Entertainment
This Is the Mount Rushmore of Slasher Movies
Horror has many subgenres, but the most fascinating just might be slashers. Unlike creature features, or anything to do with zombies, vampires, or the supernatural, a slasher often exists in a reality close to our own. In these worlds, a human killer is on the loose, stalking their unsuspecting prey. Their victims could be us, and when we look outside on a dark night, horror fans wonder if one of those movie madmen could be lurking around a corner. Slashers had their heyday in the 80s, then again in the late 90s, both times petering out before making a comeback the past few years. And none of it would be possible without these classics. They make up the Mount Rushmore of slasher films.
‘Psycho’ (1960)
While maybe not the first slasher (1932’s 13 Women arguably gets the credit), Alfred Hitchcock‘s Psycho was the first to become a pop culture sensation. Before Psycho, horror on screen existed in the gothic, with the impossible being the source of fear. What made Psycho so terrifying was that it seemed like it could really happen. Based on Robert Bloch‘s novel of the same name, the film begins with Marion Crane (Jennifer Leigh), a thief on the lam who decides to spend the night at the Bates Motel, run by a seemingly harmless Norman Bates (Anthony Perkins). As Marion and so many others will soon find out, there is a lot more going on at this motel than meets the eye.
Psycho isn’t a high body count movie with buckets of blood. The early 60s weren’t ready for that yet. In fact, Psycho was the first movie to ever show a flushing toilet! The kill count is low in this one. It’s the slow build and the unwinding tension that makes it so good. The shower scene is filmed and scored masterfully, and the mystery surrounding Norman’s mother has a terrifying ending. Perkins is such a talented actor that a simple shy smile will have you doubting his intentions. If you think Psycho isn’t a slasher, we dare you to watch it, then try to take a shower afterward.
‘The Texas Chain Saw Massacre’ (1974)
October 11, 1974 was a monumental day for horror. On this day, both Bob Clark‘s Black Christmas and Tobe Hooper‘s The Texas Chain Saw Massacre were released. It’s tempting to put Clark’s film on this list because of how it influenced Halloween, but the saw can’t be denied. The Texas Chain Saw Massacre begins with a group of friends who stop for help at a seemingly abandoned house in Texas, only to encounter an imaginable terror. Inside waits Leatherface (Gunnar Hansen), a chainsaw-wielding cannibal who wears the faces of his victims. For Leatherface and his family, these kids are now on the menu.
If Psycho is nearly bloodless, The Texas Chain Saw Massacre is filled with it… at least that’s what your mind tricks you into believing. In reality, there is very little of the red stuff. The violence is so intense and non-stop that our imagination lies to us. It’s a hot, sticky, uncomfortable movie, with a captivating final girl in Sally Hardesty (Marilyn Burns), a fighter who never stops screaming in terror. Hooper brilliantly disturbs the viewer in every scene and keeps you on edge for the entire runtime. Its success led to a franchise. Those are hit-and-miss. This perfect film is where it all begins, complete with a smart message about the failures of industrialization. Are we supposed to feel sorry for Leatherface as much as we fear him?
‘Halloween’ (1978)
Perhaps the most famous slasher of them all is John Carptenter‘s Halloween. Without it, not only would a thirteen-film franchise not exist, but neither would Friday the 13th and Jason Voorhees, nor the last name on this list. Halloween has a bare bones, simplistic plot. In Haddonfied, Illinois, the sister killing Michael Myers (Nick Castle) has escaped from a psychiatric hospital. On Halloween night, now wearing a chilling white mask, the silent Shape looks to relive his past crime when he spots a trio of high school girls, led by babysitter Laurie Strode (Jamie Lee Curtis).
If you watch slashers from the 80s and 90s before Halloween, finally getting around to Carpenter’s masterpiece hits differently. It feels like a trope-heavy slasher just like all the others. There’s a reason for this though. Halloween is what perfected all of those plot beats the subgenre would come to rely on. The minimalism of the low budget makes the film lifelike rather than a slick Hollywood creation. Laurie is the perfect final girl as a shy young woman forced to fight for her life. And, oh, that score. No matter how many times you hear it with the Boogeyman lurking in the shadows, it’ll never fail to send a shiver down your spine. Halloween is a suburban nightmare like no other. If you’ve never seen a slasher before, start here.
‘Scream’ (1996)
The slasher fad died out in the late 80s, and for much of the 90s, horror lost its identity. It was saved by one of its best filmmakers when Wes Craven, the man behind A Nightmare on Elm Street, directed Scream. A brief synopsis hints at a movie just like everything that came before it. High school students in California are stalked by a killer in a mask who picks them off one by one, as final girl Sidney Precott (Neve Campbell), the object of their terror, struggles to bring them down. Yes, this is another masked psychopath, but this time, rather than being silent, they prefer to terrorize with phone calls. The history of scary movies is their favorite subject, and the only way to make it out is to maneuver through slasher stereotypes.
Kevin Williamson‘s clever meta horror script is a love letter to the past, and it’s all done so well that it created a new chapter for slashers. Forget being a slow-moving stalker, Ghostface is fast. What makes him really stand out is that he doesn’t have an established backstory. Rather than being a known entity like Michael Myers of Jason Voorhees, the villain in Scream is unknown. On top of the horror, viewers also have to figure out the mystery. While other movies in the franchise dropped the ball in the third act reveal, Scream teases us with both the obvious and the unpredictable, leading to a spot-on final act.
Entertainment
7 Western Shows That Have Aged Like Fine Wine
Ever since NBC premiered Hopalong Cassidy in 1949, TV show creators have long been fixated on dramatizing the outlaw nature of the Old West, from gun-slinging outlaws to legendary lawmen who tried to bring order to the chaos of the land. The Wild West has always been an era that was fertile for telling engaging stories of good versus evil, bad guys versus lawman, and even outlaw versus outlaw, battling it out to see who reigned supreme in the wild frontier.
While Hopalong Cassidy was the first Western to premier on television, it wasn’t until ABC’s stab at a Western series, The Lone Ranger, elevated the genre into the pop culture zeitgeist, introducing new storylines that would be influential in Western shows to come. Not only that, but the shows that changed the trajectory of the Western genre itself have aged quite well over the years; and that got me thinking about doing a piece highlighting the Western shows that have aged like fine wine in a fancy restaurant. So, grab your cowboy hat, and read on as we give you the Western series that still look fresh even by today’s modern standards.
‘The Rifleman’ (1958–1963)
Back in the Golden Era of Westerns, ABC established itself as a network that dared to do different things within the Western genre that didn’t involve shootouts and bad versus good. Enter The Rifleman, created by Sam Peckinpah and Arnold Laven, which turned out to be a vastly different series than its predecessors were. Starring Chuck Connors, the series follows Lucas McCain (Connors), a former Union Army soldier who is a widower, raising his son, Mark (Johnny Crawford) on a ranch in the fictional North Fork.
Right from the pilot episode, one could see that The Rifleman was going to be a much different Western than fans were accustomed to. Instead of relying on tense gun fights, The Rifleman focused on the moral and emotional bond between Lucas and his son. This allowed the series to be more character-driven, something that viewers didn’t really see in other Western shows at the time. Focusing on the characters rather than the land they lived on allowed The Rifleman to age quite nicely over the years, to the point where the series felt like it could be released in the middle of 2026 and feel just as fresh as it did when it premiered on ABC in 1958.
‘The Virginian’ (1962–1971)
If you haven’t heard about The Virginian, don’t be embarrassed, as this is a Western series that has been forgotten when the topic of best shows of the genre is discussed. But don’t let its underrated status fool you. The Virginian is one of the genre’s best shows, especially one that has aged really, really well.
Based on the novel by Owen Wister, The Virginian follows the foreman of the Shiloh Ranch (James Drury) as they face societal challenges in the Old West. Much like The Rifleman, The Virginian focuses more on the characters than the action, with the series becoming somewhat of a Western soap opera that leaned into relationship drama. The Virginian was one of the first Westerns to be filmed in color, and by looking at more adult themes, it allowed the show to age better as time went along.
‘Have Gun – Will Travel’ (1957–1963)
Back in the 1950s, when the Western was truly getting going on television, most of the shows within the genre were generally lighthearted affairs that were safe for the entire family. That changed with Have Gun – Will Travel, which premiered on CBS in 1957 and is largely seen as the first Western that was fully aimed at adults. The series follows Paladin (Richard Boone), a gunfighter-for-hire who is quite different from the other gunslingers at the time.
Paladin is smart and sophisticated, which made him the perfect guy to solve the big problems that clients would come to him with. Have Gun – Will Travel certainly had its tense moments, but what makes this show stand out from its predecessors was the way it told its central premise. The series focused more on psychological storytelling, with Paladin using his smarts instead of brute strength to solve problems. In today’s Western landscape, you can see protagonists use their brainpower more than their shooting skills, which makes Have Gun – Will Travel a show that could easily fit in the modern era.
‘Bonanza’ (1959–1973)
You know you’re going to be in for a good time when you see the map burning on the screen. The iconic opening title card to the famed NBC Western series Bonanza was the cherry on top of a sundae that never melts. Created by David Dortort, the series follows the Cartwright family, who lived on the Ponderosa ranch near Lake Tahoe. While Bonanza is technically a Western, in some respects, it doesn’t follow the same tropes as its counterparts.
For starters, Bonanza was more moral and character driven. The series would often tackle social and emotional issues that were complex. While other Western shows focused on the rough and tumble West, Bonanza was basically a soap opera that just happened to be set in the Old West. The focus of moral and societal issues makes Bonanza feel a lot more relevant to a modern audience than a show such as The Lone Ranger, which was quickly dated after it went off the air. You can put on an episode of Bonanza today and feel like you’re watching a modern Western, because the show was made to feel just like it was.
‘Lonesome Dove’ (1989)
In 1985, author Larry McMurtry published his famed Western novel Lonesome Dove, and the book became an instant hit. It was also around this time that the Western genre on television and film began to take quite a dip in quality, and people were losing interest. So, CBS, in a gamble, adapted McMurtry’s novel into a miniseries in 1989, and the rest, as they say, is history. Lonesome Dove was not only a giant hit for CBS, but it also completely revitalized the Western genre.
Lonesome Dove is widely considered to be the modern Western series others inspired to be. With sensational performances from Robert Duvall and Tommy Lee Jones, Lonesome Dove presented audiences with a gritty portrayal of the frontier, far removed from the romanticized version that was often portrayed in Western shows. The storytelling is hauntingly beautiful, the characters have a tremendous amount of depth, and the quality of the production was, and still is, simply unmatched. There isn’t an alternative reality where Lonesome Dove would age poorly.
‘Dr. Quinn, Medicine Woman’ (1993–1998)
For a long time, Western shows were primarily driven by male leads, with women often in the background. That changed in 1993, when CBS debuted a new Western centered around a doctor named Dr. Michaela Quinn (Jane Seymour). Dr. Quinn, Medicine Woman was quite the game changer for the Western genre. The show follows Dr. Quinn as she leaves Boston to search for adventure in the West. She then settles in Colorado Springs and opens up a practice there, treating all types of illnesses that plagued the rugged West.
Dr. Quinn, Medicine Woman was a progressive show that often centered on themes such as social justice and women’s rights, both of which remain issues to this very day. These themes wouldn’t have stuck an emotional landing without a strong female lead, and Dr. Quinn was certainly that and then some. She was independent, compassionate, and determined to show the medical field of the 19th century that women could be compatible doctors as men were. But, above all else, Dr. Quinn, Medicine Woman was all about family, and the drama and heartwarming themes that centered around this made the show an extremely family-friendly affair. Looking back on the show, it’s hard to say that Dr. Quinn, Medicine Woman aged poorly. It did the exact opposite, and if you were to show this series to someone who wasn’t born during the time the series aired, they would definitely believe that this was a show that was released in the 21st century.
‘Deadwood’ (2004–2006)
What can you say about HBO’s Deadwood that hasn’t already been said? This show is timeless. It’s a Western work of art. It’s the gold standard of the modern-day genre that hasn’t aged one bit. Created by David Milch, Deadwood centers on the town of Deadwood, South Dakota, and how the place grew from a camp into an actual town. While most Westerns, both historical and modern, were more character-driven, Deadwood took a markedly different approach, focusing instead on order, morality, and civilization, how the West became a tame place.
One thing that makes Deadwood stand out is its unique dialogue. The people of Deadwood don’t speak in the same Western tone as its predecessors. No, the dialogue within Deadwood is often poetic, even, dare we say it, Shakespearean in tone. If another person created this series, a Shakespearean Western would sound really weird; but this is David Milch, and the man knows how to write superior dialogue, and Deadwood was his magnum opus. Outside the splendid writing, Deadwood‘s performances and production quality are simply top-notch, with everything coming together to create the best modern Western series of our time, and one that has not, and will not, age.
Entertainment
Savannah Guthrie Has ‘Every Intention Of Coming Back‘ To ‘Today’
During her visit, the co-anchor reportedly assured her colleagues that she will definitely be returning and thanked them for their continued support and prayers.
Article continues below advertisement
Savannah Guthrie Confirms She Has ‘Every Intention Of Coming Back’ During ‘Today’ Visit

Per The Hollywood Reporter, Guthrie’s March 5 visit to the “Today” show set was filled with emotion, as the co-anchor saw the show’s staff for the first time since her mother Nancy Guthrie disappeared on February1.
During the unplanned visit with the show’s staff, Guthrie reportedly thanked them for “caring about my mom as much as I do,” among other kind words.
“I wanted you to know that I’m still standing, and I still have hope and I’m still me. I don’t know what version of me that will be, but it will be,” she continued.
Guthrie also used the impromptu meeting to confirm that she will indeed return to the show, as the investigation into her mother’s disappearance continues.
Article continues below advertisement
“I have every intention of coming back. I don’t know how to come back, but I don’t know how not to. You’re my family and I would like to try,” Guthrie said, per the outlet.
Article continues below advertisement
‘Today’ Meteorologist Dylan Dreyer Reportedly Led A Staff Prayer With Guthrie

In a show of support for Guthrie’s heart-breaking ordeal, Dreyer led the show’s staff in a group prayer that was said to be highly emotional.
“We’re here holding hands as a family, in a place where we don’t understand why this is happening. It is not too bold to ask God for the biggest miracles every day,” he said.
“It felt like the right moment for all of us,” Dreyer revealed during the broadcast on Friday, March 6. “When I feel helpless, I pray… We asked for that miracle.”
Fellow “Today” show anchor Carson Daly also shared how meaningful Guthrie’s visit was.
Article continues below advertisement
“She came into the middle, no speech, spoke from the heart. Said the most perfect words you could ever imagine and looked every one of this family in the eyes,” Daly said on the show. “Yesterday was one of the most special days not just in our lives professionally but personally.”
Article continues below advertisement
Guthrie Recently Visited The Set, But Her Return Date Has Not Been Confirmed

According to PEOPLE, on Thursday, March 5, Guthrie “stopped by the studio to be with and thank her ‘Today’ colleagues,” a show spokesperson said via statement, per the outlet.
Although her visit to the show does not mean that a return date for Guthrie has been set, she will reportedly be back on-air at some point.
“While she plans to return to the show on air, she remains focused right now supporting her family and working to help bring Nancy home,” the statement continued.
Her Set Visit Follows Her Decision To Leave The Arizona Search And Return To New York

After posting an Instagram video on February 25 announcing she was increasing the reward for her mother’s return to $1 million, Guthrie reportedly decided to leave Arizona, where her mother lives and disappeared, to return to her home base in New York.
According to the Daily Mail, an inside source shared the details behind the decision.
“She can’t stay in Arizona forever. Her kids and her life are in New York City,” the source told the outlet. “The family is coming to terms with the fact that this might take years.”
Article continues below advertisement
Prior To Her Arizona Departure Guthrie Visited A Memorial For Her Mother

On Monday, March 2, Guthrie, her sister Annie, and her brother-in-law Tommaso were seen gathered outside a memorial in front of Nancy Guthrie’s Arizona home.
The family was photographed embracing each other as they laid flowers at the memorial for their mother. Per TMZ, other well-wishers also laid bouquets and notes at the memorial site.
Despite the investigation yielding no substantial results, both the FBI and the Pima County Sheriff’s Department remain optimistic they will bring Nancy Guthrie home.
Entertainment
Struck Girlfriend’s 8-Year-Old Son To Death
Tyrone Covington, a U.S. Army veteran, has been sentenced after allegedly striking his girlfriend’s 8-year-old son, Josiyah Robinson, more than 100 times, beating him to death.
RELATED: Rick Ross’ Daughter Shares Emotional Tribute To Her Son’s Father Lil Poppa While Blasting Those Blaming Her For His Passing
U.S. Army Veteran Tyrone Covington Allegedly Struck Girlfriend’s 8-Year-Old Son More Than 100 Times, Beating Him To Death
According to Law & Crime, Tyrone Covington was moving with his girlfriend in October 2020 when she called the police to report that her son, Josiyah Robinson, had suffered a beating and was struggling to breathe before going unconscious. More specifically, Convington and his girlfriend were reportedly moving to a new home and transporting their items by car. This, when his girlfriend informed him that her son had locked her keys in the vehicle. Covington allegedly took his belt and started whipping the boy more than 100 times. Additionally, he allegedly forced the 8-year-old to “complete military exercises such as pushups, sit-ups, and jumping jacks.”
Ultimately, Josiyah Robinson was reportedly rushed to a local hospital, then flown to a children’s hospital. However, he passed away the day after.
U.S. Army Veteran Tyrone Covington Sentenced After Allegedly Striking Girlfriend’s 8-Year-Old Son More Than 100 Times, Beating Him To Death
According to the outlet, Tyrone Covington was convicted of manslaughter and aggravated child abuse in January. Then, on Monday, March 2, a judge sentenced him to 30 years behind bars. Per the outlet, Covington, who served tours in Iraq and Afghanistan, was initially charged with first-degree murder. However, the charge was lessened to manslaughter.
“When I stop, Mr. Covington, and think about how Josiyah spent the last hour of his life feeling fear, it makes me sick,” Circuit Judge Lyann Goudie reportedly told Covington during sentencing.
US Army veteran gets 30 years in prison for Brandon boy’s fatal beating https://t.co/paUyplikRl
— Tampa Bay Times (@TB_Times) March 3, 2026
Elsewhere In Cleveland, A Mother Is Making Headlines
Elsewhere, in Cleveland, Ohio, a 28-year-old mother named Aliyah Henderson has also made headlines for a jaw-dropping incident. As The Shade Room previously reported, Henderson has been accused of murdering two of her young daughters and stuffing their bodies inside suitcases. Their bodies were reportedly found on Monday, March 2.
RELATED: Prayers Up! Cleveland Mother Arrested & Charged After Remains Of Two Young Daughters Reportedly Found Stuffed In Suitcases
What Do You Think Roomies?
Entertainment
What Has Luke Grimes Said About Kevin Costner Falling Out?
After Kevin Costner‘s dramatic exit from Yellowstone, his former costar Luke Grimes has been forthcoming about them falling out of contact.
Yellowstone, which premiered on Paramount in 2018, followed the fictional Dutton family, who own the largest ranch in Montana. Taylor Sheridan’s TV universe prospered for five seasons on Paramount Network before reported tension with Costner led to the actor’s exit from the show.
The series ultimately came to an end before expanding with spinoffs such as The Dutton Ranch and Marshals. While most of the cast have chosen not to address where they stand with Costner now, Grimes hasn’t shied away from those conversations.
“I haven’t talked to him since [he left]. It’s not a case of any hard feelings or anything. It’s just, he’s Kevin Costner,” Grimes told Men’s Health MH Flex in December 2024. “He’s a big deal. I do have his phone number — I just don’t feel like it’s my place to reach out. He can reach out to me if he wants to.”
Costner reacted to Grimes’ comments at the time, telling reporters, “I’m not thinking about [the Yellowstone finale]. I don’t think I’ve given it any thoughts, we’ll just let it go.”
The Oscar winner also dodged a question about whether he is in touch with Grimes. “No. We are done talking,” he added.
Keep scrolling for Grimes’ brutally honest commentary:
Missing His Presence
After Kevin Costner’s character John Dutton was written out of Yellowstone, Luke Grimes spoke to People about the shift, sharing in November 2024, “He’s a big presence, man, guy’s an icon.”
He continued: “So not having him around to set felt a little different. But as always, I mean, we’re a big family now. It was just as special and hopefully, the fans will be able to connect with the story just as much.”
No Longer in Touch

“I haven’t talked to him since,” Luke Grimes told Men’s Health one month later about Kevin Costner’s departure. “It’s not a case of any hard feelings or anything. It’s just, he’s Kevin Costner. He’s a big deal. I do have his phone number — I just don’t feel like it’s my place to reach out. He can reach out to me if he wants to.”
Grimes noted that he didn’t end on bad terms with Costner, adding, “None of us saw it coming the way it did, and obviously there was news about possible blowups behind the scenes or whatever. But just like in life, man, these things happen, they happen fast, and they’re not predictable.”
Easier to Film
Luke Grimes was asked about his experience filming the fifth and final season of the hit Paramount Network drama during an interview with Esquire, to which he replied, “Hopefully everyone can see that it was time.”
The actor, who played Kayce Dutton, specifically mentioned Costner’s absence.
“To be really honest, there was a part of Kevin being gone that meant some of the conflict was gone,” Grimes admitted. “Obviously, it didn’t make it super fun to be around. Not pointing any fingers, but it was actually the easiest season we’ve filmed.”
Entertainment
10 Fastest-Paced Thriller Movies of All Time, Ranked
Thrillers are often expected to be slow burns that carefully build suspense until everything explodes in the final act. That approach is pretty effective, and some of the greatest films in the genre follow these beats. However, the movies that people usually remember refuse to slow down at all, and what separates a good thriller from a great one is urgency.
When every scene feels like it matters, the audience barely gets a moment to breathe before the stakes escalate, and that’s part of the fun. To prove that, here are the 10 fastest-paced thriller movies of all time that will leave the viewers feeling like they were part of the action, instead of simply witnessing it.
10
‘The Hateful Eight’ (2015)
The Hateful Eight has to be Quentin Tarantino’s most underrated film. The Western mystery thriller is nearly three hours long and takes place mostly in one room, but the director turns that restraint into the story’s greatest strength. The narrative is set in 1877, a decade after the Civil War, and follows Bounty hunter John “The Hangman” Ruth (Kurt Russell), who is headed to Red Rock with his prisoner, Daisy Domergue (Jennifer Jason Leigh), whom he plans to see hanged. Along the way, he is forced to share a stagecoach with Major Marquis Warren (Samuel L. Jackson), a Union veteran turned bounty hunter, and Chris Mannix (Walton Goggins), a man claiming to be Red Rock’s new sheriff with ties to the Confederacy.
A blizzard sends them into Minnie’s Haberdashery, where several other strangers are already waiting out the storm. Nobody trusts anyone, and Ruth’s immediate response is to try to control the room with threats and guns. Right off the bat, The Hateful Eight feels like a pressure cooker of tension where the audience can’t seem to trust anyone or anything. Characters introduce themselves, and the film immediately gives the audience reasons to doubt their stories. The story is relentless, and with the blizzard outside, there is absolutely no escape from the madness. The performances are obviously a huge part of why The Hateful Eight remains engaging till the very end and really sell the idea of these eight dangerous people being stuck together with their egos and grudges.
9
‘Heat’ (1995)
Heat is a masterpiece of a thriller that starts slow but picks up pace before the audience even realizes it. The film spends a lot of time building its characters and taking the viewers through routine police work, but it’s all structured like a chase that never fully stops. The story follows two professionals on opposite sides of the law. Vincent Hanna (Al Pacino) is an LAPD Robbery-Homicide detective who is so dedicated to his job that his personal life is falling apart. Neil McCauley (Robert De Niro) is a professional thief who tries to stay emotionally detached from just about everything.
Things take a turn when a car robbery goes wrong, thanks to McCauley’s recruit, Waingro (Kevin Gage), and Hanna starts closing in on him. From there, the film turns into a constant game of surveillance, counter-surveillance, planning, and close calls, with the cops and the two sides constantly adjusting to each other’s moves. Heat’s greatest strength is how naturally it shifts between these two worlds, and just when the audience feels settled, the story pulls the rug from under them. The whole thing feels like a miniseries with several plots converging together, like Hanna’s failing marriage or McCauley’s relationship with Eady (Amy Brenneman). Even with all these moving parts, though, the heart of the film is these two men who simply can’t coexist but also genuinely respect each other’s grit.
8
‘Max Mad: Fury Road’ (2015)
Mad Max: Fury Road is still the gold standard for a modern action thriller. The film is basically one long chase, but that’s the whole point. The film, directed by George Miller, is the fourth installment in the franchise and follows Tom Hardy as Max Rockatansky, a drifter who is captured by Immortan Joe’s cult-like army (Hugh Keays-Byrne). The story picks up when Joe’s trusted lieutenant, Imperator Furiosa (Charlize Theron), betrays him by smuggling his five wives out in a massive armored War Rig, which kicks off a relentless pursuit across the desert.
The premise is pretty simple, with Max getting caught in the middle of Furiosa’s plan. The film doesn’t really offer a lot of elaborate twists or complicated plotlines, and yet, it never stops feeling epic. Mad Max: Fury Road treats its action as a storytelling device where every explosion means something. Even in its quieter moments, the psychological tension never drops because Joe’s army is always somewhere on the horizon. Despite being packed with stunts, crashes, and elaborate combat sequences, the film never feels exhausting because of how fully immersed the viewer feels in the chaos.
7
‘Uncut Gems’ (2019)
Uncut Gems, directed by Josh and Benny Safdie, follows Howard Ratner (Adam Sandler), a New York Diamond District jeweler who is juggling a collapsing marriage with Dinah (Idina Menzel), a messy affair with Julia (Julia Fox), and a swarm of creditors led by his brother-in-law Arno (Eric Bogosian), who is tired of being patient with him. Now, the heart of the story is a 600-carat black opal smuggled from Ethiopia that Howard gets his hands on. However, when NBA star Kevin Garnett becomes obsessed with it, Howard sees a way to solve all his money problems in one move.
He lends Garnett the opal for a game and takes his championship ring as collateral. Howard then immediately pawns the ring and uses the cash to place a high-risk bet. This leads to a spiral where Howard keeps pushing his luck and lying just to buy himself enough time. The film is built around the logic of addiction, where Howard and the audience become convinced that the next move will wash away his last mistake. The narrative offers practically no time to dwell on the failures because Howard has to keep moving to survive. The best part about Uncut Gems is that it commits to its chaos. The film wants its audience to feel trapped inside the same relentless loop as the protagonist, and simulating that feeling so perfectly is what makes Uncut Gems a masterclass in fast-paced storytelling.
6
‘Speed’ (1994)
Speed is a ‘90s high-concept action thriller that sounds like a joke until one actually watches it. The film, directed by Jan de Bont, follows Keanu Reeves as Jack Traven, an LAPD officer who keeps stumbling into one problem after another. The film begins with Jack and his partner Harry (Jeff Daniels) stopping an elevator bombing that’s being orchestrated by the bitter ex-bomb squad cop Howard Payne (Dennis Hopper). However, that’s only the beginning, as Payne fakes his death and executes his masterplan by rigging a city bus to explode when it dips below 50 mph. From that moment, the stakes in Speed only rise.
The plot is fast-paced but relatively easy to follow as Jack tries everything in his power to keep the passengers calm and work with the police. However, there is absolutely no respite here because Payne keeps throwing one problem at him after another. What works so well about Speed is that it sticks to its central plot and keeps building tension around it. Every solution immediately creates a new problem, and the whole thing feels like an impossible race against time. This constant escalation could have easily leaned into gimmick territory, but with a tight plot, it makes for one of the most exhilarating watches of the last 50 years.
5
‘Die Hard’ (1988)
Die Hard is essential viewing for anyone who appreciates the art of a timeless thriller. The film, directed by John McTiernan, follows New York police detective John McClane (Bruce Willis), who travels to Los Angeles on Christmas Eve hoping to reconcile with his estranged wife, Holly (Bonnie Bedelia). However, he walks straight into a hostage situation when a group of heavily armed criminals led by the calm and calculating Hans Gruber (Alan Rickman) takes over Nakatomi Plaza during a company party. McClane manages to slip away while the rest of the employees are being rounded up, and that’s when he begins sabotaging Hans’s operation piece by piece. Once the takeover begins, though, the film refuses to let its characters breathe for a single second. McClane has no time to celebrate his small victories because whatever he does seems to lead to extreme consequences.
Willis brings an extremely honest sense of exhaustion to his character, which makes every close call feel all the more real. The pacing of the film works because the audience genuinely believes that he might fail, which was a departure from the usual action flicks of the time, where the hero could do no wrong. Die Hard has its fair share of brilliant action sequences, but much of the film’s tension comes from the psychological battle between McClane and Gruber as they constantly try to outsmart each other. This balance between spectacle and genuine character work is what made Die Hard one of the defining films of the ’90s and the blueprint for what an action thriller should be.
4
‘Snowpiercer’ (2013)
Snowpiercer is one of the most unique thrillers of the 2010s, which uses the familiar premise of a single location to drive an important point home. The film, directed by Bong Joon Ho in his English-language debut, takes place after all of Earth is frozen and the last of humanity lives aboard a massive train that has been circling the globe for 17 years without ever stopping. Inside the train, society has rebuilt itself and created a strict class division where the wealthy live comfortably in the front cars while the poor passengers are crammed into the tail compartments that are under constant surveillance and abuse.
The story follows Curtis Everett (Chris Evans), a reluctant rebel leader who fights his way forward through the train to confront the mysterious engineer (Ed Harris), who controls this entire social order. Every train car introduces a new obstacle, and this constant escalation of danger gives the film its relentless momentum. The further the rebels move, the clearer it becomes how deeply people in the train have been conditioned to worship Wilford and accept their assigned place. This psychological and social angle adds to the film’s sense of urgency. Neither the characters nor the audience knows what the next car will reveal, and the unpredictability of it all makes Snowpiercer a biting thriller that delivers one of the most intriguing endings in modern sci-fi cinema.
3
‘I Saw The Devil’ (2010)
I Saw The Devil is a visceral thriller that is not easy to watch by any means. However, its intensity is what makes it unforgettable. The South Korean revenge film follows Kim Soo-hyun (Lee Byung-hun), an elite National Intelligence Service agent, whose fiancée is murdered by Jang Kyung-chul (Choi Min-sik), a sadistic serial killer who targets women at random. Soo-hyun quickly tracks the killer down, but instead of killing him, he begins a relentless cat-and-mouse game where he repeatedly hunts the criminal down, tortures him, and lets him go just to repeat the cycle all over again.
The power dynamics are especially interesting here because Kyung-chil continues committing his horrific crimes while trying to escape Soo-hyun’s wrath. The plot is pretty simple, but every encounter between the two men grows more intense, violent, and personal. I Saw The Devil keeps pushing its characters toward total moral collapse as revenge consumes both of them. The film is extremely unsettling, but it’s a true thriller driven by pure adrenaline.
2
‘Taken’ (2008)
Taken begins with a relatively simple concept that escalates into a high-stakes drama like no other. The film follows Bryan Mills (Liam Neeson), a retired CIA operative whose teenage daughter Kim (Maggie Grace) is kidnapped by a human trafficking ring during a trip to Paris. During a frantic phone call, Bryan hears the abduction happen in real time, and that kicks off his journey of tracking Kim down and seeking revenge. However, the catch is that he only has 96 hours before his daughter disappears into a system where victims are almost never recovered. Taken has a runtime of 90 minutes, but the plot moves with remarkable efficiency. Brian flies to Paris and starts following every clue he can find to tear through the criminal network that took his daughter.
Each lead pushes him deeper into the city’s underworld, and the film wastes absolutely no time on exposition. Instead, it trusts the audience to follow along. There are no complicated side plots to slow things down, which also means that Taken features constant bursts of violence that create the feeling that Bryan is always one step away from losing his daughter for good. Neeson’s performance is a huge part of why the film’s brutal pacing works, and his character’s determination is what drives the story, even in its most devastating moments. Despite all its intense action, Taken remains grounded in a complex yet heartwarming father-daughter relationship, which is pretty rare for the thriller genre.
1
‘The Bourne Ultimatum’ (2007)
The Bourne Ultimatum is hands down one of the greatest action thrillers ever made. The film is the final chapter in Jason Bourne’s (Matt Damon) story as he continues searching for the truth about his past. Things escalate when Bourne learns that a journalist has uncovered information about a secret CIA program connected to him. Their meeting takes a turn for the worse when the organization intervenes, and Bourne has to go on the run. It’s incredible how every scene in the film serves a purpose, which means that the narrative rarely slows down. Even dialogue-heavy moments feel intense because they are either happening under extreme surveillance or setting the stage for more violence to come.
The Bourne Ultimatum feels almost documentary-like with its famous handheld camerawork and intense editing. Bourne himself isn’t the traditional hero who wants to dominate situations; he is constantly just reacting to things happening around him and finding ways to escape. The Bourne Ultimatum doesn’t feature a lot of explosions and high-octane action sequences because the film’s pace comes from its clear stakes and sharp direction.
The Bourne Ultimatum
- Release Date
-
August 3, 2007
- Runtime
-
115 minutes
- Director
-
Paul Greengrass
- Writers
-
Tony Gilroy, George Nolfi, Scott Z. Burns, Robert Ludlum
Entertainment
This Ridiculous 96% RT 3-Part Sitcom Is Officially the Perfect Weekend Binge
In today’s world, where stress and chaos run rampant, it’s super easy to feel like you’re living and working in a world full of idiots, and you wouldn’t be alone. That’s the premise of Fisk, a stellar 3-part sitcom—one of the best of all time—created by Australia’s very own Kitty Flanagan, who also stars in the show’s lead role.
Seasons 1 and 2 of what is pretty much the most hysterical, ridiculously relatable workplace comedy ever arrived on Netflix in 2023, just 2 short years after its Australian premiere. Its wider international release quickly found a new audience and left them not just wanting but also craving more of everything about the sitcom’s titular character, her attitude, and the way she navigates living and working in a most absurd modern-day world. The show’s 96% audience score on Rotten Tomatoes proves that Fisk is officially the perfect laugh-out-loud weekend binge you didn’t know you needed.
‘Fisk’ Playfully Examines Navigating the Absurdity of Life and the Stupidity of People
As one of the best international TV shows, Fisk is an Australian workplace comedy that you’ll find yourself watching over and over again. Its titular character, Helen Tudor-Fisk (Flanagan), has had it with people and their blatant stupidity. She’s not a fan at all, and it shows in nearly every single one of her interactions, regardless of whether they’re with clients, co-workers, or her father and his husband, whom she hilariously likens to “a couple of geriatric carjackers who forgot what they’re doing.”
A high-end contracts lawyer in Sydney, Helen’s life is great until her husband runs off with an older woman. In the wake of the stress, she loses her patience and snaps at a client, then is subsequently fired from her job. Forced to return to her hometown of Melbourne, she sets herself up with an employment agency, hoping to land a job that doesn’t involve a lot of client interaction. As the world’s biggest cynic, her appearance and desire to blend into the background reflect her mood and outlook: drab, oversized, and punctuated with black combat boots and unkempt hair. When she winds up working a job at a small, low-rent wills-and-probate firm full of quirky co-workers, her mouth gets her banned from the downstairs coffee shop on the first day, and she winds up with what proves to be one of her most absurd legal cases ever.
To give you a taste of what you’re in for, the case involves a woman who wants to insert a clause into her mother’s will demanding that her brother, who makes a living painting art with his manhood, get a vasectomy if he wants to see any inheritance. Helen tries in every way to explain to her client why that’s illegal, but when the client continues to insinuate that she doesn’t understand why she can’t have what she wants, Helen snaps, rolls up the contract like a megaphone, and loudly repeats herself. It’s Fisk’s first rib-tickling moment that not only gives audiences a deeper glimpse into who Helen is but also helps to reinforce the tone of the satirical TV show and its presentation of modern-day absurdities.
‘Fisk’ Is Stellar, Audiences Love It, and Rotten Tomatoes Proves It
Though the stellar sitcom has no official critics’ score on Rotten Tomatoes, it does have a slamming 96% audience score. Audiences love Fisk for its dry, deadpan humor, and they frequently compare the show to a more wholesome, Australian version of The Office. They also adore its relatable commentary on living and working in a ridiculous world littered with stupid people.
Fans on Reddit have frequently described the show as “comfort viewing” and “comedy gold,” thanks to its refreshing take on formulaic sitcoms. They also love that Fisk finds colossal humor in the most mundane, everyday situations as well as in its flawed yet likable characters. It’s witty and fast-paced, with comedic timing that will incessantly tickle the funny bone of quick thinkers. The running gags are funny but not overdone, and Helen’s blunt, low-stakes humor is a welcome departure from typical, over-the-top sitcom protagonists. Moreover, Fisk offers a lighthearted alternative to the chaotic modern comedies of today, and it tops everything off with a stellar Aussie twist on British wit.
In addition to its smart, observational, anti-office humor, the show features a perfectly crafted ensemble of oddball characters. Roz (Julia Zemiro) is a dominant, passive-aggressive mediator in control of the entire office, Ray (Marty Sheargold) is a flamboyant, slightly incompetent principal solicitor, and George (Aaron Chen) is the endearingly awkward receptionist and office “webmaster.” There’s certainly no shortage of comedy in this hidden gem sitcom.
If you’re looking for something ridiculously low-key and cozy to watch that’s also unusual, extremely well-written and performed, with no filler content, and that gets better with each episode, settle in for a laugh-out-loud weekend binge with Fisk. The 3-part sitcom consists of six episodes per season, and all are currently available to stream on Netflix.
- Release Date
-
March 17, 2021
- Directors
-
Kitty Flanagan, Tom Peterson
- Writers
-
Kitty Flanagan, Penny Flanagan
Entertainment
15 Years Ago, ‘Scream’ Already Had the Best Twist Ending of All Time
Scream’s humble beginnings began as a tongue-in-cheek horror film, and at the time, it was already ahead of the curve. Wes Craven had established himself as a solid horror director and, in 1996, was one of the first to create a mainstream meta film in the genre. Starring Neve Campbell as the ultimate final girl, Sidney Prescott, Scream became a phenomenon, spawning two more films in the original trilogy.
Two decades after the fact, Scream is still going strong, this time in the hands of original screenwriter Kevin Williamson. Campbell and Courteney Cox continue to reprise their roles from the original films, but it isn’t a stretch to say that the franchise has lost some of its luster. The most recent film is one of the lowest-rated, with a current rating of 31% on Rotten Tomatoes. This, in addition to the controversy following Melissa Barrera’s firing, has put a stain on the film series. Scream is one of the many franchises that continues to meander along, even though the best twist has already happened.
‘Scream IV’ Identified the Rise of Influencer Culture
Wes Craven’s last Scream film before his passing was a slightly divisive one, but it was a perfect send-off for the director. Though the trilogy had ended with a hopeful conclusion for Sidney, Scream IV justified its existence by bringing everyone back to the fold in a different way. Instead of forcing Sidney to be the young ingénue again, that honor went to her cousin, Jill, played by rising star Emma Roberts.
Sidney returns to Westboro to promote her memoir about the Ghostface killings, only to experience a new batch of murders. Scream IV brought the characters into a new decade with more advanced technology that modernized the story. This time, Ghostface was livestreaming the murders, turning horror into a viral event. Scream IV set itself apart from its predecessors as well, with the twist ending that brought the story together.
Ghostface was once again the creation of two killers, but one was too close to home. The Ghostface in Scream IV was none other than Jill herself, who expertly played the part of the victim, thanks to the help of the tech expert, Charlie (Rory Culkin). Jill is the perfect villain of the age, desperately wanting fame above all else. She saw how the media treated Sidney as the survivor of the original killings and wanted that for herself.
Using two killers wasn’t a new concept, but Jill’s viciousness was. She uses technology to exonerate herself and nearly gets away with it. As with traditional slashers like Michael Myers and Jason Voorhees, Sidney refuses to die and foils Jill’s plans. Jill’s motivations for becoming a killer fit perfectly within the time frame. It was a stark contrast to the disillusionment presented by Billy and Stu’s schemes.
Jill is so committed to becoming a famous final girl that she doesn’t care about killing her own friends. This is a terrifying element that allows Scream IV to stand apart. It is also tragic that the series did not go the way it was originally intended. Jill was meant to start a new trilogy of her own in subsequent films, but this idea was thrown out, and the sequels were canceled. The story of Jill was not only a genuinely surprising plot twist but could have been a way to refresh a series that has plateaued in recent years.
A Hitchcock Film That Never Was — The Collider Movie Quiz!
To celebrate the one-week-iversary of this quiz, Collider is scoping out the long-lost Hitchcock project that never materialized: Kaleidoscope.
- Release Date
-
April 15, 2011
- Runtime
-
111 minutes
- Writers
-
Kevin Williamson
- Producers
-
Bob Weinstein, Cathy Konrad, Ehren Kruger, Harvey Weinstein, Iya Labunka, Marianne Maddalena, Matthew Stein
Entertainment
This High-Shine Hair Gloss Transforms Dull Hair — Just $26
Us Weekly has affiliate partnerships. We receive compensation when you click on a link and make a purchase. Learn more!
We don’t know who needs to hear this, but you don’t have to drop hundreds on a keratin treatment to get a glossy, high-shine finish. We found a stylist-loved brand used on rich moms in New York, Los Angeles and beyond, and get this: the products are secretly on Amazon. Better yet, this bestselling hair gloss is on sale right now — just $26!
The Expensive Clear Gloss Top Coat revives dull, dry, frizzy strands and gives your hair showstopping shine. Vibrance aside, this treatment also leaves hair softer, stronger and healthier. Whatever your hair type or texture, this gloss makes your mane, as one shopper put it, “smooth like glass.”
Get the IGK Expensive Clear Hair Gloss Treatment for $26 (originally $34) on Amazon! Please note, prices are accurate at the date of publication but are subject to change.
Alma oil, sea kelp extract, and sunflower seed oil work together to not only condition and shine, but also prevent damage and control flyaways. This glossy formula even provides UV protection for the sun-drenched days to come. As a bonus, it has a dreamy bergamot and mimosa scent that garners compliments in itself.
Plus, it couldn’t be easier to incorporate into your routine. Simply shampoo as usual, apply this gloss treatment from root to tip, and let it sit for three minutes. Rinse and you’re good to go! No long wait, no conditioner — just silky-soft hair in a matter of minutes.
Shoppers rave about this gloss, noting that it doesn’t make hair feel stiff, sticky or heavy. Many reviewers also love the salon-like finish, although one said the result actually beats their usual blowout: “This product has blown me away . . . The texture and the shine has surpassed that of the glaze that my hairdresser uses on my hair.”
All it takes is one to two uses per week, making it a great value for the size. So if you’re ready for sleek, Insta-worthy hair that makes you appear expensive, this treatment is just a few clicks away. It’s the best-kept secret of professional hairstylists — and we’re happy to spill the beans.
Get the IGK Expensive Clear Hair Gloss Treatment for $26 (originally $34) on Amazon! Please note, prices are accurate at the date of publication but are subject to change.
Not what you’re looking for? Shop other haircare on Amazon and don’t forget to check out Amazon’s Daily Deals here!
Entertainment
Mikayla Nogueira Is Dating Weeks After Announcing Divorce
Mikayla Nogueira is moving on after splitting from Cody Hawken.
The influencer, 27, shared a new video via her TikTok on Friday, March 6, revealing she was getting ready to “go on a date” less than a month after announcing the former couple were divorcing.
“Honestly, not gonna lie. I wish I could share the tea on the craziness that has been my life like the last six…” she said before trailing off and admitting she was attempting to be “more private” with her personal life.
She then teased, “But if you knew the whole story… oh my god, your jaw — you wouldn’t be able to pick it up.”
Nogueira explained she didn’t necessarily plan to share that she was heading off on a date but decided, “I’m in my f**king era, so I don’t give a sh*t. I’ve just been such an open book that it’s hard for me to keep my mouth shut.”
The influencer added that she’s feeling positive after navigating a few emotionally difficult months.
@mikaylanogueira GRWM for a date #date #datenight #grwm #makeup #beauty
“Personally, I am obsessed with this era of my life that I’m in right now,” she explained in the clip. “It is f**king awesome. I feel free. I just feel like a f**king boulder was lifted off of me. I’m gonna live my f**king life.”
Nogueira’s post comes after she announced her divorce from Hawken, 29, via TikTok on February 12. (The pair tied the knot in July 2023 and were together for five years.)
“I want to start this video by saying I appreciate you and I love you and you’re going to want to be sitting down for this video. I am getting a divorce. Take a minute, take it in. I am getting a divorce,” she said at the time. “Cody and I love each other so much. We love each other so much. We would do anything literally for each other. I want you to know that. I’m not going to be sharing any details whatsoever as to why Cody and I have made this decision.”
Describing divorce as “an extremely sh***y thing,” Nogueira added, “No one gets married to get a divorce. Absolutely no one.”
Nogueira added that the decision to call it quits was “very amicable.” She also clarified that despite announcing it via social media in February, the duo broke up “last year” and she had “spent the last few months processing” the split.
Entertainment
25 Greatest Deserted Island Movies, Ranked
What three things would you take with you to a deserted island? Food? A knife? A good book? This is the age-old question of childhoods past and icebreaker questions on first dates. The answer is always different depending on whom you ask: the survivalist, the romantic, or the person who would simply give up on day one.
That’s why deserted island movies are so entertaining to watch. When put in the eye of danger, every human reacts differently. Some go mad, some burn the rum to make a smoke signal, and some use every piece of sheer willpower to find a way home. Being stranded on a deserted island is both terrifying and exhilarating, no matter how many ways you’ve thought about whether you’d be able to survive or not. These legendary island survival movies showcase just how terrifying, exhilarating, and transformative that experience can be, all from the comfort of viewers’ couches.
25
‘Robinson Crusoe’ (1997)
Pierce Brosnan stars in the adventure drama, Robinson Crusoe, as a Scottish gentleman who is on the run from the law and being pursued by British authorities after killing a man during a duel. When Crusoe is shipwrecked and stranded on a deserted island, he must fend for himself, fighting against the harsh elements as well as the struggles that come with his isolation and memories of his former life.
Robinson Crusoe is based on the famous 1719 novel by the same name, written by Daniel Defoe, and features Brosnan in one of his most overlooked performances. The movie had a limited release that resulted in very little media and press attention, but through the years, many have credited it as one of the best adaptations of Defoe’s story and have also commended Brosnan for his mainly one-man performance. —Andrea Ciriaco
24
‘The Most Dangerous Game’ (1932)
When a big game hunter, Bob Rainsford (Joel McCrea), is shipwrecked on a strange island, he finds himself in the company of a reclusive and eccentric man, Count Zaroff (Leslie Banks). Initially, Rainsford is grateful for Zaroff’s hospitality, but when he and several other shipwreck survivors are forced to participate in the Count’s sadistic game of being hunted, he realizes they are all in mortal danger and tries to find a way off the island before it’s too late.
The Most Dangerous Game is a pre-Code horror film based on the 1924 short story written by Richard Connell. The movie follows an intense game of cat and mouse and is regarded as a thrilling melodrama with unwavering suspense, leaving audiences in unbearable anticipation. At the time, some of the film’s more gruesome moments were not held in high regard, but today, The Most Dangerous Game is more than suitable for a modernized audience and ranks as one of the best deserted island classic movies. —Andrea Ciriaco
23
‘And Then There Were None’ (1945)
When eight strangers are invited to a small, remote island by an unknown host, they arrive only because they are led to believe the host has damning information on each of them. As the guests sit down for dinner, a staff member plays a record with a man’s voice informing them that he has evidence of them all being guilty of murder. With their mysterious host nowhere to be found, the guests’ confusion soon turns to hysteria as each one of them is killed off, one by one.
Based on Agatha Christie’s iconic 1939 murder mystery, And Then There Were None is a tedious thriller that keeps audiences on the edge of their seats from start to finish. The movie features the eerie children’s nursery rhyme, “Ten Little Indians,” which plays not only a crucial role in the story but also provides a ghostly and unsettling tone throughout the movie. With the ominous setting of the isolated island and the web of mystery and suspense, And Then There Were None will make being stranded on a deserted island somewhat appealing. —Andrea Ciriaco
22
‘Hell in the Pacific’ (1968)
During World War II, a Japanese naval officer, Captain Tsuruhiko Kuroda (Toshirō Mifune), becomes stranded on a remote island in the Pacific Ocean. Initially, Tsuruhiko believes he is alone, but he soon discovers an American pilot (Lee Marvin) who has crashed his plane into the island. Due to a language barrier, the two men are unable to verbally communicate, but instead, the enemies taunt one another and refuse to work together to find a way off the island. When they are both faced with starvation and dehydration, they put aside their differences and decide to help each other.
Hell in the Pacific is a war drama centered around the importance of human connection and the bond that can form between enemies in an isolated environment. This particular deserted island movie contains an insightful theme of acceptance and understanding that is rarely seen in such caliber. Despite the cast only containing two actors, both Marvin and Mifune deliver exceptional performances, each bringing a different perspective to a controversial topic and finding common ground as human beings, making Hell in the Pacific a must-see deserted island classic. —Andrea Ciriaco
21
‘Uninhabited’ (2010)
A dream vacation turns into a fight for survival in the 2010 survival horror film Uninhabited. In the movie, Beth (Geraldine Hakewill) and Harry (Henry James) decide to vacation on a secluded island, not knowing that it’s haunted by the ghost of a young woman named Coral (Tasia Zalar). The island’s natural beauty masks a dark history, and the couple soon finds themselves trapped in a supernatural struggle against a malevolent force.
While Uninhabited didn’t do anything revolutionary within the genre, it offers a fun viewing experience that horror movie enjoyers can appreciate. Hakewill’s performance as Beth is a standout, since she made Beth’s terror palpable with every line and expression. However, the film’s true star might be the island itself, with its stunning yet desolate beauty that elevates the sense of isolation and fear that both the characters and the viewers will feel.
20
‘Paradise Lagoon’ (1957)
Ever wondered what would happen if a group of posh Brits were suddenly forced to fend for themselves? In Paradise Lagoon, the Loam family, a group of hilariously inept aristocrats, and their unflappable butler, Crichton (Kenneth More), navigate the challenges of island life after a shipwreck. The social order and dynamics of the group are then turned on its head, since the family has to count on Crichton’s survival skills.
Without a doubt, More’s performance as Crichton will captivate viewers, bringing to life a resourceful butler who becomes the unlikely leader of the shipwrecked group. The movie is also incredibly funny with its satirical portrayal of the Loam family, particularly Lord Loam (Cecil Parker), who fully personifies the cluelessness of the upper class. With its witty dialogue and side-splitting moments, Paradise Lagoon is a fun deserted island film to watch for movie night.
19
‘Horrors of Spider Island’ (1960)
Horror fans shouldn’t overlook terrifying and thrilling B-movies because there are real gems like Horrors of Spider Island. The movie follows a group of dancers and their manager Gary (Alexander D’Arcy), who find themselves stranded on a remote island after a plane crash. Their worries about rescue are quickly overshadowed by a far more terrifying threat—Gary has been bitten by a giant spider and he transforms into a violent half-human, half-spider monster.
Despite its initial critical reception, which focused on its low-budget aesthetic and implausible plot, Horrors of Spider Island has garnered a devoted following over the years. That’s because it fully embraces B-movie tropes, such as laughably cheesy special effects and melodramatic dialogue. Horrors of Spider Island should be brought up when campy horror films are mentioned, since it checks off all the boxes for gloriously bad cinema.
18
‘Retreat’ (2011)
Retreat follows a couple who seek recovery from a personal tragedy that has shattered their lives. And they do so on an isolated island, away from any sort of news or civilization. Their retreat is ruined though when a stranger washes ashore to tell them that an airborne disease has rattled Europe.
Retreat is a creative twist on the deserted island genre, moving the film into the realm of the small-scale apocalyptic subgenre. It certainly brings the anxiety of a couple experiencing shocking world news after being detached from humanity for a while. And while the execution is far from perfect, it’s worth commending the intriguing premise.
17
‘The Blue Lagoon’ (1980)
One of the quintessential and staple stories of sexuality and growth on a deserted island, The Blue Lagoon has been a staple of the genre for generations, with a multitude of different adaptations over the years. The 1980s version is easily one of the most successful and recognizable versions of the story, following Brooke Shields and Christopher Atkins as Emmeline and Richard, two children who find themselves shipwrecked and stranded on a seemingly perfect tropical island. As they adjust and live out their new lives on this island, the duo slowly begins to fall for one another as they build a new home.
The Blue Lagoon does a good job of adapting the themes and legacy of the classic novel to the big screen, with a powerful and timeless portrayal of love and the sanctity of youth, no matter the circumstances. While it’s certainly guilty of having levels of schmaltz and cheese that were more prevalent for these types of adventure films of the 80s, the undeniable strengths and feats of the original novel help make this adaptation stand the test of time. – Robert Lee
16
‘Six Days, Seven Nights’ (1998)
Six Days, Seven Nights combines the typical deserted island survival movie situations and puts them together into one film: pirates and a plane crash. Harrison Ford plays the grumpy and reclusive charter pilot who is hired to fly the more straight-laced Anne Heche to an emergency photo shoot in Tahiti. Soon, it turns into a movie about a couple stranded on an island, desperately trying to survive.
Their plane crashes during a storm on an uninhabited island where the two are thrown together to survive. The onscreen chemistry between Ford and Heche is what truly makes this admittedly flawed film so fun to watch—they both play their respective characters so well, leading to the perfect opposites-attract relationship in the end. The two fight off the environment, snakes, and pirates in this heartwarming and often funny, deserted island movie.
-
Politics4 days agoAlan Cumming Brands Baftas Ceremony A ‘Triggering S**tshow’
-
Business21 hours ago
Form 8K Entergy Mississippi LLC For: 6 March
-
Tech6 days agoUnihertz’s Titan 2 Elite Arrives Just as Physical Keyboards Refuse to Fade Away
-
NewsBeat7 days agoAbusive parents will now be treated like sex offenders and placed on a ‘child cruelty register’ | News UK
-
Fashion18 hours agoWeekend Open Thread: Ann Taylor
-
NewsBeat7 days agoDubai flights cancelled as Brit told airspace closed ’10 minutes after boarding’
-
NewsBeat6 days ago‘Significant’ damage to boarded-up Horden house after fire
-
Tech2 days agoBitwarden adds support for passkey login on Windows 11
-
Entertainment5 days agoBaby Gear Guide: Strollers, Car Seats
-
Sports2 days ago499 runs and 34 sixes later, India beat England to enter T20 World Cup final | Cricket News
-
NewsBeat6 days agoEmirates confirms when flights will resume amid Dubai airport chaos
-
Politics6 days ago
FIFA hypocrisy after Israel murder over 400 Palestinian footballers
-
NewsBeat5 days agoIs it acceptable to comment on the appearance of strangers in public? Readers discuss
-
Tech6 days agoViral ad shows aged Musk, Altman, and Bezos using jobless humans to power AI
-
Fashion6 days agoOn the Scene at the 57th Annual NAACP Image Awards: Teyana Taylor in Black Ashi Studio, Colman Domingo in Yellow Sergio Hudson, Chloe Bailey in Christian Siriano, and More!
-
Video5 days agoHow to Build Finance Dashboards With AI in Minutes
-
Business3 days agoGuthrie Disappearance Enters Fifth Week as Family Visits Memorial
-
NewsBeat5 days agoUkraine-Russia war latest: Belgium releases video showing forces boarding Russian shadow fleet oil tanker
-
Crypto World6 days agoUS Judge Lets Binance Unregistered Token Class Action Proceed
-
Crypto World5 days agoWhy Nexo Is Reentering the US After the 2023 Crypto Lending Crackdown





