The OpenMandriva Linux project announced that it was the target of an attempted act of internal sabotage after a dispute among contributors.

The attempted destructive action extended from wiping GitHub repositories to pushing an empty package that could have damaged users’ systems.

OpenMandriva is an independent, community-run Linux distribution, forked from Mandriva Linux in 2012 and maintained by the OpenMandriva Association.

The distro stands out for building most of its components with the LLVM/Clang toolchain instead of GCC, which is commonly used by most Linux distributions.

According to a post on the project’s forum from long-time OpenMandriva developer and maintainer AngryPenguin, the sabotage attempt occurred after a contributor’s abusive behavior “towards certain users and members of the distribution,” which caused some of them to leave the project.

Following these events, Davide Beatrici, the leading developer of the instant messaging app Mumble and a friend of the attacker, decided to delete part of a repository the OpenMandriva team had been working on for almost a decade.

AngryPenguin stated that Beatrici had administrative privileges because he previously helped migrate and mirror project repositories to his private OneDev instance.

Apart from the data wipe, Beatrici also published an empty package in the Cooker repository that obsoleted the packages for the Gnome and Cosmic desktop environments.

The OpenMandriva team says it is currently restoring the deleted repositories and packages and is conducting a full system audit to determine any other unauthorized changes.

BleepingComputer has contacted Beatrici directly, as well as through the Mumble team, requesting his side of the story, but we have not heard back as of publishing.

However, Beatrici rejected the sabotage claims in a statement for The Lunduke Journal, saying that his goal was never to harm the OpenMandriva community or the distribution’s users.

“Let me state right away that this was by no means a ‘sabotage.’ I’m not the kind of person to do something like that,” Beatrici stated.

“The objective was not to harm the distribution I cared for and contributed to for the past 3 years. I carefully deleted all Cosmic and GNOME repositories from GitHub, the corresponding packages on Cooker (development branch) and pushed a package obsoleting them.”

As Beatrici says, this action was triggered by a few members of the project who did not agree with OpenMandriva’s focus on KDE and LXQt.

“The same members, who notably don’t care about security nor a clean Git commit history, decided to delete the “.onedev-buildspec.yml” file from several repositories without asking/informing me or anyone else first,” the developer said.

AngryPenguin stated on behalf of the OpenMandriva team that although Beatrici’s actions constitute a criminal offense, they have decided not to pursue legal action against the former contributor.

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The complaint reads:

On September 12, 2025, Allstate informed VMware’s consultant that it had “removed VMware from all devices,” and therefore Allstate was no longer able to “execute the Scripts provided by Broadcom as the scripts are dependent on having VMWare components running in the environment.”

Allstate reportedly followed up in October to tell VMware that “all VMware instances have been terminated and removed from Allstate’s VMware ELA environment” and that its audit obligations were fulfilled, per VMware’s complaint.

Allstate’s story differs. In the June filing, Allstate claimed that after it decided not to renew its VMware and CA contracts, Broadcom “simultaneously and unreasonably initiated four separate audits of Allstate’s use of its licensed CA and VMware software.”

“With respect to VMware, Allstate substantially and in good faith complied with the audit and reporting requirements set forth in its contracts with VMware, and Plaintiff’s claims to the contrary are unfounded,” the statement reads.

Broadcom has a separate case against Allstate under CA Technologies (PDF). In the lawsuit filed in May 2025, CA accuses Allstate of copyright infringement and breach of contract by selling Allstate’s Employer Voluntary Benefits business and the Symantec products that the business used to Oregon-based insurance company StanCorp Financial Group. CA alleges that Allstate initially “sent a letter to Symantec (a company no longer in existence)” about the decision, but “did not send a similar notice letter addressed to CA.”

In both cases, the parties have until May 17, 2027, to file dispositive motions seeking to resolve each case without a trial.

The cases demonstrate Broadcom’s litigious side and a willingness to battle disgruntled VMware customers. Allstate hasn’t said how reliant it was on VMware or what virtualization tech it uses now. But it’s notable that the insurance firm has joined a growing list of known, enterprise-size firms that have decided to move away from VMware and dispute its owner’s business practices in court.

ai and ml

One in four long-form social media posts appear entirely AI-generated, with nearly half of those on Microsoft’s and Elon’s platforms involving AI in some form

No surprise here. A study from AI detection platform Pangram suggests that social media posts are teeming with AI-generated slop, particularly if the posts are long and especially if they live on LinkedIn or X. If you’re sick of reading non-human prose, we’d recommend getting off the platforms altogether.

Along with offering your typical AI-content detection services, Pangram released a Chrome extension at the end of April that, with a $20/month subscription, will automatically scan a user’s LinkedIn, Medium, Substack, X, and Reddit feeds to check for AI-generated or assisted content. With more than one million posts analyzed from users who opted in to share data through the extension since its launch, Pangram has concluded that, while AI slop is flooding social media, it’s hitting longform content particularly hard. 

With longform content defined in its study as any post over 250 words, Pangram found that a full 25 percent of such posts across all the platforms it studies were fully AI-generated. Fully, mind you, meaning that doesn’t include posts in which users got the assistance of an LLM to gussy up their bland prose. That average across platforms was hardly evenly distributed, though. 

Leading the way was LinkedIn, where 41 percent of longform content was fingered by Pangram as being AI-generated. That’s likely unsurprising to anyone who’s ever bothered to read a lengthy professional diatribe from the Microsoft-owned slop shop, or for El Reg readers – a prior story we reported on in late 2024 from AI detection outfit Originality.ai found that 54 percent of LinkedIn longforms were AI-generated. Originality’s definition of Longform was a bit looser, however, with anything over 100 words counting in its analysis. 

Per Pangram, shortform content on LinkedIn isn’t much more likely to be human authored – they found 30 percent of posts between 50 and 250 words were fully written by AI. 

For LinkedIn thought slop leaders, it’s generally all or nothing when it comes to using AI to write posts, with a mere 4.3 percent of longform content written with AI assistance. On the other hand, only 55.2 percent of longform posts on the platform, Pangram concluded, are actually written by humans. 

While LinkedIn may take the cake in terms of the volume of full-slop longform posts, Elon’s X has it beat when adding partially-written AI garbage into the mix, but not by much, honestly. A quarter of posts on X are fully AI authored, and an additional 23.2 percent are believed to be written with AI help. That leaves 52.7 percent of Twitter posts attributed to humans. In effect, you’re roughly batting .500 on either site. 

Pangram found that Medium isn’t that much better, with roughly one in three posts likely to have been written by, or with the aid of, an AI. Substack was far and away the least likely place to find AI slop in disguise, but even then, nearly a quarter (21.9 percent) of posts analyzed by the Chrome extension were written by or with AI. 

Reddit is a slightly more complicated situation, with comments on posts making up a large portion of Reddit content. According to Pangram, 11.6 percent of Reddit posts are AI authored or assisted; 98.1 percent of comments were found to be human authored, and the sheer quantity of comments vs. top-level posts meant that Reddit appears to be the place to go if you want to avoid an intrusion of AI thinking. 

All said, Pangram concluded from its data that AI writing is flooding social media, just like it’s flooding websites and basically everywhere else online. 

“An internet that is completely flooded with undisclosed AI content is bleak, but we don’t believe it’s inevitable,” Pangram CEO Max Spero said of his company’s findings in the report. Pangram believes letting internet users know what’s been AI-generated so they can ignore it is a solution to the problem, but you’ll have to pay $20/month if you want the Chrome extension to provide that service. It’s still usable without paying, but content has to be manually input, and the daily limit is just 4,000 words. 

In other words, unless you want to pony up and see who’s bullshitting you on social media, you’ll have to just assume everyone is. Like we suggested up top, maybe it’s time to disconnect from those feeds entirely. ®

Vinyl collecting has entered the spreadsheet era, which sounds terrible until you realize how much money some of us have sitting in crates, shelves, jackets, inner sleeves, outer sleeves, and the occasional box set that required a small act of financial self-deception.

Secret Chord Analogue’s new Vinyl Record Tracker, or VRT, is not another record cataloging tool trying to out-Discogs Discogs. The company is pitching it differently: cataloging tools tell you what you own, but VRT tells you what is happening to your collection. That distinction matters. VRT tracks plays, cartridge hours, stylus wear, record cleaning, Record Restore treatments, playback history, and maintenance reminders from a phone, tablet, or desktop.

For collectors who already obsess over pressing plants, deadwax, mastering engineers, and whether a record was cut from the original analog tapes, the next logical step might be knowing whether your stylus is quietly turning your favorite Blue Note into floor polish.

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Vinyl Is Bigger, More Expensive, and More Worth Protecting

This product lands at the right moment because vinyl is no longer a niche physical format reserved for audiophiles arguing with strangers in Facebook groups and Reddit threads about deadwax, pressing plants, and whether their copy of Aja was handled by the correct mastering engineer.

According to the RIAA, U.S. vinyl revenue surpassed $1 billion in 2025, marking the format’s 19th consecutive year of growth. Vinyl also remained the dominant physical format, selling 46.8 million units compared to 29.5 million CDs.

That is not nostalgia anymore. That is a growing, financially viable segment, and the music labels are not about to toss vinyl back into the dumpster bin of history now that people are willingly paying $35 to $150 for records they already bought three formats ago.

Luminate’s 2025 Record Store Day data also shows how deep this has become. During the week of Record Store Day 2025, U.S. independent record stores sold 1.2 million albums, just over 1 million of them on vinyl. It was the fifth consecutive year that Record Store Day week exceeded 1 million album sales.

Record Store Day 2026 kept the machine moving with more than 365 exclusive or limited-edition releases and participation from thousands of stores around the world. The first official Record Store Day took place in 2008, but in 2026 it is no longer a niche holiday for crate diggers with elbow pads and coffee. It is a global retail event with real economic weight.

We know how strong Record Store Day has become because we have spent years standing outside in the rain before sunrise next to collectors clutching wantlists, coffee, and the faint aroma of poor life choices.

The problem is that the more vinyl grows, the more casual some of the ownership becomes. People will spend $40, $50, $75, or more on a new pressing, slide it into a cheap paper sleeve, play it with a dirty stylus, forget when it was last cleaned, and then act shocked when surface noise arrives like a letter from your ex reminding you that Langdon’s lacrosse camp payments are due.

What Secret Chord Analogue VRT Actually Does

Secret Chord Analogue VRT is a web-based vinyl tracking and care system built around the Play Log. Each listening session can be recorded with the album played, cartridge used, turntable and tonearm configuration, and play duration. From there, VRT tracks cumulative cartridge hours, stylus wear, cleaning status, record treatment history, and playback activity.

The system also supports barcode scanning, Discogs lookup, album management, play-count history, storage tracking, and QR-code location tools for collectors who need to remember whether a record lives in the main listening room, the office, the overflow shelf, or that pile they keep pretending is temporary.

Secret Chord Analogue says VRT can track Record Restore treatments, fluid levels, stylus tip cleaning reminders, cartridge service thresholds, and recent playback history. The dashboard shows cartridge health, Record Restore readiness, recent plays, and system configuration.

That makes VRT less of a “collection database” and more of an analog maintenance dashboard.

Core vs. Pro

VRT is available in Core and Pro versions. According to Secret Chord Analogue’s official product page, current pricing is:

• VRT Core Annual Licence: AU$39
• VRT Core Lifetime Licence: AU$99
• VRT Pro Annual Licence: AU$65
• VRT Pro Lifetime Licence: AU$179

Core includes play logging, dashboard, album management, equipment setup, Record Restore tracking, playback history, and backup. Pro adds analytics, data exports, and advanced playback-history tools.

One note: some early reporting lists slightly different Pro annual pricing, so regional pricing should be checked before ordering. The official Secret Chord Analogue product page currently lists Pro Annual at AU$65, while SoundStage Australia lists AU$99.

Why This Is More Interesting Than Another Vinyl App

There are already ways to catalog a record collection. Discogs remains the default for many collectors because it handles pressing information, marketplace value, wantlists, variants, and buying/selling behavior. That is not what makes VRT interesting.

VRT is aimed at the part of vinyl ownership that usually lives in someone’s head, on a Post-it note, or nowhere at all.

When was this record last cleaned?
How many times has this cartridge been used?
How many hours are on this stylus?
Did I already treat that used copy of Kind of Blue, or did I just think about doing it while holding a drink?
Which records get played constantly and which ones are basically expensive wall insulation?

That is the gap Secret Chord Analogue is trying to fill.

The company also frames VRT as part of a broader vinyl-care ecosystem that includes its Record Restore treatment system and VSS sleeves. HiFi Pig also reports that VRT is designed to work alongside compatible hardware, including the AFI FLAT.DUO, and can support dealers or resellers using Record Restore as an ongoing monitoring service.

Who Should Consider It?

VRT is not for someone with 24 records, a suitcase player, and a copy of Rumours purchased because TikTok had a moment. That listener has bigger problems, some of them structural.

This is for collectors with serious money invested in records, cartridges, and cleaning gear. If you own hundreds or thousands of records, rotate multiple cartridges, buy used vinyl regularly, run a record-cleaning routine, or care about stylus hours, VRT starts to make sense.

Secret Chord Analogue is positioning VRT as more than a collection database. It is part of the company’s broader vinyl-care ecosystem, including Record Restore, VSS sleeves, and compatible hardware such as the AFI FLAT.DUO, with potential use for collectors, dealers, and resellers who want to track cleaning history, cartridge use, and record-care status over time.

The Bottom Line

Secret Chord Analogue VRT is niche, but it is the right kind of niche. It does not promise to make your records sound better by magic, and it does not physically measure groove wear with sensors. Based on the available information, it tracks usage, maintenance, cartridge hours, stylus wear estimates, Record Restore treatments, and playback history from the data users log into the system.

That distinction matters.

VRT is not replacing good record cleaning, cartridge alignment, stylus inspection, or common sense. It is trying to make all of that easier to remember and harder to ignore.

For casual listeners, this might feel like turning vinyl into homework. For serious collectors, it might be the missing maintenance layer between buying records and actually protecting them.

Secret Chord Analogue lists VRT through its official Australian site, with North American shoppers directed to the company’s Record Restore store for local pricing and shipping.

Because at this point, vinyl is not cheap, cartridges are not disposable, and nobody needs to discover that their stylus crossed the danger line three months ago while playing a $125 reissue with the confidence of a man backing into a swimming pool.

For more information: secretchordanalogue.au

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Hackers compromised the Injective Labs SDK project’s GitHub repository and used it to publish a malicious package on the Node Package Manager (npm) that stole cryptocurrency wallet private keys and mnemonic seed phrases.

Application security companies Socket, Ox Security, and StepSecurity detected the supply-chain attack via version 1.20.21 of the @injectivelabs/sdk-ts npm package.

Injective SDK is a TypeScript/JavaScript software development kit (SDK) for building applications on the Injective blockchain, a Layer-1 blockchain focused on decentralized finance (DeFi), tokenized assets, and decentralized exchanges.

The package has 50,000 weekly downloads on npm and is used by developers building cryptocurrency wallets, trading bots, decentralized exchanges, DeFi applications, and payment tools.

According to the researchers, the attacker compromised a GitHub account belonging to a legitimate project contributor and made the first suspicious commits on June 8, publishing the malicious version of the package shortly afterward.

The attacker also published version 1.20.21 for another 17 packages associated with the project, pinning all of them to the compromised SDK version.

The legitimate account owner detected the compromise within minutes, reverted the changes, and published a clean release, version 1.20.23.

However, developer systems fetching the malicious packages via an update or used them were likely compromised.

Socket says the malicious version of the package was downloaded 310 times before it was deprecated, not removed, and the malicious GitHub release artifacts are still available.

The researchers also note that the package has 87 direct dependencies on npm and very likely multiple additional transitive dependencies.

A report from Ox Security warns that the 87 dependent packages had a cumulative download count of a little over 112,000.

Targeting cryptocurrency wallets

The malware activates when the developers use SDK functions that generate or import wallet keys, rather than upon installation.

Once those functions are called, the malware captures the full mnemonic seed phrase and private key and encodes the data in base64. All the information is exfiltrated via an HTTP POST request to an Injective Labs public infrastructure endpoint to make the traffic appear legitimate.

StepSecurity reports that the malware did not immediately transmit stolen secrets, but instead queued multiple keys and mnemonics for two seconds, bundled them in the HTTP request header, and sent them.

The attackers may then use the mnemonic or private key to port the victim’s wallets to their own devices and access, use, or transfer their digital assets.

Developers who suspect compromise should transfer their cryptocurrency to new wallets and rotate all secrets in their environment.

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The dedicated digital audio player was supposed to be dead by now. The smartphone had the screen, the storage, the apps, the wireless headphones, and the smug little habit of replacing everything else in your pocket. And yet, here we are in 2026, talking about the Shanling M0 Pura, the fourth generation of Shanling’s ultra-compact DAP line, following the original M0 in 2018, the M0 Pro in 2023, and the M0s in 2024.

That progression matters. Shanling is not trying to convince normal people that they need another device to carry just to play music. That ship sailed, hit an iceberg, and was replaced by a phone plan. The M0 Pura is aimed squarely at audiophiles who still care about local files, wired headphones, Bluetooth flexibility, and better playback quality than the average phone dongle can deliver.

It also leans into nostalgia with some obvious iPod nano energy, but the pitch is not just retro cuteness. Shanling is betting that the DAP market still has life because some listeners want a dedicated player that puts music playback first.

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Dual DACs Give the M0 Pura Some Actual Audiophile Bite  

The M0 Pura uses dual Cirrus Logic CS43131 DACs with support for PCM playback up to 32-bit/384kHz and native DSD128. Shanling says the new DAC section improves overall audio performance, while output power rises to a claimed 250mW into 32 ohms when the player is used with the company’s optional 3.5mm to 4.4mm balanced adapter.

That is not desktop amplifier territory, but for something this small, it gives the M0 Pura more muscle than its tiny chassis suggests.

Touchscreen

A 1.54-inch color touchscreen handles music playback and menu control, while Shanling’s in-house MTouch operating system is designed for quick navigation through albums, playlists, and settings. The M0 Pura is powered by the Ingenic X1000 platform, giving Shanling a compact foundation for hi-res playback without turning battery life into a hostage situation.

Connectivity

Do not let the M0 Pura’s size fool you into thinking this is just another cute little novelty box for people who still miss click wheels. Shanling has packed its newest ultra-compact DAP with a wide range of wired and wireless playback options, which makes the tiny player more flexible than it looks.

Two-way Bluetooth support allows the M0 Pura to work as a wireless music source for headphones and speakers, or as a Bluetooth receiver when paired with a smartphone, console, or laptop. In that mode, it functions as a compact Bluetooth DAC and headphone amplifier. USB-C connectivity adds another layer of flexibility, enabling USB DAC functionality and allowing the M0 Pura to serve as a bit-perfect digital transport for external USB DACs.

Storage 

In addition to listening via Bluetooth or a USB-connected device, users can store music locally by inserting a microSD card into the M0 Pura’s card slot. The M0 Pura supports microSD cards with up to 2TB of storage capacity.

Format Support

Digital audio format support includes FLAC, ALAC, WAV, AIFF, APE, MP3, AAC, OGG, and DSD, which covers everything from CD and vinyl rips to old iTunes downloads and newer studio-quality digital files. 

Additional Playback Features

Additional playback features include adjustable playback speeds for podcasts and spoken-word content, A-B repeat, SyncLink remote control via the Eddict Player app for Android and iOS, sound customization settings, and user-selectable screensavers.

Comparison

The Bottom Line 

The Shanling M0 Pura is not trying to replace your smartphone, and that is probably its greatest strength. This is a tiny, purpose-built digital audio player for listeners who still care about local music files, hi-res playback, broad format support, two-way Bluetooth, USB DAC functionality, and better wired output than most phones can offer without a dongle dangling off the bottom like a sad little tail.

What makes the M0 Pura interesting is the combination of size, price, and flexibility. Shanling has managed to squeeze dual DACs, microSD storage support up to 2TB, USB-C digital output, and optional balanced headphone output into a player that is closer in scale to a smartwatch than a modern smartphone. That makes it a good fit for audiophiles who want a dedicated music player for commuting, travel, the gym, or a desktop setup without spending Astell&Kern money or carrying around a device the size of a deli sandwich.

The biggest downside may be the same thing that makes it appealing: the M0 Pura is very small. Misplacing it feels less like a possibility and more like a scheduled event. Shanling might want to include a lanyard, or perhaps a tiny AirTag shrine.

Price & Availability:

For more information: en.shanling.com

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Looking for the most recent Wordle answer? Click here for today’s Wordle hints, as well as our daily answers and hints for The New York Times Mini Crossword, Connections, Connections: Sports Edition and Strands puzzles.

Today’s Wordle puzzle has a repeated letter that might trip you up. If you need a new starter word, check out our list of which letters show up the most in English words. If you need hints and the answer, read on.

Read more: New Study Reveals Wordle’s Top 10 Toughest Words of 2025

Today’s Wordle hints

Before we show you today’s Wordle answer, we’ll give you some hints. If you don’t want a spoiler, look away now.

Wordle hint No. 1: Repeats

Today’s Wordle answer has one repeated letter.

Wordle hint No. 2: Vowels

Today’s Wordle answer has one vowel, but it’s the repeated letter, so you’ll see it twice.

Wordle hint No. 3: First letter

Today’s Wordle answer begins with C.

Wordle hint No. 4: Last letter

Today’s Wordle answer ends with L.

Wordle hint No. 5: Meaning

Today’s Wordle answer can refer to an artificially constructed waterway designed for navigation, water transport or drainage and irrigation management.

TODAY’S WORDLE ANSWER

Today’s Wordle answer is CANAL.

Yesterday’s Wordle answer

Yesterday’s Wordle answer, July 9, No. 1846, was AMEND.

Recent Wordle answers

July 5, No. 1842: SWAMI

July 6, No. 1843: TODDY

July 7, No. 1844: SLING

July 8, No. 1845: DEMON