By DAVID BARRETT, HOME AFFAIRS EDITOR

Published: 18:24 BST, 8 July 2026 | Updated: 21:43 BST, 8 July 2026

Sir Alf Ramsey was so calm, he famously told his staff to calm down after Sir Geoff Hurst’s fourth goal for England in the World Cup final. However, a story of Sir Ramsey having a blazing row with the iconic Billy Wright has been detailed.

It involved Wright, Sir Ramsey and a non-league manager named Charlie Phillips. The latter introduced Ramsey to the mysterious world of freemasonry. Details of this row was revealed by Graham Phillips, the son of Charlie.

Speaking to Mirror Football, he said: “That the true story of what happened behind the scenes, on the pitch and in the dressing room at the Hungary game in 1953 was significantly different to what was reported at the time, and subsequently, and involved a final break between Alf and Wright.”

It’s claimed Wright was given specific instructions during England’s 6-3 loss to Hungari in 1953, bit ignored them, leading to a horrendous row between the two. Graham added: “After the game Wright stood up, went over to manager Walter Winterbottom, put his arm around his shoulder and said: ‘Never mind, if you had picked a different team perhaps things would have been better’.

“Ramsey heard this and was furious on two counts. Firstly that Wright had broken a confidence on the team selection issue and secondly that he was absolving himself of any responsibility for the performance.

“Ramsey in as measured tones as he could manage, blamed Wright at some length for undermining the strategy that they had been asked to play. Not once but twice. Once that had let to the first goal and secondly after the team had played so well within the strategic plan to get the equaliser. This time it was personal and Wright knew it.

“Ramsey was standing with his back to the dressing room door as he was speaking standing two or three feet away from Wright and Winterbottom.

“Shortly after he began to speak he noticed that both men were not making eye contact but were looking behind him. He turned round to see that two men and suits had entered the dressing room while he had been speaking.”

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Betsy Swain (Sydney Martin) is set to face a terrifying ordeal in upcoming Coronation Street scenes when she collapses at home amid a health crisis.

It’s a situation so serious that it warrants an ambulance to take her to hospital.

A new trailer shows the ambulance whisking her away from the cobbles, and an anxious Carla Connor-Swain (Alison King) arriving at the hospital to find Lisa Connor-Swain (Vicky Myers) sitting at her daughter’s bedside.

A nurse later arrives to take Betsy for an MRI scan, before Dylan Wilson (Liam McCheyne) comes to see her.

Things take a turn for the worse when Dylan comes rushing out of the room to tell Carla and Lisa that Betsy is having a fit.

Though Dylan goes out of his way to make Betsy’s hospital stay more comfortable, showing Brody Michaelis (Ryan Mulvey) and Lauren Bolton (Cait Fitton) everything he’s bought for her, it quickly becomes clear that he isn’t welcome back at the hospital.

He is taken aback when he faces hostility from Lisa, who accuses him of being responsible for Betsy’s condition.

Despite Betsy’s insistence that it isn’t Dylan’s fault, Lisa continues to blame him.

When Dylan refuses Sean Tully’s (Antony Cotton) suggestion that they visit Betsy, Sean grows suspicious, and he is shocked when Lisa turns on Dylan in the café.

Eventually, Lisa even goes so far as to tell her desk sergeant that she wishes to report a crime.

This leads to Dylan being arrested, which leaves Betsy stunned when she finds out.

Later, Dylan shares his own suspicions that Brody is actually to blame for Betsy’s health problem. How will Brody and Betsy react to his accusations?

What has happened to Betsy, and how will she come to terms with her life-changing diagnosis?

MORE: Coronation Street fans ‘work out’ terrible event ahead for Betsy

MORE: The Queens of Coronation Street save Brody from danger

MORE: Betsy has game-changing news in Coronation Street – but she’s scared to tell Lisa

The horror series Evil Dead, first brought to the screen in 1981 by director Sam Raimi, is in its healthiest state for decades. The 2023 film Evil Dead Rise was a financial success, and 2026 will prove to be a huge year for the franchise, with the release of new film Evil Dead Burn. The next film, Evil Dead Wrath, is already in post-production and due for release in 2028.

Yet like any successful franchise, Evil Dead has always been bigger than just films. It has appeared in a variety of media forms including video games, comic books, television series and board games.

This is not uncommon for a franchise, and is often part of what researcher Henry Jenkins termed a transmedia storytelling strategy. The fundamental idea of this strategy is that one singular story is told over multiple different media forms. These integrated narratives can be seen in contemporary franchises such as the Matrix or the Marvel Cinematic Universe.

However, while Evil Dead has certainly appeared across different media forms, it has lacked a sense of singular narrative. As a result, there are several narrative inconsistencies seen throughout the series, with scenes from previous movies reshot, recontextualised or erased from the narrative entirely in later entries.

This lack of a unified story ultimately comes down to the creative and financial realities of the Evil Dead’s series origins. The first film, The Evil Dead (1981), was a low-budget horror, made by a group of friends with no aspirations of building a huge media franchise. It took six years for a sequel to be made. That sequel was produced by a different company entirely, meaning even if the filmmakers had wanted to reference the first film, they legally could not.

For decades, the crucial unifying component of the Evil Dead series has been Bruce Campbell’s portrayal of Ash Williams, the protagonist across the original film trilogy. The cult fandom of around Campbell in this role has powered the series for most of its existence – Campbell became synonymous with the Evil Dead franchise.

Campbell has reprised his role across multiple different media forms. Though these contain the character of Ash, they are entirely incoherent as a singular narrative, often contradicting or erasing different entries to tell their specific story. While Ash seems to act as a signifier for an “authentic” Evil Dead entry, his appearances do not seem to delineate which entries in the series can be seen as part of a coherent transmedia fictional universe.

This decision to foreground an actor and character as the foundation of a franchise could now be problematic, as Campbell announced his retirement from playing Ash in live action after the cancellation of the television series Ash vs The Evil Dead in 2018 This left the franchise in flux. How do you move forward with Evil Dead when the main character is removed?

Unifying a fractured franchise

The promotional material around the release of Evil Dead Rise (2023) suggested a new franchise strategy that looked to the original trilogy for inspiration.

In the third Evil Dead film, Army of Darkness (1993), Ash is sent on a quest to retrieve the Necronomicon, a cursed book that has unleashed evil across the previous films. As Ash approaches the book, he sees that there are three on the podium. The two other books ultimately act as decoys, resulting in a slapstick sequence where Ash is repeatedly attacked by the decoy books.

Although this scene is short and played for laughs, for the promotion of Evil Dead Rise, Campbell (a producer as well as the series’ former star) highlights it as centrally important to the franchise’s future. In an interview with Collider in 2023, Campbell suggested a new key focus – the Necronomicon. Campbell noted that “the only thing that connects everything now is the book. There are three of these books out there … So, this story is really ‘where is the book now?’”

This discourse surrounding the importance of the three books was also echoed by the director of Evil Dead Rise, Lee Cronin, who made it a central part of his pitch to producers, as a way of opening up “multiple avenues for where Evil Dead can go”.

His pitch, that Sam Raimi’s original trilogy featured one book, the 2013 remake featured another and his film would feature the third book, retroactively unified the Evil Dead narrative onscreen, putting it more in line with contemporary franchises that engage with transmedia storytelling.

Specifically, the 2013 Evil Dead – developed and produced as a remake at the time of its release – was folded into continuity and as a result became part of the fictional world of the original films. By merging these supposedly disparate parts of the series into one continuity, Evil Dead Rise (or specifically the promotional discourse around it) brought the franchise closer to Jenkins’ idea of a transmedia storytelling strategy.

While Campbell will continue to be an active part of Evil Dead as a producer (and even has a voice cameo in Evil Dead Rise), this new emphasis on the fictional world of the series presents new avenues of continuity and expansion. It will be fascinating to see how Evil Dead Burn, a new chapter in the 45-year-old franchise, responds to this new strategy.

Temperatures in Wales are not set to dip for a prolonged period as a lengthy heatwave hits the country. Wales will experience its third heatwave of the year this week,with temperatures forecast to rise above 30C yet again.

It comes just weeks after records were broken in Wales, with new highs for both day and overnight temperatures. Wales recorded its hottest ever June day as Bute Park, in Cardiff, hit 35.9C.

The exceptional heatwave at the end of June brought widespread disruption across the country. The Met Office issued a red warning for extreme heat, while hundreds of schools were closed and rail services were cancelled.