Since almost as far back as cinema goes, people have liked watching big creatures stomp around on screen. The Lost World (1925) was a definitive early dinosaur movie, and even if they’re not monsters necessarily, they kind of serve the same purpose in an action/adventure or horror kind of movie. Then there was King Kong (1933), and he’s endured in ways that are obvious, because that story is timeless, movie apes of any size are cool and fun, and because King Kong is always the sort of thing you can remake or rework and show off whatever special effects are cutting-edge at the time of production.

But are those movies kaiju films? Some might say King Kong is, and certainly, King Kong has had some crossovers with – and battles against – the most legendary of all the big screen kaiju, but for this ranking, we’re going to go with a narrow definition of “kaiju movie.” Any giant monster movie from Japan, or influenced by the Japanese monster movies that started getting popular in the 1950s onwards, counts as a kaiju movie. Oh, and the monster has to be huge; like, as in multiple storeys high. This is the one thing that keeps The Host (2006) from appearing here (though that is an excellent monster movie and the creature there is plenty big for the story being told… just not as comparable “kaiju-sized” as the other monsters featured in the movies below).

5

‘Godzilla vs. Destoroyah’ (1995)

Image via Toho

Yes, Godzilla is going to show up a few times here, and the first movie in that series being mentioned is one of its saddest, and one that might’ve felt, in 1995, like the end of the series as a whole. It’s Godzilla vs. Destoroyah, which concludes the Heisei era of Godzilla movies, which began in 1984 with The Return of Godzilla. There were five movies between that one and Godzilla vs. Destoroyah, and the sense of continuity from film to film is surprisingly strong, and there is a definite arc for Godzilla and the way humanity sees/treats him. He also gets an adoptive son in the final three movies of the Heisei era, Godzilla Junior, and he’s not as irritating/silly as Godzilla’s adopted son from the Showa era, Minilla.

You get attached to both Godzilla Senior and Junior, which makes them going up against Destoroyah all the more traumatic, since he’s one of the most powerful monsters in the history of the Godzilla series. Oh, and in Godzilla vs. Destoroyah, Godzilla (Senior) is also melting down, basically being like a nuclear reactor with legs, so that makes the stakes feel unbearably high, and some of the more intense scenes feel genuinely somber. That might make it sound like a downer, but Godzilla vs. Destoroyah is still pretty thrilling and exciting, and easily one of the best Godzilla films. It’s genuinely great science fiction, and represented new heights, at least on an emotional front, for the franchise (and maybe even kaiju movies more generally).

4

‘Pacific Rim’ (2013)

Image via Warner Bros. Pictures

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Though it might have been logical to restrict “kaiju movies” to ones made in Japan, Pacific Rim was just too good to leave out. Also, the giant monsters that are a threat in this movie are officially labeled as kaiju, in-universe, so it makes sense for Pacific Rim to be a kaiju movie in more than one way. Further, though it wasn’t a Japanese production, and Guillermo del Toro is not a Japanese filmmaker, Pacific Rim is spiritually in line with a good deal of Japanese entertainment, and not just classic kaiju movies. See, to fight the kaiju, humanity has constructed giant pilotable robots, and they function like mechs, and there are, of course, plenty of shows and movies (particularly of the animated kind) about mechs from Japan, so that checks out further.

Pacific Rim is a good-hearted movie, and it just wants you to have fun. The humans are mostly all good people, and the ones who aren’t so great learn the errors of their ways and stuff, so the movie’s ultimately rather idealistic. Plus, the monsters are unambiguously monstrous and need to be stopped via a punch or two or three-hundred to the face(s) with a big metallic fist. Or an oil tanker. Deploy a sword, why not? Pacific Rim is big, goofy, silly, and quintessentially crowd-pleasing. Well, it should’ve been. It didn’t set the box office ablaze necessarily, but it had enough of a fanbase to get a sequel in 2018, and that sequel was, unfortunately, a waste of time. It seemed to kill momentum for further movies. Oh, well. At least we’ll always have the rather perfect original film.

3

‘Godzilla Minus One’ (2023)

At the time of writing, Godzilla Minus One is the most recent Japanese film in the Godzilla series, and already feels worthy of being considered one of the very best. It had that kind of well-deserved impressive reputation almost straight away, just because it’s very no-nonsense and broadly approachable in a way few kaiju movies have ever been. Well, to be fair, some of the broader kaiju movies have been rather silly and hard to get invested in on any sort of dramatic front, but that’s not an issue with Godzilla Minus One. You understand the stakes here straight away, and feel the desperation of everyone in Japan, while recovering from the end of World War II, having to go right into dealing with the emergence of Godzilla.

The first movie also took place not long after the end of World War II, but not as close as the period Godzilla Minus One ended up being set in. It goes a long way toward making the scenes without anything by way of monsters feel particularly engrossing, as in Godzilla Minus One is a good character-driven drama alongside being an exciting giant monster movie with all the thrills and action that often come with such a genre. It’s the best of both worlds, or if there are multiple worlds/genres here, then it’s the best of all the worlds. If you’re new to Godzilla, or are only familiar with the American movies and want to get a handle on the Japanese side of the series, the best place to start is either at the start, or with Godzilla Minus One. It really is that good and essential.

2

‘Gamera 3: Revenge of Iris’ (1999)

Image via Toho

The 1990s was a wonderful time for Gamera, since that’s the only decade in the monster’s history when he didn’t just stand alongside Godzilla, but might well have even trumped him for a bit, after having existed in Godzilla’s shadow for about three decades prior. The trilogy from 1995 to 1999 was responsible for that, with these movies doing what the Heisei era did for Godzilla, but with more consistency and what felt like purposeful planning from movie to movie. Each one builds on the other immensely, so you can’t really watch and appreciate Gamera 3: Revenge of Iris without first watching Gamera: Guardian of the Universe (1995) and Gamera 2: Attack of Legion (1996).

So, consider those two movies honorably mentioned. They get the ball rolling with a newer take on Gamera that makes the giant turtle-like kaiju a good deal more interesting, and even one you can take seriously, at least by giant monster movie standards. Gamera feels like a real force of nature in Gamera 3, in particular, and it almost does for Gamera what Godzilla vs. Destoroyah achieved for Godzilla. There is a ton of spectacle and charm in this movie, and with the two Gamera movies that preceded it, making the trilogy a no-brainer of a recommendation for anyone who’s even just a little fond of Godzilla and keen to see some more kaiju movies that don’t involve the King of the Monsters himself.

1

‘Godzilla’ (1954)

Image via Toho

Finishing with the start of things might seem backwards, but Godzilla (1954) deserves to be held in particularly high regard, and thereby saved until the end here, crowned as the best of all the kaiju movies. With the greatest handful of movies in this long-running series, you can, like, pick six, assign them all a number from 1 to 6, then roll a die, and pick whichever one’s the luckiest. There are maybe half-a-dozen Godzilla movies that could’ve gone here. But for now, it’s the original, which was so instrumental in the development of the whole kaiju genre, as it’s now understood. It also came out during an incredible year for Japanese cinema, so it’s honestly important and historically/culturally significant beyond the realm of the giant monster movie.

1954’s Godzilla stands out for how grim and horror-focused it is, with Godzilla being equal parts tragic and terrifying. Later Godzilla movies like Shin Godzilla sometimes had him being more tragic, and then you’ve also got movies like Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack, where he’s not really tragic, and is instead more just terrifying. This original film, though, gets the balance right, and while there is some spectacle here, the heaviness is what really sticks with you, and it’s something you can still feel 70+ years later, even with the knowledge that it kick-started a series where, eventually, the titular monster did some absolutely crazy things (flying kick in Godzilla vs. Megalon, anyone?).

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Godzilla

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Release Date

November 3, 1954

Runtime

96 minutes

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Director

Ishirō Honda

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Writers

Ishirō Honda, Shigeru Kayama, Takeo Murata, Tomoyuki Tanaka, Eiji Tsuburaya

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• 

  Akira Takarada

  Hideto Ogata

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• 

  Momoko Kôchi

  Emiko Yamane

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Congressman Eric Swalwell, a Democrat representing California’s 14th congressional district, is addressing claims he sexually assaulted and harassed numerous women, including former coworkers, while in office.

“A lot has been said about me today through anonymous allegations. I thought it was important that you see and hear from me directly,” the congressman, 45, said in a video shared via social media on Friday, April 10. “These allegations of sexual assault are flat false. They are absolutely false. They did not happen. They have never happened. And I will fight them with everything I have.

He continued, “They also come on the eve of an election, where I have been the frontrunner candidate for governor of California. I do not suggest to you in any way that I am perfect or that I’m a saint — I have certainly made mistakes in judgment in my past, but those mistakes are between me and my wife. And to her, I apologize deeply for putting her in this potion.” (Swalwell shares three children, Nelson, Cricket and Hank, with his wife, Brittany Watts.)

Four women have accused Swalwell of sexual misconduct, including a former staffer who accused the politician of raping her, according to a CNN investigation published on Friday. While most of the women chose to remain anonymous for fear “of retaliation by Swalwell or professional consequences for speaking out against him,” CNN reported, one woman — Ally Sammarco – went on the record with her allegations.

Related: The Women Who’ve Accused Donald Trump of Sexual Misconduct

Many women have accused Donald Trump of sexual misconduct following the leak of his 2005 tape, in which he makes misogynistic comments and brags about sexually assaulting women — here is a comprehensive list of those who have come forward, and how Trump and/or his campaign responded

“My wife’s name is Ally Sammarco,” the woman’s husband, Adam Parkhomenko, wrote via Twitter, responding to Swalwell’s video. “Obviously you know that, but she’s not named anonymous. And she also went on the record with CNN so that hopefully this does not happen to other women and maybe it would help other women come forward. She also provided CNN all of the messages that you sent her. I’ve been very supportive of you over the years but even I learned a lot today. And she has my full support.”

Us Weekly has reached out to Swalwell for comment.

In his Friday video, Swalwell went on to apologize to anyone who may have “doubted” their support for the congressman amid his bid for governor of California amid the allegations.

“I think you know who I am,” he added. “For over 20 years, I have served the public as a city councilman, as a member of congress and as a prosecutor who went to court on behalf of victims — particularly on behalf of sexual assault victims. That’s who I am and have always been.”

He concluded, “This weekend I’m gonna spend time with my family and friends and I appreciate those who have reached out to me to show support. And I look forward to updating you very soon.

Thank You!

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In addition to vehemently denying the women’s claims, Swalwell has threatened legal action, per CNN. He has reportedly sent some of his accusers cease and desist orders.

Many prominent members of the Democratic party, including Nancy Pelosi and House Minority Leader Hakeem Jeffries, have called on Swalwell to withdraw his campaign for governor in the wake of the allegations.

If you or someone you know has been sexually assaulted, contact the National Sexual Assault Hotline at 1-800-656-HOPE (4673).
https://www.rainn.org/

By Chris Snellgrove
| Updated 15 seconds ago

Since the premiere of Star Trek: Discovery in 2017, the so-called NuTrek era of the franchise has been controversial. Some enthusiastic fans have really loved how these shows have subverted expectations and given us characters and stories unlike any we have seen before. Other fans felt this was a major flaw and that these new series should be more like Star Trek: The Next Generation and Star Trek: Voyager. Now, though, it looks like the haters have won in a big way because the NuTrek era is officially dead.

Recently, it was reported that the sets for Starfleet Academy are currently being demolished. This is to be expected, of course, as this show was recently canceled. The more interesting fact is that the sets for Strange New Worlds are also being demolished, which means we are deeply unlikely to get the proposed Star Trek: Year One show or any other spinoffs of SNW. Coupled with the fact that no new shows are in development (for the first time in a decade) and that Alex Kurtzman’s contract expires this year, all signs point to the NuTrek era quietly coming to an end.

Why The Sets Being Torn Down Is So Significant

If you’re skeptical that NuTrek is dead, you might be wondering what is so significant about the destruction of these sets. Tearing down the Enterprise set from Strange New Worlds, for example, could theoretically be an opportunity to design new sets more in line with the aesthetics of, say, Star Trek: The Motion Picture. But Paramount is loath to casually make such aesthetic changes for the simple fact that these sets are insanely expensive.

That’s why the network has reused so many sets over the years in order to save money. Much of The Next Generation set (like the engineering section) was modified for Star Trek VI: The Motion Picture. Before that, the bridge from the TOS movies was transformed into the battle bridge for TNG (among other sets). Heck, even the Defiant bridge from Deep Space Nine became the interior of the Delta Flyer in Voyager. These examples (one of dozens) prove that Paramount wouldn’t just demolish sets they thought they might re-use. Arguably, then, tearing down everything from Starfleet Academy and Strange New Worlds implies that they intend to rebuild Star Trek from the ground up.

Worst. Anniversary. Ever

These sets being torn down is bad enough. But even before that, Star Trek fans learned the bleak news that, for the first time in a decade, there are no new shows in development. To make matters worse, this news hit right when the franchise was celebrating its 60th anniversary. In a perfect world, this would be a year of constant celebration for everyone’s favorite sci-fi IP. Instead, with the absence of new shows in development, it feels more like a funeral. 

Some fans, however, see it as a good thing that Star Trek will have some downtime so that new creators can make something more successful. While the NuTrek era has been filled with spinoffs, they haven’t exactly been hits: Discovery, Lower Decks, Prodigy, Strange New Worlds, and Starfleet Academy were all canceled before their time and well before any of them could hit the seven-season mark of shows like TNG and DS9. Paramount wouldn’t cancel shows that were making money, so it’s reasonable to assume these series were financial failures. 

After a year (or a few years) of downtime, Star Trek could have an amazing comeback, especially if they keep one man far, far away: Alex Kurtzman.

Shoot His Contract Out Of The Airlock

For better or for worse, Alex Kurtzman has been the chief architect of all things Star Trek since he signed a five-year deal with Paramount in 2018. In 2021, they expanded the deal, but his contract expires in 2026. It’s possible that the network could expand Kurtzman’s contract, but not likely: not only have all of his Star Trek series been failures, but Starfleet Academy (which he was the showrunner of) has been a highly public, highly embarrassing failure. At this point, it’s clear that keeping Kurtzman in charge will do nothing more than run this franchise into the ground. 

Paramount simply can’t afford to do that: Trek is one of their biggest IPs, and they’re going to need all the success they can get after the expensive acquisition of Warner Bros. Unless you’re a Kurtzman superfan (they can’t all be bots, can they?), the destruction of the SFA and SNW sets is very good news. The end of the NuTrek era is also the end of the Kurtzman era, which means a new creator will take the reins. If the network can snag someone talented and passionate like Terry Matalas, fans could have something we haven’t had in decades: consistently good Star Trek shows.

Whew, Roomies! The internet thinks Claressa Shields clapped back at Remy Ma’s ‘W.Y.F.L.’ Shields dropped a message on social media about avoiding “stirring the pot,” and now folks online are trying to read between the lines.

RELATED: Remy Ma Seemingly Claps Back At Papoose’s Ghostwriting Claims In New Song (VIDEO)

The Internet Thinks Claressa Shields Clapped Back At Remy Ma

Remy Ma recently came through with a freestyle, ‘W.Y.F.L.,’ and fans think she threw a few shots at Papoose and Claressa Shields throughout several bars. Now, folks online are wondering if the Gwoat has fired back. On Saturday, April 11, Shields reposted a message on her Instagram Story that read “I stop myself at least twice a day from posting some s**t that might stir the pot.” She didn’t mention anyone in the post, but social media is side-eyeing the message and thinking it could be meant for Remy.

Claressa’s Post Sparks MAJOR Chatter Online

After The Shade Room dropped Claressa’s repost, the comment section went OFF. Some folks said Remy actually stirred the pot first, while others joked that if she plans to take shots, she should go ahead and hit the “@” button.

Instagram user @m.garavani wrote, “After Remy dropped that, I would’ve just let Pap respond 😂😂” 

Instagram user @anaturalvirgo wrote, “😂😂😂😂😂 Rem stirred the pot and put the lid back on.” 

While Instagram user @esha2pretty_ wrote, “She really believes the wife is the enemy smh 🤦🏽‍♀️ 😂” 

Then Instagram user @_moodyasf._ wrote, “Make sure u use that @ button when u do 😂” 

Another Instagram user @diamondchampagne_ wrote, “Remy gone stir you.” 

Instagram user @prettyproblemceo wrote, “I mean you been stirring the pot 😂 why stop now 🤷🏽‍♀️” 

While another Instagram user @williemcfly wrote, “I would act like it don’t exist. In this world we live in there will be 10 other things trending within the next week lol Rem diss was 🔥 🔥but doesn’t it also show that even while having another nigga or two she still bothered by Claressa relationship with Pap 🤔?” 

Then, another Instagram user @tamarilyn__ wrote, “I’m with her on this one cuz baby I know I do too 😂😂🤷🏾‍♀️” 

Finally, Instagram user @krysstylezhair wrote, “Just make sure you @ whoever it’s for 😂😂” 

Here’s What Remy Said On Her W.Y.F.L’ Freestyle

Remy seemingly heated things up when she dropped her ‘W.Y.F.L.’ freestyle on Friday, April 10. Fans were shook thinking she called out Papoose and Claressa in a few bars. In one part of her lyrics, folks speculated that she took shots at Pap, shutting down claims that he was a ghostwriter behind some of her records.

“The nerve of n****s claiming that they wrote those hits when they whole career they ain’t never ghost wrote s**t,” she continued. “Not for me or anybody else, you always act like you helped a n***a, go help yourself.”

Then, as the track continues, fans assumed she was coming at Claressa after saying, “How you talking out your neck when I know how ya n***a neck work.” Additionally, she added more fuel to assumptions with, “How I never get atted, but I always get mentioned […] See I might get subbed, but I never get touched.”

RELATED: Her Man, Her Man! Claressa Shields Sends STEAMY Message To Papoose After He Weighs in On Her New Flicks

Just days after securing Michigan’s first NCAA Men’s Basketball National Championship since 1989, guards Nimari Burnett and Charlie May took their victory celebration off the court and into the community. The championship duo made a surprise appearance at Raising Cane’s in Ann Arbor, where they spent the morning working a special “shift” alongside crew members while interacting with fans. Located just steps from campus, the restaurant quickly transformed into a full-blown maize-and-blue celebration, with students, families, and local supporters gathering to catch a glimpse of the newly crowned champions.

Michigan Champs Go Behind The Counter At Raising Cane’s

Rather than simply making an appearance, Burnett and May fully embraced the experience, stepping behind the counter to learn the ropes of the restaurant.

The pair signed autographs, snapped selfies, bagged Box Combos, and even got hands-on in the kitchen, all while celebrating alongside the fans who supported them throughout their championship run.

For both players, the moment felt especially meaningful. As longtime fans of Raising Cane’s, the opportunity to work a shift marked a full-circle moment, going from late-night customers to national champions serving their own community.

Burnett Jokes About Cane’s Shift Pressure After Title Win

While the environment was celebratory, Nimari Burnett admitted the experience brought a different kind of pressure.

“I’ll say I’m a little nervous to work this shift today. I think, the level of nervousness is, you know, playing at a national championship on one level and then cooking Raising Cane’s at another level,” Burnett said. “My favorite thing about Raising Cane’s is the sauce. I was talking about the sauce in the car on the way here and you can’t go wrong with it.”

Charlie May echoed the sentiment, sharing a personal connection to the brand that dates back to his childhood. “I’d have to agree about the the sauce,” May said. “When I was a kid, we lived in Louisiana in a really small town, and there was only a few fast food restaurants, and Raising Cane’s was one of them. So the sauce has been my favorite since I was probably, like six years old.”

Fans Pack Cane’s To Celebrate Michigan Championship

The event doubled as both a celebration of Michigan’s 69–63 championship victory over UConn and a way to bring the community together.

Fans packed the area around the restaurant, turning what could have been a simple appearance into a shared hometown moment.

Nimari Burnett Gets Emotional Reflecting On Title Win

Before stepping behind the counter at Raising Cane’s, Nimari Burnett took a moment to reflect on what winning a national championship truly meant to him.

“It was so many emotions because it was so gratifying,” Burnett said. “The emotions were kind of sad that this would be my last time playing with this group, but also, just super excited that we achieved this goal that not too many people in the room get to achieve. I was extremely proud of myself and my team, and of everything it took to get it. It was the most meaningful moment of my life, but also the best time I’ve had throughout the year.”

Nimari Burnett played a key role throughout the championship season, averaging 8.2 points, 2.8 rebounds, and 1.2 assists across 40 games while shooting 37.5% from beyond the arc. He also delivered 10 double-digit performances, including a standout 31-point game against Penn State on February 5.

Nimari Burnett Ready To Take Next Step Toward NBA

With his college career now reaching its peak, Nimari Burnett is turning his attention toward the next level. After previously testing the NBA pre-draft process to gather feedback from scouts and executives, he’s now preparing to fully commit to the journey, including upcoming workouts and training.

“I can take from that experience the feeling of believing in yourself and understanding how it goes,” Burnett told the media. “You obtain feedback. I figured out throughout my collegiate career my role and my identity as a basketball player, but as you go through that process, you really get a (feel) for it. I’m looking forward to fully going through it. There is no turning back.”

As Burnett looks ahead to the next chapter, his championship run has not only solidified his legacy at Michigan but also set the stage for what could be a promising future at the next level.

By Brian Myers
| Updated 27 seconds ago

Something Very Bad is Going to Happen jumped to the top of Netflix’s most-watched shows immediately after its March 26 release on the streaming service, quickly catching buzz from horror and thriller fans. And for good reason. From its opening frames, you can tell something pretty bleak is surrounding a young couple’s wedding. The eerie series of events that occur while they are en route to the groom-to-be Jamie’s (Adam DiMarco) family home and the strange cast of characters that his fiancée Rachel (Camilla Morrone) meets when they arrive make you wonder where the story is going, exactly. 

For the first few episodes, it’s assumed that Jamie’s family has sinister motives with Rachel as their target. But after all of their bizarre behavior is rationally explained away, the storyline focuses on Rachel’s family and their dark past. A strange older man brings her up to speed on how her bloodline is tainted by a curse that kills anyone who marries someone other than their soulmate. Skip out on the wedding after a proposal has been accepted, and that very curse gets passed on to the bloodline of the significant other. 

Something Very Bad Is Going To Happen’s Wedding

The series has lots of great twists and turns, and is more of an eerie mystery than outright horror. Until the last episode, that is. During the finale, a series of complicated events unfold simultaneously that are worthy of dissecting. 

Rachel and Jamie are finally at the altar, and it’s about to be known whether or not she is marrying her soulmate. If so, the couple lives happily ever after. If not, Rachel will face the same fate as so many of her relatives before her and bleed to death in a hellacious hemorrhage. 

Rachel says her vows first. The look in her eyes leaves little question about whether or not she’s making the right call. When she speaks, it’s from the heart. 

Jamie follows this up with his clunky vows. But when he’s finished, he backtracks. “I wrote these a week ago,” he stammers, before launching into a diatribe about how their love doesn’t need to lead to an institution that he knows she doesn’t embrace. He walks away, determined to keep his relationship with the woman he loves, but not wanting to tie the knot.

While all of the wedding guests wait, Jamie and Rachel have a heated discussion. Jamie finally admits that he doesn’t believe that the curse is real, devastating Rachel while simultaneously summoning her ire. When it’s brought to his attention that the curse is indeed very real and his family members are starting to bleed from their eyes and noses, he scrambles to get Rachel back to the altar and complete the ceremony. Rachel, due to Nicky’s dismissiveness of the curse, no longer believes that he is her soulmate. But as she had already said her vows to him earlier, her fate has been sealed. In spite of her protestations, the witness signs his name, and the chaos begins.

Something Very Bad Does Happen

As the show’s title foretells, something very bad is indeed about to happen. The last half of the finale has so much blood that you’d think someone set off a plasma sprinkler on the set. Most fans, including me, believed that the curse (if passed to Jamie’s family) would impact anyone in his bloodline who had not yet married. But in the immediate aftermath of the certificate being signed by the witness, viewers become privy to the horrific reality that the curse on Jamie’s family is retroactive. Meaning that any living person in his bloodline who had married someone who wasn’t their soulmate would hemorrhage and die.

The moment the ceremony is completed, everyone’s fate is sealed. Rachel begins to hemorrhage and runs out to the atrium. She collapses in the snow, her tainted blood offsetting the pure white snow in beautiful form.

Though Nicky is not bleeding, you might assume that the curse wasn’t passed on to his family. But then, more members of his family begin to bleed. Slowly, at first, from their noses. But as time marches on and the panic begins to grow, more and more of Nicky’s relatives are bleeding profusely from every orifice.

They collapse on tables, on the dance floor, and in each other’s arms. The curse doesn’t just whittle at the family tree. It hacks at it quickly with a vengeful ax that only Death itself could masterfully wield. 

The survivors are few. Those who had married into the bloodline were spared, of course, but they all seemed to have fled in a hurry by the end of the episode. In the final minutes, we see that young Jude is still among the living, as well as Nicky. Boris Cunningham, the hopelessly romantic patriarch, is seen in his bed clutching his newly dead wife. Where her brothers and father seemed to be spared from the curse, Portia (Shining Vale‘s Gus Birney) isn’t so lucky. She revealed to everyone earlier that she married a stranger on a whim in Las Vegas. This man clearly wasn’t her soulmate, leaving her fate marked for a premature death.

Jude’s wife, Nell (Under the Dome‘s Karla Crome), having married into the bloodline, is spared. But Jude seems to be unmarked by the curse. This revelation lends to the theory that, in spite of their marital strife and near divorce, the events surrounding Nicky and Rachel’s wedding have brought them closer together, making them the most unlikely of soulmates in the series. 

Why Nicky Survives

But why was Nicky spared? After all, he is the one who refused his marriage vows at the beginning of the episode, leading to the twisted turn of events. Examining his words during his rejection of marriage as an institution, Nicky doesn’t back out of the ceremony because he isn’t in love with his bride-to-be.

Nicky walks away from the altar because he feels he needs to prove his deeply rooted love and respect for the woman that he wants to spend the rest of his life with. In his unplanned speech, he says he doesn’t believe in marriage and knows that Rachel only agreed to marry him because that’s what she knew he wanted. But after discovering that his mother had an affair, seeing his brother come close to yet another divorce, and recounting all of the craziness from the last week, he concludes that marriage isn’t necessary to prove love for a partner.

Nicky lives because he married a person he truly believed was his soulmate. Sadly, it was all for nothing and came too little too late. Rachel was doomed because the ceremony wasn’t completed in time, regardless of whether or not she believed she was marrying her destiny. But in an interesting final twist, we see that life (or Death) isn’t through with Rachel just yet.

Rachel’s Resurrection Explained

Death is never seen in the series. Audiences get a first-person view of who the specter is gazing upon and following, but never so much as get a glimpse of the Grim Reaper. This gaze is set upon the immortal witness, who has settled down at one of the tables. The witness smiles and greets Death with the words “I’m ready.” At this point, Rachel is resurrected. As she wanders through the carnage, she sees the witness face down at a table in the dining room. Next to his body are the words “your turn,” scrawled in blood.

Rachel seems to know what her role is now. She finds her mother’s bracelet on the witness’s wrist (he told her several episodes back that he always takes trinkets from the deceased), and begins to rummage through his belongings. She finds that he had also taken her father’s wedding suit, which she changes into. The witness had been kept alive for more than 200 years and appears to have amassed a substantial amount of money. Rachel cleans him out and begins her departure.

On her way out, she finds Nicky huddled on his bed. He’s clutching a stuffed animal and isn’t responsive when she asks him a question. Here, we see just how cold the new role has made her. Instead of consoling the man she was about to marry about the horrors he had just witnessed, she asked him about the whereabouts of her cigarette lighter. He remains silent, his eyes fixed on something in the distance. Rachel then boldly storms out, climbs into the previous witness’s pickup truck (which is adorned with the words “just married” on the tailgate), and drives down the road.

She finds herself unable to skip past the song playing on the truck’s CD player. Try as she might, the Waterboys track “We Will Not Be Lovers” is the only tune that she can play. Like her new role, she embraces the song. She finds herself singing along to it as she rolls down the window and tosses her wedding ring onto the roadside.

Something Very Bad Is Going To Happen Season 2

Will there be a continuation of the storyline in a new season? There’s no word on that yet.

Fans of the series are already buzzing about the possibilities of future episodes surrounding an adult Jude, about to tie the knot. After all, when Rachel was saying her quick goodbyes, she made it a point to pull the lad aside and give him some needed advice. Rachel told the child that he needs to believe what happened that day, no matter who tries to tell him otherwise. She also warned him that he needs to be very careful about who he marries in the future, should he choose to do so. “I’ll be there to witness it,” she says before exiting the home and entering the first phase of a life of immortality.

You can stream Something Very Bad is Going to Happen on Netflix.