Tom Holland and Zendaya may have conquered the box office this summer, but their blockbuster run apparently came with a price.

After months spent traveling around the world promoting two of 2026’s biggest movies, the newlyweds were apparently so exhausted that even a luxury vacation wasn’t tempting enough to get them back on a plane.

Instead, Tom handed the lavish Japanese getaway to his parents, giving them an unexpected taste of the A-list treatment that had originally been reserved for Hollywood’s hottest couple.

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Tom’s father, Dominic Holland, revealed the surprising switch while speaking at the Queen’s Park Book Festival in London.

According to Dominic, his son had been working “unbelievably hard” while promoting “The Odyssey” and “Spider-Man: Brand New Day” alongside Zendaya.

“He and Zendaya have done probably twice around the globe to promote these films,” Dominic said per the Daily Mail, explaining that the couple had endured what he estimated were around 20 10-hour flights.

Only days after the London premiere, Tom told his father that he and Zendaya had a trip to Japan planned.

However, there was a problem. “Dad it’s too far and I’m too tired,” Tom said, according to his father’s account. “What I thought I’d do dad is that I’d send you and mum instead.”

Dominic and his wife, Nicola, consequently inherited the first-class flights and upscale hotel stay, although he joked that some people expecting his famous son were less enthusiastic about the substitution.

“It was first class travel, posh hotel, but the thing is, all these restaurants and hotels are expecting Tom Holland,” Dominic joked.

Their Exhaustion Came After A Historic Box Office Summer

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What makes Tom Holland and Zendaya’s decision particularly striking is just how successful the work exhausting them has been.

The couple appeared together in both Christopher Nolan’s “The Odyssey” and “Spider-Man: Brand New Day,” turning their summer into an unusually concentrated promotional marathon.

The movies subsequently became the two biggest global releases of 2026.

According to the Associated Press, “Spider-Man: Brand New Day” has generated roughly $2.4 billion worldwide after spending six consecutive weeks atop the domestic box office. “The Odyssey,” meanwhile, has climbed to approximately $1.6 billion globally.

Their combined success helped propel Hollywood to its strongest summer box office since before the pandemic.

The numbers make Dominic’s story an unusual counterpoint to the couple’s extraordinary year. While audiences saw premieres, red carpets, and two enormous hits, the pace behind that success apparently left Tom and Zendaya unwilling to make yet another lengthy journey once the promotional machine finally slowed down.

Tom Holland Almost Faced An Impossible Choice Between Both Blockbusters

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The hectic summer actually began with a scheduling problem long before either movie reached theaters.

Tom previously revealed that production on “Spider-Man: Brand New Day” and “The Odyssey” was initially scheduled to begin on exactly the same day, forcing difficult conversations about whether he could realistically make both projects work.

Zendaya apparently had strong feelings about the dilemma. Tom joked during a promotional interview that after telling his wife about Christopher Nolan’s offer, she threatened to “leave” him if he turned down “The Odyssey.”

The conflict was eventually resolved, allowing Tom to appear in both blockbusters. Holland later suggested that the delay may actually have benefited “Spider-Man,” with the additional time allowing the team to hire director Destin Daniel Cretton and further develop the screenplay, according to Moneycontrol.

That demanding overlap ultimately produced two enormous successes, but Dominic’s latest revelation shows the less glamorous side of carrying both projects around the world afterward.

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Tom Previously Explained Why Zendaya Makes Hollywood Pressure Easier

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The relentless schedule also provides new context for something Tom Holland said when confirming his marriage earlier this year.

In June, he explained that being married to someone who understands the unusual pressures of his career has become an important source of stability.

“Our business can present very stressful situations and it’s really nice to have a bedrock of a relationship that will stand the test of time,” Tom told Esquire.

He explained that he and Zendaya can support each other in ways other people might struggle to understand because they both know what it is like to live under intense public scrutiny.

“For me, I found my person,” he added. “She’s my best friend, and I’m the happiest I have ever been when I’m with her.”

Those comments were made months before Dominic revealed just how demanding their blockbuster summer would become.

Tom and Zendaya have also remained protective of their individual moments despite working together. Holland previously told Men’s Health that he avoids walking Zendaya’s red carpets “because it’s not my moment, it’s her moment,” adding that if they appear together, “it’s about us.”

Tom Holland And Zendaya’s Exhausting Year Isn’t Slowing Their Success

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Skipping Japan may have given the couple a chance to finally stop moving, but professionally, their extraordinary year is still producing milestones.

PEOPLE reported that “The Odyssey” recently crossed $1 billion at the international box office alone, while “Spider-Man: Brand New Day” became only the second film ever to surpass $900 million domestically.

The latter reached the milestone in just 36 days, beating the 50 days it took “Star Wars: The Force Awakens” to reach the same figure.

For Tom, the year also coincided with a major personal transition. He previously described “The Odyssey” as part of a “new chapter” in his life as he moves into a different stage of his career and marriage.

Tank top season is basically over, which means you don’t have to stress about your arms being exposed. Phew! But that doesn’t mean you want to wear frumpy tees and sweaters every day. These 17 chic, polished blouses offer the best of both worlds because they conceal batwings while elevating your aesthetic.

With flowy silhouettes, strategic shapes and drapey sleeves, these dreamy blouses are flattering without even trying. Our favorites carry you from errand runs to in-office work days to orchard visits with ease. The best part? These styles start at only $13! Read on to find the most confidence-boosting tops for fall.

17 Arm-Flattering Blouses — From $13

1. Our Favorite: Knit, crochet, ruffles! This comfy pullover blouse makes even baggy jeans appear sophisticated.

2. Zimmermann Vibes: People will think you dropped hundreds on this vibrant long-sleeve top, but it’s only $15 on Amazon.

3. Boutique Find: The eyelet fabric and frilly neckline both give this mock-neck blouse serious boutique-like flair.

4. Luxe Alert: Drapey in the best way, this lantern-sleeve blouse covers your arms and tummy alike. The watercolor print is just a bonus.

5. Pretty Polished: Knit blouses scream ‘expensive,’ and this puff-sleeve number is no exception. It could totally be cashmere.

6. Silky Satin: In case you missed it, satin is totally trending. Nail the aesthetic with this boardroom-ready blouse.

7. Rich Mom: Everything about this rich mom top is swoon-worthy, including the elbow-length sleeves and pleated detailing.

8. Elevated Tee: Instead of a frumpy T-shirt, opt for this loose, casual wonder that feels like loungewear but looks so elevated.

9. Charleston Charm: With crochet accents, ruffle details and a Swiss dot pattern, we’re convinced this popular $15 blouse comes from a cute Southern town.

10. Solid-Color Stunner: This three-quarter-sleeve blouse is proof that solid colors can be mega chic. We credit the frill details for that!

11. Corporate Queen: Floral embroidery gives this delicate top a high-end flair, so don’t be surprised if your colleagues think you got promoted.

12. Brunch Babe: We’re a little (a lot) obsessed with this classy blouse that features flower-printed bell sleeves.

13. Classy Cowl Neck: Whether you wear this cowl-neck blouse to work or wine night, you’re destined to get compliments.

14. Boho Pick: If you love Free People, you’ll adore this lace-embellished blouse. It’s the definition of boho-luxe style.

15. Total Steal: We did a double take after seeing the price on this fringe-hem blouse. Psst, it’s only $13.

16. Mock-Neck Maven: Appear taller without even trying in this high-neck blouse. It pairs beautifully with jeans, skirts and trousers alike.

17. California Cool Mom: Unlock your inner Beverly Hills rich mom when you wear this slouchy long-sleeve shirt that’s anything but sloppy.

Bebe Rexha is calling out the unwanted attention surrounding her body after social media users began focusing on her breasts and recent weight gain. The 37-year-old singer expressed frustration with men sexualizing her appearance while also admitting that she still wants the freedom to dress however she chooses. Rexha’s remarks also highlighted what she sees as a double standard facing women with curvier figures, who may be judged more harshly for wearing the same revealing outfits as thinner women.

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Rexha addressed the situation through a series of posts shared with her two million followers on X on Sunday. “I don’t know what to do with my b–bies. They just got so massive, and I hate the straight men in my comments who only come for that but, then again, a girl still wanna dress sexy,” she wrote.

The “Meant to Be” singer then joked about wanting an online space where she could share content without receiving the same attention from heterosexual men. “Idk we need an app for girls and gays,” Rexha added.

The Singer Highlights A Curvy Fashion Double Standard

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Rexha expanded on her concerns in a follow-up post, explaining that women with curvy bodies are often viewed differently when wearing fitted clothing. “I feel like when girls with curvy bodies wear something tight we automatically look sl-tty,” she wrote.

Rexha has repeatedly embraced sexy fashion throughout her career, but she has also been candid about the scrutiny that comes with showing her figure publicly.

Bebe Rexha Addresses Her PCOS And Weight Gain

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During the online conversation, a fan asked whether Rexha’s recent weight gain was connected to polycystic ovary syndrome, also known as PCOS. The singer responded that PCOS was partly responsible, along with “eating too much bread.”

Rexha has previously spoken publicly about being diagnosed with the chronic hormonal condition. According to the World Health Organization, PCOS affects an estimated 10% to 13% of women of reproductive age. Symptoms can include irregular menstrual cycles, excessive hair growth, acne, infertility, and weight gain.

The organization also notes that PCOS can be associated with insulin resistance and an increased risk of other health conditions. Symptoms vary significantly, meaning not everyone diagnosed with PCOS will experience the same changes.

The Pop Star Has Been Open About Her Changing Body

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Rexha’s latest remarks are part of a years-long conversation she has maintained with fans about body image and public criticism. In 2023, she shared a photograph of herself lifting her sweatshirt to reveal her stomach. “Yes, I’m in my fat era and what?” she wrote at the time.

That same year, Rexha appeared on “The Jennifer Hudson Show” and discussed how commentary about her weight affected her emotionally. “Listen, we’re in the public eye, so that’s bound to happen,” she told Jennifer Hudson. “I was a lot thinner, and I did gain some weight; that comes with the territory. I’m not mad about it because it is true, but when you see things like that, it does mess with you.”

“You don’t know what somebody’s going through, what they’re going through in their life, so it kind of is tough. But I feel like we’re in 2023 … we should not be talking about people’s weight.”

Rather than deny that her body had changed, Rexha questioned why her weight should become a public topic in the first place. “Listen… I like to eat, okay? I like to eat,” she added.

Online Weight Searches Left Rexha Feeling ‘Discouraged’

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The singer has also admitted that she sometimes struggles to avoid searching for commentary about herself. In April 2023, Rexha discovered that “Bebe Rexha weight gain” was trending as a search term on TikTok. “Seeing that search bar is so upsetting. I’m not mad cause it’s true. I did gain weight. But it just sucks. Thank you to all the people who love me no matter what,” she wrote on X.

Rexha later acknowledged that weight had always been a sensitive subject for her. “I’ve always struggled with my weight. A b-tch likes to eat. I’m working on myself every day. Just discouraged a bit right now,” she admitted.

Ice Spice is cheekily showing off her latest tattoos.

On Sunday, September 6, the rapper, 26, posted a provocative video to Instagram showing off her new ink, which is located on the back of her upper thighs — just below her buttocks.

Ice’s new ink features the words “saint” and “sinner” on each thigh in cursive font.

“For the love of the game,” she captioned the video, which was set to the tune of her new single “Out My Face (My Baby)” featuring Lil Yachty.

Ice — real name Isis Naija Gaston — shot to fame in 2022 with the song “Munch (Feelin’ U)” and gained further recognition when she collaborated with friend Taylor Swift on the latter’s “Karma” remix the following year.

“I relate to Ice in many ways, but I think her dedication and focus is what blew me away from the very start,” Swift gushed to Variety about her pal in September 2023. “She’s extremely professional without being cold. Playful and fun without ever taking her eye off the prize. She knows what is and isn’t ‘her’ and sets those boundaries with grace. She studies the industry and other artists’ careers but is very clear about charting her own definitive, original path. It’s her ability to carefully find that balance that impresses the hell out of me.”

“That’s my sis. We was talking about a bunch of things,” Ice said in a Variety profile at the time. “She’s so funny. We was sipping on a little something something. Just chatting, vibing.”

Ice was on hand for Swift’s July 3 wedding to Travis Kelce, according to ESPN talk show host Pat McAfee, and even serenaded the couple with a song. Swift and Kelce, both 36, tied the knot at Madison Square Garden in New York City this past summer in front of a star-studded guest list.

Related: Ice Spice Gives Sweet Shout-Out to Pal Taylor Swift at Coachella

Taylor Swift and Ice Spice’s friendship is iconic. The two artists first teamed up for a remix of Swift’s song “Karma” in May 2023. At the time, Swift said in her Instagram announcement about their collab that she was a “massive fan” of the “brilliant” Ice Spice (real name Isis Naija Gaston), calling her “the […]

Speaking on his eponymous show in July, McAfee said he wasn’t familiar with all of the songs performed at the ceremony, including a song by Ice, but said the rapper “had a lot of energy up there.”

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“I guess me saying Avril Lavigne played ‘Sk8r Boi’ was the first time that it came out,” he shared. “But she was awesome.”

“To be clear, those musicians … really cool. Like, one would just call out the other and then they would come up and they would just do their s***,” he added of the musical performances at the wedding.

“That was the most spectacular evening I have ever been a part of. I cannot wait to chit-chat about that throughout the day,” McAfee said. “I’m sure there was something that I agreed to not talk about, but from the things that I’ve been reading about, other people [are] talking about it, like, kinda sorta ’cause there were no phones in there. There is no notes section, no writing or anything, so it’s literally all just memory.”

This is hard to introduce on two fronts. What makes something overrated in the eyes of someone is pretty straightforward. That person does not like it as much as most other people seem to, and that person, on some level, feels confusion as to why so many people seem to love it. Maybe they don’t even hate what they’re calling overrated; they just feel it’s not really all that, compared to its reputation.

And then on the other front, it’s hard to justify the movies below, and there is a sense that people are inevitably going to dislike what they see here. If you imagine all this written in first person, and then read it in a whiny voice or something, maybe that’ll mitigate things. Or if you want to think people who call things overrated are themselves overrated, then knock yourself out.

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‘The Leopard’ (1963)

Image via 20th Century Studios

The Leopard is big, beautiful, and boring. The idea of two out of three ain’t being all that bad, though… well, there you go. The size and beauty here count for something. Unless the size of it all (or, more specifically, the length) goes a long way toward making things boring. The Leopard goes for more than three hours, and it depicts a certain way of life dying a slow death.

Maybe it could be likened to War and Peace, but without as much war stuff, and then the drama isn’t as interesting either. There is spectacle here to some extent, and The Leopard is hard to fault on a technical front (outside its one laughable attempt at depicting a battle scene of sorts), but it’s so inert. It’s probably meant to be a bit inert and like a long sigh being let out, yet the sigh here is just too long.

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‘The Sound of Music’ (1965)

Image via 20th Century Studios

Instead of being the longest musical of all time, The Sound of Music “merely” feels like the longest musical of all time. Also, there are other musicals that put too many of their memorable songs in the first half, and have very little by way of memorable music in the back half. The Rocky Horror Picture Show might well be the worst offender, but at least the first half of that movie is as great as it is.

And that film’s not too long, in any event. The Sound of Music just goes on and on, and this is something that can be said about a few big films from the 1950s and 1960s, when the film industry seemed keen to go a little bigger and longer in an attempt to compete with the rising popularity of television. It’s just The Sound of Music… on and on and on. It never ends. And you know what? Some of those beloved songs from the (still superior) first half are kind of annoying anyway.

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‘Shutter Island’ (2010)

This is coming from someone who thinks a ton of Martin Scorsese movies are actually kind of underrated and over-hated (at times), but Shutter Island is a bit of a miss, by the director’s high standards. It’s perhaps fairer to say that it’s the closest Scorsese has come to missing, because Shutter Island does a few things right as a psychological thriller/mystery film, including making its main twist hit pretty hard.

It’s just like, man, everything else is kind of tedious. There are some movies that basically have a level of popularity and acclaim just because of their twists, and this is one of them. If you want to have a film that exists for a twist, don’t make the film nearly two and a half hours long. This is paced in a way where it honestly feels a good deal longer than The Irishman, despite being much shorter.

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‘Ali: Fear Eats the Soul’ (1974)

Image via Filmverlag der Autoren

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It’s hard to find many negative reviews of Ali: Fear Eats the Soul. It’s been given tens of thousands of ratings on Letterboxd, and sure, it’s not a famous or super widely-watched movie, so maybe if it had hundreds of thousands of ratings, you’d start to see more dissenting opinions. But of those tens of thousands of ratings, only 110, at the time of writing, give it the lowest rating possible (0.5 stars out of 5).

Ali: Fear Eats the Soul doesn’t deserve scorn to that level, but also, what’s there to love here? Maybe it’s the fact that it feels grounded and real, but possibly more mundane than anything else, and that the romance it explores is an unconventional one, but truth be told, it is so boring. And it’s not very well-acted or put together, even if some of that awkwardness feels like it’s intentional. It’s potentially “real” and raw, but at what cost?

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‘Paris, Texas’ (1984)

Image via Tobis Film

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There are various Wim Wenders movies out there that are more interesting than Paris, Texas, which is somehow his most acclaimed film, even when Perfect Days, Until the End of the World, The American Friend, and Faraway, So Close exist. Yes, Faraway, So Close, the sequel to Wings of Desire, and not Wings of Desire. Wings of Desire is also kind of overrated. Someone trying to keep things objective and not in the first person really feels these things.

Paris, Texas is just a bit too slow, and there is more to feel with the other (and better) films by Wenders. There are some striking images here, a couple of powerful scenes, and the opportunity to see Harry Dean Stanton in a rare leading role is admittedly nice, but Paris, Texas is 145 minutes long, and you do really feel each and every one of those 145 minutes.

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‘La Haine’ (1995)

Image via MKL Distribution

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It’s a movie about important things, and it does want to capture a certain youthful energy, but La Haine also feels like it’s trying too hard. On the topic of youth, the director and the main stars here were in their 20s when the film was made, but La Haine really feels like a student film stretched out to a feature-length runtime, and one where the “students” were given a bit more money than you’d expect.

The authenticity here is why it’s liked, but there is also a certain immaturity and pretentiousness to La Haine. A good chunk of the people who like it are themselves probably in film school, or around the right age. The ambition is here, and what it’s going for can be admired, but La Haine lays things on so thick, and it suffers from being overwritten at times, and as well as over-directed, like, most of the time.

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‘Satantango’ (1994)

Image via Vega Film

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If you read positive reviews of Satantango, you’ll find people marveling at how despairing it is for such a long time, and how effectively depressing it is, as a result. It does look striking at times, and if it set out to inspire such negative emotions, then it technically succeeded. You feel the sadness the characters do, and the hopelessness of the situation.

It’s just that you have to wonder, is it really that hard to make a viewer feel bored, restless, and depressed for about seven hours? Yeah, Satantango is seven hours long. A little longer, actually. People might well be proud of themselves for conquering it, and then they give the film a rating of 4/5 or 5/5, instead of themselves. The film doesn’t deserve it, though. And, truth be told, maybe you don’t, either. You wasted your time. You felt the bad things. You felt them for a long time. You could’ve watched three good movies of a more standard length instead. But are you going to let that forever-gone time be cursed? Maybe you hand out a positive rating because what else can you do, to memorialize all that time gone to waste? Just be honest and dislike Satantango the way it dislikes you. It’s as spiteful as another long, drawn-out, boring, and bizarrely acclaimed film that’ll be mentioned in a short amount of time (if only “short” was an adjective that could be used to describe either).

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‘The Sting’ (1973)

Image via Universal Pictures

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The Sting is liked for being a revenge movie with less violence than most revenge movies, and for being a mash-up of crime and comedy, genre-wise. And it’s got a memorable A-list pairing with Paul Newman and Robert Redford both starring in it, and doing their usual thing, having good chemistry, blah, blah, blah, it’s fine. It’s all good.

It is a decently good movie. It’s hard to feel anything like hatred for The Sting, but it also feels a bit minor, for lack of a better word. It inspires this feeling of “Oh, that’s it, I guess,” when it’s over. And the repetitive music throughout is annoying. There’s also a weird lack of urgency to things, when it comes to what The Sting is actually about, and the overrated allegations are being made here largely on the basis that it’s a pretty solid movie that dominated the Oscars the year it came out (winning seven all up, from 10 nominations).

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‘Love Streams’ (1984)

Image via Cannon Films

With a bunch of John Cassavetes movies, it feels like he was so preoccupied with whether he could make films a certain way, he never stopped to think about whether he should make films in that certain way. Love Streams was one of his final films, and so it all feels particularly heavy with the Cassavetes-isms, because there are dysfunctional characters, little by way of plot, and so much rambling and chaotic/improvised dialogue that his films are known for having.

Apparently he said, to paraphrase the parts without profanity, “If you don’t have time to see it, don’t. If you don’t like it, don’t… I didn’t make it for you anyway,” regarding Love Streams, with this post suggesting it was said during production. So, Cassavetes knew Love Streams ran the risk of being impenetrable. It feels like some of the praise it’s received is a bit strained, honestly.

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‘Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles’ (1975)

Image via Olympic Films

In 2022, Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles topped the Sight and Sound Poll of the Greatest Films of All Time, which is held every 10 years. It put more attention on Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles, and that’s made it a target. So, here it is, being targeted. It is a movie about a woman living a thankless and repetitive life.

It makes its point and then uses a very long runtime to reiterate that point. You get it, and then the movie keeps on making you get it. To induce a feeling of boredom in a viewer, even if that’s the point, is not particularly impressive. Making a boring movie is not worth celebrating. There is nothing genuinely impressive about Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles. It hates you and disrespects your finite time on this planet, and people seem impressed by how much it hates them, like they want to be in on being hated. It’s spiteful and pretentious cinema.

The Chainsmokers’ San Jose concert was supposed to be a night of nonstop music and celebration. Instead, the event ended with emergency vehicles surrounding the venue and multiple concertgoers being rushed to local hospitals. 

As fans packed Discovery Meadow for the electronic duo’s performance, first responders launched a large-scale medical response that ultimately saw 14 people transported for treatment, turning an otherwise energetic evening into a frightening scene.

Hours into The Chainsmokers’ Friday night performance, the San Jose Fire Department was forced to mobilize significant resources after receiving reports of attendees needing urgent medical care.

According to the department, crews responded to “multiple patients requiring medical attention” at approximately 8:22 p.m. The situation escalated quickly enough that officials expanded their response almost immediately.

“SJFD immediately requested an Ambulance Task Force, two additional advanced life support fire units, and a Battalion Chief to manage the incident and provide additional medical resources,” the fire department said in a separate update on X.

By the end of the incident, emergency officials confirmed that 14 ambulances had responded to the venue. “A total of 14 ambulances responded, and 14 patients were transported to local hospitals,” they revealed.

Footage from the scene showed emergency vehicles lined up near the concert grounds as crews worked to assist those affected while also managing traffic around the busy event.

The Chainsmokers Show Saw Most Medical Emergencies Occur Near The End

Singer k.d. lang has looked back on an unexpected encounter with supermodel Cindy Crawford in a recent interview.

The singer once sat in a barber’s chair to be shaved by Crawford and has now referred to the moment as “magical.” She also revealed how she got the opportunity through her friend, who was working on the shoot at the time.

One of the most unlikely encounters in the life of singer k.d. lang was meeting Cindy Crawford for a shoot for the August 1993 Vanity Fair cover.

Looking back at that moment in a cover story with The Guardian, Lang described it as “magical” before revealing that she inspired the director, who was her friend, to go for the shaving scene in a barber’s chair.

“I was friends with Herb [Ritts], and somehow I got the opportunity to do the Vanity Fair cover, and he was shooting it. I have kind of an obsession with cutting hair and barber shops. I don’t know where that came from…. It must be some sort of childhood visualization imprint or something,” the singer recalled.

“I suggested to Herb, maybe we can do it in a barber’s chair,” she added.

KD Lang Says Cindy Crawford Was ‘Super Professional’ During Shoot

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After Lang initially suggested the scene to her friend, it took only a few days for it to come together.

They shot the scene on the rooftop of his building, and according to the singer, Crawford was “super professional,” while she found it a tad bit difficult to do the same.

“She’s a model, so it was her realm. I was trying to behave and not be an idiot. It was incredible, and I knew that it had a certain gravity to it,” Lang also recalled.

Looking back on that moment, Lang shared that they had created a “piece of art and a significant social statement” that still makes her feel proud whenever she thinks of it.

K.D. Lang Reveals How She Brings ‘Raw Vulnerability’ To Her Songs

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Elsewhere in the interview, Lang was also asked how she “emotes raw vulnerability” in her songs.

To her, it all begins with trying to sing herself into the lyrics first. Then, she takes it into an internal, emotional place.

“I try to create visuals, sort of an emotional internal movie of what the lyrics possess, to relive it emotionally,” she remarked.

“With Honey and Smoke, for example, I imagine watching somebody I’m in love with dancing with somebody else and feeling jealousy,” she added, referencing her song with two members of the supergroup case/lang/veirs.

The Canadian Singer Reflects On Her Short Stint With A Super Group

Lang’s stint with the supergroup was brief, lasting just a few years and producing only one album, named after the group.

Today, she still remembers that collaboration fondly but admits it wasn’t easy.

“I remember it being quite difficult in terms of having three major artists, who had been bosses their whole lives, coming together, we had to navigate and reformulate how we worked, the structure of writing and creativity,” the singer recalled.

Although Lang didn’t exactly state it, she hinted that a reunion of the group was unlikely. However, they still remain friends to this day.

K.D. Lang Says Coming Out To Her Mother Was A ‘Big Deal’

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Years ago, Lang revealed how she came out to her mother, sharing that it began with the pain of experiencing heartbreak as a young teenager.

“I came out to my mum when I was 17. My high school sweetheart had left me for someone else, and I was really upset. It was hard. My mum was a Christian, and this was early; this was 1977 or 1978,” she said.

“So, that was a pretty big deal in a small town then, and my mum struggled with it for a couple of years,” the singer added.

Today, their relationship is much stronger, largely because of everything she has accomplished and the public recognition she has received.