The Scary Movie franchise was originally developed by Keenan Ivory Wayans alongside Shawn and Marlon Wayans, with Keenan directing the first two films. The out-of-the-box franchise isn’t exactly what anyone would refer to as “peak comedy,” but it has still managed to withstand time for several decades and reliably keep general audiences entertained for 90 minutes. The movies, most of which star the irreplaceable Anna Faris, Shawn Wayans, Marlon Wayans, and Regina Hall, are silly and absurd, with notable jokes so dumb, lewd, crass, and occasionally corny that many might often feel a tad embarrassed when they find themselves giggling along. These spoof movies mock contemporary horror films such as The Ring, Signs, and What Lies Beneath, as well as other popular films from over the years, like 8 Mile, Thelma & Louise, and Boogie Nights.

They inspired multiple copycats, each worse than the previous one, with none of them coming close to being capable of recreating the original’s unexpected but deserving success. Like so many franchises, the Scary Movie series is inconsistent, chaotic, and irresistible; it ranges from cult comedy classics to noteworthy films that have become a staple in pop culture. However, there is something to be said about its sheer commitment to absurdity and stupidity. When looking at all five films together, it’s not exactly difficult to declare which of the Scary Movies is the best and which is the worst. The series’ early entries are not only the best-received but the most beloved among modern audiences, but is Scary Movie 3 better than Scary Movie or Scary Movie 2? The answer might be more shocking than you think (and timely to discover now that Scary Movie 6 is just around the corner).

5

‘Scary Movie 5’ (2013)

Image via Dimension Films

It’s not an overstatement to say that Scary Movie 5 is among the worst movies ever made and the worst in the franchise; it makes its predecessors look like masterpieces, and that’s saying quite a lot. This movie has so much contempt for the intelligence level of its viewers, it’s shocking and quite baffling. There’s no sugar-coating it; it’s bad in every possible way. Even dreadful films are usually somewhat aware of the fundamentals of movie-making, like spatial awareness and basic film editing — not Scary Movie 5, which is a movie that fails miserably at even those simplest tasks. Some would think they just didn’t even bother trying in this film and were just doing it based on some contract agreement.

The film attempts to spoof the Paranormal Activity film franchise and other popular films like Guillermo Del Toro‘s psychological thriller Mama and the Oscar-nominated Black Swan starring Natalie Portman, but there isn’t a single laugh to be found or heard among audiences (not even a little giggle). It’s hard to reconcile that people were actually paid pretty good money to make this half-attempt travesty, especially with so many talented artists working their butts off on it to get by. While watching this cinematic train wreck, the average viewer will most likely feel incredibly embarrassed for everybody involved, especially Ashley Tisdale and Simon Rex, two actors who are way too good to be involved in this unacceptable trash. In other words, some movies really shouldn’t exist, and Scary Movie 5 is by far one of them.

4

‘Scary Movie 2’ (2001)

Image via Dimension Films

While no great feat, Scary Movie 2 alleviates some of the issues that plagued the original Scary Movie, resulting in a fairly decent sequel with some new and familiar talent on board. The film takes place in a spooky mansion where a social experiment is being conducted with Cindy and her friends selected as the lucky few participants due to their previous involvement with the mass murders and paranormal events from the first film. For one, Scary Movie 2 parodies some of the all-time best horror movies, including The Exorcist, The Haunting, Poltergeist, and The Amityville Horror (and randomly a spoof on a Nike commercial, which is pretty entertaining). There is also a very foul-mouthed parrot that adds a bit of derogatory shock value to the film’s overall comedy. It also has the added strength of great comedic actors like the legendary Tim Curry, Chris Elliot, and David Cross, elevating average material. The film also adds in some non-horror films, like the Oscar-winning film, Titanic, and Charlie’s Angels, which mix things up a bit plot-wise compared to the first film.

While not a complete comedy revelation, Scary Movie 2 has a fair number of jokes that are surprisingly decent and occasionally laugh-out-loud funny (“that’s my strong hand!”) The cinematography, sound design, overall acting by a colorful cast, and solid visual effects are a big improvement from its predecessor, mainly because of the large increase in the film’s budget. However, its music and gross-out gags are more overdone in this sequel, often threatening to take the film in uncomfortable and unfunny directions. Like other uneven and overly vulgar comedies, Scary Movie 2‘s quality depends on the mood of whoever is watching it. With that said, viewers should watch it only if they’re already in a good mood or willing to let some over-the-top moments pass.

3

‘Scary Movie’ (2000)

Image via Dimension Films

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Let’s be honest, Scary Movie is a weird but one-of-a-kind movie that spawned a different kind of comedy franchise by spoofing some of the most popular horror films, such as Wes Craven‘s Scream, I Know What You Did Last Summer, and The Sixth Sense. There are plenty of jokes that haven’t aged well and are politically incorrect — maybe even cruel by today’s standards — but it still has some moments that have become iconic among original fans. Whatever you may think, it rises, if not necessarily soars, on the strength of a perfectly chosen cast that vastly improves what’s on paper. Faris and Hall are comedic geniuses, and the heart and soul of the film, and their abilities are on full display in this first installment. However, the supporting cast is equally impressive, with Marlon and Shawn Wayans, Shannon Elizabeth, and Jon Abrahams embracing the film’s unhinged humor.

Still, not everything is great in this first installment. While the film takes from several films, it is primarily a parody of the Scream films. Scary Movie’s biggest failure is that Scream is already a meta-satire of the traditional slasher horror film and a far more clever, funny, and highly memorable one, for that matter. It might seem easy to just discard Scary Movie as the film equivalent of a basic photocopy of a photocopy, but it does have a variety of other films it parodies that help the movie’s overall plot (no matter how ridiculous it may get) stand out a bit. However, there is a level of genuine genius in what it did: launching a profitable franchise, initiating a cinematic movement that marked the nineties’ era, and propelling the careers of many of its stars to new heights. Scary Movie is stupidly brilliant, surprisingly quotable, and annoyingly entertaining. It offers nothing more than what it advertises, and honestly, how many films can truly say that?

2

‘Scary Movie 4’ (2006)

Image via Dimension Films

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Scary Movie 4 is the second film in the humorous franchise directed by legendary spoof filmmaker and director David Zucker, who co-directed some of the best American comedies of all time, including Ruthless People, Airplane!, and The Naked Gun. Scary Movie 4 is so lightweight and breezy that when it ends, it feels like no time has passed at all. It’s a welcome mockery of the J-horror craze of the early nineties, insanely intense and graphic torture porn like the Saw series, and several alien invasion blockbusters, primarily Steven Spielberg’s War of the Worlds starring Tom Cruise. The movie also features several cameos by celebrities, most notably NBA star, Shaquille O’Neal and famed talk show host Dr. Phil, who both find themselves in one of Jigsaw’s vile games.

Iconic comedy actor Leslie Nielsen returns with his legendary spoof credentials to the floor, portraying the incompetent and bizarre President of the United States of America. His scene parodying President George W. Bush’s infamous “My Pet Goat” fiasco is a wild stand-out moment, but it does cross a slight line, which is excusable considering the tone of the film. Faris reliably delivers a stellar performance and remains the funniest attribute of the entire film series. Her wistful inclinations and earnest naivety provide even the silliest jokes with an unusual layer of truthfulness and honesty. Hall’s character, Brenda, also makes a miraculous return after her apparent death in the previous entry, mainly because this series is nothing without her and Cindy, and anything is possible in this franchise. Scary Movie 4 is a relentlessly humorous and entertaining, turn-your-brain-off experience and a more than satisfying end to the Scary Movie saga as fans knew and loved it.

1

‘Scary Movie 3’ (2003)

Image via Dimension Films

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The first film of the series to be directed by David Zucker, Scary Movie 3 is the most consistently funny entry of the entire film franchise. It features ridiculous spoofs of massive pop-cultural hits like The Ring, the Matrix films, 8 Mile, and M. Night Shyamalan’s Signs, and features many welcome additions to the series. Faris’ character, Cindy Campbell, is now a TV journalist investigating a series of cryptic alien crop circles and a mysterious tape that supposedly kills its victims seven days after they view it (sounds awfully familiar).

With the exit of the Wayans Brothers, the entire success of the movie is thrust onto Anna Faris and Regina Hall’s capable shoulders; suffice it to say, they more than delivered, but were helped by some newcomers such as Leslie Nelson, Anthony Anderson, Kevin Hart, and Queen Latifah. Faris has amazing comedic and even romantic chemistry with Simon Rex and spoof veteran Charlie Sheen, who nail their roles as brothers who own a farm, parodying the Mel Gibson and Joaquin Phoenix characters from Signs. The most well-written, tightly paced, and clever of the five Scary Movie films, Scary Movie 3 excels not only as a spoof movie but also as a genuine comedy, thanks to its memorable gags, overall top-notch performances, and its willingness to be something more than just a cheap mockery of horror movies.

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Scary Movie 3

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Release Date

October 24, 2003

Runtime

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84 minutes

Director

David Zucker

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Writers

Craig Mazin, Pat Proft

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Disturbing new details have emerged in the case against Joseph Duggar, with a minor’s account now forming the center of a growing legal storm. 

According to newly surfaced documents, the allegations date back years and involve incidents that reportedly occurred during a family vacation.

As authorities piece together what happened, statements from family members and insiders are adding layers to an already complex and deeply troubling situation surrounding Joseph.

Joseph Duggar Accused Of Repeated Incidents During Family Vacation

Joseph Duggar was arrested last week in Tontitown, Arkansas, following allegations tied to incidents that allegedly occurred in Florida. 

According to an affidavit obtained by PEOPLE, the accuser, now 14, claimed she experienced various incidents of sexual abuse when she was nine years old during a trip to Panama City Beach.

At the time, Joseph and his wife, Kendra, had two children, and she was pregnant with their third.

The young girl told investigators she would often sit on Duggar’s lap, where he would “cradle [her] with his arms.”

As the trip continued, she alleged that his behavior escalated. The former reality TV star allegedly later asked her to sit beside him on a couch, where he covered them with a blanket and began touching her thighs.

The affidavit states that during these interactions, his hand allegedly grazed her vagina while remaining outside her underwear. 

“Once the parties were covered, the defendant would pull the victim’s dress up and touch the victim’s thighs,” it revealed. 

The incidents reportedly happened multiple times, leaving the child feeling “confused” and “uncomfortable.”

Joseph Allegedly Admitted Actions During Phone Call

After the minor gave a forensic interview to a detective in Arkansas, investigators moved to gather additional evidence. 

According to the affidavit, Deputy Sheriff Darrell Norris requested that the detective and the victim’s father contact Joseph in an effort to obtain a confession.

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During that call, authorities claim the 31-year-old acknowledged what had happened. The affidavit states he “admitted his actions, stating he touched the victim over her clothing” and also “admitted his intentions were not pure.”

That alleged admission became a key component in securing an arrest warrant, which was later executed in Arkansas. 

Officials said the investigation began after a report of past sexual abuse was shared with law enforcement, leading to coordination between agencies in Arkansas and Florida. 

Joseph is now being held as he awaits extradition to face charges tied to lewd and lascivious behavior involving a minor under the age of 12.

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Joseph Duggar Faces Additional Charges Alongside Wife Kendra

As the case unfolds, Joseph is also facing additional legal trouble in Arkansas. 

The Blast reported that both he and his wife, Kendra, have been charged with four counts of second-degree endangering the welfare of a minor, as well as four counts of second-degree false imprisonment.

Kendra was taken into custody and released on bond shortly after her arrest, while her husband remains detained. 

Police noted that these Arkansas charges are reportedly not connected to the Florida case, adding another layer of complexity to the situation.

Meanwhile, Joseph’s mugshot, showing him with a thick beard and a serious expression, was released, drawing comparisons to earlier legal issues involving his brother Josh Duggar.

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Joseph’s Family Reacts As Case Sparks Shock And Outrage

Joseph Duggar’s arrest has prompted reactions from multiple family members, many expressing shock while emphasizing support for the alleged victim. 

His brother Josh, who is currently serving a prison sentence, released a statement through his attorney, saying, per the Daily Mail, “Josh understands the stigma of being accused.” 

The statement continued, “He lives with the painful reality of how false accusations can destroy a life. He understands how the targeting of a person for publicity can twist the truth into sensationalized fiction.”

His sister Jill also addressed the situation publicly on her family blog with a post, writing, “We were shocked yesterday evening to learn of Jill’s brother’s [Joseph Duggar’s] arrest.” 

She added, “We strongly condemn abuse. We support the rule of law and hope that justice will be achieved.” 

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The statement continued with support for the alleged victim, noting, “Our hearts go out to the innocent juvenile victim of this unspeakable crime and her family.”

Joseph Duggar Case Draws Strong Words From Cousin Amy Duggar

Joseph’s cousin Amy Duggar also spoke out, offering one of the most direct responses from within the family. 

As The Blast reported, she described her reaction as deeply emotional, saying she felt “sickened, heartbroken and deeply angry” after learning about the allegations.

Amy emphasized her concern for the alleged victim, stating that the child “deserved to be safe, protected and surrounded by people she could trust.” 

She also highlighted the courage it took for the accuser to come forward, noting that “that bravery deserves to be honored above all else.”

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While she admitted to being “utterly shocked,” Amy added that she was “not surprised that another alleged predator has emerged from this toxic system.” 

She also shared that she has worked to break harmful patterns within her own family.

In addition to her support for the alleged victim, Amy said she is praying for Joseph’s wife and children as they navigate the situation. 

She concluded by expressing hope that “justice will be served to the fullest,” as the case continues to develop.

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Arguably one of the most iconic and popular musical acts of all time, The Beatles changed pop and rock music forever the moment they hit the scene. Maintaining the top spot as the best-selling music act ever, the boys from Liverpool made their mark thanks to their incredible songbook. Documenting the evolution of music through their own changing style over time, The Beatles‘ ability to shape music with their artistry and songwriting.

Each of their 12 official studio albums is stacked with incredible songs from top to bottom. But with hundreds of songs, which are their very best? It’s time to name the most perfect songs. Every fan of the band will likely have a different lineup, but for the purposes of this list, “perfect” will be defined by songwriting, musical construction, overall influence, and the song’s impact on the band’s musical evolution. This list is a celebration of four great artists and their very best work.

10

“I Want to Hold Your Hand” (1963)

The song that put The Beatles on the map in America was none other than “I Want to Hold Your Hand.” First dropping on Meet the Beatles! in the U.S. after not appearing on the UK version, With the Beatles, the John Lennon and Paul McCartney track exemplified the power of a bright and breezy two-minute pop song. Light and fluffy, and to the point, “I Want to Hold Your Hand” thrives through its catchy hook and universal lyrics of blossoming romance. With a two-bridge model and both Lennon and McCarthy taking the lead and singing in unison and harmony, “I Want to Hold Your Hand” resonated, knocking off their previous hit, “She Loves You” off the top of the podium. The song has been covered countless times and has infiltrated pop culture. Even when the song was reworked into a ballad for the jukebox movie musical Across the Universe, it highlighted the brilliance of the lyrics. At the end of the day, it’s about longing.

The track was met with an extremely warm welcome in the States. The song spread like wildfire with its infectious beat. Specifically crafted to appeal to an American market, “I Want to Hold Your Hand” succeeded at its mission, becoming the first number-one hit in America. Thanks to “I Want to Hold Your Hand,” the British Invasion officially began. Though, compared to the more complex songs that emerged during their musical evolution, the timing of “I Want to Hold Your Hand” was crucial, as it scratched the itch of music fans.

9

“Yesterday” (1965)

Beatlemania took over the world. So much so that the quartet was dropped into other media to maximize their presence. Between 1964 and 1970, they appeared in five major motion pictures, the second of which was Help! To tie into the film, the album included 14 tracks, seven of which appeared in the film. The other side of the album featured new songs, one of which included the most-covered song in music history, “Yesterday.” A song that came to McCarthy in his sleep, “Yesterday” was the first song to only feature a single member of the band, as McCarthy was joined by a string quartet as he sang and played acoustic guitar.

A melancholic song, “Yesterday,” shines through its simplicity, allowing McCarthy’s lyrics to be the star. Always tinkering with the song until it was included on the album, McCartney perfected it to the point that it became one of the greatest pop songs in history. Quite a sad breakup song, yet there is still a sense of hope in the lyrics and in McCartney’s vocals. That said, part of the song’s meaning may have been misinterpreted. During an episode of the A Life in Lyrics podcast that dissected this particular song, McCartney revealed that the lyric “I said something wrong, now I long for yesterday” may have been inspired by her mother.

8

“While My Guitar Gently Weeps” (1968)

Ah, the infamous White Album. Though it’s officially called The Beatles, it’s the album cover that helped it earn its name. The ninth studio album, and the only double album, is notorious for its diverse range of genres that produced wall-to-wall hits. The White Album is also known for some behind-the-scenes controversy, including Yoko Ono subverting the band’s policy of excluding wives and girlfriends. Nevertheless, leave it to George Harrison to use his talent to serve as a comment on the band’s disarray and lack of harmony. Harrison’s pain gave rise to the hauntingly beautiful “While My Guitar Gently Weeps.”

Having written the song following the band’s trip to India, the journey’s influence was present. With Harrison with double-tracked vocals and acoustic guitar, he credited Eric Clapton, who played lead guitar on the track, for helping him create the Beatles’ monumental track. Perhaps Harrison’s greatest composition, which served as his coming-of-age as a songwriter, the song was a staple on US rock radio. Why? It contains one of the greatest guitar solos. A strong showing from all four members of the band, even with the groundbreaking collaboration, “While My Guitar Gently Weeps” remains a shining gem.

7

“All You Need Is Love” (1967)

The moment you hear the first few bars of the French national anthem, “La Marseillaise,” you are easily transported into a mindset of joy and love. One of the most beloved tracks in the Beatles’ songbook, “All You Need Is Love,” has become a universal anthem through its song and message. Deliberately simple, the song garnered universal appeal. Written as Britain’s contribution to Our World, the first live global television production, the song reflected the utopian ideals mirroring the Summer of Love. An anthem for the counterculture’s embrace of the flower-power philosophy, “All You Need is Love” was a celebration that linked back to the aura of the last album, Sgt. Pepper’s Lonely Hearts Club Band.

A mostly Lennon contribution, the song utilized simple chord and line progression; the only experimental aspect of the track is found in the change in metre. The final reversal of “All you need is love” into “Love is all you need” became the perfect vocal button before the glorious cacophony of spontaneous ad-libs, which ranged from Glenn Miller‘s “In the Mood” and the band’s own, “She Loves You.” Because of the song’s musical accessibility, it became an anthem dedicated to universal love. Favoring idealism through its positive, uplifting atmosphere, the song continues to serve as the enduring motto for peace. Written for a moment, “All You Need Is Love” remains timeless.

6

“In My Life” (1965)

Music is meant to have purpose and significance. If there is one song that epitomizes this, it’s “In My Life.” With Lennon taking on the lyrics, the introspective song reflects a poetic look into his own past and relationships. Emotionally deep and artistically precise, the Rubber Soul track’s meditation on adolescent relationships diverged from the simplicity of the pre-Rubber Soul love tracks. “In My Life” marked a major and important shift for the band, reflecting their artistic maturity. Lennon referred to the song as his “first real major piece of work” because it was the first time he wrote about himself. And yet, the universal messaging resonated, making it feel personal to us all.

Though the song has been disputed over full musical authorship, it makes sense that Lennon and McCartney would want full credit, as the song is sensational. The instrumental bridge was one sticking point for Lennon, so George Martin composed something on piano that had shades of Baroque sounds, which ultimately, through playback at double speed, was reminiscent of a harpsichord. A song that has been used to mark milestones, “In My Life” is one of the band’s most sentimental songs that’s bound to elicit melancholy.

5

“A Hard Day’s Night” (1964)

As previously discussed, The Beatles appeared in films during their heyday, with the first being A Hard Day’s Night, which inspired the title track. The title, which originated with a passing statement from drummer Ringo Starr, launched an era for the band. A Ringo-ism became a hit for the band, topping the charts in both the United Kingdom and the United States upon release. Written on a night by Lennon during a long-running competition for the A-side song, “A Hard Day’s Night” begins with the iconic chord played by Harrison. Strong and effective, it opens both the film and the soundtrack and has become one of the most recognizable openings in pop music.

The song is about the narrator’s devotion to his lover, working hard in order to buy the things she wants. He may be tired, but his lover perks him up through love. Following a verse-verse-bridge-verse structure and adopting a major-minor feel within that bridge, “A Hard Day’s Night” was revered for its energy. A triumph of the band’s early era, “A Hard Day’s Night” represented the perfect marriage of commercial appeal and musical innovation.

4

“Blackbird” (1968)

The White Album truly produced some of the greatest songs in music history. Inspired by the call of a blackbird in Rishikesh as well as the civil rights movement, “Blackbird” is a top-tier song that many consider their very best. Written by McCartney, serving as his solo number, “Blackbird” served as a voice for the discriminated. A wonderfully poetic dissertation open to interpretation, the song serves as a metaphor for an awakening. Beautifully pleasant and strikingly tranquil, McCartney ensures that the lyrics are the defining element of the track. All you need is McCartney’s sweet vocals, the strum on the acoustic guitar, and the foot-tapping to be instantly hooked into the resilient message.

An empowering anthem with profound lyrics, “Blackbird” is one of McCarthy’s shining moments prior to his solo career. A pure moment of maturity, “Blackbird” is a call for unity, even despite the fracture within the band at the time. The song continues to transcend time. The song has been covered by many artists, ensuring the legacy of the song continues today. Understanding the significance of its meaning, when Beyoncé covers the song for Cowboy Carter, you know it’s a remarkable piece of music.

3

“Let It Be” (1970)

Let It Be marked the end of an era, as it was the final studio album from the quartet, coming a month following the group’s public breakup. Some of the most resonant tracks were on this album, but the title track left an everlasting impression. A simple song of acceptance despite a moment of contention within the band, “Let It Be” resonated on a variety of levels. A straightforward composition with a 4/4 rhythm and a simple four chords, “Let It Be” brought peace in a time of trouble. A mantra that became a coda for the band’s storied career, “Let It Be” was grounded in humanity.

There is a profound essence of hope and resilience in McCartney’s lyrics. Sung solely by McCartney, when you hear “Let It Be,” you stop and listen. One of the strongest ballads in their repertoire, “Let It Be,” seemed like the song that the band needed to go out on. Looking back, it’s almost a prophetic song, knowing there would never be reconciliation. Even with a remarkable songbook like very few other bands, “Let It Be” was a fitting way to remember the band fondly.

2

“Come Together” (1969)

There are many songs by the band whose opening bars transport you into a specific memory or space. The opening riffs are instantly recognizable. One such case was “Come Together.” The opening track on Abbey Road, “Come Together,” put the rock in rock and roll. A reactionary track that became a protest anthem against the Vietnam War, “Come Together” was a sonic sensation of musical complexity. With a tinge of blues and funk seeping through the laid-back vocals, precision on guitar, hypnotic bass, and swampy drums, “Come Together” showcased an expanse of the band’s musical vocabulary. Each member of The Beatles contributed something so distinct to the orchestration that, as cheesy as it sounds, when they came together, it became perfect.

Lyrically, the song is abstract. Still in the hazy drug era, it didn’t matter what was said before the chorus because the chorus was the statement. The feel was more important than anything. The nonsensical lyrics only contributed to the mood “Come Together” evoked. Of course, there was much controversy over the use of Chuck Berry‘s “You Can’t Catch Me,” with the copyright infringement case settled out of court. Yet, it didn’t deter the song’s success and lasting legacy. Many have tried to cover it, but no one can sing it quite like John Lennon.

1

“Hey Jude” (1968)

There are so many songs that I wish I could include on this list—“Something,” “Across the Universe,” “Oh! Darling,” “Get Back,” just to name a few—but the ten that made the cut are significant. But no Beatles song is more synonymous with the band than “Hey Jude.” Released in 1968 as a non-album single, the story goes that the ballad evolved from a song McCartney wrote to comfort Lennon’s young son, Julian Lennon, after his father left his wife, Cynthia Lennon, for Yoko Ono. As the lyrics suggest, it was meant to help foster a positive outlook on a sad situation. A song of hope, its beautiful message is one that is bound to get a reaction. Whether it’s tears of triumph or pain, “Hey Jude” is a song meant to make you feel something. It’s what music is all about, after all.

From a music perspective, the song starts out simply stated—McCarthy and a piano. But as the song builds, so does the instrumentation. The second verse adds an acoustic guitar and tambourine. Then it’s the electric guitar and the restrained drum kit. The piano becomes more pronounced. The subtle harmonies float through. McCartney showcases the full scope of his vocal range. And then the coda hits, the 40-piece orchestra wails, and a musical moment is born. Four minutes of “Na-na-na na.” Only The Beatles could get away with it! Whatever emotion you began with, you can’t help but find the triumph and na-na along, banging your head.

Though the song had connotations of Ono entering John and Julian’s life, it could also be taken as a cry from McCarthy to his bandmate. The lyrics hold so much weight. This was not a nonsensical song. It wasn’t a sappy love song. “Hey Jude” served as McCarthy’s blessing for John’s new relationship, while also acknowledging the loss of a friend and creative partner in the process. “Hey Jude” is an absolute sensation and forever one of the greatest songs ever written. It’s a musical work of art and an important contribution to the world. Reaching number one in several countries, “Hey Jude” proved that music will forever be universal.

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A Hard Day’s Night

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Release Date

July 7, 1964

Runtime

88 minutes

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Director

Richard Lester

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Writers

Alun Owen

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Gillian Anderson is teasing the upcoming “X-Files” reboot, sparking excitement among fans of the iconic sci-fi/thriller series. The reboot will have filmmaker Ryan Coogler writing and directing the pilot episode, bringing a fresh perspective to the beloved franchise that spawned one revival, two movies, and a spin-off series.

Gillian Anderson Says ‘X-Files’ Reboot Will Be Different

At an appearance at Awesome Con in March, “The X-Files” alum was asked about the new reboot of the sci-fi series and whether she had spoken with the director about the project. Anderson confirmed that she had, indeed, “had a few conversations” with Coogler.

“He’s such a cool guy, and so talented. And the pilot script is really good. I would say, have an open mind and give it a chance, because it’s gonna be f-cking cool. It really is,” Anderson shared with the audience.

Anderson went on to say that the reboot will be “different” and “special” but didn’t divulge other details.

‘The X-Files’ Reboot Is In Development At Hulu

Ryan Coogler’s ‘X-FILES’ series has greenlit for a pilot at Hulu

• Coogler will write & direct the pilot

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• Danielle Deadwyler will officially star

• Follows 2 vastly different FBI agents who form an unlikely bond when they are assigned to a long-shuttered division pic.twitter.com/OMXXMfmfP6

— DiscussingFilm (@DiscussingFilm) February 23, 2026

Coogler, most known for directing “Sinners,” “Black Panther,” and “Creed,” has been working on the “X-Files” reboot since 2023. In February, Hulu greenlit a pilot episode for the show, and the first major cast member was announced.

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Anderson and David Duchovny were the stars of “The X-Files,” playing Dana Scully and Fox Mulder, respectively. The two FBI agents, one a skeptic and the other a believer, team up to solve bizarre and unexplained cases as well as investigate government conspiracies that often test their beliefs.

The new series will focus on new characters, and actress Danielle Deadwyler will be taking on the role of one of the agents; her partner has yet to be named. The creator and showrunner of the original “X-Files,” Chris Carter, will serve as an executive producer for the reboot.

Ryan Coogler Wants To Create Something ‘Scary’

Coogler spoke about his vision for the “X-Files” reboot in April 2025 during an appearance on “Last Podcast on the Left.” The filmmaker expressed his excitement over the project, adding that he was “fired up” to work on it.

“Some of those episodes, if we do our jobs right, will be really f-cking scary,” Coogler noted, adding that he wants to pay homage to the original series but also create something new. “We’re gonna try to make something really great and really be something for the real X-Files fans, and maybe find some new ones,” he explained.

In another podcast, “Happy Sad Confused,” Coogler revealed that he took on the project, as he used to watch the show with his mother. “It’s one of the most beautiful American television shows ever made,” he said, adding that in the reboot, he intends to include “monsters of the week and also the overarching conspiracy.”

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Gillian Anderson Has Shown Interest In The Reboot

As Anderson said, she has been in contact with Coogler regarding the reboot and has been optimistic about the revival of “X-Files.” While promoting the movie “The Salt Path” in April 2025, Anderson briefly spoke about the reboot, saying that he thinks Coogler is the “perfect person” for the job and wished him the “best of luck.”

However, she also expressed her interest in appearing in the show, saying, “At some point, if the phone rings and it’s good and it feels like the right time, perhaps.” While addressing the filmmaker, she said, “Call me.”

Coogler shared that he has spoken to Anderson, saying, “She’s incredible, and fingers crossed there.”

In 2024, Duchovny was asked about his thoughts on the new “X-Files,” and he responded, “I don’t really have any thoughts on it. It seems to be a whole separate project. I wish them luck.”

Inside The ‘X-Files’ Franchise

“The X-Files” first aired in 1993 and ran for nine seasons, concluding in 2002. The show was later revived in 2016 for an additional two seasons, with Anderson and Duchovny reprising their roles as Scully and Mulder. The revival concluded in 2018.

In addition, two “X-Files” films were also released, the first in 1998 titled “The X-Files,” which premiered between seasons five and six, and the second, “The X-Files: I Want to Believe,” released in 2008 after the original run ended.

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The “X-Files” universe was further expanded with two spin-offs, “The Lone Gunmen” and ” Millennium,” each exploring new stories within the same world.

The pilot shoot for Coogler’s reboot is scheduled to start in May.

Jessica Alba’s red carpet hair always hits that sweet spot between polished and touchable — and for the Vanity Fair Oscars Party, it was all about soft, bouncy volume with movement. Celebrity hairstylist Brittney Ryan created the look by spraying Innersense Organic Beauty I Create Finish Finishing Spray onto a paddle brush, then brushing through Alba’s hair to sculpt that airy, lifted blowout without locking it into place.

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Related: Amal Clooney’s Glossy Hair Secret Is a $30 Shine Spray

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Related: Get Hilary Duff’s Cool-Girl Waves With This $34 Texture Spray

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Hilary Duff is coming clean. The pop artist, who is currently promoting her comeback album luck… or something, recently sat down with Alex Cooper of “Call Her Daddy,” discussing everything from details from her discography to what it was like growing up in the spotlight. While Duff definitely spilled some tea about the behind-the-scenes of […]

Some of the biggest blockbusters and most beloved classics are war movies. It’s a genre that always seems to fascinate people, for understandable reasons. However, there are also plenty of great war films that are not as famous or successful, but which are certainly still worth checking out.

The titles on this list look at war from unusual angles: through the eyes of children, reluctant soldiers, opportunists, or men trapped inside systems they cannot escape. These films may lack the scale or recognition of bigger titles, but they often offer something far more intimate and unsettling.

‘The Bridge’ (1959)

Image via Deutsche Film Hansa

“You must hold the bridge at all costs!” Set in the final days of World War II, The Bridge follows a group of German schoolboys who are conscripted into the army as the Third Reich collapses. Filled with naive patriotism and a desire to prove themselves, they are assigned to defend a small, strategically meaningless bridge. However, reality soon shatters all their illusions. Gunfire rains down, and casualties mount. Director Bernhard Wicki, a major figure of German postwar cinema, builds this premise into a harrowing anti-war statement, critiquing military propaganda in particular.

It’s also simply a tragic coming-of-age story, a portrait of innocence destroyed. At the beginning, the boys treat war as an adventure, but in the end, it’s little more than a nightmare. There are no grand victories for them; only confusion, fear, and irreversible loss. The combat is chaotic, frightening, and stripped of glory. The aesthetic is restrained and realistic, making the message hit all the harder.

‘Overlord’ (1975)

Image via Criterion

“I’ll probably be dead before tomorrow.” Overlord is another bleak but powerful World War II movie, full of food for thought. It centers on Tom Beddows (Brian Stirner), a young British soldier preparing for the D-Day invasion during World War II. Through a mixture of dramatized scenes and archival footage, the film traces his journey from basic training to the eve of the Normandy landings. A sense of inevitability hangs over him the whole way through. From early on, it feels as though Tom’s fate is already sealed.

The film’s style reinforces this unsettling mood. The fusion of news clips and a fictional plot is effective, reminding us that these events were very real. While Tom himself is a creation by the writers, he’s an everyman character, serving as a stand-in for countless young troops who were thrust into this war. Through him, Overlord examines World War II from a more meditative, philosophical perspective than one normally sees, less concerned with action than emotion.

‘Play Dirty’ (1969)

Image via United Artists

“In war, truth is the first casualty.” Michael Caine leads this one as Captain Douglas, a cynical British officer assigned to lead a group of misfit commandos on a dangerous mission behind enemy lines in North Africa during World War II. Their objective is to destroy German fuel depots, but internal rivalries and shifting loyalties threaten the operation from within. In particular, Douglas clashes with the rough, pragmatic Captain Cyril Leech (Nigel Davenport), a man with very different views on discipline and honor.

This setup becomes a tense men-on-a-mission movie in the vein of The Dirty Dozen, but with some class politics and social tensions thrown in. Indeed, Play Dirty is very much a genre movie, but one that frequently subverts audience expectations. It gets unusually bleak as it rolls along, and the characters are a little more complex than one might expect. Caine, as always, elevates his part, convincingly playing someone whose idealism is eroding in contact with reality.

‘My Way Home’ (1965)

Image via MAFILM Stúdió 4

“I don’t understand what you’re saying.” My Way Home is a lyrical Hungarian drama about a young boy (András Kozák) who escapes from a prisoner-of-war camp and attempts to make his way home across a war-torn countryside. Along the way, he forms a fragile, wordless connection with a Russian soldier (Sergei Nikonenko), despite the fact that they cannot understand each other’s language. Their bond becomes a quiet act of defiance against division.

Indeed, the film’s focus is on the possibility of human connection, even across the widest cultural and ideological chasms. It’s an anti-war movie that offers a few glimmers of hope. By removing traditional elements like battles and action, director Miklós Jancsó highlights the loneliness, fear, and randomness that often define the wartime experience. However, even in this grim environment, friendship is possible. The storytelling is fittingly minimalist: dialogue is obviously sparse, and much of the narrative unfolds through movement, silence, and observation.

‘Lacombe, Lucien’ (1974)

Image via 20th Century Studios

“I didn’t choose anything. It just happened.” This war drama was directed by Louis Malle, the filmmaker behind Au revoir les enfants and My Dinner with Andre. The title character (Pierre Blaise) is a bored and directionless French teenager living in rural France during the Nazi occupation. After being rejected by the local Resistance, he impulsively falls in with a group of collaborators working with the German authorities. From there, he becomes increasingly involved in their activities, not out of ideology, but out of convenience, curiosity, and a desire for belonging.

Blaise does a fine job in his role, fleshing the character out and making him feel strikingly real. He and Malle lean into Lucien’s messiness and complexity, as well as his ordinariness. He is passive and often morally indifferent, making some of his actions later in the film all the more disturbing. Through him, the movie raises uncomfortable questions around apathy and how easy it is to participate in oppressive systems.

‘Fires on the Plain’ (1959)

Image via Daiei Film

“I have nothing left to eat.” This Japanese film follows Private Tamura (Eiji Funakoshi), a soldier wandering through the Philippines during the final stages of World War II. Sick, starving, and abandoned by his unit, Tamura is left to fend for himself in a landscape where survival becomes increasingly desperate. He searches for food while encountering other soldiers who have been reduced to the same wretched state. What follows is a deeply grim study of war’s ugliest elements.

The realism is unflinching — Fires on the Plain shows us corpses, abandoned villages, and starving men, all of it disturbingly convincing. However, there are also occasional poetic moments amid the bleakness, and certain objects (like salt and a grenade) take on symbolic weight. This anti-war movie is psychologically intense, too. As Tamura’s condition worsens, the line between sanity and madness begins to blur. His journey becomes not just physical but existential, raising questions about what it means to remain human in extreme conditions.

‘The Train’ (1964)

Image via United Artists

“Art belongs to France.” The Train is an action-thriller directed by John Frankenheimer, best known for The Manchurian Candidate and Ronin. During the final days of World War II in Nazi-occupied France, a German officer (Paul Scofield) is obsessed with transporting stolen French art treasures back to Germany before the Allies arrive. Opposing him is our protagonist, a reluctant French Resistance railway inspector (Burt Lancaster), who is drawn into a dangerous mission to stop the train.

Both lead actors are strong here, and their dynamic is compelling. The German officer, in particular, is more interesting than your average baddie, driven by a genuine desire to preserve art, though one that takes twisted and pathological forms. On the directing side, Frankenheimer keeps the pace brisk and the tension high, serving up several killer set pieces using real locomotives and practical effects. The train crashes, explosions, and sabotage operations feel tangible, which is a key reason the movie works.

‘The Hill’ (1965)

Image via Metro-Goldwyn-Mayer

“This place breaks men.” The great Sidney Lumet made this one, though it’s not as well-remembered as his classics like 12 Angry Men or Dog Day Afternoon. The Hill unfolds inside a brutal British military prison camp in North Africa during World War II. There, soldiers who have committed disciplinary offenses endure harsh punishments at the hands of sadistic officers. Cruelest of all, they are forced to repeatedly climb a man-made hill under the scorching sun, a Sisyphean task meant to break their spirits.

At the center of all this is Joe Roberts (Sean Connery), a defiant prisoner who resists the authority of the guards. The focus here is very much on psychology. The central conflict is not between opposing armies, but between individuals and an oppressive authority structure. Lumet does a great job of conveying the emotional strain the characters are under, leaning into close-ups, stark lighting, and claustrophobic framing. The atmosphere is harsh but immersive.

‘Cross of Iron’ (1977)

Image via Constantin Films

“We’re here to kill Russians.” This lean, mean movie from Sam Peckinpah, the master of brutal cinema, bucks convention by having German soldiers as its main characters. Set on the Eastern Front, Cross of Iron follows a unit of German soldiers fighting against overwhelming Soviet forces. They include Sergeant Rolf Steiner (James Coburn), a hardened and pragmatic soldier who cares deeply about the men under his command. He clashes with Captain Stransky (Maximilian Schell), an ambitious officer obsessed with winning the Iron Cross for personal glory.

The film is intense and hardcore, with disorienting action sequences defined by mud, confusion, and deafening explosions. These scenes are frequently absurd, as well, with Peckinpah often juxtaposing moments of brutality with images that highlight its futility. Finally, on the thematic side, Cross of Iron is surprisingly ambiguous and intelligent. It avoids simple notions of good versus evil and instead highlights the shared suffering of individuals caught in a destructive system.

‘The Steel Helmet’ (1951)

Image via Lippert Pictures

“War isn’t what you think it is.” Sergeant Zack (Gene Evans) is an American soldier during the Korean War who survives an ambush and joins a small group of soldiers attempting to reach safety. Along the way, they must contend with enemy forces, unreadable civilians, internal tensions, and tough moral dilemmas. The movie was made on a low budget and tight schedule, which actually works to its benefit, giving everything a raw and urgent feel. At times, it almost seems like a documentary.

Plus, The Steel Helmet deserves credit for being thematically bold at a time when the Korean War was still underway. For instance, the film doesn’t hold back when it comes to critiquing ideological contradictions or racial tensions within the military. This approach was a break with most war movies of the 1950s, which tended to be patriotic and fundamentally upbeat. All in all, The Steel Helmet is a tense, smart movie that has aged well.

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The Steel Helmet

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Release Date

February 2, 1951

Runtime

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85 Minutes

Director

Samuel Fuller

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Stephen Colbert is showing that the end of one chapter can spark an even bigger beginning of another! 

When CBS announced they were pulling the plug on “The Late Show with Stephen Colbert,” with the final episode set for May this year, it signaled the close of Colbert’s late-night era. 

However, as that curtain falls, Colbert is opening a new one, being a screenwriter alongside his son, on a major fantasy film. 

Stephen Colbert Lands Surprising Movie Gig as He Retires From Late-Night 

The 62-year-old host is leaping into blockbuster filmmaking, co-writing a new installment in “The Lord of the Rings” franchise with his son, Peter McGee, and longtime collaborator Philippa Boyens.

Warner Bros. shared the announcement on social media, posting a video of Colbert discussing the project with director Peter Jackson.

Colbert said that he had been a big fan of J.R.R Tolkien’s books but found parts from “The Fellowship of the Ring” that never made it into the original trilogy.

“I thought, Oh wait, maybe that could be its own story that could fit into the larger story,” Colbert said, per the Daily Mail. “Could we make something that was completely faithful to the books while also being completely faithful to the movies that you guys had already made?”

He added that he spoke with his son and they developed a story and summoned the courage to pitch it to the director, who ultimately embraced the idea. The film is called “Shadow of the Past,” and it follows Sam, Merry, Pippin, and Sam’s daughter Elanor as they uncover hidden secrets about the War of the Ring.

The Comedian Had Previously Teased a Career Shift

News of Colbert’s new film venture arrives months after he jokingly hinted at exploring a different path while preparing to exit late-night television.

As The Blast reported, last July, Colbert appeared on the “La Culturistas” podcast hosted by Bowen Yang and Matt Rogers, where he playfully challenged them to convince him to try podcasting.

Yang and Rogers teased that if he ever made the change, he would likely surpass their show and dominate Time Magazine’s list of top podcasts. They even pitched ideas, with Yang suggesting a relatable concept centered on dates, co-hosted with Colbert’s wife, Evie McGee.

Colbert first revealed his show’s cancellation during a July 17 broadcast, with CBS later clarifying that the decision was driven purely by financial considerations and not based on ratings.

Donald Trump Mocked Stephen Colbert’s Show Cancellation 

After CBS’s confirmation, Trump was first in line to react, taking to his Truth Social platform to mock Colbert. 

“I absolutely love that Colbert got fired. His talent was even less than his ratings. I hear Jimmy Kimmel is next,” the U.S president wrote, according to The Blast. 

Trump’s remark comes after years of on-air criticism from Colbert. One of such times was when the former “Comedy Central” anchor speculated about the billionaire mogul’s appearance after noticing his hands appeared to be covered with concealer during a public outing.

Stephen Colbert’s Comeback at Trump Earned Him Backlash From MAGA Supporters 

Colbert didn’t hold back in his response to Trump. During a subsequent episode, he quoted Trump’s comment before firing back.

“How dare you, sir? Would an untalented man be able to compose the following satirical witticism? Go f-ck yourself!” the Grammy Winner said. 

However, Colbert’s reply did not land well with social media users, as they slammed him for reportedly incurring losses for the network company. 

Per The Blast, one critic commented, “What a sore loser. He had a staff of over 200 people, a budget of over $100 million, and was paid over $16 million a year. All the while the show was losing $40 million a year!”

Colbert Turns His Exit Into Comedy Material

Despite the show’s impending end, Colbert has continued to find humor in the situation. The Blast reported that at the 2025 Emmy Awards, where he took home a win, he delivered a heartfelt acceptance speech while poking fun at his television career.

He thanked CBS for allowing him to be part of the late-night tradition and expressed hope that it would continue beyond his tenure. Later, while presenting the award for Best Actor in a Comedy Series, the TV personality became the butt of his own jokes. 

Colbert asked if anyone was hiring and then pulled out an old headshot from his early career, quipping that it still “works,” before asking Harrison Ford to deliver it to Steven Spielberg.

The future of “The Bachelorette” is suddenly wide open, and fans already have their pick. Following the cancellation of Season 22 amid controversy surrounding Taylor Frankie Paul, viewers are rallying behind a new name to take the lead: Olympic rugby star Ilona Maher. And now, she’s finally weighing in on the growing buzz.

Bachelor Nation Alum Jill Chin Says Ilona Maher Is The ‘Right Choice’

The push for Maher didn’t come out of nowhere. Bachelor Nation alum Jill Chin took to TikTok as news of the cancellation spread, making it clear she already had someone in mind for the role, and she didn’t hold back.

“You know who is the RIGHT choice for ‘The Bachelorette?’” she asked. “You wanna know who I wanted as ‘The Bachelorette,’ who never would never would have done any of this?” She then pointed to a photo of Maher behind her and added, “This queen right here.” “An Ilona Maher season would have SLAYED,” Chin declared.

Fans quickly echoed the sentiment, with many saying Maher has been their dream pick for years.

Maher Reacts To Fan Frenzy With Humor

Maher is well aware of the growing support, and she’s taking it all in stride. Speaking with Entertainment Tonight at the “Hannah Montana 20th Anniversary” special premiere in Los Angeles, the two-time Olympian addressed the rumors with a lighthearted response.

“It’s very sweet. The only way I would do it, I was talking to Joey Graziadei, the only way I would do it, he would have to executive produce, Alan [Bersten] would have to executive produce,” she said. “My whole friends would, they’d have to check everybody off.”

Maher’s comment about Alan refers to her connection with “Dancing With the Stars” pro Alan Bersten. For those unfamiliar, Bersten has strong ties to Bachelor Nation. He previously won Season 28 alongside Hannah Brown and even went on a date with former “Bachelorette” Gabby Windey in 2023.

Taylor Frankie Paul Drama Led To Season Cancellation

The conversation around a new lead comes after a dramatic turn for the franchise. Taylor Frankie Paul was originally set to star in Season 22, but plans were scrapped after a domestic violence scandal made headlines.

A video obtained by TMZ showed her throwing chairs at her ex, Dakota Mortensen, with one nearly hitting a child. According to a police report, the child, who was five at the time, was injured during the incident and had “a goose egg on her head.”

The video surfaced after a source claimed that production on Season 5 of “The Secret Lives of Mormon Wives” was paused following Paul’s alleged second domestic violence incident involving Mortensen in February 2026.

Taylor Frankie Paul Sentenced To Probation In Assault Case

The video became a key piece of evidence in a felony aggravated assault case, which ultimately ended in a plea deal. Paul was sentenced to three years’ probation, which is set to expire in August. As part of the agreement, four additional charges, including domestic violence in the presence of a child, child abuse, and criminal mischief, were dropped.

In the aftermath, Dakota Mortensen was granted a temporary restraining order, alleging that Paul posed an “immediate threat” to his safety. The order bars Paul from contacting Mortensen and their two-year-old son, Ever, until a scheduled court hearing on April 7.

ABC Cancels ‘The Bachelorette’ Season Amid Scandal Fallout

In response to the controversy surrounding the newly released video, ABC ultimately pulled the plug on the season entirely, leaving the future of the show, and its next leading lady, up in the air.

“In light of the newly released video just surfaced today, we have made the decision to not move forward with the new season of ‘The Bachelorette’ at this time,” the statement from ABC read. “Our focus is on supporting the family.”

Behind the scenes, however, the situation had already been escalating. According to an insider, tensions reportedly escalated during an individual date when contestant Casey Hux brought up Paul’s 2023 domestic violence arrest in an attempt to understand her past, but the conversation quickly took a turn as Paul had “a full-fledged meltdown” and “stormed off set.”

Meanwhile, as fans loudly back Ilona Maher and Maher playfully entertains the idea, the question now is whether the franchise will actually make the move to make the Olympian the next lead.

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