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Astell&Kern PD10 DAP Review: Bridging Ultra-Premium Portable Audio and Home Hi-Fi

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Astell&Kern doesn’t dabble at the shallow end of the pool. The Korean brand has spent years defining the upper tier of the digital audio player market, pushing prices into territory where performance, build quality, and long-term relevance actually matter. The PD10 lands squarely in the upper tier at $2,749 with the dock ($2,410 without it), placing it in direct competition with the most serious portable players available. At nearly three grand, sound quality and prestige are no longer enough. At this level, Astell&Kern isn’t competing on specs alone—it’s competing on purpose.

The high-end DAP market is brutally competitive right now, and Astell&Kern is leading the charge; but leadership alone isn’t enough when buyers have real alternatives and very high expectations. The real question isn’t whether the PD10 sounds good; that’s table stakes at this level. The question is whether this is just another ultra-luxury portable player for headphones and IEMs, or whether Astell&Kern has built something with a broader mission in mind—something that makes sense not only on the move, but also alongside a serious home two-channel system.

PD10 Technical Overview: Power, Connectivity, and Storage

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The PD10’s specifications aren’t about box-checking or bragging rights. They exist to solve real-world use cases—driving sensitive IEMs, powering full-size headphones, and functioning as a legitimate digital source beyond portable duty.

The 6-inch 1080×2160 IPS display gives the PD10 a modern, smartphone-like interface that’s responsive and easy to navigate, which matters when you’re dealing with large libraries and multiple playback modes. Output power is substantial: in low gain, the PD10 delivers 2.6Vrms from the unbalanced output and 5.6Vrms balanced, keeping noise under control for high-efficiency IEMs. Switch to high gain and those numbers jump to 4Vrms unbalanced and a very serious 8.3Vrms balanced—enough voltage to comfortably drive high-impedance and current-hungry headphones without external amplification.

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Output impedance stays sensibly low at 1 ohm from the 3.5mm jack and 1.6 ohms from the 4.4mm balanced output, which means stable frequency response and predictable behavior with multi-driver IEMs. At the heart of the PD10 is a no-nonsense AKM DAC implementation, pairing dual AKM4191EQ modulators with four AKM4498EX DACs. This multi-chip approach isn’t about marketing—it allows Astell&Kern to separate digital and analog stages more effectively, reducing noise and preserving dynamic range in both portable and docked use.

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Astell&Kern’s Advanced DAR (Digital Audio Remaster) is an optional two-stage processing system that upsamples audio before it reaches the DAC. It can be enabled or disabled at will, and whether it’s useful depends on the source material and listener preference.

The first stage uses A&K’s VSE (Virtual Sound Extender) processing to reconstruct missing harmonic information before upsampling. The second stage performs the actual conversion. PCM files in the 44.1kHz family are upsampled to 352.8kHz, while 48kHz-based files are converted to 384kHz. DSD files are left untouched in PCM mode.

When DSD conversion is selected, PCM files below 96kHz are converted to DSD128, higher-rate PCM files are converted to DSD256, and native DSD below DSD256 is also converted to DSD256. DAR never exceeds the PD10’s supported playback limits and avoids unnecessary processing.

DAR is strictly optional. Leave it off for native playback, or use it selectively if you prefer the presentation it brings to certain recordings.

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Connectivity is current, but not exhaustive. Dual-band Wi-Fi (2.4 and 5GHz) ensures reliable high-resolution streaming, and Bluetooth 5.3 support includes aptX HD, LDAC, LHDC, AAC, and SBC. What’s notably absent, however, is aptX Lossless, a codec that’s starting to appear on competing high-end portable devices. For wired listeners, this omission won’t matter. For those expecting the latest Bluetooth standards at this price, it’s worth flagging.

Storage is generous out of the box at 256GB and expandable up to 1.5TB via microSD, which is essential for anyone sitting on a large hi-res or DSD library. Physically, the PD10 is unapologetically substantial. At just under 6 inches tall, nearly 3 inches wide, and weighing roughly 15.3 ounces, it’s clearly built for stability and performance rather than pocket-friendly minimalism. Powering all of this is a 5,770mAh battery, sized to support long listening sessions despite the high output stages and large display.

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Taken together, these specs point to a player that’s designed to do more than just sound good on the go. The PD10 has the power, connectivity, and architectural headroom to operate as a serious digital front end—whether it’s feeding headphones, IEMs, or a larger system through its dock.

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File Support, Bit-Perfect Playback, and Output Choices

The PD10’s file support makes it clear who this player is designed for. It handles every major lossless and lossy format that actually matters—WAV, FLAC, AIFF, ALAC, APE, and AAC—alongside legacy formats like MP3 and WMA for anyone with older libraries. More importantly, native DSD support extends all the way up to DSD512, covering DSD64, 128, and 256 without conversion. That puts the PD10 squarely in “bring your entire archive” territory, not just high-res streaming playlists.

On the PCM side, support runs from 8kHz to a frankly excessive 768kHz at up to 32-bit depth. While very few real-world recordings exist at the top end of that range, the takeaway isn’t bragging rights—it’s headroom. The PD10 is capable of bit-perfect playback without resampling or truncation, which matters if you’re particular about preserving the integrity of your files from storage to output.

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USB-C serves double duty here, handling charging as well as data for PC and Mac connections. Used this way, the PD10 can function as an external DAC, extending its usefulness well beyond portable playback and reinforcing its role as a flexible digital source.

Output options are practical and well chosen. The 3.5mm jack covers both unbalanced headphone output and optical digital output, allowing the PD10 to feed an external DAC or integrated amplifier in a home system. Balanced output is handled via a 4.4mm five-pole connection, which has become the de facto standard at this level and avoids the fragility and channel-matching issues of older balanced formats.

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Taken together, the PD10’s format support and output flexibility point to a player that isn’t just designed to sound good on headphones. It’s meant to sit comfortably at the center of a serious digital library and transition easily between portable listening and fixed-system use—without forcing compromises or workarounds.

Build Quality That Matches the Asking Price?

Astell&Kern’s biggest selling point has always been its command of industrial design and materials. One look at their players tells you they aren’t inexpensive—and the PD10 continues that tradition, even as it makes a few deliberate departures from past models. Longtime owners will immediately notice the absence of the scroll wheel found on many earlier A&K designs. It’s a controversial move for some, but in day-to-day use it doesn’t meaningfully impact usability. In its place is a set of stainless-steel buttons mounted along the right side of the chassis.

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Visually, those polished buttons look the part. Tactilely, they fall just short. They have a slight amount of play and can rattle faintly, which is noticeable and disappointing on a device at this price. Small details matter when you’re spending several thousand dollars. Thankfully, that’s the extent of my criticism. The USB-C port is solid and secure, the microSD card slot inspires confidence, and the chassis itself feels dense and well assembled.

If the looseness of the side buttons bothers you, the included leather case effectively masks the issue. It’s precisely cut, comfortable in hand, and finished to a level that feels appropriate for the PD10. Astell&Kern even varies the texture around the button area, making it easy to locate controls by touch alone—an appreciated detail that shows the company is still thinking about real-world use, not just shelf appeal.

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The PD10’s status-light power button is a thoughtful touch. It remains off when playback is stopped and changes color to reflect different operating states. In practice, however, the implementation could use refinement. There’s no quick way to dim or disable the light, which becomes an issue in low-light environments. As shipped, the LEDs are bright enough to be distracting—and in a dark room, potentially disruptive to anyone trying to sleep.

The Price Is Fixed. The Features Aren’t.

Digital audio sources hit the point of diminishing returns well before $2,700. In 2026, portable audio makes that especially clear, with capable DACs and premium dongles pushing that threshold closer to $200. The PD10 only makes sense if it goes beyond raw specifications—and that’s where Astell&Kern makes its case.

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Rather than chasing numbers, the PD10 layers a broad feature set onto a solid technical foundation. Alongside its integrated 256GB of storage, it supports Roon, Qobuz Connect, LDAC, and aptX HD, with access to a wide range of streaming services via the Google Play Store. Wireless playback can be handled through AirPlay, while local file management is simplified through AK File Drop, allowing FTP transfers across a home network without plugging anything in.

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At this price, you’re not paying for incremental sonic gains alone. You’re paying for integration, flexibility, and the kind of polish that turns a capable digital player into a genuinely high-end experience—one that feels considered rather than cobbled together.

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The Full-ish Android Experience

One of the PD10’s more compelling features is its access to the Google Play Store. Few high-end audio players offer this level of openness, and those that do often burden third-party apps with restrictions that make everyday use frustrating. On the PD10, Play Store access is handled cleanly and without ceremony. Sign in to a Google account, tap the shortcut, and you’re in—no workarounds required.

From there, installing a familiar set of Android apps is straightforward. I used Microsoft Word for note-taking and set up Syncthing to automate real-time synchronization of my music library with a home media server. Even with relatively heavy background processes running, the PD10 remained responsive and stable, with no audible impact on playback. It behaves like a mature Android device first—and a high-end audio player that just happens to run Android second, which is exactly how it should be.

The Death of a Streamer

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You can opt to purchase the PD10 with its all-metal cradle, and this is where the product stops behaving like a conventional DAP. The cradle allows the PD10 to dock much like a Nintendo Switch, routing audio directly to a speaker system or receiver. In practice, it turns the PD10 into a steel-clad, Android-enabled streamer—one that happens to detach and leave the room with you.

Docking is seamless and largely foolproof, provided you’re not using the leather case, and the PD10 automatically switches to XLR output mode without drama. Output from the dock measures a healthy 5.6Vrms, which is sufficient to drive most power amplifiers directly, eliminating the need for a separate preamp. That level of integration isn’t a gimmick—it’s the PD10’s strongest differentiator and a compelling reason to choose it over both cheaper and more expensive Astell&Kern alternatives.

By allowing the PD10 to function either as a premium handheld player or a fixed streamer in a speaker-based system, Astell&Kern has addressed a real-world use case. Audiophiles who split their time between headphones, speakers, and long car rides can maintain a consistent interface and sound signature across all of it without duplicating hardware or compromising convenience.

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Listening

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Docking and streaming aside, the core job of any DAP is straightforward: play locally stored audio files through IEMs and headphones without getting in the way. Most of my time with the PD10 was spent focused on exactly that. In practice, it powered nearly everything I threw at it without complaint. I took it to CES 2026, where it had no trouble with sensitive IEMs and handled planar headphones with ease. More demanding full-size models; particularly some from Dan Clark Audio, do ask for more current than the PD10 can comfortably deliver, which is worth noting if those are your daily drivers.

The PD10’s low and predictable output impedance makes it especially well suited to IEM use, including models with complex passive crossovers. Higher output impedances can interact with those crossovers and subtly alter frequency response. With the PD10, that simply didn’t happen. My most sensitive multi-driver IEM, the Campfire Audio Andromeda, sounded dynamic, smooth, and warm—exactly as intended. The player imposed no audible character of its own, which is precisely what you want from a high-end source.

I also stress-tested the PD10’s file handling by aggressively scrubbing through large local AIFF and WAV files. Skipping to random points in massive files was instant, with no buffering or hesitation. That kind of responsiveness suggests Astell&Kern didn’t cut corners on internal storage quality—a detail that matters more than it gets credit for in real-time playback scenarios. Cheap or slow storage has a way of revealing itself quickly here, and the PD10 never gave me a reason to question it.

This Is Not a Flagship Smartphone

Despite costing more than most flagship smartphones, the Astell&Kern PD10 is not built on cutting-edge mobile hardware. That distinction matters. While Astell&Kern clearly prioritizes audio components and does so successfully, the company relies on lower-tier system-on-chip and compute hardware to get there. The result is a device that sounds exceptional but behaves very differently from a modern phone.

Discerning mobile users will notice it immediately. The PD10’s display is sharp and vibrant, but touch responsiveness lags behind even relatively affordable smartphones. Compared to devices like the Asus Zenfone 9 or Google Pixel 10 Pro, the PD10 feels slower and less fluid. Part of that comes down to modern phones running 120Hz displays, but it’s also a consequence of conservative hardware choices under the hood.

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None of this makes the PD10 unusable—far from it. Its interface is perfectly adequate for its primary job: selecting music and playing it reliably. But for users accustomed to high-end smartphones, the difference in responsiveness is noticeable and occasionally frustrating, especially when navigating with more complex touch gestures. It’s a reminder that the PD10 is an audio-first device that happens to run Android, not a luxury smartphone replacement—and expectations should be set accordingly.

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The Bottom Line

The PD10 isn’t perfect, and it isn’t priced to be forgiven for much. What it delivers—long battery life, a vanishingly low noise floor, and enough output power for the vast majority of real-world headphones and IEMs—it delivers with confidence. But the real differentiator isn’t sound quality alone. It’s the dock.

With its all-metal cradle, the PD10 stops being just another high-end DAP and becomes something closer to a modular digital source. Docked, it operates as a capable, Android-based streamer with XLR output and enough voltage to drive most power amplifiers directly, sidelining traditional streamers in the process. That single feature fundamentally separates it from alternatives in Astell&Kern’s own lineup and from competitors alike.

For buyers focused strictly on portable performance, there are clear options. Astell&Kern’s own SP4000 offers higher outright output and refinement as a pure DAP, while players like the iBasso DX340 deliver strong performance at a lower cost. Likewise, anyone already invested in a dedicated streamer may find little justification for replacing it.

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Sound wise, the PD10 belongs exactly where Astell&Kern priced it. It delivers the refined, low noise, high resolution presentation expected from top tier DAPs, and in several cases it equals or exceeds the sound quality of dedicated streamers I have tested. That matters, because without that level of performance the rest of the PD10’s argument falls apart. It does not.

The PD10 only makes sense for a very specific audiophile, and Astell&Kern is not pretending otherwise. $2,750 is serious money, but Astell&Kern buyers already understand that reality. If you are strictly a portable listener or strictly a two channel listener, there are cheaper and in some cases better options available. But for listeners who genuinely split time between headphones on the move and a serious speaker system at home, the PD10 does something few products attempt. It replaces multiple components without compromising sound quality, usability, or overall polish. That combination of performance, Android flexibility, and cradle based system integration is what gives the PD10 its value and why for the right listener it stands alone.

Pros:

  • Excellent sound quality with an imperceptible noise floor
  • Plenty of output power for most IEMs and full-size headphones
  • Low, stable output impedance makes it ideal for sensitive multi-driver IEMs
  • Extensive format support, including native DSD up to DSD512 and high-rate PCM
  • Unrestricted Google Play Store access with stable performance
  • Smooth handling of large local files and high-quality internal storage
  • Roon Ready, Qobuz Connect, AirPlay, LDAC, aptX HD
  • Optional cradle transforms the PD10 into home hi-fi streamer
  • Can drive power amplifiers directly when docked, eliminating the need for a preamp
  • Premium materials and overall build quality appropriate for the price
  • Well-executed leather case included

Cons:

  • Very expensive, with limited value for price-to-performance focused buyers
  • Does not support aptX Lossless, Spotify Connect, TIDAL Connect
  • Android performance lags behind modern flagship smartphones
  • Touchscreen latency can be noticeable to experienced smartphone users
  • Side buttons exhibit slight looseness and rattle
  • Status-light power button is too bright with no easy way to dim or disable it
  • Leather case must be removed to dock the device

Where to buy:

You can find the PD10 for sale on Bloom Audio for $2749 with the cradle and $2410 without.

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OPPO F33 Pro Launching April 15 With 50MP Ultra-Wide Selfie Camera, New Design

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The new OPPO F33 series is just around the corner, and the Chinese smartphone maker has shared a lot more about the upcoming phones ahead of its India launch on April 15, 2026. The headline features are the all-new ultrawide selfie camera and a more polished design. Here’s everything we know so far.

New Cameras

Selfie captured from the OPPO F33 Pro

Like the new iPhone 17, the highlight of the OPPO F33 Pro is its 50MP ultra-wide front camera with a 100° field of view. That’s significantly wider than what most phones in this segment offer, and OPPO says it can capture up to 30% more area in group selfies. To make that useful in real-world scenarios, the phone also includes an “AI Groupfie Expert” system. It can automatically switch to a wider 0.6x view when more people enter the frame and correct facial distortion for up to six faces at once.

On the back, the F33 series uses a 50MP main sensor paired with a 2MP depth sensor. While that setup isn’t groundbreaking on paper, one of the new features is AI Portrait Glow, which adjusts lighting in real time depending on the scene. It offers multiple lighting styles, including Natural, Rim, and Studio modes, to improve portraits in tricky lighting conditions. Another interesting addition is the Colorful Front Fill Light, which replaces the usual harsh white flash with softer, adjustable tones to make selfies look more natural, especially at night. The phone also introduces creative features like Popout, which lets users create layered photos with a sense of depth directly from the camera, and Dual-View Video

Redesigned Build

People posing for a selfie with the F33 Pro

Beyond cameras, OPPO is also making noticeable changes to the design. The F33 Pro introduces a new “Starry Sea” camera module with a cleaner layout and a more prominent lens design. The phone uses a one-piece back panel made from a thicker composite material, which OPPO claims improves durability without adding the fragility of glass. It’s also using a CNC carving process to create a mix of glossy and matte finishes on the same surface.

The F33 Pro will be available in three finishes: Misty Forest, Starry Blue, and Passion Red, each with a slightly different texture and visual style. The device features a 6.57-inch flat display and weighs 194 grams, keeping things relatively slim and manageable.

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Astropad’s Workbench reimagines remote desktop for AI agents, not IT support

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Demand for Apple’s Mac Mini has skyrocketed, particularly in China, as the small computer has become an ideal platform for experimenting with autonomous AI agents like OpenClaw and others. Now, a company called Astropad is building out a remote desktop solution specifically for this use case.

On Tuesday, Astropad CEO Matt Ronge introduced Astropad Workbench, a remote desktop solution for Apple devices that he pitches as made “for the AI era.”

While an AI agent running on a Mac Mini may not need a screen, its operator (the human) will want to log in at times to see what’s happening in order to check logs, monitor outputs, or restart stuck tasks, he says.

Image Credits:Astropad

The new remote desktop solution offers a variety of features, including high-fidelity streaming; the ability to dictate prompts and commands with your voice; plus support for other input methods like the keyboard, Apple Pencil, or touch; and clients for both the iPad and iPhone — the latter essentially putting the remote desktop solution into your pocket for on-the-go access.

If you’re running AI agents across multiple Macs, Workbench offers a device chooser so you can move between them.

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Image Credits:Astropad

The idea came about because it was something the team at Astropad had wanted for themselves, as had their friends.

“We have heavily adopted AI at Astropad, and we’ve been using agents. And sometimes, you have an agent running on a long task, and you want to check on it,” says Ronge. “There’s not a great way to do this…there were existing remote desktop tools, but nothing built specifically for this,” he continues. “There have also been ways where you can use a terminal, or there are things like Telegram chats, but they’re limited. I mean, there are times you’ve got to see what’s happening on your Mac. You’ve got to approve a dialog or save something, or just visually see what’s happening.”

Workbench also leverages the company’s proprietary, low-latency display protocol, which it calls LIQUID, which supports the workflows creative professionals use. It retains full fidelity, even at Retina resolutions, Astropad claims, and doesn’t blur lines or pixelate data. The protocol already powers Astropad’s other products, like Luna Display, which turns your iPad into a second display, and Astropad Studio, which lets you use an iPad as a professional drawing tablet.

While monitoring an AI agent may not always need a high-fidelity solution, Ronge points out that it’s something that’s nice to have — especially if you’re approving designs or mock-ups your AI agent made.

Image Credits:Astropad

Of course, remote desktop software has existed for some time, meaning Astropad has well-established rivals like Jump Desktop, RustDesk, AnyDesk, Parsec, VNC-based solutions, and many more.

But Ronge suggests that those weren’t designed for the specific needs of using remote desktop software to keep tabs on AI agents. With Workbench, it’s easy to check on the status of logs to see your AI agents’ progress in order to spot issues, restart stalled jobs, and make other changes, but what’s more, you can do this from your iPhone or iPad.

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“We’ve been doing iPad stuff for years — it’s been, like, our whole company for the past 10 years. So we have a lot of experience in making good iPad apps,” Ronge says. “We know how to make good iOS apps…so we did that, and then we also added a voice model.”

Image Credits:Astropad

The tech uses Apple’s voice model so you can talk to your phone and direct your AI agent to do something with a press of the microphone button.

“It’s a very natural way to work with agents. That’s the kind of feature that existing remote desktop [apps] just don’t have — they’re built for more traditional, enterprise-style remote desktop.”

As a new release, there will still be some bugs and polishing needed, but the team is continuing to work on the product. Next up, they plan to launch Windows and Linux support and refine the iPhone app.

The new software runs on macOS 15 and up and iOS 26, and is available as a free download offering 20 minutes of access per day. For unlimited access, the cost is $10 per month, or $50 per year.

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Astropad, a bootstrapped and profitable small tech business, has over 100,000 customers, including those who have bought its iPad hardware accessories and its software. With Workbench, Ronge believes the company has the potential to reach both AI enthusiasts and businesses as remote support for AI agents becomes more common.

“I totally think businesses are gonna buy it. I mean, just the productivity gains I’m seeing from it myself — this is totally headed to businesses. It’s just too powerful,” he notes.

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Temple University Student On IEEE Membership Perks

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Kyle McGinley graduated from high school in 2018 and, like many teenagers, he was unsure what career he wanted to pursue. Recuperating from a sports injury led him to consider becoming a physical therapist for athletes. But he was skilled at repairing cars and fixing things around the house, so he thought about becoming an engineer, like his father.

McGinley, who lives in Sellersville, Pa., took some classes at Montgomery County Community College in Blue Bell, while also working. During his years at the college, he took a variety of courses and was drawn to electrical engineering and computing, he says. He left to pursue a bachelor’s degree in electrical and computer engineering in Philadelphia at Temple University, where he is currently a junior.

Kyle McGinley

MEMBER GRADE

Student member

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UNIVERSITY

Temple, in Philadelphia

MAJOR

Electrical and computer engineering

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The 26-year-old is also a teaching assistant and a research assistant at Temple. His research focuses on applying artificial intelligence to electrical hardware and robotics. He helped build an AI-integrated android companion to assist in-home caregivers.

Temple recognized McGinley’s efforts last year with its Butz scholarship, which is awarded annually to an electrical and computer engineering undergraduate with an interest in software development, AI development systems, health education software, or a similar field.

An IEEE student member, he is active within the university’s student branch.

“My career ambition after I graduate is to gain real-world experience in the engineering industry to learn skills outside of academia,” he says. “Long term, I want to do project management or work in a technical lead role, with the primary goal of creating impactful projects that I can be proud of.”

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Building a robot aide

McGinley is a teaching assistant for his digital circuit design course. In a class of 35 students, it can be a struggle for some to digest the professor’s words, he says.

“My job is to answer students’ questions if they are having problems following the professor’s lecture or are confused about any of the topics,” he says. “In the lab, I help students debug code or with hardware issues they have on the FPGA [field-programmable gate array] boards.”

He also conducts research for the university’s Computer Fusion Lab under the supervision of IEEE Senior Member Li Bai, a professor of electrical and computer engineering. McGinley writes software programs at the lab.

“In school, they don’t teach you how to communicate with people. They only teach you how to remember stuff. Working well with people is one of the most underrated skills that a lot of students don’t understand is important.”

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One such assignment was working with the Temple School of Social Work at the Barnett College of Public Health to build a robot companion integrated with AI to assist individuals with Parkinson’s disease and their caregivers.

“I realized the need for this with my grandmother, when she was taking care of my grandfather,” he says. “It was a lot for her, trying to remember everything.”

Using the latest software and hardware, he and three classmates rebuilt an older lab robot. They installed an operating system and used Python and C++ for its control, perception, and behavior, he says. The students also incorporated Google’s Gemini AI to help with routine tasks such as scheduling medication reminders and setting alarms for upcoming doctor visits.

A small humanoid robot standing on a kitchen counter.Kyle McGinley helped build an AI-integrated android to assist individuals with Parkinson’s disease and their caregivers.Temple University of Public Health

The AI-integrated android was intended to assist, not replace, the caregivers by handling the mental load of remembering tasks, he says.

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“This was one of the cool things that drew me to working in the robotics field,” he says. “Something where AI could be used to help caregivers do simple tasks.”

The benefits of a student branch

McGinley joined Temple’s IEEE student branch last year after one of his professors offered extra credit to students who did so. After attending meetings and participating in a few workshops, he found he really liked the club, he says, adding that he made new friends and enjoyed the camaraderie with other engineering students.

After the student branch’s board members got to know McGinley better, they asked him to become the club’s historian and manage its social media account. He also helps with event planning, creating and posting fliers, taking pictures, and shooting videos of the gatherings.

The branch has benefited from McGinley’s involvement, but he says it’s a two-way street.

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“The biggest things I’ve learned are being held accountable and being reliable,” he says. “I am responsible for other people knowing what’s going on.”

Being an active volunteer has improved his communication skills, he says.

“Learning to clearly communicate with other people to make sure everyone is on the same page is important,” he says. “In school, they don’t teach you how to communicate with people. They only teach you how to remember stuff. Working well with people is one of the most underrated skills that a lot of students don’t understand is important.”

He encourages students to join their university’s IEEE branch.

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“I know it can be scary because you might not know anyone, but it honestly can’t hurt you; it could actually benefit you,” he says. “Being active is going to help you with a lot of skills that you need.

“You’ll definitely get opportunities that you would have never known about, like a scholarship or working in the research lab. I would have never gotten these opportunities if I hadn’t shown up. Joining IEEE and being active is the best thing you can do for your career.”

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Intel joins Musk’s Terafab as foundry partner in $25B chip megaproject

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In short: Intel has signed on as the primary foundry partner for Elon Musk’s Terafab, a $25 billion joint venture between Tesla, SpaceX, and xAI targeting a terawatt of AI compute per year, handing the struggling chip giant the marquee customer it has been searching for since pivoting to a foundry-first strategy.

On 7 April 2026, Intel announced it is joining the Terafab project, becoming the foundry partner for the most ambitious semiconductor facility ever proposed in the United States. The announcement came two weeks after Musk first unveiled Terafab at the North Campus of Giga Texas in Austin, a joint venture between Tesla, SpaceX, and xAI that claims it will produce one terawatt of AI compute every year. Intel’s role is to contribute its most advanced process node, packaging expertise, and manufacturing scale to make that claim real. For Intel chief executive Lip-Bu Tan, who has spent the past year attempting to rebuild Intel around an external foundry business, the deal is the most significant external customer win the company has landed since he took the job.

What Terafab is claiming to build

Terafab is designed as a vertically integrated semiconductor complex,  covering chip design, lithography, fabrication, memory production, advanced packaging, and testing under a single roof,  with a stated goal of producing between 100 billion and 200 billion custom AI and memory chips per year. The initial buildout targets 100,000 wafer starts per month, with ambitions to eventually scale to one million wafer starts per month at full capacity. The project involves two separate facilities on the Giga Texas campus: one dedicated to chips for automotive and humanoid robotics applications, including Tesla’s Full Self-Driving system, its Cybercab robotaxi programme, and the Optimus robot line; and a second for high-performance AI data centre infrastructure and specialised processors for orbital deployments.

That orbital component is central to the project’s rationale. SpaceX, which completed its acquisition of xAI in an all-stock deal in February 2026, creating a combined entity valued at approximately $1.25 trillion, is building out a constellation of space-based AI satellites internally designated AI Sat Mini. Musk has said 80% of Terafab’s compute output will be directed toward that orbital infrastructure, with the remaining 20% for ground-based applications. The full cost of the project has been cited as between $20 billion and $25 billion, though independent analysts have been sharply sceptical of whether that figure is remotely sufficient to meet the stated production targets. A note from Bernstein Research estimated the true capital required to hit one terawatt of annual compute at approximately $5 trillion,  more than 70% of the total annual United States federal budget.

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Intel’s role, and what the deal is worth

Intel will contribute its 18A process node, the company’s most advanced logic manufacturing technology, currently ramping to high-volume production at Intel’s fabrication plants in Arizona and Oregon. Intel’s 18A is a 1.8-nanometre-class node, placing it in the same tier as the most advanced processes currently entering commercial production globally, and it represents the most sophisticated semiconductor capability manufactured entirely within the United States. Intel’s statement on joining Terafab was direct: “Intel is proud to join the Terafab project with SpaceX, xAI, and Tesla to help refactor silicon fab technology.” The company added: “Our ability to design, fabricate, and package ultra-high-performance chips at scale will help accelerate Terafab’s aim to produce 1 TW/year of compute to power future advances in AI and robotics.”

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Tan’s post on X was more personal in its framing. “Elon has a proven track record of reimagining entire industries,” he wrote. “This is exactly what is needed in semiconductor manufacturing today. Terafab represents a step change in how silicon logic, memory and packaging will get built in the future. Intel is proud to be a partner.” Intel’s shares rose approximately 4% on the announcement, closing at $52.91. The market reaction reflects how significant the deal is for Intel’s foundry ambitions: in its most recent full year, Intel Foundry generated just $307 million in external customer revenue, a figure that makes the company a distant also-ran against Taiwan Semiconductor Manufacturing Company, which generates tens of billions annually from external customers. Terafab, if even partially realised, would transform Intel Foundry’s commercial profile entirely.

Intel’s recovery, and what this bet requires

Tan inherited an Intel in acute crisis. The company had lost ground to TSMC and AMD across almost every major product category, its own manufacturing roadmap had slipped repeatedly, and its foundry business, the effort to manufacture chips for external customers as TSMC does, had attracted little meaningful interest beyond government-supported contracts under the US CHIPS and Science Act. Tan’s restructuring has been aggressive: thousands of redundancies, a sharper focus on Intel’s 18A and 14A process nodes as the foundation of the foundry pitch, and a deliberate effort to position Intel’s domestic manufacturing capability as a geopolitical differentiator at a moment when US policymakers are intensely focused on reducing dependence on Taiwanese chipmaking.

Terafab is the clearest expression yet of where that pitch lands. The CHIPS Act tailwinds, the Trump administration’s desire to see advanced semiconductor production in the United States, and the specific demand Musk’s companies represent for high-volume, US-manufactured chips at the leading edge, all of those forces converge in this partnership. Whether Intel’s 18A can deliver at the yields and volumes Terafab’s targets require is a separate question. The node has been in development for several years and is only now entering volume ramp; the gap between a controlled high-volume manufacturing ramp and the production scales Terafab envisions remains very large. Chipmakers building the largest foundries in the world require several years of construction and billions of dollars before the first wafer is processed. The scale of capital commitments now characterising AI infrastructure investment gives some context for what serious execution at Terafab’s claimed targets would actually require.

The credibility problem Terafab has not solved

The scepticism around Terafab is structural, not merely financial. Building a 2nm-class fabrication facility capable of 100,000 wafer starts per month costs roughly $25-35 billion on its own, according to Tom’s Hardware’s analysis of Bernstein’s research, meaning the entire stated Terafab budget is roughly enough to build a single fab operating at a fraction of the claimed full-capacity scale. Reaching one million wafer starts per month would require dozens of such facilities. The $20-25 billion figure appears to represent initial construction capital for the first phase, rather than the cost of the stated ambition.

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There is also the question of the companies at the table. SpaceX-xAI’s internal situation has been turbulent: all 11 of xAI’s original co-founders have now left the company since the SpaceX acquisition, a rate of attrition that has raised questions about the organisation’s technical continuity. Musk’s companies have a documented history of announcing timelines for facilities and products that subsequently stretch by years. Tesla’s Cybertruck, Optimus, and Full Self-Driving have each missed multiple committed dates without affecting the company’s willingness to make new commitments. None of this disqualifies Terafab, Musk’s companies have also delivered on goals that were widely dismissed, most notably SpaceX’s orbital launch programme, but it establishes why analysts are not taking the one-terawatt headline at face value.

What the partnership means for the chip industry

Intel’s arrival at Terafab lands at a moment when the chip industry is navigating a broader restructuring of who makes what and for whom. The rise of custom AI silicon, Amazon’s Trainium, Google’s TPUs, Microsoft’s Maia, has been eating into the share of AI workloads that run on Nvidia hardware. Nvidia’s response has been to open its NVLink Fusion interconnect to third-party silicon, including Marvell’s custom AI accelerators, a strategy designed to keep custom chip buyers inside Nvidia’s ecosystem even as they move off pure Nvidia hardware. Terafab represents something different: a vertically integrated attempt to produce custom silicon at a scale that has no precedent outside of the established foundry giants. If the project proceeds anywhere near its stated ambitions, it would add a third major domestic US semiconductor manufacturing ecosystem to a landscape currently dominated by TSMC’s Arizona expansion and Samsung’s Texas operations.

For Intel, the strategic logic is clear. As hyperscalers and technology companies increasingly pilot non-Nvidia chips for AI training and inference workloads, the market for foundry services from a domestically situated, leading-edge manufacturer is growing precisely when Intel has positioned itself to serve it. Whether Terafab is the vehicle that finally validates that positioning, or another ambitious announcement that tests the distance between Musk’s projections and physical reality, will become clearer as construction begins and wafer starts are counted rather than promised. The capital flowing into AI infrastructure at this scale has a way of turning implausible timelines into achieved ones, and Intel, for the first time in years, is positioned to benefit if it does.

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Sony’s upcoming True RGB TVs look to set “a new benchmark” for picture quality

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After several months of teasing, Sony has decided to fill us in a bit more information about its upcoming True RGB TV.

Although only a little bit more.

We still don’t have an idea of what the TV looks like (but we assume it’ll look like any other Sony TV), and there’s no word on pricing yet, but we do know they’ll be multiple TVs as the press alert refers to “Bravia TVs”. And on top of that you won’t have too long to wait. They’re set for release this spring.

Decades in the making

This latst release provides a nugget of more information, just a few days after Sony and TCL came to an agreement over the new TV venture they’ve established together that’s rather nicely called Bravia Inc.

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Sony comments that its True RGB technology intends to set a new benchmark for RGB LED picture performance. Unlike conventional approaches to the technology, True RGB is said to use independently controlled red, gree, and blue light sources (diodes) that can apparently deliver “purer colour, greater brightness, and the largest colour volume ever achieved in Sony’s home TV history”

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Sony introduces Sony’s proprietary “True RGB” technology – the naming convention behind the breakthrough display technology powering upcoming Sony’s True RGB televisions and setting a new benchmark for RGB LED picture performance. By combining the individual RGB LEDs with the strengths of both Mini LED and OLED into one TV, we’re potentially looking at the ultimate TV viewing experience.

Sony’s hope with its True RGB technology is that picture quality looks more natural, more three dimensional, and more accurate, whether you’re viewing in a bright living room or otherwise.

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Mini LED vs New Sony RGB BacklightMini LED vs New Sony RGB Backlight
Image Credit (Sony)

What makes Sony’s True RGB tick is the “proprietary optical structure and precision backlight control” that’s driven by a new RGB backlight driver. You can add “faithful colour reproduction from wider viewing angles” to the list of plusses that Sony’s True RGB backlight is bringing to the table.

Sony says that its True RGB is the culmination of more than 20 years of its “innovation in LED control”, fomr the first RGB light sources introduced in the QUALIA 005 in 2004, through to the flagship and much praised Backlight Master Drive that launched in 2016.

Similar to how James Bond will Return, additional details will be shared in the “near future”. Trusted Reviews has been invited to a Sony Home Cinema event in May. It’s looking likely that we’ll be seeing the future of Sony’s TVs there and then. Will it be a brighter and colourful one?

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Anthropic Unveils ‘Claude Mythos’, Powerful AI With Major Cyber Implications

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“Anthropic has unveiled Claude Mythos, a new AI model capable of discovering critical vulnerabilities at scale,” writes Slashdot reader wiredmikey. “It’s already powering Project Glasswing, a joint effort with major tech firms to secure critical software. But the same capabilities could also accelerate offensive cyber operations.” SecurityWeek reports: Mythos is not an incremental improvement but a step change in performance over Anthropic’s current range of frontier models: Haiku (smallest), Sonnet (middle ground), and Opus (most powerful). Mythos sits in a fourth tier named Copybara, and Anthropic describes it as superior to any other existing AI frontier model. It incorporates the current trend in the use of AI: the modern use of agentic AI. “The powerful cyber capabilities of Claude Mythos Preview are a result of its strong agentic coding and reasoning skills… the model has the highest scores of any model yet developed on a variety of software coding tasks,” notes Anthropic in a blog titled Project Glasswing — Securing critical software for the AI era.

In the last few weeks, Mythos Preview has identified thousands of zero-day vulnerabilities with many classified as critical. Several are ten or 20 years old — the oldest found so far is a 27-years old bug in OpenBSD. Elsewhere, a 16-years old vulnerability found in video software has survived five million hits from other automated testing tools without ever being discovered. And it autonomously found and chained together several in the Linux kernel allowing an attacker to escalate from ordinary user access to complete control of the machine. […] Anthropic is concerned that Mythos’ capabilities could unleash cyberattacks too fast and too sophisticated for defenders to block. It hopes that Mythos can be used to improve cybersecurity generally before malicious actors can get access to it.

To this end, the firm has announced the next stage of this preparation as Project Glasswing, powered by Mythos Preview. Given the rate of AI progress, it will not be long before such capabilities proliferate, potentially beyond actors who are committed to deploying them safely. “Project Glasswing is a starting point. No one organization can solve these cybersecurity problems alone: frontier AI developers, other software companies, security researchers, open-source maintainers, and governments across the world all have essential roles to play.” Claude Mythos Preview is described as a general-purpose, unreleased frontier model from Anthropic that has nevertheless completed its training phase. The firm does not plan to make Mythos Preview generally available. The implication is that ‘Preview’ is a term used solely to describe the current state of Mythos and the market’s readiness to receive it, and will be dropped when the firm gets closer to general release.

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Russian Government Hackers Broke Into Thousands of Home Routers To Steal Passwords

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An anonymous reader quotes a report from TechCrunch: A group of Russian government hackers have hijacked thousands of home and small business routers around the world as part of an ongoing campaign aimed at redirecting victim’s internet traffic to steal their passwords and access tokens, security researchers and government authorities warned on Tuesday. […] The hacking group targeted unpatched routers made by MikroTik and TP-Link using previously disclosed vulnerabilities according to the U.K. government’s cybersecurity unit NCSC and Lumen’s research arm Black Lotus Labs, which released new details of the campaign Tuesday.

According to the researchers, the hackers were able to spy on large numbers of people over the course of several years by compromising their routers, many of which run outdated software, leaving them vulnerable to remote attacks without their owners’ knowledge. The NCSC said that these operations are “likely opportunistic in nature, with the actor casting a wide net to reach many potential victims, before narrowing in on targets of intelligence interest as the attack develops.” Per the researchers and government advisories, the Russian hackers hacked routers to modify the device’s settings so that the victim’s internet requests are surreptitiously passed to infrastructure run by the hackers. This allows the hackers to redirect victims to spoof websites under their control, then steal passwords and tokens that let the hackers log in to that victim’s online accounts without needing their two-factor authentication codes.

Black Lotus Labs said that Fancy Bear compromised at least 18,000 victims in around 120 countries, including government departments, law enforcement agencies, and email providers across North Africa, Central America, and Southeast Asia. Microsoft, which also released details of the campaign on Tuesday, said in a blog post that its researchers identified over 200 organizations and 5,000 consumer devices affected by these hacking operations, including at least three government organizations in Africa. The Justice Department said Tuesday it neutralized compromised routers in the U.S. under court authorization. As the DOJ put it, the FBI “developed a series of commands to send to compromised routers” to collect evidence, reset settings, and prevent hackers from breaking back in.

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Matty Benedetto 3D Prints a Carry On Suitcase Loaded With Every Airport Convenience

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3D-Printed Suitcase
Product designer Matty Benedetto discovered some clips of passengers stranded in airport security lines and clogged airport terminals. He determined that his next trip needed to be less of a nightmare, so he set out to design a carry-on suitcase that would make the entire experience a little less stressful. More specifically, he decided to create one from scratch using his 3D printers.



He tailored the dimensions of his carry-on to normal sizes so that it would pass through security inspections without a second thought. Then he divided the bag’s main body into two parts with overlapping edges to provide strength, and printed a few test copies with some colorful leftover filament to check how the pieces fit together. Putting it all together was like snapping a load of large plastic bricks into place, except he added metal hinges for the lid and a telescoping handle constructed from off-the-shelf components. During a print halt, ball bearings were inserted into the wheels to ensure that they roll smoothly without the need for any additional equipment.

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After determining the basic shape, he went on to the details that would make a long wait more bearable. A flat panel folds out from the front and includes a little latch to secure it in place, allowing you to prop up your laptop during a layover. A MagSafe mount appears next to it to hold your phone, allowing you to watch shows or check your messages without taking your hands off the wheel. When you’re stuck waiting for a delayed flight, it’s usually a good idea to have some food with you, so he included a little jar that twists open easily from the side, allowing you to access your goodies without having to unzip the main zipper.

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3D-Printed Suitcase
On a long journey, coffee can pose a serious security issue, spilling all over the place and causing a huge mess. To avoid this kind of disaster, he created a cup holder with a sophisticated gimbal inside that maintains your drink level even when the bag tilts. On the outside, he incorporated a rotating dial that displays the flight number, weather prediction, destination details, and a few emergency contacts at a glance. And for further peace of mind, he designed the feet to detach so you can put an AirTag inside each one, which is entirely out of sight but provides some extra protection against losing your luggage.

3D-Printed Suitcase
The first major test was security, when his luggage breezed through the X-ray machine with no one blinking an eyelash about its printed design. Next, he had to get it into a regional flight, which proved difficult until he gave it a gentle nudge into the overhead bin, where it slipped in without incident. The smooth rolling was due to the ball bearings, and the entire setup weighed about the same as a conventional carry-on.

3D-Printed Suitcase
However, when he arrived at his destination, things became a little more problematic. There were hairline cracks all along the main seam, one of the wheels had broken free during the journey, the snacks in the jar had turned to crumbs, and a couple of the smaller attachments had vanished; not a bad outcome, all things considered.

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Thousands of consumer routers hacked by Russia’s military

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The Russian military is once again hacking home and small office routers in widespread operations that send unwitting users to sites that harvest passwords and credential tokens for use in espionage campaigns, researchers said Tuesday.

An estimated 18,000 to 40,000 consumer routers, mostly those made by MikroTik and TP-Link, located in 120 countries, were wrangled into infrastructure belonging to APT28, an advanced threat group that’s part of Russia’s military intelligence agency known as the GRU, researchers from Lumen Technologies’ Black Lotus Labs said. The threat group has operated for at least two decades and is behind dozens of high-profile hacks targeting governments worldwide. APT28 is also tracked under names including Pawn Storm, Sofacy Group, Sednit, Tsar Team, Forest Blizzard, and STRONTIUM.

Technical sophistication, tried-and-true techniques

A small number of routers were used as proxies to connect to a much larger number of other routers belonging to foreign ministries, law enforcement, and government agencies that APT28 wanted to spy on. The group then used its control of routers to change DNS lookups for select websites, including, Microsoft said, domains for the company’s 365 service.

“Known for blending cutting-edge tools such as the large language model (LLM) ‘LAMEHUG’ with proven, longstanding techniques, Forest Blizzard consistently evolves its tactics to stay ahead of defenders,” Black Lotus researchers wrote. “Their previous and current campaigns highlight both their technological sophistication and their willingness to revisit classic attack methods even after public exposure, underscoring the ongoing risk posed by this actor to organizations worldwide.”

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To hijack the routers, the attackers exploited older models that hadn’t been patched against known security vulnerabilities. They then changed DNS settings for select domains and used the Dynamic Host Configuration Protocol to propagate them to router-connected workstations. When connected devices visited the selected domains, their connections were proxied through malicious servers before reaching their intended destination.

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New Artemis II images give fresh look at our lunar neighbour

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From ancient lunar lava to personal tributes, the new images released from the Artemis II space mission capture fresh perspectives of our celestial neighbour.

Yesterday (7 April), NASA released the first images of the moon captured by the Artemis II astronauts during their historic test flight.

The Artemis II mission took off last week (1 April) from the Kennedy Space Center in Florida, beginning an approximately 10-day mission for NASA astronauts Reid Wiseman, Victor Glover, Christina Koch and Canadian Space Agency astronaut Jeremy Hansen.

Yesterday’s images were taken on 6 April during the crew’s seven-hour pass over the lunar far side – the first crewed lunar flyby in more than 50 years – and provide a fresh look at Earth’s closest celestial neighbour.

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From an eclipse to ancient lava, here is just a handful of some of the most interesting images captured by the Artemis II crew so far.

Near and far

A wide picture of the moon, showing a grey landscape filled with craters and a darker grey patch to the right of the moon.

A picture capturing two-thirds of the moon. Towards the bottom of the image, the Orientale basin can be seen. North-east of the Orientale, seen as a dark spot, is the Grimaldi crater. Image: NASA

One of the crew’s most striking images captures two-thirds of the moon, showcasing the “intricate features of the near side”, according to NASA. The 600-mile-wide impact crater, the Orientale basin, lies along the transition between the near and far sides and can be seen at the bottom of the image.

The round black spot north-east of Orientale is the Grimaldi crater, known for its exceptionally “dark mare lava floor and heavily degraded rim”.

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In-space eclipse

An image of the moon covering the face of the sun in space. A faint bright halo can be seen around a dark moon.

The moon fully eclipsing the sun, as taken by the Artemis II crew. Image: NASA

One of the most unique images taken by the Artemis II crew captures the moon fully eclipsing the sun. The corona of the sun forms a glowing halo around the moon, while light reflected off Earth forms a faint, glowing outline of the near side of the moon.

Nearly 54 minutes of totality – when the moon completely blocks the bright face of the sun – was observed by the crew.

Stars are also visible around the spectacle, which are typically too faint to see when imaging the moon, but are readily visible with the moon in darkness.

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“This unique vantage point provides both a striking visual and a valuable opportunity for astronauts to document and describe the corona during humanity’s return to deep space,” according to NASA.

A different perspective

A picture taken of Earth in a crescent phase next to the grey darker side of the moon in space.

Earth in a crescent phase showing the cutoff between day and night on the planet, as seen from the Artemis II spacecraft as it conducted the lunar flyby. Image: NASA

Another image captured during the lunar flyby shows Earth split between daytime and nighttime.

Earth can be seen in a crescent phase, with sunlight coming from the right of the image. On the day side, swirling clouds are visible over the Australia and Oceania region.

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Meanwhile, the lines of small indentations seen on the moon’s surface to the left of the image are secondary crater chains. These structures are formed by material ejected during a violent primary impact.

Ancient lava

A picture of the moon's surface with bright circles representing craters and dark patches representing ancient lava.

A close-up snapshot of the moon as the crew approached for the flyby. The Aristarchus crater is the bright white dot in the middle of a dark grey lava flow at the top of the image. Image: NASA

In one close-up shot of the moon’s surface, taken as the NASA Orion spacecraft approached for the lunar flyby, an interesting ancient remnant can be observed.

According to NASA, dark patches visible on the top third of the lunar disc represent ancient lava.

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Meanwhile, the bright white dot in the middle of a dark grey lava flow at the top of the image is the Aristarchus crater, which measures at a depth of 2.7km – making it deeper than the Grand Canyon.

A personal tribute

A picture of the moon's surface displaying a number of craters and basins.

A picture of the Orientale basin, seen in the middle right of the image. The first crater named by the crew, called Integrity, lies just above the centre of the image. North of the Orientale at the top right corner of the image is the Glushko crater. To the north-west of that is the second crew-named crater, seen as a bright white spot, which the crew has called Carroll. Image: NASA

During the mission’s lunar flyby observation period, the Artemis II crew snapped an image showing the rings of the Orientale basin, one of the moon’s youngest and best-preserved large impact craters.

According to NASA, these concentric rings offer scientists a rare window into how massive impacts shape planetary surfaces, “helping refine models of crater formation and the moon’s geologic history”.

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At the 10 o’clock position of the Orientale basin, two smaller craters are visible. The Artemis II astronauts submitted names for these two craters for approval by the International Astronomical Union: the first being Integrity, named after the crew’s spacecraft; and the second being Carroll, named after mission commander Reid Wiseman’s late wife.

“A number of years ago, we started this journey in our close-knit astronaut family and we lost a loved one,” said mission specialist Hansen to mission control at the time of the proposal. “And there is a feature in a really neat place on the moon, and it is on the near side/far side boundary. In fact, it’s just on the near side of that boundary, and so at certain times of the moon’s transit around Earth, we will be able to see this from Earth.

“And so we lost a loved one. Her name was Carroll, the spouse of Reid, the mother of Katie and Ellie. And if you want to find this one, you look at Glushko, and it’s just to the northwest of that, at the same latitude as Ohm, and it’s a bright spot on the moon. And we would like to call it Carroll.”

‘A human story’

Eight days into the Artemis II mission, and a number of remarkable moments have been observed in humanity’s latest major space voyage, including the crew surpassing the record for human spaceflight’s farthest distance at 248,655 miles from Earth.

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But for many, the human side of the voyage – such as the crew’s sentimental proposal to name a crater – have stuck as dually important alongside the mission’s technical feats.

This rings true with award-winning Irish scientist Dr Niamh Shaw, who was present on the Kennedy Space Center’s media lawn for the historic launch.

“Space has always been a kind of compass in my life,” she told SiliconRepublic.com. “It has a way of stripping everything back, reminding me of what matters, of how small we are and how extraordinary it is that we are here at all.

“It keeps me grounded in my questions. In curiosity. In wonder. And also in responsibility. Because one of the things space teaches us, very clearly, is that there is no rescue mission coming for Earth. No one arriving to solve our problems.”

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Shaw told us that what struck her just as much as the launch itself was “what happened afterwards”.

“The level of interest, the appetite for connection … People want to understand, to feel part of it, to ask questions,” she explained.

“I haven’t stopped: media calls, messages, Zooms with my Town Scientist families.

“And I found myself trying to share it in a way that made it personal for them – sending photos, describing moments, answering questions,” she added.

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“Because I genuinely believe that’s where the real impact lies. Not just in the engineering achievement, extraordinary as it is. But in how it reaches people.

“In how it shifts perspective, even slightly. In how it reminds us that we are all part of something much bigger and that the story of space exploration is, ultimately, a human story.”

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