Software

Foundation sparks revolt after disbanding team responsible for many community-requested fixes and moderation tools

The Wikimedia Foundation (WMF) has sparked a revolt among Wikipedia editors after disbanding the engineering team responsible for many community-requested fixes and moderation tools.

The Register was tipped off this week to growing unrest inside the Wikipedia editing community following the WMF’s decision to disband its Community Tech team, the group responsible for triaging and developing editor-requested bug fixes, moderation tools, and workflow improvements through the long-running Community Wishlist process.

Wikimedia’s internal forums have turned into a running argument over how editors should respond. Some are calling for editing strikes, while others want volunteers to stop handling vandalism cleanup for a period of time. There have also been discussions about replacing fundraising banners with messages criticizing the layoffs.

The foundation confirmed to The Register that the restructuring affected six staff roles connected to the Community Wishlist program, including engineers and a manager. 

It said the decision came after months of internal reviews that started last year. According to the foundation, leadership concluded that relying on a single dedicated team to process editor requests was no longer working well.

“We learned from these assessments that it is rarely possible to fulfill community wishes through a single team due to the vast breadth of the software we support and the number of channels through which we receive wishes,” a spokesperson for the foundation said.

Under the new structure, responsibility for Community Wishlist requests will be spread across the wider Product and Technology department rather than handled by a dedicated team.

The foundation said affected employees remain employed for now while being considered for other internal roles. Staff who are not placed elsewhere inside the organization will leave next month with severance packages.

That explanation has gone down badly with parts of the editor community, where some contributors accuse Wikimedia leadership of becoming increasingly disconnected from the unpaid volunteers who maintain Wikipedia itself. Several editors have also questioned why an organization reporting nearly $300 million in assets in its latest annual report is restructuring an engineering team dedicated specifically to editor support.

The situation has become even messier because several affected employees were reportedly involved in early unionization efforts linked to a newly created labor group called Wiki Workers United. One of the laid-off engineers created the union page on Wikimedia Meta earlier this month, fueling accusations from some editors that the restructuring amounted to union busting.

The foundation denied that outright, telling The Register: “The decision to disband the Community Tech team is not in any way connected to discussions about unionizing, nor have we terminated any staff for their participation in those discussions.”

The WMF also stressed that no formal request for union recognition has been submitted and said it would respect the legal process if staff eventually vote to unionize.

Meanwhile, editors continue to discuss protest options that could create highly visible problems for the world’s largest online encyclopedia. Since much of Wikipedia’s moderation infrastructure is maintained by volunteers rather than foundation employees, even a temporary pullback in anti-vandalism work could turn parts of the site into an open sewer of spam, hoaxes, and defacement. ®

• There’s evidence for a new free tier for Apple Music
• It will no doubt come with certain limitations
• Users are worried that there will be adverts involved

The streaming, unlimited listening component of Apple Music differs from Spotify in that you can’t use it for free — you have to pay a monthly subscription. According to code spotted in the latest Apple Music app for Android, that might be about to change.

Discovered by tipster Aaron Perris (via 9to5Mac), the code snippets mention limits on track skipping, and a “Premium access required” message, which are both consistent with some kind of subscription-free tier for the Apple Music streaming catalog.

But Tello’s latency was significantly higher in general—not enough to affect a game of Royal Match, but maybe you have higher demands. The download speeds were also lower for Tello in any given location, but not by a whole lot.

At home, my cellular 5G data speeds tend to run at about 800 to 900 megabits a second on T-Mobile. With the Tello phone, it was around 30 percent slower. But both these speeds are well into 5G territory. They’re also a full order of magnitude faster than you’d ever need for 4K video. I had no problem streaming my usual dose of Josh Johnson comedy, if that’s what you’re wondering.

Curiously, upload speed was actually faster with the Motorola Razr using Tello than with the old iPhone using T-Mobile. After consulting with my colleague Julian Chokkattu, who has covered phone advances for years, I’m likely to chalk this up to improved modem performance by the newer Motorola, not a secret backdoor to faster uploads by Tello.

It’s only in areas with degraded or 4G reception that I started to see real lapses in Tello’s performance. In the outskirts of Portland near its forested northwestern ridge, Tello got fewer bars than T-Mobile—and the data arrived at speeds slow enough to bother me. A couple of speed tests timed out. Uploads also began to crawl in low reception areas as compared to my T-Mobile phones, sometimes dipping down into only a quarter of the speed of T-Mobile’s network.

Which is to say: Most of the time, Tello worked just as well as T-Mobile. Except for the stray moments when it didn’t. The moments when Tello’s performance is noticeably worse are usually the moments at which you’re demanding the most from your phone: clinging to a stray bar of reception, or streaming a video while riding a train.

When Would I Want Tello Instead of T-Mobile?

Whether the trade-off is worth it will depend on what type of phone user you are. Family discounts are better with the big providers. Frequent international travelers should also probably stick with the big boys. International roaming will cost you with Tello, as will texts to and from most countries outside Latin America and Europe. Travel is also when you’re most likely to use up lots of data outside Wi-Fi networks.

The other big financial differentiator is how often you upgrade your phone. With Tello, you’re on your own when it comes to procuring a device, while T-Mobile and other postpaid plans keep you hooked to their high-priced plans by offering you the latest and greatest gee-whiz phones at steep discounts.

The stabilizers are PCB-mounted, which is preferable to the typical plate-mounted units that many keyboards use, and are lubricated from the factory. The lube on these stabilizers, while a bit excessive (there were small clumps of lube visible on the outside housings, which is not typical), feels great. The stabilized keys are smooth and consistent, with no audible rattling or sticking when typing.

But as it turns out, the greatest downside of this keyboard is, also, the material choice. As much as unsealed, raw concrete is quirky and fun, it is ultimately a utilitarian material: It’s heavy, has an inconsistent texture, and stains easily. During my time with this keyboard, it gathered quite a few smudges and stains, nearly all of which had unknown-to-me origins. Maybe they came from cleaning sprays, or from something on my hands, but I honestly have no clue. Depending on your perspective, this can be a flaw or a bonus. What some consider dirty, others will see as “patina.” But as someone who likes keeping their electronics squeaky-clean for as long as possible, it’s definitely a bit of a bummer to me.

(Being concrete, I would assume there are dozens of ways to get nearly any stain out of this keyboard, such as a power washer or a can of brake cleaner. However, I didn’t have the gumption to try it out for myself, and as such, I can’t guarantee that it’s possible.)

Gaming on Granite

Despite my multiple complaints about Keychron’s all-ceramic keyboard, I was still fond of the Tunneling Magnetoresistance (TMR) switches inside. They were innovative, functional, and novel, with notable advantages over standard Hall Effect (HE) switches. Because of that, I was surprised to see this keyboard going back to standard HE switches. They’re still great switches, of course, but going back to an inferior option for a similarly unique keyboard doesn’t quite make sense to me.

Regardless, these switches are still impressive by any other standard of comparison. They feel smooth, have a reasonable weight, snap back quickly when pressed. This keyboard both feels good to type on, and is responsive enough for gaming, especially with the 1,000 Hz polling rate.

Photograph: Henri Robbins

When my daughter was diagnosed with juvenile myoclonic epilepsy (JME), it meant a lot of changes for us to help manage her condition. While epilepsy is different for each person, and it can change over time and with medication, we knew that we’d have to help manage it.

My daughter’s epilepsy started suddenly one morning when, out of nowhere, she had a seizure while we were on holiday in August 2025. We hoped it would be a one-off, but every six or seven days, she’d have another seizure, always in the morning after waking.

After a full diagnosis of JME, the medication has worked, although we did have a period of breakthrough seizures at the start of January 2026, which meant that we had to reapproach her routine. Here’s what we did.

A wireless doorbell

When she had first had seizures, my daughter would know she was about to have one. Not everyone gets a sense, but she did. It was important that she didn’t have to move, and that we could come to her. The easiest way to alert us was with a wireless doorbell, which we picked up from Argos.

This came with the wireless press, a plug-in chime that we put downstairs, and a wireless chime that we put in our bedroom. Any morning that she woke up and felt funny she could press the button, and we’d come to her, reducing the dangers of her falling over and hitting her head.

The benefit of this system is that it’s cheap, and all of the bits are portable. So, my daughter can move the wireless press around with her, and the entire system can go with her. When she stayed at her grandparents’, for example, she took the system with her, and we’ve taken it to a hotel, too.

Since going on medication, she no longer gets any indication that a seizure is about to come, so we’ve had to change how we manage things, but we leave the doorbell with her as a precaution.

Gentle wake-up

A trigger for my daughter is being woken up with a start. When she can wake naturally and easily with as little stimulation as possible, she doesn’t have seizures. We get her to stay in bed for 30 minutes after waking, as that’s the danger period for having a seizure based on previous patterns.

To wake her up, we use a Philips Hue smart light in her bedroom and the wake-up automation. This slowly brightens the light, gently waking her naturally without the harsh buzzing of an alarm. 

This really seems to work for us and for her, and it’s easy to adjust if she needs to wake up at a different time. At the weekend, she can sleep in longer, for example, before she has to wake to take her medication.

Eero to control screen time

We have an Eero Wi-Fi system at home, and it has some of the best parental controls. It’s particularly useful, as we don’t let our daughter use screens 30 minutes before she has to go to sleep. With Eero, I have a profile set for her, and her internet time automatically shuts down 30 minutes before bedtime. That stops her from streaming anything to the TV and avoids us forgetting to tell her to turn the TV off.

For her phone, we have Apple Screen Time, which puts her phone into downtime when it’s time to shut down for the evening.

Homey for monitoring

Outside of a school day, we let her wake up a bit later, but it’s useful to know what time she did wake up, so we can judge when we’re past that initial period when she’s more likely to have a seizure. 

Thanks to the smart light, which she turns on when she wakes up, I can use Homey to record when the light turns on and, therefore, roughly when my daughter wakes up. It’s a handy extra check.

Things change, but we’re ready

Having spoken to other people, epilepsy is individual, and patterns of seizures and triggers change person-to-person, and through life, and through medication. Routine seems to be important, and the tech we’ve got helps to gently manage that, while giving flexibility to adapt.

Ever since wealthy European landowners started displaying vast, unused swaths of turfgrass as status symbols, regular folk have been chasing that perfectly mown and tended lawn for similar reasons. In the modern era, most mowers used to maintain these spaces use a spinning blade attached to a motor of some sort, but this can be dangerous especially on rocky fields like [Greenhill Forge] needs to mow. For these fields it’s best to use a different type of mower, and he’s built one from scratch.

This type of mower is called a flail mower, which has hinged, sharpened hammers attached to a central rotating drum. Since the flails have less rotational speed at the ends, they are less dangerous if they strike solid objects like rocks. To build one, he first builds the central drum and flails, then the enclosure to mount it to his tractor, and then a drivetrain to attach it to the tractor’s PTO. Since everything is getting built in [Greenhill Forge]’s metalworking shop, many of the parts needed to be fabricated from scratch, which involved several jigs for the plasma cutter as well as forging some steel to make some of the thicker parts.

Although not many of us have fully-stocked metalworking shops like this, it shows that almost anything can be built with the right tools. A forge is actually fairly accessible for those looking to start smithing; we’ve seen them built from little more than an off-the-shelf unmodified microwave or from a propane torch and some cookware.

Fast charging has a heat problem.

You’ve felt it before: your phone gets hot while navigating in the car, your MagSafe battery pack turns into a hand warmer during a Zoom call, or charging suddenly slows because thermal throttling kicks in. As smartphones become more powerful, portable chargers are struggling to keep up.

That is the pitch behind the new MiniMag Pro from TORRAS, a magnetic power bank built around an idea most accessory makers rarely talk about: cooler charging.

And surprisingly, the company’s solution borrows from the same battery conversation happening inside the EV industry.

Portable chargers have hit a wall

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For years, power banks competed on one thing: capacity. Bigger numbers won. More mAh, faster charging, thinner designs.

But modern smartphones have changed the equation.

Phones now run AI-powered photo tools, console-level mobile games, 4K video workflows, always-on navigation, and constant background syncing. That creates more power demand and more heat, especially during fast charging.

The issue is not just comfort. Heat is one of the biggest long-term stressors on lithium batteries. The hotter a charging system gets, the harder it becomes to maintain efficiency, battery health, and consistent charging speeds.

Most accessory brands still treat that as a tradeoff.

TORRAS does not.

Photo credit: TORRAS

The MiniMag Pro’s big idea: stay cool

According to TORRAS, the MiniMag Pro maintains a surface temperature around 98°F (37°C) during sustained charging sessions, even under heavier loads.

That matters because magnetic wireless charging is convenient, but it is also notoriously prone to heat buildup. Anyone who has used a magnetic battery pack while traveling or multitasking has probably noticed it.

The MiniMag Pro approaches the issue differently by using a semi-solid-state battery architecture instead of a traditional lithium-ion setup.

That sounds like marketing jargon until you realize semi-solid-state batteries are becoming one of the most talked-about technologies in next-generation electronics and EV development.

Wait, semi-solid-state? In s power bank?

Traditional lithium-ion batteries rely on liquid electrolytes. Semi-solid-state batteries replace part of that structure with a more stable gel-like material designed to improve thermal stability and reduce internal risks.

In plain English: less heat, better stability, and a lower chance of things going sideways under stress.

The technology also allows for denser battery packaging, which helps explain why the MiniMag Pro feels unusually thin for a magnetic charger.

The 5000mAh version comes in at just 8.5mm thick. The larger 10000mAh model is still only 14mm thick while supporting faster charging speeds and PPS support.

This is where the product starts to feel less like another Amazon accessory and more like an early example of where mobile power is headed.

Because the real innovation here is not necessarily faster charging. It is smarter charging.

Photo Credit: TORRAS

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The era of “Invisible” tech accessories

The best tech accessories are increasingly the ones you stop noticing altogether.

Nobody wants to carry extra cables, bulky battery bricks, or overheating chargers anymore. Consumers want accessories that integrate into their lives with as little friction as possible.

That shift helped make magnetic charging mainstream. Snap a battery onto the back of your phone and keep moving.

The MiniMag Pro leans hard into that behavior. Its magnetic alignment system is designed for secure attachment during movement, allowing users to keep texting, navigating, filming, or streaming while charging one-handed.

Combined with the slim profile, it feels built for modern everyday carry culture rather than emergency-only battery backup.

That distinction matters.

Portable charging is evolving from “just in case” tech into an always-on companion product.

Safety is quietly becoming the new premium feature

There is another reason companies are suddenly investing more heavily in battery architecture: consumers are paying attention.

As devices become thinner and charging speeds get more aggressive, battery safety is no longer an invisible engineering problem. It is becoming part of the buying decision.

TORRAS says the MiniMag Pro underwent puncture testing and extreme pressure testing to validate thermal stability and structural integrity under stress.

Most consumers will never watch those test videos. But they will notice when a charger stays cooler in a backpack, charges more consistently during travel, or does not feel like it is cooking their phone battery over time.

That is increasingly where the premium accessory market is moving.

Not necessarily toward maximum power, but toward smarter thermal management, better materials, and products that feel more reliable over the long run.

Portable charging is entering its next phase

For years, portable power felt stagnant. Every new release promised the same thing: more battery, faster charging, smaller footprint.

Now the conversation is shifting.

Consumers are starting to care less about spec-sheet races and more about real-world experience. Does it overheat? Is it annoying to carry? Does it feel safe? Can it keep up with how people actually use smartphones today?

The MiniMag Pro feels designed around those questions.

And if semi-solid-state battery tech continues moving into mainstream accessories, this may be the beginning of a much bigger shift than just one magnetic power bank.

The 20-year-old filmmaker Kane Parsons has risen to the top so fast that he’s had zero time to process how far he’s come.

“It’s been go, go, go,” Parsons tells WIRED. “Even the tiniest bit of a break,” he says, would give him some better perspective on everything that’s happened over the past few years. But for the moment, he’s soaking up the limelight—and thinks it’ll be at least another month before he has the space to reflect on his big break.

Backrooms, a moody horror piece that stars Chiwetel Ejiofor and Renate Reinsve, is a cerebral expansion of Parsons’ atmospheric YouTube web series of the same name. It marks his feature debut as A24’s youngest director to date, at the helm of a movie long anticipated by a huge and hungry internet fan base. You could hardly ask for a better kick start to summer blockbuster season.

Yet Parsons makes his meteoric success sound like something of an accident. “I never went into making that first short or making the series with the intention of, ‘I want to do this so I can prove to Hollywood that this is an engine that is viable for a film,’” he says.

That original nine-minute video, titled “The Backrooms (Found Footage)” and uploaded by Parsons in 2022, was inspired by—of all things—a sinister 4chan meme that spawned a collaborative mythology. The 2019 post on the notorious image board’s /x/ forum included a disquieting photo of an empty hallway bathed in sickly light. An anonymous user described being transported into “the Backrooms, where it’s nothing but the stink of old, moist carpet, the madness of mono-yellow, the endless background noise of fluorescent lights at maximum hum-buzz, and approximately six hundred million square miles of randomly segmented empty rooms to be trapped in.”

“God save you if you hear something wandering around nearby, because it sure as hell has heard you,” the 4chan user added.

Other people took up the concept, creating spinoff imagery and stories on various social platforms. Parsons encountered these, as well as then-popular memes about surreal liminal spaces—the Backrooms being a paranormal extension of this phenomenon. He was intrigued by what this material evoked but felt it hadn’t been fully explored.

“It was clearly scratching something that I didn’t really see much other media scratching,” he says. “I think there was an element of like, I wish there was more for me to engage with here.”

To that end, Parsons decided to see whether he could conjure an immersive vision of the Backrooms with Blender 3D graphics software and Adobe After Effects. That initial video, in which a person is chased through the Backrooms by a malevolent life-form, went massively viral, with viewers marveling at Parsons’ technical skill and the chilling suspense he’d created. Fans excitedly speculated on the larger mythology of the uncanny setting. Within a month, studios were approaching Parsons with hopes for a full-length movie.

Although still a teenager at the time, Parsons knew enough to be wary of the offers. “I was very distrustful of pretty much everything that was happening, just because I feel like it’s a very common experience for that sort of event to turn into nothing,” he says. “Or you end up with less than nothing.”

Ultimately, however, he got what a young filmmaker dreams of: the chance to pursue his vision, in this case with top talent at his side. The feature film has a script by Homeland and Westworld writer Will Soodik, and its producers include horror maestros Osgood Perkins and James Wan.