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Games Inbox: What video game has the most bugs and glitches?

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Games Inbox: What video game has the most bugs and glitches?
Fallout: New Vegas – the buggiest of them all? (Bethesda)

The Tuesday letters page advises Xbox not to release Fable this year, as a reader thinks people are treating the ZX Spectrum with rose-tinted glasses.

Games Inbox is a collection of our readers’ letters, comments, and opinions. To join in with the discussions yourself email gamecentral@metro.co.uk

Worst offender
Can’t say I’m surprised at the PlayStation 5 version of Starfield being full of bugs. Bethesda are terrible at this stuff and especially when it comes to ports and remasters. But it got me thinking about what must be the buggiest game of all time and I guess it’s something like Superman 64 but I haven’t played that and I bet most people haven’t.

Cyberpunk 2077 might count too but I didn’t play that at launch either. By the time I got it most of the bugs were fixed and it just played like a regular game. There was also one of the Assassin’s Creed games that was really bad too, I think the French one [Assassin’s Creed Unity – GC], but I didn’t play it myself.

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In terms of games I have played, I do have to say that the worst I ever played is a Bethesda game, but not one they made themselves. Fallout: New Vegas was such a buggy mess that I thought my copy was broken. It was non-stop jank from the very first second and I gave up after a couple of hours and never really got into the series again.

I would actually welcome a remaster that fixed the problems, because I’d like to see why everyone says it’s so good, but I’m not sure if that’ll ever happen or if they’ll just end up making it worse.
Gaston

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Christmas is cancelled
Personally, I think Microsoft would be mad to release Fable this Christmas. Either they get it out in September or earlier or they have to wait for next year. Nobody is going to put down GTA 6, just as GTA Online 2 comes out, to play a reboot of a half-forgotten Xbox franchise with a mixed reputation.

All publishers have to accept that this Christmas is a no go zone yet or they’re going to get steamrollered. I’m sure someone will try some counter-programming or something, and at least one publisher is going to just chance their luck at the lack of other games, but I don’t see it working.

The problem is time as much as money. Everyone’s going to be curious to see GTA 6 even if they’re not a big fan of the others and we all know it’s not going to be a short game, so what are you going to do? Especially in the run up to Christmas. Indie games might have better luck but not a big budget game.
Cuit

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Like buses
Happy to hear a new Metro game has been announced, it feels like absolutely ages since the last one but I guess that’s true for anything that’s pre-Covid. Exodus was actually my first one, but I really liked it in terms of the story and the way it mixed open world parts with more linear sections. I’m not sure how well it did but I feel it’s probably a bit underrated.

As for this weird log jam of annoucement showcases, I hope they all see sense and just spread them out a bit. Sony is probably too proud for that but it’ll be so annoying to have two, or more, of them on one day and then nothing till June.

I have to admit I’m much more interested in seeing the new Star Fox than I am Assassin’s Creed: Black Flag Resynced though. I feel tired of hearing about that game already and it hasn’t even been properly announced yet. Black Flag was a good game but it’s not that good, unless they really change up how it works.
Fantum

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Review pending
Are you going to be reviewing Mouse: P.I. for Hire?

There’re no reviews out yet with two days to go before launch, which is always worrying.

I hope it’s a good game, but I hope it’s not holding back review copies if it’s not.
Cassius2K
PS: The retro games being discussed, the Spectrum games, a lot haven’t held up over time and this coming from someone who grew up with them. Sorry, but we are now spoilt with better looking ones and play better. Good when they came out, as that is all we had back then. Worst one being C5 Clive.

GC: They’re not holding back review copies, but it’s not out till Thursday and most review embargoes are only a day or two before release.

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Personal information
I don’t blame Rockstar for not playing the hackers if it is bank details. I’m not bothered one bit if they have my bank card details and try and buy something online. My bank sends a one time code to make sure it’s me buying on everything I try and buy.

Hackers have got cleaver but now banks are stepping up, unless I’m missing something what good can they do with my details unless they want to pay my bills?
David

GC: Someone else having your bank details is always something to be worried about.

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New wishes
Really appreciate your Pragmata review, very informative, but mostly I appreciate Capcom for making the game. And it’s not even full price? If only more games were like that.

I’m definitely going to get it because I appreciate the effort that’s gone into it and the fact that a new IP, that’s not an easy sell, is not one any exec at EA or Activision would be taking a chance on right now.

I know it’s wrong to put some companies on pedestal – I might like and respect Nintendo and Capcom but at the end of the day they just want my money – but I really do feel Capcom is doing everything right at the moment and are being justly rewarded for it.

The only problem they’ve had, that I can remember, is support for Monster Hunter Wilds but since I don’t care for that franchise I’m going to be selfish and say I don’t care about that.

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Otherwise, they seem to have managed everything very well, with sequels, remakes, revivals of old franchises, and brand new games. I’m really looking forward to the new Onimusha this year and hope they’re building up to a new Mega Man Battle Network game. And of course, the fabled Dino Crisis remake.

But it’s the original stuff I really want them to concentrate on. I just really hope that Pragmata sells well and convinces them and others to do more. Imagine if they kept churning out new IP after new IP, just to get them out there. I’d love that.
Billum

Hard copy
Would you know if Pragmata will be a physical release or digital only?

Also, any word on Romeo Is A Dead Man? Google says it’ll be out physically 2026 but no one’s listed it yet that I can see.
Bobwallett

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GC: Well, it’s on Amazon for £42. There’s no sign of Romeo Is A Dead Man but Suda51 said he was making a deal to ensure physical copies, so we’d assume they’d come through Limited Run Games or similar. Unless they got cancelled, as the game doesn’t seem to have sold well.

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Modern alternatives
Have enjoyed the retro chat that has taken over the Inbox recently but I do think it’s gone a little too far when people are claiming the ZX Spectrum is better than modern gaming. I was there back in the day with my Spectrum and let’s get real, it was pretty dreadful.

Half the time the games wouldn’t even load from their cassettes. I remember casting an eye over to my chums with first Master Systems and Commadore 64s, and later Mega Drives and Amigas (think the ‘posh kid’ had a SNES a little later), and it was obvious who was getting the better deal… and it wasn’t me.

Anyways, having been going back to play older games I think we are in danger of letting nostalgia get the better of us. Indie gaming is a good example here. You’re almost always better playing modern indie takes on old genres than the original games themselves. Whether that’s Blasphemous over Castlevania, Hyper Light Drifter over Zelda, Horizon Chase Turbo over OutRun, or Blazing Chrome over Contra 3.

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Beyond just the obvious quality of life improvements, modern hardware always lets these games push beyond what was actually possible on the old machines. Giving you an experience more in line with your rose-tinted memories than the reality of the early 90s. It’s unsurprising really, as there are 30 years of advancement to call on creating modern interpretations.

One era indie does seem to be struggling with is PlayStation 2/GameCube/Xbox. Modern small team indies in that style are still noticeably inferior to their inspirations, but if any reader (or GC) wants to suggest missed indie gems that surpass Ōkami, Burnout 3, SSX Tricky, etc… I’m all ears.
Marc

GC: We’d say the non-indie Screamer is the best recent arcade racer. SSX clones are rare but Tricky Madness has proven popular in early access and there’s something called HYPERyuki: Snowboard Syndicate, from the revived Acclaim, that’s due at some point ‘soon’.

Inbox also-rans
Reckon the bit in The Super Mario Galaxy Movie with the Koopa Troopas on the rollercoaster is a deliberate nod to The Curse Of Monkey Island? Possibly unlikely as obviously it’s not a Nintendo franchise, but it is extremely similar.
Captain Walrus

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GC: You never know, but it’s a fairly obvious gag to make up independently.

I never get why Bethesda is so bad with tech. They’ve been kings of jank since forever and no matter how big they get they just don’t seem to care about changing. I fully expect The Elder Scrolls 6 to be a complete mess, even with all the Fallout TV money they must be making.
Trent

Email your comments to: gamecentral@metro.co.uk

The small print
New Inbox updates appear every weekday morning, with special Hot Topic Inboxes at the weekend. Readers’ letters are used on merit and may be edited for length and content.

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You can also submit your own 500 to 600-word Reader’s Feature at any time via email or our Submit Stuff page, which if used will be shown in the next available weekend slot.

You can also leave your comments below and don’t forget to follow us on Twitter.

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Clair Obscur: how an indie game about loss became the biggest success story of 2025

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Clair Obscur: how an indie game about loss became the biggest success story of 2025

“I’ve received hundreds, maybe thousands of messages from people who have told me about some of the difficult times in their lives, about losing people, about being in very dark places, and that the game helped them, help change their relationship with grief, helped change their relationship with themselves in a way, or realize things about what they needed to do and help them move on. I never imagined that our game would have such a meaningful impact on people’s lives, and that’s something that I’m incredibly humbled by.”

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How tennis stars forced a rule change and won a fight to access their health data

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How tennis stars forced a rule change and won a fight to access their health data

Tennis players well be permitted to wear fitness trackers at grand slam tournaments for the first time after the French Open announced a trial on connected devices and wearable technology.

It comes after an argument over wearable devices such as Whoop fitness trackers erupted at the Australian Open in January. Star players such as Aryna Sabalenka, Carlos Alcaraz and Jannik Sinner made headlines after they were ordered to remove them before matches.

Although wearables had been approved by The International Tennis Federation (ITF) and was on its list of permitted devices, with those devices also allowed on the ATP and WTA Tours, the grand slam tournaments had operated on a different set of guidelines. Tennis Australia, the organiser of the Australian Open, had confirmed that wearable wrist technology was not permitted at the grand slams – although it said the tournament was “in discussions” over allowing such devices in the future.

Now, following criticism of the rule from the World No 1 Sabalenka, the French Open has become the first of the four grand slam tournaments to allow the technology, following an announcement from tournament director Amelie Mauresmo at a press conference on Thursday. The French Open said wearables will be permitted on a “trial basis” that will extend to Wimbledon and the US Open later this year and allow players to have access to their data during the sport’s biggest tournaments.

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“The use of connected devices – which provide players with a wealth of information – will be permitted for the first time at a grand slam,” Mauresmo said. “Once again, the aim is to improve players’ performance.”

According to a description of the product, the data the Whoop tracker provides includes heart rate, heart rate variability, recovery, activity strain, blood oxygenation, skin temperature, respiratory rate and blood pressure, as well as sleep performance. In a video published by the WTA, Sabalenka, who is a Whoop ambassador, explained that the band monitored her stress levels between matches and the data advised her to take days off after it found she was in the “red zone”.

Masters champion Rory McIlroy is an investor in Whoop and the company published some of his statistics following his triumph at Augusta on Sunday, including his heart rate and recovery score data. The statistics showed McIlroy’s heart rate spiked to 135 bpm when he stood on the 18th tee on the final round on Sunday, but then fell to 105 bpm for the tap-in putt that saw him claim back-to-back Masters titles. Tennis players could now also share their statistics, such as on match point during a grand slam final.

Aryna Sabalenka wears a Whoop tracker on her right arm during matches, and will now be allowed to do so at the grand slam events
Aryna Sabalenka wears a Whoop tracker on her right arm during matches, and will now be allowed to do so at the grand slam events (Getty Images)

Sabalenka had expressed frustration at the ban during the Australian Open. “I don’t understand why, because the whole year we are wearing, on WTA tournaments, all the tournaments I play we wear Whoop,” she said. “It’s just for tracking my health. I don’t understand why grand slams are not allowed us to wear it, and I really hope that they will reconsider the decision and let their players track their health monitor.”

The ban on wearables was highlighted by Alcaraz and Sinner being ordered to remove devices from their wrists before matches in Melbourne. Alcaraz was caught mid-match with a device under his wristband, with Sinner also stopped after umpire Greg Allensworth spotted he had one hidden under his wristband before the coin toss. Sinner removed it without complaint but said afterwards that he wanted to see his data to inform recovery before his next match.

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Sinner had struggled with extreme heat during the Australian Open and the Italian explained: “It’s not for the live thing. It’s more about [what] you can see after the match. These are datas what we would like to use also in practice sessions, because from that you can practice on with the heart rate, how much calories you burn, all these kind of things.”

The Australian Open’s stance on wearables was criticised by the Whoop founder and CEO, who posted on X/Twitter: “Ridiculous. Whoop is approved by the International Tennis Federation for in-match wear and poses no safety risk. Let the athletes measure their bodies. Data is not steroids!”

The ITF approved the Whoop device following a review last year, as long as haptic feedback, such as vibrations on the wrist, is disabled during competition.

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Locals fuming as council tax precept rises by 70% after funds ‘mismanaged’

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Cambridgeshire Live

One resident said the increased bill has contributed to an ‘excruciating’ financial burden for his family

Locals are annoyed that ‘mismanaged’ money has caused part of their council tax bill to increase by 68 per cent. The precept for Cambourne Town Council means the town’s residents have seen their bills increase by more than in other parts of Cambridgeshire.

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Aaron Kersey said the increase is ‘ridiculous’. “Other people make mistakes and we have to pay for it,” he said. He added: “We have roots growing in our parking spaces that they need to sort out, but they aren’t doing anything about. We’ve noticed that our joint account has gone down, but all bills are going up. Our tax has gone up by about £240 a year.”

The town council does not receive funding from central government. A spokesperson said the authority “acknowledges and sincerely apologises” for the increase.

Lanre Olu-Adeyemi expressed a “deep concern” about the increase, as his annual council tax bill has gone from £2,383 in 2025/26, up to £2,727 for 2026/27. He said this has contributed to an “excruciating financial burden” for his family, as they grapple with a rise in living costs.

Kin Leu described the increase as “huge”. He said: “The actual amount of money is not huge, but the percentage for Cambourne is. It’s a big increase. Mine is around £2,500 this year, and compared to last year it’s a few hundred pounds more. Let’s see if they do anything with it.”

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A couple that moved from Hong Kong to Cambourne a few months ago, and wished to remain anonymous, said: “We hope the situation will not get worse and hope the increase is just temporary. Hopefully it will improve.”

Another man, who wished to not be named, has lived in Cambourne for 18 years. He also described the increase as ‘huge’. He said: “There is a thing of what is being provided for local residents? Down my street, it was one of the first streets in Cambourne. It looks beautiful, but it took six months to get the autumn leaves cleared.”

While it will increase this man’s monthly bills, he said the rise will not overly affect him. He added: “Personally, it’s not stopping me from feeding my family, but for some people it may be harder. It’s not clear if this is temporary or if it’s going to be the same going forward.”

Michael Abbott said he “couldn’t believe it” when he saw the increase. He added: “Due to someone else not being organised and money being mismanaged, everyone else has to suffer. It hasn’t affected me massively, but it’s an extra bit of money to pay that will leave me with less for myself. I just hope it’s a temporary thing and not something that affects everyone for years to come.”

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Paul Matthews said he doesn’t mind the increase if it can be ‘justified’. He said: “If they can justify the raise then I’ll accept it. However they are not publishing why. It’s frustrating not knowing why they have increased it significantly. Looking back at previous years, we were probably outraged at paying just over £1,500.

“Now it’s just under £2,500, and what extra services are we getting? I see they give an increase in what services via percentage but why? An explanation of why it has increased may be beneficial for people to understand.”

At a full council meeting on February 3, Cambourne Town Council agreed its precept for the 2026/27 year, which was agreed at £1,493,098. This was an increase of £636,061 compared to the previous year.

As a result, this means for residents in council tax band D, the annual contribution for the town council precept would be £319.17. The 68% increase means these households are paying an extra £2.97 a week.

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A spokesperson for Cambourne Town Council said: “The council fully recognise that this increase comes at a time when many households are under financial pressure, and we do not underestimate the concern this will cause. Following the council’s Annual Governance and Accountability Return (AGAR) in 2025, serious issues were identified, particularly around the management of Council reserves and the receipt and use of Section 106 funds.

“Since that time, the Council has been working intensively to address and rectify these matters and to rebuild trust. The Council accepts that restricted funds, including S106 monies, were previously used for revenue expenditure when they should not have been.

“These funds must now be replenished and the projects they were intended for delivered. We deeply regret these decisions and the consequences they have had for the council and the community. As part of this improvement programme, the council has strengthened its governance and operational arrangements.

“This has included revising the staffing structure to reflect best practice, notably the separation of the clerk and Responsible Financial Officer (RFO) roles, alongside enhanced professional support.”

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The town council has set out a number of priorities it has ‘committed’ to aim for in the next financial year. “We remain committed to maintaining the services and facilities that support and are used by our community,” the spokesperson added.

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F1: Do you have to be a millionaire to make it to the top of the sport?

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Aston Martin driver Lance Stroll and Ferrari driver Lewis Hamilton smiling while in conversation at the 2026 Australian Grand Prix. Both men are wearing sunglasses

But not everyone pays the same. Deals can be struck for the right drivers. In multi-car teams, it’s not uncommon for less-talented rich drivers to fund the seats of quicker, less wealthy ones.

Russell – earmarked for the top – says he paid £800,000 for his title-winning F2 season in 2018.

But even so, those numbers are out of reach for all but a tiny proportion of society.

Budgets have increased significantly in real terms in the past 30 years.

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Back in 1994, a season of British Formula 3 – which then was the leading international championship – cost about £250,000 in a top team. The equivalent in Formula 3000 – what has now become F2 – was £500,000.

Adjust those numbers for inflation, and they are the equivalent of £500,000 and £1.1m today. So why have costs effectively increased threefold?

The answer to that is rooted in how the championships have developed. Within 10 years, the cost of an F3 season had almost doubled to £500,000. That’s the equivalent of about £1.1m now.

In 2005, F3000 became GP2 and was taken over by then Renault F1 team boss Flavio Briatore and his business partner Bruno Michel.

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F3 and F3000 had competition between chassis and engine companies. GP2 and GP3, and their successors F2 and F3, are one-make formulae; everyone has to use the same chassis and engine.

The idea is to ensure equality of equipment, the better to compare drivers. Michel negotiates a supply price with F2 and F3’s chassis and engine partners, and says he demands the best offer.

“I’m trying to diminish as much as possible the burden of the cost of the cars on the teams,” he says.

But the circumstances of those championships have changed significantly.

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British F3 was held entirely in the UK. F3000 was European, and generally held at its own standalone events – quite often at lesser-known tracks – only occasionally joining the bill at a grand prix.

Now, both F3 and F2 are part of the F1 package, and the number of races involved in a season has increased significantly. Every extra race costs money – even if it’s on the same weekend at the same track – not least in crash damage.

Racing alongside F1 brings significant benefits in terms of exposure, but also a downside when it comes to cost.

The championships have become international, and while F2/F3 covers freight costs centrally, being on the F1 support bill means personnel have to travel to cities hosting grands prix.

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As the cost of F1 has increased, it has a knock-on effect for the junior categories. Flights and hotels are more expensive. And the cost of labour has gone up, because the junior categories are competing for personnel with the likes of Formula E and the World Endurance Championship. So the packages engineers and mechanics are offered have to be more competitive.

On top of that, the cars have been made more similar to those in F1, so are more expensive to produce. And safety standards have also improved significantly, as they have in F1. But that also comes at a cost.

Karun Chandhok – now a Sky F1 commentator – says he paid 1.7m euros for his F2 season in 2008. That’s the equivalent of 2.2m euros now.

So, give or take, that means F2 has tracked inflation since then.

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Although the prices of equipment and spares go up about 15% each time a new car design is introduced, F2 and F3 CEO Michel says he considers the wider economic environment when decisions are made about upgrading cars and insists: “We used to make a bigger margin at the time of GP2 on the spare parts than we do now.”

It’s karting where costs have really exploded in recent years, insiders say.

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Covid-19 inquiry latest: New report due as healthcare workers warn NHS is not prepared for another pandemic

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Covid-19 inquiry latest: New report due as healthcare workers warn NHS is not prepared for another pandemic
Covid-19 inquiry: Healthcare system ‘came close to collapse’ and NHS ‘only just’ coped in pandemic

The Covid-19 Inquiry is set to release its fourth report on Thursday, which will examine the development and roll-out of vaccines during the crisis.

It is expected to highlight the unequal uptake of the vaccine and the government’s response.

Inquiry chair Heather Hallett will also address the concerns of the groups representing those who died or suffered harm related to vaccines, which are calling for improvements to the vaccine damage payment scheme.

Campaigners have called on the government ahead of the report’s release, urging it to be better prepared for another pandemic and improve its vaccine readiness.

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A YouGov poll revealed that 69 per cent of NHS workers believe the health service is poorly prepared for another pandemic.

Nicola Brook, a solicitor from Broudie Jackson Canter, which represents more than 7,000 families from Covid-19 Bereaved Families for Justice UK, said: “Despite living through the horrors of the pandemic, we find ourselves in the unbelievable situation of being less equipped as a nation to make vaccines today than we were at the start of the pandemic.”

More than 184 million Covid vaccinations have been administered in England, according to the NHS.

A damning report from the inquiry in November found that Boris Johnson’s government and his failure to take Covid seriously led to 23,000 deaths.

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What can be expected from today’s report?

The inquiry’s fourth report is set to make a series of recommendations about the development of the Covid vaccines and its rollout in the UK.

It will also examine the treatment of Covid-19 through both existing and new medications.

One of the issues to be highlighted in the report will include unequal uptake of the vaccine and the government’s response.

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Harriette Boucher16 April 2026 11:24

Victims of Covid vaccine-related harm demand more compensation

Baroness Heather Hallett, who chairs the inquiry, is set to address the groups representing people who were affected by Covid vaccine-related deaths or harm on Thursday.

Lawyers representing the groups have called for improvements to the Vaccine Damage Payment Scheme, which sees people vaccinated in the UK awarded £120,000 if they have been harmed as a result.

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Sarah Moore, who is representing 48 claimants, said: “The Vaccine Damage Payment Scheme, in its current form, fails to provide timely or adequate support to those who have been seriously injured or bereaved due to vaccine side effects.”

Solicitor Terry Wilcox from Hudgell Solicitors, which represents a number of vaccine injured groups, said people who have been harmed or died “deserve acknowledgment of the impact on their lives, which for many has been life-changing illness and loss of loved ones, and changes made to ensure they are properly supported, and that lessons are learned for the future”.

Baroness Heather Hallett
Baroness Heather Hallett (UK Covid-19 Public Inquiry)

Harriette Boucher16 April 2026 11:08

Hunt apologises for pandemic failings in wake of Covid inquiry report

Hunt apologises for pandemic failings in wake of Covid inquiry report

Harriette Boucher16 April 2026 10:52

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‘We need leaders to lead’: Readers have their say on the UK’s delayed Covid pandemic response

The Independent community largely agreed with the Covid inquiry findings that Boris Johnson’s government was chaotic and poorly prepared, though many also stressed the broader context of conflicting scientific advice, years of underfunding, and systemic failings that compounded the crisis:

Harriette Boucher16 April 2026 10:36

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In pictures: Britons receiving Covid jabs amid global pandemic

(AFP/Getty)
(AFP/Getty)
(AFP/Getty)

Harriette Boucher16 April 2026 10:28

How was the Covid-19 vaccine rolled out in the UK?

In early 2020, scientists across the world were desperately searching for a new drug or treatment for Covid as the virus continued to spread.

The government deployed a Vaccine Task Force in the UK to find the most promising vaccines and pre-order them for speedy deployment once approved by regulators.

In November that year, Pfizer/BioNTech announced that its Covid-19 vaccine was both safe and effective, with the Oxford/AstraZeneca vaccine also announced to be effective just days later.

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Grandmother Margaret Keenan, then 90, became the first person in the world to be given a Covid-19 jab outside of a clinical trial when she received the Pfizer vaccine in Coventry.

The NHS began rapidly administering vaccines, prioritising the most vulnerable in society.

Thousands of vaccination sites were set up across the UK including in football stadiums, shopping malls and cathedrals. Clinics operated 24 hours a day to get people vaccinated as quickly as possible.

More than 184 million Covid vaccinations have been administered in England, according to the NHS.

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Harriette Boucher16 April 2026 10:18

Covid inquiry to release fourth report at midday

The UK Covid-19 Public Inquiry is releasing its fourth report at midday, which will examine vaccines and drugs during the crisis.

It will make a series of recommendations about the development of Covid vaccines and its rollout. It will also examine the treatment of Covid through existing and new medications.

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The report is expected to discuss the unequal uptake of the vaccine and the government’s response.

Harriette Boucher16 April 2026 09:48

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Emmerdale fire horror confirmed as Moira is targeted in early ITVX release | Soaps

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Emmerdale fire horror confirmed as Moira is targeted in early ITVX release | Soaps
So much has changed (Picture: ITV)

The following article contains spoilers from the episode of Emmerdale dated April 16. It hasn’t aired on ITV1 yet, but can be viewed on ITVX and YouTube.

Moira Dingle (Natalie J Robb) finally returned home in today’s episode of Emmerdale, and quickly realised the life she left behind when she went to prison no longer exists.

Moira was thrown behind bars for double murder and supposed involvement in Celia Daniels (Jaye Griffiths) operation. The beloved character was totally innocent, but framed after some clever work from Celia, and the planting of some ID cards by Robert Sugden (Ryan Hawley).

For ages, it seemed as though Moira was going to go to prison for years. The police struggled to find evidence that proved she’s didn’t commit any crimes and eventually, Moira’s hope faded away. She told Cain Dingle (Jeff Hordley) that she’d plead guilty at the hearing, believing she’d get a shorter sentence if she chose that option.

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Moira Dingle and Cain Dingle talking over a table in the prison visiting room in Emmerdale.
Moira got close to being sentenced for crimes she didn’t commit (Picture: ITV)

Fortunately, a miracle happened and it was produced by Robert Sugden (Ryan Hawley) of all people, who managed to find out from Bear Wolf (Joshua Richards) that he once hid a number plate for Ray Walters (Joe Absolom) while on the farm. The number plate was traced to a storage unit in Hotten, which contained piles and piles of documents the police needed to go over.

Moira wasn’t released straight away due to the evidence needing to get logged, but the news got to her in time which meant she pleaded not guilty at the trial. Yesterday, Cain learnt the charges had been dropped and today, she was back home.

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In the time Moira has been away, Cain and their children have moved out of Butler’s Farm and into Wishing Well. The family have suffered a great deal of loss in a short period of time, but Moira tried to ignore the sadness of losing her home as she hugged her loved ones.

The family then told Moira about the launch of the Dingle Farm, and how it was created especially for her. Moira was surprised and grateful, but the likes of Cain, Lydia and Sam Dingle (James Hooton) knew that what Moira really wanted was her old farm.

She then headed to what used to be Holly Barton’s memorial tree. It was destroyed by Joe Tate (Ned Porteous) a few days ago, and now all that remains is a stump.

Moira was devastated by what was in front of her. In a quiet moment by herself, she cried beside Holly’s tree and said that she was sorry.

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Her journey of processing everything that’s happened while she’s been away then took Moira to the kitchen of her old house. She told Robert that she wasn’t really sure what she was doing, her legs just took her back to the place she used to belong.

Joe Tate and two work men on Butler's Farm in Emmerdale
Joe has created a lot of trouble for Moira and her family (Picture: ITV)

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The time for reflection was over quickly, as Moira, Robert and Matty Barton (Ash Palmisciano) started smelling smoke from a barn.

Outside, Moira quickly took control of the situation and put a fire out that had started within one of the barns. Watching this unfold was Joe, who took pleasure in pointing out the fire probably started because someone had heard about Moira – who got charged for modern slavery – getting released.

Terrified, Moira feared what may happen next – but was a stranger responsible for this?

Or was it someone Moira knows?

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‘I’m a huge fan of a BBC radio drama and it ended up saving my life’

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Wales Online

A mum shared how she was saved by The Archers as she appeared on the BBC’s Morning Live

A fan of The Archers has credited the long-running radio drama with saving her life.

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Mum Julia Evans fell ill with sepsis after having her son in 2019, but said she spotted the symptoms because of a storyline on the BBC radio soap. In 2018, the character Nic Grundy (Becky Wright), a young mum of three, died suddenly of sepsis after scratching herself on a rusty nail.

Julia shared her experience on Morning Live, with the BBC show’s reporter explaining: “Away from the drama on the show, the stories can have a real impact. Julia Evans, who has listened to the series since 2016, credits the soap with saving her life.”

The radio fan then told how she became unwell after having her baby. She said: “Really suddenly, just felt absolutely terrible. Felt freezing, freezing cold. Didn’t know what was happening.

READ MORE: BBC Morning Live star says ‘this may be controversial’ as they share fridge tipREAD MORE: BBC Morning Live host issues injury update ‘I don’t know when I will be fully recovered’

“I said to my husband, ‘I don’t know what’s wrong.’ And he said, ‘Well, I’ll get a thermometer.’ And he said, ‘Oh, your temperature’s like 42.’ It was really, really high. But I felt really cold.”

She went on: “In the story, Nic has cut herself. And she just feels very, very unwell very, very quickly. And that was definitely something that I related to.

“I was sitting on the sofa, and then five minutes later, got into bed and just felt like I was going to die. And I said to my husband, ‘I’ve got to go back to the hospital.’ And they treated me on the sepsis pathway. And thankfully I made a full recovery.”

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During the segment on the show, which was hosted by Gethin Jones and Michelle Ackerley, Julia explained how she had learned about the illness from Nic’s story.

“I do think that story really helped educate me about the symptoms, about how badly things can go, and about how quickly you feel really, really unwell,” she said.

“And I didn’t really know any of that before. So I think it is amazing.”

The Archers has been on air since 1951, and Julia has been listening in for a decade.

“I put the children to bed, come downstairs, and put my headphones in and listen everyday, and it’s just a part of my life,” she shared.

BBC Morning Live airs weekdays at 9:30am on BBC One and BBC iPlayer.

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Women’s Six Nations 2026: England’s Hannah Botterman & May Campbell out of tournament

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Hannah Botterman in action for England

England’s Hannah Botterman and May Campbell will play no part in the Women’s Six Nations as they require surgery.

Prop Botterman will have a second operation on an ankle injury sustained while in action for Bristol in December, while Saracens hooker Campbell will have a knee operation next week.

Bristol lock Delaney Burns and Saracens prop Liz Crake have been added to the squad as cover.

Back row Alex Matthews has been ruled out of Saturday’s game against Scotland at Murrayfield because of a shoulder injury sustained in the 33-12 win against Ireland last Saturday.

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BBC shares first look as ‘perfect’ crime series set in Cambridge to make comeback

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Cambridgeshire Live

The first episode of the BBC series aired in 2024 and was a big hit with viewers

Ludwig fans could scarcely contain their excitement as the BBC released a first glimpse of its eagerly anticipated new series.

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The detective comedy, starring David Mitchell and Anna Maxwell Martin, proved a resounding success when its debut series aired in 2024, with viewers hailing it as “perfect TV”. The show is due to return for a second series later this year, with reports suggesting a third run may already be in the works, reports the Mirror.

Posting images from the forthcoming episodes on Instagram, the broadcaster teased: “Ready for Ludwig Series 2? Here’s your first look at David Mitchell, Anna Maxwell Martin and the crew. Mark Bonnar and Sian Clifford are among the new faces joining the cast for the second series, coming to #iPlayer.”

In the first series, David portrayed reclusive puzzle maker John Taylor, who assumes the identity of his twin brother James, a accomplished detective chief inspector in Cambridge, following James’s sudden disappearance. He infiltrates the police station to investigate his brother’s whereabouts, while finding himself drawn into other cases along the way.

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According to an official synopsis, the second series will follow John, now working as a Crime Scene Consultant alongside DCI Russell Carter (Dipo Ola), tackling “impossible” crimes for the Cambridge Police Authority.

With James still missing, and John now an official member of staff at the station, he is prohibited from using police resources to search for his brother or uncover precisely what James had been investigating.

“Of course, John won’t stop and neither will Lucy (Anna Maxwell Martin), John’s sister-in-law and wife of his missing brother James – a puzzle needs solving and a husband and father needs bringing home,” the synopsis continued. “One masquerade may have ended, but a new one has just begun.”

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Fans of the series were delighted by the first look images, with one declaring on Instagram: “Hells yes.”

“Amazing news,” said another, as someone else posted: “Loved the first series. So good. Can’t wait to see what the new series will bring.”

“Fantastic show so glad it’s back,” said another, as one fan commented: “Dreamy teamy.”

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Someone else remarked: “Oh so so so SO good.” “Can’t wait for this,” added another fan.

Other viewers praised the “impressive” ensemble, which features newcomers Mark Bonnar, portraying newspaper editor Gareth Fisher, and Sian Clifford as local MP Joanne Kemper.

“The STAR POWER of it all,” said one, as another chimed in: “Cannot wait for this!! Great line-up.”

Ludwig will air later this year on BBC iPlayer and BBC One.

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DJ and entrepreneur Andy Hudson launches No.1 Record Sleeves

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DJ and entrepreneur Andy Hudson launches No.1 Record Sleeves

No.1 Record Sleeves is the latest venture from Andy Hudson, Founder and Managing Director of the Maximise Group, which has supplied niche printed packaging to global creative industries for over 15 years.

The announcement comes as the vinyl community prepares to celebrate Record Store Day on Saturday April 18 – an annual event that both reflects and fuels the ongoing popularity of vinyl.

UK vinyl sales reached a three-decade high in 2024, growing by 9.1% to 6.7 million units, according to the British recorded music industry’s trade association, BPI.

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Revenue from vinyl has grown by more than 650% since 2014, rising from £19.4 million to £145.7 million – a trajectory that Andy has been watching with both professional interest and personal satisfaction.

Andy said: “”I’ve collected records all my life. So I’ve had a front-row seat to the vinyl revival – long before it showed up in the sales figures. As someone who has spent decades in specialist print and packaging, it felt like a natural step to bring that expertise to an industry I genuinely love.”

No.1 Record Sleeves sits alongside Maximise PM Ltd, which Andy founded over 15 years ago and incorporated as a limited company in 2016.

Maximise is one of the world’s leading suppliers of scent blotter strips and fragrance testing materials, working with manufacturers and retailers in over 60 countries.

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Clients include Space NK, Penhaligon’s, Molton Brown, L’Occitane, Perfume Shop & Pernod Richard. In 2019, Maximise were a finalist in the Press business awards.

The move into record sleeves draws on the same strengths that built Maximise: precision manufacturing, reliable UK production, and a deep understanding of the niche markets being served.

1. Andy Hudson DJing as Rocky, Sweat Box club nights, York, 1990s — Credit: [Photographer Hugo Platt / courtesy of Andy Hudson] (Image: Hugo Platt)

For Andy, No.1 Record Sleeves is as personal as it is professional. A dedicated collector and DJ, he co-founded and performed at York’s legendary Sweat Box club nights under his DJ name Rocky, and has been immersed in funk, soul and house music since his youth. That insider knowledge, he believes, gives the business a different quality of understanding.

He explained: “A record sleeve isn’t just packaging. For the people who make and buy vinyl, it’s part of the experience – it’s the first thing you see, and it protects something that genuinely matters to them. We bring the same attention to detail to every sleeve we produce that we bring to everything else we make.”

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Clifton-based No.1 Record Sleeves manufactures its products in the UK, offering everything from plain white covers and inner sleeves to fully custom-branded and bespoke designs.

The company says it is built to serve independent artists and small labels as well as larger commercial clients – straightforward to order, competitively priced, and backed by decades of professional print expertise.

For details, go to:  www.no1recordsleeves.com

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