Politics

Reform councillor pictured in Blackface and Rasta hat

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Geoff Shaw is one of the new crop of Reform UK councillors who were elected to office in May 2026. And like many of his new colleagues, Shaw is already attracting all the wrong sort of attention:

Disgraceful

Shaw is one of 11 Reform politicians who won a seat on the Epping Forest District Council. This gave Reform a majority of the 18 seats available. Given the rate at which Reform loses councillors, however, the party may struggle to hold on to that majority — especially with politicians like Reform’s Shaw in the mix.

In the offending picture, Shaw appears to have Black and White Minstrel-style face paint on:

Reporting on the history of the show, David Hendy wrote for the BBC website:

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What’s harder to fathom is why, in an era in which tens of thousands of black people had long been settled in Britain or were trying to make it their home, a BBC which had already managed to reflect something of the reality of black British life… took so little account of the offence caused by white performers blacking-up their faces on a peak-time TV show.

Hendy added:

For the best part of the next twenty years it didn’t seem to occur to anyone in a position of authority at the BBC that the series really was offensive to more than just a few “killjoys”. This failure to even see any racism was a measure of the BBC’s real problem: the archival record of its behind-the-scenes thinking during this period is far from flattering.

On that record, one BBC executive wrote at the time of the show’s airing:

The best advice that could be given to coloured people by their friends would be: “on this issue, we can see your point, by [SIC] in your own best interests, for Heaven’s sake shut up. You are wasting valuable ammunition on a comparatively insignificant target”.”

While it’s obvious to most why it’s offensive to portray Black people as cartoonish caricatures, people like Shaw still aren’t getting it. To make it completely clear, then, we need to go back to the start.

The history of minstrelry

The tradition of Black minstrelry began in the US, and it emerged at a time when Black people lacked the rights of white American citizens. As the National Museum of African American History & Culture reported:

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The first minstrel shows were performed in 1830s New York by white performers with blackened faces (most used burnt cork or shoe polish) and tattered clothing who imitated and mimicked enslaved Africans on Southern plantations. These performances characterized blacks as lazy, ignorant, superstitious, hypersexual, and prone to thievery and cowardice. Thomas Dartmouth Rice, known as the “Father of Minstrelsy,” developed the first popularly known blackface character, “Jim Crow” in 1830. By 1845, the popularity of the minstrel had spawned an entertainment subindustry, manufacturing songs and sheet music, makeup, costumes, as well as a ready-set of stereotypes upon which to build new performances.

In other words, the practice emerged as a means for white Americans to ridicule and denigrate their Black countryfolk. And it persisted because enterprising racists figured out how to turn a profit from it.

You can’t separate the act of Blackface from the history of Blackface. And while you can utter phrases like ‘it’s just face paint‘ or ‘I don’t mean any offence‘, in doing so you sound like a fucking idiot.

Getting away with it

We’re not sure what Shaw’s excuse will be yet, but we’d be very surprised if it contains the word ‘sorry.’ After all, he’s a member of the party which happily tolerated the following:

Featured image via the Canary

By Willem Moore

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