The sub $1,000 network streaming market is no longer short on options. Between WiiM, Eversolo, Bluesound, and Cambridge Audio, buyers can choose from a wide range of compact streamers that handle modern services cleanly and integrate easily into existing systems. Most now cover the basics well. What separates them is how they integrate into real world systems, the flexibility they give users, and their performance in everyday listening.

That is where iFi Audio positions the $999 NEO Stream 3 and $399 ZEN Stream 3. Both are built around a modern streaming platform that supports Qobuz Connect, TIDAL Connect, Spotify Connect, and Apple AirPlay 2, allowing users to stream directly from native apps without workarounds or proprietary control layers. Setup is handled through a straightforward IoT process, and ongoing updates are managed through iFi’s Nexis platform rather than requiring users to chase firmware manually.

In practical terms, the NEO Stream 3 is designed for listeners who want a single box that can act as the digital front end of a system, handling streaming duties and conversion without external hardware. The ZEN Stream 3 takes a different approach, focusing on being a quiet and reliable network transport for systems that already have a DAC the owner likes and does not want to replace. Both models lean on improved power design and noise reduction to keep the signal path stable, an area where iFi has traditionally focused its engineering effort.

But is that enough to compete below $1,000? Let’s take a look at what both offer straight out of the box.

NEO Stream 3 and ZEN Stream 3 Share the Same Core Streaming and Noise Control Architecture

Both the NEO Stream 3 and ZEN Stream 3 are built on the same core streaming and noise-control platform, with differences that are deliberate rather than cosmetic. At a baseline level, both models receive refinements to their power supplies, including upgraded polymer capacitors for lower noise delivery and the continued use of ELNA Silmic II capacitors in the audio path. The goal here is consistency and stability, not tonal revoicing, with iFi focusing on cleaner power and predictable behavior in long-term use.

Setup and system management are also shared. Both streamers now include iFi’s updated IoT hardware, enabling faster initial configuration and smoother day-to-day operation.Firmware updates and system control are handled through either a browser based interface or the iFi Nexis app, streamlining setup and ongoing maintenance compared with earlier manual update processes. Exclusive Modes return on both units as well, allowing users to disable unused background processes during playback to minimize potential noise sources.

Noise mitigation remains a defining design priority across both products. Each includes iPurifier2 technology on the S/PDIF outputs and Active Noise Cancellation on the USB ports, specifically aimed at reducing interference from connected storage devices or computers when feeding an external DAC.

The NEO Stream 3 goes further by retaining the OptiBox optical isolation system from the original NEO Stream, which isolates the wired network connection and prevents network-borne electrical noise from entering the audio system. The ZEN Stream 3 does not include OptiBox as one its connectivity features.

On the software side, both units use the latest version of iFi’s ultra-resolution streaming engine. This platform supports Qobuz Connect, TIDAL Connect, Spotify Connect, and AirPlay 2, with improvements focused on stability, smoother web radio playback, and a cleaner interface with deeper configuration options. Control is handled through native apps rather than forcing users into a proprietary ecosystem. Support for Spotify Lossless, however, is still not finalised but we’re told it’s coming.

Where the two models clearly diverge is in system role. The NEO Stream 3 is designed as an all-in-one digital front end, combining network streaming with an integrated DAC capable of handling up to 768 kHz PCM and DSD512. It is intended for users looking to modernize an existing hi-fi system without adding external digital components. The ZEN Stream 3, by contrast, is a dedicated network transport. It supports up to 384 kHz PCM and DSD256 and is meant to slot into systems where a preferred external DAC is already in place.

Both models also incorporate K2 technology developed in collaboration with JVCKENWOOD. This processing is designed to restore harmonic information often lost during recording, mastering, or encoding. Two modes are available: K2, which preserves the original file resolution, and K2HD, which optionally upsamples PCM content to 192 kHz 24-bit. With this generation, K2 processing is no longer limited to internal DACs. Any external DAC connected to either streamer can benefit from K2 processing, while the NEO Stream 3 adds the ability to apply K2HD upsampling internally to PCM material below 192 kHz.

NEO Stream 3

The NEO Stream 3 is a combined network streamer and DAC designed to function as a complete digital source component. It supports Wi-Fi and wired networking via RJ45 Ethernet as well as iFi’s M12-X optical network input. Digital inputs include USB-A for storage or DAC use and a front-mounted USB-C port. Digital outputs are comprehensive, with dual USB-A, S/PDIF optical, S/PDIF coaxial, AES/EBU, and I2S, allowing the unit to operate either as a DAC or as a dedicated digital transport. Analog outputs are provided via a balanced 4.4 mm connection and single-ended RCA.

Internally, the NEO Stream 3 uses a Burr-Brown DAC stage derived from the NEO iDSD 2 and supports high-resolution audio up to 768 kHz PCM and DSD512. Balanced output voltage is rated at 4 V RMS, with 2 V RMS available from the RCA outputs.

Power is supplied via a DC input supporting 9 to 15 volts, with internal regulation using upgraded polymer capacitors and ELNA Silmic II capacitors. Power consumption is under 0.5 watts at idle and approximately 14 watts at maximum load.

Setup and ongoing updates are handled through a simple browser-based interface or the iFi Nexis app, made possible by the new IoT hardware, so there is no need to fuss with manual update routines. With a compact chassis measuring 214 x 151 x 41 mm (8.4 x 5.9 x 1.6 inches) and weighing just 1 kg (2.26 lbs), the NEO Stream 3 is easy to place on a desk or equipment shelf without demanding much space.

Comparison

Tip: There was never a NEO Stream 2 product.

ZEN Stream 3

The ZEN Stream 3 is designed as a dedicated network transport for systems where digital conversion is handled elsewhere. It focuses entirely on getting a clean, stable digital signal out to an external DAC rather than duplicating functionality already present in many higher-end systems. Networking is handled via Wi-Fi or RJ45 Ethernet, with two USB-A ports available for local storage or DAC output.

Digital output options include two USB-A outputs for DAC connection and a coaxial S/PDIF output, each incorporating iFi’s iPurifier and Active Noise Cancellation technologies to reduce electrical noise before the signal reaches the DAC. There are no analog outputs and no internal DAC, which keeps the signal path simple and aligned with its role as a transport.

High-resolution support extends up to 384 kHz PCM and DSD256, handled by the same next-generation streaming engine used in the NEO Stream 3. Streaming is managed directly through native apps with support for Qobuz Connect, TIDAL Connect, Spotify Connect, and AirPlay 2, avoiding reliance on proprietary control software. K2 processing is included to restore harmonic information lost during recording or encoding and is applied before the digital output, allowing connected DACs to benefit without altering their internal architecture.

Power delivery has been revised with upgraded polymer capacitors and ELNA Silmic II capacitors to improve stability and reduce noise under load. Power is supplied via a DC input supporting 9 to 15 volts, with idle consumption under 6 watts and a maximum draw of approximately 10 watts. Firmware updates and system setup are handled through a rear USB-C service port, using either a browser-based interface or the iFi Nexis app, enabled by the updated IoT hardware platform.

Physically, the ZEN Stream 3 is compact and lightweight, measuring 158 x 100 x 35 mm (6.2 x 3.9 x 1.4 inches) and weighing 578 g (1.27 lbs). It is sized to sit easily on a desktop or equipment shelf alongside an external DAC, making it a practical drop-in upgrade for your existing system.

Comparison

Tip: There was never a ZEN Stream 2 product.

The Bottom Line

With competition this strong, iFi is not trying to win by simply piling on features. The strategy here is differentiation through system role, execution, and the details that tend to matter after the initial setup. That includes easy integration into existing systems, app-native control rather than closed ecosystems, and a design that stays below the psychological $1,000 threshold while still targeting more demanding listeners.

That approach comes with tradeoffs. Brands like WiiM have shown that a comprehensive, frequently updated operating system can win over a large segment of the market, especially when paired with features such as room calibration and broad device compatibility. At this point, support for the major streaming platforms is largely table stakes across the category.

Where these products are ultimately judged is not on spec lists or feature counts, but on how smoothly they operate day to day, whether firmware updates are painless rather than disruptive, and how they actually sound once they are part of a real system. iFi is betting that its focus on noise control, power integrity, and flexible system roles will resonate. Whether that is enough to stand out in a crowded sub-$1,000 field will be up to listeners to decide.

Price & Availability

• NEO Stream 3 – $999
• ZEN Stream 3 – $399

For more information: ifi-audio.com

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Chinese robotics leader Unitree took full advantage of the nation’s Lunar New Year celebrations this week to show off the impressive skills of its G1 humanoid robot.

A video (top) of the event shows numerous G1 robots participating in what Unitree described as “the world’s first fully autonomous humanoid kung fu performance.” There’s a spot of breakdancing in there, too.

Performing alongside kids from the Tagou Martial Arts School for the Spring Festival Gala on China Central TV, the robots displayed incredible agility and coordination, moving at around 3 meters per second while performing flips, table vaults, somersaults, and rapid formation changes, blending martial arts with robotics innovation.

The robots were recently upgraded with improved, more dexterous hands, which during this week’s performance supported rapid switching and stable gripping of martial arts props such as nunchaku, Global Times reported.

Unitree founder and CEO Wang Xingxing said the robots executed many of their moves while running at high speed, claiming it as a first for high-dynamic, highly coordinated cluster-control technology.

Wang described the innovations as “very practical” and said they will “facilitate large-scale group deployment of robots in the future.”

The 132-centimeter-tall G1 robot was unveiled in May 2024 and made available three months later for $16,000. The bipedal bot is targeted for research, education, entertainment, and light industrial applications, with researchers, students, and developers encouraged to program and customize the the robot for different tasks.

Unitree also has a full-size humanoid robot called H1, which is about 180 centimeters tall. The H1 is more robust and powerful and is aimed at industrial deployment, while the more compact G1 prioritizes agility and affordability, and is geared more toward research and entertainment.

Unitree is aiming to ship in the region of 20,000 humanoid robots this year, nearly four times last year’s number.

It’s competing with a slew of robotics companies in China, the U.S., and beyond, with all of them racing to find meaningful and manageable roles for their humanoid robots in industrial settings.

The G1 also hit the headlines earlier this month when it took on an autonomous walking challenge in deep snow and brutally cold conditions.

Etsy is selling Depop, a secondhand clothing app popular with Gen Z and millennials, to eBay for $1.2 billion in cash, the company announced on Wednesday. Etsy says the deal will allow it to focus on its own marketplace.

The deal comes nearly five years after Etsy acquired Depop for $1.62 billion, at a time when secondhand clothing apps were gaining in popularity.

Founded in 2011, Depop generated approximately $1 billion in gross merchandise sales — the total value of goods sold through its platform — in 2025. In the U.S., the company saw nearly 60% year-over-year growth. As of December 31, 2025, the marketplace had seven million active buyers, nearly 90% of whom were under 34, and more than three million active sellers.

“Depop has built a trusted, social-forward marketplace with strong momentum in the pre-loved fashion category, and we are confident that as part of eBay, Depop will be even more well-positioned for long-term growth, benefiting from our scale, complementary offerings, and operational capabilities,” said eBay CEO Jamie Iannone in the press release.

The move comes as Etsy has struggled to grow its business after the pandemic-era e-commerce boom, competing with marketplaces like Temu and Shein, as well as Amazon.

The company’s year-over-year revenue grew 2.2% in 2024, down from 7.1% growth reported in 2023. Etsy is scheduled to release its 2025 earnings on Thursday.

“We are excited that this transaction allows us to focus exclusively on the compelling opportunity we see in front of us: to grow the Etsy marketplace in ways that matter most to our buyers and sellers,” said Etsy CEO Kruti Patel Goyal in the press release. “We are proud of what the Depop team has built – a truly differentiated brand and product, grounded in clear purpose and strong community – becoming one of the fastest-growing fashion resale marketplaces in the U.S. I am confident that Depop is well-positioned for its next phase of growth as part of eBay.”

The sale is the latest in a pattern of Etsy acquiring and then divesting niche online marketplaces. Etsy’s sale of Depop comes as the company has purchased and then sold other niche online marketplaces in recent years, including Brazilian e-commerce company Elo7 and musical instrument marketplace Reverb.

The deal is expected to close in the second quarter of this year.

Mark Zuckerberg took the stand Wednesday in a high-profile jury trial over social media addiction. In an appearance that was described by NBC News as “combative,” the Facebook founder reportedly said that Meta’s goal was to make Instagram “useful” not increase the time users are spending in the app.

On the stand, Zuckerberg was questioned about a company document that said improving engagement was among “company goals,” according to CNBC. But Zuckerberg claimed that the company had “made the conscious decision to move away from those goals, focusing instead on utility,” according to The Associated Press. “If something is valuable, people will use it more because it’s useful to them,” he said.

The trial stems from a lawsuit brought by a California woman identified as “KGM” in court documents. The now 20-year-old alleges that she was harmed as a child by addictive features in Instagram, YouTube, Snapchat and TikTok. TikTok and Snap opted to settle before the case went to trial.

Zuckerberg was also asked about previous public statements, including his remarks on Joe Rogan’s podcast last year that he can’t be fired by Meta’s board because he controls a majority of the voting power. According to The New York Times, Zuckerberg accused the plaintiffs’ lawyer of “mischaracterizing” his past comments more than a dozen times.

Zuckerberg’s appearance in court also apparently prompted the judge to warn people in the courtroom not to record the proceedings using AI glasses. As CNBC notes, members of Zuckerberg’s entourage were spotted wearing Meta’s smart glasses as the CEO was escorted into the courthouse. It’s unclear if anyone was actually using the glasses in court, but legal affairs journalist Meghann Cuniff reported that the judge was particularly concerned about the possibility of jurors being recorded or subjected to facial recognition. (Meta’s smart glasses do not currently have native facial recognition abilities, but recent reports suggest the company is considering adding such features.)

The Los Angeles trial has been closely watched not just because it marked a rare in-court appearance for Zuckerberg. It’s among the first of several cases where Meta will face allegations that its platforms have harmed children. In this case and in a separate proceeding in New Mexico, Meta’s lawyers have cast doubt on the idea that social media should be considered a real addiction. Instagram chief Adam Mosseri previously testified in the same Los Angeles trial that Instagram isn’t “clinically addictive.”