Entertainment
The 10 Greatest Movies From Countries That No Longer Exist
If there’s anything that history proves, it’s that nothing is permanent—not even nations. There have been several countries throughout the years that have disappeared, dissolved, or transformed into something entirely different. That certainly includes a few throughout cinema’s existence in the 20th century, which means that there are many movies out there whose home has vanished since their release.
Many such movies have either been forgotten by time or disappeared altogether, but there are a few masterpieces from countries that no longer exist that are widely counted among the greatest films ever made. From Yugoslav gems like pretty much Emir Kusturica‘s entire filmography to legendary Soviet movies like I Am Cuba, these are cornerstones of movie history that cinephiles should never allow themselves to forget.
‘I Was Nineteen’ (1968) From East Germany
Right before the end of World War II, the Allied powers agreed on the division of defeated Nazi Germany into occupation zones. The Soviet occupation zone turned into East Germany, officially the German Democratic Republic, a communist state whose economy soon became the most successful in the Eastern European Bloc. East Germany’s state-owned film studio was called DEFA, and the best movie that it ever produced is undoubtedly Konrad Wolf‘s I Was Nineteen. It’s a fictionalization of Wolf’s experiences, where a young boy who fled Germany with his parents returns as a lieutenant in the Red Army.
I Was Nineteen is easily the best-made and most thought-provoking East German masterpiece.
Due to its emphasis on subjective experience rather than propagandistic clarity, the DEFA disliked I Was Nineteen and tried to get Wolf to revise the screenplay in several ways. Yet, despite their interference, it is easily the best-made and most thought-provoking East German masterpiece. Though episodic, the film feels like a deeply intimate recollection of a man’s recollection of his tumultuous youth. It’s a stunning cinematic autobiography.
‘The Nightingale’s Prayer’ (1959) From the United Arab Republic
In 1958, a political union between Egypt and Syria formed the United Arab Republic. Just three years later, Syria seceded from the union following a coup d’état, but Egypt continued to be known officially as the United Arab Republic until it was formally dissolved in 1971. During these (roughly) 13 years, the United Arab Republic produced several of what have gone down in history as the greatest African movies of all time. The most noteworthy of these is Henry Barakat‘s The Nightingale’s Prayer, a romance drama that follows a woman’s revenge plot against the engineer who destroyed her family’s honor.
It’s an immensely powerful social melodrama that’s surprisingly bleak and anti-patriarchy for its era. The Nightingale’s Prayer, which looks and feels delectably similar to the best of noirs being produced in Hollywood at the time, hasn’t aged perfectly in every department, but it still feels as well-performed, well-written, and well-directed today as it surely must have been back in the 1959 United Arab Republic.
‘Time of the Gypsies’ (1988) From Yugoslavia
Yugoslavia came into existence following World War I, being the first union of South Slavic peoples as a sovereign state in history. Due to a wide variety of factors and after a violent multi-stage process, the country broke up between 1991 and 1992. But during its existence, it was the source of some of the greatest European films and filmmakers of its time, chief among which is the great Emir Kusturica. One of Kusturica’s best movies is the Yugoslav-Italian co-production Time of the Gypsies, a coming-of-age fantasy crime drama about a young Roma boy with telekinetic powers who is seduced by the world of petty crime.
It’s one of those ’80s movie masterpieces that most people have forgotten about, which won Kusturica the Best Director Award at the 1989 Cannes Film Festival. Tragicomical, deeply moving, and unexpectedly dense (with a runtime of nearly two and a half hours), Time of the Gypsies is a beautifully chaotic epic that’s definitely a must-watch for history buffs and cinephiles alike.
‘Marketa Lazarová’ (1967) From Czechoslovakia
In 1918, Czechoslovakia was created after declaring its independence from Austria-Hungary. In 1992, it split peacefully into Czechia and Slovakia. Throughout those 74 years, Czechoslovakia was the home of some of the greatest and most groundbreaking European films of the 20th century. During the ’60s in particular, filmmakers like František Vláčil led theCzechoslovak New Wave, one of the most notorious European film movements of the era.This movement birthed the country’s greatest cinematic masterpiece: Marketa Lazarová, an epic period drama about a young girl promised to God who is kidnapped and raped by a marauder.
It’s an unsettling and absolutely brutal masterpiece, but a masterpiece nonetheless. Clocking in at nearly three hours long and sprinkling surreal moments into the mix to enhance its psychologically intense atmosphere, it’s a dreamlike, poetic, and utterly mesmerizing work of art. Its score of 100% on Rotten Tomatoes is well deserved, since this is one of the most unforgettable period pieces in the history of cinema.
‘The Cranes Are Flying’ (1957) From the Soviet Union
From 1922 until its dissolution in 1991, the Soviet Union was the world’s flagship communist state. The nation’s film industry was fully regulated by the central government in Moscow and, thus, often prone to censorship. Still, such a tremendously large number of cinematic masterpieces came out of that system that one can point to innumerable Soviet movies which could be counted among the greatest of the 20th century. One such movie is The Cranes Are Flying, a war drama about two lovers planning a rendezvous at the bank of a river, only for the man to be drafted into WWII shortly after.
Plenty of war films out there depict the horror and devastation of armed conflict in all manner of thought-provoking ways, as well as somewhat problematic war films that make war seem like an exciting prospect. But movies about the tedium of war, about how slow, boring, and existentially dreadful it can be? There aren’t nearly enough of those in existence, but Georgian-Soviet filmmaker Mikhail Kalatozov made this one, which is great enough to make up for the scarcity of such movies. It’s a timeless cinematic miracle; poetic, visually splendid, and deeply human.
‘I Am Cuba’ (1964) From the Soviet Union
A co-production between the Soviet Union and Cuba, I Am Cuba is proof that propaganda cinema isn’t inherently bad. In fact, it is widely recognized by cinephiles and film historians as one of the greatest films of the 1960s,an anthology film and political drama with some of the most revolutionary cinematography in the history of the art form. Also directed by Mikhail Kalatozov, it follows four vignettes about the lives of the Cuban people during the pre-revolutionary era.
The film was almost completely forgotten until it was rediscovered by American filmmakers in the ’90s, and Martin Scorsese and Francis Ford Coppola were actually instrumental in its restoration and re-release in 1995. Politically radical, full of jaw-dropping visuals, and so ideologically profound that film scholars will probably continue to study it deeply for the rest of history, I Am Cuba is a must-see for all those who would say they love cinema.
‘Stalker’ (1979) From the Soviet Union
Andrei Tarkovsky was perhaps the greatest of all Soviet filmmakers, a poet with a camera who loved to work on his own terms. So much so, in fact, that he exiled himself from the Soviet Union in the early ’80s due to the unrelenting censorship and artistic interference from the government. The last film he made in the USSR was Stalker, one of the best and most beautiful arthouse sci-fi masterpieces of all time, full of the same kind of poetic pacing and philosophical depth that makes Tarkovsky timeless.Aside from being one of the sci-fi films with the strongest acting ever, the most gorgeous visuals ever, and the best dialogue ever, Stalker is a thought-provoking exploration of themes of faith, societal decay, and spiritual redemption. Its production was notoriously difficult (and led to Tarkovsky’s untimely death from cancer at 54 years old, since they shot in highly toxic locations), but the result is one of the most transcendental works of art in film history.
‘Underground’ (1995) From Yugoslavia
The biggest masterpiece that Emir Kusturica ever directed was the satirical epic war film Underground, about two underground black marketeers who sell weapons to the Communist resistance in wartime Belgrade. Admirably genre-bending and enthralling throughout its nearly three hours of runtime, the film earned Kusturica his second Cannes Palme d’Or victory (after 1985’s When Father Was Away on Business), making him one of only ten directors in history to have won the award more than once.
It was a well-deserved victory, too, since Underground is an exhilarating masterpiece that offers an insightful look at life in Communist Eastern Europe. Hugely ambitious, disorienting, energetic, and carnivalesque, it’s movie magic in its purest form. Funny though it may be, Underground is also epically operatic and emotionally enthralling, making it one of history’s greatest cinematic masterpieces.
‘Come and See’ (1985) From the Soviet Union
Yet another Soviet masterpiece, the anti-war thriller coming-of-age Come and See is not only the highest-rated European film on Letterboxd, but the 4th-highest-rated movie on the platform in general. It’s a horrific, absolutely harrowing epic where, after finding an old rifle, a young boy joins the Soviet resistance movement against German forces during WWII. Plenty of movies make war seem like hell, but none nearly as effectively and potently as this one.
Directed by Elem Klimov and starring Aleksei Kravchenko, who delivers the most transformative and emotionally devastating child acting performance in film history, Come and See is not for the faint of heart. But daunting though it may be, it’s obligatory viewing for movie fans. It’s an unforgiving waking nightmare that you simply can’t forget, visually striking and full of hard-hitting scenes. Soviet cinema was rarely ever this good.
‘Andrei Rublev’ (1966) From the Soviet Union
Actually, Soviet cinema was only ever slightly better than Klimov’s Come and See once, and that was when Andrei Tarkovsky made his magnum opus, Andrei Rublev, arguably the greatest movie of the last 100 years. It’s a three-hour-long arthouse biopic about the life, times, and afflictions of the titular Medieval Russian icon painter, though the movie is far more focused on Medieval Russian history than on Rublev’s life in terms of historical accuracy. However, Tarkovsky is even more interested in the thematic depth of this thought-provoking film about art, religion, spirituality, and where those things intersect.
Andrei Rublev will be an obnoxious bore for those who hate slow-burning cinema, but for people who love arthouse films that take their time and aren’t afraid to slow down and let the narrative breathe, it will be an unforgettable experience. The acting is phenomenal, Tarkovsky’s direction is so transcendentally powerful that it almost doesn’t feel human, and the long runtime doesn’t have a single second where it’s not absolutely fascinating. The Soviet Union may not exist anymore, but Tarkovsky’s work will prove eternal.
Entertainment
Netflix’s Returning 10-Part Sleeper Hit Is Quietly Becoming the Best Show on Streaming
While Kate Hudson has certainly dipped her toes in TV over the years, including her iconic role as Cassandra July in Glee, the two-time Oscar nominee has mostly been known for her incredible filmography. So, when she was announced as the lead of the Netflix sports comedy Running Point, created by Mindy Kaling, Elaine Ko, Ike Barinholtz, and David Stassen, fans were at the edge of their seats waiting to tune in.
Lucky for them, the series, which premiered on February 27, 2025, was certainly worth the wait. Not only was Hudson’s role as the cutthroat Isla Gordon one of her best performances in years, but she was accompanied by a hilarious cast, sharp writing, and a plot that felt both fresh and charming to viewers. Per Deadline, the series scored 9.3 million views in its debut weekend, and ranked in the Top 10 across 83 countries. So, of course, it’s no surprise that the series was renewed for Season 2, which is only a few weeks away now, on April 23.
What Will ‘Running Point’ Season 2 Be About?
In the first season of Running Point, Hudson’s Isla had her work cut out for her. After her brother Cam (Justin Theroux) gets into a car accident after struggling with drug addiction, she’s suddenly named the new president of her family’s fictional basketball team, the Los Angeles Waves. Eager to prove herself, she throws herself into the job and — no pun intended — makes serious waves. In her new territory, she must also deal with her other siblings, Ness (Scott MacArthur) and Sandy (Drew Tarver), as well as the problematic players on the team, who all bring their own baggage.
10 Great TV Shows to Watch if You Love ‘Running Point’
For while you’re anxiously waiting for Season 2!
With a major loss marking the end of Season 1, Season 2 is picking up at a tough spot for the Waves, which only becomes yet another moment for Isla to prove herself. In the official synopsis, the series declares that she’s “determined to prove she’s not just keeping the seat warm for her brother,” especially now that the world is watching her bold moves. The blurb also teased a heightened rivalry between her and Cam, who’s eager to win back his position as president. “What she doesn’t know is that Cam is quietly maneuvering behind the scenes to reclaim his post, turning every misstep into ammunition,” the synopsis reads.
Therefore, much like in the first season, Isla will continue to stand up for herself and prove her place, even if that means protecting herself from her own family. “To survive the family power plays and the scrutiny of the board, she’ll have to rip up last season’s game plan and come up with a whole new playbook if she wants to close out the season on top,” the synopsis detailed, adding that season 2 “raises the stakes, deepens the family drama, and finds even more comedy in what it takes to run a modern sports empire.”
‘Running Point’ Is One of Netflix’s Best Comedies
From the synopsis alone, it’s safe to say Season 2 will carry on with the magic of Season 1. After all, in addition to being a story about a kick-ass female lead busting down barriers, Running Point also balances being a workplace sports comedy and a family drama. With that mix, the series sets itself up for intense, high-energy moments like in the games or major negotiations, but also softer, more tender moments too. Isla, for instance, has to exude confidence as president of the Waves, but the show doesn’t shy away from showing her most vulnerable moments and flaws either, like in her ill-fated relationship to Max Greenfield‘s Lev. The same can be said about Tarvey’s Sandy, who rolls his eyes at his siblings’ antics and hides his very devoted boyfriend (Scott Evans) from them, but also teams up with them for a grand gesture in the season finale.
With all that said, it’s safe to say fans are likely in for a treat when the second season of Running Point premieres next month. With a stellar cast, a fully-fleshed-out lead, and a bright, optimistic tone that will have fans of Ted Lasso buzzing, the series is the perfect, comforting binge, and one of the best Netflix originals to date.
- Release Date
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February 27, 2025
- Network
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Netflix
- Directors
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Michael Weaver, James Ponsoldt, David Stassen, Thembi Banks
Entertainment
Sid Haig’s Unrated Clown Saga Is Captain Spaulding’s Redemption Arc
By Robert Scucci
| Published

2006’s Little Big Top is one of those movies you’ve probably never heard of unless you’re a fan of both Sid Haig and Richard Riehle. It’s a movie about clowning around, literally, and I can’t think of a better actor to portray a retired, drunken, down-on-his-luck circus clown than Haig. Think of it as a Captain Spaulding side quest. One where he’s not in hot pursuit of a bunch of sexy teenagers he can drop off at Dr. Satan’s place to be disemboweled, but instead getting absolutely hammered in his old, abandoned childhood home while reluctantly reentering the circus life he left behind so many years ago.
At its heart, Little Big Top is a film about putting your ego and personal demons aside for the greater good of the community. Here we have a sad clown who’s perfectly content drinking the rest of his days away, but rediscovers his passion for pieing people in the face when tasked with whipping the next generation of circus folk into shape. At first, he only does it for the money, but it becomes about something more by the time the story wraps.
This Movie Wouldn’t Work Without Sid Haig

Sid Haig totally understood the assignment, which makes perfect sense because he had just wrapped production on The Devil’s Rejects before working on Little Big Top. The way I see it, he got the manic killer clown energy out of his system with that movie, as well as 2003’s House of 1000 Corpses, and what we get here is a much more subdued performance. In my head, I kept calling the movie Captain Spaulding’s Last Ride. What a way to go out.
We first catch a glimpse of this character, known only as Seymour, through his opening sequences. He arrives in town, hits up the liquor store without hesitation, heads to his old boarded-up house, realizes it has no electricity or plumbing, cooks bacon over a fire while getting wasted, steps outside to relieve himself, and then crashes in preparation for the inevitable hangover.

Shortly after arriving, Seymour is approached by Bob (Richard Riehle), who’s organizing a circus event for the company Seymour’s grandfather founded. Wanting nothing to do with the lights, pies, and spectacle, but desperate for cash, Seymour agrees to coach the next generation under Bob’s supervision, but not for free. Bob, the gullible sap that he is, pays him out of his own pocket, which he immediately regrets when Seymour blows it all on booze and keeps living in his own filth.
Realizing how much faith Bob has in him, even though he’s 100 percent a lost cause, Seymour eventually comes around, and his passion for the circus slowly reignites. Think of it as a slow smolder, where our hero comes to terms with the fact that the only thing he’s good at is entertaining, even if his passion for it is long gone.
Inspiring, But Not Really, But That’s The Point

Little Big Top tells an ugly truth that most of us don’t want to admit. Sometimes the things you’re good at aren’t necessarily the things you want to do with your life. Maybe you don’t want to take over the family business because it doesn’t feel like your calling. Or maybe you just lost your way and need to be reminded that you were once not only great at what you do, but passionate about it. Little Big Top is about begrudgingly rediscovering that passion, not for your own sake, but for the sake of those around you.
Watching Seymour fight off yet another violent hangover while criticizing the new troupe’s clown car etiquette perfectly sums up this feeling because you can practically feel the pounding headache and smell the disdain early in the film. He’s stepping out of his comfort zone, which for him means getting completely assfaced and passing out in his own mess, because the next generation desperately needs guidance, and he’s the only one even capable of giving it.

Watching Seymour figure out where he belongs in all of this is half the fun that Little Big Top has to offer. The other half is watching Richard Riehle’s Bob realize just how screwed he is after spending his savings bankrolling Seymour’s disastrous return to the circus.

Little Big Top is currently streaming for free on Tubi.
Entertainment
How A Big-Budget Sequel Ruined Two Genres At Once, Nearly Destroying The Best Sci-Fi Franchise
By Chris Snellgrove
| Published

There’s something especially depressing about awful sequels to franchises that used to be great. The best example of this is, of course, Jurassic Park. Steven Spielberg turned that first film into a generational classic, one that energized children all over the world and ushered in the CGI age, all while making dinosaurs cool again. That movie got some comparatively lackluster sequels before the franchise roared back to life many years later with 2015’s Jurassic World.
Relatively speaking, Jurassic World was a decent franchise reboot. It brought us entertaining characters, serious spectacle, and more crazy action scenes than you can shake a fossil at. Unfortunately, it took the revived franchise no time at all to go off the rails because Jurassic World: Fallen Kingdom (2018) was a horrific flop, one which tried to be both an action-adventure movie and (weirdly enough) a horror movie. If you’re ready to see the movie that successfully ruined two completely different genres, it’s easier than ever to watch. All you have to do is stream Jurassic World: Fallen Kingdom on Netflix.
Somehow, The Dinosaurs Returned

The premise of Jurassic World: Fallen Kingdom is that years after the Jurassic World disaster, the dinosaurs on that island are in danger of going extinct yet again, thanks to an upcoming volcanic explosion. The government decides to let them die, after which Owen Grady and Claire Dearing (our two will they, won’t they protagonists from the first movie) get talked into helping relocate some of the dinosaurs, saving them from certain death. Unfortunately, this lands them squarely in the middle of an increasingly bizarre plot involving clones, haunted houses, and an underground auction for weaponized dinosaurs.
The cast of Jurassic World: Fallen Kingdom includes plenty of familiar faces, including Chris Pratt (best known for Guardians of the Galaxy) and Bryce Dallas Howard (best known for Jurassic World: Dominion). We also get the brief return of the popular Jeff Goldblum and his fellow Jurassic Park alumnus BD Wong. The film also features performances from character actor legends James Cromwell (best known for LA Confidential) and Toby Jones (best known for Captain America: The First Avenger), both of whom are giving far better performances than this stinker of a script deserves.
Profit, Uh, Finds A Way

Even though it was hated by both audiences and critics (more on this soon), Jurassic World: Fallen Kingdom made fat stacks of prehistoric cash at the box office. Against a budget as high as $465 million, this disappointing sequel earned $1.310 billion. Making as much as Marvel movies did at their height guaranteed that Fallen Kingdom would get a sequel, and Jurassic World: Dominion came out in 2022. That movie’s chief claim to fame was that it reunited popular characters like Alan Grant, Ellie Satler, and Ian Malcolm. But the writing did not, uh, find a way, and that film ended up being even more of a critical disappointment than Fallen Kingdom.
Part of the magic of the first Jurassic Park film is that it was beloved by audiences and critics alike, all of whom appreciated this slice of genuine movie magic. Jurassic World: Fallen Kingdom is the opposite, though, in that it’s equally hated: it has a 47 percent critical rating on Rotten Tomatoes and a 48 percent audience rating. Fans and reviewers alike dunked on the movie for its sloppy characterization and ramshackle writing. The movie was ultimately a shell of the franchise. As a thrill ride without any thrills, Fallen Kingdom will have you wanting to bail long before the credits roll.
Everything Falls Apart

This is one of those cases where I firmly stand with the critical consensus. While it was far from a masterpiece, the first Jurassic World did a good job bringing the franchise back to life. In the vein of The Force Awakens, it mostly functioned as a slick remake of Jurassic Park that added new characters but didn’t tweak the formula too much. That was arguably the biggest problem with Jurassic World: that it didn’t take enough big, creative swings. By contrast, Fallen Kingdom swings for the fences, but it strikes out each and every time by failing to follow through on any of its half-baked ideas.
For example, the first part of the movie is a lame retread plot that involves going back to the island. On paper, an island full of dinosaurs that’s about to explode would make for a fairly exciting film. But nothing really interesting happens here, which is that much more disappointing because the film takes its sweet time even getting our characters back to this iconic location. Once they are there, all they do in between moving the sluggish plot along is watch dinosaurs die. Thanks, Fallen Kingdom, for giving action-adventure fans what they really want: an excuse to cry over phoned-in CGI creatures.
A Plot That Should Have Gone Extinct

After this, Jurassic World: Fallen Kingdom inexplicably transforms itself into a haunted house movie with dinosaurs in the basement being auctioned off to the highest bidder. You have to seriously suspend your disbelief that nobody in the mansion upstairs can hear the small army of dinosaurs being sold on the dark web. But the part that will turn you into the Joker is the most coveted dino, one that will attack whatever target you paint with your gun-mounted laser sight. This begs the question: if I’m close enough to target my enemy with the laser, wouldn’t it be cheaper and easier on every level to just shoot the guy instead of bringing a 20-ton dinosaur with me and having him do it?
Adding insult to injury, Jurassic World: Fallen Kingdom has a cool, unexpected ending that the next film never really follows up on. In terms of acting, writing, and even effects, this was already the worst film in the entire trilogy. By having the third movie undo everything neat about the second, the studio reveals this sequel to be a hot mess of superfluous storytelling. The Star Wars metaphor is now complete: if Jurassic World is this franchise’s The Force Awakens, then Fallen Kingdom is most definitely The Last Jedi.


Are you in the mood for a film so bad that it will make you root for a new ice age? Are you looking to torment your friends, or maybe you just want to fry your own brain? Either way, you don’t even have to move from the couch. All you have to do is stream Jurassic World: Fallen Kingdom on Netflix to discover a cinematic disaster 65 million years in the making.
Entertainment
Alan Ritchson Could Face A Civil Lawsuit Over Fight With Neighbor
Legal experts say “Reacher” star Alan Ritchson could still face a civil lawsuit following a physical altercation with his neighbor in Brentwood, Tennessee, despite authorities closing the criminal case.
Alan Ritchson may still be in trouble, as legal experts reveal the “Reacher” star could face a civil lawsuit following a physical altercation with his neighbor, despite authorities closing the case.
Experts note potential claims could include medical expenses, emotional distress, or punitive damages.
Alan Ritchson, for his part, reportedly declined to press charges against his neighbor, who admitted to pushing the actor twice.
Alan Ritchson Could Face Civil Action Over Neighbor Altercation, Says Legal Expert

According to celebrity defense attorney Seth J. Zuckerman, Ritchson may still face legal issues from his recent altercation with his neighbor, even though authorities have decided not to file criminal charges.
Zuckerman explained to Page Six that the situation could shift into a civil dispute, where the rules are different, and that Ritchson’s neighbor, Ronnie Taylor, could still pursue compensation for medical expenses, emotional distress, and possible punitive damages.
He explained that, unlike criminal cases, which require proof beyond a reasonable doubt, civil claims only need a “preponderance of evidence,” making them easier to bring forward.
Zuckerman also noted that the police saying Ritchson acted in self-defense doesn’t prevent a lawsuit.
“Despite the police declaring that Ritchson was acting in self-defense, a civil case can be brought because it requires a lower burden of proof — preponderance of evidence— whereas a criminal case requires beyond a reasonable doubt,” the attorney said.
The Actor Can File Counterclaims If He Was Harmed In Any Way

According to Zuckerman, if Ritchson’s neighbor, Taylor, decides to sue the actor, he likely won’t get a lot of money, as the potential compensation would be reduced due to his being the instigator.
“…if the victim is found partially at fault, which is likely the case here, the potential compensation would be reduced,” the attorney noted, adding, “Ritchson can file counterclaims against the neighbor, but it doesn’t appear that Ritchson was harmed in any way.”
Other attorneys echoed similar perspectives. Bryan M. Sullivan, a partner at Early Sullivan Wright Gizer & McRae LLP, suggested both parties might pursue mutual protective orders, explaining that either could file assault-related claims.
Los Angeles-based attorney Gregory Doll said it wouldn’t be surprising if formal demands for compensation emerged behind the scenes, given the intensity of the incident, thanks to viral videos circulating online.
Alan Ritchson Was Cleared By The Police
The confrontation between Ritchson and his neighbor, Taylor, occurred over the weekend in Brentwood, Tennessee, over the actor’s bike sounds.
On Monday, Taylor told TMZ that he had repeatedly asked Ritchson to stop making noise with the bike and admitted he had instigated some physical contact, pushing the actor twice before being overpowered.
However, before the release of bodycam footage, Taylor claimed he only pushed Ritchson because the actor was “coming toward” him with his bike. This was disproved when a video showed that Taylor deliberately walked in front of Ritchson to block his path.
Police reviewed the video evidence and witness accounts, ultimately ruling that Ritchson acted in self-defense and closing the case without charges.
Authorities also confirmed that Ritchson chose not to press charges against Taylor.
The Actor Subtly Addressed The Viral Street Fight Incident
Following the incident, Ritchson shared a cryptic message on Instagram: “Never interrupt your enemy when he is making a mistake.”
The actor also seemed to address the fight on Instagram when he shared a video post about wrapping up post-production for Season 4 of “Reacher.”
He captioned the clip, “Happy to be back in the booth after such a crazy week!”
“This is, without a doubt, the most gripping season yet,” Ritchson noted about the TV series. “I think we hit our stride. Firing on all cylinders… as it were.
Alan Ritchson Opens Up About His Bipolar Diagnosis

Ritchson has been candid about his personal struggles. In 2024, he revealed that he survived a 2019 suicide attempt, saying thoughts of his sons helped him hold on.
The actor later sought professional help and was diagnosed with bipolar disorder, which provided clarity and a framework for understanding his experiences.
According to The Hollywood Reporter, he also explored MDMA-assisted therapy, describing it as transformative in helping him reflect on his purpose and focus on helping others.
Over the years, Ritchson has built a diverse career in both television and film, with notable roles in “Smallville,” “Blue Mountain State,” “Blood Drive,” and “Titans,” and as Raphael in the “Teenage Mutant Ninja Turtles” reboot and its sequel.
He has also appeared in “The Hunger Games: Catching Fire,” “Lazer Team,” and “Fast X.”
Entertainment
HBO’s Harry Potter Series Will Definitely Fail For One Big Reason, And It’s Not J.K. Rowling Or Snape
By Jonathan Klotz
| Published

Harry Potter is coming back. If it were in POG form, everyone might be more excited. Warner Bros. dropped the first trailer for the upcoming HBO Max series, Harry Potter and the Philosopher’s Stone, which has touched off a fresh round of debates over whether or not the series should be boycotted due to J.K. Rowling’s beliefs and who even wanted this series in the first place.
Here’s the trailer…
No matter how you feel about the Boy Who Lived or the rich and famous author who created the most poorly designed sport in literature, it might be some solace to know Warner Bros. is going to fail spectacularly, and it has nothing to do with anyone’s opinions. It’s about money. A lot of money. So much in fact, that it’s impossible enough people will watch the new streaming series to break even, and don’t even think of turning a profit.
The Most Expensive Entertainment Project In History

The 2001 adaptation of Harry Potter and the Philosopher’s Stone made a billion dollars on a budget of $125 million. By way of comparison, the HBO Max series has an estimated budget of $100 million. Per episode.
That’s before the marketing blitz that you won’t be able to get away from, even if you close your eyes while sitting in your tiny room underneath the stairwell. To put this in perspective, Warner Bros. is spending more money on the upcoming streaming series than any studio has ever spent on a single piece of entertainment. Series, movie, The Eras Tour, Dinotopia, doesn’t matter, nothing will come close to the sheer amount of money Warner Bros is setting on fire.

If you watch the initial trailer, it feels like a version of the movie fell out of an alternate universe. Everything looks similar to the original film, but it’s slightly off.
The cast looks like their movie counterparts. The one very notable exception is Snape, who’s also the single worst character in the series to race swap if you worry about things such as why everyone’s suspicious of him for no real reason, or why James Potter bullies him. It’s a baffling choice in a trailer full of baffling choices.
Yer A Remake Harry!

To its credit, the trailer does attempt to answer the question as to why the series is being made. With a single season covering each of the books, finally, the little details that Potterheads have obsessed over for generations will get to leave the page. From the large changes, Headless Nick’s birthday party, to the smaller, calm changes of the later novels, a book-accurate adaptation could only be done as a series.
Though Warner Bros is making it the largest entertainment project since the Romans erected the Colosseum, the first trailer can’t quite shake the nagging feeling that it’s destined to fail. Harry Potter and the Philosopher’s Stone is going to be seen by millions and millions of people around the world, but at a total price tag approaching $4 billion, it seems impossible for it to become a financial success, which, as we all know, is sadly the only type of success that matters to studios.
Harry Potter and the Philosopher’s Stone is coming to HBO Max around Christmas 2026.
Entertainment
“Survivor 50 ”recap: Rizo becomes Taylor Swift’s biggest enemy (after Maria)
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Two rifts and two Tribal Councils make for an excellent episode.
Entertainment
Amazing R-Rated Sci-Fi Comedy Is The Office Meets Close Encounters
By Robert Scucci
| Published

Corporate, white-collar jobs are the worst. One time, I worked with a guy who “didn’t like to sit with his back to the door” in the conference room during our weekly management meetings, as if he was Jason freakin Bourne. He was an accounts receivable manager, an avid watch and stamp collector, and weighed north of 300 pounds. Not a single person thought, “man, what a badass” when he said these things, but we just had to grin and bear it. We just smiled and nodded as if he didn’t just say the dumbest thing on the planet.
The same kind of behavior shows up in 2010’s Drones, except nobody’s pretending to be a highly trained assassin posing as a white-collar client services supervisor who drives a Honda Pilot. No, they’re claiming to be aliens.
A Not-So-Hostile Takeover

Drones centers on a business-casual G man named Brian (Jonathan M. Woodward), who works as a pencil pusher for the Omni Link company. It’s never really established what he or his coworkers do for a living. Think of it like Office Space. The greatest source of stress around the office is the company changing its filing system from chronological to alphabetical, which completely incenses Cooperman (Dave Allen), the most cynical employee in the building.
But if I’m weighing in here and being entirely honest, if you don’t sort by “date modified,” you’re a total psychopath. That way, the things you were working on most recently, and actually need, are at the top of the list. I’m totally Team Cooperman here.

There are two other sources of stress in Drones that slowly reveal themselves. First, Brian’s coworker Clark (Samm Levine) accidentally lets it slip that he’s an alien with plans for Earth that haven’t been fully explained. Second, before confessing any of that, Clark encourages Brian to ask out Amy (Angela Bettis), because it’s obvious to everybody that they’ve got some chemistry.
Then, Brian gets to know Amy and learns that she’s also an alien, reporting back to her home planet through the fax machine in the print room. Here’s the real problem. Amy and Clark aren’t from the same planet, and they both plan to take over Earth against each other’s knowledge. What follows is a series of closed-door conversations, eavesdropping, and awkward office romances tangled up in something much bigger than getting accused of stealing the last doughnut from the break room.
Quirky And Fun, But You Have To Use Your Imagination

Like most low-budget outings, Drones has its fun by never showing you its “monsters.” There are no special effects, and the entire movie takes place inside an office building. Everything is fluorescently lit to the point where your brain practically invents that awful humming noise just to complete the experience. Most of the tension comes from miscommunication and people getting their wires crossed over their motives.
What really sells the premise, though, is Amy’s dynamic with Brian. It’s the perfect interoffice romance because it’s built on paranoia. The kind of paranoia you get when you catch feelings for a coworker and convince yourself that even the smallest amount of happiness will somehow get reported to HR and shut down immediately.

Angela Bettis knocks it out of the park as Amy because she carries a subtle uncanny valley vibe. It’s not that she looks strange. She’s conventionally attractive and not doing anything overtly off-putting aside from occasionally talking to a fax machine. It’s all in her expressions. She studies everyone around her like she’s trying to figure out how humans operate in real time so she can report back to her own species.
Samm Levine’s Clark is similarly, and inexplicably, strange. Having worked in an office myself for years, nothing he’s doing is technically out of the ordinary, but something about his mannerisms still feels off. Both characters ride that line perfectly, where they seem normal on the surface but just weird enough to make you question everything.

Stuck between two potential alien invasions, all centered around his workplace, Brian is either weirdly okay with everything or completely bewildered depending on the moment, which makes for a surprisingly fun watch.
Drones is the kind of movie you throw on after a long day at an office job as a reminder to seek employment elsewhere. Everything from the interpersonal politics to the drab setting feels intentionally uncomfortable.
It makes you wonder if humans were ever meant to sit in cubicles all day (Peter Gibbons was right). An office suite is the perfect place for alien overlords to gather and talk shop if you think about it. It’s the one place where humans show up completely disengaged, which probably gives the aliens the upper hand before lunchtime most days.


As of this writing, Drones is streaming for free on Tubi.
Entertainment
Security guard takes 'full responsibility' for Chappell Roan hotel controversy, confirms he wasn't working for pop star
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Pascal Duvier said that “the actions I took were not on behalf of Chappell Roan, her personal security team, her management, or any other individuals.”
Entertainment
Seinfeld’s Best Superhero References Include An Appearance By Batman’s Two-Face
By Brian Myers
| Published

Throughout most of the 1990s, the top-rated NBC sitcom Seinfeld dominated primetime television. The witty humor and superficial characters took viewers through bizarre happenstances surrounding relatable life situations that are seemingly mundane on the surface. The “show about nothing” proved to be more about everything else, but also weaved in the real-life interests of the show’s star and namesake, Jerry Seinfeld. A fan of superheroes, Seinfeld and his writers found ways of inserting references to comic book icons in multiple episodes, some a bit more concealed than others.
Fans of Seinfeld have claimed since the show’s run that the writers packed a Superman reference into every episode. If you count the noticeable Superman statue on Jerry’s shelf or the small magnets of the superhero on his refrigerator, you might come up with a visual reference for the majority of the show’s 180 entries. While the real tally of mentions and nods is far less than what some fans might have originally speculated, looking for and discovering these little Easter eggs has been a bonus to enjoying a much-beloved 90s TV staple.
Two Specific Episodes Do The Heavy Lifting

Two episodes are almost entirely dominated by Superman references. In the 1996 fan favorite episode, “The Bizarro Jerry,” Elaine begins a friendship with Kevin, with whom she has just ended a very short-term romance. As his new friend, Elaine discovers parallels between the life she experiences with Jerry and the gang, and Kevin and his friend group. Each person in Kevin’s life is the mirror opposite of every person in Jerry’s. Gene (George) and Feldman (Kramer) make up Kevin’s core friends, while Kevin is Jerry’s counterpart.
Kevin’s apartment also has details that, upon close examination, show Jerry’s interests in a twisted recreation. Aside from the layout being mirrored, there’s a unicycle on the wall where Jerry’s bike always hangs, Feldman always knocks before entering (instead of barging in, like Kramer), and continually restocks Kevin’s refrigerator and cabinets with groceries instead of bumming them. The cou de gras is positioned where Jerry’s prized Superman statue should be. In its place is Bizarro Superman, completing Jerry’s reference to Elaine being in “the Bizarro World” when she’s with Kevin.

The 1994 episode, “The Race,” sees Jerry have a rematch of a running contest that he deceptively won during high school. His old rival, Duncan Meyer, is revealed to be the employer of his newest love interest, Lois (as in Lois Lane, Superman’s girlfriend). Throughout the episode, Jerry utters memorable lines like “I’d have to be Superman to do that,” and “Faster than a speeding bullet.” The theme from Superman (1978) plays as Duncan gets his rematch with Jerry, which Jerry also wins after an unwitting headstart. He closes the show with a nod to the 1950s series, The Adventures of Superman, by uttering the line “Maybe I will, Lois. Maybe I will,” before breaking the fourth wall and winking at the camera.
Subtle Nods Through Dialogue
Most of the references to superheroes are revealed through the show’s dialogue instead of being visual cues. When George refers to Jerry’s new girlfriend, Gwen, as a “Two-Face” (the woman looks starkly different when the lighting changes), Jerry exclaims, “Like the Batman villain!” In another exchange, it’s revealed by Elaine that Jerry doodles naked pictures of Lois Lane. Yet another moment has George referring to Jerry as having only two interests, Superman and cereal.

Two-Face, Batman & Robin, and Superman aren’t the only DC superheroes mentioned in the series. On at least two occasions, Aquaman is the subject of conversations between George and Jerry. In “The Deal,” George wonders whether the character was “restricted to water,” while “The Glasses” has Jerry referring to his friend as “Aquaboy.”
“The Strongbox” Has Deep Cuts
One of the best superhero references occurred during an exchange between George, Jerry, and Elaine while the three were sitting in their favorite coffee shop in “The Strongbox.” Elaine has been seeing a new guy, a secretive fellow named Glenn. Elaine had previously speculated that he was probably married, given that he always met her out and refused to give her his phone number.

Jerry had interjected that the guy could be protecting his secret identity and that Elaine could very well be dating the Green Lantern. At the coffee shop, Elaine reveals that her new beau isn’t married, but that he’s been actively hiding the fact that he’s living in poverty. The exchange that follows is packed so full of lines revolving around DC characters, making it one of the greatest instances of snap dialogue over Seinfeld’s nine-season run.
Jerry’s one-liners included “We found out his superpower was lack of money,” “He’s the ‘got no green’ lantern,” and “He’s invulnerable to creditors.” A visibly annoyed Elaine gets up to leave, only to have George pipe up with “Maybe his girlfriend is Lois Loan.” Jerry deals the final blow when Elaine reenters moments later to retrieve something she’d left behind; “He can wipe out a checking account with a single bounce!”
References You May Have Missed
Superman-related references also make appearances in the following episodes:

In “The Pilot,” Jerry is clad in a wardrobe of red and blue, Superman’s colors.
During a scene in “The Secret Code,” Jerry tells George that his ATM passcode is “Jor-El,” the name of Superman’s father on the planet Krypton.
“The Stock Tip” sees Jerry and George debating whether or not Superman has a super sense of humor.
After George makes a bone-headed move concerning a new love interest in “The Face Painter,” he wishes he could turn back time in the way Superman could, by spinning the Earth in reverse.

“The Cheever Letters” makes one of several references to someone’s home being their “Fortress of Solitude.”
“The Invitations” has a montage of Jerry with his new fiancée, Jeannie. In one moment, the two of them are shown reading Superman comic books.
The next time you stream Seinfeld on Netflix, look and listen for the references aboveand others.
Entertainment
Heather Graham Reveals Steps To Stay Slim Without Ozempic
Heather Graham is letting fans in on her little secrets to maintain her chic physique.
The actress opened up about the rules she follows with her diet and self-care to ensure that she stays in shape. The youthful glow that seems to have never left her, even as she is now in her 50s, is seemingly thanks to everything but weight loss medication.
Heather Graham is living her childfree life to the fullest, enjoying the rewards of her work earlier in the industry. She gets her daily dose of happiness by focusing on enjoying the simplest things in life.
Going Under The Knife And Ozempic Are Not Part Of Heather Graham’s Routine

Graham had a chat this week where she told all on her secret to staying in shape, aging as an entertainer, and navigating through life. The actress explained how she tries to maintain her looks without succumbing to the pressure of going under the knife or using popular medications like GLP-1s.
For the Hollywood star, self-care is a top priority, and that includes her focus on staying active, eating healthy, yoga, and meditation. She strongly believes that “if you don’t have your health, you dont have anything” and as such she places her health as the most important thing in her life, even more important than her career. Graham, in her interview with US Weekly, revealed that she had unhealthy eating habits in her younger days.
She went through phases of being obsessed with sugar and eating frozen yoghurt for lunch and dinner. “I’d be like, ‘I don’t want to have dinner, so I’m going to eat eight candy bars or a pint of ice cream.’” Then I’d be like, “That was bad, so now I’m not going to eat any regular food.” After getting hands-on deep into meditation, she realized she needed to eat healthily. Now, she stays away from sugar by keeping it completely out of her house. and only sometimes indulges in two cookies.
The Actress’s Thoughts On Weight Loss And Aging

The entertainer was asked to share her thoughts on weight loss drugs and if they have a place in her regimen. In response, she stated that she does not see the appeal, even though there have been amazing reviews from people who use them. “But I’m fearful people haven’t been taking it long enough to know if there are bad side effects,” she added.
Graham then stressed that rather than turn to modern medicine for that purpose, she chooses to work out and have a prime diet instead. When it comes to cosmetic procedures, the star disclosed that she has never cut her face open. However, she has tried Botox, microneedling, and fillers. Her goal remains to look natural, she shared, adding “I dont want to look freaky. I wouldn’t completely rule it out, though.”
The “Hangover” star went on to answer questions about her career and aging in Hollywood. Recalling the time when there was a threshold age for women to get married before being tagged a spinster, Graham is glad to see that the industry is embracing female empowerment.
She gave a shout-out to Miley Cyrus, Dua Lipa, Doechii, and Cardi B for helping her through a breakup via their music. Ultimately, the actress is not worried about getting older as she has come to terms with aging as part of the laws of nature. Her focus remains on how she can enjoy and appreciate the life she has.
The ‘Boogie Nights’ Star Has Been Into Diet And Fitness For Years

Over a decade ago, Graham chatted with Refinery29, where she spilled details of her experiences while filming the 2012 film “At Any Price,” where she starred as Meredith Crown alongside iconic actor Zac Efron. During her talk with the outlet, the Hollywood star shared that the secret to her glowing skin was using generous amounts of moisturizer.
“I like moisturizing a lot, my whole body, my face. I use this inexpensive Body Shop Nourishing Night Cream, and sometimes I’ll use Crème de la Mer,” the actress disclosed. At that time, she also detailed how she managed to keep up with her diet and fitness regimen despite being on the road regularly for work.
Graham shared that she tries to avoid sugar as a broad rule, even though she falters at times. She also tries to steer clear of white flour. In that same 2013 interview, the actress talked about her relationship with exercising, disclosing that she was big on doing yoga. “I’m obsessed with yoga. For fun, I would go on a yoga retreat and do four hours of yoga a day. And then I do pilates. I also like going out dancing,” Graham said.
For The Entertainer, Aging And Happiness Go Hand In Hand

Last year, Graham stepped onto the 55th floor of life, and her shared secret is “enjoying the simple things in life.” The “At Any Price” star shared that aging is all about attitude, noting that as she grows older, she cares less about things that do not matter. The star told PEOPLE that with that mindset, she has become a happier person focused on “feeling good from the inside out.”
She also surrounds herself with positive energy from her friends and spends more time in nature. “I like to go out in nature, go to the beach, look at the ocean, go on a hike, go into the mountains, look at the trees,” she shared before adding, “I love just being by the ocean; anytime I’m at the ocean, I just feel happier.
Graham, in recent years, has embraced a more holistic perspective on life, and this has tilted her focus from the super ambitious younger version of herself to a woman who draws fulfillment from other parts of life besides her career.
Heather Graham Has Gone No Contact With Her Parents Since Early Adulthood

The movie star previously disclosed that she has not spoken to her parents in almost thirty years. The estrangement from her father, James, who was an FBI agent, and her mother, Joan, who was an elementary school teacher, stemmed from her decision to pursue a career in the entertainment industry.
The star shared that her father often actively discouraged her from getting into Hollywood, while her mom supported her creative and acting ambition, but did not protect her from James. “He regularly told me that the entertainment industry was evil and that Hollywood would claim my soul if I became an actress and appeared in anything with sexual content,” the actress revealed about two years ago.
ENews detailed that according to Graham, when she made her debut with “License to Drive,” staying at home with her parents became all the more difficult. She was determined to be successful and make a name for herself as a movie star. Friends became family to her, and she continued climbing the ladder to success. “I stopped talking to my parents when I was 25, and I’m estranged from them now. My friends are proud of me, and I’m proud of myself,” Graham concluded.
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