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‘Sometimes people smile at you when you hurt them’ – the power of young boxing star Tiah

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Wales Online

This article was originally shared with subscribers to Bristol Live

She’s already being touted as the next big boxing superstar, has plans to fight for a world title within a year, and hasn’t lost any kind of fight since she was eight years old – but as Tiah Mai Ayton prepares for her next and biggest fight to date, she’s got other things on her mind.

The Kingswood teenager burst onto the scene last year, signed to Eddie Hearn’s famous Matchroom Boxing stable and was immediately touted as a future star.

She was just 18, still lived at home with her parents, and just as she had when she was a world champion kickboxer at the age of ten, still relied on them.

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But the start of 2026 has seen big changes for the pocket rocket from east Bristol – she’s gained her independence. Not only has she turned 19, and passed her driving test, but she’s moved out of the family home, settling in a place of her own in Weston-super-Mare, close to the Weston Warriors gym she trains at.

She’s loving the independence, but not the location. “I live in Weston now, because my gym’s here, but my family all live in Bristol, so I’m always over in Bristol,” she said. “I wanna move back to Bristol though – I don’t like it here.”

Like thousands of her fellow Bristolians, who have moved from Bristol to Weston in recent years – it’s a bit of a demographic phenomenon – Tiah Mai Ayton faces a dilemma. Do you live near your work or face a commute? Tiah’s is in reverse though.

While most ex-pat Bristolians now in Weston face the commute back to the city every day, she’s moved to be closer to the gym – “It’s literally minutes away from me,” she said – but would rather be back around friends and family in Bristol.

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Luckily, she passed her test a month or so ago, after several failed attempts. “It’s so much more free now, and all that,” she laughed.

Last time she stepped into a boxing ring was back in February at the Nottingham Arena. She beat up-and-coming Brazilian fighter Catherine Tacone Ramos on points in a narrow victory.

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It was only her fifth professional fight, her fifth victory, but the first time she hadn’t ended the fight with a knock out.

Since then, she’s moved to a place of her own and passed her driving test – so will be going into the ring in front of thousands at the Civic Hall in Wolverhampton on Saturday having very much stepped into what young people these days call ‘adulting’.

She’s supremely confident about facing veteran Stevi Levy, disagreeing with the suggestion that fighting a 33-year-old seasoned pro who has won 15 fights and lost four will be her toughest challenge yet.

“No I don’t. I fought a Brazilian in my last fight, and I reckon she’ll be tougher than this fight. And I think I’ve had tough amateur fights. But Stevi’s a name and everything – she’s good. But I don’t reckon it’s going to be my hardest fight,” she said.

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With all the talk of Tiah Mai Ayton’s prospects – boosted regularly by Eddie Hearn’s showmanship – it’s important to remember the 19-year-old has only fought five fights. And, because she generally knocks her opponent out or stops them within three or four rounds, she’s only boxed 22 rounds professionally in her entire career so far.

By contrast, Stevi Levy, a Norfolk-based fighter who has predominantly boxed in the north of England, has been boxing professionally for seven years, had 19 fights and gone through 123 rounds in the ring.

“I’ve been watching her, I’ve watched her fights,” explained Tiah Mai. “And she’s good, I give her credit and stuff, but I just think I’ve fought better people than her,” she added.

The fight will be televised live on boxing channel DAZN, and Tiah Mai said she’s often conscious of the crowds and the TV audience, until she gets in the ring.

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“When I think about it before, I get all nervous, and I’m thinking ‘oh my God, there’s so many people there, there’s cameras and everything’,” she said.

“But as soon as you walk out and everything, you’re just so locked in and all you’re thinking about is the fight – you don’t really think about everyone else there,” she added.

Tiah Mai first graced the pages of the Bristol Post back in 2014, after she won the TFC Cadet British title as an eight-year-old kickboxer.

She’s one of four youngsters pictured on page 39 from the Cobra Kickboxing Club in Kingswood, holding a belt that’s almost as big as she is.

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She started getting into martial arts and kickboxing at the age of six, and although she lost a couple of bouts when she started competing, the youngsters who beat her were soon seen off in return bouts.

Over the next few years, the Bristol Post reported her successes. In 2015, she won the WRSA European title at a tournament in France at the age of nine, alongside her sister Maddie and cousin Jamarie.

And by the age of 10, in early 2017, she was crowned world kickboxing champion for her weight, and got the full photocall experience.

Since the age of eight, and that first kickboxing success, she’s gone through her entire junior, amateur and now professional career without losing a single fight. Not one.

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She transitioned from martial arts to traditional boxing in her mid-teens and never looked back, and can’t really remember what losing feels like.

Since turning pro at 18 and signing for Eddie Hearn’s Matchroom, life has changed and everything is a lot more serious now, but Tiah said she’s loving every minute, although her new fame is a bit baffling.

“It’s amazing to be honest,” she said. “I’m so grateful for all the opportunities that I’ve had. But it is so much better than amateurs, being pro. Everything I thought of, it is all just gone how I thought it would go, the knockouts and all that, and reels and everything. So, it is great,” she added.

“When I go out and stuff, I get recognised and people ask for photos. And it’s weird, because it’s just…I just still look at me and I’m just Tiah. I just do this cause I love it. I don’t do it for money or anything. I just do it because I love boxing and I’m just good at it.

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“And then I feel like my life has changed because like now I’ve got my own place, I’ve moved away from my parents and all that. And so, I’ve had good opportunities come with it all,” she added.

The boxing world is sitting up and taking notice. At the end of 2025, she made history after becoming the first woman fighter ever to be named as the UK Prospect of the Year by boxing bible Boxing News

When she turned pro, Tiah Mai Ayton told the world she had three ambitions – to fight at Madison Square Garden, the iconic New York venue, to be world champion, and to fight at Ashton Gate – her family are all big Bristol City fans.

Ironically, she’s already done the latter, albeit as a child in a junior event in the concourse. The dream would be to fight for the world title on the pitch, cheered on by thousands.

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Tiah said she laments not having fought in Bristol at all in her pro career so far – despite the city’s famous boxing pedigree, there is a distinct lack of venues.

Often the biggest boxing nights in Bristol for up and coming fighters are at the temporarily converted underground service yard underneath The Galleries shopping centre. It’s not somewhere Tiah Mai Ayton is desperately keen to appear.

“I wouldn’t mind doing something like fighting overseas, I think that’d be a good experience, but nothing beats English crowds.” she said.

“I would love to fight in Bristol. I’ve got loads of people that support me. so it would be great, because it is hard for people to travel nowadays, with the money and that,” she added.

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She’s already a name for the bill for the TV companies, and is what they call in the sport ‘a draw’ – because she has the rare punching power among women fighters to deliver a knock-out blow. But what is it actually like to have that power? Boxing is pretty much the only sport where the aim is to hurt the opponent and render them unable to continue.

“Sometimes it’s different. One time I dropped someone and then I heard my coach shouting ‘don’t rush’, so I thought ‘ok’, I just took my time, I didn’t go running at her. Sometimes it’s like that, and I take my time more because I want to get the rounds.

“But then other times, if I know I’ve hurt them, and it’s getting closer to the end of the round, and I know I could stop them and get them out of there, I just think ‘oh I might as well just do it’.

“It’s just… when you fight, you just know when you could stop someone. And sometimes people smile at you when you hurt them and that’s how you know. You know that that landed… like that landed good,” she added.

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Her trajectory might seem rapid, but that’s often the case for women fighters. “Females move (up) a lot quicker than males,” she explained.

“Because in men’s boxing you have journeymen, then you have the middle, then you have the top. But with women, it’s just journeywomen, and it’s just top women, there’s no middle. So women get pushed a lot quicker and there’s not a lot of female fighters. So I’ll probably be fighting for a title, hopefully this year and maybe a world title at the start of next year,” she added.

First, she’s got to beat Stevi Levy, and then see what happens.

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a gothic chiller set in a creepy Irish hotel that expertly weaves horror tropes

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a gothic chiller set in a creepy Irish hotel that expertly weaves horror tropes

We are used to seeing the excellent Adam Scott (Severance, Parks and Recreation) in likeable nice guy roles. In Hokum, however, he plays a curmudgeonly and prickly bestselling novelist called Ohm Bauman. Deliberating over the ending to his series of popular novels, Bauman has decided to take a trip to the rural Irish inn where his parents stayed on their honeymoon, to scatter their ashes.

The remote Bilberry Woods Hotel in the off-season is a fantastically eerie horror location. Irish writer and director Damian McCarthy populates the hotel and its surroundings with excellent, likably eccentric locals who recount the spooky lore of the area to the sceptical writer.

Jerry (David Wilmot) lives in the woods, tinkers with moonshine and psychedelics and says he sees ghosts. Bellboy Alby (Will O’Connell) is a starstruck wannabe author treated with disdain by his hero. Fiona (Florence Ordesh) is the bartender whose disappearance motivates Bauman’s exploration of the twisty hotel and its grounds.

“Hokum,” says Bauman dismissively when he is told about the witch who supposedly haunts the honeymoon suite where his parents stayed. The film performs the neat trick of making us warm to this horribly flawed and unlikeable character as he is inevitably proven wrong.

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A film with a fiction writer protagonist set in a haunted hotel inevitably suggests the influence of Stephen King, not just via The Shining but the short story 1408, made into a memorable film starring John Cusack in 2007. That story similarly features a sceptical writer staying in a supposedly haunted guest house who, like Hokum’s Bauman, experiences disturbing visions from his past. Hokum also recalls horror impresario Ti West’s brilliantly eerie New England-set The Innkeepers (2011), with which this film shares the atmosphere of an off-season haunted guesthouse.

Hokum is, at its core, a classic ghost story in the mode of English writer MR James. But it throws a lot of extra horror elements into the pot at the risk of becoming unwieldy and bloated.

McCarthy’s ambiguous film has a witch, a ghost or two, a missing woman, flashbacks of Bauman’s traumatic past and, in the weirdest and scariest scene, a nightmarish televised vision of a half-bunny, half-person creature. With so much in the mix, this could be a formless mess, so it is surprising that Hokum holds together as well as it does. With one or two stumbles where things get a touch convoluted, this is an enormously effective, well-crafted and proudly old-fashioned gothic chiller.

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With a focus on character and mood, Hokum is an intelligent and, by the end, emotionally satisfying film. The strength of the film is not in its originality but in the execution of familiar conventions and plot points. How much you will enjoy the film depends on your tolerance and enthusiasm for old fashioned jump scares. An overused device in modern horror that can signal a sub-par film, it is hard here not to admire McCarthy’s commitment to making his audience gasp.

McCarthy’s talent is in building the hotel’s atmosphere of mystery with carefully placed light from lamps and candles that cast long shadows before leading to controlled scares carried out with technical skill and pinpoint timing. Strongly recalling the well-executed horror trickery of the now-classic stage adaptation of Susan Hill’s novel The Woman in Black, shocks are strongly telegraphed and built towards with inevitability. The director is telling the audience clearly what’s about to happen at every turn, but the film is no less effective for it.

The remote hotel in Ireland is the perfect setting for a gothic tale of horror.
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The film was made in West Cork, and the Irish countryside is a beautiful, eerie backdrop for the maze-like guesthouse. Nevertheless, there is little in the film’s depiction of ghosts and witches in the Irish woodland that relies on culturally specific mythology or history.

Hokum is Irish writer and director Damian McCarthy’s third horror film after the critically acclaimed low-budget ghost stories Caveat (2020) and Oddity (2024). Those first two films were shown at film festivals before being released on horror streaming channel Shudder. This is McCarthy’s first full cinema release. Each of his films is better than the last, with the filmmaker sharpening his writing and directing a little more each time. Here he is aided considerably by the consistently brilliant Adam Scott.

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Hokum is a horror film made by a director working to carry out horror conventions as well as he possibly can. The film is full of tongue-in-cheek, knowing nods to the genre. It doesn’t matter that all the major late-film plot reveals are telegraphed to the audience with a nod and a wink early in the film. Hokum has fun telling you what it’s going to do well ahead of time and remains scary and entertaining regardless.

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Capcom should use their money to reboot Maximo: Ghosts To Glory – Reader’s Feature

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Capcom should use their money to reboot Maximo: Ghosts To Glory - Reader's Feature
Maximo: Ghosts To Glory – not a game you hear much about nowadays (Capcom)

With Capcom frequently bringing back older franchises from their back catalogue, a reader hopes to see the return of Ghosts ‘N Goblins spin-off Maximo.

With all the doom and gloom around gaming lately it’s been so good to see everyone cheering on Capcom for the achievement of… releasing a load of really good games. They’ve been on a roll for years now but this year they’ve already had Resident Evil Requiem and Pragmata and they’ve got a new Onimusha on the way too.

They’ve always been one of my favourite publishers, probably my favourite that isn’t Nintendo, but ever since Resident Evil 7 they’ve barely put a step wrong. That’s great and a thing we should congratulate them on, in my opinion.

One of the best things is that unlike almost any other publisher Capcom actually reinvests the money they make into taking risks with new IP, like Pragmata, and bringing back old franchises that aren’t a guaranteed hit, like Onimusha.

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I think they deserve a ton of recognition for this in particular and I’m so glad that Pragmata has been a hit and they’ve been rewarded for taking a risk. I bought it and I think it’s great and I’m very happy to have supported them.

The longer their hot streak lasts the more obscure the games are that they bring back, at least potentially, and while most people seem to want to revive Dino Crisis, I have a different request: Maximo.

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Don’t get me wrong, I’d love a Dino Crisis remake or new game but I don’t feel Maximo ever gets talked about. For those that don’t know, Maximo: Ghosts To Glory is a PlayStation 2 game from 2001 that is a spin-off from Ghosts ‘N Goblins. It has the same music, and some of the same enemies, but you’re a Roman soldier, for some reason, instead of King Arthur.

It’s a 3D platformer with quite a bit of combat, that I feel worked really well but seemed to get very quickly forgotten at the time. But it had good action, nice cartoony graphics, and for a PlayStation 2 game the camera worked really well.

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Unfortunately though, there was only ever one sequel, also only on PlayStation 2. And then that was it, the series never made it off the PlayStation 2 or into the next generation and I’ve literally never heard anyone speak about it since.

I assume that, despite the sequel, that means it didn’t sell that well and it seems obvious to me why: it was stupidly hard. Now I love the game, or I wouldn’t be typing this now, but it is unnecessarily difficult and I don’t know why.

Or at least I didn’t at the time, in later years I looked into the whole Ghosts ‘N Goblins angle, which was a bit before my time, and it seems they were super hard as well and so are the modern games, right up to Ghosts ‘N Goblins Resurrection.

I really don’t know why this is, as all games were super difficult back in the day and it’s not like something like Mario didn’t adapt with the times and try and keep everyone on board.

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The difficulty was always the worst thing about Maximo, as far as I’m concerned, so why they think that’s the most important thing to keep in all these games I don’t know. Is anyone really going to complain that it’s too easy? Couldn’t they just have a hard mode instead? I’m not sure why a cartoon platformer game about a guy in his boxer shorts is making Dark Souls look like a kid’s game.

So that’s my hope of what Capcom do next. I don’t think it’s very likely, but I don’t think it’s impossible either, because they do occasionally try to bring Ghosts ‘N Goblins back, just not the version of it I like best.

By reader Terry Gold

Maximo artwork
A simple remaster would be a start (Capcom)

The reader’s features do not necessarily represent the views of GameCentral or Metro.

You can submit your own 500 to 600-word reader feature at any time, which if used will be published in the next appropriate weekend slot.

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Just contact us at gamecentral@metro.co.uk or use our Submit Stuff page and you won’t need to send an email.

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Utilita Arena releases statement after Peter Kay concert evacuated over ‘suspicious bag’

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Manchester Evening News

The comedian was just 45 minutes into his performance at the Utilita Arena in Birmingham when it was abruptly cut short

The Utilita Arena has released a statement following the incident at this evening’s Peter Kay concert.

Peter Kay was “bundled off stage” during a show in Birmingham, with police evacuating the venue — which holds up to 15,800 people — after a “suspicious bag” was discovered. The comedian was just 45 minutes into his set at Birmingham’s Utilita Arena when it was brought to an abrupt halt, reports the Mirror..

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West Midlands Police confirmed that a 19 year old man has been arrested and the surrounding area is being searched as a precaution.

Audience members reported that no explanation was given at the time of the evacuation. A member of the production team reportedly took to the stage at around 8.45pm to inform the crowd that the show would not be going ahead.

A Utilita Arena spokesperson said: “Utilita Arena Birmingham has been evacuated as a precaution on the advice of West Midlands Police after a potential suspicious bag was found nearby.”

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“The safety and security of our customers and colleagues is our highest priority. We can confirm that everyone was safely evacuated and that the venue is secure. Ticket holders will be contacted directly in due course.”

The latest statement from West Midlands Police reads: “We are assisting with an evacuation at the Utilita Arena in Birmingham after a potential suspicious bag was found. A 19-year-old man is in custody and as a precaution the site is currently subject of a search. We will provide further updates when we can.”

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Swinney intervention formed ‘very big part’ of Trump’s whisky tariffs decision

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Swinney intervention formed ‘very big part’ of Trump’s whisky tariffs decision

Earlier on Friday, Scotch Whisky Association head of strategy and communications Graeme Littlejohn said the tariffs announcement was the result of “months and months of work”, adding: “The King was the royal sparkle at the end of a lot of work to get a deal over the line here, this doesn’t happen overnight.”

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‘Burnham plans to return’ and ‘Four weeks from crunch’

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'Burnham plans to return' and 'Four weeks from crunch'
"Burnham plans to return to Westminster 'in weeks'," reads the headline on the front page of the Guardian.

Former Labour MP and cabinet minister Andy Burnham could return to Westminster “in weeks”, the Guardian reports. The mayor of Greater Manchester is “expected to use a byelection fight to set out a new agenda for government”, the paper writes, after he “was blocked by Labour’s ruling body from running in the Gorton and Denton byelection in February”.

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I got my UK passport renewal in just one week using the cheapest method

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It was so much easier than other options.

With summer just around the corner, countless Britons are eagerly counting down until their holidays. Yet, before stepping onto planes, ferries or the Eurostar, carrying out a thorough passport check is essential.

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When planning my own summer getaway, I discovered my passport needed renewing ahead of the trip. Since Brexit, entry requirements for countries throughout Europe have undergone significant changes.

Many travellers are caught off guard by the regulations, and for those heading to Europe and Schengen countries, passports must have been issued less than 10 years before your departure date and remain valid for at least three months after your intended return date.

Due to these requirements, my passport was deemed expired, prompting me to apply for a new one. Previously, I had renewed my passport using a paper form at the Post Office.

This time, however, I opted to complete the entire process online, which proved to be both more affordable and straightforward. Renewing or replacing your passport currently costs £102 when submitting forms online.

By contrast, the paper route will set you back £115.50. Another part that has streamlined the process is that passport photo booths now offer digital copies of your photograph alongside the traditional printed version.

This means you receive a digital code linked to your image, which you simply enter to upload directly to the gov.uk website.

Once you have entered your details and uploaded your photograph on the UK Government website, you must return your old passport. Simply post it to the address provided and wait for your new one to arrive.

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The Passport Office states that the process typically takes three weeks to receive your new passport.

They begin processing your new one as soon as your documents are received, so it is essential to send off your old passport as soon as possible.

Surprisingly, the new passport arrived in just one week after posting the old one. The entire process proved simpler and quicker than I expected.

The Passport Office does usually caution that during peak periods, it may take longer to receive your passport.

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It added: “It may take longer than three weeks if we need more information, or we need to interview you. We’ll tell you this within 3 weeks.”

But, based on my personal experience, there were no complications whatsoever, and renewing a passport online would certainly be the preferred option in future, both as a time and money-saving measure.

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I got my new passport in just 1 week by doing easiest and cheapest method

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Renewing my passport was so much easier by picking a different option

Summer is almost here, with many Brits counting down to their holidays. However, before boarding planes, hopping on ferries or getting on the Eurostar, it is vital to do a passport check.

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I recently planned my summer holiday, but realised my passport needed renewing before the trip. Since the UK left the European Union, entry rules to countries across Europe have changed.

Many holidaymakers get caught out by the rules, and if you are heading to Europe and Schengen countries, the passport must be issued less than 10 years before your departure date and be valid for at least three months after your planned return date.

Due to these rules, my passport was classed as out of date, and so I set out to get a new one. In previous years, I chose to renew my passport through a paper form at the Post Office.

However, this time I decided to do it all online, which turned out to be cheaper and easier. It currently costs £102 to renew or replace your passport if you submit the forms online.

Otherwise, it costs £115.50 if you do it by paper. Another change that has made the process easier and faster is that passport photo booths now provide digital copies of your photo as well as a physical printout.

It means you get a digital code that links to your photo, so you simply enter it to upload it to the gov.uk website.

Once you have filled in your details and uploaded your photo on the UK Government website, you must return your old passport. I simply posted it to the address provided and waited for my new one to arrive.

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The Passport Office says it typically takes three weeks to get your new passport.

They start working on your new one as soon as they receive your documents, so it is important to get your old passport sent off as soon as you can.

To my surprise, my new passport arrived in just one week after posting out my old one. The process was much easier and faster than I had expected.

Typically, the Passport Office warns that it could take longer to receive your passport in peak seasons.

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It added: “It may take longer than three weeks if we need more information, or we need to interview you. We’ll tell you this within 3 weeks.”

However, from my own experience, I had no issues and would certainly choose to get my passport online in the future to save time and money.

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20 upcoming video games I’m more interested in than GTA 6 – Reader’s Feature

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20 upcoming video games I’m more interested in than GTA 6 - Reader's Feature
GTA 6 – it’s not for everyone (Rockstar Games)

A reader explains why there’s at least 20 other games this year that he cares about more than Rockstar Games’ blockbuster-in-waiting GTA 6.

If it doesn’t get delayed again, GTA 6 is going to be out on November 19 and as lots of people are pointing out at the moment, it is going to be everywhere. It’s going to be all anyone talks about for months and I literally don’t know if the world is ever going to be the same again. Which is a real shame because I don’t care about it, and I feel I’m missing out.

I haven’t got anything against GTA. I’ve played most of them, and Red Dead Redemption, but I find them very overhyped and with poor gameplay. The open worlds are impressive, no doubt, but I find them a bit aimless and overdone.

I know that as far as the majority are concerned I’m wrong but since I’m not trying to spoil anyone else’s fun I hope you’ll let me be. I’m not here to attack GTA 6 and instead I will list all the games coming out this year that I’m more interested in. Obviously, I won’t be able to get them all, or at least not straight away, but I will before I ever get GTA 6.

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1. Forza Horizon 6

OK, I’m probably going to get some details wrong with this lot, because obviously I’ve not played any of them, but you can’t go wrong with a new Forza Horizon. The Japanese setting sounds great, the only problem is I can’t play it till it comes out on PlayStation 5, which is after the Xbox.

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2. Lego Batman: Legacy Of The Dark Knight

I always find Lego games to be something fun I can play with my wife and this one has the benefit of apparently being quite a bit like the Arkham games, so that’s a definite bonus.

3. 007 First Light

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Will still be waiting for the reviews for this one but all the positive previews have made very interested. I always like Bond and I also like the fact that this is obviously not a cash-in or a copy of GoldenEye 007.

4. Marvel Tōkon: Fighting Souls

I admit, I’d rather this was Marvel Vs. Capcom 4 but I’ll take it anyway. I like that they’ve used a Japanese developer and the designs actually show that, especially in the Gundam style Iron Man.

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5. Phantom Blade 0

I’m not sure how much this is on other people’s radar, but I really like the look of this and the previews have all been very positive. Apparently it’s more like Devil May Cry than a Soulslike, despite what it looks like, but I’m still interested in it.

6. Star Wars: Galactic Racer

A new sequel to Star Wars Episode I: Racer is not something I expected to see this year, but I am absolutely here for it, especially as it’s by a bunch of UK developers that worked on Need For Speed and Burnout.

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7. Marvel’s Wolverine

One of the big no-brainers of the year. The Spider-Man games have been pretty much perfect in my view and I have no doubt they’ll do just as good a job with Wolvie, who is a character I already like a lot more anyway.

8. Beast Of Reincarnation

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Another not-so-obvious choice but this is the action role-player by Pokémon developer Game Freak and I really like the look of it. I’m a sucker for a good Soulslike, which I assume is what it basically is, and I like the Princess Mononoke vibe too.

9. Ace Combat 8: Wings Of Theve

Get the soundtrack of the year award ready because there’s a new Ace Combat out this year! I’m slightly surprised, because I never get the impression these sell all that well, but I love the games and their crazy plots.

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10. Castlevania: Belmont’s Curse

So this isn’t the big budget Castlevania revamp that everyone wants, and I really don’t know why Konami doesn’t make one, but I’ll take it anyway because it’s a 2D game by the team that did Dead Cells.

11. Clive Barker’s Hellraiser: Revival

Perhaps I’m being a bit optimistic here, because it’s a Saber Interactive game and they’re a bit hit and miss. But I like how hardcore this seems to be in terms of both sex and violence, which will hopefully give Silent Hill a run for its money.

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12. Silent Hill: Townfall

Speaking of which, Hellraiser may have its work cut out because the last two Silent Hill games have been fantastic, if you ask me, and this looks like it could continue the streak. Plus, it’s set in Scotland!

13. The Duskbloods

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I’m cheating a bit with this one because I don’t have a Switch 2 (so there may be other Nintendo games on the way that I don’t know about) but if this is as good as From’s other stuff it could be the game that makes me buy one.

14. Fable

I don’t have an Xbox either but thanks to everything being multiformat nowadays I’ll be able to get this on the PlayStation 5. It depends on the reviews, but I still maintain I’m more interested in this than GTA 6.

15. Halo: Campaign Evolved

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Although I’ve been a PlayStation owner most of my life, like most people I know I did have an Xbox 360 back in the day so I’m curious to see this and Gears Of War come back and be on Sony’s console. Even if I think it’s probably the wrong decision for Microsoft.

16. Gears Of War: E-Day

Personally, I always preferred Gears Of War to Halo but I understand this is a prequel, which suits me because I didn’t play the last two games. I hope it manages to have the same over-the-top feel as the old games, because the co-op in that was great.

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17. Metro 2039

I was a big fan of Metro Exodus so it’s nice to see a new game. I have no idea if and when I’m going to have the time to play any of these games, because I’m sure this’ll be another massive one, but it’s definitely on my radar.

18. Mina The Hollower

This is the only indie game on my list, not because I don’t like them but because you never seem to hear about them until they’re out. This is the new one from the makers of Shovel Knight, so I’m very much looking forward to it.

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19. Onimusha: Way Of The Sword

Capcom has been red hot all year and I don’t see any reason to expect this won’t be good too. Yes, we’d all prefer Dino Crisis but supernatural samurai horror is still very welcome in my book.

20. Star Wars Zero Company

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As a big fan of XCOM I’m looking forward to this, even though I’ve never really liked the whole Clone Wars era. Anything that promotes big budget strategy games is fine by me though, especially turn-based.

Star Wars Zero Company screenshot of a clonetrooper
Star Wars Zero Company – more exciting than GTA 6? (EA)

By reader Futterman

The reader’s features do not necessarily represent the views of GameCentral or Metro.

You can submit your own 500 to 600-word reader feature at any time, which if used will be published in the next appropriate weekend slot.

Just contact us at gamecentral@metro.co.uk or use our Submit Stuff page and you won’t need to send an email.

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Premier League relegation battle: Leeds beat Burnley to heap pressure on others

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If Leeds are able to retain their top-flight status, the majority of supporters are likely point to wins against relegation rivals Wolves, Burnley and West Ham as the defining moments of the season.

But Farke is almost certain to share a different view.

The 49-year-old is more likely to point to a 3-2 defeat by Manchester City in late November as the moment his side’s fortunes changed – and the numbers back it up.

After goals from Phil Foden and Josko Gvardiol put City 2-0 up inside 25 minutes, Leeds were left fearing the worst.

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That was until Farke made an almighty roll of the dice, summoning Calvert-Lewin and defender Jaka Bijol from the bench to switch from a 4-3-3 to a 3-5-2.

It was a tactical switch that allowed Leeds an extra man in midfield and, crucially, offered extra support to summer signing Calvert-Lewin in attack.

Although Leeds saw a point snatched from their grasp when Foden scored a stoppage‑time winner, the performance – and a new tactical blueprint – offered both the club and Farke a road to redemption.

Leeds bounced back from the defeat against Pep Guardiola’s side by taking four points from a possible six against Chelsea and reigning champions Liverpool in the next two games.

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“He was under real pressure, there was a lot of talk about his job – other managers were getting touted – and you felt if he lost against Manchester City he would lose his job,” said ex-Liverpool and Spurs midfielder Jamie Redknapp on Sky Sports.

“He didn’t win that game but they changed the system that day, played with a lot of promise and since then they’ve gone on a great run and gone from strength to strength.

“The points they’ve produced since the start of December has been fantastic.”

Since then, Leeds have lost only four out of a possible 19 league games – the ninth-best record in the division.

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Consequently, Farke is on course to lead a team to Premier League survival for the first team in his career after failing to do so during his time in charge of Norwich.

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Coronation Street’s Theo Silverton star breaks silence as death exit confirmed

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Manchester Evening News

Actor James Cartwright has spoken for the first time since he was seen bowing out of the ITV soap in dramatic fashion

Coronation Street star James Cartwright has spoken for the first time since he was seen bowing out of the long-running show as Theo Silverton.

His time on the ITV soap has been nothing short of dramatic, but on Friday (May 1) night, the villain was seen meeting a deadly end as he was revealed as the victim of a shock murder on the famous cobbles.

Fans will recall that actor James joined Corrie in March last year in the role of builder Theo, and as those who watch know, he quickly found himself involved in a hard-hitting, coercively controlling, and abusive relationship storyline with Gareth Pierce, who plays Todd Grimshaw.

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It has been in recent weeks and months that Theo’s behaviour has slowly been exposed to those in Weatherfield, eventually leading to Todd bravely going to the police about the horrific domestic violence he has suffered at the hands of his now-husband following a devastating attack which left him in the hospital.

But as Corrie fans already knew, Theo was one of the five possible victims of a murder set to take place on the cobbles, and during Monday’s (April 27) episode of the show, breaking the condition of an order to stay away from Todd, Theo wasn’t pleased to find his former partner at their flat, getting ready to leave for Thailand.

After another altercation with Todd, and George Shuttleworth who came to his rescue, Theo managed to escape the police, only to end up confronting Todd once more. The undertaker had jumped in a taxi to head to the airport for his trip, only to realise he had forgotten his phone. He stopped the taxi and asked the driver to wait while he went back to get it, only to find Theo facing him on the dimly lit street, holding his missing phone.

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The next time we saw them was during Friday’s (May 1) episode, when Todd played a dangerous game of cat-and-mouse to outsmart a vengeful Theo, and Summer Spellman found herself caught in the crossfire when she came face-to-face with a sinister Theo. Soon, outside, a jovial Betsy was given the shock of her life as she stumbled across the villain’s lifeless body.

Speaking for the first time about Theo’s exit from the soap, James told Inside Soap: “He is no more. Celebrate. He’s gone. God, wasn’t he awful? What an awful, awful man.

“I join a long line of people who’ve met Corrie’s own brand of justice.”

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Speaking on what happens next, he added: “It’s been a really exciting and thrilling thing. And a who-done-it is really fun, I think. And then it only just starts because you’ve realised who’s killed. But then the next stage of it is you’re going, who’s done it – because now all we don’t know is who’s dead, but now we’ve got to who’s done it.”

And sending a message to fans he said: “Thank you absolutely from the bottom of my heart to anyone who’s given any time to watch anything I’ve done over the past 18 months and been a part of it.”

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