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Best Projector 2026: Top picks for enthusiasts and newcomers

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best projector

While there’s no denying the convenience of a TV, there’s just something about a projector that lends itself so well to recreating the feeling of a cinema at home, or having a more bespoke-feeling entertainment set-up in your bedroom. Thankfully, those who might be interested in taking the plunge will find an abundance of choice, and thanks to the diligent work of our tech experts, we know exactly which options are the best projectors to buy.

Much like with buying a TV however, it helps if you have a clear idea of what you plan on doing with a projector before you buy one. For example, if you are looking to go all in on building a home theatre then you’ll need top-shelf features like 4K resolution and a seriously high contrast ratio that can draw out all of the colours needed to give depth to a particular scene.

Alternatively, if you just want to have a more relaxed projector that’s easy to use and can be carried from room to room when needed, then a streamlined UI and a compact chassis will be the order of the day. There’s quite a lot to be aware of, but you don’t have to worry about being overwhelmed by any of it when you shop with the verified buying advice that our team has put together following hours upon hours of testing.

When a new projector comes to our offices, we set it up in our bespoke testing facility and run through everything from films on Netflix to gaming on a PS5 to get a solid idea as to how it performs during everyday use. We also use industry-standard benchmarking to test the brightness and contrast levels so you never have to rely on marketing jargon that companies love to flog alongside their products.

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Our processes mean that we know exactly which are the best projectors for a bedroom and a home cinema, and we’ve made sure to include the very cream of the crop in this very list. If you decide that you’d rather buy a projector that’s better suited for the elements and simple to transport from one location to another then you’ll find exactly what you want in our round-up of the best portable projectors.

Best projectors at a glance

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Learn more about how we test projectors

We test projectors by, well, watching lots of movies on them. But not just movies: we watch sports and TV programmes to get a sense of how they work in terms of motion, sharpness, detail and overall image fidelity.

Depending on the projector, we’ll test them in a bespoke home cinema room or in our own rooms and gardens to see if they live up to the manufacturer’s claims about their performance.

If it’s an HDR projector, we’ll watch plenty of HDR content to determine if colours are correct and whether the projector can do a decent approximation of HDR. If it’s a gaming projector we’ll test the latency to determine how responsive it is.

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We’ll also assess the projector in terms of its size and whether it needs a dedicated installation, as well as how much noise it makes during operation and whether that can be a hindrance to watching content. Are they easy to use? And do they require more expert knowledge to operate are considerations we also take into account.

With our reviewers knowledge of previous projectors tested, they’ll be considered to what’s come before to determine whether they offer good value, regardless of how much or how little they cost.

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Sony Bravia Projector 9

Best overall

Trusted Score

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Pros


  • Spectacular picture quality, especially with HDR

  • Outstanding image processing

  • Easy set up for such a high-end projector


Cons


  • It’s eye-wateringly expensive

  • More consistent black levels available elsewhere

  • No Dolby Vision or 3D support

Sony has long been one of the go-to names in the world of home theatres, but never has that brand appeal felt more fitting than with the Sony Bravia Projector 9 – this is a true beast of a machine that builds upon the outstanding feature set of its predecessors, but kicks things up a notch in all of the key areas you’d want to see. So long as your budget can match it, there is no better projector right now.

In terms of the raw image, you’re getting a crisp 4K resolution that really goes above and beyond in making the latest films and TV shows look their very best. The image is made even better thanks to the Sony XR for Projector chipset  which is able to deliver a billion colour tones and, from our testing, can cover 95% of the DCI-P3 colour spectrum. This means that you’ll be getting an image that pops with colour, exactly what you want in a darkened cinema room.

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That chipset also does an incredible job when it comes to upscaling content that sits below the 4K threshold, so if you want to catch a bit of classic Hollywood or even chuck on some home movies of holidays past, you can do so and still enjoy them as if they had been shot with more modern cameras. Visual fidelity isn’t the only selling point here as the Projector 9 is a far more capable gaming machine than its predecessor.

There’s now support for 4K gaming at 120Hz which is a big win for anyone playing the on latest high-end consoles who wants an unparalleled experience. With that kind of speed in tow, fast paced titles like Forza Horizon 5 or Hades 2 just feel even more immersive to the point where it’ll have you wondering how you ever made do with 60Hz.

Input lag is also incredibly low so you won’t have to worry about feeling disconnected from the action during a frenetic online match. As a final point worth noting, the Projector 9 is very easy to set up so if this is your first projector of any kind then you won’t have to worry about getting bogged down by a complicated installation that could otherwise hamper your enjoyment.

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Sony Bravia Projector 7

Runner up

Trusted Score

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Pros


  • Superb picture quality

  • Good enough for serious gaming

  • Quiet operation


Cons


  • Focus and image correction are manual only

  • Requires a fully dark room to shine

  • Menu text size is too small

As much as we love the Sony Bravia 9 Projector and would still recommend that to anyone who has a fairly sizeable budget in tow, there’s no denying that the next option down is also a spectacular feat of engineering. Available for slightly less than its full-fat sibling, the Sony Bravia 7 Projector is an impressive piece of kit.

Although it’s not quite as expensive as the Bravia 9, the Bravia 7 Projector still boasts the same 4K resolution which is a big win on value for money, and as ever it means that you’re getting a level of quality that really elevates the experience of kicking back and catching your favourite films. It’s hard to quantify but when you see it for yourself, the idea of ever going back to 1080p seems preposterous.

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Helping to give the image quality an extra boost is the 2200-lumen laser light engine which is wonderfully bright and paves the way for some outstanding colour contrast, although there’s also one of Sony’s XR Processor Projector chipsets on board which can handle the upscaling process of old content with ease. Even things you’ve shot on an old camcorder can have a new lease of life here.

Just like with the pricier Bravia option, gaming performance here is top-notch. You’re also getting a 120Hz refresh rate which is just begging for a high-end PC or something like the PS5 Pro to make the most of. What’s surprising is that with all of this tech built into the Bravia 7 Projector it still manages to run at a fairly silent level, so you won’t have to crank up the volume in order to drown out the noise of internal fans at work.

Depending on the type of content you want to watch, it’s possible to quickly swap between a standard 16:9 ratio and a 2.35:1 alternative which is better suited for films shot in IMAX. The main allure of opting for the Bravia 9 is the higher 3400 lumens count for a brighter image, but given what you’re getting with the Bravia 7, it’s hard to imagine anyone feeling hard done by except for home theatre purists.

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BenQ X3100i

Best gaming projector

Trusted Score

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Pros


  • Bright and long-life LED light source

  • Good 4K HDR picture quality

  • Very low input lag for gaming


Cons


  • Android TV poorly implemented

  • No 4K/120Hz support

  • Possible rainbow artefacts

Looking for a projector that’s explicity for gaming? BenQ’s X3100i is what you’re looking for with its solid 4K HDR picture and low input lag.

There’s a range of gaming features available with multiple modes with low input, 1080p/120Hz support, an FPS Crosshair feature and BenQ’s SettingXchange, which allows you to import custom gaming modes and colour parameters that have been created by experts and professional gamers. We measured input lag at an impressively low 16ms, and at 1080p/240Hz that figure falls to 4ms.

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The picture puts in a bright, colourful and punchy performance. At its maximum output, the X3100i offers 3300 ANSI lumens of brightness (cinema mode reduces it to 2000 ANSI lumens). Black levels are more grey than black, but the performance we see with the X300G is consistent with other single chip DLP projectors, so contrast doesn’t deliver on what BenQ claims the projector does out of the box. Motion handling is superb, and overall, its wide colour performance and brightness makes up for its lack of deep blacks.

The sound system is pretty good for more casual viewing, but the 2.1 channel system (device Bon Jovi’s cousin) doesn’t have the scale or power to create a soundstage that complements its big screen images. They can’t go too loud without starting to distort.

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Optoma UHZ68LV

Best mid-range projector

Trusted Score


Pros

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  • Loads of lumens

  • Excellent connectivity

  • Superb colour reproduction


Cons


  • Slight DLP rainbow fringing could annoy

  • Black levels can’t quite match D-ILA and SXRD rivals

  • Size and weight really warrant ceiling mounting

You know as well as we do that if you’re serious about building a true home entertainment system for films, games and TV shows that’s built around one truly outstanding projector, then you’re not going to skimp on your investment. Case in point, a price tag of £3999/$5999 is likely to deter some buyers, but for those who value the finer things in life, the Optoma UHZ68LV is worth every penny.

Just look at the UHZ68LV and you can tell that this is a projector that does not mess around, something that’s only confirmed once you switch it on and see the unbelievable brightness that’s achieved by its dual laser light engine. Colours end up being so right from the brightness available that even if you have plenty of natural light seeping in from a nearby window, you’ll still get a good view of what’s on.

What really helps is the PureEngine Ultra processor working tirelessly under the hood to optimise what’s being shown at all times. This ensures that whether you’re watching an old Hollywood classic or a new must-see show, you won’t be missing out on any of the included details that the filmmakers want you to see.

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While the projector can easily please the home theatre crowd, it also works brilliantly well when it comes to gaming. The combined metrics of 4K resolution running at 120Hz, along with super-low latency to prevent input lag, all go above and beyond to create an immersive experience like no other. It’s exactly the type of projector you’d want for detailed and paced titles like Forza Horizon 5 or Returnal.

There are three HDMI ports (one of which is HDMI 2.1) so you have more than enough room to plug in a games console, streaming stick and a soundbar if needed, although we found the audio clarity to be quite good by default. Plus, with the twin lasers having a lifespan of up to 30,000 hours, you won’t need to upgrade to a different projector until long into the future.

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Samsung Premiere 9

Best ultra short-throw projector

Trusted Score


Pros

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  • Triple-laser delivers bright and saturated images

  • Comprehensive smart platform

  • Sound quality is impressive

  • Excellent image accuracy


Cons


  • No built-in tuners

  • No Dolby Vision

  • Possible ‘rainbows’

The Samsung Premiere 9 is an ultra short-throw laser with smart features make it more accommodating and accessible to those looking to ditch the TV and get an even bigger screen experience.

As an ultra short throw projector it can be placed close to a wall for the space conscious, and while it’s large for a projector, aesthetically its soft rounded corners and white colour can see it disappear in the right room.

It doesn’t come with a built-in tuner like the LS9PT predecessor did, which is disappointing, but it would appear that Samsung is putting the emphasis on its Tizen interface with the likes Netflix, Prime Video and iPlayer, as well as its free-to-access TV Plus service. HDR support equals HDR10, HLG, and HDR10+. Once again for a Samsung product, Dolby Vision is noticeable by its omission.

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With 3450 ISO lumens of brightness, the Premiere 9 delivers big, bright images with both SDR and HDR content. Blacks can, however, be more of a dark grey, but the real impressive aspect about the Premiere 9 is the range and variety of colours that it can display. Motion handling is also superb, delivering smooth movement when it is activated.

Hisense PL1

Best affordable ultra short-throw projector

Trusted Score

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Pros


  • Excellent picture with SDR and HDR

  • Extensive smart features

  • Competitively priced


Cons

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  • Limited brightness compared to competition

  • Only two HDMI inputs

  • No built-in tuner

Not everyone can afford the Samsung Premiere 9, which commands a price of £5999. In which case, if you’re looking for a TV replacement in the form of a projector, the Hisense PL1 is a more affordable option at less than £1999.

We found its design less intrusive than a TV as it can sit in front of a wall, and a screen up to 100-inches possible would be our recommendation. It’s much more convenient than a long-throw projector like the similarly priced BenQ W270i, as we found you could use the Hisense in a relatively small room.

We were impressed by the picture quality of the PL1. Packing 2100 lumens of brightness, it’s not the brightest UST and so for the best performance we would recommend that you draw the curtains for a proper cinema experience.

HDR support includes HDR10, HLG, HDR10+ and Dolby Vision; the latter helps the projector deliver a sharp image, with excellent colour vibrancy and motion handling. While projectors can’t match TVs for HDR output, we found the PL1 gives it a good go. It can’t manage deep blacks, reaching dark grey instead but for most dark content, the PL1 should look fine.

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The system’s stereo sound system is serviceable enough for news but anything more challenging and you should consider adding additional speakers.

Epson EF-22N

Best portable projector

Trusted Score

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Pros


  • Flexible design

  • Strong picture quality

  • Stylish looks


Cons

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  • Sometimes slow performance

  • No iPlayer/Channel 4

  • Relatively weak speaker

As the market surrounding the best portable projectors continues to open up, we’ve seen more standout devices in this category over the last few years, but at the time of writing it’s the Epson EF-22N that shows just how far these miniature entertainment hubs have come.

Aside from its smaller stature, what helps the EF-22N’s portability, particularly when needed to be used in the great outdoors, is the 360-degree swivel base that makes it incredibly easy to find the right level of framing without needing to constantly move the projector from place to place. The charging port is also conveniently located in the base of the device, so the power cable won’t get tangled up as the projector moves.

When it is set up, you can enjoy all of the smart features and apps that Google TV has to offer on the Epson EF-22N. This includes access to key streaming services like Netflix and Disney Plus, although irritatingly we were unable to access iPlayer or Channel 4 due to licensing issues. Still, there’s plenty on offer here and it’s handy to know that you don’t need to throw an extra device like the Fire TV Stick 4K Max into the mix.

In spite of its portable ambitions, the Epson EF-22N is still able to reach some impressively high levels of brightness, up to 1000 ISO lumens to be exact. At that level, it’s easy to make out plenty of detail in whatever it is that you’re watching. Even in darker scenes, the visuals never became muddy in our testing, so you’ll never be taken out of the immersion due to lacklustre visual quality.

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While the Samsung Freestyle is still a better portable option for those tied to a budget, we can’t recommend the Epson EF-22N enough if you have the money to spend.

Samsung Freestyle 2nd Gen (2023)

Best affordable portable projector

Trusted Score

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Pros


  • Hassle-free big screen images

  • Surprisingly good sound

  • Extensive streaming apps

  • Good for casual gaming


Cons

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  • Limited to Full HD resolution

  • Possibility of seeing rainbows

We’re onto the second generation of Samsung’s Freestyle projector and it’s arguably even better than the original.

Like the Freestyle 2019 version, this new model looks not unlike Luxor Jr. of Pixar fame, dressed in a white finish with its cylindrical shape and adjustable stand. Like before, the stand can be adjusted from 90 to 180 degrees, allowing for an image to be projected on a wall or even the ceiling.

It’s in the features area where the new Freestyle begins to diverge from the old Freestyle. There’s support 21:9 for screen ratios as well as Samsung’s Gaming Hub for cloud gaming. The Smart Edge Blending combines the images of two Freestyles into, a image we found to be even bigger and brighter than using one by itself. It also increases the minimum screen size from 100-inches to 130-inches that allows users to get the full benefit of the 21:9 ratio.

The micro-HDMI input can accept HDR signals and supports ARC for adding a soundbar. There’s a USB-C port for connecting to the power adapter or connecting the projector to an external battery. Its wireless support includes Wi-Fi 5, Bluetooth 5.3 and Apple AirPlay 2. Wi-Fi offers access to the Tizen-powered smart platform where you can find streaming apps such as Disney+, Netflix, and Apple TV+.

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There’s built-in Bixby and Alexa voice assistance along with SmartThings support, which like before is an app that we found makes set-up and installation very simple. The Smart Calibration feature allows images to be calibrated with a smartphone, accurately compensating for colours if you’re watching on a non-white coloured wall or surface.

Our reviewer measured the amount of the noise the projector produced from two feet away, and found it matched the original with only 25dB of noise. In general we found picture quality to be very good with images that look clean and detailed, and though the projector is limited to 1080p resolution, we did not see any distracting image artifacts when the projector downscales content from 4K.

It is slightly brighter than the original at 550 lumens, which is not as bright as the Yaber K2S‘ 800 ANSI lumens, but we found its tone mapping to be very good, producing HDR images with plenty of pop. Unfortunately, the Freestyle 2023 does suffer from limitations such as weak blacks, contrast and possible colour fringing (rainbow effect) for some people.

It’s a decent option for gaming with a 40ms gaming lag (better than the original), and the built-in speaker system spreads audio in all directions, and we found it could go loud without distorting or losing its composure.

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The new Freestyle takes what made the original good and adds a few more useful features and refines the overall performance. This is a fun, hassle-free smart projector that’s easy to use for big screen viewing in your home. The original Freestyle is still available at around £499, though the Samsung has recently reduced the price of the new model to £699.

BenQ GV50

Best compact projector

Trusted Score

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Pros


  • Portable battery-powered convenience

  • Google TV smart platform

  • Long lasting laser light source


Cons

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  • Not bright enough for daylight use

  • Battery only lasts around 2.5 hours

  • Token HDR support

As tempting as it can be to have a full-on projector that remains stationary for the purpose of building a home cinema, if you have lifestyle that’s a bit more on the go, or you like to enjoy entertainment in different rooms of your abode, then a portable projector makes a lot more sense. There are plenty of great options out there but one of the absolute best that we’ve tested is the BenQ GV50.

With a built-in handle, the GV50 is meant to be carried around, so if you fancy moving a film from the living room to the bedroom then you absolutely have the freedom to do so here. Similarly, if you want to have a more cinematic experience in your gaming room, when the projector isn’t in use for movie night, you can always hook up the GV50 to your console of choice and enjoy a massive screen for your next playthrough.

You’re getting crisp, 1080p video from this projector, which does a great job at unearthing the finer details in all types of entertainment. You don’t even have to worry about the longevity of the device as it uses a laser light engine, pacing the way for a full 30,000-hour lifespan. In terms of battery life, you can get up to 150-minutes of use on a single charge, which is more than enough for most blockbuster films.

One of the best things about this projector is that it comes with Google TV built-in as its default operating system. If you haven’t yet experienced the joys of Google TV, simply know that it does a great job at centralising all of the content that’s available to you via your various subscriptions, and it gives you a quicker means of diving back into any films or TV shows that you’re currently watching.

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Far too often with portable projectors, the speaker quality can take a hit in order to keep things compact, but this issue does not exist with the GV50. With a 2.1 speaker configuration, we were surprised not just by how clear the audio was, with plenty of attention paid to dialogue, but also its ability to get quite loud without losing that fidelity.

Dangbei Freedo

Best-looking projector

Trusted Score

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Pros


  • Very portable

  • Generally picture quality

  • Premium looks


Cons

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  • Not the longest battery life

  • Doesn’t have the brightest picture

  • Google TV lacks major UK services, like BBC and Channel 4

Usually, whenever you shop around the budget-end of the market (and this goes for all products, not just projectors), there’s an implicit understanding that you may be getting a couple of key features that are crucial to the visual experience, but the design and build quality won’t be turning heads compared to pricier options. Well, it seems like the Danbei Freedo didn’t get the memo on that one.

Despite its comparatively affordable price tag of £449, the Freedo boasts a wonderfully sleek aesthetic that makes it resemble a podcast microphone when in use or a smart speaker when packed away. Given that one of the nicer aspects of owning a projector is that you don’t have to look at a blank black box when it’s switched off, it’s nice to also have it fit seamlessly with your decor when you would rather just read or listen to music.

Of course, because the Freedo is such a small projector, and it has a built-in battery, you can easily move it from room to room – great for watching shows in the bedroom – or take it with you to the great outdoors and enjoy a film under the stars during your next camping trip. It doesn’t have to be a short flick either, thanks to a runtime of up to 2.5 hours on a single charge.

Shifting over to the picture quality, there’s plenty to love about this portable projector. With a crisp 1080p resolution, you can pick up on plenty of detail in just about anything you plan on watching, and the peak brightness of up to 500 lumens also goes a long way to ensuring that you’re never squinting at what’s happening. There’s a nice degree of contrast too, so you can really feel the depth of the setting, whether that be a real location or a CGI-constructed world.

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When it comes to deciding what to watch, the use of Google TV as the projector’s operating system is a big win. Google TV does a great job of offering up quick access to all of your favourite apps, alongside an eye-catching carousel of new content that might take your fancy. There’s a lot to love here, and the projector is certainly a go-to option for anyone who appreciates style and portability in equal measure.

JVC DLA-NZ700

Best JVC projector

Trusted Score

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Pros


  • Impressive HDR performance

  • Sharp and detailed images

  • Excellent contrast ratios


Cons

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  • No low latency mode

  • No 4K/120Hz support

  • No 3D support

JVC has quite a few projectors available so to simplify things a bit, just know that the JVC DLA-NZ700 is designed for the enthusiast crowd who might be shopping with a mid-range budget (comparatively speaking). Even though this isn’t the most high-end projector within JVC’s range, you’d be hard pressed to find fault with it once you switch the thing on. The type of image quality you can get with this projector is just stunning.

What really sets the NZ700 apart from so many of the other projector we’ve tested over the years is its HDR performance. Thanks to its Gen2 Frame Adapt HDR feature, the NZ700 is able to analyse every scene frame by frame to make sure that each one is optimised to the fullest, so you’re always treated to a rich and vibrant image that’ll have you absorbed completely.

Complementing that HDR processing is the fact that this is a native 4K projector, so there’s tons of detail to go with every image you see. This is brilliant for animated films where there are tons of fun details to find in the periphery, and it’ll make any future movie nights with the kids feel like a true trip to the cinema from home.

If you don’t have a cinema room that’s fully blacked out with no external light creeping in then fear not as the powerful BLU-Escent laser diode is able to reach a peak brightness of 2300 lumens, which almost makes it feel as if you’re getting the same experience that you would through a traditional backlit television.

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In fact, the NZ700 also does a great job in more dimly lit scenes courtesy of an 80,000:1 contrast ratio, which can go a long way towards making horror films feel even more immersive. If things do get a bit too tense however, you can quickly pause a film with the backlit remote that’s bundled in.

ViewSonic LX700-4K

Best ViewSonic projector

Trusted Score

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Pros


  • Bright and punchy HDR

  • Excellent motion handling

  • Extremely low input lag


Cons

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  • Poor native black levels

  • Wide colour gamut limited

  • Possibility of rainbows

If you know next to nothing about projectors but you’re looking to buy one that features high-end features and an easy-to-understand set-up process that makes the installation of a home theatre as simple as possible, then the ViewSonic LX700-4K is definitely the option for you.

On the quality front, there’s very little here to leave you wanting. The LX700-4K, as its name implies, is able to output content at a 4K resolution, so there’s no detail lost when enjoying the latest films and TV shows, plus the HDR performance kicks it up to a whole other level.

With support for HDR10 and HLG, this projector is able to emit a jaw-dropping image at all areas of the screen. This is brilliant if you’re enjoying an animated film with the family as younger viewers will marvel over the vibrant colours found in these fictional worlds. Part of this is achieved thanks to a super bright 3500 ANSI lumens, which still lasts for a whopping 30,000-hour lifespan for tons of entertainment.

As mentioned, the LX700-4K is one of the easier projectors to set up, partially due to the intuitive remote that comes with the device. You have instant controls for zooming and focusing the image, so it doesn’t take a great deal of work to find the point that works best for your screening room.

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If you also like to mix things up with a bit of gaming then you’ll appreciate the smooth motion handling which keeps you locked in with every step of the action. The incredibly low latency also works in tandem with fast-paced titles like first-person shooters, so you’ll never be at a disadvantage when playing online.

JVC DLA-NZ900

Best high-end projector

Trusted Score

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Pros


  • Fantastically sharp and detailed images

  • Superb black level and contrast ratio

  • Exceptional dynamic tone mapping


Cons

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  • Represents a significant investment

  • It’s very large and heavy

There’s no way around it, at £24,999/$25,999 the JVC DLA-NZ900 is a sizeable investment and one that’s really meant for the true home theatre aficionados out there who obsess over the tiniest details and really getting that cinema style experience from the comfort of their living room or dedicated cinema room. If your budget does stretch to cover it however then you will not be disappointed.

In terms of resolution, you’re definitely future proofed with the NZ900 as it can support 8K at 60Hz and a faster 120Hz refresh rate when outputting at 4K. With these resolutions available, you’re getting the best of both worlds when it comes to both film and gaming.

The ability to output at 8K means that even older, classic Hollywood films can appear at their best, making it feel as it you’ve gone back in time to watch them when they first appeared onscreen, while the super fast 120Hz refresh rate is just the ticket for high-speed games like Forza Horizon 5 or Marvel Rivals.

If you’ve ever bought at the lower end of the projector market then you’ll know that brightness can sometimes be an issue, but the NZ900 has no such problem. JVC’s BLU-Escent laser diode can crank up the brightness to 3300 lumens which is just mind-blowing, and ends up being a true visual feast for the eyes.

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Even with such high levels of brightness to hand, the NZ900 can still deliver on the lower end with a contrast ratio of 150,000:1. That type of performance is just on a whole other level, producing truly inky blacks that give so much depth to every single frame. Trust us when we say that this is a level of cinematic luxury like no other.

FAQs

Is a projector better than a TV?
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In some ways, a projector is better than a TV, but it depends on what you want. If you’re after a big viewing experience, then projectors deliver an image much bigger than any TV can. However, TVs can go brighter, have a wider range of features and can operate in both bright and dark living room conditions. Not all projectors are bright enough to handle ambient light in bright rooms.

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Test Data

  Sony Bravia Projector 9 Sony Bravia Projector 7 BenQ X3100i Optoma UHZ68LV Samsung Premiere 9 Hisense PL1 Epson EF-22N Samsung Freestyle 2nd Gen (2023) BenQ GV50 Dangbei Freedo JVC DLA-NZ700 ViewSonic LX700-4K JVC DLA-NZ900
Input lag (ms) 16 ms 51 ms

Full Specs

  Sony Bravia Projector 9 Review Sony Bravia Projector 7 Review BenQ X3100i Review Optoma UHZ68LV Review Samsung Premiere 9 Review Hisense PL1 Review Epson EF-22N Review Samsung Freestyle 2nd Gen (2023) Review BenQ GV50 Review Dangbei Freedo Review JVC DLA-NZ700 Review ViewSonic LX700-4K Review JVC DLA-NZ900 Review
UK RRP £25999 £6999 £1949 £3999 £5999 £1349 £999.99 £699 £629 £429 £9499 £1199 £24999
USA RRP $31999 $9999 $2199 $5999 $1999 $999.99 $549 $8999 $1599 $25999
EU RRP €25999 €2599 €1499 €999.99 €8999 €1699 €25999
AUD RRP AU$13999 AU$3199 AU$2995 AU$14999 AU$1999 AU$40999
Manufacturer Sony Sony BenQ Optoma Samsung Hisense Epson Samsung BenQ Dangbei JVC ViewSonic JVC
Size (Dimensions) x x INCHES 460 x 1472 x 200 MM 272 x 259 x 213 MM 498 x 171 x 331 MM 550 x 384 x 141 MM 531 x 335 x 120 MM 236 x 191 x 193 MM 104 x 95 x 173 MM 130 x 191 x 211 INCHES 109 x 131 x 239 MM 450 x 479 x 180 MM 286 x 216 x 129 MM 500 x 528 x 234 MM
Weight 14 KG 13 KG 6.8 KG 9.2 KG 11.6 KG 8.5 KG 3 KG 0.8 KG 2.1 KG 1.4 KG 15.2 KG 3.3 KG 25 KG
ASIN B0F8WV3HMH B0CMHBJ7W3 B0DHYB315G B0DL9HH3VR B0DM8X8L1P B0CHF5CTTW
Release Date 2024 2025 2024 2025 2024 2023 2024 2023 2024 2024 2024 2024 2024
Model Number X3100i SP-LPU9DS PL1TUKSE DLA-NZ700 LX700-4K DLA-NZ900
Model Variants EF-22N
Resolution 3840 x 2160 3840 x 2160 3840 x 2160 3840 x 2160 3840 x 2160 3840 x 2160 1920 x 1080 1920 x 1080 1920 x 1080 1920 x 1080 4096 x 2160 3840 x 2160 x 2160
Projector Type SXRD SXRD DLP projector DLP projector DLP projector Ultra Short-throw Portable DLP projector Portable DLP projector DLP projector D-ILA
Brightness Lumens 3400 2200 3300 5000 3450 2100 1000 550 500 450 2300 3000 3300
Lamp Life 20,000 20000 30000 hours claimed 30,000 20,000 hours 25,000 hours 20,000 30,000 hours 20000 20,000 20,000 20000
Contrast Ratio 350,000:1 (dynamic) Infinity:1 600,000:1 dynamic 3,200,000:1 1,500:1 3000:1 5,000,000 :1 1000,000:1 80,000:1 (Native) 3,000,000:1 150,000:1 (Native)
Max Image Size 300 inches 300 inches 150 inches 300 inches 130 inches 120 inches 150 inches 100 inches 120 inches 180 inches 200 inches 300 inches 300 inches
HDR Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes
Types of HDR HDR10, HLG HDR10, HLG HDR10 and HLG HDR10, HLG, Dolby Vision, HDR10+ HDR10, HLG, HDR10+ HDR10, HLG, HDR10+, Dolby Vision HDR10 HDR10, HLG, HDR10+ HDR10, HLG HDR10, HLG HDR10, HLG, HDR10+ HDR10, HLG HDR10, HLG, HDR10+
Refresh Rate 120 Hz 120 Hz 240 Hz 240 Hz 120 Hz 60 Hz 240 Hz 60 Hz 60 Hz 60 Hz 240 Hz 120 Hz
Ports 2 x HDMI 2.1 2 x HDMI 2 x HDMI 2.0b Three HDMI, Digital optical Audio Output, 3.5mm minijack 3 x HDMI 2.0 1 x HDMI 2.1; 1 x HDMI 2.0 USB 2.0-A, USB 2.0 Mini-B, Jack plug out, HDMI ARC, HDMI (HDCP 2.3) Micro-HDMI; USB-C HDMI v2.0 with ARC, USB-C, USB-A HDMI, USB 2 x HDMI 2.0 2 x HDMI 2.0 2 x HDMI 2.1
Audio (Power output) 5 W 40 W 30 W 5 W 18 W 6 W 15 W
Colours Black, White Black, White White Black White Black/Dark Grey White Black White, Black Black
Display Technology DLP DLP DLP LED DLP
Projector Display Technology Single-chip DLP Single-chip DLP Single-chip DLP Laser Diode Single-chip DLP Single-chip DLP Single-chip DLP Single-chip DLP
Throw Ratio 1.35-2.84 1.15-1.5 1.2:1 – 1.92:1 0.25:1 0.25 1.00 – 1.82:1 1:2 1.2 : 1 1.34 to 2.14 1.06 to 1.45 1.35 to 2.75
3D Yes Yes Yes

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GlassWorm malware hits 400+ code repos on GitHub, npm, VSCode, OpenVSX

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GlassWorm malware hits 400+ code repos on GitHub, npm, VSCode, OpenVSX

The GlassWorm supply-chain campaign has returned with a new, coordinated attack that targeted hundreds of packages, repositories, and extensions on GitHub, npm, and VSCode/OpenVSX extensions.

Researchers at Aikido, Socket, Step Security, and the OpenSourceMalware community have collectively identified 433 compromised components this month in attacks attributed to GlassWorm.

Evidence of a single threat actor running the GlassWorm campaigns across multiple open-source repositories is provided by the use of the same Solana blockchain address used for command-and-control (C2) activity, identical or functionally similar payloads, and shared infrastructure.

GlassWorm was first observed last October, with attackers using “invisible” Unicode characters to hide malicious code that harvested cryptocurrency wallet data and developer credentials.

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The campaign continued with multiple waves and expanded to Microsoft’s official Visual Studio Code marketplace and the OpenVSX registry used by unsupported IDEs, as discovered by Secure Annex’s researcher, John Tuckner.

macOS systems were also targeted, introducing trojanized clients for Trezor and Ledger, and later targeted developers via compromised OpenVSX extensions.

The latest GlassWorm attack wave is far more extensive, though, and spread to:

  • 200 GitHub Python repositories
  • 151 GitHub JS/TS repositories
  • 72 VSCode/OpenVSX extensions
  • 10 npm packages

Initial compromise occurs on GitHub, where accounts are compromised to force-push malicious commits.

Then, malicious packages and extensions are published on npm and VSCode/OpenVSX, featuring obfuscated code (invisible Unicode characters) to evade detection.

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Malicious package on OpenVSX
Malicious package on OpenVSX
Source: Aikido

Across all platforms, the Solana blockchain is queried every five seconds for new instructions. According to Step Security, between November 27, 2025, and March 13, 2026, there were 50 new transactions, mostly to update the payload URL.

The instructions were embedded as memos in the transactions and led to downloading the Node.js runtime and executing a JavaScript-based information stealer. 

GlassWorm attack chain
GlassWorm attack chain
Source: Step Security

The malware targets cryptocurrency wallet data, credentials, and access tokens, SSH keys, and developer environment data.

Analysis of code comments indicates that GlassWorm is orchestrated by Russia-speaking threat actors. Additionally, the malware skips execution if the Russian locale is found on the system. However, this is insufficient data for confident attribution.

Step Security advises developers who install Python packages directly from GitHub or run cloned repositories to check for signs of compromise by searching their codebase for the marker variable “lzcdrtfxyqiplpd,” an indicator of the GlassWorm malware.

Malicious GitHub files
Malicious GitHub files
Source: Step Security

They also recommend inspecting systems for the presence of the ~/init.json file, which is used for persistence, as well as unexpected Node.js installations in the home directory (e.g., ~/node-v22*).

Additionally, developers should look for suspicious i.js files in recently cloned projects and review Git commit histories for anomalies, such as commits where the committer date is significantly newer than the original author date.

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Malware is getting smarter. The Red Report 2026 reveals how new threats use math to detect sandboxes and hide in plain sight.

Download our analysis of 1.1 million malicious samples to uncover the top 10 techniques and see if your security stack is blinded.

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Techdirt Podcast Episode 446: Mike & Karl Talk AI

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from the not-so-opposed dept

There’s a notion that pops up in the comments here on Techdirt that Mike and our writer Karl Bode are deeply opposed in their opinions on AI and engaged in an epic ongoing debate. Alas, the truth is a little less spectacular: while they might have some differences of opinion here and there, they actually agree on most things, and would both prefer to hear (and have) more thoughtful and nuanced discussions about the technology without going to the extremes. By way of demonstration, Karl joins this week’s episode of the podcast for a long conversation with Mike all about AI, its role in our society, the challenges it raises, and where things go from here.

You can also download this episode directly in MP3 format.

Follow the Techdirt Podcast on Soundcloud, subscribe via Apple Podcasts or Spotify, or grab the RSS feed. You can also keep up with all the latest episodes right here on Techdirt.

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Filed Under: ai, artificial intelligence, podcast

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Fascinating Look Back at the Akai PJ-11, an Innovative Mini Stereo with Rotating Speakers from 1984

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Akai PJ-11 Mini Stereo Rotating Speakers 1984
Back in 1984, Akai released the PJ-11, a compact stereo system that brought some fresh ideas to portable audio. Small enough to slip into a bag, it came with two independent speakers connected by cables that carried both power and audio signals, and those speakers could detach from the unit, lock into position at various angles, and be adjusted however the situation called for.



Each speaker could be swiveled precisely into position using 45 degree markers, giving you full control over where the sound was directed. Point them straight ahead for a traditional stereo image, tilt them upward for cleaner vocals, or angle them downward depending on the room. Flip them backward and the left and right channels swap, creating a surprisingly interesting effect in smaller spaces. The whole point was to put the sound where you actually were, rather than just firing it blindly forward the way most systems of the era did.

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Akai PJ-11 Mini Stereo Rotating Speakers 1984
Battery power came from four C-cells tucked inside each speaker, meaning the full system ran on eight batteries when you were out and about. That added some noticeable weight, but it also gave the speakers a reassuringly solid feel in your hands. Back at home a separate power adapter plugged into the rear of the main unit, sliding into place on a dedicated rail to keep everything sitting level and stable on a shelf or table. Pull the adapter and speakers off and the whole thing becomes a genuinely compact grab and go setup with no extra bulk to worry about.

Akai PJ-11 Mini Stereo Rotating Speakers 1984
The front panel features four sliders that allow you to make rapid adjustments on the fly. On the left is your overall level, and the following three are a super simple graphic equalizer that allows you to shape the bass, midrange, and treble with a twiddle. One of the buttons opens the cassette door, but the mechanism itself is turned upside-down, so you may have to squint to figure out what’s what, especially if some of the labels on the controls appear a little strange as a result. There’s a separate metal tape playback lever, and the built-in mono microphone can easily record speech or ambient sound, automatically adjusting the settings so you don’t have to.

Akai PJ-11 Mini Stereo Rotating Speakers 1984
Tuning in is handle by a four-band radio component with AM, FM, and shortwave reception that can pull in distant broadcasts when conditions are favorable. The FM side is very sensitive, and it includes a mono mode and a beat-cut filter to reduce interference. There’s a 3.5 millimeter connection on the front panel that allows you to connect signals from external players or recorders, allowing you to play them via the speakers or record them directly into the cassette without having to look for hidden ports.

Akai PJ-11 Mini Stereo Rotating Speakers 1984
Many users were caught off guard by the PJ-11’s unusually full and rich sound despite its small size. Voices came through clearly on angled up speakers, and the overall balance was pleasing, rather than harsh and tinny like some other radios. During high solar activity years, you could pick up shortwave broadcasts loud enough to fill a room, and cassettes had a pleasant warmth that kept the listener listening in for longer than you’d expect from a budget model priced around one fifty at introduction in 1984.

Akai PJ-11 Mini Stereo Rotating Speakers 1984
Akai only produced a small number of PJ-11s before going on to larger models such as the PJ-33, which is probably why they are so hard to come by now. You had all these convenient features, such as detachable speakers that spun around, a front-facing aux in, and the ability to run on batteries. All of this combined to create a design that felt refreshingly practical for ordinary listeners in 1984, and forty years later, it retains a certain attractiveness because it solved simple difficulties in a way that appears to have been completely forgotten these days

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Researchers disclose vulnerabilities in IP KVMs from four manufacturers

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Researchers are warning about the risks posed by a low-cost device that can give insiders and hackers unusually broad powers in compromising networks.

The devices, which typically sell for $30 to $100, are known as IP KVMs. Administrators often use them to remotely access machines on networks. The devices, not much bigger than a deck of cards, allow the machines to be accessed at the BIOS/UEFI level, the firmware that runs before the loading of the operating system.

This provides power and convenience to admins, but in the wrong hands, the capabilities can often torpedo what might otherwise be a secure network. Risks are posed when the devices—which are exposed to the Internet—are deployed with weak security configurations or surreptitiously connected to by insiders. Firmware vulnerabilities also leave them open to remote takeover.

No exotic zero-days here

On Tuesday, researchers from security firm Eclypsium disclosed a total of nine vulnerabilities in IP KVMs from four manufacturers. The most severe flaws allow unauthenticated hackers to gain root access or run malicious code on them.

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“These are not exotic zero-days requiring months of reverse engineering,” Eclypsium researchers Paul Asadoorian and Reynaldo Vasquez Garcia wrote. “These are fundamental security controls that any networked device should implement. Input validation. Authentication. Cryptographic verification. Rate limiting. We are looking at the same class of failures that plagued early IoT devices a decade ago, but now on a device class that provides the equivalent of physical access to everything it connects to.”

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Kalshi’s legal troubles pile up, as Arizona files first ever criminal charges over ‘illegal gambling business’

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Arizona Attorney General Kris Mayes has filed criminal charges against prediction market platform Kalshi, for allegedly operating an illegal gambling business in the state without a license and for election wagering.

The 20-count complaint, filed in Maricopa County court on Tuesday, accuses the company of engaging in unlicensed gambling activities, claiming that the site “accepted bets from Arizona residents on a wide range of events,” including state elections, a practice that is illegal in Arizona. The complaint charged Kalshi with four counts of election wagering for accepting bets from Arizona residents on the 2028 presidential race, the 2026 Arizona gubernatorial race, the 2026 Arizona Republican gubernatorial primary, and the 2026 Arizona Secretary of State race.

This is the first time a state has pursued such charges against the company, according to the Arizona Mirror, and marks a significant escalation in the battle between states and the prediction market industry.

“Kalshi may brand itself as a ‘prediction market,’ but what it’s actually doing is running an illegal gambling operation and taking bets on Arizona elections, both of which violate Arizona law,” Attorney General Mayes said in a statement. “No company gets to decide for itself which laws to follow.”

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It’s worth noting that the charges are technically misdemeanors. They follow a small surge of cease-and-desist letters, lawsuits, and other official actions from states over Kalshi’s activities, in which numerous officials have complained that the company is skirting state gambling laws.

Conversely, prediction sites like Kalshi have argued that they are not in violation of state law because they are subject to federal regulation via the Commodity Futures Trading Commission.

Kalshi may be getting attacked left, right, and center, but the Kalshi has also taken its own, often preemptive, legal action.

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Kalshi sued Arizona’s Department of Gaming in federal court on March 12. The company’s lawsuit argued that Arizona’s regulatory attempts were intruding “into the federal government’s exclusive authority to regulate derivatives trading on exchanges.” Kalshi also recently sued Iowa and Utah on similar grounds.

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Mayes’ office argues the company is merely trying to avoid accountability.

“Kalshi is making a habit of suing states rather than following their laws. In the last three weeks alone, the company has filed lawsuits against Iowa and Utah, and now Arizona,” Mayes said in a statement. “Rather than work within the legal frameworks that states like Arizona have established, Kalshi is running to federal court to try to avoid accountability.”

Elisabeth Diana, Kalshi’s head of communications, called the Arizona criminal charges “seriously flawed” and a matter of “gamesmanship” related to the company’s own litigation against the state.

“Four days after Kalshi filed suit in federal court, these charges were filed to circumvent federal court and short-circuit the normal judicial process,” Diana said. “They attempt to prevent federal courts from evaluating the case based on the merits – whether Kalshi is subject to exclusive federal jurisdiction. These charges are meritless, and we look forward to fighting them in court.”

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Federal officials have signaled that they’re on the prediction industry’s side, setting up a potential regulatory showdown between states and the federal bureaucracy. Mike Selig, chair of the Commodity Futures Trading Commission, recently published an op-ed in the Wall Street Journal in which he accused state governments of having “waged legal attacks on the CFTC’s authority to regulate” such sites. Selig also claimed that his agency would no longer “sit idly by while overzealous state governments” undermined the agency’s “exclusive jurisdiction” over the industry.

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Shoe-Sized Dolphin Robot Swims Straight Into Oil Spills and Pulls Them Clean Out

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Bio Dolphin Robot RMIT Oil Spills
Researchers at RMIT University in Australia built a small robot shaped like a dolphin. About the size of a sneaker, the machine glides across the surface of polluted water and gathers oil with a pump mounted at the front. A filter inside separates the oil from everything else, sending only the slick into an onboard tank while the water flows away untouched.


Bio Dolphin Robot RMIT Oil Spills
The filter draws its clever design from sea urchins. Microscopic spikes coat the sponge-like surface, too small to see without an electron microscope. Those spikes hold pockets of air that push water aside so it beads up and rolls off. Oil, on the other hand, spreads across the spikes and soaks in right away. The coating mixes oleic acid-treated barium carbonate with thin sheets of reduced graphene oxide. No fluorine or silane chemicals go into it, which keeps the whole setup safer for the environment than many older filters.


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Lab tests put the robot through its paces using blue kerosene as a stand-in for real oil. It collected about two milliliters every minute, and the liquid that ended up in the tank measured more than 95 percent pure. The filter never clogged or soaked up water. One full battery charge keeps the machine running for roughly 15 minutes. The same material can absorb between 15 and 65 times its own weight in oil, then release most of it when squeezed and return to work with over 97 percent of its original performance intact. Salt water does not corrode it, and stray contaminants rinse away easily.


Dr. Ataur Rahman, who leads the project at RMIT’s School of Engineering, described the thinking behind the build. Oil spills bring heavy costs to nature and to economies everywhere. The team wanted a device that deploys fast, steers with precision, and reaches places too dangerous for crews on boats. PhD researcher Surya Kanta Ghadei, who developed the filter material, shared what drove his part of the work. Growing up in India, he watched spills harm marine life, especially turtles. That memory pushed him to find a way for responders to act quicker and shield wildlife from harm.

Bio Dolphin Robot RMIT Oil Spills
Right now the robot answers to a Wi-Fi remote. A larger version, closer to the actual size of a dolphin, sits in the plans. Its exact scale will depend on the pump and the tank it carries. In that future form the machine will run without anyone steering it. It will vacuum oil from the surface, head back to a base station to empty the tank and recharge, then return to the spill and start again. The cycle keeps going until the area clears.

Bio Dolphin Robot RMIT Oil Spills
Engineers see clear advantages over systems that simply float in place and wait for oil to drift their way. This robot moves through the slick on its own, collecting as it goes. The filter stays dry and ready for repeated use, so crews avoid the constant swaps and messy disposal that older setups demand. Next steps include scaling up the filter area, strengthening the pump, running field trials, and checking long-term durability in open water.
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This wild iPhone 17 Pro case features a touchscreen for 48MP selfies

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The new Center Stage selfie camera is one of the best features of Apple’s iPhone 17 series — but why settle for 18MP snaps when 48MP selfies are possible?

That’s the question posed by Kickstarter case brand Dockcase, whose latest offering, the Selfix case, adds a touchscreen to the back of your iPhone 17 Pro for seamless, main camera-quality selfies.

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Gamers React With Overwhelming Disgust To DLSS 5’s Generative AI Glow-Ups

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Kyle Orland writes via Ars Technica: Since deep-learning super-sampling (DLSS) launched on 2018’s RTX 2080 cards, gamers have been generally bullish on the technology as a way to effectively use machine-learning upscaling techniques to increase resolutions or juice frame rates in games. With yesterday’s tease of the upcoming DLSS 5, though, Nvidia has crossed a line from mere upscaling into complete lighting and texture overhauls influenced by “generative AI.” The result is a bland, uncanny gloss that has received an instant and overwhelmingly negative reaction from large swaths of gamers and the industry at large.

While previous DLSS releases rendered upscaled frames or created entirely new ones to smooth out gaps, Nvidia calls DLSS 5 — which it plans to launch in Autumn — “a real-time neural rendering model” that can “deliver a new level of photoreal computer graphics previously only achieved in Hollywood visual effects.” Nvidia CEO Jensen Huang said explicitly that the technology melds “generative AI” with “handcrafted rendering” for “a dramatic leap in visual realism while preserving the control artists need for creative expression.”

Unlike existing generative video models, which Nvidia notes are “difficult to precisely control and often lack predictability,” DLSS 5 uses a game’s internal color and motion vectors “to infuse the scene with photoreal lighting and materials that are anchored to source 3D content and consistent from frame to frame.” That underlying game data helps the system “understand complex scene semantics such as characters, hair, fabric and translucent skin, along with environmental lighting conditions like front-lit, back-lit or overcast,” the company says. Nvidia’s announcement video and detailed Digital Foundry breakdown can be found at their respective links.

“Reactions have compared the effect to air-brushed pornography, ‘yassified, looks-maxed freaks,’ or those uncanny, unavoidable Evony ads,” writes Orland. “Others have noted how DLSS 5 seems to mangle the intended art direction by dampening shadows in favor of a homogenized look.”

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Thomas Was Alone developer Mike Bithell said the technology seems designed “for when you absolutely, positively, don’t want any art direction in your gaming experience.”

Gunfire Games Senior Concept Artist Jeff Talbot added that “in every shot the art direction was taken away for the senseless addition of ‘details.’ Each DLSS 5 shot looked worse and had less character than the original. This is just a garbage AI Filter.”

DLSS 5’s “AI dogshit is actually depressing,” said New Blood Interactive founder and CEO Dave Oshry, adding that future generations “won’t even know this looks ‘bad’ or ‘wrong’ because to them it’ll be normal.”

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Mistral bets on ‘build-your-own AI’ as it takes on OpenAI, Anthropic in the enterprise

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Most enterprise AI projects fail not because companies lack the technology, but because the models they’re using don’t understand their business. The models are often trained on the internet, rather than decades of internal documents, workflows, and institutional knowledge. 

That gap is where Mistral, the French AI startup, sees opportunity. On Tuesday, the company announced Mistral Forge, a platform that lets enterprises build custom models trained on their own data. Mistral announced the platform at Nvidia GTC, Nvidia’s annual technology conference, which this year is focused heavily on AI and agentic models for enterprise.

It’s a pointed move for Mistral, a company that has built its business on corporate clients while rivals OpenAI and Anthropic have soared ahead in terms of consumer adoption. CEO Arthur Mensch says Mistral’s laser focus on the enterprise is working: the company is on track to surpass $1 billion in annual recurring revenue this year.

A big part of doubling down on enterprise is giving companies more control over their data and their AI systems, Mistral says. 

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“What Forge does is it lets enterprises and governments customize AI models for their specific needs,” Elisa Salamanca, Mistral’s head of product, told TechCrunch. 

Several companies in the enterprise AI space already claim to offer similar capabilities, but most focus on fine-tuning existing models or layering proprietary data on top through techniques like retrieval augmented generation (RAG). These approaches don’t fundamentally retrain models; instead, they adapt or query them at runtime using company data.

Mistral, by contrast, says it is enabling companies to train models from scratch. In theory, this could address some of the limitations of more common approaches — for example, better handling of non-English or highly domain-specific data, and greater control over model behavior. It could also allow companies to train agentic systems using reinforcement learning and reduce reliance on third-party model providers, avoiding risks like model changes or deprecation. 

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Forge customers can build their custom models using Mistral’s wide library of open-weight AI models, which includes small models such as the recently introduced Mistral Small 4. According to Mistral co-founder and chief technologist, Timothée Lacroix, Forge can help unlock more value out of its existing models. 

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“The trade-offs that we make when we build smaller models is that they just cannot be as good on every topic as their larger counterparts, and so the ability to customize them lets us pick what we emphasize and what we drop,” Lacroix said. 

Mistral advises on which models and infrastructure to use, but both decisions stay with the customer, Lacroix said. And for teams that need more than guidance, Forge comes with Mistral’s team of forward-deployed engineers who embed directly with customers to surface the right data and adapt to their needs — a model borrowed from the likes of IBM and Palantir. 

“As a product, Forge already comes with all the tooling and infrastructure so you can generate synthetic data pipelines,” Salamanca said. “But understanding how to build the right evals and making sure that you have the right amount of data is something that enterprises usually don’t have the right expertise for, and that’s what the FDEs bring to the table.” 

Mistral has already made Forge available to partners including Ericsson, the European Space Agency, Italian consulting company Reply, and Singapore’s DSO and HTX. Early adopters also include ASML, the Dutch chipmaker that led Mistral’s Series C round last September at a €11.7 billion valuation (approximately $13.8 billion at the time).

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These partnerships are emblematic of what Mistral expects Forge’s main use cases to be. According to Mistral’s chief revenue officer Marjorie Janiewicz, these include governments who need to tailor models for their language and culture; financial players with high compliance requirements; manufacturers with customization needs; and tech companies that need to tune models to their code base.

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Kit Becomes Firefox’s First Mascot and Ready Companion

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Mozilla New Mascot Kit Firefox
Kit, Firefox’s first mascot, has just made his debut, thanks to Mozilla, who combined fox and red panda features with some searing flame elements to create a one-of-a-kind creature that sticks out. Kit’s tail constantly seems like it’s on the move, even when he’s just relaxing, since his body language, posture, and eyes all appear to be working together to nail the mood.



Illustrator Marco Palmieri created the final design, starting with some pencil drawings to get a feel for the ideas and ensure they were strong before going on to other tools. Design agency JKR then stepped in and collaborated with Mozilla to take the project to the next level by delving into what makes Firefox tick, including the logo colors and the fox itself.


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According to Amy Bebbington of Mozilla, Kit is the browser’s BFF for the internet era, as it serves as a gentle reminder to users that Firefox has their back. This comes at a time when the web is undergoing significant changes and people are becoming increasingly concerned about what is happening with their data and trust. Firefox is responding by not disclosing users’ personal information and allowing them to opt in or out of artificial intelligence.

Mozilla New Mascot Kit
Kit is also present in quiet moments, such as when you first log in, try something new, or do something nice while browsing, and you can even use him as a wallpaper for new browser tabs under the customization menu. You may also see him on the official website, social media, and during meetups. Overall, these subtle touches make the sign-in process feel like reconnecting with an old friend. Kit is quite understated, but he provides just the right amount of personality to remind you that the browser is only there to help (not get in the way).

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