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Museum removes Egyptian mummy from display after 200 years ‘to respect her wishes’

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Dr Rosalie David, keeper of etymology at Manchester Museum, pictured with the mummified remains of Asru

Manchester Museum has removed an Egyptian mummy on display for over 200 years to ‘respect her wishes’. 

Curators said they decided to stop showing the 2,700-year-old remains of a woman named Asru in a decision they said ‘aligns most closely with what we understand about her own wishes’. 

Asru’s mummified body was donated to the Manchester Natural History Society in 1825, then carefully unwrapped and displayed in the Oxford Road museum’s Egypt and Sudan gallery.  

‘Before making this change, we consulted with Egyptian colleagues, members of the Egyptian diaspora and visitors to the museum, helping us to understand people’s feelings about care for mummified people,’ a spokesperson for the museum told the BBC

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Ultimately, however, the decision to ‘remove Asru from display aligns most closely with what we understand about her own wishes,’ they added as ‘elite Egyptians of [Asru’s] time expected their mummified bodies would remain…invisible to the living’.

The daughter of ‘Pa-Kush’, meaning a black Sudanese man, Asru is believed to have been 60 when she died in 650 BC.  Inscriptions on her coffin suggest she was a temple musician. 

Dr Rosalie David, keeper of etymology at Manchester Museum, pictured with the mummified remains of Asru 

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Asru’s remains were dug up in Luxor, the site of the ancient city of Thebes, before they ended up in the possession of Manchester traders, William and Robert Garnett, sometime in the early 1800s.

Last year, the museum asked visitors whether they ‘should continue to display the body of Asru’ when they added a plaque that revealed her body was ‘unwrapped’ at the Manchester Natural History Society in April 1825. 

‘She has regularly been on display for the two centuries since. In that time, we have also changed as a museum and are thinking more about how we care for people,’ the plaque read. 

For now, Asru’s coffin and body have been kept in storage at Manchester Museum before officials decide whether they will be returned to Egypt. 

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It comes amid a debate on whether the display of mummified bodies is ethical as the Manchester Museum spokesperson said ‘elite Egyptians of [Asru’s] time expected that their mummified bodies would remain wrapped in their coffins, invisible to the living’. 

Mummification was an ancient Egyptian practice of preserving a dead body before wrapping it in hundreds of strips of linen. 

Asru, believed to have been a chantress at the ancient Temple of Amun in Karnak, was the last mummy on display at Manchester Museum. 

A spokesperson said the decision ‘reflects changes in how we think about our responsibility towards ancestors, museum collections and the communities they represent’. 

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The daughter of 'Pa-Kush', meaning a black Sudanese man, Asru is believed to have been 60 when she died in 650 BC. Inscriptions on her coffin suggest she was a temple musician

The daughter of ‘Pa-Kush’, meaning a black Sudanese man, Asru is believed to have been 60 when she died in 650 BC. Inscriptions on her coffin suggest she was a temple musician

In 2020, the famed Pitt Rivers Museum removed mummies as well as shrunken heads made by an Amazon headhunting tribe after bosses said exhibiting human remains ‘reinforces racist and stereotypical thinking’.

The removal was part of a three-year internal review at the Oxford museum to ‘deeply engage with its colonial legacy’ and ‘inform a plan for decolonisation’. 

Last year, the all-party Parliamentary Group for Afrikan Reparations branded the continued display of human remains ‘unethical’ and said mummies had been ‘looted’ from Egypt and subject to ‘racist pseudo-scientific research’.

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Led by Labour MP Bell Ribeiro-Addy, the group of 16 parliamentarians have called for the return of all human remains held by British institutions to their country of origin.

Returning human remains would assist the African diaspora in ‘healing from the traumas of enslavement and colonial violence’, a report titled Laying the Ancestors to Rest said.

The report stated mummified bodies and other remains were ‘looted’ before being brought to the UK, ‘often as trophies and as commodities to be traded and displayed as curiosities’.

It cites the British Museum, Natural History Museum and several universities among the offenders, and claims they represent ‘continuous acts of displacement and objectification of human beings.’

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‘In the UK, the mummified person has been excavated and brought back to the UK as an object of racist pseudoscientific research, including in efforts to evidence that Egyptians were white Europeans,’ they wrote.

It comes after the British Museum said it would stop using the word ‘mummy’ to describe the remains of ancient Egyptians out of ‘respect’. 

The institution, which is home to over 100 mummies, in 2023 said it would use the phrase ‘mummified remains’ to reiterate that visitors were looking at people who once lived. 

The Great North Museum: Hancock in Newcastle said that it has also adopted new terms including ‘mummified person’ to acknowledge the history of colonial exploitation and to give her the respect she deserves.

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National Museums Scotland in Edinburgh has also removed the word ‘mummy’ from labels on its human remains.

A spokeswoman said: ‘Where we know the name of an individual, we use that, otherwise, we use “mummified man, woman, boy, girl or person” because we are referring to people, not objects.

‘The word “mummy” is not incorrect, but it is dehumanising, whereas using the term “mummified person” encourages our visitors to think of the individual.’

Museums are also concerned that the word has become linked to terrifying monsters, thanks to countless horror B-movies such as 1932’s The Mummy.

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how measuring snow in the Himalayas could help avoid future disasters

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how measuring snow in the Himalayas could help avoid future disasters

The massive and deadly floods on the Nepal-Tibet border are a stark reminder of why the world needs to constantly update its understanding of the fragile ecosystem in the Himalayas.

These towering mountains contain nearly 90,000 glaciers, which sustain ten major river systems. Countries nearby, including India, Pakistan, China, Afghanistan, Nepal and Bhutan, are reliant on water resources that cross borders here. As major river-based hydro economies, their agricultural production, energy security and wider economic stability depend on the availability and the timing of river flows.

Changes in snowmelt, glacier retreat and water availability can cause untold hardship for millions of people relying on it. It can also create incredible danger as seen in August 2026, when a flash flood caused by a collapsed glacier washed away villages, bridges and roads on both sides of the Tibet-Nepal border, killing more than 1,000 people.

Understanding and measuring winter snowfall in these regions is exceptionally important. It is the main source of freshwater when it is released by snow melting during the region’s warm and early-summer crop growing seasons, when local communities need it most.

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À lire aussi :
Nepal-Tibet disaster linked to climate change – a glaciologist explains


Understanding future Himalayan hazards

No one knows precisely how much water the mountains currently
provide, and how this will change. This knowledge gap also hinders our understanding of the occurrence of geo-hazards including avalanches triggered by extreme snowfall events and flooding caused by the rapid melting of snow.

The recent Nepal disaster could be related to a spell of unusually warm weather. This may have weakened the snowpack creating a rapid melt. I work with a team of glaciologists at the British Antarctic Survey, whose team had sensors six miles (10km) away from the site. Results suggest that enhanced melting could have introduced water into the crevasses weakening the ice-rock connections.

Studies project that roughly half of the glacier ice in the Himalayas (equivalent to about two billion Olympic swimming pools) could melt by the end of this century – enough to raise sea levels by over a centimetre but there is still considerable uncertainty in these projections.

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This is because we do not have enough measurements of snowfall and ice across large areas in this challenging terrain. As a result, scientists often have to extrapolate from relatively small numbers of observations to enormous and highly varied terrain.

Computer-based tools (known as models) that combine available observations with information about land and the atmosphere have proved to be indispensable and often come to rescue when gap-filling is necessary. But models are only as good as the observations used to constrain them.

New scientific approaches are beginning to offer solutions, but they are rather sparse and insufficient on their own beyond the region where they have been tested.

For example, my recent study with colleagues found a new way to accurately measure mountain snowfall reducing measurement errors dramatically – measuring snow has been a long-standing problem because of which mountain water resources have been hugely underestimated over the years.

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Measuring Himalayan glaciers.

Another regional study recently reported a measure of the water stored in some of the key Nepalese glaciers using an airborne method that involves taking an aerial survey of the region using instruments mounted on a helicopter. Scientists are also using a technique known as radar interferometry, which uses a combination of radio waves to detect very fast-moving mountain slopes that risk collapsing.

A combination of one or more such techniques could be used to predict where snowfall is concentrated, how much water it is likely to contribute to the region and also identify areas at risk. New information could be used to cast early warning preparedness strategies feeding into a forewarning system for timely evacuation of the region’s most vulnerable.

What happens next?

Scientific innovation alone will not be enough. There is an urgent need for proven ideas to be commercially adapted and systematically deployed across critical zones. The numbers and the imminent dangers involved can now no longer be left to discussions in research papers and conferences, they must be made public on the equivalent of a war footing.

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An evacuation success story from the Swiss village of Blatten in 2025 shows what this can achieve. Hundreds of people were moved out before a huge section of the glacier broke off. The authorities had already identified areas at risk and publicly shared hazard maps. Continuous monitoring of the landscape, precipitation and ground movement fed into an early warning system.

But success stories from the west cannot simply be transplanted wholesale into the Himalayan context because of the region’s inhospitable elevation, harsh weather and limited infrastructure. An approach that factors in indigenous and traditional knowledge should be part of plans and policies.

What is also needed in the Himalayas is a far more highly coordinated monitoring network that brings together everyone who depends on and manages mountain water. This would include potential state and non-state organisations, researchers, local authorities and mountain communities. Communities should be central to this effort. Local people can help install and maintain monitoring equipment, collect observations and contribute knowledge of their own environment.

Examples of existing successes from the region include the use of community-managed reservoirs to artificially store meltwater, the construction of ice stupas (an artificial glacier) and glacier grafting techniques to grow new, water-producing glaciers designed to gradually release water during the growing season. The community-based flood warning system in parts of Nepal’s Koshi basin is a success story but is limited in its approach to provide alerts during a cascading disaster, such as the one we witnessed recently.

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These results should help policymakers and scientists understand how communities dependent on mountain ecosystems are responding to change – and what support they need to adapt to reduce their vulnerability to future hydro-climatic shocks, such as droughts and floods.

Regardless of the current changes in Himalayan snowfall and glacier melt, local people need to play a vital role in helping measure what is happening in the climate system. And that, as well as countries working more closely together, should help with the future planning that is desperately needed.

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Emotions run high and Sabalenka smashes racket after Rybakina clinches US Open

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Emotions run high and Sabalenka smashes racket after Rybakina clinches US Open

The polarities reversed in set two, as Sabalenka began to get her flamethrower of a forehand working. After almost 90 minutes of play, she finally chiselled out some break points – two in game 10, which she couldn’t convert, but then another in game 12 which set up the decider.

The huge contrast in personalities became all too evident in set three. Sabalenka appeared to be at war with herself, emoting and venting almost as if she were an actress projecting her feelings to the whole of this 24,000-seater stadium. As she faced the prospect of slipping a double-break down, she hunkered down on her haunches in despair.

Meanwhile, Rybakina could have been relaxing in a flotation tank for all the stress she showed. Admittedly, she did hit a couple of double-faults as she served out for victory, but she also came up with two aces and two forehand winners in the same game.

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Sabalenka, meanwhile, allowed her racket to slip to the ground in frustration and barely managed a brief embrace at the net. She had earned a code violation in the first set for slamming a ball out of the stadium, and could easily have picked up a second – and thus a point penalty – after another ball that she batted away struck a cameraman, but chair umpire Greg Allensworth showed leniency.

Asked about tossing her racket, Sabalenka said: “It’s really tough to control your emotions when you lose in the final of the Grand Slam and when you were trying to go for three-peat. So I just wanted to let it go, because if I would hold it inside, right now or here or there on the court, I wouldn’t be able to say a word or I would just go not really nice over there.

“So I just wanted to let all of that aggression and disappointment go outside.”

The trophy was presented by 2006 champion Maria Sharapova – one of the few women who can look down on 6ft Rybakina, especially when wearing heels. The fans in Arthur Ashe Stadium had given at least 80 per cent of their support to Sabalenka, who won the previous two US Opens on this court, but they applauded warmly, knowing when they had seen a performance for the ages.

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Palestinian flag-waving fan who stormed Yankee Stadium field during 9/11 anniversary game identified

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The 38-year-old Marcucci has been booked for interference with a professional sporting event and trespassing following his arrest during the Yankees' 6-4 win over the crosstown Mets

The Palestinian flag-waving man who stormed the field at Yankee Stadium during Friday’s Subway Series matchup has been identified as Kelly Marcucci, a Long Island man who is now facing several misdemeanor charges.

Wearing a baseball jersey with ‘No Kings’ emblazoned across the front, Marcucci was seen sprinting onto the field with the flag in the seventh inning only to be tackled by security amid stadium-wide chants of ‘USA! USA!’ 

‘No Kings’ is a maxim adopted by many of President Donald Trump‘s critics.  

As revealed by the NYPD on Saturday, the 38-year-old Marcucci has been booked for interference with a professional sporting event and trespassing following his arrest during the Yankees’ 6-4 win over the crosstown Mets. The protest occurred during a game scheduled to commemorate the 25th anniversary of the World Trade Center terrorist attacks.

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Prior to the game, Marcucci posted a rant on his Facebook page blasting everyone from President Donald Trump to podcaster Joe Rogan. He went on to discuss the evils of capitalism and Saudi Arabia’s alleged role in the 9/11 terrorist attacks. 

The Daily Mail has verified a deactivated OnlyFans account belonging to Marcucci, who is seen shirtless with a noticeable bulge protruding from his shorts in a profile picture atop the page. Although that image appears to be mirrored, there is an identifiable tattoo on Marcucci’s biceps – the same design peeking out from his left sleeve on Friday night in the Bronx. 

The 38-year-old Marcucci has been booked for interference with a professional sporting event and trespassing following his arrest during the Yankees’ 6-4 win over the crosstown Mets 

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The shocking interruption came during the first game of the Subway Series on 9/11

The shocking interruption came during the first game of the Subway Series on 9/11

The Daily Mail has verified a deactivated OnlyFans account belonging to Marcucci, who is seen shirtless with a noticeable bulge protruding from his shorts in a profile picture atop the page

The Daily Mail has verified a deactivated OnlyFans account belonging to Marcucci, who is seen shirtless with a noticeable bulge protruding from his shorts in a profile picture atop the page 

‘Minding my own business is one of my favorite things to do,’ his OnlyFans bio began. ‘Im Passionate about social equality. Injustice anywhere is Injustice everywhere.

‘Politically, I identify as a revisionist-Marxist, and the core values of this expression are very important to me.

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‘I like to push myself mentally and physically, whether it be Skydiving, travelling through Europe alone, Yoga, Pilates, Spin classes, Education.’

He goes on to claim he has a communications degree and added that he was pursuing a journalism degree at Stony Brook.

Marcucci also claimed to have created the OnlyFans page ‘as a joke’ to see ‘how cultural normatives have passed judgement on those who have chose (sic) to make an “OnlyFans.” And that bothered me.’

Marcucci did not immediately respond to The Daily Mail’s request for comment.  

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Marcucci's chest tattoo also matched the design pictured in his OnlyFans profile photo

Marcucci’s chest tattoo also matched the design pictured in his OnlyFans profile photo  

The interruption came in the seventh inning on a deeply emotional night in the Bronx

The interruption came in the seventh inning on a deeply emotional night in the Bronx

Prior to the game, Marcucci posted a rant on his now-deactivated Facebook page blasting everyone from President Donald Trump to podcaster Joe Rogan

Prior to the game, Marcucci posted a rant on his now-deactivated Facebook page blasting everyone from President Donald Trump to podcaster Joe Rogan

Kelly Marcucci also took aim at Saudi Arabia for the 9/11 attacks on his Facebook page

Kelly Marcucci also took aim at Saudi Arabia for the 9/11 attacks on his Facebook page

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The interruption came in the seventh inning of the game, which marked a deeply emotional night for the city of New York.

The Mets and the Yankees faced each other on a night that commemorated a quarter-century since the terror attacks on the Twin Towers that took the lives of almost 3,000 people.

The Yankees hosted a touching pregame ceremony as the teams remembered the victims of the 9/11 attacks.

Before players took to the field, members of the Yankees’ 2001 team, including Derek Jeter, led the pregame tributes to the victims of the 9/11 attacks.

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Jorge Posada, Paul O’Neill, Tino Martinez, Scott Brosius, Mariano Rivera and Jeter along with manager Joe Torre walked onto the field in their former pinstripe jerseys.

The pennant-winning players joined the servicemen and women, including honor guards from the NYPD, FDNY, and PAPD, who carried out the presentation of colors as a giant American flag was unfurled in the outfield.

Earlier in the afternoon, Jeter was joined by current Yankees captain Aaron Judge and pitcher Gerrit Cole as the trio laid a commemorative wreath beside the 9/11 monument in Monument Park at the ballpark.

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what to watch and visit this week

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what to watch and visit this week

Practical Magic is still bewitching

Every generation of women has its witch. For my grandmother, it was the Wicked Witch of the West from The Wizard of Oz, with her striped stockings and flying monkeys. For my mother, a child of the sixties, it was the villainous Witchiepoo from H.R. Pufnstuf, who zoomed around on a rocket-powered broom.

My own witches were far less frightening. The Owens sisters of Practical Magic (played by Sandra Bullock and Nicole Kidman) weren’t green and warty, nor cackling and cruel. They were stylish and free-spirited. The film follows the sister witches as they navigate a deadly family curse that dooms any man they fall in love with. I must have rewatched it every year since it was released in 1998.

Practical Magic 2 picks up 25 years later. Sally Owens (Bullock) has attempted to hide her family’s witchcraft from her now-grown daughters, Kylie (Joey King) and Antonia (Maisie Williams). But when the ancestral love curse strikes again, she flees to England in search of a cure.

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The trailer for Practical Magic 2.

The sequel doubles down on the core appeal of the original film. As our reviewer puts it: “It is a story about witches, but really it’s about the power of the feminine: readdressing ancient wrongs, recognising the nurturers who came before, believing in ourselves. Men come and go, relationships die, but the women in your life are forever.”

Answer the poll below to let us know who your favourite film witch is, or reply to this email if we missed yours off the list. Last week we asked you whether you can finish a book featuring an infuriating or annoying character. Over half (51%) of you said yes, but for 10% of you it’ll land a book straight on the DNF (did not finish) pile.

Practical Magic 2 is in cinemas now

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À lire aussi :
Practical Magic 2 will bewitch fans despite its flimsy premise


Supernatural forces

If Practical Magic 2 has whetted your appetite for the occult, you might also enjoy Magick by Thomas Waters, a new book that decodes the visual culture of spells, illusions and psychic powers.

One of the book’s subjects is the spells people have used to protect their homes throughout history. From hag stones gathered on beaches to rowan trees planted in gardens to ward off the “evil eye”, these practices reflect an age-old desire to make our spaces feel safe, as Waters explains.

Magick by Thomas Waters is available now.

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À lire aussi :
Six ways people have used magic to protect their homes throughout history – from witch bottles to ‘hag stones’


Supernatural forces take on a more fearsome shape in new Australian horror flick, Leviticus. The film centres on the burgeoning romance between teens Naim and Ryan. The pair are forced to attend a fire-and-brimstone sexual conversion therapy session with a fundamentalist “healer” on a mission to convert the town’s gay and lesbian teens.

The trailer for Leviticus.

After sessions with this mysterious figure end in Exorcist-style convulsions, participants are pursued by an evil entity that looks identical to the person they desire most. Ryan and Naim are caught between their desire for one another and the fact that the person they become intimate with might kill them.

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Our reviewer, horror expert Matt Jacobsen, called it a “beautifully made, eerie and emotionally sophisticated horror film”.

Leviticus is in cinemas now




À lire aussi :
Leviticus: deadly desire stalks queer teens in this rural Australian horror


Artful casting

Electra/Persona, a new play at the National Theatre, is something of a chimera – a version of Sophocles’ ancient Greek tragedy Electra and a stage adaptation of the 1966 Ingmar Bergman film, Persona combined. The play stars Cate Blanchet and Nina Hoss, taking turns at the roles of either Electra/Elisabeth or Clytemnestra/Alma at the toss of a coin.

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Expert in Greek theatre Will Shüler described it as an “evocative and artful play, driven by two powerhouse performers” – a “surreal triumph”.

Electra/Persona is on at The National Theatre in London until October 10




À lire aussi :
Cate Blanchett’s Electra/Persona at the National Theatre is a surreal triumph


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The trailer for Call My Agent! The Movie.

Fans of the French comedy-drama series Call My Agent! will no doubt be thrilled by the release of a feature film this week.

The Netflix show observes the workings of a Parisian casting agency in which agents match “the talent” with film projects, while coping with actorly egos, affairs, meltdowns and tantrums. The series’ key concept was to mix the fictional agency staff with real-life celebrities making fun of themselves.

Though the film struggles to capture the same star-power that made the series such a success, the familiar banter among the team of reunited former agents means there’s still plenty to enjoy.

Call My Agent! is on Netflix now

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À lire aussi :
Call My Agent! The Movie: why this much-loved French TV series fails as a film


This article features references to books that have been included for editorial reasons, and may contain links to bookshop.org. If you click on one of the links and go on to buy something, The Conversation UK may earn a commission.

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Winter Fuel Payment warning as pensioners face September 18 deadline

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Winter Fuel Payment warning as pensioners face September 18 deadline

The move could be particularly important for people whose annual income exceeds £35,000, as they will still receive the payment unless they opt out – but HMRC will then reclaim it through the tax system.

Pensioners can call the Winter Fuel Payment helpline, but must do so before 6pm on September 18.

How to opt out of Winter Fuel Payment

There are other ways to opt out of receiving the Winter Fuel Payment for winter 2026 to 2027.

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If you receive a State Pension and can login online, you can use the Manage your State Pension service before 11.59pm on September 20, 2026.

Alternatively, you can complete the Government’s online opt-out form by the same deadline.

You will need your National Insurance number when using the online form or calling the helpline.

Those using the Manage your State Pension service will need to sign in. Anyone without existing sign-in details can create them.

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Importantly, opting out will not affect your State Pension.

You also do not need to opt out every year.

Once you have opted out, you will not receive the Winter Fuel Payment in future years unless you choose to opt back in.

What if you change your mind?

Pensioners who later decide they want to receive the payment can opt back in by contacting the Winter Fuel Payment Centre.

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To receive the Winter Fuel Payment for winter 2026 to 2027, you must contact the centre before March 31, 2027.

The Winter Fuel Payment Centre can be contacted by phone or post, while an online email enquiry form is also available.


Recommended reading:


The telephone number is 0800 731 0160, with lines open Monday to Friday from 8am to 6pm.

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You will need to provide personal details including your name, address, date of birth and National Insurance number.

Pensioners who are considering opting out should therefore check the deadlines carefully – particularly those who could face the payment being reclaimed through HMRC because their total income is above £35,000.

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LIBBY PURVES: I warned Emma that Today might not be fun. That car-crash interview with Kemi proved my point

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Emma Barnett on The Today Programme

The car-crash aggression of Thursday morning’s Today interview between Emma Barnett and Kemi Badenoch bothered me, stirring up both personal memories and misgivings about current media.

If it had gone well – by which I mean the interview was civil, forensically critical and produced actual information – I would have been pleased to have her do it.

Though still a bit surprised, because this was the prestige 8.10am interview with the Leader of the Opposition. It promised to be hot stuff following the new Prime Minister’s remarks about defence versus social welfare.

I would have expected it to go to 62-year-old Nick Robinson, a political editor through three premierships, and 11 years as a Today presenter.

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You may find him annoying – I sometimes do – but he has depth of experience and tactical understanding of political interviews. Instead, he talked with Julia Donaldson and Axel Scheffler, respectively the author and illustrator of The Gruffalo, while 41-year-old Barnett was entrusted to interrogate the tough, articulate Badenoch.

It didn’t go well. You can taste the dismay online, even from the Left, at a chance wasted.

And the question hovered: Why was the least experienced presenter given it? Did she ask for it? If so, who listened? Perhaps someone in editorial authority reckoned that setting up one strong-minded forty-something woman against another, sidelining the old white bloke, would be a grand flourish of female power. Who knows?

What I do know is how it feels to be in that studio. Forty-seven years ago, I was the youngest and first female regular Today presenter, for three years doing four early mornings a week – more than any presenters since.

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Emma Barnett on The Today Programme

Alongside me was either Brian Redhead or John Timpson: They only worked together on Wednesdays, a real odd-couple.

I had risen through the ranks, first as a Today producer, directing through the glass, and then for years a reporter. I had done recorded interviews (can’t tell you how frightening Denis Healey could be) and written cues and briefings on the night shift for bleary presenters as they arrived.

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So I knew the mechanism of this grand machine, and by the time it was my turn to get up at 4.30am and present, understood it.

And one thing I grasped – being not quite 30 – was the hierarchy. Redhead had served 25 years in newspapers and TV current affairs. Timpson, even older, came via the BBC newsroom.

For the heavier political stories they had not only briefings but long memories, and had survived years of obfuscation and hostility.

So while I sometimes got the star interview (once presenting live from Beijing) and fought my corner when the item was on something I knew a lot about – such as shipping, or women, or the Pope – I knew when it made sense to step aside for senior colleagues, especially Brian.

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When everyone knows their role, the atmosphere sings. We all joked about each other, as did the producers. It was a good gang. I met my husband there.

I have watched it change: more live interviews, more bantering and an undue reverence of personality, but the same live news tension, the same punishing early mornings.

I met Emma Barnett when she was weighing up the Today offer, and I warned her it mightn’t be fun.

Not with a young child and health problems, and particularly not if she were to lose the degree of editorial control she was then using to change and energise Woman’s Hour.

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I admired her vigour, ambition and basic decency, and still do, but I didn’t think that, unlike the calmly thoughtful Mishal Husain, she would easily find a happy track through the dawn, and its difficult encounters both on-air and off.

I hope her next stage is happier.

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Cyber criminals ‘will hit banks in THREE MONTHS’, security experts warn

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(Stock image) Cyber criminals are just three months away from being able to use AI to steal at will from bank accounts, Government security experts fear

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Cyber criminals are just three months away from being able to use AI to steal at will from bank accounts, Government security experts fear.

The warning comes from Cabinet Office officials who work closely with Britain’s AI Security Institute (AISI), which tests the kit before it is unleashed on the public.

Insiders at the world-renowned institute have early sight of the most cutting-edge technology – and have warned the Mail on Sunday that Britain faces this ‘nightmare scenario’ in just three to five months.

One official told this newspaper that this ‘AI Armageddon’ may become reality sooner than previously thought because Chinese labs favour AI models that do not have strict safety guardrails.

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Unlike in the West, Chinese tech allows developers to easily strip away safety features which restrict what an AI model can do.

These may forbid some words and patterns or produce a standard refusal message – for example, if someone tried to use AI to build a bomb or commit a crime.

Now China is rolling out increasingly advanced models with easily disabled safety features, meaning small businesses and members of the public could be vulnerable to fraudsters much sooner than expected.

The official told the MoS: ‘Every Russian and Nigerian hacker will soon get their hands on technology which will be able to break even the most advanced passwords to steal personal financial information, remove company data and commit fraud.’

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(Stock image) Cyber criminals are just three months away from being able to use AI to steal at will from bank accounts, Government security experts fear

Banks are no longer able to respond adequately to sophisticated technology, the Financial Stability Institute warned this week.

They called on financial institutions to bolster their defences to prevent major hacks and protect customers’ cash.

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In a paper published last Wednesday, they say some technology is now so advanced they may only have hours to stop a hacker from breaking in.

Ministers are worried by the rate at which the technology is improving, and expect a deluge of sophisticated attacks.

The MoS understands Ministers are exploring whether more ‘targeted interventions’ will be needed to address national security risks. In a sign of their concern, they claim this would be ‘proportionate’ without hitting growth and innovation.

Tensions about AI soared this week after leading American AI firm, Anthropic, barred Britain’s safety institute from testing its latest model.

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One AI expert said this step shows America now treats AI as ‘state secrets and dangerous weapons’.

This weekend, Anthropic said it had thwarted five attempts this year by people using the model to try to make bioweapons.

In a report, the firm said its ‘Claude’ model can help make scientific breakthroughs. But it warned the same biological research capability could also be used to create dangerous superbugs capable of killing millions.

It comes as a global debate about AI was triggered by one of the company’s researchers quitting the firm over an ‘out of control’ AI arms race

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He issued a stark warning that the big companies are not acting responsibly, and said there is ‘more than a 10 per cent’ chance of the technology killing ‘all humans’ within the next decade.

It has intensified calls to take AI safety more seriously.

AI safety campaigner Connor Axiotes said: ‘America now doesn’t want us to gain any advantages from their tech – this is bonkers. They obviously don’t trust their closest ally.

‘AI risks have so far not been taken seriously by government. But we are at a turning point. The public want action.

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‘I call on any elected official or civil servant to express clearly and publicly their fears about imminent risks from AI. Do not be remembered as the person who failed to act.’

Tory MP Joe Robertson said: ‘AI provides incredible opportunities, but it also presents new threats to our national and economic security. But with Andy Burnham scrapping the AI department, you wouldn’t know it. The new PM should spend less time playing his guitar and more time taking AI seriously.’

A Government spokesperson said: ‘AI is making some cyber capabilities more accessible, but businesses are not defenceless. All firms should be acting urgently to improve their cyber defences, and we have set out the practical steps businesses should take, including adopting Cyber Essentials, following National Cyber Security Centre guidance and managing cyber security at board level.’

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Man dead after West Lothian ‘shooting’ as police probe nearby car fire

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Police have confirmed that a 35-year-old man has died following the incident on Harestanes Road in Armadale.

A man has died following a suspected shooting in West Lothian as dozens of police officers remain at the scene.

Police and emergency services descended on Armadale shortly before midday today following reports that a man was injured at an address on Harestanes Road.

It has now been confirmed that the 35-year-old man was pronounced dead at the scene. His next of kin is aware.

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Detectives have said a line of inquiry is that a firearm may have been involved in the incident.

Around 12pm, officers also received a report of a car on fire nearby in the Netherhouses area, near Armadale.

The fire was put out by Scottish Fire and Rescue Service and there were no reports of injuries.

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A police cordon has been put in place on the residential street, where officers remain guarding the scene.

Police said enquiries are ongoing to establish the full circumstances of both incidents. Officers are keeping an open mind but are investigating them as linked.

Forensic officers and detectives could be seen at one property, examining the area and taking photographs as part of their investigation this evening.

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Evidence also appears to have been bagged up by forensic officers, while a heavy emergency service presence remains in the area.

An air ambulance was deployed from Glasgow and was tracked travelling towards Armadale before returning to the city.

Detective Superintendent Michelle Findlay, of the Major Investigations Team, said: “Our thoughts are with the family of the man who has died in this incident.“Officers remain in the area and anyone with concerns or any information can approach them or call us on 101, quoting incident number 1361 of Saturday, September 12, 2026.”

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Major fire at historic mill used in Peaky Blinders and Downton Abbey filming

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A large fire has broken out at Dalton Mills, a historic textile mill that has been used as a film set

Emergency crews are tackling a huge fire at a historic Yorkshire textile mill this evening (Saturday). Flames engulfed Dalton Mills on Dalton Lane, Keighley, with the alarm raised at approximately 8pm.

West Yorkshire Police alongside multiple fire engines from West Yorkshire Fire and Rescue are working to control the inferno, YorkshireLive reports. Emergency cordons have been established, with Dalton Lane shut to all vehicles.

The 150-year-old mill structure has previously served as a filming location for Peaky Blinders and Downton Abbey.

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West Yorkshire Police shared on Facebook: “Please be aware that Dalton Mills are currently on fire. Dalton Lane in Keighley is currently closed to all traffic, as our colleagues from West Yorkshire Fire and Rescue Service are working to bring the situation under control.

“We advise people to stay away from the area, and residents in the vicinity to keep all doors and windows closed.”

Reports indicate the premises has been hit by multiple fires during the past four years. Over 100 firefighters tackled a major blaze in March 2022.

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A further significant fire erupted at the mill in July 2025, requiring 12 fire appliances to attend. The location was also ravaged by a devastating fire back in 2011.

West Yorkshire Fire and Rescue Service issued a statement confirming: “At approximately 8:00pm, we were called to a large fire involving Dalton Mills, Keighley. We currently have 12 fire engines at the incident as firefighters continue to tackle the large incident.

“Please avoid the area while emergency crews work at the scene. Residents nearby are advised to keep their windows and doors closed until further notice.

“Thank you for your cooperation. Further incident updates to follow.”

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TALK OF THE TOWN: Kate Moss’s girl Lila ruffles some Gen Z feathers with copycat pose

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Lila Moss pictured at the Vanity Fair Oscar Party hosted by Mark Guiducci at the Los Angeles County Museum of Art in March

A freckled, teenage Kate Moss was catapulted from obscurity into superstardom when she appeared on the cover of The Face magazine in 1990, posing on a beach in a feathered headdress.

Now, 36 years later, the model’s doppelganger daughter Lila has recreated the iconic shoot with the very same headdress.

But while most of the fashion world have applauded the nostalgic nod on the cover of Perfect magazine, some Gen Z protesters have claimed the use of a headdress is ‘cultural appropriation’.

‘What indigenous tribe is she part of?’ asked one twentysomething, while another said: ‘Didn’t we all learn about cultural appropriation?’

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A third said: ‘Please white people stop wearing sacred American headdresses! It is so disrespectful and gross. It’s 2026.’

It’s not the first time the 23-year-old has been at the centre of a woke controversy. Nine years ago, at just 14, she posed with her hair in cornrows, a look deemed ‘problematic’ because of the style’s significance to the black community.

Lila Moss pictured at the Vanity Fair Oscar Party hosted by Mark Guiducci at the Los Angeles County Museum of Art in March 

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Pictured: A freckled, teenage Kate Moss on the cover of The Face magazine, posing on a beach in a feathered headdress

Pictured: A freckled, teenage Kate Moss on the cover of The Face magazine, posing on a beach in a feathered headdress 

Copycat: Her daughter, Lila Moss, recreating the same iconic shoot 36 years later

Copycat: Her daughter, Lila Moss, recreating the same iconic shoot 36 years later

While Lila has recreated the famous Corinne Day photograph of her mum to mark ten years of the Kate Moss Agency, a source said that in many ways she ‘finally feels she is stepping out of her mother’s shadow…

‘She is raking it in these days with all her brand deals.’

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Her latest are for Versace’s new scent, Crystal Emerald, launched last week, and luxury French label Zadig & Voltaire.

The model – who has spent the summer with her girlfriends (and mum) in Ibiza – recently broke up with her glamorous boyfriend, the e-commerce coordinator Yoni Helbitz.

Perfect Magazine and Lila Moss were approached for comment. 

Is Rocco the new Rothko?

Rocco Ritchie, the son of Madonna and Guy Ritchie, could finally be stepping beyond nepo baby territory. 

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The 26-year-old is exhibiting his work at the British Art Fair at the Saatchi Gallery later this month alongside the likes of David Hockney, Tracey Emin and Lucian Freud. 

He once said of fellow nepos: ‘They are not the most interesting bunch, are they?’

Rocco Ritchie, the son of Madonna and Guy Ritchie, at work on his Instagram

Rocco Ritchie, the son of Madonna and Guy Ritchie, at work on his Instagram

Cora shows she’s true to Slew

Cora Corre, the 29-year-old model granddaughter of Vivienne Westwood and Sex Pistols manager Malcolm McLaren, has gone public with her relationship with rapper Slew, aka Louis Hartley, 30, by posting this photo of them at Notting Hill Carnival on social media.

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Cora Corre, 29, pictured with rapper Slew, aka Louis Hartley, 30, at Notting Hill carnival

Cora Corre, 29, pictured with rapper Slew, aka Louis Hartley, 30, at Notting Hill carnival 

The pen’s mightier than the scalpel 

Suki Waterhouse’s plastic surgeon father is making a bid for a creative career of his own. 

After more than three decades in medicine, Harley Street expert Norman Waterhouse, 71, is following the model and actress, 34, into the arts with the release of his debut novel, Mirror Games, early next year. 

The thriller is about a London plastic surgeon who bends ethics to perform Britain’s first full face transplant, only to become entangled with the criminal underworld. 

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‘For my writing I draw on my knowledge of people and of course faces,’ says Norman. 

The criminal underworld is purely fictional, needless to say…

Singer and model Suki Waterhouse pictured with her plastic surgeon father, Norman Waterhouse

Singer and model Suki Waterhouse pictured with her plastic surgeon father, Norman Waterhouse 

SPOTTED

  • My spies saw actress Zendaya enquiring about circular knitting needles in a shop in Richmond
  • Fleabag creator Phoebe Waller-Bridge tucking into rice pudding at Soho House Dean Street
  • Actress Rosamund Pike trying to hail a taxi near Waterloo
  • Rosie Huntington-Whiteley looking chic all in black in Dulwich Village 
  • The Gentlemen star Theo James pumping iron at Third Space in Islington
Actress Zendaya (pictured at the LA Premiere of The Drama earlier this year) was spotted enquiring about circular knitting needles in a shop in Richmond

Actress Zendaya (pictured at the LA Premiere of The Drama earlier this year) was spotted enquiring about circular knitting needles in a shop in Richmond 

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Did someone get a slapped wrist after a picture of Prince Harry at Tower Bridge Studios was posted on the company’s Instagram account last week?

I only ask because the photograph of the duke signing their wall of fame – the first picture of him since his return to the UK – later mysteriously disappeared from the venue’s feed.

The London studio is where several high-profile TV shows and video podcasts are filmed, such as Steven Bartlett’s Diary of a CEO.

The prince recently appeared on Joe Marler’s podcast – but it seems he wants this outing kept very much under wraps! 

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