started to question whether Pankow’s exit came as a result of a rumored rift between him and the cast, which includes characters John B, Sarah, Kiara, Pope, JJ and Cleo (Carlacia Grant).
Pankow, 28, for his part, has said that he thinks JJ’s death was meant to move the story along.
“When I first found out JJ was gonna risk it all and not make it, I understood it. And the risks got bigger and bigger, and the stakes got higher and higher,” he explained to Netflix’s Tudum that same month. “His death really does set up the future of OBX with the question, what is worth it? And when someone that close to you is gone, how do you navigate that?”
Outer Banks is currently streaming on Netflix.
Entertainment
Eva Mendes Blasts ‘Fake’ Ryan Gosling And Johnny Depp Image
Eva Mendes is making it clear that a viral image appearing to show Ryan Gosling and Johnny Depp together at San Diego Comic-Con never happened. The actress called out an Instagram account after it shared an AI-generated picture depicting her longtime partner walking alongside Depp at the convention. Although both actors attended the event, their appearances occurred on separate days, and there is no evidence they spent time together. Eva Mendes’ response prompted the account to apologize and change its caption to identify the image as artificial intelligence.

The fabricated picture was shared by the Instagram account @opavisions and showed Gosling walking through the Comic-Con crowds alongside Depp, who was dressed as Ebenezer Scrooge. A character named Slopaxo also appeared partially in the image and was tagged in the post. The original caption presented the scene as if it were a genuine candid moment from the convention.
“Some of our favorite moments from Comic-Con weren’t on stage; they were watching Ryan Gosling, Johnny Depp, and @slopaxo moving through the crowds like the unlikeliest best-friend trio,” the caption read. “Between candid walks, conversations with fans, and spontaneous stops, they quietly became one of the weekend’s most memorable sights.”
Mendes quickly entered the comment section to correct the claim. “FAKE. Please let People know when you’re putting out AI,” she wrote.
Instagram Account Apologizes After Being Called Out
Following Mendes’ response, the account acknowledged that the image was not authentic and promised to be more transparent. “@evamendes DISCLAIMER: THIS WAS AI***,” the account wrote.
“Thank you for saying something. You’re right, and I’ll be more clear going forward,” the message continued before praising Mendes and Gosling’s respective careers.
The account reportedly issued an additional apology with, “Ok we will sorry,” and later added, “Wow. I’m a big fan. I love your movies.” Comments have since been disabled on the post, while its lengthy original caption has been replaced with one word: “AI.”
Although the post has now been labeled, the initial presentation gave viewers no clear indication that the scene had been artificially created.
Johnny Depp Appeared At Comic-Con As Ebenezer Scrooge

Part of what made the fabricated image appear believable was Depp’s elaborate Ebenezer Scrooge costume, which he genuinely wore during Comic-Con. The actor made a surprise appearance in San Diego to promote “Ebenezer: A Christmas Carol,” scheduled to arrive in theaters on November 13.
Organizers constructed a mock storefront in the Gaslamp Quarter and covered the surrounding area in artificial snow. A crowd gathered as Christmas carolers performed before Depp emerged in character from the building. Despite fans cheering and calling out to him, Depp maintained Scrooge’s famously irritable demeanor as he moved through the activation.
He later appeared in costume during Collider’s Directors on Directing panel, giving convention attendees a closer look at his transformation for the forthcoming film.
Ryan Gosling’s Ghost Rider Casting Was Revealed Days Later

Gosling made his own surprise Comic-Con appearance on Saturday, when Marvel announced that he will portray Ghost Rider in an upcoming standalone film. Shawn Levy will direct the project, which is slated for release in 2028. The filmmaker recently worked with Gosling on “Star Wars: Starfighter,” scheduled to premiere on May 28, 2027.
“Gosling is the absolute sh-t. I say that with tremendous respect,” Levy told the Comic-Con audience. “We spent a lot of time last year making Starfighter, and the opportunity as Ryan started talking about this character, I was like, “Bro, let’s ride.” We’ll see you in 2028!”
The project will mark Gosling’s entrance into the Marvel Cinematic Universe and reunite him with Levy behind the camera.
Eva Mendes Has Her Own Connection To ‘Ghost Rider’

Gosling’s casting creates an unexpected full-circle moment for Mendes, who previously appeared in the 2007 “Ghost Rider” movie starring Nicolas Cage. Mendes portrayed Roxanne Simpson, the former girlfriend and love interest of Cage’s Johnny Blaze. The film earned approximately $229 million worldwide against a reported production budget of about $110 million.
The actress has publicly supported Gosling’s casting in the new adaptation, making her connection to the franchise even more personal. However, Mendes was considerably less enthusiastic about seeing her partner placed into a fictional Comic-Con encounter without an upfront disclosure.
Entertainment
“Chicago Fire” faces cast shake-up as original cast member set to leave in season 15
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Joe Miñoso has played firefighter Joe Cruz since the NBC show’s first episode.
Entertainment
Christopher Nolan’s ‘The Odyssey’ Officially Closes In on 2026’s Biggest Sci-Fi Box Office Milestone
Following one of the most impressive opening weekends of the year, where it broke numerous records, including becoming its director and star’s highest-grossing opening yet, Christopher Nolan‘s historical epic The Odyssey held that momentum for weekend #2. The blockbuster, which was dubbed an “unrivaled cinematic spectacle” in Joe Schmidt‘s review for Collider, has now sailed to $700 million worldwide, against a $250 million production budget.
Matt Damon finally made the move to leading man in a Nolan movie in The Odyssey, after previously appearing in the likes of Interstellar and Oppenheimer. Add to this a star-studded ensemble including Anne Hathaway, Robert Pattinson, and Zendaya, the reputation of Nolan, and the promise of a feast of practical filmmaking, and The Odyssey was destined to prove an unstoppable hit. Can it reach the $1 billion mark? After such a strong start, it certainly looks likely, and that would make it only Nolan’s third film to hit this height after The Dark Knight and The Dark Knight Rises.
With a global haul of $700 million after just a few weekends, The Odyssey has now surpassed the final box office total of one of 2026’s most defining films. Directed by Phil Lord and Christopher Miller, Project Hail Mary made $684 million in global revenue earlier this year, with this total likely to be smashed by The Odyssey in less than a week. Considering just how strong Project Hail Mary‘s theatrical run was, for The Odyssey to make overtaking it look like a breeze is particularly impressive.
Another Movie Just Hit an Enormous Box Office Milestone
It wasn’t just The Odyssey celebrating a successful weekend at the box office. In its sixth weekend, after falling no further than third in the ranks, Pixar’s latest animated sequel, Toy Story 5, has finally reached the box office promised land, breaking the billion-dollar boundary. One of the most successful films of the year, Toy Story 5 is just the third to reach $1 billion in 2026, following in the footsteps of the video game adaptation sequel, The Super Mario Galaxy Movie, and Antoine Fuqua’s musical biopic, Michael.
The Odyssey is currently available to watch in theaters worldwide. For more of the latest box office stories, stay tuned to Collider.
- Release Date
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July 15, 2026
- Runtime
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173 minutes
Entertainment
Danny DeVito parties, gets married, and ‘human traffics’ in first look at “It’s Always Sunny” season 18
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The gang is back for more NSFW shenanigans.
Entertainment
Usher Reacts To Fan’s “Pretty Privilege” Remarks After Stage Boot
Usher warned a fan during a concert in Birmingham, Alabama, before bringing her onstage. The singer is currently performing in the ‘The R&B Tour,’ and he recently kicked a woman named Gabrielle Cheyenne off the stage after she failed to play along during the fan segment. His new warning also seemed to address Gabrielle’s “pretty privilege” comments.
RELATED: Breezy Not Playing! Chris Brown Has The Internet Going Wild Over SPICY Moment With Fan On The R&B Tour (WATCH)
Usher Seemingly Throws Shade & Warns Fan Before Bringing Her Onstage
Usher is known for his spicy performances during his concerts, and he has a special segment where he brings a female fan onstage while he sings ‘Can U Handle It?’
A fan was kicked offstage recently during the tour, and she later said on social media that she looked too good to decline the offer to go onstage with her “PRETTY PRIVILEGES.” Days later, Usher warned a fan at his Birmingham show, referencing the woman he had previously kicked off the stage.
“Before we get started, don’t bring your a*s up here if you don’t wanna be here,” he said as the audience howled. “God, don’t like ugly, but he most certainly don’t feel too good about pretty privilege, either.”
Woman Kicked Off Stage Explains Her Reaction
During a performance in Nashville, Tennessee on Saturday, July 25, Usher kicked a fan off stage after bringing her up for the sexy segment of the show. The fan seemed less than enthusiastic as the ‘Climax’ artist attempted to lay her down on a bed, and he waved her off the stage after saying, “I don’t think she wants to be on stage.” The fan, Gabrielle Cheyenne, explained herself on Facebook after receiving backlash.
“First off NOBODY is declining to go on stage. I looked good… you thought I wasn’t gonna let THOUSANDS of people see me?? On the big screen, where you Will never be???? My mom and I had FLOOR SEATS. Their team approached us and moved us to VIP before the show even started !! PRETTY PRIVILEGES something you will never know about!! They don’t say what you’re going up there for!! Y’all wanted me to get up there and f**k him atp ?? CHATT FOLKS AREN’T USED TO ANYTHING. That’s the most exciting thing that would’ve happened in y’all little a** lives !! F**k yall, DISRESPECTFULLY
Cheyenne spoke to TMZ on Monday, July 27, and admitted that she wanted to be onstage with Chris Brown, who is also on the tour. Cheyenne said that she was brought to the VIP area but wasn’t told what she would be brought onstage for. She said that she would have reacted differently if it has been Brown onstage with her instead of Usher. She added that she wouldn’t have accepted has she known the VIP offer was for the ‘Yeah!’ artist.
“I’m more of a Chris Brown fan than I am of Usher,” she said. “So, of course, it would have been a different reaction with Chris Brown… it wouldn’ta been the stiffness.”
The fan added that she didn’t mean to ruin the moment, but she prefers one artist over the other.
Fans Have Mixed Reactions To Usher’s Warning
Fan reactions were mixed after the clip was shared on TSR’s Instagram page. Several Roomies were feeling Usher’s warning while others shared their critiques about both fan interactions.
User @anishajanae wrote, “Yall talking about his ego hurt when it’s as simple as, don’t go up there if you don’t want to participate. We’ve seen how these shows go.”
User @gueits wrote, “He said nothing wrong, that girl was playing on them people’s stage .”
@dutchisrunway wrote, “Don’t mess up people performance and bag ..just to be weird.”
User @jinadoll1212 added, “Start bringing up REAL fans and not IG models and that won’t happen.”
@therealcourtneybee added, “Get real fans up there, the ones with your faces on the shirts 🤷🏾♀️😂.”
@iheartdna noted that Usher threw the whole tree with his warning. “Not ‘he don’t feel so good about pretty privilege either’ 😂 That was petty 🤣🤣.”
@mr_grindhard4 added, “Humbled her ssa quick😂😂😂.”
@shay_tha_great wrote, “Yall talking about ego???? HE AT WORK!!!! 😂😂😂.”
User @she.prettyxoxo wrote, “Imagine waiting your whole life to get picked just to get unpicked.😂.”
@nunu_struts replied, “It’s not about ego. It’s fn facts. Don’t get up there if you don’t want to be up there. It’s very simple.”
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