There have been a huge number of new products announced at the High-End audio show, with the world’s largest audio event now coming to end of its first stay in Vienna.
But it remains the same old High-End, showcasing the latest in extravagant hi-fi as well as more affordable kit looking to attract attention.
With plenty of brands launching new kit at the show, we’ve rounded up all the biggest and most important news from the event. Keeping reading for all the latest news from High-End Vienna 2026.
The SP4000T continues where the SP3000T left off and goes even further. It’s an industry-first by being the first digital audio player to have Raytheon Jan6418 MIL-Spec vintage vacuum tubes in a Quad configuration. We’re not sure what that means but it does sound fancy.
It also marks A&K’s first dual Wi-Fi antenna design, delivering faster and more stable wireless performance. That is something we can definitely get behind.
The new D5 range marks the fifth generation of Bowers’ 800 series, describing the new 800 Series Diamond as fusing “acoustic and mechanical excellence with elegant and meaningful design”. The design has been optimised with a new top plate, spine,and plinth, as well as revised drive unit, pods, tweeter body, trim rings and grilles.
The new 800 Series loudspeakers are due to go on sale in September of this year.
It’s active wireless speaker full to the brim with Yamaha’s proprietary tech that includes YPAO that adjusts the sound based on the acoustics of the room the speakers are in, the Synergistic Drive that minimises distortion in the audio signal, and drive units made from ZYLON and spruce wood to help reproduce vocals and instruments naturally.
At the forefront is the JT9 planar magnetic headphones with an open-backed design for desktop listening. The Level 1 is a a desktop amplifier with 300W of power at its disposal, as well as LDAC Bluetooth for streaming; while lastly, there’s the Class A headphone amplifier that’s designed for high-end headphones in mind.
Kanto
Image Credit (Kanto)
Announced back in April after it made its debut at AXPONA, Kanto is previewing its new Tuk Grand speakers at High-End Vienna.
The Tuk Grand sits at the top of Kanto’s latest range and features a larger cabinet than the previous model, with a 6-inch aluminium concave woofer to handle the lows and an Air Motion Transformer tweeter for treble. Peak power output is rated at 320W, and the Tuk Grand comes with Bluetooth connectivity with aptX HD and aptX Adaptive streaming.
Also on show will be redesigned, active speaker versions of Tuk, Yu6, and Yu4, alongside passive versions of the same speakers.
JBL
Image Credit (JBL)
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JBL took the wraps off its most ambitious loudspeakers yet with the unveiling of its next-generation Summit Everest and Summit K2.
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The Summit Everest sits at the top of the stack, carrying forward the legacy of four previous Everest generations. It uses a redesigned mid and high-frequency system built around JBL compression drivers and a large-format HDI horn.
Slightly lower in the range, the Summit K2 follows a similar design philosophy, useing JBL’s compression driver system and HDI horn design, paired with a 15-inch woofer and 10-inch mid-bass driver. This approach aims to deliver the same sense of scale and clarity as the Summit Everest, but in a smaller footprint.
KLH Audio
Image Credit (KLH Audio)
The Model 4 joins the Model 3 and Model 5 speakers from the American heritage loudspeaker brand, and makes its debut at High-End.
It’s a loudspeaker that combines attributes of the Model 3 and 5 into one speaker enclosure, utilising the smaller footprint of the Model 3 and sonic architecture of the Model 5 to create a speaker for rooms where there’s not as much space but high fidelity is still paramount when it comes to listening sessions.
Arcam has positioned both devices as a continuation of its current Radia Series, with a clear focus on modern system flexibility, refined engineering, and high-end performance.
The A50 Signature is the new flagship integrated amplifier, and the most advanced Class G model Arcam has released to date. The CD25 is the first Arcam CD player since the FMJ D33 DAC to use a dual-mono DAC architecture, with ESS Hyperstream 4 technology onboard to improve channel separation and deliver more controlled dynamics in standard CD playback.
iFi Audio
Image Credit (iFi Audio)
It wouldn’t be an High-End event without iFi Audio launching yet another product, and in Vienna it’ll be previewing the iDSD GR2, which replaces the five-star xDSD Gryphon.
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The iDSD GR2 has been rebuilt from the ground up from the Gryphon, with iFi describing it as its most capable true-portable DAC/amp so far.
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Upgrades include new DAC architecture, a fully balanced amplification stage, support for lossless Bluetooth audio, and a new colour OLED touchscreen interface for making adjustments to settings.
Also announced at the show was the Go Link 2 Max, a USB-C dongle that can transform “your phone, laptop, or PC into a powerful high-resolution audio source”.
Topping
Image Credit (Topping)
Topping is a brand you may not have heard of but it’s having an impact with hi-fi kit that offers more value than the price point suggests. The E50 II brings higher-end features to a more affordable price.
It’s a DAC rather than a headphone amplifier, supports hi-res audio up to 32-bit/768kHz and native DSD512, and Bluetooth support with LDAC and aptX Adaptive onboard. All that for just £199.
The anniversary edition of the Muse Y-50(G) Network Integrated Amplifier takes its visual cues from the Integra M-588, carrying Bordeaux walnut side panels, a Champagne gold aluminium front panel, and a ventilated top plate patterned on the Japanese San Kuzushi motif.
The Muse delivers 250 watts into 4-ohm speakers through an Axign Class D amplifier with MOS FET output. A 5.46-inch colour LCD displaying track information and analogue-style VU meters alongside support for AirPlay 2, Google Cast, Qobuz Connect, Spotify Connect, and TIDAL Connect.
The Creator Series features the GX-30ARC and GX-10DB powered monitors. Each uses Class D amplification with bi-amplification technology that powers the tweeter and woofer independently, with the GX-30ARC featuring Bluetooth 5.3, HDMI ARC, optical, RCA/Phono, Subwoofer Pre-Out, and USB-C connectivity for integration with desktop, gaming, and home theatre setups.
We had a sneak peak of this in its prototype form at Bristol Hi-Fi Show, and the finished product is functionally the same as we saw it earlier in the year. It transfers the porthole display from the WiiM Sound speaker with a 2.1-inch effort that is also a touch screen for adjust settings.
It’s a 3.0.2 configuration, and when partnered with the Sound/Sound Lite speakers and the WiiM Sub, can be used in a full 5.1.2 immersive home cinema set-up. Audio support includes both Dolby Atmos and DTS:X.
The entry point is the Link Mini, a small streamer designed to plug into existing speakers, radios, or hi-fi systems. The step up is the Link View, which introduces a 2.1-inch circular touchscreen paired with a rotary control dial.
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Above the Link View is the Link Pro, with streaming support, DAB/DAB+ radio, internet radio and HDMI ARC. At the top of the range is the Link Pro Amp that can deliver up to 300W of Class-D power, combining streaming, amplification and radio features in a single unit.
Audio Technica
Image Credit (Audio Technica)
Audio-Technica has expanded its flagship cartridge line with the AT-MCD1. It’s a moving-coil design built around a one-piece CVD diamond cantilever and stylus construction.
The AT-MCD1 is priced at £9,999 and is available on to buy now.
For now, we’re concentrating on its two new speaker series in the Concert Legacy and Concert Element, an evolution of its Concert models from the 1990s.
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Developed in Denmark, with the drivers co-designed with Scan-Speak and SEAS; the Concert Legacy zeroes in on performance, while the Concert Element focuses on design. Both series launch in August but you can preview them at High-End.
Cambridge Audio
Image Credit (Cambridge Audio)
Cambridge launched the Evo 300, a streaming amplifier “engineered for music lovers who want serious, high-end hi-fi performance and effortless power” All you need to do is add speakers to it.
With Evo 300 300W per channel from its Hypex NCOREx Class D amplification configured in a dual-mono layout, there’s an ESS Sabre ES9038Q2M with audio support up to 32-bit/768kHz PCM, along with DSD512.
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Also announced by Cambridge is the availability of a black version of its Evo One wireless speaker.
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Meze Audio
Image Credit (Meze Audio)
Meze Audio is known for its expensive wired headphones, but with the ARTA, it’s pushed the boat out even more in terms of price.
Rinaro has developed a new MZ5 HΩ planar magnetic driver that Meze claims is the highest-impedance planar magnetic headphone driver yet, operating at 225 ohms. Other specs include a frequency response of 3Hz to 115kHz, with distortion below 0.05%. Users can also replace every major part of the headphones to keep them lasting for as long as possible.
The price for the headphones is a stonking £6000 / $6000 / €6000.
Klipsch
Image Credit (Klipsch)
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Klipsch has two new notable products to note at High End and both speak to its past.
It marks its 80th anniversary by bringing out the Limited Edition 80th Anniversary of the Klipschorn, a modern take on founder Paul W. Klipsch’s original 1946 loudspeaker design. Only 280 pairs will be made.
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The second loudspeaker is the Rebellion, the brand’s first compact entry in the Heritage line and directly inspired by Paul W. Klipsch’s original 1958 H8 design. It is a two-way speaker built around a high-efficiency design that Klipsch says it delivers deep bass and crisp, low-distortion highs from a relatively compact cabinet.
The Moon 491, in typical Moon fashion, is a Swiss Army knife of hi-fi, taking in network player, preamplifier, DAC, phono stage and headphone amplifier” skills so it can act as the hub “of a high-performance audio system”.
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The Moon 461 power amplifier can act as a partner for the 491 network player, pumping out 150W per channel for low distortion and stable performance across a “wide range” of loudspeaker loads. They’ll both be on sale in the UK from July onwards.
The R710 delivers a “clean power output” of up to 200W per channel, and it supports Spotify Connect, Qobuz Connect, Tidal Connect, AirPlay 2, Google Cast, Internet Radio and aptX HD Bluetooth.
The Talisman-R is a two-way, bass reflex design, retaining Ruark’s preference for natural driver materials with a 165mm low throw treated fibre NS+ woofer, plus a 27mm silk dome tweeter.
The R710 Music Console comes in a choice of Fused Walnut or Satin Charcoal Finishes with a suggested retail price of £2199 / €2699. The Talisman-R floostanding speakers are available in the same finishes with an SRP of £1499 / €1799.
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DALI
Image Credit (DALI)
DALI is attending this year’s High-End with a preview of its interesting, upcoming all-in-one speaker system.
The Vega can be placed on a desktop of hung from a wall, with 10 drivers inside to produce sound, plus various streaming inputs and HDMI ARC for those who wish to connect to a TV. With plenty of style and grace, it’s an system that looks like it might give the Focal Hekla Muso some competition.
Clearaudio
Image Credit (Clearaudio)
Clearaudio unveiled its biggest product line-ups in recent years at High-End, introducing everything from customisable turntables and limited-edition collector models to a new phono stage, power supply and cartridge.
Developed in collaboration with 18-time Grammy-winning mix engineer Manny Marroquin, the MM-520 are at audio professionals for monitoring across different playback systems.
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This latest update comes with Audeze’s SLAM technology, short for Symmetric Linear Acoustic Modulator, which it claims optimises the air pressure inside the earcups to improve low-frequency performance and spatial presentation without altering the neutral character of the sound.
The Osprey is a true wireless that brings Noble’s high-tech approach down to more affordable levels, with support for ANC, LDAC Bluetooth, and a hybrid driver design that cover the frequency range and deliver the precise and balanced sound that the brand is known for.
You won’t need to be at Vienna to sample them, though, as they’re on sale now.
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Also featuring from Noble Audio is its FoKus Artemis over-ear headphones, which rather relying on a single full-range drive unit for sound, the Artemis combines three: a dynamic driver for bass, a balanced armature driver for midrange, and a planar magnetic driver for speed and detail.
Pricing is $899 / £799 / €949 with shipping expected to start in July 2026
The Cubitt 5 is an active stereo system with 240W of amplification, a built-in phono stage, and HDMI eARC to connect to a TV. There’s no Wi-Fi but there is Bluetooth 5 connectivity with AAC and aptX HD supported for streaming.
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Sound is delivered through Fyne’s 5-inch IsoFlare point-source driver, a coaxial design that it says can radiate sound from a single point in space to produce a stereo image that’s consistent across a wide listening area.
The FyneFlute surround technology reduces colouration to improve midrange clarity, and there’s a front-firing bass port also allowing close-to-wall placement without reducing bass loss.
The Verto D3 is a tube-based digital-to-analogue converter, using a fully balanced dual-mono design and factoring in support for PCM files up to 768kHz and native DSD512 playback.
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The Asterion V3 is a new tube phono preamplifier aimed at vinyl enthusiasts, and features support for both moving magnet and moving coil cartridges, with extensive adjustment options allowing users to tailor performance to different turntable setups.
Notion’s integration with Anthropic apparently had a hiccup this weekend.
Early Sunday morning, the company posted, “Anthropic’s Opus 4.7 and 4.8 models are experiencing degraded performance, which is causing a higher rate of failures for users selecting these models in Notion AI.”
As a result, Notion said it was disabling use of “all Anthropic models” in its automated productivity tool.
Twelve hours later, Notion’s head of product Max Schoening wrote that he was “astonished” at “the amount of people RT-ing this because they want a story around model quality to be the reason.” (According to the public stats on X, Notion’s post has been reposted around 1,200 times.)
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“The degraded performance was a temporary service disruption,” Schoening said. “This happens. It happens to Notion, GitHub, AWS, your OpenClaw, and everything in between.”
He added that Notion has restored access to Anthropic’s models.
Meanwhile, an Anthropic spokesperson said in a statement, “A brief infrastructure issue caused elevated errors on multiple Claude models for a short period of time. The issue has since been resolved. We’re grateful to our users for their patience while we worked to restore service.”
Christopher Nolan’s The Odyssey isn’t hitting theaters for another month or so, but if you’re already planning your trip to the cineplex, you may want to check out this page on the movie’s website which lets you view the trailer in the six (!) different formats it’s being released in.
We don’t really have an opinion on the big-screen adaptation of the epic tale as a piece of media, but from a technical standpoint, it’s interesting to see how the viewing experience changes between the 70mm IMAX version with an aspect ratio of 1.43:1 and the 35mm cut at 2.39:1. Unfortunately, the website offers no way to approximate what the movie will look like once compressed, streamed over the Internet, and displayed on a cheap TCL TV, to say nothing of how the viewing experience will be impacted should you watch the movie on your phone by way of a series of short YouTube clips while going to the bathroom. Maybe Nolan is saving that for his next film.
If you head over to the movies in one of Waymo’s vehicles, you can feel a little better about the long-term ecological impact of your trip thanks to a recently announced partnership between the autonomous car maker and B2U Storage Solutions. Under the agreement, old batteries pulled from Waymo’s fleet of self-driving electric cars will get a second life as localized grid storage.
The idea is that batteries which no longer hold enough charge to power a robo-taxi should still have enough capacity to store the energy produced by renewable sources so it can be doled out later when the demand goes up. By installing these batteries in the cities that Waymo actually operates their vehicles in, they don’t have to worry about shipping them around either — they can just yank them out of the car, and wire them right into the grid. Of course, eventually the batteries will be too cooked to adequately perform in this role as well, but this should give them a few more productive years before they get torn down and scrapped.
Speaking of scrapping, the Ladybird project has announced a pretty radical change for an open source project: as of Friday no public pull requests to the codebase will be accepted, and the only people who can make changes to the code will be the official maintainers. The license for the project isn’t changing, so folks are still free to create forks and modify the code of the scratch-built browser however they wish, but they’ll have to do so with the understanding that their changes will likely never get merged back upstream.
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So why the change? You probably guessed it already: they are sick of people sending in patches developed with AI. We’ve talked about this issue previously, and the Ladybird devs are hardly the only ones struggling to separate the wheat from the vibecoded chaff. For what it’s worth, the announcement makes it clear that the team isn’t necessarily against the responsible use of AI in software development. Their concern stems more from the fact that AI lets anybody and everybody produce code that at least looks valid, and it makes it harder to figure out what’s good and worthy of inclusion and what should probably stay in somebody’s personal repo.
On the subject of software development, health-conscious free software aficionados will be excited to hear that the GNUtrition project hit version 0.33 on Friday. For those keeping track, the free-as-in-speech tool for *nix nerds looking to keep track of their caloric intake hasn’t seen a major release since 2012. The update takes into account the latest US Department of Agriculture (USDA) dietary data, and somewhat surprisingly, switches the whole codebase from Python 2 to pure C. Patches which would have allowed the new build of GNUtrition to calculate the nutritional value of substances eaten off of one’s shoe were mysteriously vetoed from the highest levels of the Free Software Foundation.
One more software link for the road: assuming it hasn’t been taken down by Nintendo’s rabid lawyers by the time this hits the front page, check out this WebASM port of Pokemon Emerald that you can play right in the browser.
The game came out more than 20 years ago for the Game Boy Advance, so the fact that it can run in a modern browser isn’t exactly shocking given how much of today’s software lives on the web. But we still love seeing these decompilation efforts and all the hacks that are made possible once you’ve got the code to work from rather than having to emulate the original system.
Finally, the good folks at iFixit have released a video wherein they take apart fake Apple products that were purchased in the electronics wonderland of Shenzhen. As you might expect, the gadgets they picked up all look fairly convincing at arm’s length, but many of their features don’t actually work and their internals are cobbled together with random ill-fitting bits and bobs.
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At the end of the video they do note that the knock-offs are in general easier to take apart than their Cupertino counterparts, but that this doesn’t really help with their repairability or long-term viability as you’ll likely have a hell of a time tracking down replacement parts for the Number 1 Best AirPoods Max.
See something interesting that you think would be a good fit for our weekly Links column? Drop us a line, we’d love to hear about it.
Nightdive Studios, based in Vancouver, Wash., has made its reputation from remasters and re-releases of dozens of out-of-print PC gaming classics. On Sunday, it announced its next project is the 1998 cult classic Thief: The Dark Project.
The news came as part of PC Gamer’s PC Gaming Show for 2026, which was part of this year’s Summer Game Fest in Los Angeles. The Fest, meant to replace the now-shuttered E3, is a loosely organized series of livestreams, presentations, and broadcasts that sets the schedule for the rest of the year in the video game industry.
Thief, from the legendary Looking Glass Studios, is one of the most influential PC games of the 1990s. Even if you’ve never played it or one of its sequels, such as 2004’s Deadly Shadows, you’ve likely played one of its spiritual descendants.
Thief is one of the first games that didn’t rely on scripts to move its levels forward. There’s nothing that you’re “meant” to do to progress; you’re simply dropped into an elaborate environment and left to figure the rest out for yourself.
That open-ended approach made Thief one of the seminal titles in a sub-genre that’s become known as the “immersive sim,” such as BioShock, Deathloop, and 2017’s Prey, where the challenge and attraction is in coming up with your own solutions on the fly.
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Thief puts the player in the role of Garrett, a professional burglar in a fantasy metropolis known only as the City, who takes a job to steal a magical gem. This places Garrett, against his will, in the center of a conflict between two warring factions of zealots, which will determine the fate of the City.
While Garrett can fight if he has to, he’ll usually lose. Instead, you’re meant to use stealth, wits, and evasion to accomplish his goals, with tools such as rope arrows, flash bombs, noisemakers, and a blackjack for stealthy knockouts.
“Thief didn’t just introduce stealth mechanics, it defined them,” Stephen Kick, CEO at Nightdive Studios, wrote in a press release. “With this remaster, we’ve preserved the tension and intelligence of the original while enhancing it for modern players, ensuring that its legacy continues to influence how stealth games are played today.”
The Nightdive remaster of Thief is planned to include everything from all versions of the game, including the extra missions from 1999’s Thief Gold re-release. It will also include a few quality-of-life bonuses such as a mission select, improved graphics, a weapon/item wheel to make it easier to use items in-game, and support for custom campaigns.
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Kick co-founded Nightdive in 2012 when he discovered that he couldn’t play his own legal copy of System Shock 2 anymore. Since then, Nightdive has rescued and re-released dozens of out-of-print PC games, such as System Shock 2, Killing Time, Star Wars: Dark Forces, and Rise of the Triad, in addition to both publishing and developing a full remake of the original System Shock.
Nightdive’s Thief: The Dark Project remaster is planned for launch this winter on PlayStation 4 and 5, Nintendo Switch and Switch 2, Xbox Series X|S, and PC via Steam, GOG, and the Epic Games Store.
Paramount is clearly getting nervous about the growing opposition to its $111 billion merger with Warner Brothers, which is being intensely criticized for dodgy overseas funding, its dire impact on journalism, and the inevitable mass layoffs, consumer price hikes, and shittier overall product that always results from debt-fueled mega-media consolidation.
There’s a certain desperation creeping into their arguments as state regulators send signals that they’re considering filing an antitrust lawsuit. Top Paramount lawyer Makan Delrahim recently sat down for an interview with the billionaire-owned LA Times (non-paywalled alternative), and insisted that opposition to the company’s terrible merger spree is somehow antisemitic:
“Let’s be honest,” he told the Times. “There’s a lot of fear-mongering, particularly from people in Washington, D.C. They are running a political campaign. Some of these people are trying to inflict harm on this transaction, really because of their own antisemitic views. Regulators and law enforcement officials will see right through that.”
That is, of course, a whole lot of bullshit. Delrahim is trying to pretend that opposition to the deal stems from the fact that billionaire Trump-donor Larry Ellison, who has retooled CBS News to be more friendly to Benjamin Netanyahu, is Jewish. But if there’s any personal ire directed at Ellison as it pertains to the deal, it’s that he has a generational track record of being a foundationally terrible person.
The real-world concerns about the deal have focused on things like the fact it’s heavily financed by Saudi Arabia and China. And there’s fifty years of history showing that deals like this (especially deals involving Warner Brothers) routinely result in mass layoffs, higher prices, and both a shittier company and a less healthy film and television production market.
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This sort of mindless consolidation is generally just a shell game performed by the extraction class and the kind of people obsessed with scale that have no genuine, original ideas. It’s utterly senseless, extractive, and destructive, as we all saw with the disastrous AT&T–>Discovery–>Warner Brothers mess (and the AOL Warner Brothers mess decades earlier).
Quick refresher: Delrahim was Trump’s DOJ “antitrust enforcer” during his first term. Delrahim “enforced antitrust” by doing things like rubber stamping Sprint’s merger with T-Mobile, which immediately resulted in more than 8,000 layoffs and an abrupt end to what passed as price competition in U.S. wireless.
These are, you’ll be surprised to learn, bad faith actors who aren’t actually interested in the public interest, product quality, happy workers, healthy markets, healthy companies, or much of anything else beyond short-term financial gains, tax breaks, control, and outsized higher-level executive compensation.
Ellison and Delrahim don’t have to worry about the Trump DOJ or FCC interfering in the deal. But their desperation suggests they are definitely nervous about negative public perception, European regulatory approval, and the hints being sent by state attorneys general that they’re cooking up a collaborative antitrust lawsuit that could either block or dramatically extend the project timeline.
Microsoft has created an open-source fork of Windows Terminal called “Intelligent Terminal,” and it allows you to use AI directly inside Terminal without interfering with the regular session.
Microsoft describes the Intelligent Terminal as a built-in assistant that can help you explain errors, draft commands, and fix problems without leaving the terminal.
First, the agent can stay aware of what is happening in your terminal and help when a command fails. Second, it can remember active and past agent sessions, so you can return to earlier work without losing your place.
Intelligent Terminal first-run
Source: BleepingComputer
When you open Intelligent Terminal for the first time, it lets you choose the AI agent for the Terminal pane.
In my screenshot, it lists GitHub Copilot, Claude, Codex, and Gemini. GitHub Copilot is shown as “will be installed,” while the others are already installed.
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Intelligent Terminal allows you to configure your AI session
Source: BleepingComputer
There are also separate toggles for Automatic error detection and Automatic error suggestion.
When you turn on error detection, Terminal can notice failed commands. Similarly, error suggestion goes further and sends the error to the selected AI agent for a possible fix.
There’s another option, Session management, that lets Intelligent Terminal track active and past agent sessions. This is what allows you to reopen previous agent work.
Once you’ve configured Terminal AI, it’s quite easy to use. Terminal opens with an AI pane below the shell, where it says “Welcome to Intelligent Terminal.”
AI shell appears below the standard PS shell in Intelligent Terminal
Source: BleepingComputer
In my hands-on, I selected Claude as my Terminal AI model, which is why Claude Code is running inside the pane. It could plan a coding task and then ask whether I wanted to auto-accept edits, manually approve edits, or keep planning.
How an AI model runs inside Intelligent Terminal
Source: BleepingComputer
On the left side, you can choose to show or hide the agent panel and turn error detection on or off through its icon. On the right, you’ll see the agent management icon that opens your session management panel and agent status bar.
Toggle to show or hide agent chat panel in Intelligent Terminal
Source: BleepingComputer
Intelligent Terminal’s Resume session is one of its best features
As a developer, I use Claude Code in Windows Terminal a lot for help, and while it does the job well, the only issue is that you can’t resume sessions in the standard Terminal unless you’re willing to use Claude’s built-in resume skill, which often makes the model perform worse.
Current Windows Terminal does have a toggle that allows it to open previously closed tabs, but that doesn’t restore your previous sessions.
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Intelligent Terminal addresses these concerns with the ability to resume sessions, so you can always go back and forth between your earlier agent work.
Terminal AI is a great idea, but it’s not meant for everyone, and Microsoft understands that, which is why it’s a separate app, and it’s not included with Windows installations yet.
If you’re interested, you can download Intelligent Terminal from the Microsoft Store or Github.
Security teams log 54% of successful attacks and alert on just 14%. The rest move through your environment unseen.
The Picus whitepaper shows how breach and attack simulation tests your SIEM and EDR rules so threats stop slipping by detection.
STERN: “They’re hiring people on Facebook Marketplace to drill out the light for as much as $100. According to our reporting, folks are offering this service in at least 30 states — despite Meta’s attempts to stop it… In most states, we found multiple listings. In the New York and New Jersey area alone there were 23 listings.”
Stern watched a man in New Jersey disable and then conceal the light with a drill and dental probe in a New Jersey garage (a skill he learned watching YouTube and TikTok videos). He said the same day he’d already been contacted by eight more interested customers, and Stern also found at least 10 other people willing to do the same thing, just in New Jersey. “But what we found is they’re all over the country.”
Meta sold 7 million smartglasses in 2025, but a Meta spokesperson insisted to the videomaker that a “majority” of their smartglasses owners aren’t blocking the recording light. And furthermore, they added “We aggressively target anyone advertising tampering tools, have removed thousands of violating ads and Marketplace listings for these services, and pursue legal action when appropriate.” (The reporter acknowledges “many” of the Marketplace ads disappeared after they brought them to Meta’s attention — and Meta also said they were working with other retailers and sellers to take down listings for smartglasses-tampering parts.)
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The reporter also heard from one journalist who said they’d used it so they could record the activities of federal immigration agents without being targeted. “Others told me they just don’t want people asking questions when they’re recording.” (There’s video of one young man saying “It’s already difficult enough to film in public. I don’t want to have a blinking light on my face.”)
Tampering with smartglasses isn’t illegal — though it is against Meta’s Terms of Service, and could void your warranty. But a lawyer in the report says recording others without consent may be illegal, depending on a wide range of “jurisdictional nuances” like whether you live in an all-party consent state or a one-party consent state. “This seems to be our new reality,” the report concludes: “more cameras, more microphones everywhere, and less certainty about who and what is recording.” (Tech blogger John Gruber offered this assessment. “Using a Meta platform to find people to hack a Meta device so you can surreptitiously record strangers. So perfectly Meta.”)
Stern’s report points out that “People are trying to fight back. Apps have popped up that use Bluetooth to scan for nearby camera glasses.” (In the video one app-maker wonders why Meta isn’t offering the same service themselves. “There are technical solutions to these problems.”)
Ironically, when I watched the report on YouTube, it was preceded by… an ad for Meta’s Ray-Ban AI smartglasses.
It’ll come as a free update for players who own the game already.
Soft Rains
The second — and final — act of the indie sci-fi “clean-’em-up” Ambrosia Sky will be here this summer. During the Story-Rich Showcase this weekend at Summer Game Fest, developer Soft Rains announced that Act Two is dropping on Steam August 6. It’ll come as a free update for anyone who already owns Act One, and new players who grab it at launch time will get the full game with both acts for just $12. That discount will only be available for a limited time, after which the price of the full game will go up to $25.
Ambrosia Sky follows Dalia, a death cleaner at an outpost on Saturn’s rings, where an unknown contamination wiped out the colony of people living there. In Act Two, “As she closes in on the truth behind the disaster consuming The Cluster, Dalia continues her search for her ex-girlfriend Maeve while laying the dead to rest and collecting DNA to advance research into human immortality.”
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According to the developers, “The final act resolves the major threads introduced in Act One while expanding the experience with new mission locations, fresh exo-fungus types to harvest and survive, and a reworked progression system with additional upgrades.”
The battle to rework the failed Apple Intelligence initiative and Siri stems from a fateful meeting of executives that triggered a major restructuring of Apple’s AI efforts. Here’s what happened, and when it all went down.
Monday’s WWDC keynote address is expected to be heavy on AI features in iOS 27 and Apple’s other operating systems.
It should also bring to an end a turbulent period for the company. After the initial launch of Apple Intelligence and its seeming failure, as well as repeated delays for the promised Siri revamp, it had to do something.
Over the last two years, Apple had to make changes, which also included a considerable restructuring of its AI work. According to Mark Gurman in Sunday’s “Power On” newsletter for Bloomberg on Sunday, the overhaul effort stemmed from a meeting in early 2025.
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A big AI meeting
At the time of the meeting, Apple was facing an industry that was moving extremely fast, leaving its own AI work behind. Executives met in a conference room near the software engineering department to try and solve the problem.
Though CEO Tim Cook wasn’t there, now-retired COO Jeff Williams was the one who called the meeting to order. Other executives in attendance include multiple C-level executives, as well as former interface design chief Alan Dye and Apple Vision Pro lead Mike Rockwell.
The meeting was all about the crisis that was Apple Intelligence and the looming prospect of a delayed Siri update. Executives quickly realized the scale of the problem, and its impact on Apple if changes didn’t happen soon.
Craig Federighi promoting Apple Intelligence – Image Credit: Apple
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The meeting then moved to make a recommendation to Cook about Apple’s response. At the time, Cook had little confidence in then-AI chief John Giannandrea, also in attendance at the meeting.
Software chief Craig Federighi led most of the talks, but Rockwell volunteered to take the role to fix AI and Siri. Rockwell’s credibility was high, following the launch of the Vision Pro headset, which helped his cause.
A decade previously, former hardware head Dan Riccio raised the need for an AI leader to be on the Apple executive team. He also told Rockwell to make a five-year plan to rework Siri.
However, at the time, the top executives weren’t that receptive to the idea, and the Siri roadmap wasn’t completed. By the 2025 meeting, the same group of executives believed that there needed to be some leadership changes, and recommended to Cook for Rockwell to manage Siri.
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Siri, not all AI
While Rockwell was recommended and Cook was close to approving the plan in March 2025, it wasn’t a done deal.
At the time, Rockwell thought he was working to become Apple’s AI leader in general, replacing Giannandrea. Federighi, however, believed that Rockwell should oversee Siri and report to him, instead of directly to Cook.
Rockwell considered that Federighi wasn’t seeing AI as being important, and then started to back away from the Siri role. With a yearning to become a senior vice president, Rockwell wanted promotion, but eventually agreed to the Siri position under Federighi.
Model behavior
That Siri role decision meant that Apple still had to find someone to deal with AI models, which led to a a long period of headhunting in 2025. Eventually, Amar Subramanya was picked to be the second AI leader, again reporting to Federighi.
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Google Gemini is being used to help create Apple’s models.
However, Apple still had to catch up with the rest of the industry. To that end, Rockwell started to look at ways to do so, including using third-party solutions.
That eventually resulted in Rockwell, Federighi, and Eddy Cue making a deal with Google to use Gemini and Google Cloud to jumpstart creating the new Apple Foundation Models.
More Cook than usual
While the meeting was a big driver for AI, Apple’s seeming failure at the time also led to more input from Cook. At the time of the meeting, Cook decided to inject himself into work on the AI roadmap, making more decisions about plans, and even delivered an AI pep talk to the company.
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Cook became a lot more hands-on with AI than he normally would for company projects. Roadmap and key decisions were previously left to his reports, with Cook usually taking a light-touch approach to management, but not for AI.
He urged Federighi and others to treat AI more seriously and to make it a success.
Federighi, in charge of implementing AI features, has adjusted his view and handling of the technology. He now views it as the central focus of operating system upgrades for years.
That early 2025 meeting was a turning point for Apple’s AI work, and came at a crucial time for the company. We won’t know if it has done enough until the Keynote video begins on Monday.
FiiO came to High End Vienna 2026 with three new desktop hi-fi products, and the most traffic-friendly one is almost certainly the Jade Audio LEVEL 1 desktop amplifier. Why? Because FiiO is claiming up to 2 x 300 watts of output from a compact desktop amp priced at $139.
That is either one of the more interesting budget hi-fi announcements of the show, or someone at FiiO found the “make forum threads explode” button and pressed it with both thumbs. Probably a little of both. Hopefully it came with schnitzel.
The new lineup also includes the FiiO JT9 open-back planar magnetic headphones and a fully discrete Class A headphone amplifier, giving FiiO a broader desktop ecosystem aimed at listeners who want more than another dongle DAC dangling from a laptop.
FiiO LEVEL 1: A $139 Desktop Amp With Real Ambition
FiiO Jade Audio LEVEL 1
The FiiO Jade Audio LEVEL 1 is a compact desktop stereo amplifier built around the Texas Instruments TPA3255 amplifier chip, which uses TI’s PurePath Ultra-HD technology. FiiO claims output up to 2 x 300 watts, but that number needs proper context: the headline rating is into 4 ohms at under 10% THD+N with a 53V/12A power supply.
That does not make the figure fake, but it does mean readers should not assume the LEVEL 1 will deliver 300 clean watts per channel into every speaker under normal conditions while also making espresso. FiiO’s own specifications also list 240W + 240W into 4 ohms and 135W + 135W into 8 ohms at under 1% THD+N, which are still very serious numbers for a compact amplifier at this price.
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Can we also retire “giant killer” while we’re here? It gets tossed around far too often in hi-fi, usually before anyone has measured the thing, listened to it properly, or explained what giant was allegedly slain. And we’re not referring to some French kid playing basketball in Texas.
Connectivity Is the Real Story
FiiO Jade Audio LEVEL 1 (back)
Connectivity is stronger than expected for the money. The LEVEL 1 includes RCA line input, USB DAC input, coaxial digital input, and Bluetooth 6.0 reception with SBC and LDAC codec support. FiiO has also included a single-ended line output, subwoofer output, speaker outputs, physical bass and treble controls, and support through the FiiO Control app.
The USB DAC input supports up to 96kHz/24-bit playback, while the coaxial input supports up to 192kHz/24-bit. That gives the LEVEL 1 enough flexibility for desktop systems, small-room loudspeaker setups, CD transports, streamers, computers, and Bluetooth playback from a phone or tablet.
That matters because this is not being pitched as a minimalist purist amplifier. This is a compact, flexible desktop or small-room amplifier for listeners who want wired digital input, analog input, wireless playback, tone controls, subwoofer output, and enough claimed power to make people start arguing on Head-Fi and Audio Science Review before mother makes their breakfast.
Retro Styling, Modern Inputs, Very FiiO Pricing
The LEVEL 1 uses an aluminum alloy chassis with wood side panels, giving it the retro desktop look FiiO clearly wants. FiiO says the amplifier uses a six-layer immersion gold thick copper PCB and capacitors sourced from Germany and Japan.
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The unit measures about 181 x 133 x 36mm, excluding feet, and weighs about 676g. It is available in black with walnut side panels or silver with maple side panels.
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At $139, the LEVEL 1 lands directly in the value-fi combat zone where Fosi Audio, SMSL, Topping, Loxjie, WiiM, and Dayton Audio have been making life uncomfortable for traditional entry-level integrated amplifiers.
The big question is not whether the LEVEL 1 is inexpensive. It is. The question is whether it sounds composed, stable, and clean enough at real-world listening levels to be more than another spec-sheet stunt that ends up in the hi-fi dustbin of history.
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FiiO JT9: Open-Back Planar Headphones Join the Desktop Push
FiiO JT9
FiiO also used High End Vienna 2026 to preview the JT9, an open-back planar magnetic headphone built around a custom 95 x 86mm planar driver and ultra-thin diaphragm. FiiO says the JT9 uses its dual-coating driver technology and a uniform magnetic field design, with the goal of improving transient response and tonal accuracy.
The JT9 is also designed to be more portable than its large planar driver might suggest. Current show information lists the headphones at a claimed 365 grams, with a foldable design for easier storage. Sensitivity is listed at 95dB/mW, and FiiO is including both 3.5mm single-ended and 4.4mm balanced cables.
Pricing has not been confirmed yet, and that matters. The JT9 enters a very crowded planar headphone category where FiiO already competes with models like the FT1 Pro and JT7, while brands such as HiFiMAN, Audeze, Moondrop, Sendy Audio, and others have made life rather interesting at multiple price points. If FiiO prices the JT9 aggressively, it could become one of the more interesting open-back planar headphones to watch. If not, it becomes another planar headphone looking for room at the Waffle House counter and we know how that usually ends up at 3 in the morning.
FiiO CLASS A Headphone Amplifier Rounds Out the Desktop System
FiiO CLASS A
The third product in FiiO’s High End Vienna 2026 desktop lineup is the FiiO CLASS A, which appears to be the actual product name. Subtle? Not exactly. Accurate? Apparently.
Current show information describes the CLASS A as a fully discrete pure Class A headphone amplifier rated at 1000mW + 1000mW. FiiO is also listing a 60W toroidal transformer, discrete regulated power supply, five selectable gain settings, bass and treble controls, and 12V trigger input/output.
Connectivity includes 3.5mm, 4.4mm balanced, and XLR headphone outputs, along with RCA input and RCA output connections.
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The CLASS A also does not appear to include a built-in DAC, which fits the concept. This is being positioned as a standalone headphone amplifier for listeners who already have a DAC or desktop source and want FiiO’s take on pure Class A amplification, complete with the usual trade-offs: more heat, lower efficiency, and hopefully the smoother, richer presentation people expect from this type of circuit.
That suggests FiiO is not just throwing one inexpensive desktop amp at the wall. The company is building out a broader desktop ecosystem aimed at both loudspeaker and headphone listeners. Between the Jade Audio LEVEL 1, JT9 planar headphones, and CLASS A headphone amplifier, FiiO clearly wants more desk space. Given the pricing history, it may get it.
The Bottom Line
FiiO Jade Audio LEVEL 1
The FiiO Jade Audio LEVEL 1 is the key product here: a $139 desktop amplifier with TPA3255 amplification, USB DAC, coaxial, RCA, Bluetooth 6.0 with LDAC, tone controls, pre-out, subwoofer output, and high claimed power output that needs independent testing. Alongside the JT9 planar headphones and FiiO CLASS A headphone amplifier, it shows FiiO expanding its desktop hi-fi lineup beyond portable DACs and headphone amps.
Readers should care because the LEVEL 1 offers an unusual mix of power, inputs, outputs, and price. If it performs well in real systems, it could be a useful option for desktop setups, small rooms, powered subwoofer integration, and affordable two-channel systems.
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