The incident happened on August 24 at about 11.40am on Wykeham Street in Scarborough.

The victim was walking when a dog, without an owner, jumped on her and bit her face, said a spokesperson for North Yorkshire Police. 

The animal then reportedly ran off towards Manor Road.

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The woman needed numerous stitches for her injuries, which are expected to leave permanent scars.

The victim described the dog is described as a husky or malamute type, possibly a puppy, with a black head, mostly brown body, and wearing a black collar.

North Yorkshire Police are appealing for information, particularly if anyone has seen this dog without an owner before or knows who the owner is.

They are also asking for any witnesses or anyone with CCTV footage of the incident to come forward.

Anyone with information is urged to contact North Yorkshire Police online by emailing josh.nolan@northyorkshire.police.uk, visiting the website and selecting ‘Tell us about’, then ‘An existing case or report’, or via live chat, available Monday to Friday, 9am to 5pm.

Alternatively, information can be given by calling North Yorkshire Police on 101 or anonymously through Crimestoppers on 0800 555 111 or via their website.

When providing information, please quote reference 12260165486.

Legendary film and TV actor Tim Curry has died at the age of 80.

The star, best known for playing the Dr Frank-N-Furter in cult classic The Rocky Horror Picture Show, died at his home in Los Angeles last night – his manager confirmed today.

A cause of death was not given, but Curry had been suffering with serious health issues for more than a decade after suffering a stroke in 2012, which left him unable to walk.

His other iconic roles came in films such as Clue, Annie, Spamalot, Home Alone 2 and It.

Despite his wish to avoid being typecast, Curry’s sensational portrayal of the mad ‘transvestite from Transsexual, Transylvania’ inevitably defined his career.

A hedonist in heels and fishnets, the deviant doctor was hell-bent on creating the perfect man – and the character railed against the dull all-American teen couple, Janet and Brad.

He played the role for two years – first on stage and then in the film version, released in 1975. 

Curry later went on to join the cast of 1992’s Home Alone 2 – playing Mr Hector, a stuffy and suspicious concierge at the Plaza Hotel in New York.

Between 2004 and 2007, he portrayed King Arthur in the Monty Python musical Spamalot on stage in Chicago, Broadway and the West End. 

The 80-year-old also played the concierge in Home Alone 2 

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Curry in 2016 attending the red carpet premiere of The Rocky Horror Picture Show: Lets Do the Time Warp Again’ at The Roxy in West Hollywood, California 

Some of his stage credits include What About Dick? My Favorite Year and Travesties, among others. 

In 2015, he was honoured with The Actors Fund Lifetime Achievement Award at the Tony Awards Viewing Party in Los Angeles. 

Curry opened up about his wellbeing last year during a special screening marking The Rocky Horror Picture Show’s 50th anniversary. 

Speaking to the audience at LA’s Academy Museum, he said: ‘I still can’t walk, which is why I’m in this silly chair, and that’s very limiting.

‘So, I won’t be singing and I won’t be dancing very soon. I still have real problems with my left leg.’

Since suffering a stroke aged 66, the legendary actor remained largely out of the public eye. 

Born Timothy James Curry in Cheshire, England, in 1946, Curry was the younger child of Patricia, a school secretary, and James, a Royal Navy chaplain. He had an older sister, Judith – a concert pianist, who died in 2001. 

Curry grew up in Plymouth and went to boarding school. Then, in 1958, when he was just 12 years old, he lost his father to pneumonia.

Between 2004 and 2007, Curry played King Arthur in the Monty Python musical Spamalot on stage in Chicago, Broadway and the West End

The actor in costume during the filming of the television mini-series Will Shakespeare at the ATV studios in Elstree, Hertfordshire, in June 1976

Tim Curry in The Rocky Horror Picture Show in 1975

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Despite his wish to avoid being typecast, Curry’s sensational portrayal of the mad ‘transvestite from Transsexual, Transylvania’ inevitably defined his career

Curry pictured again in 1975 but without the makeup

The tragedy had a profound impact on his childhood.

Ten years later, the actor watched Judi Dench onstage as Sally Bowles in Cabaret at London’s Palace Theatre, a moment that cemented his ambition to become an actor.

After studying at Birmingham University, he burst onto the West End scene.

One of his early roles was in the original UK production of of the Hair – a hippie musical.

To land the role, he lied to producers about his youth and claimed to have an Equity card – allowing him to bypass union rules that would otherwise have prevented him from being cast.

He fondly remembered the experience of playing Woof, the free-spirited hippie, as ‘liberating’.

Crucially, however, he made firm friends with his co-star Richard O’Brien – who went on the write the role that would define Curry’s career – Dr Frank-N-Furter.

Curry took on the stage role for two years, performing in New York and at the Roxy in Los Angeles. 

For many years, he rarely discussed The Rocky Horror Picture Show, fearing he would forever be cast in similar roles.

He previously recalled the opening night during the show’s Broadway debut as ‘very exciting’ but said the critics were far too harsh.

‘I had to go on the Today Show the next day and they read the reviews, which were appalling,’ he explained. ‘That brought me down. It was very cruel.’

The reviews described his performance as ‘a mixture of Joan Crawford and Burt Lancaster’ and ‘Mick Jagger, David Bowie and Marc Bolan all in one’

In 2011, Curry was scheduled to appear in Rosencrantz And Guildenstern Are Dead, but he withdrew from the production at the last minute citing ill health.

Actor and director Patrick Barlow shared a house with Curry while studying at Birmingham University. 

Recalling their student days, he told The Guardian: ‘I remember being amazed by his extraordinary singing voice – it was just completely perfect, just something he was born with – it came ready made.’

Lewis Hanson was blasted to the elbow

A drug dealer was shot by armed police as they swooped on him after carrying out surveillance.

Lewis Hanson, 20, was blasted to the elbow by an armed officer in Whitefield, Bury, after the cop ‘felt compelled’ to discharge his firearm. Police later discovered a converted gun in a flat in Radcliffe where Hanson stored cocaine and cannabis for onward sale.

Previously, the Independent Office for Police Conduct (IOPC) said it has launched an investigation into the firearms operation which ended in Hanson being shot.

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During a sentencing hearing today, (August 26) Manchester Crown Court heard that Hanson, now 20, has been dealing cannabis since the age of 14, and had been trying to sell the gun prior to its seizure.

He will learn his fate tomorrow (August 27) after pleading guilty to drug and firearms charges. Another man, Paul Houghton, 40, who allowed Hanson to use his flat to store the drugs, was handed a suspended prison sentence.

Prosecuting, Caleb Suggitt said that police had been carrying out observations of Hanson, who was driving a white Cupra Ateca, on May 22 this year.

He was seen visiting flats on Chapelfield in Radcliffe, Bury, in particular a flat owned by Paul Houghton. Hanson used the flat to store cocaine and cannabis before selling it on at street level.

Mr Suggitt said that police stopped Hanson’s cat at 3.10pm at the junction of Bury New Road and Chestnut Avenue in Whitefield. The prosecutor said that during the course of Hanson’s detention, ‘one of the attending armed officers felt compelled to discharge his firearm’.

He was shot to the elbow and was rushed to the Manchester Royal Infirmary. Following searches of Hanson’s car and the flat, police seized £3,520 worth of drugs. They also found a gun in a bedroom in the flat.

It was found to be a Retay 17 blank firing pistol, similar in design to a Glock 17. It was manufactured in Turkey as a blank firing pistol, but had been converted to discharge live rounds, although the weapon was found not to be able to self load.

Police also searched the home where Hanson lived with his mother. Officers found two black face coverings, an anti-spy radio detector, described as being a ‘portable device designed to locate hidden microphones, wireless cameras, and GPS trackers by scanning for radio frequencies’, as well as a lock knife.

Officers also seized a Gucci sweatshirt with the £1,150 price tag still attached. Receipts relating to the purchase of designer clothing worth just over £1,000 were also discovered.

The seizure of a mobile phone provided evidence of Hanson having sold cannabis ‘in every year from 2020 when he was just 14 years of age, to the date of his arrest when he was 20’, Mr Suggitt told the court. He said his involvement was shown over 29 individual months between that period.

Mr Suggitt also said that messaging showed Hanson was speaking about thousands of pounds in conversations. He said voice notes were recovered, recorded in the days prior to Hanson’s arrest, which revealed Hanson was trying to sell a firearm.

The court heard this was the same gun which was seized from Houghton’s flat. Further phone evidence showed that Houghton became involved through being a customer of Hanson’s.

Houghton told Hanson the flat was vacant because he was living elsewhere with his partner. Houghton was arrested at an address in Radcliffe on May 26.

Defending Hanson, Mark Friend said the defendant questioned ‘whether there was a need’ for him to be shot by police during the course of his arrest. But he said Hanson pleaded guilty which he argued was evidence of ‘remorse and contrition’.

“He knows he did wrong, he knows there are consequences for that and he will accept them,” Mr Friend said. “None of the offences to which Mr Hanson has pleaded guilty do him any credit at all.”

Mr Friend said that Hanson came to deal drugs after initially becoming a user. He said another person was involved in Hanson’s bid to ‘make a profit’ selling the gun, which the barrister argued showed Hanson was not high up the chain.

Mr Friend claimed Hanson has not received the physiotherapy that he was told he needed following his injury, while on remand in prison. Hanson had ‘left his family down’, Mr Friend said. “He wears that burden very heavily indeed,” he added.

Dan Gaskell, for Houghton, said the defendant was not ‘exploited’ but was offered the opportunity to obtain ‘free cocaine’ from his involvement. He said Houghton works full time as a roofer and has stayed out of trouble for long periods.

Hanson, of Parr Lane, Bury, pleaded guilty to being concerned in the supply of a class B drug, conspiracy to sell a prohibited weapon, possessing a prohibited firearm, possessing ammunition without a firearm certificate, possession of a class A drug with intent to supply, and possession of a class B drug with intent to supply. He will be sentenced tomorrow (August 27).

Houghton, of Roch Crescent, Whitefield, pleaded guilty to permitting his premises to be used for the sale of class A and class B drugs. He was sentenced to 12 months in prison, suspended for two years. He was ordered to complete a three month alcohol treatment programme, 40 hours of unpaid work and five rehabilitation activity requirement days.

The IOPC released a statement in the aftermath of the incident. It read: “The Independent Office for Police Conduct (IOPC) has begun an investigation into a Greater Manchester Police (GMP) firearms operation in which a man was shot.

It happened in Bury New Road, Whitefield, at 3pm on Friday 22 May during a policing operation in which officers attempted to stop a vehicle. During the incident, the driver of the car was shot in the arm by a GMP officer and suffered a broken elbow. The injured person, a man aged 20, was the car’s sole occupant.

“We have verified that one of the officers discharged a single shot during the incident, causing the injury, while another single shot was fired shortly afterwards by another officer to deflate a tyre on the vehicle.

“GMP referred the matter to us shortly after the incident, and we declared an independent investigation at 6.57pm that day. Our investigators attended the scene of the shooting to preserve evidence, plus the post-incident procedures (PIP) where the firearms officers involved in the operation gave their initial accounts of what happened. We have secured two police firearms for examination and officers’ body worn video recovered and viewed.”

Emergency services were called to Tindale Crescent just before 8pm on Tuesday (August 25).

 One person was taken to University Hospital of North Durham for further treatment.

A North East Ambulance Service (NEAS) spokesperson said: “We were called to a road traffic incident on Tindale Crescent in Bishop Auckland on Tuesday, August 25 at 7.53pm.

“We dispatched one ambulance crew and one clinical team leader to the incident. One patient was taken to University Hospital of North Durham for further treatment.”

Durham Police said the road was closed while the vehicle was recovered.

A force spokesperson said: “We were called to reports of a one car collision on Tindale Crescent, Bishop Auckland, shortly before 8pm on Tuesday, August 25.

“The road was closed for a short time while the vehicle was recovered.”

The road has since reopened.

Dolly Parton, a country music icon whose career spanned generations and genres, had a transcendent global appeal. Born in Appalachia, she became a celebrated entertainer, businesswoman and philanthropist during her 80 years on Earth. Test how much you know about the Queen of Country Music.

British actor Tim Curry, best known for his iconic performances as Dr Frank-N-Furter in The Rocky Horror Picture Show and Pennywise the Clown in Stephen King’s It, has died at the age of 80, according to US reports

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The British actor, renowned for his legendary portrayals of Dr Frank-N-Furter in The Rocky Horror Picture Show and Pennywise the Clown in It, has passed away aged 80.

The distinguished performer, whose career encompassed more than five decades across cinema, television and stage, died on Tuesday night, according to reports from America. Circumstances surrounding his passing have yet to be formally disclosed, TMZ reported.

Curry achieved cult status following his portrayal of the exuberant Dr Frank-N-Furter in the 1975 film The Rocky Horror Picture Show, having first taken on the character during its London stage run.

His show-stopping performance contributed to transforming the musical into one of cinema’s most lasting cult classics, with devotees worldwide still flocking to interactive midnight showings more than half a century since its debut.

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Born in Grappenhall, Cheshire, in 1946, Curry launched his professional life on stage before achieving recognition in cinema and television. His other notable characters included the spine-chilling Pennywise in the 1990 adaptation of Stephen King’s It, Wadsworth in Clue, Rooster in Annie and Long John Silver in Muppet Treasure Island, reports Dublin Live.

His filmography also featured appearances in Legend, The Hunt for Red October, Home Alone 2: Lost in New York and The Three Musketeers, while his unmistakable vocal talents established him as a sought-after contributor to animation and gaming projects.

Curry experienced a severe stroke in 2012 which impacted his movement, though he persevered with voice acting work and made sporadic public appearances in subsequent years. Tributes are anticipated to flood in for the performer, whose remarkable career established him as one of Britain’s most distinctive and adaptable talents.

His interpretation of Dr Frank-N-Furter endures as one of cinema’s most iconic cult performances, while countless horror enthusiasts recall his terrifying portrayal of Pennywise.

Curry’s passing represents the loss of a unique talent whose contributions across theatre, film and television cemented his status as an enduring cultural figure.

I now rejoice when my trains are late, which is often. You might even have seen me muttering ‘Yes!’ and thrusting a clenched fist into the air as my belated so-called express crawls into Oxford or Paddington stations, more than 15 minutes late.

After nearly 50 years of being towed daily up and down this decrepit piece of track, inefficiently and often slowly, it is a major change in my life.

Why is this? It is very simple. A system called ‘Delay Repay’ means that I can apply for compensation every time my Hitachi ‘high-speed’ train is more than a quarter of an hour behind its timetable.

I am thinking of fitting a small, cheery bell to my home computer, so that I can make it go ‘Kerching!’ as I file each report. So far, the system has paid without quibble over a fiver each time, and, as I own a season ticket so expensive that I am too embarrassed to tell you what it cost, I have already been handed enough cash to pay for several decent bottles of wine.

What an alteration this is. The journey is only 63 miles each way, but there are so many excuses for lateness: Either someone has driven a lorry into a bridge at Slough or Langley. Or there is a ‘signal failure’, which used to mean that Balkan gangsters had stolen the cables.

Or there is a ‘points failure’. Isn’t it amazing that signals and points, invented by the Victorians more than a century ago, should fail so much?

Or we have a ‘track circuit failure’ whatever that is. Or there are ‘trespassers on the line’. I have also experienced ‘cows on the line’ (I did actually see these, so I know it was true).

Or the amazingly frequent decision of the signal box, many miles away, to cause the hugely expensive Japanese-designed machine in which I am travelling, capable in theory of 140mph, to crawl behind some flatulent 1970s rail bus that stops at every station. I am surprised, in retrospect, that I have never had an actual apoplexy.

I have more than once been tempted to leap from the train and walk home, but of course the doors are now locked and there is no way to do this. Anyway, that would probably make me a ‘trespasser on the line’.

Still, the muttered curses, pounding pulses, grinding teeth and furrowed brows of the past are forgotten. I no longer scowl and snarl at the pathetic announcements and useless apologies that bray from the loudspeakers.

What was the use, I would retort to nobody in particular, of an apology with no intention to mend their ways. If I could bank their apologies, I said, I would eventually become rich.

Well, now I can, in effect, bank them, because as the train once again begins to grow late, I smile complacently at the slowly passing countryside and start to calculate how much I might benefit. Now, this does nothing to make the service better. I confidently expect it to get even worse soon. All my friends on the line tell me it is inevitable, given the way the railways are run. But hasn’t the time come, in decrepit Britain, to accept that not much is ever going to get better, and just demand compensation?

Let us extend the ‘Delay Repay’ scheme to all other aspects of life. Held up at the passport queue on the way back from your holiday? If the Home Office had to shell out an instant tenner to everyone who waited more than 20 minutes, a family of four would get £40. Think of it. I promise you that you’d immediately care less. Spend it on a pizza when you eventually get home.

Forced to hang on for an hour to speak to a government official or a bank? Get 50p for every minute above five that you have to wait (which is coincidently Reform’s position, having announced today a £30 rebate for each caller kept on hold by HMRC for longer than 30 minutes).

That degree they encouraged you to get was useless? Get 25 per cent of your loan refunded. I’d personally like some way of stinging film and TV reviewers for telling me some rubbish is ‘riveting’ or ‘unmissable’ when missing it would actually have improved my life, but I can see that might be hard to calculate.

As for political manifestoes, where do we begin? I suspect that if the government had to give each taxpayer £10 back for every illegal migrant who came ashore in a rubber dinghy, His Majesty’s Treasury – by far the most powerful government department – would make a real effort to stop the boats.

Let us extend the ‘Delay Repay’ scheme to all other aspects of life, writes Peter HItchens 

There I will be, three-quarters of the way home, and the train is running 14 minutes late. Rather than urging it on to make up time, I long for a quick cow on the line. And then ‘Kerching!’

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Apply ‘Delay Repay’, to potholes in the road, or to the failure of the police to pursue drug possession, burglary and vandalism, and you might also get a change of heart at your local police HQ.

I think I could also devise a formula that would allow us to get cash back for every BBC outbreak of partiality.

Something also has to be done about all those super-cautious weather forecasts that predict great gouts of rain and flashes of lightning for days and nights which end up being clear and dry.

The problem, of course, is that people – and I might be one of them – could become so fond of all this extra tax-free cash flowing ceaselessly into their bank accounts that they would get complacent about the problems that cause the delays and failures in the first place. They might even start wanting the problems. This has certainly happened to me.

There I will be, three-quarters of the way home, and the train is running 14 minutes late. Rather than urging it on to make up time, I long for a quick cow on the line, or perhaps to be jammed once more behind that ever-present slow-running service, to bring the delay safely past the 15-minute mark. And then ‘Kerching!’

For really long delays, the payments can be even bigger, and thanks to this a friend of mine has been travelling almost free for some months on an especially troubled route. She seems remarkably cheerful about it, considering the hours she has wasted on contemplating the buttercups growing beside the line.

This is the choice that lies before us. Sort out the country, or demand money off because nothing works. I am sorry to say that it is pretty easy to work out which is more likely.

A striking blonde wig, perfectly done acrylic nails and thousands of glistening rhinestones – Dolly Parton‘s visual legacy is perhaps as memorable as her incredible country voice.

The late singer passed away aged 80 yesterday after a battle with cancer, triggering an outpouring of tributes from across the world.

As famous faces of all ages – including Sabrina Carpenter, Jane Fonda, Eminem and Reba McEntire – remembered her kindness and ardent efforts in philanthropy, many also fondly looked back on her lifelong commitment to ‘more is more’ flamboyancy.

Dolly had always famously quipped that ‘it costs a lot of money to look this cheap!’ and called herself a ‘Backwoods Barbie’.

‘I make jokes about it, but it’s the truth that I kind of patterned my look after the town tramp,’ she once freely admitted.

‘I didn’t know what she was, just this woman who was blond and piled her hair up, wore high heels and tight skirts, and, boy, she was the prettiest thing I’d ever seen. 

‘Momma used to say, “Aw, she’s just trash”, and I thought, “That’s what I want to be when I grow up. Trash.”‘ 

Growing up in what she has called ‘extreme poverty’ in rural Tennessee, Dolly confessed she had to get creative when it came to her cosmetics as a young girl growing into a woman.

‘I’d find ways to create my own makeup with pokeberries and stuff that grew wild in the fields,’ she wrote in her book, Behind The Seams: My Life In Rhinestones.

‘I think all people that grow up in the mountains learn how to improvise with what you don’t have. I would strike Mama’s old kitchen matches to make eyebrows and my beauty mark.

‘Still, I find myself mixing and matching different makeups for different colours.’

While Dolly began performing as a child – having appeared on local television shows by 10 years old and already recording singles aged only 13 – it wasn’t until the 1960s, after she signed with Monument Records at 19, that she began curating her signature stage style.

‘When I moved to Nashville in 1964, I already had some ideas about what I wanted to look like onstage – and off,’ she wrote in her 2023 book.

‘Country stars had to have big hair and some sparkles, and you had to have a Cadillac. I had the big hair but not yet the Cadillac – or enough sparkles.’ 

Even though her label attempted to ‘flatten’ her big hair, she ‘hated everything about it’ – and ‘felt naked’.

Over the years, it became clear that any attempts to dilute Dolly’s image would be for nought.

1965: When Dolly signed with Monument Records at 19, that she began curating her iconic stage style

1975: Dolly poses for a portrait in Los Angeles, California. Even though her label attempted to ‘flatten’ her hair, she hated it and felt ‘naked’

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1977: Dolly always made sure to add an element of country-Western to her ensembles

Each stage look was every inch as glam as the one before, but some memorable ensembles stand out, including a 1977 hot pink spandex jumpsuit, which she wore to the Grammy Awards.

True to her Southern roots, it was adorned with a white vest and sequins. 

However, her memorable looks could sometimes also be more understated.  

In the 80s, as her wigs got bigger and her presence got bolder, Dolly also starred in the comedy film titled after her hit song, 9 to 5.

Playing a secretary who wants to get revenge on her egoistical, sexist boss, the star won over audiences in a peach knitted dress, golden hoops and stunning platinum curls.

Elsewhere, in her more laid back looks Dolly was also fond of cowboy-style plaid shirts, hats and denims. 

Her ensembles did not calm down with age.

If anything, they only ramped up as Dolly enjoyed cinched waist lines, short skirts, high heels and low-cut tops well into the 90s, 2000s and beyond. 

1980: Dolly at the premiere of Nine to Five, in which she played a secretary who wants to get revenge on her egoistical, sexist boss

1977: Dolly wore a hot pink spandex jumpsuit to the Grammy Awards, adorned with a white vest and sequins

1978: Dolly was a fan of bold colours, always incorporating them into her ensembles

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At 52, while performing on the Tonight Show in 1998, she oozed glamour in a figure-hugging glittering silver mini dress – and two years later, wore a bright yellow embroidered skirt and blazer to a White House luncheon. 

Dolly also refused to shy away from candid conversations about beauty and ageing. 

‘If something is bagging, sagging or dragging, I’ll tuck it, suck it or pluck it,’ she told the Guardian in 2011.

‘I’m not trying to be fashionable. Never was! I got some clothes that I’ve had for 25 years. People say, oh, that’s Dolly, Dolly does what Dolly does – and Dolly does!’

In 2019, Dolly also admitted that she didn’t mind if people thought she looked ‘artificial’.

‘It is true that I look artificial, but I believe that I’m totally real,’ she told CBS Sunday Morning.

1987: Dolly Parton in Dolly, a variety show with guest stars including Tom Selleck and Oprah Winfrey

1989: Dolly at the Steel Magnolias New York City Premiere at Ziegfeld Theatre

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‘My look is really based on a country girl’s idea of glam. I wasn’t naturally pretty, so I make the most of anything I’ve got.’

It comes as Dolly’s private cancer battle has been revealed following the heartbreaking news of her death.

The legendary country singer’s death shocked the world and came after months of health woes that saw her pull out of a string of public appearances, fueling fan fears for her wellbeing. 

Those close to the singer said she had both become increasingly reclusive and secretive about her ill health in recent months. 

And now, Parton’s representatives revealed she died following a ‘brief battle with cancer‘ in a statement to People, though they did not disclose what type of cancer it was.

‘Our beloved Dolly Parton spent her life and career bringing joy, laughter, hope and integrity into everything she touched,’ the statement read.

‘After bravely facing a brief battle with cancer, Dolly departed her Earthly life today at the Vanderbilt-Ingram Cancer Center surrounded by loved ones.’

Her representatives also highlighted the extraordinary reach of Parton’s ‘unmatched generosity,’ noting she touched the lives of countless people she would never meet and was always ready to ‘offer a helping hand.’ 

1993: As Dolly grew older, she refused to tone down her aesthetic, instead leaning into it more

1996: If anything, they only ramped up as Dolly enjoyed cinched waist lines, short skirts, high heels and low-cut tops well into the 90s, 2000s and beyond

‘Whether it be the hundreds of millions of books donated through her invaluable Imagination Library or funding research that helped create a lifesaving vaccine used around the world, Dolly’s unconditional love for all people was the guiding force for her lasting impact.’

Despite her cancer battle, Parton remained optimistic and leaned on her deep Christian faith for strength in the last few months.

‘From the time that Dolly Parton was born, she was surrounded by faith, by God, by Jesus. Her grandfather was a preacher. Even in her Broadway show, she shows how much faith means to her,’ a source told People.

‘And so it’s natural for people of faith to believe that God is in control. It doesn’t matter what doctors may say, people may say. It’s not over until God says it’s over. I think she lived every day working and as long as God hadn’t called her home, she was here and she had more work to do.’

Parton previously told the outlet that she prayed every day in a 2020 interview: ‘To me, it’s my salvation. It helps me through everything.’ 

2004: Dolly sporting a glittering mini dress at The Theatre at Madison Square Garden

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2011: Dolly has never shied away from figure-hugging ensembles

2015: Dolly has always had a stunning set of nails on – and was rarely seen without high heels

2018: She always added a touch of glitz with rhinestones and sequins

2019: Bold patterns and cuts were on the par for Dolly’s stage style

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2022: Four years ago, Dolly showed she is a true rockstar in a figure hugging leather outfit

2023: Dolly joined the Dallas Cowboy Cheerleaders in a performance at half-time during a game between the Dallas Cowboys and Washington Commanders

2025: The singer was sporting her signature looks well into the last years of her life

The star’s death was confirmed Tuesday in an Instagram video posted by her nephew Bryan Seaver, who also acted as her head of security.

She died on Tuesday morning after being hospitalised on Friday at Nashville’s Vanderbilt University Medical Center with autoimmune and kidney problems, according to TMZ.

As news of Parton’s rapidly deteriorating condition spread, her loved ones raced to Nashville to be by her side, but not all were able to reach her while she was alive. 

‘This video announcement is something Dolly asked of me years ago before I fully absorbed it as a future reality,’ Seaver said.

He hailed his aunt for having ‘lived in the light’ and said she was now ‘in the arms of Jesus’ and the company of her late husband Carl Dean, as well as her parents and ‘countless others who have watched her and longed to meet her in the heavens.’