Attackers now rely on employees to unknowingly launch the malware themselves
Fake IT support calls transform routine troubleshooting into a full network compromise
Browser crashes become the opening move in carefully staged social engineering attacks
Cybercriminal activity continues to move away from direct software exploitation toward manipulating everyday user behavior within corporate environments, experts have warned.
New research by Huntress describes a campaign in which attackers intentionally crash a user’s browser and display alarming security messages that encourage a “repair.”
The tactic creates a false sense of urgency while allowing the attacker to initiate direct communication with the employee.
Attackers take advantage of employee confusion
In many observed cases, victims received phone calls from individuals claiming to be internal technical staff responsible for resolving the issue, giving the attacker credibility and creates pressure for the employee to cooperate with instructions that appear routine.
The entire chain begins with spam messages flooding a user’s mailbox. Soon after, a phone call arrives from someone claiming to represent “IT support”, who says the spam or browser malfunction requires immediate maintenance on the affected computer.
The deception works because victims are persuaded to perform the actions that trigger the compromise themselves.
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Researchers explained that the attackers rely on manual user interaction rather than automated malware delivery, as victims are guided through steps such as approving remote access sessions or installing remote administration tools like AnyDesk.
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In other cases, users are instructed to copy and paste commands into system prompts or execute scripts disguised as diagnostic fixes.
The attackers open a browser during remote sessions and direct victims to a fraudulent Microsoft-themed interface hosted on cloud infrastructure.
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Victims were instructed to log into a fake “Outlook Antispam Control Panel” and download what was described as an “Antispam Patch”, but is actually a disguised archive file containing several components designed to initiate the next stage of the attack.
Once the so-called repair files were executed, the malicious chain reconstructed itself locally using a staged payload, unpacking files that appeared to resemble legitimate software components, including runtime libraries and executable utilities.
One binary named ADNotificationManager.exe triggers the next phase of the compromise after installation.
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At this stage, attackers rely heavily on a technique known as DLL sideloading to run malicious code while legitimate applications continue operating normally.
Malicious dynamic libraries were placed beside legitimate files, allowing the malware to run without immediately triggering obvious alarms within the system.
The payload ultimately deployed a modified agent derived from the open-source command-and-control framework Havoc C2.
And “what once ended with a $300 gift card purchase now ends with a modified Havoc C2 framework burrowed into your environment.”
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The activity is swift, in one case, the intruder expanded from the initial compromised computer to nine additional endpoints within roughly eleven hours.
Such rapid activity indicates direct operator control rather than automated malware spreading through vulnerabilities.
The attacker used remote management tools and scripted payloads to maintain persistence while moving through connected systems.
The researchers warn that the campaign reiterates how attackers increasingly depend on social interaction rather than technical flaws to bypass firewall defenses.
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Meze Audio has unveiled a new high-end pair of in-ear monitors aimed squarely at serious listeners.
Called the ASTRU, the new earphones promise flagship-level sound performance. However, they stick to a surprisingly simple design: just a single dynamic driver.
That approach is a bit unusual at this level. Many premium IEMs rely on multiple drivers to achieve greater detail and separation. However, Meze says the ASTRU is engineered to deliver similar layering and resolution using a single 10mm dynamic driver.
The secret lies in its unusual diaphragm design. The driver uses a multilayer composite structure with more than 80 ultra-thin layers of gold, applied through a 48-hour vacuum sputtering process.
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Furthermore, that dome is bonded to a titanium layer and mounted on a PEEK base. This combination, Meze says, helps balance fast transient response with the warmth and physical punch dynamic drivers are known for. The result, at least on paper, should be a sound profile that’s detailed but still full-bodied.
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The build quality is just as ambitious. Each ASTRU shell is CNC-machined from a single block of pure titanium, then finished with a multi-stage electroplating process to create a satin texture.
Image Credit (Meze Audio)
According to Meze, producing each matched pair takes up to seven days of precision processing. This is a sign the company is leaning heavily into its usual craftsmanship-focused design philosophy.
The earphones ship as a complete portable listening setup. In the box you’ll find a premium balanced cable with a 4.4mm termination, CNC-anodised aluminium hardware, and a 4.4mm-to-3.5mm adapter for broader device compatibility. Five ear tip sizes (XS to XL) are included. Additionally, there is a protective pouch and a soft PU leather carry envelope.
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On the spec sheet, the ASTRU features a 10mm dynamic driver, a 5Hz–35kHz frequency range, 32-ohm impedance, and 111dB sensitivity. Total harmonic distortion is listed below 0.1% at 1kHz.
The ASTRU will make its public debut at CanJam New York on March 7. Afterwards, it will go on sale worldwide from March 20, 2026 via Meze’s website and selected retailers.
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Pricing is set at £819 / $899 / €899, positioning the ASTRU firmly in the premium IEM space. Though it is still short of the four-figure prices many flagship earphones now command.
Platform reviewed: PS5 (on PS5 Pro and PlayStation Portal) Available on: PS5 Release date: February 12, 2026
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But before a collective “Boy!” could be bellowed in celebration of all this news, we also got word that a new series’ spin-off game is rumored to be in the works. Given that you’d need a Leviathan Axe to cut through all these recent reveals and rumors, you could be excused for overlooking God of War Sons of Sparta, a brand-new prequel entry that was shadow-dropped shortly after the Greek trilogy remake reveal.
A retro-flavored 2D action-platformer starring a teenage Kratos, Sons of Sparta is a far cry from what the franchise has previously delivered. Borrowing heavily from the Metroidvania genre, the smaller-scale game has also earned the ire of some players – including series’ creator David Jaffe – who’ve been less than impressed by this fresh direction for the franchise.
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But while the game never reaches the epic highs of its predecessors, I’ve mostly had a good time stabbing, puzzle-solving, and exploring the would-be god-slayer’s early stomping grounds, especially when braving its land of Laconia on my PlayStation Portal.
Admittedly, Sons of Sparta doesn’t make a fantastic first impression. Its action is slow to start, and its early environments sport a muted tone that can come off a bit drab on a large display, like the 65″ 4K TV I started my journey on.
The game’s combat and world didn’t immediately grab me, but its characters and narrative did.A collaboration between Sony Santa Monica Studio, who penned the story, and Mega Cat Studios, Sons of Sparta is cleverly framed as a tale adult Kratos – voiced by the protagonist’s first performer, TC Carson – tells his young daughter Calliope.
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Narration from the older Kratos, as well as some fun exchanges between him and his little girl, are peppered throughout the lengthy campaign. But the bulk of the storytelling is delivered by young Kratos and his brother Deimos. The siblings, who are enduring the agoge in hopes of becoming Spartan soldiers, are richly realized with top-notch writing and quality voice acting.
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In fact, it’s the brothers’ engaging, evolving dynamic that drew me to revisit the game on my PlayStation Portal after all but abandoning it following a short session on my PS5 Pro. And I’m so glad I returned to it, as Sons of Sparta is not only a perfect fit for the portable platform, but investing more time in it allowed me to appreciate what it had to offer after its subpar start.
The game’s combat, which feels a bit plodding in the opening hours, really finds its footing a few hours in. Kratos can’t do a whole lot with his equipped sword and shield initially, but it’s not long before your inventory is brimming with abilities, upgrades, and skills. The franchise’s familiar red orbs, as well as other collected resources, can be invested in a variety of offensive and defensive skills, while a number of weapon attachments can be acquired and upgraded.
The gods also get in on the action, gifting Kratos with a number of cool tools – like a fire-spewing tree branch – that can combat baddies, assist with puzzle-solving, and open previously obstructed parts of the map.
Speaking of the game’s sprawling navigational interface, viewing and using the tool on the Portal’s 8-inch, rectangular display immediately struck me with a satisfying sense of nostalgia. Having spent my youth studying maps in Metroid and Castlevania entries – as well as other classic side-scrollers – on Nintendo’s many handhelds and Sony’s own PlayStation Portable and Vita, it was a blast witnessing Sons of Sparta‘s map blossom in all directions on the more diminutive screen.
But playing on the Portal did more than recall my favorite map-navigating memories. The prequel’s painterly, hand-drawn pixel art style really pops on the portable hardware’s 1080p HD display. Where the game felt a bit small and swallowed up by my TV’s 65″ screen, its varied, vibrant environments arguably presented much better on the smaller LED screen.
Of course, the innate intimacy of playing on a portable platform also deserves credit for putting the game in its best light; I was able to appreciate far more detail playing Sons of Sparta a few inches from my face rather than squinting at it from across my living room.
It also doesn’t hurt that the Portal’s handgrips deliver the same immersion-ratcheting features as the PS5‘s DualSense Wireless Controller. From feeling the rhythmic cadence of Kratos readying his Solar Sling – another fun gift from the gods – to the intense, sustained pulse that builds when opening a treasure chest, the handheld’s haptic feedback and adaptive triggers are easily on par with the standard DualSense controller.
And speaking again to that more intimate portable experience, seeing Sons of Sparta’s action unfold directly between those rumbling, vibrating handgrips adds a level of immersion and immediacy that playing on a console just can’t match.
I further complemented my time behind Kratos’ spear and shield by pairing Sony’s PlayStation Pulse Elite headset with the Portal. As expected, this allowed me to absorb every detail of the game’s dynamic soundscape, from ear-rattling boss encounters to the nuanced echo of water dripping in the game’s atmospheric Grand Cistern environment.
Sons of Sparta is undoubtedly a smaller-scale entry in a series known for making big, bold, blood-soaked splashes with each release. But while the stakes of its story are lower, and it lacks some of the epic set pieces, cinema-rivaling effects, and adrenaline-pumping action of its predecessors, it still delivers a solid, albeit quite different, God of War action-adventure.
If you’re expecting a 2D take on Kratos’ previous god-slaying exploits, Sons of Sparta will likely disappoint. But if you’re craving a fresh, canon story supported by a serviceable metroidvania structure, deep combat, and plenty of fan-pleasing call-outs to the larger franchise, this unconventional prequel’s got you covered…especially when enjoyed on the PlayStation Portal.
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Should you play God of War Sons of Sparta?
Play it if…
Don’t play it if…
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Accessibility features
God of War Sons of Sparta includes an impressive suite of accessibility features, from various audio adjustments and visuals assists – including options for customizing color filters, text sizes, and blood and gore effects – to motion reduction aids and gameplay settings for decreasing difficulty.
In addition to including a number of presets for accessibility features, the game also offers plenty of individual selections for a more tailored experience.
I played a few hours of God of War Sons of Sparta on my PlayStation 5 Pro, on my 65″ 4K display, before fully committing to it – and enjoying it much more – on my PlayStation Portal, streamed from the Pro.
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I tested Sons of Sparta‘s audio with both the PlayStation Pulse Explore earbuds and PlayStation Pulse Elite headset, with the bulk of my 25-hour playtime using the latter. I paid particular attention to how the game looked and played on the portable device versus the console, and noted the various ways it incorporated the handheld’s DualSense features.
The Soundcore Q20i headphones, priced at $39.99 (was $70), give impressive performance at a reasonable price. This over-ear model from Anker’s Soundcore brand combines hybrid active noise cancellation, a long battery life, and configurable sound profiles into a product that constantly receives high praise for being one of the best value-for-money options available.
The main draw is hybrid noise cancellation, which uses four microphones, two in each cup and two on the outside, to reduce ambient noise by up to 90%. Low rumbles from engines or air conditioning are immediately muted, while background chatter is reduced to the point that talks with someone nearby feel far away. The transparency mode switch flips this around, allowing you to let outside sounds in when necessary, such as when you’re on a train or at a station and want to hear announcements, or just want to keep attentive when out for a walk. Users have reported that the device functions effectively in real-world circumstances such as flights, buses, and extremely crowded workspaces, yet if you’re in a really loud location, you may still experience some bleed through.
Hybrid Active Noise Cancelling: 2 internal and 2 external mics work in tandem to detect external noise and effectively reduce up to 90% of it, no…
Immerse Yourself in Detailed Audio: The noise cancelling headphones have oversized 40mm dynamic drivers that produce detailed sound and thumping beats…
40-Hour Long Battery Life and Fast Charging: With 40 hours of battery life with ANC on and 60 hours in normal mode, you can commute in peace with your…
People are blown away by the battery life; with noise cancellation switched on, you get a respectable 40 hours of playback, which increases to a stunning 60 hours if you turn it off. A 5-minute charge provides an additional 4 hours of playback, which is ideal for those occasions when you are trapped in a conference or forgot the charger in the meeting room. Bluetooth 5.0 handles all connections seamlessly, since you can link with two devices at once and it will cheerfully switch between them for you, which is quite useful when you need to transition from a laptop music to a phone call.
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The sound is produced by 40mm dynamic drivers, which benefit from BassUp technology while maintaining crisp details. If you connect the headphones to the provided 3.5mm connection, they will also play Hi-Res music, giving you a snappier high end and a more layered sound. Many listeners have described the profile as engaging and exciting, with deep bass that gets going without overwhelming the mids or voices. The Soundcore app takes things to the next level, with 22 pre-set EQ profiles and the option to tweak the settings to make it exactly right for you. If you need to relax or avoid interruptions, the white noise settings are a wonderful addition.
The memory foam ear cushions are pleasant and snug, and the lightweight frame weighs only approximately 9oz, so you won’t experience sore ears even after wearing them for lengthy periods of time. The foldable form makes them ideal for putting in a bag or backpack for travel, and they still feel rather strong, despite the fact that the plastic construction isn’t exactly fancy. The built-in microphone handles calls well, picking up your voice above background noise and allowing you to hold a regular conversation.
It was 2022’s DART mission where NASA crashed a spacecraft into an asteroid — and the experiment “could have implications for protecting Earth from future asteroid strikes,” writes ScienceNews:
A spacecraft slowed the orbit of a pair of asteroids around the sun by more than 10 micrometers per second… Within a month, researchers showed that the impact shortened Dimorphos’ 12-hour orbit by 32 minutes. Some of the rocks knocked off of Dimorphos fled the vicinity completely, escaping the gravitational influence of the Dimorphos-Didymos pair, says planetary defense researcher Rahil Makadia of the University of Illinois Urbana-Champaign. Those rocky runaways took some momentum away from the duo and changed their joint motion around the sun.
To figure out how much that motion was affected, astronomers watched the asteroids pass in front of distant stars, dimming some of the stars’ light like a tiny eclipse. These blinks, called stellar occultations, can be visible from anywhere on Earth and are predictable in advance… Calculating how far off occultation timings were from predictions revealed that the asteroids’ orbit around the sun was about 150 milliseconds slower than before the DART impact…
Didymos and Dimorphos are not a threat to Earth, Makadia says, and weren’t before DART. But knowing how a deliberate impact changes one asteroid’s orbit can help make defense plans against another, “in case we need to do a kinetic impact for real.” The researchers spent nearly two and a half years to collect 22 measurements of the asteroid’s post-crash position, relying on amateur astronomers “to go out into the middle of nowhere and observe the necessary stellar occultations,” acvcording to their paper. Planetary defense researcher even tells ScienceNews “There was an observer who drove two days each way into the Australian outback to get these measurements.”
One needn’t enjoy the music of Rush to respect the multitasking that happens while the Canadian prog trio (RIP Neil Peart) was onstage spinning impeccable note-for-note re-creations of their studio work. A key component of bassist/vocalist Geddy Lee’s workflow was the Moog Taurus, which is an archaic monophonic synthesizer that’s controlled by an octave’s worth of organ-like foot pedals that sit on the ground under his rack of synthesizers, which he later transitioned to a MIDI-controlled Ableton-enabled computer.
Newer, heavier bands like Brutus and Russian Circles have carried the torch, the latter utilizing a vintage Taurus up until a band of tweakers ransacked their trailer in 2021. Brian Cook, the bassist of the instrumental metal trio, has since been reunited with his beloved Taurus, but in the meantime he utilized a Keith McMillen Instruments 12 Step paired with a Moog Minotaur Model to re-create the squelching, thundering low-end he’s famous for wielding while he plays a baritone guitar with his hands.
The 12 Step 2 expands on the original with five-pin DIN input and output, as well as expanded expression options with each of the 12 pedals that are laid out just like an octave on a keyboard. Both the pressure and the tilt of each pedal can be mapped to unique CCs, allowing things like filter, attack, and resonance to be adjusted as you bear down on each press. The computer-based editor is simple to understand, and each pedal can send chords with up to five notes each for a richer sound with minimal tap dancing. You’ll need your own module to generate sounds with the MIDI messages sent by each pedal, but the USB output can be routed into a phone, tablet, or laptop for easy control of synth plugins on any sort of device you have. The 12 Step 2 is light, durable, and thin, making it easy to drop on top of your guitar pedals before you stash them in a road case for safe keeping. The same can’t be said about a Moog Taurus or the Roland PK-6, which is 3 inches high and 10 pounds, versus the 12 Step 2, which is 1 inch high and only 1.25 pounds.
Coffee is the original office biohack and the nation’s most popular productivity tool. As we lose sleep to the changeover to daylight saving time, the caffeine-addicted WIRED Reviews team is writing about our favorite coffee brewing routines and devices that’ll keep us alert and maybe even happy in the morning. Today, reviewer Matthew Korfhage expounds on his lasting love for drip coffee—and why the Ratio Four never leaves his counter. In the days after, we’ll add other Java.Base stories about other WIRED writers’ favorite brewing methods.
As with any vice worth having, a morning coffee routine can take on the character of religion. And like a lot of religion, it’s often born as much accident as moral conviction. My denomination is good, old-fashioned drip coffee. That’s what I drink first thing, before I even think about crafting a shot of espresso.
I’m WIRED’s lead coffee writer and I’ve developed a deep fondness for coffee’s many variations, from espresso to Aeropress to cold brew. But “coffee” to me, in my deepest soul, still means a steaming mug of unadulterated drip. Luckily, that’s also the coffee arena that has been transformed the most by technology in recent years. The drip coffee from the Ratio Four coffee maker (now quietly on its second generation) feels to me like coffee’s purest form, the liquid distillation of what my coffee beans smell like fresh off the grinder.
Photograph: Matthew Korfhage
Photograph: Matthew Korfhage
Photograph: Matthew Korfhage
Ratio
Four Small-Batch Brewer (Series 2)
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My love of filter coffee began as a teenager traveling and studying in India—perhaps my first glimpse of adult freedom. This is where I drank the first full cup of coffee I remember finishing. In Jaipur, filter coffee was an intense, jet-black gravity brew typically mixed with milk and sugar. I decided that if I was going to drink coffee, I would take it straight and learn to like it on its own terms. A newfound friend, tipping jaggery into his own brew, laughed at my insistence I didn’t want sweetened milk. I then downed a cup so thick and strong and caffeinated it made my hairs stand at perpendicular. If I’d made a mistake, I refused to admit it.
I carried this preference back to Oregon, drinking unadulteratedly black, terrible drip coffee at all-night diners and foul office breakrooms. Black coffee had become a morality clause, though it was hardly a matter of taste.
It wasn’t until years later that I discovered that drip coffee could actually be an indulgence every bit as refined as pinkies-up espresso.
Upping the Drip
In part, this was a problem of technology. Aside from a classic Moccamaster, it’s only very recently that home drip coffee makers have been able to produce a truly excellent cup. For years, I didn’t keep one at my home.
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What woke me up to drip’s possibilities was a new wave of cafes in Portland, first third-wave coffee pioneer Stumptown Coffee and then especially Heart Coffee Roasters in Portland. Heart’s Norwegian owner-roaster, Wille Yli-Luoma, expounded to me at length about the aromatic purity of light-roast immersion coffee—the fruity aromatics of a first-crack Ethiopian that could smack of peach or nectarine or blueberry. Scandinavians had long prized this, he told me, and had evolved light-roast coffee into pure craft. America was finally catching up.
Still, I could never quite get that same flavor or clarity on a home brewer. Not until recently. To get the best version, I still had to walk up the street to Heart and get my coffee from the guy who roasted it. Or I had to spend way too long drizzling water over coffee in a conical filter. I rarely wanted to do this while still bleary from sleep, already late for work.
In a tweet that’s been viewed 1.3 million times in the last six hours, OpenAI’s head of robotics announced their resignation. They said they “care deeply about the Robotics team and the work we built together,” so this “wasn’t an easy call,” but offered this reason for resigning:
AI has an important role in national security. But surveillance of Americans without judicial oversight and lethal autonomy without human authorization are lines that deserved more deliberation than they got.
This was about principle, not people. I have deep respect for Sam and the team, and I’m proud of what we built together. “To be clear, my issue is that the announcement was rushed without the guardrails defined,” explains a later tweet. “It’s a governance concern first and foremost. These are too important for deals or announcements to be rushed.” And when asked how many OpenAI employees had left after OpenAI signed their new Pentagon deal, the roboticist said… “I can’t share any internal details.”
The roboticist previously worked at Meta before leaving to join OpenAI in late 2024, reports Engadget:
OpenAI confirmed Kalinowski’s resignation and said in a statement to Engadget that the company understands people have “strong views” about these issues and will continue to engage in discussions with relevant parties. The company also explained in the statement that it doesn’t support the issues that Kalinowski brought up. “We believe our agreement with the Pentagon creates a workable path for responsible national security uses of AI while making clear our red lines: no domestic surveillance and no autonomous weapons,” the OpenAI statement read.
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Soundpeats Cove Pro: Two-minute review
If you’re here because you’re interested in buying the best cheap headphones, let’s skip to the chase: these are now going to be the go-to pair I recommend for the foreseeable future. They’re not perfect, which is why there’s still over 1,000 words to this Soundpeats Cove Pro review, but for the money they’re outstanding.
Soundpeats is constantly impressing me with its great-value audio offerings, like the indelible in-ear Soundpeats H3, or the reliable open Soundpeats Clip1, and so I’m not overly surprised that I’m giving out another glowing review to something from the company. It’s less versed in over-ears than other kinds of headphone, though, so there was always the chance of something going wrong.
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The Cove Pro are fantastic headphones for people who just need any old pair of cans that’ll do the job, so you’ve got a way of listening to music when at home or on the go – they nail all of quality-of-life features you’ll want.
For example, the battery life is fantastic: 95 hours, or nearly four days straight. These aren’t going to give up the ghost during a long-haul flight, that’s for sure.
They’re also some of the most comfortable on-ears I’ve used recently, as the padding in the cups and headband is soft, and they’re not too heavy or pinchy over the crown of your noggin. What I’m saying is, you can leave them on your head for long periods of time without getting aches.
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Audiophiles (or people who aren’t sure of the title but are picky about their sound) might not be as impressed. The ANC is quite light-touch; the Cove Pro reduce sound more than ‘cancel’ it, and the audio isn’t as good as some other budget options I’ve tested. It’s a bit too warm and veers towards muddy, with a lower-end that isn’t as well-defined as on some alternatives. I wasn’t blown away, but bass-heads might still be happy.
Soundpeats Cove Pro review: Price and release date
(Image credit: Future)
Released in January 2025
Sells for $69.99 / £69.99 (around AU$140)
Cheap, but not cheap cheap in today’s market
Soundpeats announced the Cove Pro in January 2026, following the rush of headphones that followed CES at the beginning of the year.
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You can buy the Cove Pro for $69.99 / £69.99 (around AU$140), so they’re fairly affordable cans – best suited for people who want decent headphones that’ll last a long time, but don’t need the highest quality or audio or premium features.
They’re not the very cheapest headphones that are worth considering – I recently tested the OneOdio Focus A1 Pro which sell for $34.99 / £43.99 (about AU$85), and there are a few other super-budget options worth buying like the Sony WH-CH520. But they’re still certainly a budget option compared to the big names on the block.
Soundpeats Cove Pro review: Specs
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Drivers
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40mm
Active noise cancellation
Yes
Battery life (ANC off)
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95 hours
Weight
251g
Connectivity
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Bluetooth 6.0
Frequency response
20 Hz – 40,000 Hz
Waterproofing
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IPX4
Soundpeats Cove Pro review: Features
(Image credit: Future)
95-hour battery life
The ANC is very light-touch
Nice perks like Bluetooth 6.0, listening test and LDAC
Possibly the most eye-catching spec of the Soundpeats Cove Pro is the battery life: up to 95 hours of ANC-off listening. Very few headphones crack the 100-hour barrier, and anything close like this deserves props.
The endurance drops quite a bit if you turn ANC on: down to 58 hours. That’s quite a sacrifice to remove some sound, though in the grand scheme of things ~60 hours is still decent.
The ANC isn’t very powerful here; it’ll strip out the worst of background noises rather than remove them in any meaningful way. There’s also an ambient mode, but I couldn’t hear a difference between this and Normal (ANC off).
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(Image credit: Future)
The Soundpeats app is the Cove Pro’s all-but-mandatory smartphone app. It’s worth downloading, even though it forces you to create an account, because it offers a few features unusual in lower-cost headphones.
The app offers an equalizer (presets or 10-band custom mode), find my headphones function, spatial audio, bass booster and even a custom listening test which builds you a bespoke EQ mix. It’s clearly in a very early state – the pictures and text refers to earbuds, and one menu was in Mandarin, but it did a decent job of tweaking my audio and wasn’t too hard to use.
Unlike many budget music-blowers, the SoundPeats supports a few higher-res Bluetooth codecs, including LDAC, SBC and AAC. It connects via Bluetooth 6.0, and in my testing it didn’t stop out at all – there was one brief stutter, and that was it.
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Soundpeats Cove Pro review: Design
(Image credit: Future)
Light and comfortable to wear
Useful on-cup controls, but no 3.5mm
Bog-standard looks
When I pulled the Soundpeats Cove Pro from the box, I thought they were dead ringers for my old Sony WH-1000XM3s. Sure, there isn’t a huge scope for variety in the world of headphone aesthetics, especially the budget market, but the design language is there.
These cans weigh 250g, with an IPX4 rating indicating that they’re splash-roof. The right cup has an ANC button, power button and volume rocker on it, and they’re flush enough that I sometimes thought I’d missed pressing them until I got used to the feel of it. The exception is the power button, which has a little indent so you can easily differentiate it by feel.
The one thing I’d like to see is a 3.5mm port. As it stands, you can’t use an AUX cord to connect these to your music player.
I found the Cove Pro surprisingly comfortable; you can’t always rely on the budget headphones for a good fit, but these felt great. The soft cups settle gently on the ears, and a large pad on the band keeps them nestled on your cranium. I could listen for long periods without any kind of strain or ache.
The headphones also feel surprisingly premium in terms of build quality. The plastic material feels a little more durable than the squeaky cheap stuff some rivals are made out of, and other traits of budget cans like rattly joins and a hollow-feeling body were all absent.
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You can fold the Cove Pro in on itself to make it more portable, and they swivel and extend a fair amount to suit different sized heads.
Soundpeats Cove Pro review: Sound quality
(Image credit: Future)
40mm driver
Messy low-end handling
EQ can fix some issues
Like most budget headphones – actually, most cans at any budget – the Cove Pro have 40mm drivers. Soundpeats’ website goes into detail on titanium-coated diaphragms, patterned dome drivers and magnets, all giving the impression of a thoughtful approach to audio – it’s all for naught, though, as they don’t sound any better than your average budget cans
Music is warm, sometimes too much – as I write this I’m listening to Old Ties and Companions by Watchhouse, and the timbre that should be created by the various acoustic instruments feels lacking because of the sound profile. Bass can sometimes blow out other parts of a song, especially with rock music, which can often see the bass guitar override guitars.
It’ll appeal to bass-heads for sure, and people who go to gigs so often that they don’t realize you’re not always supposed to hear and feel the bass above everything else. But I found it a bit too much – and using the Bass Reduction EQ preset sometimes wasn’t even enough.
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Get through the bass, and you’ll find fairly detailed audio, though the lack of support for wired listening means these aren’t budget audiophile cans by any means. There’s a pronounced soundstage though, something you can’t always say about options at this price point, giving a little bit of extra sparkle to songs like T-Shirt Weather by Circa Waves and Such Great Heights by the Postal Service, which have bassless introductions so you can enjoy the atmosphere.
Soundpeats Cove Pro review: Value
(Image credit: Future)
At best, exceeds expectations for price
At worst, matches expectations for price
The Soundpeats Cove Pro aren’t quite the cheapest headphones on the market – or that have wowed TechRadar’s team recently – but they’re not far off. And they offer top value for money.
The build quality here is better than I’ve come to see expect from budget cans, even if the looks won’t win any awards for originality. And the feature set is better than many same-price rivals, with tools that you’d normally find in cans twice as pricey.
In its weaker departments, the Cove Pro still deliver at the level you’d expect for this price; they sound no worse than the average budget headset, and deliver enough ANC to trump rivals which don’t offer the feature.
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Should I buy the Soundpeats Cove Pro?
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Fairphone Fairbuds XL (2025) score card
Attributes
Notes
Rating
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Features
The battery life is great, and there are some solid features, but the ANC isn’t anything to write home about.
4/5
Design
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They’re basic to look at, but lightweight and comfy.
4.5/5
Sound quality
They sound muddy, but there’s detail and a reasonably wide soundstage.
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3.5/5
Value
Set your expectations for the budget and you won’t be disappointed.
4/5
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Buy them if…
Don’t buy them if…
Soundpeats Cove Pro review: Also consider
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Header Cell – Column 0
Soundpeats Cove Pro
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OneOdio Focus A6
Earfun Wave Life
Drivers
40mm
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40mm
40mm
Active noise cancellation
Yes
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Yes
Yes
Battery life (ANC on)
95 hours
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75 hours
60 hours
Weight
251g
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240g
264g
Connectivity
Bluetooth 6.0
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Bluetooth 6.0
Bluetooth 5.4
Waterproofing
IPX4
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None
None
How I tested the Soundpeats Cove Pro
Tested for a month
Tested at home, on walks, on public transport and the gym
I used the Soundpeats Cove Pro for just over a month to write this review, immediately following a few of their big rivals.
I used the cans paired alongside my Android phone, listening on a variety of services. This included in a range of indoor and outdoor settings including, most challengingly, on a train ride home after a high-end audio show.
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For TechRadar, I’ve already tested a wide range of budget headphones, including over-ear alternatives and other picks from Soundpeats.
Japan has approved ground-breaking stem-cell treatments for Parkinson’s and severe heart failure, one of the manufacturers and media reports said Friday, with the therapies expected to reach patients within months.
Pharmaceutical company Sumitomo Pharma said it received the green light for the manufacture and sale of Amchepry, its Parkinson’s disease treatment that transplants stem cells into a patient’s brain. Japan’s health ministry also gave the go-ahead to ReHeart, heart muscle sheets developed by medical startup Cuorips that can help form new blood vessels and restore heart function, media reports said. The treatments could be on the market and rolled out to patients as early as this summer, reports said, citing the health ministry, becoming the world’s first commercially available medical products using induced pluripotent stem cells…
In a statement, Sumitomo Pharma said it had obtained “conditional and time-limited approval” for the manufacture and marketing of Amchepry under a system which is reportedly designed to get these products to patients as quickly as possible. The approval is a kind of “provisional license”, the Asahi newspaper said, after the safety and efficacy of the treatment was judged based on data from fewer patients than in ordinary clinical trials for drugs.
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A trial led by Kyoto University researchers indicated that the company’s treatment was safe and successful in improving symptoms. The study involved seven Parkinson’s patients aged between 50 and 69, with each receiving a total of either five million or 10 million cells implanted on both sides of the brain… The patients were monitored for two years and no major adverse effects were found, the study said. Four patients showed improvements in symptoms. The article notes that “Worldwide, about 10 million people have the illness, according to the Parkinson’s Foundation,” while also notes that today’s current therapies “improve symptoms without slowing or halting the disease progression…”
