Lauren London has once again reminded the timeline that she doesn’t need to do too much to make a statement. The actress recently gave fans a peek at her time in Martha’s Vineyard, and the photo dump had her serving the kind of effortless beauty that had folks doing a double take.

RELATED: Effortless Beauty! Lauren London Stuns In New Flicks From Oscars Gold Party (PHOTOS)

Lauren London Said Face Card, Vineyard Edition

In a new Instagram post, Lauren captioned the series, “Boogie on the Vineyard. Martha was tea.” She posed in a butter-yellow dress paired with a Nippy Tussle necklace, dark shades, and gold hoops, while rocking a sleek, middle-parted bun and French tips. With a natural beat and the sunlight hitting her just right, Lauren looked every bit like that girl while taking in the Vineyard views.

You Already Know Fans Had Plenty To Say

Fans ran to TSR’s Instagram comment section, running it up with praise for Lauren London’s latest look. Some said Lauren has always been stunning, while others joked that she only pops out when it’s time to celebrate Nippy Tussle. Meanwhile, a few fans joked that Martha’s Vineyard costs way too much dough.

One Instagram user @geishalee said, “I was gonna plan a trip there after seeing the show “Forever” but the price 🥲🫢”

This Instagram user @sagittariusmindset claimed, “Big Sagittarius ❤️♐️ face card forever A1 ✨”

And, Instagram user @laurenlondonfanpage.84 commented, “Been that girl! 😍😍🐐”

Meanwhile, Instagram user @1frankjordon added, “She only pop out when her 🥷🏾 album drop, like a true 👑”

While Instagram user @_suckafreesi shared, “Love seeing my Y2K baddies getting more beautiful with time 🥹🤎”

Finally, Instagram user @_bella.1991 wrote, “She’s always been THAT girl 👏👏👏🔥”

Our Girl Stays Serving

This wasn’t Lauren London’s first time serving a look, either. Earlier this year, she had fans turning heads with a carousel from The Gold Party 2026, where she stepped out in a black flowy gown featuring a midsection cutout, gold hoops, and matching jewelry. With her hair swept into an updo, Lauren once again proved she didn’t need much to have the timeline talking.

RELATED: So Sweet! Lauren London Gets Gassed UP By Son Kross For Her Youthful Look At Age 41 (PHOTO)

Bailey Tippen is entering a major new chapter in her career, with the return of Netflix’s breakout hit “Beauty in Black” and the upcoming Paramount+ drama “Route 187,” putting the rising actress in the spotlight. 

Tippen recently sat down with The Blast to chat about her “Beauty in Black” character’s evolution in Season 3, the challenge of portraying a teenager navigating increasingly difficult realities, and what she learned from working alongside Tyler Perry. She also discussed her desire to take on diverse roles, the importance of the powerful storyline of “Route 187,” and the passion that continues to drive her career.

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Tippen started her acting journey around the young age of 5. After taking some classes, she started acting professionally at age 7. Through her training, she learned how to get comfortable in front of audiences, all about scripts, how to understand her characters, and more. 

When asked what it was that got her interested in acting, she credited the “Disney Channel.” 

“As a kid, I really wanted to be on Disney,” she told The Blast exclusively. “I love ‘Hannah Montana,’ so definitely that was it.”

Sylvie Entered The Chat

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When the conversation moved to discuss Tippen’s role in the hit Netflix series, “Beauty in Black,” she gave us a little sneak peek into what this season holds for her character Sylvie. 

“From Season 2, we really get to see Sylvie hitting her breaking point and on her fight for survival. Then towards Season 3, we see in the trailer, she begins to question her reality and the people she’s around,” Tippen told The Blast. “Sylvie’s been through a lot of emotional heartbreaking moments.” 

The most challenging part of bringing Sylvie to life on screen is that she’s a teenage girl and Tippen needs to tap into that “headspace” to remember what it was like being that age. 

“Your world seems so big at the moment. Your emotions are so big,” she said. “As you get older, you realize, well maybe I was tripping on that. So just definitely connecting and going back into that mindset.”

Bailey Tippen Shares How Sylvie Has Evolved From The Early Days To Now

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When Tippen first began portraying Sylvie, she saw a “young girl who just had dreams and hopes of making it out of her living situation.” 

“She had toxic family members and I just wanted to assist her through that journey,” she said. “But as she got older, as the story progressed, we can see more of her; she’s a bit naive with little rose tint glasses on, and as the story progresses, we see the shift of her coming to terms with reality. So it’s been a fun ride.”

Watching the audience connect with Sylvie has been something Tippen calls “amazing.” She loves to hear the conversations the fans are having and learning that so many people support each season. 

“Every time it releases, it’s been number one,” she told The Blast. “And that alone is just so outstanding. We’re getting support from all over the world globally and it’s just amazing. I love it.”

Working With Tyler Perry

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Tippen said it’s been quite the experience getting to work with Tyler Perry on “Beauty in Black.” She said, “there’s nothing he can’t do.” 

“Mr. Perry is just wonderful,” Tippen said. “He wears so many hats in this production, and in his other productions as well. But what I know specifically to this production, so many hats — he’s the producer, he’s the writer, he’s the director, he’s the showrunner – but he also understands acting and he knows how to connect with it. I think that is so magical. I think it inspires me more than just an actor, but just as a creative. You can really pursue any avenue with the passion and the right drive.”

‘Route 187’ And What’s Next For Bailey Tippen

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Tippen’s other project, “Route 187” is a bit different from her work on “Beauty in Black.” 

“It’s a crime, it’s a drama,” she said. “Totally different [from playing Sylvie]. I am excited to share it with the world. It comes out on the 16th of September.”

She added, “there are murders, disappearances of Black women, and I just feel the time that we are living in now, these stories aren’t too far fetched from reality.” 

Tippen said getting these stories on TV screens means keeping necessary conversations alive. 

Tippen is known for playing a variety of characters, and enjoys seeking out different types of roles to add to her impressive resume. 

“I love playing different characters, different roles. That’s where my heart is – connecting with so many different types of people,” she said. “And I will continue to hopefully be able to do the same.” 

As far as what’s next for the actress, she said she’s got some things in the works, but she’s not able to talk about them just yet. 

Outside of her career, she’s hoping to one day be able to check the box on skydiving since it’s something she’s wanted to do for a while.

Beyond the Gates may see Randy Parker (Maurice P. Kerry) soon throwing Haley Lawson (Marquita Goings) under the bus because her sloppy scheme could ruin his life. Randy warned Haley time and again upping Bill Hamilton’s (Timon Kyle Durrett) poison dosage for a faster result to get to be a rich widow. And we know Haley’s tired of playing around and she wants her hubby dead.

And even though Bill went down, he is not out yet. He’s still alive thanks to Caroline Lee (Ellie Wang). But this may be bad news for both Randy and Haley. We’re going to talk about how this plays out for Randy and if he’s going to take the fall or wind up taking her out.

Beyond the Gates: Bill’s in the Dark

So, with Bill needing a pacemaker and still no answers as to what’s happening with his health, Joey Armstrong (Jon Lindstrom) stopped by the hospital with a little bit of advice. He told Bill he should go get a second opinion and he may take Joey’s recommendation and consult someone outside of Garland Memorial. Because there is a toxin in his system doing all this damage.

But Bill doesn’t know it and Madison Montgomery (Kenjah McNeil) hasn’t found it. And Randy reminded Haley that the toxin isn’t supposed to leave a trace. But Randy’s not sure if that’s true at the much higher doses that Haley’s been giving Bill. That’s why it was so crucial for Haley to kill Bill in St. Barts. No autopsy, a doctored up death certificate, and then Bill shipped home in an urn while Haley’s cashing checks.

But St. Barts was a bust and it seems like only a matter of time before Bill finds out that he has been poisoned repeatedly. And that’s when things could get really bad for Randy. Because I don’t see Haley confessing or giving up and going to prison for what she’s done. She’s flatout cutthroat and I think she would definitely throw Randy under the bus if it came down to a situation of her versus him. I have no doubt. So, let’s talk about what the future may hold for Randy.

BTG: Madison Looks for Answers

With Bill in the hospital and Madison presumably on her way back from Denmark, I’m sure she’s going to dig for answers. But I also think Bill will do what Joey said and consult with some other doctors to find out what exactly is going on with his body and why it’s failing him. So, one outcome we could see is that Randy gets played by Bill. There’s still the rumor out there that Haley and Randy are doing the dirty deed. And Bill knows about this.

Haley got out in front of it and she’s the one who told Bill that Dani Dupree (Karla Mosley) accused her and Randy of having an affair. But Bill believed Haley’s denials and he chocked it up to Dani, Chelsea Hamilton (RhonniRose Mantilla), and Naomi picking on little horrible Haley. But Bill may soon see it differently as I think Dani and the girls aren’t going to let up on this.

Beyond the Gates: The Duprees Wrong about Hayley — She’s Much Worse

And truly, they are wrong about Haley. She’s trying to kill Bill. But she is not cheating. But if Chelsea, Naomi Hamilton (Arielle Prepetit), and Dani keep pushing and you know, Kat Richardson (Colby Muhammad) be on it too, then Bill may really reconsider and then Randy winds up in his crosshairs. If Bill starts to believe this cheating rumor, that means Randy has played him for a fool by hooking up with his little wife.

And nobody does that to Bill. He’s the one who cheats, not the one who gets cheated on. So, aside from the poisoning, Randy might be on Bill’s radar, and he wants revenge for this alleged affair. He might ask Joey to do something to Randy as payback for sleeping with Haley. Joey already heard about this from Vernon Dupree (Clifton Davis), who had just found out the Haley Randy cheating rumor. And Vernon calling Joey to say Haley and Randy was a red flag.

BTG: Randy’s Fall and Haley’s Cutthroat Options

So, it sounds like Vernon believes it. Joey may also and Bill might be right behind them. And that could put Randy in danger from Joey. Because another possible outcome for Randy from this whole mess involves Joey. We know that Randy is terrified of Joey more so than respecting him as a boss. Plus, we’ve got Heather Armstrong (Ashley Jones), Joey’s psycho sister in the DMV with a reputation even more evil than Joey’s. And we know Heather wants in on Joey’s business. And Heather lied, said she was in the DC area for other reasons. But Joey’s on to her.

Problem is, she’s like a shark and Heather can smell blood in the water and she might attach herself to Randy as a way into her brother’s world. Heather may find out that Randy is on Joey’s radar. And if Heather finds out Randy is mingling with Dani’s ex and is close to Bill’s wife and works for her brother, you know, Heather may see some juicy blackmail potential. She may approach Randy as an ally and offer to protect him. But if he starts working for Heather on the sly, you know, Joey might just kill him. Another outcome of all of this is Randy and Haley may turn on each other.

Hayley & Randy’s Familial Ties on Beyond the Gates

Randy and Haley are cousins, and Randy has helped her work many of her cons on guys over the years. But as we know, Haley is all about Haley, and she will do anything to save her own skin. And Randy may soon find out how far she’ll go, and that them being family doesn’t matter to Haley. If the poison is found in Bill’s system, I’m sure that Dani and their daughters and all the other dupes will assume that Haley is the culprit, which is accurate. But there’s also that cheating rumor.

Haley Twists Things in Her Favor on BTG

The whole thing that Dani, Chelsea, and Naomi are pushing about Haley having an affair could actually work in her favor. She could make a false confession and say, “Yes, I’m cheating on Bill with Randy.” And then Haley could play dumb and say, “Oh no, maybe my secret lover is the one who is targeting Bill.” Can you imagine that? Haley could make it out like Randy is her jealous lover who wants Haley all to himself and that he decided to poison her husband Bill to make it happen.

But if Haley tried that, I’m sure that Randy would flip on Haley and spill about all of her crimes, not just the present ones. But also the past ones. Another possible outcome is that Randy flips on Haley proactively without waiting for her to do him dirty first. Right now, Dani, Chelsea, and Naomi are convinced Randy is sleeping with Haley. But once the poison is found in Bill’s system, then Dani might circle back to Randy and demand to know what he knows on Beyond the Gates.

Beyond the Gates: Can Dani Convince Randy?

And Dani might tell Randy if he doesn’t spill the beans on Haley, they will assume she was in on it and they were working together and he was helping Haley kill Bill, which of course would be accurate. But Dani may throw Randy a lifeline and tell him, “Look, I’ll get you a deal with the DA if you throw Haley under the bus.”

And if it’s a choice of prison or Randy ratting out Haley, I’m sure he would rat her out in a heartbeat. Especially if Randy knows Haley’s burned herself and she won’t be cashing out on this con and won’t be doing any future cons, so he can’t make any money off of her. Randy might be that cutthroat.

Beyond the Gates: Can Randy Escape?

One last outcome for him could be that Randy sees blood in the water and he panics and he hightails it out of the DMV. He already tried to run once. If you remember, he stole some cash from Joey and took off. Randy would actually be dead now if not for Vanessa McBride (Lauren Buglioli) and Doug McBride (Jason Graham) intervening and saving him from Joey’s wrath.

So, this time, if Randy thinks the walls are closing in, he might run a lot farther and a lot faster than he did last time. But of course, if he runs, that could actually help out Haley. Because she could try and blame him and say Randy ran. Because he’s guilty. I had no idea he was doing this again with the we’re lovers false confession. I just don’t know if Randy could get far enough away though that Joey can’t track him down.

Bethenny Frankel has transformed candid food reviews, beauty recommendations, and viral social media hacks into what she says is the most profitable chapter of her career. The former “Real Housewives of New York City” star revealed that her current earnings have surpassed even the most successful years of Skinnygirl, the lifestyle empire that helped make her one of reality television’s biggest business success stories. Now, Frankel is attempting to turn her online influence into another major consumer brand with Supermodel, a collection of lighter comfort foods that recently received its first brick-and-mortar test in the Hamptons.

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When asked whether influencing had become the most lucrative move of her career, Frankel compared its success directly to her Skinnygirl business. “My biggest year of Skinnygirl is not as big as this,” the 55-year-old told Daily Mail. “It’s out of control. It’s amazing. It’s the most successful I’ve ever been by far.”

Frankel previously revealed the extent of that success during a May appearance on Emma Grede’s “Aspire” podcast. The episode was described as an examination of how Frankel turned TikTok into a $20-million-a-year business.

According to Frankel, she currently earns more than $20 million annually through brand partnerships and social media influencing alone. That figure does not include the money she makes from real estate, licensing or her other business ventures, according to reports about the interview.

Frankel’s current model is different from a traditional celebrity endorsement strategy. Her social media accounts mix paid partnerships with unfiltered product reviews, shopping recommendations and critiques of brands she believes could improve their offerings.

‘RHONY’ Alum Believes Supermodel Can Eclipse Skinnygirl

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Frankel is now betting that her audience will follow her from social media into stores and cafés. Her new Supermodel brand grew out of the snacks, recipes and food combinations she has shared online. The entrepreneur plans to expand it across several food categories and said she “100%” believes it could eventually become bigger than Skinnygirl.

The first Supermodel Cafe pop-up opened in East Quogue, New York, on Thursday and is expected to remain open through September 12. The menu features what the brand describes as “protein-forward, 150-calorie bagels,” created with Goldberg’s Famous Bagels, along with spreads and Frankel’s signature chicken salad. “The chicken salad is better for you, but it doesn’t taste like it is, and it’s so good for you,” Frankel said, explaining that her recipe contains “half the mayonnaise” typically used in chicken salad.

The menu also includes a gluten-free cheesecake containing 10 grams of protein and 102 calories, as well as six specialty lattes developed with coffee company Cumulus. For customers interested in a more extravagant option, Supermodel Cafe offers two caviar-topped creations: the $38 “Rage Bait” bagel and the $43 “Nepo Baby” bagel.

Bethenny Frankel Prioritizes Moderation Over Perfection

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The healthier comfort foods behind Supermodel reflect Frankel’s broader approach to wellness, which she previously discussed with Women’s Health. Rather than following a rigid diet, Frankel said she focuses on balance. That can mean eating fruit such as pineapple and watermelon while still enjoying a chewy orange slice candy that reminds her of childhood.

The same philosophy applies to her “sober curious” journey. Although she has reconsidered her relationship with alcohol, she still allows herself an occasional cocktail while celebrating with friends. “I believe in balance, and I’ve taught that to my daughter too,” Bethenny says. “I’m not educated on every single thing. I barely know what seed oils are. I just do my best.”

Reality TV Could Now Be ‘Bad For Business’

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Frankel’s growing influencer income has also changed the way she evaluates opportunities to return to reality television.

In March, she disclosed that she had declined an opportunity to reunite with former “RHONY” cast members for E!’s upcoming reality series “The Golden Life.” Frankel reasoned that appearing on another ensemble reality program could potentially hurt her current business and suggested that the network “could presumably never pay” the amount she would require.

Frankel first gained national attention as the runner-up on NBC’s “The Apprentice: Martha Stewart” in 2005. She later joined “The Real Housewives of New York City,” where viewers watched her develop Skinnygirl and promote the company during the show.

Reality TV once gave Frankel the exposure needed to introduce products to a national audience. She can now reach consumers directly through her own platforms, giving her greater control over both the message and the business attached to it.

Skinnygirl Gave Bethenny Frankel Her Business Blueprint

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Frankel launched Skinnygirl Cocktails in 2009 before selling the alcohol business to Beam Global in 2011 for a widely reported estimate of approximately $100 million. The exact value of the transaction has been disputed over the years.

Crucially, Frankel retained rights to the Skinnygirl name in categories outside alcohol. She subsequently expanded it into products including popcorn, deli meats, salad dressings, denim, shapewear and eyewear. That history makes her comparison between Skinnygirl and her current influencer income particularly striking.

Skinnygirl required Frankel to develop and sell a physical product, while her social media business allows her personality, recommendations and audience trust to generate revenue across multiple brands. Supermodel now brings those two models together, using the online following that produces Frankel’s brand-deal income to support products of her own.

Who doesn’t love The Avengers? Earth’s Mightiest Heroes had been at the forefront of Marvel Comics for decades before making their live-action debut in 2012. The appropriately titled The Avengers not only cemented the Marvel Cinematic Universe as cinema’s juggernaut throughout the 2010s but also sent a shiver down the spine of every major movie studio head, who quickly scrambled to create their own cinematic universe, often with little success.

The movie spawned three sequels, each one bigger than the one before. Each of these celebrated blockbusters also had a significant impact on the movie industry and the cultural space, transcending the boundaries of the big screen to become certified phenomenons of the 2010s. Which of the four Avengers movies had the bigger impact, though, both within the MCU (in-universe consequences, that is) and in the real world (industry-wide effects)? As we wait for the upcoming Avengers: Doomsday, now’s the time to answer that question.

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‘Avengers: Age of Ultron’ (2015)

Image via Marvel Studios

As is the case with most worst-to-best Avengers rankings, let us begin with Avengers: Age of Ultron. The sequel to the first Avengers movie sees the team working to stop Ultron (James Spader), an advanced AI created by Tony Stark (Robert Downey Jr.) and Bruce Banner (Mark Ruffalo). Like many other AIs, Ultron soon concludes that the problems on Earth all trace back to humanity itself, specifically the Avengers. Thus, he goes rogue, recruits the twins Pietro (Aaron Taylor-Johnson) and Wanda (Elizabeth Olsen) Maximoff, and launches a full-scale attack against the team.

Age of Ultron is among the most divisive superhero movies ever. Widely considered a step down from its predecessor, it was widely criticized for its bloated and often needlessly contrived plot, lack of character development, and an overall more uneven tone. Ultron is a fine villain, and the Maximoff twins are solid additions, but it’s not enough to elevate what is effectively a mediocre movie. Age of Ultron didn’t have the same overwhelming acclaim as the 2012 original from either critics or audiences and is the lowest-grossing film in the franchise to date. Today, whenever the Avengers saga is discussed, Age of Ultron is often seen as the ugly fuckling everyone wants to forget about.

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‘Avengers: Infinity War’ (2018)

Age of Ultron‘s immediate sequel was Avengers: Infinity War, the most ambitious outing in the MCU up to that point. The plot sees the Mad Titan Thanos (James Brolin) begin his plot to wipe out half the life in the universe by reuniting all six Infinity Stones. The Avengers find themselves divided across the galaxy, separated into teams trying to defend the stones, while Thanos and his estranged daughter, Gamora (Zoe Saldaña), embark on a dangerous journey.

Infinity War is arguably the best Avengers movie, offering the best balance between intricate, emotionally charged storytelling and larger-than-life stakes brought to vivid life through undeniable, explosive spectacle. The film is the epitome of the superhero genre and has the best villain in the MCU by a mile. Its impact was significant, too: it broke box office records and took the MCU to the next level, featuring a massive gathering of characters who audiences would’ve never expected to see together. The now-iconic ending, where Thanos succeeds and half the main characters disappear, was also shocking, to say the least, becoming perhaps the most talked-about cinematic moment of 2018. Yet, it’s also fair to say Infinity War‘s overall impact suffered from the fact that it was just half of the story; everyone knew the blipped characters would return the next year. The film was also overshadowed by Black Panther in terms of pure cultural impact.

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‘Avengers: Endgame’ (2019)

Image via Marvel Studios

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Fans waited a whole year to figure out how the Avengers would bring back all those who disappeared and defeat Thanos; they got their answer once Avengers: Endgame premiered. The film sees the remaining Avengers attempting to pull off a “time heist” by entering the Quantum Realm and traveling back in time to reunite the six Infinity Stones. However, their attempts also bring back a past version of Thanos, more ruthless than the one they already dealt with. As they prepare for the fight of their lives, the Avengers suffer tragic losses that make them question if they have the strength to succeed.

It’s hard to explain just how big a phenomenon Avengers: Endgame was. Showtimes were sold in advance, midnight showing tickets flew as soon as they came out, and audiences camped outside the movie theater—the expectation was that big. The film very much felt like the culmination of an entire decade of continuous, interconnected storytelling, marking a decisive step forward in the way cinematic stories could be told. Simultaneously, it was also a victory lap for the MCU, a way for them to collect their hard-earned praise and even take a bow without needing to actually say goodbye. In retrospect, it was also the end of an era, the climax of the superhero genre as a whole. Arguably, no movie in the genre has been as impactful or universally adored since, although a few have come close.

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‘The Avengers’ (2012)

Image via Marvel Studios

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If Endgame was the end of an era, then The Avengers was the beginning. The 2012 film sees the unhinged god Loki (Tom Hiddleston) attempting to conquer Earth by using the Tesseract to open a portal to another world, meaning to launch an alien invasion. Nick Fury (Samuel L. Jackson) assembles the initial six Avengers, trying to form a defence against Loki. However, internal conflicts make things difficult, as these six heroes aren’t exactly used to working as a team. It doesn’t help that Loki has the power to control minds with a powerful staff, so there’s that.

Very few movies can claim to have started a genuine revolution in cinema; The Avengers is one. The film was the first to pull off something as ambitious as gathering characters from different movie series and bringing them together as a team while telling a cohesive storyline, easy enough for everyone to understand. It proved that a cinematic universe could not only exist but actually thrive beyond anyone’s wildest expectations. The Avengers broke box office records up to that point and became the defining cinematic event of the year, surpassing Christopher Nolan‘s last Dark Knight movie and the best James Bond effort in years. It inspired every movie studio to imitate its formula, hoping to replicate its success, and cemented the superhero genre as the reigning champ of the 2010s. Many movies built the MCU, but The Avengers is certainly the pillar upon which the entire franchise rises.

One of the great strengths of the thriller genre is its ability to delve more deeply into unsettling subject matter and themes, as the grounded realism of the genre lends itself to these topics better than any other genre. It’s especially the case when these thrillers adopt a grittier, sleazier style to truly emphasize the grime and ruthless nature of their characters, world, or overall message.

Throughout film history, there has been an exceptional craft in creating gritty cinematic experiences within the thriller genre. Whether it be one of the many masterpiece thrillers of the ’70s or prominent icons of the modern age, many overwhelmingly gritty thrillers have become legendary. The films on this list go beyond the basic level of rawness for most thrillers, with many of them being some of the most shocking experiences within the genre.

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‘Sicario’ (2015)

Image via Lionsgate

Often, the grittiest and grimiest thrillers will shed away and not delve into action to not distract from the larger painful themes and messaging. One of the best examples of a thriller that still adheres to action thriller elements is Denis Villeneuve‘s Sicario. This intricate story of revenge, told through the attempts to take down a brutal drug cartel, is complete with twists, overwhelming violence, and painful subject matter, with each of these elements adding to the film’s gritty nature.

It is the absolute apex of this style of dreary, painful action thriller, reveling in the destructive and most painful attributes of modern humanity and showing corruption on all sides and angles. The film also gets a lot of inherent strengths from its exceptional script written by Taylor Sheridan, who cuts to the heart of the moral decay of justice in America and how these tactics used to fight evil can be evil in themselves.

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‘Good Time’ (2017)

Image via A24

The Safdie Brothers have amassed an exceptional reputation for themselves in the thriller genre, creating many modern-day classics that utilize an ever-growing sense of anxiety and tension to amplify their wild goose chase plots. However, while films like Uncut Gems and Marty Supreme may be more immediately recognizable, their initial foray into this style with Good Time is easily the grittiest and most morally ruthless of the directing duo’s thriller outings.

The inherent sleaziness that permeates throughout derives from several sources, including the abhorrent actions of lead character Connie (Robert Pattinson) and the inherent anxiety of his journey through the criminal underbelly of New York. With each additional layer, Good Time paints a wider picture of pain not just in terms of Connie’s character, but also in the system that allowed him to perpetuate and manipulate to such an absurd degree.

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‘Fight Club’ (1999)

Image via 20th Century Studios

Few singular filmmakers have become as legendary and influential for their work within the thriller genre as David Fincher, whose various thriller masterpieces have helped push the genre forward into the modern age and are still massively celebrated to this day. While many of his thrillers are attributed as classics of their era, Fight Club has achieved a life of its own as one of the absolute darkest films that Fincher has ever released.

The film actively utilizes grittiness as a tool for its characterization and themes, with the tone going hand in hand with its messaging on commercialism and the destructive nature of toxic masculinity. These inherent themes wouldn’t be nearly as impactful or explored without a heaping dose of grittiness to set the stage for the characters and world, with Tyler Durden (Brad Pitt) himself proving to be one of the absolute grittiest characters in cinema history.

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‘Thief’ (1981)

Image via United Artists

While not all of his films are thrillers, Michael Mann is still an absolute icon of the genre, creating some of the most exceptional and well-crafted crime movies of all time. Thief is just one such example of his mastery as a filmmaker, with its distinct flavor of atmospheric grit and cool factor making it one of the most compelling masterpieces of the ’80s. The film sees James Caan in an electrifying performance as a professional safe cracker, signing on with a top gangster for a massive score that will set him up for good.

The aesthetic amplifies the gritty energy of the film at large, with its spiteful worldview through the eyes of a no-nonsense criminal who understands the deception taking part in everyday life and chooses to exploit it to its absolute limit. It makes for a highly engaging exploration of the criminal mindset as a whole while tastefully making great use of its grittiest elements for a mixture of depth and entertainment value.

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‘Falling Down’ (1993)

Image via Warner Bros.

The enragement and anger of perceived injustices enacted on one’s life are at the heart of many gritty, unfeeling worlds and stories in cinema history. However, Falling Down goes steps beyond in terms of its depiction of aggressive anger towards the status quo, following a shocking story of psychotic violence, fueled by a mixture of grittiness and its growth into unhinged madness. The film sees Michael Douglas as an everyday suburban man who, after one too many annoyances in his daily life, goes on a violent rampage as he cracks under the pressure.

It isn’t exactly difficult to imagine how a film where an ordinary man snaps to the point of madness features a lot of bleak elements. The brilliance comes not from its depiction of such a spiral into madness, but from the pieces and economic failures that led to his creation in the first place. The film has achieved cult classic status over the years as one of the most celebrated films in the late great Joel Schumacher‘s filmography.

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‘Prisoners’ (2013)

Image via Warner Bros.

Yet another exceptionally bleak thriller from Denis Villeneuve, Prisoners tells a similar story of the failings of morality in a stressful situation. However, while Sicario‘s moral dilemmas come from a place of widespread corruption, Prisoners focuses on spiraling desperation. It makes for a supremely depressing yet infinitely captivating mystery thriller, largely amplified by great performances by Hugh Jackman and Jake Gyllenhaal.

It follows the various consequences and difficulties that plague a community in the wake of the kidnapping of two six-year-old girls. While everyone is doing their part to search for answers, father Keller Dover (Jackman) decides to take matters into his own hands. His investigation leads him to kidnapping and torturing for the sake of his daughter. It’s an exceptionally bleak and gritty watch that transforms the love that a parent has for a child into a tool for abhorrent, sickening actions.

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‘Chinatown’ (1974)

Image via Paramount Pictures

The ’70s were one of the absolute best times when it came to thrillers, as many legendary filmmakers delved into the psychological intricacies of this classic genre. No other ’70s thriller quite as effectively taps into this mixture of bleakness and irreverence for filmmaking as Chinatown, a gloriously concocted neo-noir mystery that is still considered one of the bleakest films of the ’70s.

Even the fine, smaller details of Chinatown build toward an essence and energy of contempt in its world and characters, amplifying the grittiness of noir-style archetypes to an astronomical degree. The film is further elevated by two of the most impactful performances of the decade in Jack Nicholson‘s Jake Gittes and Faye Dunaway‘s Evelyn Mulwray, who add even more layers of intrigue and depth to this cesspool of corruption and deception.

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‘Straw Dogs’ (1971)

Image via 20th Century Studios

Even among the many controversial and gritty thrillers of the ’70s, Sam Peckinpah‘s Straw Dogs stands tall as arguably the most controversial and shocking of this wave of films. In fact, it’s often cited as an important shift in films feeling more violent and perverse, in line with the more distrustful state of culture.

Its gritty tone persists throughout the runtime, but especially comes to a head during two painfully complicated rape sequences and the overwhelming violence that comes in their wake. Straw Dogs is exceptionally miserable, not shying away from the evils of humanity and the justification of these actions in the name of community. It shows exactly how those who perceive themselves as intellectually superior will be quick to abandon their civility in the name of primal rage and revenge.

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‘No Country for Old Men’ (2007)

Image via Miramax Films

No Country for Old Men is one of those legendary thrillers that it’s difficult to sing new praises for. Indeed, it has been such an icon and dominating force of pop culture for so long that everything that can be said about the film has been said about it. Its reputation largely precedes itself as one of the faces of gritty execution in a crime thriller, emphasized by some incredible performances and its insightful messaging on the dynamics of fate and free will.

This legendary magnum opus of the Coen Brothers has stood at the forefront of gritty cinema ever since its release, with its bleak, almost depressing outlook on life having massive ramifications and influence upon the entire genre in the wake of its release. Still, few modern thrillers influenced by its success come close to the flavor of the raw, unadulterated grit and unforgiving nature of the film.

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‘Funny Games’ (1997)

Image via Concorde-Castle Rock/Turner

Funny Games is an outlier in the realm of bleak, uncomfortable cinema, simultaneously playing into the classic tenets of a shocking, gritty thriller while also satirically commenting on the very nature of such topics being compelling for audiences to watch in the first place. The German masterpiece by Michael Haneke remains one of the most subversive works of art in the thriller genre, being fully aware of its gritty, sadistic nature and gleefully knowing that it’s exactly what audiences want.

The film invites the audience to question how they perceive violence in cinema, showing painful acts of torture and brutal sadism that dare the audience to turn away, all the while knowing they won’t. However, Funny Games goes a step further and becomes a commentary on the popularity of this style of grittiness, with its blurring of fiction and reality forcing the audience to come to terms with how desensitized they are to these stories of dread.

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Funny Games

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Release Date

September 11, 1997

Runtime

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108 Minutes

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Luigi Mangione pleaded guilty on Friday (August 14) to federal stalking charges in the killing of UnitedHealthcare CEO Brian Thompson. Mangione admitted matter-of-factly that he trailed the executive to an investor conference and shot him on a New York City street in 2024.

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Luigi Mangione Admits Guilt In Stalking Charge 

Mangione said he even used a ruse to glean information about the event. The 28-year-old contacted the health insurance company in advance, posing as an investor at a multibillion-dollar firm.

“On the morning of Dec. 4, 2024, I shot Mr. Thompson in Manhattan, and he died,” Luigi Mangione told the Manhattan federal court.

He entered the court while he was shackled at the feet but not handcuffed in his beige jail uniform. Listening in the audience, Brian Thompson’s wife, Paulette, took several deep breaths and repeatedly wiped tears from her eyes.

Prosecutors plan to seek a life prison term at Luigi Mangione’s sentencing, set for Dec. 18. When U.S. District Judge Margaret M. Garnett asked whether he understood that he could spend the rest of his life behind bars, Mangione answered neutrally: “Yes.”

In a statement, the late UnitedHealthcare CEO’s family called the plea “an important step toward justice.” The statement also noted that Mangione still faces other cases, including a New York state murder prosecution. It carries the potential for a separate long sentence.

Mangione Attempts To Explain His Actions

Surveillance video of Luigi Mangione ambushing the UnitedHealthcare CEO showed a masked gunman shooting Thompson from behind. Police say “delay,” “deny” and “depose” were written on the ammunition, mimicking a phrase used to describe how insurers avoid paying claims.

Mangione was a University of Pennsylvania graduate from a wealthy Maryland family. He told the court Friday that he pursued Thompson “after years of enduring severe pain from a broken back and navigating the obstacles of the health insurance system.” Attorney Friedman Agnifilo later said her client “believed that the system had failed him and destroyed his life.”

However, it should be noted that Mangione never was a UnitedHealthcare customer, according to police and the company.

“To those who idolize Luigi Mangione, I say this. Violence is not a cause. Murder is not a message. And a killer is certainly not a hero,” New York Police Commissioner Jessica Tisch said outside court Friday.

Also, U.S. Attorney Jamie McDonald, whose office handled the federal case, added: “There can be no celebrity in assassination.”

For context, Brian Thompson led one of the United States’ largest health insurers, but he wasn’t well known outside the industry. Trained as an accountant, he worked at parent company UnitedHealth Group Inc. for 20 years. Then, he became CEO of its insurance arm, UnitedHealthcare, in 2021. Brian and his wife had two sons. The kids were in high school when Luigi killed their father.

Thompson’s violent death “devastated everyone who knew and loved him,” the company said in a statement Friday. It thanked law enforcement for bringing Luigi Mangione to justice.

He Still Faces A State Murder Case, But His Defense Wants It Tossed

Federal prosecutors didn’t give Luigi Mangione any deal or incentive to plead guilty, they and his lawyers said. Nor did Mangione plead guilty to avoid a potential death sentence. That possibility was taken off the table when a federal murder charge was tossed out this winter.

But after Mangione entered the plea at Friday’s scheduled hearing, his lawyers quickly sought to have the New York case thrown out on double jeopardy grounds. The state’s double jeopardy protections can kick in if a prior prosecution ends in a guilty plea.

“Mr. Mangione has accepted full responsibility for the death of Brian Thompson,” defense lawyer Karen Friedman Agnifilo said outside court. She argued that her client shouldn’t face two prosecutions over a “single tragic event.”

The Manhattan district attorney’s office, which is handling the state prosecution, said it remains committed to its case and would contest the defense’s efforts to shut it down.

His defense had lost some disputes over evidence
Mangione was arrested five days after the shooting, when he was spotted at a McDonald’s in Altoona, Pennsylvania, about 230 miles (370 kilometers) west of Manhattan. Police had released various images of the suspected shooter, including one showing his face as he checked into a hostel.
Although his lawyers got the federal murder charge dismissed, Garnett also delivered some setbacks to the defense, ruling in January that prosecutors could use items collected from Mangione’s backpack during his arrest as evidence against him. They included a 3D-printed pistol that investigators said matched the one used to kill Thompson and a notebook in which authorities say Mangione described his intent to kill an insurance executive.
Similarly, the judge in the state case threw out terrorism charges against Mangione but agreed to let the gun and notebook be used as evidence. The case has been heading toward a September trial, but his lawyers’ new bid to dismiss it could complicate the timeline.

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Associated Press writers Michael R. Sisak, Larry Neumeister, Jennifer Peltz, Dave Collins and Alanna Durkin contributed to this report via AP Newsroom. 

Marvel Studios has become famous for keeping its biggest secrets under wraps, but hiding Chris Evans’ return as Steve Rogers in Avengers: Doomsday apparently required more than locked scripts and closed sets. Evans says he had to flat out lie about being involved in the movie.

The former Captain America star has opened up about the secrecy surrounding his return to the Marvel Cinematic Universe, revealing that Marvel went to some unusual lengths to prevent his involvement from leaking during production.

According to Evans, his character wasn’t even identified as Steve Rogers in the Avengers: Doomsday script. Instead, Marvel gave him the codename “Luke Cage,” a reference to another well-known Marvel superhero.

“Within the script, my character was called Luke Cage,” Evans revealed while discussing the production. The fake name was also reportedly used as an additional layer of protection in case production information found its way outside the studio.

Mike Colter, Luke Cage [credit: Marvel Studios]

But keeping the secret went beyond paperwork.

Evans admitted that he publicly denied being involved with Avengers: Doomsday even after reports began circulating that he would return. With Marvel determined to keep Steve Rogers’ involvement hidden, Evans essentially had no choice but to play along.

“I had to lie,”

Evans said of the situation.

The secrecy makes sense considering how significant Steve Rogers’ return could be. Evans seemingly completed his MCU story in 2019’s Avengers: Endgame, when Steve traveled back in time to return the Infinity Stones before choosing to remain in the past with Peggy Carter. An elderly Steve later passed the Captain America shield to Sam Wilson.

Exactly how Steve returns in Doomsday remains one of the movie’s biggest mysteries.

Evans has recently offered another intriguing tease, describing Steve Rogers’ upcoming story as “brutal.” He joked that directors Joe and Anthony Russo have always enjoyed putting Steve through difficult situations because his ability to keep getting back up is what makes the character heroic.

That could be particularly important considering Hayley Atwell is also returning as Peggy Carter. Marvel has yet to reveal whether Doomsday will feature the original Steve Rogers following the events of Endgame, a Multiverse variant, or something considerably more complicated.

Avengers: Doomsday [credit: Marvel Studios]

The movie is already bringing together one of the largest collections of Marvel characters ever assembled. Alongside Evans, the film features Robert Downey Jr. as Doctor Doom, Chris Hemsworth as Thor, Anthony Mackie as Sam Wilson, Pedro Pascal as Reed Richards, Vanessa Kirby as Sue Storm, Sebastian Stan as Bucky Barnes, Tom Hiddleston as Loki and several returning members of Fox’s X-Men franchise.

Whatever Marvel has planned for Steve Rogers, the effort that went into hiding Evans’ involvement suggests his return is far more important than a quick nostalgic appearance.

And somewhere out there, Luke Cage probably wants his codename back.

Avengers: Doomsday is scheduled to hit theaters on December 18, 2026.