The new bug is called Arsink, and it is an Android Remote Access Trojan (RAT).

“Arsink is a sophisticated malware that actively exfiltrates information, transmitting it directly to its operators while affording them complete remote control,” Zimperium explained.

More than 45,000 devices have already been infected by this virus, according to the tech experts, across 143 countries, including in the UK.

How the Arsink bug works

Android users are being tricked into downloading “pro” versions of official-looking apps, Zimperium said.

These apps are usually advertised on social media and other similar platforms, rather than the official Google Play Store.

Once these apps are downloaded, the Arsink bug gets to work within the device, allowing hackers access to:

• Text messages
• Emails
• Call logs
• Contacts
• Microphone recordings
• Photos
• Location data
• And more…

Android users are being tricked into downloading “pro” versions of official-looking apps like Facebook, Instagram, and Tik Tok. (Image: PA)

The bug also allows hackers to remotely control certain features of infected devices, including:

• Using the torch
• Playing audio
• Setting wallpaper
• Making calls
• Changing various settings

Zimperium added: “In most cases, the apps don’t deliver real features, they display a minimal UI (user interface), immediately request sensitive permissions, and then operate silently.”

The sophisticated malware hides its icon to reduce detection and launches a foreground service that keeps running despite task killers.

It will also display persistent notifications to prevent the service from being terminated.

Delete Any App Asking For Full Control 🚨

Malware abuses Android accessibility permissions to hijack devices, steal data & spy on users. If you didn’t install it for legitimate accessibility needs remove it immediately.

Learn more from @Forbes: https://t.co/DiarWGUICf

— Zimperium (@Zimperium) August 18, 2025

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The apps to delete to avoid Arsink bug

As mentioned previously, the Arsink bug is hidden within “pro” versions of official-looking apps, which trick users into downloading the malicious software and granting it “extensive” access.

Around 50 well-known brands are being used, including:

• Google
• YouTube
• WhatsApp
• Instagram
• Facebook
• TikTok

If you come across any “pro” versions of official-looking apps outside the Google Play Store, be sure to avoid them.

If you have already installed one, delete it immediately.

Fans say that everyone should make the time to stream this historically inspired film

What is considered by some as the best historical war movie of the last decade is now streaming for free.

The Woman King is currently not available via any other streamer. Thankfully for fans they can currently check it out at no extra cost on Channel 4.

Originally released in cinemas back in 2022, it quickly became a much talked about release. Earning just shy of $100 million at the box office, it nearly doubled its budget of $50 million.

Not only that but it was a critical darling earning an incredible 94% rating on Rotten Tomatoes. Even more impressively, it boasts a higher fan score on the same website with a near perfect 99%. It would go on to be nominated for several awards including a Golden Globe, a Grammy and three BAFTAS.

Set in the 1800s and inspired by true events, the film tells the remarkable story of the Agojie, the all-female unit of warriors who protected the African Kingdom of Dahomey with skills and a fierceness unlike anything the world has ever seen.

According to its synopsis, The Woman King follows the emotionally epic journey of General Nanisca, played by Oscar winner Viola Davis as she trains the next generation of recruits and readies them for battle against an enemy determined to destroy their way of life.

One critic recently labelled the film as ‘one of the best war movies of the decade’ while another named it ‘one of the decade’s most underrated masterpieces.”

Fans are just as vocal and full or praise for the film. As one person shared their thoughts online posted: “What a remarkable epic, heroic, emotional and inspiring journey it was. The acting was superb!”

They continued: “This is so much more than a drama or an action movie – this is human spirit at its greatest and ugliest moments in a head to head clash. The story is deep and surprising and the fact it is based on true events only adds a unique spice to the whole creation. Not for the faint of hearts. Highly recommended!”

Another added: “Amazing story, action, and acting. Was a bit long, but worth the watch. Viola Davis is one of the best actresses I have ever seen.”

Someone else claimed: “The Woman King’ is an epic masterpiece, unlike any film you’ve seen before with its gorgeous visuals, action, honesty and representation. It will stir your soul, give you chills + make you cheer on every last one of these magnificent female characters.”

While one fan declared: “This movie is incredibly stunning, moving, and awe-inspiring. I cannot thoroughly put into words how much I love this movie. Absolutely phenomenal performances all around. Viola Davis is pure perfection. Every second of this movie, I was captivated. Our world needs more movies like this untold story.”

The Woman King is streaming on Channel 4.

For the latest showbiz, TV, movie and streaming news, go to the new **Everything Gossip** website

The Footlights has turned out star names including Stephen Fry, John Cleese, Douglas Adams, David Baddiel and many more

For more than 50 years the Cambridge Footlights has been a conveyor belt of comic genius. A student sketch comedy troupe at the University of Cambridge which dates back to 1883, its alumni reads like a who’s who of British comedy – John Cleese, Eric Idle, Steve Punt, Hugh Dennis, all of the Goodies, Richard Osman, Jan Ravens, Nick Mohammed, Alexander Armstrong, Ben Miller, Phil Wang, Mirian Margolyes, David Baddiel and Douglas Adams are just a few of the big-name former Footlighters who have kept us entertained.

Now a new book has offered a fascinating and entertaining deep dive into the Footlights, with more than 70 former Footlighters recalling their experiences and giving insights into why the troupe has been such a prolific comedy production line.

The Cambridge Footlights: A Very British Comedy Institution was written by Robert Sellers, the author of more than 25 books on subjects such as cinema, theatre, television, music and popular culture, and was released this month by Bloomsbury.

“You could call it a factory for churning out comedians since the 50s,” said Robert. “So I thought it was an interesting institution to examine. I’m a huge Monty Python fan so I knew that most of the Pythons went to Cambridge. I’m also a big Goodies fan and all of them went to Cambridge.

“I’ve been aware of it for a while but what interested me before I decided to pursue it properly…was it still churning out these people?

“The high point was the 60s, 70s and early 80s – but it’s still remarkably consistent. Just look at The Inbetweeners, Richard Ayoade, David Mitchell and people like that. It’s still part of television, theatre and comedy. It’s still relevant.”

As he researched the subject and spoke to former Footlighters, it became apparent to Robert that the secret to the success of the Footlights conveyor belt of talent was the experience it gave those involved.

The opportunity to write and perform, not only in Cambridge but in the West End, theatres around the country and at the Edinburgh Fringe Festival, was both unique and invaluable.

“I wanted the book to be as much as possible an oral history,” said Robert. “I didn’t want it to be a staid, academic-type book. I wanted it to follow people through the years, their personal experiences. So I’ve interviewed over 70 people who are ex-Footlighters. It’s very much a personal history of their time there.

“A lot of people said it’s the experience that it gives you. A lot of people said it’s better than a drama school. In a drama school you’re performing to your own classmates for most of the time. With the Footlights, because of the revue and the tour they go on, and when they go up to the Edinburgh Festival, they’re performing in front of the public from a very early age.

“There’s a thing called smokers which they put on every few weeks for the college. Anyone from the college and the university can come and watch, and you have to write your own material. Someone told me that when they arrived, they were quite surprised that they had to write their own material. They thought they were given material and they’d just have to go on stage and be funny. But no, you had to write it and perform it, and a lot of people found that a real challenge. That helps enormously, that you’re writing material every three weeks.

“Someone told me that when he left the Footlights and was performing stand-up on this quite big venue, a fellow comedian said to them, ‘This is your first time here – this must be a big moment for you, performing in front of an audience’. But he had spent three years going to the Edinburgh Fringe and performing in front of 1,000 people and going on tour to theatres around the country.

“It’s a real ladder of opportunity – also for producers and directors. Some people might not necessarily want to be a performer, but a writer or a producer or a director.

“So they’ve left university having directed a professional production. It’s a huge advantage over your contemporaries and your competitors.”

The Footlights is still a thriving institution – and still supplementary to whatever academic course its members have chosen for their studies. “It was almost a release valve for their studies,” said Robert of the former Footlighters he interviewed.

“Once a week they could just be silly and do silly jokes. It was a wonderful release from the pressures of academia. It started as a hobby because people enjoyed doing drama and theatre but they had no ambition to be a professional performer.

“John Cleese had no ambition to be a comedian even though he was in the Footlights. He wanted to be a lawyer or a barrister. Graham Chapman wanted to be a doctor.

“It started to change in the 70s when people went to Cambridge purely to be a comedian and join the Footlights after seeing so many people come through in the 50s and 60s – Peter Cook, and people like that. So in the 80s sometimes people were taking the Footlights more seriously than their academic work.”

But while students from colleges throughout the university took advantage of the opportunity to indulge themselves in drama, women were excluded from being full members of The Footlights until 1964. “An interesting element of the book is the role of women in the Footlights,” explained Robert.

“I interviewed Graeme Garden and he wanted to introduce women during the year he was president. But one of the high principals who was on the board and had quite a lot of significance, said he would resign if women were made members.

“So the following year when Tim Brooke-Taylor was vice-president and Eric Idle was president, they said ‘this time we’re doing it – if the guy wants to resign we’ll call his bluff – but women have to be members this time’.

“Women could perform in the Footlights but couldn’t be members. They could do smokers and occasionally, like Miriam Margolyes, be in the revue show – but were treated abominably. Someone told me she (Margolyes) wasn’t even allowed to go to the after-show party, even though she’d been in the show. She went back home and cried all night.

“When Germaine Greer did a smoker, they just thought there was no way they could say ‘no’ to her. She was very powerful and that changed everything. She was the first female member.”

Not everyone who joined the Footlights went on to pursue a career in the entertainment industry, of course. One of the alumni Robert interviewed for his book was Peter Firth, who was 97 at the time, and was president of the Footlights in 1953. He went on to become a priest.

“He was a lovely guy and his memory was crystal clear,” said Robert. “He was president of his year and he put the revue on. It was such a success that a West End producer said, ‘Can you put it on in the West End please?’ But he knew he wanted to be a priest so he didn’t do it.

“But the following year the revue was again a success and the same producer came back and this time they said yes, and that became the first Footlights revue in the West End.

“It became a bit of an institution in the 60s and 70s that the Cambridge revue would not only do a tour round the UK and Edinburgh, but also go into the West End. It became a big deal although it doesn’t happen any more. One revue even went to Broadway.”

What became clear to Robert is that members of the Footlights fully acknowledged the privileged position that attending the University of Cambridge put them in.

“There were lots and lots of societies – each house had its own little comedy group,” he said. “I don’t think there’s any other institution in the country where you get that much practice. These guys left Cambridge pretty much a honed comedian.”

And for a time coming from The Footlights actually worked against any would-be comic looking to make their mark. The rise of alternative comedy in the 1980s meant that talent emerging from the Footlights was viewed as ‘the Establishment’ and therefore actively sneered at.

“For quite a long period of time, coming from The Footlights was actually a negative,” said Robert. “In the 1980s because of the rise of alternative comedy, if you came from The Footlights, you were almost cancelled – certainly looked down on. If you were Cambridge you were seen as rich and coming from a well-off family – you were dismissed as a rich tw*ts.

“Matthew Holness talks about it a lot – how hostile the environment was when he went to Edinburgh. David Baddiel told me that when he left the Footlights in the mid-80s he phoned up the Comedy Store in London to ask if he could do a gig or perform in some way.

“They said, ‘That’s fine, interesting’ and asked if he had any experience. David said he was vice-president of the Footlights and they hung up on him! For many years he never mentioned he was a Footlighter.

“Nick Hancock is from the Midlands and people assumed he was never anywhere near the Cambridge Footlights – and he never revealed he was a Footlighter.

“There was a lot of hostility, I think because of the revue called The Cellar Tapes. It was Emma Thompson, Hugh Laurie and Stephen Fry. They won the first ever Perrier Award and I think there was a lot of resentment.

“Stephen, Hugh and Emma were all from very privileged backgrounds. You’ve got the Young Ones sketch where they’re on University Challenge (Fry, Laurie and Thompson all appear as obnoxious toffs in the opposing Footlights College team). That sums up how the Footlights was seen at that time. They were ‘posh tw*ts’.

“But I spoke to a lot of people who were in it over the last few years and it’s different now. It’s very diverse. A lot of effort has gone into making it so, which is covered in the book as well.”

National Rail said Network Rail engineers are expected on the line and urgent repairs are underway.

Trains running between the sites will be cancelled, delayed or revised, the agency said.

⚠️Due to urgent repairs to the railway between York and Harrogate all the line is blocked until later tonight. This means trains will be short notice delayed or cancelled.
Instead you will be able to make this journey via Micklefield. Network Rail engineers are expected on site…

— NORTHERN 🚆 (@northernassist) February 8, 2026

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York-based train operator Northern has provided rail replacement transport for some services and said some of its affected journeys could be made via Micklefield.

Passengers are advised to check the National Rail website for journey planning and service updates.

National Rail said disruption is expected until 10pm this evening.

The Press has contacted Network Rail and will add any more information here when we receive it.

The BBC judge opened up about a moment that happened while the cast tour across the UK

Strictly Come Dancing star Shirley Ballas praised Vito Coppola as she shared an on-stage moment during the live tour.

Former professional dancer Shirley Ballas joined Strictly Come Dancing as the new Head Judge in 2017, making her debut in Series 15, replacing Len Goodman and judging alongside the established panel.

With Tess Daly and Claudia Winkleman having stepped down from their hosting duties after the latest series, Shirley recently shared: “Everyone was surprised. I share the changing room next to them, and they are full of giggles and laughter.”

With Tess and Claudia being a major part of the BBC dance show for many years, Shirley admitted: “They also showed me the way from when I joined until now, so it will be a sad day when they go.”

At the moment, Shirley has joined some of the Strictly cast as they head out on another live tour for the BBC show. With their opening night in Birmingham, the tour will then conclude on February 15 at The O2 Arena in London.

After the opening show, Shirley had shared: “I’m still on a high from last night’s opening @strictlycomedancinglive … Birmingham, you were beautiful. Thank you for coming out to see us. We are ready for the road. It’s going to be a blast. Hugs. X”.

Stars from the latest series who fans will be able to watch on tour are Ellie Goldstein and Vito Coppola, George Clarke and Alexis Warr, Harry Aikines-Aryeetey and Karen Hauer, Jimmy Floyd Hasselbaink and Lauren Oakley, La Voix and Aljaž Škorjanec, Lewis Cope and Katya Jones, and Vicky Pattison with Kai Widdrington.

Taking to her Instagram, Shirley posted a picture of her and professional dancer Vito Coppola on the stage where she praised her co-star for supporting her after a “slip” on the stage.

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She penned: “When you slip and your partner has you safe in his arms. @vitocoppola simply the best xxx” to which Vito reposted the snap to his own Instagram story.

This comes just weeks after Shirley was rushed to hospital after falling backwards off a stool and hitting her head on a glass table. Following the incident, Shirley was given a brain scan and has since shared an update with her followers on social media.

In an Instagram story post, she wrote: “Thank you to all who reached out to see how I’m doing. Scary fall backwards hitting my head on the glass dressing table :(. Trip to hospital to get a brain scan.

“Fortunately for me no cracked skull,” she told fans. “I’ll rest a few days to heel my neck and back. [sic] Hugs thank you to @barbara_mccoll for getting my emergency appointment to Sammy Stopford for taking me, and sitting with me all day. [sic]”

After explaining the incident, she then ended the message with: “Gratitude as the Dr said I was very lucky,” before ending the message with a heart emoji.

If you are struggling to choose where to eat in Cambridgeshire, you might want to take these recommendations into consideration

If you are only visiting Cambridgeshire for a short period of time or do not want to spend money on a meal you are not sure you are going to enjoy, you might be on the lookout for some recommendations. There is no one better to get a restaurant recommendation from than a top chef.

Adebola Adeshina is the chef patron at the Chubby Castor, which can be found just outside of Peterborough. Mr Adeshina recently shared three of his favourite places to enjoy a meal in the county.

Whether you want a sit down meal or a quick coffee on the go, you might want to add these places to your must-visit list. You can find out which food spots he would recommend visiting when you are in the area below.

1. The Yard Castor

Location: 34A Peterborough Rd, Peterborough PE5 7AX

Found at the back of the Chubby Castor, the Yard Castor offers guests a place to enjoy a meal either outdoors or looking over the garden in the conservatory. The restaurant is known for its “posh pizzas” that are made in a wood fired oven that can be eaten at the Yard Castor or as a takeaway.

Mr Adesina said: “I think the number one obviously has to be the Yard for me simply because in the summer, I get to stay away in a corner somewhere where there is all this greenery. I can go under the trees and hide away from everybody else and enjoy that peace. I think that’s one of my favourite places to be when the weather is nice.”

2. Browns

Location: 23 Trumpington St, Cambridge CB2 1QA

Found in the old site of Addenbrooke’s Hospital, Browns offers guests the best of British cuisine on its a la carte menu as well as Sunday roasts and afternoon teas. The restaurant often has a lot of special deals and set menus so you can enjoy your meal out for less money.

On the restaurant, Mr Adesina added: “When I’m in the city of Cambridge itself, I like Browns. I think what they do as a business owner and as a chef, it’s great. I love what they do, the ambience and the service, it’s just relaxing. It’s nothing over the top. You get what you pay for and it’s just a nice vibe to be around.”

3. The Cambridge Oven

Location: 44 Hills Rd, Cambridge CB2 1LA

If you want somewhere to pop in for a quick coffee, you might want to try the Cambridge Oven. This tiny bakery makes it artisan breads and pastries from scratch everyday and also offers filled sandwiches you can takeaway and its popular cruffins, which is a mix between a croissant and a muffin.

Mr Adesina said: “I went to this café I think about a year ago. I remember I went to have a tour of Cambridge University with my children and that was one of the places we stopped off to have a coffee. So if you are in the area, that’s one of the places I recommend.”

Durham Stick Makers, based in Fence Houses, has been awarded £1,836 from the Banks Community Fund to purchase specialist equipment that will help grow its membership and continue teaching the traditional craft of stick making.

The group meets twice weekly at the Fence Houses Community Centre and is the only club of its kind in the North East.

Members range in age from their 20s to their 90s and come from across County Durham and the wider region.

Michael Timmins, secretary of Durham Stick Makers, said: “Our group was born out of a desire to keep this endangered heritage craft alive, and our aim is to preserve it, educate future generations about it and engage with the local community.

“The social side of what we do is also really valuable, with the chance to spend time in a welcoming environment a couple of times a week being especially important for the well-being of many of our older members.

“As a small community group, we don’t really have the cash available to make a capital purchase like this in one go.

“Having the Banks Group’s support is going to make a real difference to our long-term future, and we’d love to see more people coming along to our classes and workshops in the coming months.”

The club is working to raise membership to at least 50 by next year, through evolving links with a number of Durham University colleges.

The grant has funded three new sets of frames, which are used to prepare the materials before work on carving them begins and will give them more capacity to accommodate the new members they are looking to attract.

The club teaches and promotes the heritage craft of constructing traditional walking sticks, canes and shepherds’ crooks from timber, animal horn and antlers—a skill which dates back more than 2,000 years.

Members have made a number of items for King Charles, Queen Camilla and the Duke of Northumberland.

They also carry out stick repairs for a nominal fee and offer charitable help to people who require a walking stick due to injury, age-related disabilities and financial difficulties.

Beyond its craft work, the group provides a valuable source of companionship and social interaction for members, especially those who may otherwise feel isolated.

Mr Timmins said attracting younger members is key to ensuring the tradition continues.

He said: “Giving a craft like stick making a sustainable future means gaining younger people’s interest in it, giving them the chance to learn all about it from those who have the knowledge they need and providing the equipment they need to put their learning into action.”

Kate Culverhouse, community relations manager at the Banks Group, said: “Incredible levels of skill and craftsmanship go into making these wonderful creations and it’s a pleasure to see these local experts at work.

“The Durham Stick Makers have a real commitment to pass their knowledge on to future generations and we’re very pleased to be supporting their drive towards doing so.”

The Banks Group’s community funds are independently managed by Point North, formerly known as the County Durham Community Foundation.

Anyone from a community close to a Banks Group project who is interested in applying for funding from the Banks Community Fund should contact the company via its website enquiry form to find out if their group or project is eligible.

Known for her roles in Coronation Street, Waterloo Road and Casualty, Angela Griffin is directing Blue Lights series four as filming gets underway in Belfast

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Filming for the fourth series of Blue Lights is now in full swing, as confirmed by director Angela Griffin.

The accomplished actress, recognised for her work in Coronation Street, Waterloo Road, Casualty, and Lewis, is well-versed in front of the camera.

Now, she’s stepping back behind it to direct the fourth instalment of the acclaimed BBC One drama, having thoroughly enjoyed her involvement in series three.

Since its debut in 2023, the BAFTA award-winning series has proven to be a massive success for the broadcaster, with a fourth series already commissioned.

The show’s gritty storylines, unexpected twists, portrayal of post-conflict Northern Ireland, and endearing ensemble of main characters have captivated audiences nationwide. Griffin herself was a devoted fan long before joining the production, reports the Mirror.

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READ MORE: Blue Lights character set to return from the dead in series fourREAD MORE: Blue Lights series four plot revealed as filming begins in Belfast

Taking to Instagram at the weekend, Angela shared a photograph of herself proudly clutching her director’s clapperboard, writing: “Week one done.#BlueLights4 It’s cold, it’s windy, it’s cold, it’s rainy and it’s cold. But it’s brilliant. Firmly back in the saddle and loving it.

“Directing has three parts, the prep, the shoot and the edit… each one allows you to craft the story… but my favourite will always be the shoot, regardless of the weather.

“Being part of the crew, collaborating with cast and realising all the visuals we’ve discussed and planned for weeks is magical. It’s always better than I’ve imagined. Roll on week 2. #directorslife.”

**For the latest showbiz, TV, movie and streaming news, go to the new **Everything Gossip** website**

Angela’s announcement generated enthusiastic responses from her followers, with one fan commenting: “Love it! ! It’s going to be another unbelievable series xx.”

Another chimed in: “We can’t wait for the next series of Blue Lights.”

A third person remarked: “Just finished the last series, very late to the party. It was BRILLIANT. Delighted you’re working on the next.”

Someone else expressed: “Can’t wait to see the next series.”

Despite having previously helmed episodes of Waterloo Road, a programme where she also featured prominently on-screen, Angela still considers herself a “proper baby” in the directing sphere.

Speaking to Radio Times recently, she explained: “I’ve acted for over 30 years but I am so new to the [directing] industry. So there’s nobody anywhere offering me anything. I’ve got to go through the process. I suppose there’s a slight thing of, ‘Does she know what she’s doing?’.

“I was really, really worried about what I had taken on and if I’d bitten off more than I could chew. But then, when the process started, it felt like the most natural thing I’ve ever done.

“Regarding her Blue Lights directing role, the opportunity followed a standard recruitment procedure, regardless of her established reputation in British television.”

There were no favours. There was no getting in round the back route of ‘Oh, I know this person, or I know this person’ – I didn’t know anybody at all and I’d never worked in Belfast,” Angela revealed.

Blue Lights is available to watch on BBC iPlayer

The family that saved the pub from demolition still run it today

After a long walk through the Cambridgeshire countryside, there is nothing better than visiting a cosy pub and enjoying a pint with family and friends. The county is lucky to have so many wonderful pubs to try out but for you next trip, you might want to visit this particular pub found in the tiny village of Newton.

The Financial Times recently released a list of the cosiest pubs in Britain including the Queen’s Head in Newton. The pub dates back to the 1700s and was saved in 1962 from demolition by the Short family, who still run it to this day.

The Queen’s Head features a games room with a darts board and bar billiards and a pub bar with the original settle and a wood burner. The pub also has a cosy Saloon Bar that has a large open fire and the Old Bar, which was the pub’s bar back in the 1700s.

The pub has been decorated with “a quirky collection of paintings and taxidermy” that only add to its charm. As well as being a good option for the wintertime, the pub also has a terrace at the front and a beer garden for the summer.

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The Queen’s Head is most well known for being the “brown soup pub”. The pub sells a different soup each day that can be identified using various shades of brown and are said to be “crammed full of fresh veggies and is homemade every day”.

As well as soup, the pub also serves sandwiches and its own ploughman’s on certain days of the week. You can also find a range of different food vans just outside the pub on Wednesday nights such as Steak & Honour and Pizza Mondo.

In terms of drinks, the Queen’s Head is known for its real ale that is served “straight from the barrel on our own custom-made stillage”. The pub also has a range of wines from Noel Young Wines and gins from Jakes Gin, which is distilled in Chrishall.

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On the pub, the Financial Times said: “When you pay a visit to this time capsule of a freehouse 20 minutes’ drive south of Cambridge – preferably on a brisk winter afternoon after a good dog walk – turn left into the coddling warmth of the saloon.

“There you’ll find tables just a smidgen too small and real ale from Adnams in Suffolk poured straight from the cask. Ask the third-generation landlord Rob Short what colour the soup is today, and bathe in the glow as you dip your beef and horseradish sandwich in it.”

The Queen’s Head can be found on Fowlmere Road. The pub is open from 12pm to 2.30pm and 6pm to 10pm on Tuesdays, from 12pm to 2.30pm and 5pm to 10pm on Wednesdays to Thursdays, from 12pm to 2.30pm and 5pm to 10.30pm on Fridays, from 12pm to 3pm and 5pm to 10.30pm on Saturdays, and from 12pm to 4pm on Sundays.