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Star Wars Director Officially Reveals How the Franchise Shaped His New Netflix Anime

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Nausicaä smiling while gliding across a valley in Nausicaä of the Valley of the Wind

Summary

  • Collider’s Steven Weintraub talks with Yuki Igarashi for Netflix’s The Ribbon Hero.
  • Igarashi discusses adapting the story from Osamu Tezuka’s 1953 anime Princess Knight.
  • He also talks about how his work on Star Wars: Visions helped tackle the franchise and why now is the perfect time for this adaptation.

A brand-new anime film is hitting Netflix soon, inspired by Osamu Tezuka’s 1953 manga, Princess Knight. This enduring tale of a lone heroine sparked the idea for The Ribbon Hero, directed by Yûki Igarashi (Star Wars: Visions), which recently celebrated an early preview at the Annecy International Animated Film Festival, as part of Netflix’s anime showcase. There, Collider’s Steven Weintraub caught up with Igarashi to chat about why now is the perfect time to reimagine this story.

In the movie, Princess Saphire’s (Saya) kingdom in Shiverland is completely decimated by a catastrophe known as “Nergal.” Instead of giving in to her despair, however, Sapphire defies the bleak destiny her course was set on, “fighting different monsters” to determine her own fate.

During their interview at Annecy, Igarashi discusses carrying on the legacy of Tezuka’s Princess Knight through a modern-day reinterpretation he believes “will really speak to people of this generation.” He talks about how his work on the Disney+ series Star Wars: Visions helped tackle a long-standing IP and what he hopes his feature directorial debut, The Ribbon Hero, says about the identity of his animation studio, Outline, as their first major feature release.

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‘The Ribbon Hero’ Director Reveals Their Favorite Hayao Miyazaki Movie

Two come to mind for Yûki Igarashi.

Nausicaä smiling while gliding across a valley in Nausicaä of the Valley of the Wind
Nausicaä smiling while gliding across a valley in Nausicaä of the Valley of the Wind
Image via Toei Company

COLLIDER: I will start with the most important question. I ask this of a lot of people who work in animation: What is your favorite Hayao Miyazaki movie?

YÛKI IGARASHI: When I was young, my favorite was Princess Mononoke, and now it’s Nausicaä of the Valley of the Wind.

Thank you for indulging me. With the film premiering here at Annecy ahead of its Netflix release, how do you think international audiences will connect with a story so deeply rooted in the history of Japanese manga?

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IGARASHI: Actually, the way I’ve directed and made the film, I think thematically and story-wise, it’s more inspired by. So, it’s been arranged in a way that we kind of tap into different themes, COVID, disasters, and it’s been put through almost a fantasy lens. I think it’ll be much more resonant with a lot of modern audiences.

Your work is often praised for dynamic movement and emotional action. How did you approach action in The Ribbon Hero so that it expressed character rather than just spectacle?

IGARASHI: In the film, our protagonist is fighting different monsters, kaiju, if you will, and there’s a spectacle between kaiju versus the human. But in certain moments, there are ribbons that scatter, and the ribbons that scatter, when our hero, Sapphire, attacks the kaiju, it almost carries an emotion of its own, which I think is reflective of what’s going on in Sapphire’s mind.

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‘Star Wars: Visions’ Played a Key Role in ‘The Ribbon Hero’s Development

Yûki Igarashi directed the Season 1 short, “Lop & Ochô.”

How did your experience directing Star Wars: Visions influence the way you approached a legacy property like Princess Knight?

IGARASHI: Absolutely, my experience with Star Wars, taking such an idea that has so much history and that influenced so many other IPs and different franchises that spawned after it… I would say Tezuka Osamu’s work has also inspired so many other works. So, just that idea of how it’s been interpreted, reinterpreted, is something that I’ve learned by working on Star Wars, and I try to put that influence into my own, The Ribbon Hero, as well.

The Ribbon Hero is inspired by Osamu Tezuka’s Princess Knight, one of manga’s foundational works. What was the first image, emotion, or idea that made you feel this story needed to be reimagined now?

IGARASHI: Princess Knight, of course, is a very old franchise, and it’s influenced so many works after it, but it’s hard to see that link anymore because it’s been reimagined and reinterpreted so many times. This idea of a fighting woman, a fighting heroine, the protagonist, it’s its own genre, the heroine, but I would argue that Princess Knight was the first that really did that. I think that by translating that into a format that people can absorb and consume now helps bridge that gap between modern-day media and its origins in the past. I think it’s been done in an interesting way that audiences will be receptive to.

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Sapphire has meant different things to different generations of readers. What did you want this modern audience to feel when they meet her in this version?

IGARASHI: The world setting that we’re thrown into is a very harsh world that she has to navigate, and despite all that, you see her grit and her trying. She keeps a very bright attitude throughout all of it, and she doesn’t get dark. She keeps humor throughout the entire film despite what might be happening. So, I hope that that brightness and that sort of attitude, that way you approach the world, is something that will really speak to people of this generation.

In America, a lot of animated movies will go through very big changes during the development process. Sometimes not much, but other times they could screen the movie and realize things are really not working, and then redo a lot of things. When you make a movie with other people in Asia, does it change a lot when you’re making it, or is it very close to what you set out to make?

IGARASHI: I would say the fundamentals or the foundation haven’t changed or shifted much from development to final cut, but there were a lot of changes or differences over the course corrections, if you will, during production. It wasn’t something like we did a focus group or showed the client, and then we got notes and changed it as much as the team themselves. All the changes came from them. Animators would make suggestions, and we would have discussions that would shift the project over time. So, it wasn’t that there wasn’t any change, but a lot of it came from that.

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‘The Ribbon Hero’ Hopes To Appeal to Hardcore Fans and Eager Newcomers

“That was a very strong perspective.”

What conversations did you have with the team about balancing nostalgia for longtime Tezuka fans with accessibility for viewers who have never heard of Princess Night?

IGARASHI: I don’t know how much of this I should be saying. [Laughs] A lot of the team, the animators that worked on this project, didn’t read much or know about the Princess Knight until they got involved. So I guess you could say they were almost looking at this project, too, with a similar lens that a lot of present-day or modern-day audiences would. So, that was a very strong perspective. They did a lot of research, of course, starting with this project, and I myself, of course, had done a lot of research to service that backbone of what the theme is that we’re trying to depict.

I meet people all the time who’ve never seen an Alfred Hitchcock movie or a Stanley Kubrick movie. You have to start somewhere.

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IGARASHI: [Laughs] But I have seen Hitchcock and Kubrick.

This is the first major feature film produced by your animation studio, Outline. What kind of studio identity did you want this film to announce?

IGARASHI: I personally like old stuff. In this film and everything I do, I try to pay a lot of respect to the works that have come before me, and I think that translates to this film. I hope that also extends to the studio’s identity and ultimately to the audience, so that they can feel that’s where we come from.

The Ribbon Hero premieres worldwide exclusively on Netflix on August 8.

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Release Date

August 7, 2026

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Runtime

109 minutes

Director
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Yuki Igarashi

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Cast

  • Cast Placeholder Image

    Seiran Kobayashi

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    Pine (voice)

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    Saaya

    Sapphire / Princess Knight (voice)

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    Koki Uchiyama

    Velvet (voice)

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    Mayumi Shintani

    Zirco (voice)

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Court tells Taylor Frankie Paul’s ex Dakota Mortensen to stop riding motorcycle with 2-year-old son Ever

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Paul and Mortensen, who share a son, Ever, have had a tumultuous relationship.

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Heated Rivalry’s Emmys Snub Isn’t for the Reason You Think

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Hudson Williams as Shane Hollander and Connor Storrie as Ilya Rozanov in Season 1 of 'Heated Rivalry.'

The 78th Emmy Awards recently announced its list of nominees, sparking the usual discussion about which shows deserved their nominations and which were snubbed. One of the most surprising snubs concerns breakout hit Heated Rivalry, which didn’t place in any category. It’s a genuine surprise, given how Heated Rivalry took the world by storm when it premiered last year. It remains one of HBO Max’s most-watched series, not to mention that it rivals KPop Demon Hunters for 2025’s pop culture breakout hit. So why didn’t it receive any nominations?

The answer is surprisingly simple, and a technical one. Per the Emmys’ rules and procedures, a television series from another country cannot be nominated for awards unless it is financially and creatively coproduced for U.S. television. While Heated Rivalry might have grown in popularity thanks to HBO Max, it was originally created for the Canadian streaming service Crave. It’s a sharp contrast to Netflix’s adaptation of Lord of the Flies, which was produced by a British company that’s owned by Sony Pictures Television. Heated Rivalry‘s production also takes place in Canada, meaning it wasn’t going to be nominated for any Emmys. Fans shouldn’t fret, as Heated Rivalry is up for other awards.

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‘Heated Rivalry’ Has Already Won Awards & Could Potentially Win More

Hudson Williams as Shane Hollander and Connor Storrie as Ilya Rozanov in Season 1 of 'Heated Rivalry.'
Hudson Williams as Shane Hollander and Connor Storrie as Ilya Rozanov in Season 1 of ‘Heated Rivalry.’
Image via Crave

While Heated Rivalry might not be in the running for any Emmy Awards, that doesn’t mean it’s ineligible for other competitions or that it hasn’t won any awards. Earlier this year, the series swept the 2026 Canadian Screen Awards, taking home a whopping 16 awards. It also won an award for Outstanding New TV Series at the 37th Annual GLAAD Media Award; considering that the GLAAD Awards spotlight LGBTQ+ media, it’s a colossal win for Heated Rivalry. It’s pretty clear that the lack of Emmy nominations isn’t an issue for Heated Rivalry, especially since it’s cleaning house in other competitions.

The surge of international awards that Heated Rivalry‘s winning is a reminder that the Emmys aren’t the end-all, be-all for a television show. The Critics’ Choice Television Awards often put the spotlight on TV shows that media critics love, and of course, there’s always the Golden Globes. In addition, Heated Rivalry has a chance to compete in the International Emmys later this year, where it will face off against Hulu’s breakout series Rivals for Best Drama Series. If Heated Rivalry continues to dominate the awards circuit outside the Emmys, it could attract more viewers, which bodes well, as it’s been renewed for a second season.













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Collider Exclusive · Oscar Best Picture Quiz
Which Oscar Best Picture
Is Your Perfect Movie?

Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country
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Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.

🪜Parasite

🌀Everything Everywhere

☢️Oppenheimer

🐦Birdman

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🪙No Country for Old Men

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01

What kind of film experience do you actually want?
The best movies don’t just entertain — they leave something behind.





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02

Which idea grabs you most in a film?
Great films are driven by a central obsession. What’s yours?





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03

How do you like your story told?
Form is content. The way a story is shaped changes what it means.





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04

What makes a truly great antagonist?
The opposition defines the protagonist. What kind of opposition fascinates you?





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05

What do you want from a film’s ending?
The final note is the one that lingers. What do you want it to sound like?





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06

Which setting pulls you in most?
Where a film takes place shapes everything — mood, stakes, what’s even possible.





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07

What cinematic craft impresses you most?
Every great film has a signature — a technical or artistic element that makes it unmistakable.





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08

What kind of main character do you root for?
The protagonist is the lens. Who you choose to follow says something about you.





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09

How do you feel about a film that takes its time?
Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.





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10

What do you want to feel walking out of the cinema?
The best films leave a mark. What kind of mark do you want?





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The Academy Has Decided
Your Perfect Film Is…

Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.

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Parasite

You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho’s Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it’s ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.

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Everything Everywhere All at Once

You want it all — and this film gives you all of it. The Daniels’ Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn’t want cinema to choose between being entertaining and being meaningful. This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it’s about.

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Oppenheimer

You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens. Christopher Nolan’s Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.

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Birdman

You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it’s about. Alejandro González Iñárritu’s Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor’s ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn’t be possible. Michael Keaton’s performance and Emmanuel Lubezki’s restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all.

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No Country for Old Men

You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning. The Coen Brothers’ No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest. No Country for Old Men is honest in a way that most cinema never dares to be.

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A ‘Heated Rivalry’ Star Has an Emmy Nomination for a Different Series

In an ironic twist, one of Heated Rivalry‘s stars has actually been nominated for an Emmy, but for an entirely different show. Connor Storrie, who portrays Russian hockey player Ilya Rozanov, received a nomination for Guest Actor in a Comedy Series for his special guest appearance on Saturday Night Live in February. Storrie proved he had incredible comedic chops during the episode, even reuniting with his Heated Rivalry co-star, Hudson Williams, in a hilarious sketch parodying the show. He also discussed his nomination with The Hollywood Reporter and how hosting SNL was a dream come true, given his love for the long-running comedy show.

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SNL was such a ‘pinch me’ moment in my career. It was a formative part of my life growing up, so to be recognized by the Academy for hosting feels incredibly surreal. I’m so grateful to everyone who made that night possible.”

Storrie is up against some stiff competition, as the Guest Actor in a Comedy Series category includes nominations for Michael J. Fox‘s role in Shrinking and the late Rob Reiner in the final season of The Bear. Still, his nomination means Heated Rivalry willhave some representation at the Emmys, even if the show itself isn’t nominated. Much like a match between Ilya and Shane, Heated Rivalryisn’t backing down during awards season.


03285554_poster_w780.jpg
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Release Date
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November 28, 2025

Network

Crave

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Directors

Jacob Tierney

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Cast

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  • Headshot Of Connor Storrie

    Connor Storrie

    Ilya Rozanov

  • Headshot OF Hudson Williams

    Hudson Williams

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    Shane Hollander

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Chris Parnell reflects on being fired twice from “Saturday Night Live”: ‘It was a big shock’

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The comedian was brought back in 2002, just months after Lorne Michaels dismissed Parnell due to budget cuts.

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Dune: Part Three | Official Trailer

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Dune: Part Three | Official Trailer

Genre:
Sci-Fi, Adventure, Drama

Release Date:
December 18, 2026

Director:
Denis Villeneuve

Cast:
Timothée Chalamet, Zendaya, Florence Pugh, Jason Momoa, Rebecca Ferguson, Robert Pattinson, Javier Bardem, Anya Taylor-Joy, Josh Brolin, Charlotte Rampling, Léa Seydoux, Nakoa-Wolf Momoa, Ida Brooke

Plot Summary:
Set years after the events of Dune: Part Two, Paul Atreides rules the known universe as Emperor but finds himself trapped by the devastating consequences of the holy war fought in his name. As political enemies close in and ancient conspiracies threaten his reign, Paul must confront impossible choices that will determine the future of House Atreides and all of humanity. Based on Frank Herbert’s acclaimed novel Dune Messiah, the film serves as the epic conclusion to Denis Villeneuve’s Dune trilogy.

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The post Dune: Part Three | Official Trailer appeared first on Coastal House Media.

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Tristan Thompson Sparks Buzz With Advice For Klay Thompson

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Rihanna Seemingly Addresses Baby Rumors, Talks "Little Pouch"

Roomies, when it comes to navigating love in the public eye, some lessons come from experience—and Tristan Thompson is speaking from a place of knowing what it feels like to have personal matters become headline material. The NBA star recently weighed in on the ongoing conversation surrounding Klay Thompson and Megan Thee Stallion’s highly discussed split, offering his thoughts on how he believes athletes should handle relationship drama once it reaches the internet.

RELATED: Oop! Social Media Users Are Mentioning Klay Thompson While Droppin’ Mixed Reactions To Megan Thee Stallion’s Latest Song Snippet (VIDEO)

Tristan Thompson Shares His Two Cents On Klay’s Drama

During his appearance on Club Shay Shay with Shannon Sharpe, Tristan Thompson was asked about Klay’s situation following Megan’s public comments about their breakup. He explained that, in his opinion, responding publicly or trying to defend yourself can sometimes keep the conversation alive longer. Tristan advised that when someone shares their side, the best move may be to stay quiet rather than add more fuel to the situation.

If you speak up, you give it more legs,” Tristan said during the interview, adding that responding creates another opportunity for the public to continue discussing the situation. He also reflected on his own experiences with public relationship controversies, saying he believes men should avoid going back and forth publicly when personal issues are involved. “You allow them to take another day to talk about it. If she wants to say something, let her do whatever she wants to do. As a man, keep your mouth quiet. Because I’ve never went out there and defended myself because it’s just not what we do,” he shared.

The Timeline Had Mixed Feelings About Tristan

The internet wasted no time heading to Club Shay Shay’s YouTube comment section to sound off on Tristan Thompson’s advice. While some questioned whether Tristan was the right person to hand out relationship tips, others gave him credit for knowing how to handle a media moment. Meanwhile, plenty of commenters said Klay Thompson’ had everybody fooled when it came to him and Meg.

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One Youtube user @JoseGuzman-ne3pk said, “Klay is no Russell Wilson 😂”

This Youtube user @michaelj.r.5301 added, “Message to Klay: You had us in the first half.. Ngl

And, Youtube user @Tobee-t3p wrote, “Hey Tristan good at this 😅”

Meanwhile, Youtube user @rebekahharris8713 commented, “You can tell he has had great media training lol

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While Youtube user @cherryboom724 joked, “Tristan should be the last person to give relationship advice 😂😂”

Lastly, Youtube user @mom4life513 shared, “Don’t give advice bro

Remember When Meg Shared Her Side Of The Split?

The conversation comes months after Megan Thee Stallion previously spoke out about her split from Klay Thompson, claiming she felt blindsided after their relationship reached a more serious stage. The Houston rapper also alleged that Klay changed his perspective on commitment and cheated. Meanwhile, conversations online continued surrounding the breakup and reports about what may have happened behind the scenes. Klay has largely stayed out of the public back-and-forth surrounding the situation.

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RELATED: Over It? Megan Thee Stallion Seemingly Addresses Klay Thompson Split In NEW Song As Fans Decode Lyrics (PHOTO)

What Do You Think Roomies?

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2026 Emmy Nominations: The Biggest Snubs and Surprises That Have Fans Talking : Coastal House Media

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Early Evil Dead Burn Reviews Hail the Franchise's Most Brutal Chapter Yet : Coastal House Media

With just days to go before its theatrical release, the review embargo for Evil Dead Burn has officially lifted and while not every critic is completely sold, the latest chapter in the legendary horror franchise is already earning praise for delivering exactly what longtime fans have been craving: relentless gore, inventive kills, and an unapologetically brutal return to Deadite terror.

Directed by Sébastien Vaniček, the filmmaker behind the acclaimed horror thriller Infested, Evil Dead Burn follows a grieving widow who seeks comfort with her late husband’s family, only to find herself trapped in a nightmare as demonic forces begin possessing those around her. The film stars Souheila Yacoub, Hunter Doohan, Luciane Buchanan, and Tandi Wright, while franchise creators Sam Raimi and Robert Tapert return as producers.

Many of the first reviews have praised Vaniček’s fresh vision for the franchise, with critics highlighting the film’s intense practical effects, creative set pieces, and emotionally grounded story. Several reviewers have even suggested Evil Dead Burn may be the most violent installment the series has ever produced.

Evil Dead Burn [credit: Warner Bros.]

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Not every review has been glowing, however. While some critics applauded the film’s willingness to push the boundaries of horror, others argued that its relentless brutality occasionally comes at the expense of the dark humor and charm that helped define earlier entries in the franchise.

One of the film’s stars, Hunter Doohan, recently spoke about the demanding production, revealing that some of the movie’s elaborate action and horror sequences required days of filming and extensive rehearsals.

“How the f— are we going to do this?”

Doohan recalled thinking while preparing for one of the film’s most ambitious set pieces.

Doohan also revealed that he watched every previous Evil Dead film before production began to fully immerse himself in the franchise’s mythology, saying the experience turned him into an even bigger fan.

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Ahead of production, Vaniček also shared that Bruce Campbell had one major request for the new installment: respect what made Evil Dead special while still bringing something new to the table. According to the director, Campbell encouraged him to stay true to the franchise’s DNA without simply recreating what had come before.

Whether Evil Dead Burn ultimately ranks among the franchise’s very best remains to be seen, but the early consensus suggests horror fans are in for one of the year’s most intense theatrical experiences. With praise for its practical effects, gruesome kills, and uncompromising vision, the latest chapter appears ready to continue the franchise’s reputation as one of horror’s bloodiest and most enduring series when it opens in theaters on July 10.

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Jimmy Tatro Reportedly Eyed to Play Gorilla Grodd in DC’s Jimmy Olsen Spinoff Series : Coastal House Media

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Taylor Sheridan Clarifies Kevin Costner's Yellowstone Exit Three Years Later : Coastal House Media

Rumors surrounding the DC Universe’s next Batman have exploded across social media, with multiple insiders claiming that Tom Brittney has been cast as the Dark Knight for DC Studios’ upcoming The Brave and the Bold.

While nothing has been officially confirmed by James Gunn, the speculation gained momentum after well-known scooper MyTimeToShineHello simply posted, “It’s true, it’s Tom,” leading fans to connect the dots to Brittney. Several entertainment outlets have since echoed the rumor, although none have been able to verify it through DC Studios.

For fans unfamiliar with Brittney, the English actor is best known for his starring role in Grantchester. He was also reportedly one of the finalists to play Superman before David Corenswet ultimately landed the role, making him someone already familiar to DC Studios during the casting process.

Interestingly, James Gunn previously praised Brittney’s acting ability after seeing fan artwork imagining him as Batman, calling him “a great actor.” While that comment fueled fan speculation, Gunn has repeatedly stated that DC Studios will not officially cast Batman until the script for The Brave and the Bold is where they want it to be.

At this point, it’s important to stress that this remains nothing more than a rumor. DC Studios has not announced its Batman, and neither Gunn nor co-head Peter Safran has confirmed Brittney’s involvement in the DCU.

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Still, if the reports prove accurate, Brittney would become the first actor to portray the DCU’s version of Bruce Wayne, separate from Robert Pattinson’s Batman, who continues to headline Matt Reeves’ standalone Elseworlds franchise.

Until an official announcement arrives, fans should treat the reports with caution. However, the growing buzz has certainly made Tom Brittney one of the most talked-about names in the race to wear the cape and cowl.

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Justin Baldoni, Wife Break Silence After Blake Lively Settlement

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Emily Baldoni and Justin Baldoni at 'Five Feet Apart' Los Angeles Premiere

The years-long legal saga between Justin Baldoni and Blake Lively stemming from their 2024 movie, “It Ends With Us,” mostly concluded in early May 2026, with her remaining claims against him being settled. Now, several weeks later, the filmmaker and his wife, Emily Baldoni, have broken their silence, calling the ordeal an injustice.

Emily Baldoni and Justin Baldoni at 'Five Feet Apart' Los Angeles Premiere
O’Connor/AFF-USA.com / MEGA

The Baldonis took to Instagram on July 8 to post a joint video. The two can be seen sitting outside, seemingly on a porch or patio, as they address the Lively lawsuit, in which he countersued for $400 million before his claims were dismissed in July 2025.

The “It Ends With Us” director began by saying, “So, we have not spoken publicly for the better part of the last two years, and it’s not because we haven’t had anything to say, because lord knows we have.”

He went on to say that he and Emily had attempted to make videos in the past to address the situation, but “it just didn’t feel like the right time.”

She then said, “And this feels like the moment.” From there, Emily stated that they feel “immense gratitude” for “so many things and so many people and so many things that have happened to us.” According to Justin, “Gratitude has saved us.”

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The Couple Called The Lawsuit An ‘Injustice’

Justin Baldoni at Five Feet Apart Premiere
Jaxon / MEGA

Emily continued their shared statement by saying that the gratitude does not “negate the injustice and the pain that we have also felt in the last few years.” She went on to discuss how the lawsuit has impacted their lives, saying they’ve been forced to “wrestle with so many things.”

From there, she shared that they questioned, “How could something like this even happen?” Adding, “Let alone disguised as a fight for women.” After that, Emily stated that she and her family have “a lot of trauma” as a result of the years-long legal fight.

Justin chimed in, saying, “We don’t even know if this is the right thing to say. We just know we need to share something. What I will say is that there have been so many painful things that have been spoken into existence over the last couple of years. That created so much noise, and we didn’t want to add to the noise. So we just wanted to let the justice system run its course.”

Emily went on to note that “the truth and the facts have spoken for themselves,” alluding to the settlement, which his legal team considered a victory. Regarding an update, the couple stated that they are “healing.”

They also shared that they have learned that it’s their family, friends, and faith that matter after questioning “what’s real.” Justin added that they were “more steadfast” in their faith.

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The Couple Thanked People Who Stood By Them

Justin and Emily Baldoni at the 'Jumanji: The Next Level' Hollywood Premiere
ZUMAPRESS.com / MEGA

Toward the end of the video, Justin and Emily addressed those from the public who supported them throughout the legal ordeal. According to him, “there were so many of you who, when we didn’t have a voice, were our voice.”

He then said that Emily “had a prayer in the very beginning”: she hoped that “people would have discernment.” Justin continued, “And so many of you had discernment, and you used your intuition, and you trusted that.”

The filmmaker also noted that people had “given their time to fight for us,” saying, “and ‘thank you’ does not feel like enough.”

Closer to the end, Emily remarked, “And there’s so much more to say and that time will come.”

Blake Lively’s Final Claims Were Settled Ahead Of The Planned Trial

Blake Lively at the Met Gala
Nancy Rivera/MEGA

The much-talked-about trial between Baldoni and Lively was set to begin on May 18 in New York after being delayed from March. However, instead of going to court, they reached a settlement earlier in the month.

Notably, the judge in the case had previously dismissed 10 out of 13 of Lively’s civil claims related to the alleged sexual harassment on the set of “It Ends With Us.” Per Variety, only three claims remained: retaliation, aiding and abetting retaliation, and breach of contract.

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Blake And Justin Released A Joint Statement

Blake Lively attends marc jacobs fashion show
MEGA

Following the settlement of the lawsuit, Baldoni and Lively issued a prepared statement. They said, “The end product – the movie ‘It Ends With Us’ – is a source of pride to all of us who worked to bring it to life. Raising awareness, and making a meaningful impact in the lives of domestic violence survivors – and all survivors – is a goal that we stand behind.”

It continued, “We acknowledge the process presented challenges and recognize concerns raised by Ms. Lively deserved to be heard. We remain firmly committed to workplaces free of improprieties and unproductive environments.”

After that, their joint statement called for all involved parties to “move forward constructively and in peace.” However, since then, Lively has requested $8 million from Baldoni for legal fees.

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The Stargate SG-1 Hockey Team Every Fan Wishes They Could Have Seen In Action

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The Stargate SG-1 Hockey Team Every Fan Wishes They Could Have Seen In Action

By Jonathan Klotz
| Published

Vancouver has been the Hollywood of Canada for decades. Supernatural, Smallville, The 100, Continuum, Travellers, the list of shows that film around the city are too many to mention, but it also includes the legendary Stargate SG-1. For a decade, the series filmed out of Vancouver, which is why every alien planet on the other side of the Stargate looks like, well, Vancouver. Since they filmed in Canada, most of the cast and crew were also major hockey fans, to the point where they started their own team and would take on other productions in friendly games. 

Stargate SG-1 Took On All Comers

Canadian Michael Shanks was the ringleader for the Stargate team. At one time, Shanks thought about going pro. Instead he spent a decade playing Dr. Daniel Jackson by day, and slamming Smallville’s Lex Luthor, Michael Rosenbaum, into the boards by night. Through different interviews and DVD featurettes, Shanks and crew has said they’d play not only Smallville, but also Millenium, The Twilight Zone, and even The Chris Isaak Show. If you forgot that the man who sang “Wicked Game” starred in a sitcom on Showtime for three seasons…so did everyone else. Amazingly, it was pretty good for the time too. 

Richard Dean Anderson was also part of Team Stargate. He’s American, but from Minnesota, which means like Shanks he was required by law to be a fan of hockey growing up. In the episode “Fire and Water” when Jack O’Neill is taking a hockey stick to General Hammond’s windshield, you can even see where the stick says “Anderson” towards the top. Fans today would love to have been there in the stands to see Shanks, Anderson, and Dan Shea, who played Sgt. Sylvester Siler for all 10 seasons and parts of Atlantis. Take on the other productions. 

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Having Fun With the Cast’s Hobbies

Even though it’s been 33 years since a Canadian team has won the Stanley Cup (oddly, the same year that Gary Bettman became NHL Commissioner), it’s the national sport of Canada. It’s odd when a Canadian production doesn’t have a hockey team. 

In “The Other Guys” O’Neill brings up hockey to Teal’c, saying they went to a game last year, and Teal’c says he thinks the Vancouver Canucks are going to win the Stanley Cup. Instead of hockey, Christopher Judge would join Richard Dean Anderson on the golf course on a regular basis, which is why when Teal’c and O’Neill are stuck in a time loop in “Window of Opportunity” they hit golf balls through the Stargate. That’s their own clubs and balls being used dangerously close to a $100,000 prop.

Stargate SG-1 never worked very hard to cover the obviously Canadian influences behind the production, even making a metajoke about it in “Wormhole X-Treme.” It was one of the most successful, and longest-running, sci-fi productions to come out of Vancouver which is still heavily used to this day. There’s no word on if the Toronto-based Killjoys and The Expanse had their own hockey teams, but it’s still Canada, so odds are they were hitting the ice in between runs to Tim Hortons listening to Bryan Adams and watching Trailer Park Boys.


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Karmelo Anthony’s Lawyers Request New Trial And New Judge

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Karmelo Anthony Karmelo Anthony's lawyers Karmelo Anthony judge Karmelo Anthony trial Karmelo Anthony new trial Karmelo Anthony new judge

Karmelo Anthony‘s lawyers filed a motion requesting a new trial. Furthermore, the attorneys are asking for the removal of Judge John Roach, who presided over the last trial. According to NBC 5 News, Anthony’s new legal team wants Roach removed over “problematic comments” he made during an interview following the proceedings.

RELATED: Karmelo Anthony’s Grandmother Chants “Racist” & “Biased” Following His Prison Sentence As His Mother Continues To Demand Justice (VIDEOS)

Karmelo Anthony’s Lawyers Request New Trial

As reported by The Shade Room, 19-year-old Karmelo Anthony was convicted by an all-white jury for the fatal stabbing of 17-year-old Austin Metcalf. Karmelo was then sentenced to 35 years in prison on June 9. His new legal team is requesting a new trial, and they filed a motion arguing that Karmelo’s constitutional rights were violated during the proceedings. The 63-page document states that the teens’ constitutional rights were violated by the exclusion of the public from parts of the trial. The filing also states that the jury received improper instructions and claimed the prosecutors reneged on an agreement regarding Karmelo deciding not to testify on his own behalf.

During a track meet in Frisco, Texas, on April 2, 2025, a then-17-year-old Karmelo reportedly sought refuge from the rain under the competition’s tent. Austin reportedly told him to leave several times, and the two argued. Austin, who was 6 feet tall and weighed approximately 200 pounds, reportedly shoved Karmelo, who is 5″11′ and approximately 162 pounds. According to Newsweek, Karmelo warned Austin not to touch him multiple times before stabbing him with a utility tool. The teenager pleaded self-defense. His lengthy sentence by an all-white jury raised questions about race, and his legal team wants a new trial.

What Did The Judge Say Post-Trial?

Judge Roach gave an interview after the trial, and his comments resulted in Anthony’s legal team filing for his removal. During an interview with WFAA News, Roach was asked if the jury reached the correct verdict. The jury deliberated for less than two hours.

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“Yes they did,” replied Roach. “Because they were picked based upon the law, they listened to the facts, it happened in this courtroom, and they got a verdict.”

When asked about his decision not to allow cameras in the courtroom, the judge defended his choice.

“Yes, it was an easy decision,” he said. “I’ll tell you why, my primary goal in every case is to make sure the defendant and the prosecution get a fair trial. Period. I know I made people mad but I’m not here to make them happy either.”

Texas NAACP President Is Representing Karmelo

According to the New York Post, Karmelo’s new legal team includes the president of the Texas NAACP, Gary Bledsoe. The team also includes civil rights lawyer Brooke Cluse and appellate attorney Russell Wilson. They are representing their client pro bono. Cluse is an attorney with the prestigious law firm Ben Crump Law. The trio of attorneys teamed up in June following Karmelo’s sentencing. Their goal is to overturn both his conviction and prison sentence.

RELATED: Newly Released Body Cam Footage Shows Karmelo Anthony’s Arrest After Fatal Stabbing Of Austin Metcalf (VIDEOS)

What Do You Think Roomies?

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