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Apple could be about to launch a Spotify-like free tier, but users are worried there might be a major downside

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  • There’s evidence for a new free tier for Apple Music
  • It will no doubt come with certain limitations
  • Users are worried that there will be adverts involved

The streaming, unlimited listening component of Apple Music differs from Spotify in that you can’t use it for free — you have to pay a monthly subscription. According to code spotted in the latest Apple Music app for Android, that might be about to change.

Discovered by tipster Aaron Perris (via 9to5Mac), the code snippets mention limits on track skipping, and a “Premium access required” message, which are both consistent with some kind of subscription-free tier for the Apple Music streaming catalog.

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Today’s NYT Mini Crossword Answers for June 13

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Looking for the most recent Mini Crossword answer? Click here for today’s Mini Crossword hints, as well as our daily answers and hints for The New York Times Wordle, Strands, Connections and Connections: Sports Edition puzzles.


The Mini Crossword is a long one today, as always on Saturday. World Cup watchers, 4-Down is for you. Read on for all the answers. And if you could use some hints and guidance for daily solving, check out our Mini Crossword tips.

If you’re looking for today’s Wordle, Connections, Connections: Sports Edition and Strands answers, you can visit CNET’s NYT puzzle hints page.

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Read more: Tips and Tricks for Solving The New York Times Mini Crossword

Let’s get to those Mini Crossword clues and answers.

completed-nyt-mini-crossword-puzzle-for-june-13-2026.png

The completed NYT Mini Crossword puzzle for June 13, 2026.

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NYT/Screenshot by CNET

Mini across clues and answers

1A clue: Sentry’s “Stop!”
Answer: HALT

5A clue: ___ vera (succulent)
Answer: ALOE

6A clue: “That feeling should fade”
Answer: ITLLPASS

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10A clue: $1,000,000, informally
Answer: MIL

11A clue: One of the Three Stooges
Answer: MOE

12A clue: Caller of balls and strikes
Answer: UMP

13A clue: ___-1 (class of drugs that includes Ozempic and Wegovy)
Answer: GLP

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14A clue: Crunchy tendril used in Asian cuisine
Answer: PEASHOOT

17A clue: ___ Stadium, former home of the Mets
Answer: SHEA

18A clue: Silverstein who wrote “The Giving Tree”
Answer: SHEL

Mini down clues and answers

1D clue: Student’s slip
Answer: HALLPASS

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2D clue: The “A” of GOAT
Answer: ALL

3D clue: Chop (off)
Answer: LOP

4D clue: Collective objective … or what the ends of 1-Down, 6-Across and 14-Across lead to
Answer: TEAMGOAL

6D clue: “Okay, it’s my turn”
Answer: IMUP

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7D clue: The “T” of GOAT
Answer: TIME

8D clue: All by oneself
Answer: SOLO

9D clue: Month #9: Abbr.
Answer: SEPT

15D clue: Librarian’s warning
Answer: SHH

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16D clue: Tee-___ (giggle)
Answer: HEE

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Deep Robotics Puts Its Lynx S10 Prototype to the Ultimate Test by Equipping the Robot with Bear Paws on Arctic Ice

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Deep Robotics Lynx S10 Prototype Paws Arctic
Deep Robotics sent a modified version of its compact Lynx S10 robot on a research vessel bound for the Arctic Ocean. The goal was straightforward. Engineers wanted to see how the small machine would handle real polar conditions that humans approach with extreme caution. The prototype completed its mission and became the first quadruped robot to step onto Arctic Ocean ice floes.



Given its size and capabilities, the standard Lynx S10 stands out. Even with the battery fitted, it weighs less than 20 kg, allowing one person to transport it to the field and get it up and running quickly. The robot’s sixteen precision joints enable it to fold and twist into tight locations that larger robots cannot access, such as rubble and narrow tunnels. On flat terrain, it moves at 8 meters per second. Furthermore, it can clear obstacles up to 50 cm tall, transition between rolling on wheels and walking on legs as the terrain becomes more difficult, and even rise into a bipedal position when extra height is required.

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Four ultra-wide-angle cameras with high dynamic range lenses, as well as front and rear LiDAR units, feed into a next-generation omnidirectional perception system for clear vision. The robot can generate maps, select paths, and avoid obstacles on its own. That’s because the machine is built to withstand a beating; its IP66 rating guarantees dust, rain, and heavy fog will not knock it down. And it will continue to function in temperatures ranging from -20 to 55 degrees Celsius. The battery life easily exceeds 3 hours, and if the power runs low, the robot can find and travel to a charging station on its own. The effective payload capacity is slightly more than 8 kilograms, with a maximum structural load of 120 kilograms.

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Deep Robotics Lynx S10 Prototype Paws Arctic
When the Lynx S10 was dispatched on the Arctic expedition, the team made a few particular changes. They replaced the standard wheels with large biomimetic paws resembling polar bears’ broad soles. Anti-slip patterns were added to the contact surfaces to promote grip, and crampons provide the robot with extra traction on firm ice. They also tightened the seal on the body to fulfill the IP67 standard. In certain cases, they even increased the surface area of the limbs, allowing the legs to operate as paddles while the robot wades through mixed ice and water.

Deep Robotics Lynx S10 Prototype Paws Arctic
The studies tested this robot’s boundaries, as we were dealing with snow that periodically masked pools of melt water capable of swallowing a person or a machine whole. The bear-paw feet and crampons kept the robot firmly planted as it crawled and walked over slick, low-friction terrain. There was even one case where the machine simply glided over terrain that appeared solid but was actually sitting on a hidden water pocket. Later studies moved into zones with ice and water mixed together, and the robot’s improved legs simply carried it through the muck.

Deep Robotics Lynx S10 Prototype Paws Arctic
Now, these runs were more than just a publicity stunt, because the Lynx S10 prototype is still in development and was in alpha when it went on the trip. Deep Robotics worked with professionals at Sun Yat-sen University, Westlake University, and Hangzhou Dianzi University to create the best paw design and control algorithms. Every time the robot stepped on the ice or paddled across the icy water, the crew learned more about its balance, traction, and performance in freezing conditions.

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Buying a laptop may soon come with an instant carbon score thanks to AI

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When shopping for a new laptop, most buyers compare specifications like performance, battery life, display quality, and price. But a new AI-powered initiative could soon add another metric to that list: carbon footprint.

Researchers are developing AI agents capable of calculating and displaying the environmental impact of consumer electronics in real time, potentially giving shoppers instant access to sustainability information before making a purchase. The effort aims to bring the kind of emissions transparency already available in services like flight booking platforms to the world of consumer technology.

Today, consumers can easily compare the carbon emissions of different flights through services such as Google Flights. However, similar information is often difficult to find when purchasing electronics, despite the significant environmental impact associated with manufacturing, shipping, and operating devices like laptops, smartphones, and tablets.

The proposed AI system would automatically gather data from multiple sources, including manufacturing information, supply chains, energy consumption estimates, and transportation data, to generate an environmental score that consumers can understand at a glance. The goal is to make sustainability as visible and accessible as price tags and product specifications.

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AI could make sustainability information easier to understand

One of the biggest challenges facing environmentally conscious shoppers is the complexity of carbon accounting. Determining the total emissions associated with a laptop can involve analyzing raw material extraction, component manufacturing, assembly, transportation, packaging, and long-term energy use.

Researchers believe AI agents are uniquely suited to handle this complexity because they can collect, process, and summarize large amounts of environmental data far faster than traditional reporting methods. Instead of forcing consumers to sift through lengthy sustainability reports, AI could generate simple, easy-to-understand comparisons between competing products.

The technology could also help manufacturers improve transparency. Companies may be encouraged to disclose more detailed environmental data if AI systems begin incorporating sustainability metrics directly into purchasing decisions.

The broader push comes amid growing concerns about the environmental impact of technology and artificial intelligence itself. Data centers, AI training, hardware manufacturing, and cloud infrastructure all contribute to increasing energy consumption worldwide, making sustainability reporting an increasingly important topic across the tech industry.

The future of shopping may involve environmental scores alongside prices

The concept extends beyond laptops. Researchers envision AI agents eventually helping consumers evaluate the environmental impact of a wide range of products, from smartphones and appliances to vehicles and household goods.

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Such systems could also evolve into personal shopping assistants that automatically recommend products based not only on budget and features but also on sustainability preferences. While the technology is still in development, it reflects a broader shift toward greater transparency in consumer purchasing decisions. Just as nutrition labels changed how people buy food, carbon-impact information could eventually influence how consumers shop for technology.

For buyers, that means future laptop shopping may involve more than comparing processors and battery life. An AI-generated carbon score could become another key factor in deciding which device ends up in their bag.

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Anthropic Blocks All Customers’ Access To Fable 5 And Mythos 5

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It’s to ensure compliance with a government directive citing national security concerns.

Anthroic has disabled all of its customers’ access to Fable 5 and Mythos 5 in order to ensure compliance with an order it received from the government on Friday, June 12. All its other models and its Claude chatbot are not affected. The company said in its announcement that the US government wanted it to suspend all foreign nationals’ access to its newly launched AI models, whether they’re inside or outside the US and even if they’re Anthropic employees, citing national security concerns. 

While the US government didn’t specify those concerns, Anthropic believes that it’s because the government heard about a method of jailbreaking Fable 5. The company has just launched the Fable AI model, which was designed to bring many of Mythos’ capabilities to the public, on June 9. If you’ll recall, Mythos is its state-of-the-art cybersecurity model that’s only available to its Project Glasswing partners. Fable’s capabilities “exceed” any previous model Anthropic has launched. It beat Pokémon FireRed during the company’s tests, for instance, while Claude failed to beat Pokémon Red, the original game it was based on.

Anthropic listed the measures it took to ensure that Fable was secure in its post. It said it instituted strong safeguards to “reduce the likelihood that Fable is misused for tasks related to cybersecurity” and added that its “safeguards are so strong that many users have complained that they are overly broad.” The company also explained that any provider cannot possibly ensure perfect resistance to jailbreak attempts, and every model is vulnerable to jailbreaks made especially for it. “We aimed to make jailbreaks either narrow (in the case of non-universal jailbreaks) or very expensive to produce (in the case of universal jailbreaks), and to combine this with thorough monitoring to quickly detect and shut down any successful attacks,” it said about its defense strategy.

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The government apparently gave the company verbal evidence for one potential narrow, non-universal jailbreak that an unnamed entity shared with officials. Anthropic promised to share more details over the next 24 hours, but it clarified that it disagrees that a potential jailbreak should be cause for recalling a commercial model. 

“As we have stated publicly, we believe the government should have the ability to block unsafe deployments, as part of a statutory process that is transparent, fair, clear, and grounded in technical facts,”  Anthropic, which has been vocal about its warnings about the need for more AI oversight, wrote. “This action does not adhere to those principles.” 

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Samsung Music Studio 7 (LS70H)

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Verdict

Strong looks and stronger sound make the Samsung Music Studio 7 a real contender – as long as you take a moment to consider its position in your room it has a whole lot going for it where spatial audio is concerned

  • Big, spacious and remarkably assertive sound

  • Extensive app is just one control option

  • Understated, sophisticated looks and exemplary build quality

  • High frequencies can easily sound splashy

  • Needs space in which to operate

  • Design would suit more colours than the two currently available

Key Features

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    Power

    150 watts of Class D power

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    Audio set-up

    3.1.1 -channel layout

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    Looks

    Dot Design by Bouroullec

Introduction

Samsung has been hoovering up audio companies lately, but if you thought this meant the end of Samsung as a music hardware brand you can think again.

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The Music Studio 7 is a stand-alone wireless speaker that can be half of a stereo pair, a part of a multichannel home cinema system or an element of a multi-room set-up too – and it goes head-to-head with some of the best pound-for-pound wireless speakers around.

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Design

  • Available in black or white
  • Bouroullec Dot Design

Without going mad (as Sonos did with the great-sounding, bizarre-looking Era 300), Samsung has managed to deliver a wireless speaker that appears expensive and individual while still looking reassuringly like a speaker.

At 269 x 185 x 191mm (HWD) it’s nicely proportioned and strikes a good balance between worktop, shelf and speaker stand size – it’s too big for a desktop really, but in any other space it works well.

Samsung Music Studio 7 chassisSamsung Music Studio 7 chassis
Image Credit (Trusted Reviews)

But it’s the curved, perforated metalwork that begins to set it apart, and the overall design (which is by Erwan Bouroullec) is confident and understated – the dished area on the front panel that looks like a speaker driver but isn’t seems the sort of visual flourish that could easily become a trademark of quite a large range of Samsung Music Studio speakers if the company so desires.

Build quality is well up to standard (just as well, given the amount of money Samsung wants for the Music Studio 7) and the finish is impressive too. As it stands, black or white is hardly the most inspiring selection of colours – but there is (unofficial, off-the-record) talk of a wider range of colours in the not-too-distant future.

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Samsung Music Studio 7 top down viewSamsung Music Studio 7 top down view
Image Credit (Trusted Reviews)

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Features

  • 3.1.1 -channel layout
  • 24-bit/96kHz hi-res audio
  • 150 watts

The Samsung Music Studio 7 is configured to serve up an impression of 3.1.1 -channel spatial audio (specifically Dolby Atmos, although the speaker is also compatible with Eclipsa Audio) – and so it deploys five drivers and a couple of passive radiators to do the sonic business.

Facing forwards there’s a mid/bass driver above a tweeter. There’s another tweeter angled upwards from the top of the cabinet, and on each side there’s another tweeter beneath a racetrack-shaped passive radiator.

Samsung Music Studio 7 tweeterSamsung Music Studio 7 tweeter
Image Credit (Trusted Reviews)

Samsung isn’t all that keen on discussing the size or the composition of these drivers, and the frequency response they’re capable of generation is a secret too – but there’s 150 watts of Class D power on tap to move these five drivers, which in a speaker of these relatively modest dimensions should prove more than sufficient.

Getting audio information into the speaker can be done in a number of different ways. Dual-band Wi-Fi is available, naturally – and this means that as well as Spotify Connect and TIDAL Connect, the Music Studio 7 is Roon Ready and is compatible with AirPlay and Google Cast too.

Samsung Music Studio 7 connectionsSamsung Music Studio 7 connections
Image Credit (Trusted Reviews)

It’s even compatible with Samsung’s Q Symphony technology, which means it can wirelessly connect to an appropriate Samsung TV. In fact, Q Symphony means that the Music Studio 7 can easily become part of a full-on wireless home cinema surround-sound system – but that’s a review for another day. For now, I’m just considering the Music Studio 7 as a single, stand-alone wireless speaker.

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Spotify Tap is on board, for those who just can’t wait to get some music on the go, and Bluetooth 6.0 is available too. There are also some physical inputs on the rear of the cabinet. An HDMI eARC is obviously extremely useful to anyone who fancies incorporating their (non-Q Symphony) TV, while a digital optical input is handy if the TV in question is of a certain (pre-HDMI) vintage. The USB-A slot is only for service and updates, though. 

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Samsung Music Studio 7 controlsSamsung Music Studio 7 controls
Image Credit (Trusted Reviews)

Predictably, Samsung isn’t making the details of the digital-to-analogue conversion hardware known. But the Music Studio 7 can handle Hi-Res content of up to 24-bit/96kHz, which is straightforwardly impressive, and can deal with every worthwhile audio file type.

Control is available via a few buttons on the top of the speaker, or on a remarkably granular level in the Samsung Sound app that’s free for iOS and Android. Here’s where you can deploy the obligatory AI features, such as the AI Adaptive Sound setting that’s intended for use when the speaker is part of a home cinema system – it automatically adjusts audio output to suit the content you’re watching – while AI Dynamic Bass Control tries to maximise low-frequency output while minimising the inevitable cabinet vibrations that result.

Samsung Music Studio 7 SmartThingsSamsung Music Studio 7 SmartThings
Image Credit (Trusted Reviews)

Here’s where you can adjust the sound using either a two- or a seven-band EQ or choose from a selection of presets. Here’s where SpaceFit Sound Pro (an automatic room calibration routine) and Active Voice Amplifier Pro (which boosts the midrange to make dialogue more easily discerned) can be accessed. Auto Volume is self-explanatory, and there’s plenty more besides. It’s a clean and stable app, and overall it’s one of the better examples currently around.

The Music Studio 7 is also compatible with Samsung’s SmartThings app, and so can be easily integrated into a much wider smart home ecosystem than merely forming part of a multichannel or multiroom audio system. And if you prefer to just ask, the speaker has Alexa built in and covers Works with Google too – although strangely, Bixby is not on board.

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It’s not like Samsung to admit defeat inside a decade, though, so I imagine we’ll be seeing (if not hearing) more of Bixby in the future… 

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Samsung Music Studio 7 SmartThings EQSamsung Music Studio 7 SmartThings EQ
Image Credit (Trusted Reviews)

Sound Quality

  • Big, direct sound
  • Impressively chunky and expansive presentation
  • Slight lack of high-frequency substance

There’s really only one place to start with a wireless speaker that fancies itself where spatial audio is concerned, and that’s with some Hi-Res content mixed in Dolby Atmos and available via TIDAL Connect. The Atmos mix of De La Soul’s timeless 3 Feet High and Rising, it seems safe to say, allows the Music Studio 7 to showcase a lot of its undoubted talents.

First and foremost, the Samsung is a spacious, expansive listen while managing to be quite well focused at the same time. Some less capable spatial audio speakers can do the scale thing without too many problems, but remaining sharp rather than vague at the same time is a trickier discipline – the Music Studio 7 creates a sound that’s demonstrably taller and wider than the cabinet it’s coming from, but the soundstage it describes is carefully controlled and coherently laid out.

And as well as sounding wide and tall, the Music Studio 7 also sounds nicely balanced. It can lose the run of itself a little where high-frequency reproduction is concerned – it doesn’t need any especially unsympathetic recording to make the Samsung sound just a little splashy and edgy, but I guess that’s what can happen when you put four tweeters in a relatively small box.

Samsung Music Studio 7 front viewSamsung Music Studio 7 front view
Image Credit (Trusted Reviews)

Otherwise, though, the tonal balance is nicely neutral, and there’s a very well-judged amount of low-frequency wallop available for when the action in your music or your movie really kicks off. 

If and when it does all kick off, the Samsung has plenty of dynamic headroom available to make the upturn in volume or intensity plain. It controls its low-end activity well, though, so something like the De La Soul recording that relies heavily on rhythmic expression, is handled properly. And it’s just as adept when it comes to the more subtle stuff, too – detail levels are high at every point in the frequency range, and there’s more insight into the dynamics of harmonic and textural variation that is the norm in products like this.

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It communicates eloquently through the midrange and loads voices with information – details of attitude and emotion are just as readily available as those concerning tone and timbre. This, of course, is good news where music is concerned but even better news if you’re listening to a spatial audio movie soundtrack – and the Music Studio 7 projects the midrange forward well, even if the rest of the frequency range is in uproar.  

Samsung Music Studio 7 drive unitSamsung Music Studio 7 drive unit
Image Credit (Trusted Reviews)

Naturally, all of the above applies only if you give the speaker the space in which to properly do its thing. If it’s on a bookshelf, there can be no shelf directly above it – that upward-firing tweeter needs room in which to operate.

Similarly, the drivers that face outwards from the sides of the cabinet must not be firing onto a surface that’s very nearby otherwise the sound will become muddy and confused. But as long as you give the Samsung the elbow-room, it’s a very satisfying performer indeed.

Should you buy it?

You’re interested in looks as well as sound

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The Music Studio 7’s audio credentials are impressive, but the appeal of its clean, understated design is strong too.

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You’re intending to position it on a shelf

Or, at least, if it’s not the top shelf – the upward-firing tweeter needs some space in which to operate.

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Final Thoughts

I’d assumed that Samsung would, in the audio/visual market, stick to the TVs and soundbars it’s so good at and leave the more specialised audio stuff to one or more of the many very credible audio brands it now owns. Shows what I know, doesn’t it?
 
This is the best Samsung-badged audio product I’ve heard in… well, I’m not sure how long exactly, but it’s quite a while.

How We Test

The Samsung Music Studio 7 was positioned on a kitchen worktop, on the top shelf of an AV rack next to a TV, and a dedicated speaker stand during the course of the test. Music was streamed wirelessly from an Apple iPhone 14 Pro, both via Bluetooth and via TIDAL Connect.
 
Spatial audio movie soundtracks came via an HDMI cable from the TV connected to the speaker’s eARC socket. This allowed for lots of different content, of different types and resolutions, to be dealt with by the Samsung, and this happened for well over a (working) week.

  • Tested with real world use
  • Tested for a week
  • Tested across multiple source

FAQs

Do I have a choice of finishes?

Yes, the black of this review sample or white. The rumour is that different options will follow, but it’s just a rumour at the moment.

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Can I use two as a stereo pair?

The Music Studio 7 supports Stereo Play, which makes it easy for two speakers to operate as a single stereo system.

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Will it work with my TV?

If your TV has an HDMI ARC output then the Samsung can play spatial audio soundtracks when connected this way. And if you have an appropriate Samsung TV, Q Symphony is available too.

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Full Specs

  Samsung Music Studio 7 (LS70H)
UK RRP £499
USA RRP $499
EU RRP €549
CA RRP CA$649
AUD RRP AU$749
Manufacturer Samsung
Size (Dimensions) 185 x 191 x 269 INCHES
Weight 5.6 KG
Release Date 2026
Driver (s) 4 x tweeter; mid/bass driver; 2 x BMR
Ports HDMI eARC; digital optical
Connectivity Dual-band Wi-Fi; Bluetooth 6.0
Colours Black, White
Frequency Range – Hz
Audio Formats Dolby Atmos Music, ,Dolby Atmos, Dolby 5.1ch, Dolby Digital Plus, Dolby True HD, Multi-channel LPCM, MP3, AAC, OGG, FLAC, WAV, ALAC, AIFF
Power Consumption 20 W
Speaker Type Wireless Speaker

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Michigan Museum Launches Project To Preserve One Of WWII’s Most Decorated Submarines

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Fans and students of United States Naval History have no shortage of fascinating destinations to visit across the United States.  Spread all over the country, history buffs can enjoy public naval museums that include everything from PT boats to aircraft carriers — along with a handful of historic battleships that are open for tours

In addition to those surface ships, there’s also a long list of floating submarine museums spread around the country, with some of them actually found far from the ocean. One of these subs is the USS Silversides (SS-236), which is in Muskegon, Michigan, on the shores of Lake Michigan. Before finding its current home on the Great Lakes, the Silversides was one of America’s most decorated submarines of World War II, serving in the Pacific theater for the entire war. 

The vessel has been on display in Michigan since the late 1980s but will soon be temporarily leaving its Muskegon home to undergo an extensive and much-needed renovation project. During the restoration, which will cost around $3.5 million, the Silversides will see a number of structural repairs and cosmetic restorations, all designed to bring the ship back to its wartime glory while also preserving the historic vessel for decades to come.

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A legend of submarine warfare

World War II naval history, especially when it comes to the Pacific theater, is dominated by history-changing carrier battles — and indeed aircraft carriers would change the face of naval warfare from that point onward. The massive historic contributions of World War II’s legendary submarines are not to be overlooked, though.

The Gato-class USS Silversides is among the Navy’s most accomplished submarines of the war. The sub entered service in December of 1941, just weeks after the outbreak of World War II, and would serve in the Pacific right up to the war’s end, on a total of fourteen different war patrols. Among its accomplishments were 23 confirmed enemy vessels sunk, for which the USS Silversides earned 12 battle stars as well as the Presidential Unit Citation. Along with its numerous combat achievements and sunken enemy ships, the sub also helped save lives, rescuing downed American aviators from the sea on multiple occasions. 

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After the war, the Silversides was put into use as a training ship before being retired from service in the late 1960s. In 1987, it made its way to Muskegon, Michigan, to become part of the Great Lakes Naval Memorial and Museum, where it’s hosted visitors ever since. Eventually the facility would be renamed as the USS Silversides Submarine Museum.

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Preserving the past

Having been in Muskegon for nearly 40 years, time has taken its toll on the Silversides. With much of the submarine’s hull lying below the waterline, the true condition of its structure is hard to inspect. That will all be addressed beginning in July of 2026, when the ship is scheduled to be towed across Lake Michigan to drydock in Sturgeon Bay, Wisconsin. Once there, it will get a complete renovation that will include structural inspection and repairs, cleaning, and the application of new coatings to protect the vessel from the Lake Michigan elements.

The total cost of the restoration is expected to come in around $3.5 million, with $750,000 of that being paid through a grant from the National Park Service. If all goes to plan, the Silversides will be in dry dock for a relatively short time, with the renovated ship scheduled to be brought back to Muskegon in the middle of October. During the sub’s absence, the museum will remain open to the public with other displays and exhibits including plans to host a visiting tall ship over the summer.

2026 is turning into a banner year for WWII naval vessels. Earlier this year, the sunken wreck of another historic Pacific War US Navy submarine was discovered in the seas north of Japan after being lost at sea for 80 years. Meanwhile on the west coast, the USS Hornet is also checking in for some renovations and possible relocation.

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Wellness Robots and the Path to Full Autonomy: A New Paradigm in AI-Powered Senior Care

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More Information

The senior care system faces converging pressures from an aging population, severe staffing shortages, and limited time for individual wellness programming. Existing technologies include reminder apps, fall detectors, voice assistants, and companion devices. Each of these addresses only one piece of the problem. This paper argues for a different paradigm: wellness, defined across seven interdependent dimensions, as the organizing principle for a new category of socially assistive robot. It introduces the Care Robot Autonomy Scale (CRAS), a six-level framework that measures autonomy across assessment, intervention, social intelligence, and care coordination. The paper reviews the technical capabilities such systems require, the clinical evidence gathered to date, and a phased roadmap toward higher autonomy. It closes with educational implications for care operators, researchers, regulators, and robot platform developers.

 

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NanoClaw and JFrog launch ‘immune system’ to block AI agents from downloading malicious code

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The creators of the hit, enterprise-friendly, open source OpenClaw variant NanoClaw are partnering with software supply chain management leader JFrog to launch a new, joint security integration they say will protect NanoClaw autonomous agents from malicious code injection.

“These agents are doing things that you cannot necessarily control, and you cannot necessarily train,” said Gal Marder, Chief Strategy Officer at JFrog, in an exclusive interview with VentureBeat.

Available immediately, the partnership hardwires NanoClaw agents directly to JFrog’s vetted software registries, ensuring that AI assistants can only pull scanned, safe dependencies.

The release addresses a rapidly growing blind spot in tech: autonomous agents frequently install packages in the background to extend their capabilities, often without their human operators’ knowledge or oversight.

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“The people who are operating the agents are not necessarily developers, and they are not even aware of the implications,” explained Gavriel Cohen, creator of NanoClaw and CEO and co-founder of its new commercial services startup, NanoCo AI.

To secure the broader ecosystem, the partners are working to make it available completely free of charge for the open-source community, while enterprise organizations can seamlessly route their agents through their existing, commercially licensed JFrog environments.

The new technical capability enabled by this partnership follows NanoCo’s moves to add permissions dialogs across the apps in which it’s available via a partnership with Vercel, and a new partnership with Docker to allow NanoClaw agents to run more securely, isolated from other software environments directly inside Docker virtual containers.

The risk of current, personal autonomous AI agents

When an operator interacts with an autonomous system like NanoCo’s NanoClaw, they communicate at a high level of abstraction.

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A user might simply send an audio file or a voice note, prompting the agent to independently figure out how to process it.

As Cohen explained, the agent thinks, “oh, I can’t understand voice notes, so let me go and grab a package and download something and install it and set it up and run it”.

This dynamic self-improvement makes AI agents incredibly powerful, but it also renders them highly susceptible to software supply chain attacks.

Bad actors are increasingly poisoning open-source registries with malicious packages. Because agents act autonomously to fetch what they need, they bypass human scrutiny.

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The operators, who may not even be developers, are largely unaware of the security implications unfolding behind the scenes.

How NanoCo and JFrog are working to stop agents from running malicious code

The integration between NanoCo and JFrog acts as an automated immune system for these AI environments.

Under the hood, NanoClaw agents are now configured to route their requests for software packages, CLI tools, and Model Context Protocol (MCP) servers exclusively through JFrog’s registries.

If an agent attempts to download a compromised library—such as a vulnerable version of the popular Axios package—the JFrog registry intercepts the request.

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It blocks the installation, returning a security policy error to the agent, noting that the request was “rejected by JFrog’s registry with a 403 security policy”.

Crucially, the system does not just stop at blocking the threat; it creates a dynamic correction loop. The agent is notified of the vulnerability and guided to automatically seek out and install an approved, non-malicious version of the requested package instead.

For large organizations, this integration solves a massive compliance headache. Marder notes that as enterprises adopt autonomous agents, they require absolute visibility.

Organizations need “a system of record, we need somewhere to track what agents that’s running by whom and consuming what packages and using what skills and using what MCPs,” he told VentureBeat.

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Beyond visibility, the JFrog integration provides a foundational “trust layer” and strict governance over what these automated systems are permitted to access.

Licensing and accessibility

In the realm of software distribution, licensing and access parameters dictate adoption. The NanoCo and JFrog partnership utilizes a dual-track approach to serve both individual open-source developers and highly regulated enterprises.

For the open-source community, the integration is completely free. JFrog is providing open-source NanoClaw users with complimentary access to safe, vetted sources of artifacts, tools, and skills.

This allows individual developers to run autonomous agents locally without drowning in manual approval requests for every single dependency. Furthermore, as community members build and share new “skills” for the agents, these contributions are uploaded to the registry, scanned for malicious code, and cleared before anyone else can use them.

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This infrastructure directly neutralizes the threat of poisoned community repositories.

For enterprise deployments, the architecture plugs seamlessly into an organization’s existing commercial environment. Rather than using the public open-source registry, corporate users point their NanoClaw agents to their own internal JFrog registries.

This ensures that all agent activity adheres to the company’s specific commercial licenses, internal security policies, visibility needs, and governance standards.

As AI continues to blur the line between human intent and machine execution, the infrastructure securing that execution must evolve. This partnership acknowledges a core reality: you cannot train an AI to perfectly recognize every zero-day vulnerability; instead, you must build an environment where the agent simply cannot reach the vulnerability in the first place.

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The US government just hit the brakes on Anthropic’s most powerful AI models

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Anthropic’s troubles with the US government do not seem to be easing. The company has now been ordered to suspend access to Fable 5 and Mythos 5 for all foreign nationals, including foreign national Anthropic employees working inside the United States.

Anthropic said it received the directive on June 12 and is disabling the two models for all customers to comply. Other Anthropic models are not affected. The government has not publicly explained the full national security concern, but Anthropic says it understands the order is linked to a reported method for bypassing, or jailbreaking, Fable 5’s safeguards.

A fresh clash after the Pentagon fight

This is not Anthropic’s first serious standoff with Washington. Earlier this year, the company was caught in a dispute with the Pentagon after it refused to remove restrictions preventing Claude from being used for fully autonomous weapons and mass domestic surveillance. That fight led to claims of blacklisting and legal action, putting Anthropic’s safety-first position directly at odds with parts of the US government.

The latest directive puts Anthropic back in a familiar position. Officials are worried about access to powerful AI systems, while Anthropic argues that its safeguards are being misunderstood or judged by an unrealistic standard.

Why Fable 5 became a concern

The concern around Fable 5 is tied to Mythos 5’s advanced cybersecurity capabilities. Anthropic has said Mythos-class models can discover and exploit software vulnerabilities, and Mythos 5 was reportedly tested by the NSA and other government-linked evaluators before wider release. While those capabilities can help security teams identify and fix weaknesses, they also create national security concerns if they are used for offensive or malicious purposes.

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Fable 5 was released only a few days ago as a public version of Mythos 5 with stricter guardrails. Anthropic said it was designed to block or redirect sensitive cybersecurity and biology-related queries to Opus 4.8.

Anthropic says the reported bypass only surfaced minor, already known vulnerabilities and that other public models can do similar things. Still, with a topic as sensitive as cybersecurity, caution is not unreasonable. If Mythos 5 is capable of identifying software vulnerabilities at a high level, then its guardrails cannot be merely good enough. They need to be airtight. Anthropic may argue that the reported jailbreak was narrow, but the government’s concern this time is easier to understand. In this case, “better safe than sorry” may be the government’s most defensible position.

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Meta Employees Absolutely Hate Mark Zuckerberg’s Plan for a Companywide AI Hackathon

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Meta CEO Mark Zuckerberg’s internal announcement on Friday about a “large” companywide AI hackathon next month quickly sparked frustration and disbelief among employees.

In internal messages seen by WIRED, some workers wrote that added responsibilities in the wake of recent mass layoffs at the tech giant had left them with little time to join such ancillary activities. Others said they felt discouraged from participating because of what they viewed as low morale and declining trust in management across the company.

“I’m literally preoccupied with keeping the lights on for my team,” one employee wrote on Friday. “I have no incentive to participate, let alone have the time to do so.”

In a post shared to Meta’s roughly 70,000 employees, Zuckerberg framed the hackathon as a way for staff to build camaraderie at a time of widespread internal unrest. Ime Archibong, a vice president of product management at Meta, later shared additional details about the event, which he said would take place from July 14 to July 16 and focus “exclusively on AI Innovation.”

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Archibong’s post drew swift pushback from several employees, who responded with angry messages and sarcastic memes. “I’m not sure that this company supports a hackathon culture anymore,” one employee wrote in a comment that drew more than 200 thumbs-up and heart reactions. “People are being asked to cover more work with less support while their colleagues get laid off, while also trying to avoid the risk of causing SEV1s [serious technical errors] with incautious AI use.”

The same employee alleged that hackathon efforts would not count toward performance evaluations, fueling frustration among the workers about the prospect of setting aside other projects to participate.

Dozens of people also reacted with laughs and thumbs-up to a meme inspired by the comedy film We’re the Millers, stating, “You all have the time for a hackathon?”

“I honestly don’t have the time to focus on this, and I’m expected to be 100% devoted” to regular work, another employee wrote. “I’ve participated in previous hackathons but this no longer feels like an option alongside pod sprints in my corner of the company.”

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A third staffer called out what they described as “a disappointing change in culture” because “I don’t believe there is sufficient feeling of safety to spend time on hackathon innovations.”

Meta declined to comment for this story.

Meta has long hosted internal hackathons, but two sources tell WIRED this is the first companywide one to take place since 8,000 people were laid off last month.

A Meta software engineering veteran responded to some of the employee complaints by saying that everyone is encouraged to participate. But the message still didn’t quite land. “Every org I know has super aggressive goals, with efficiency gains expected and significantly less staffing,” an employee commented back. “There’s less time for focusing on other axis.”

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The hackathon was one of several initiatives Zuckerberg laid out on Friday to reenergize his workforce and address internal criticism about the recent layoffs and other concerns. He said budgets for team offsites would increase and that the concept of hot desking, or workers only in the office part of the time having to share desks, would be done away with in some offices.

Last year, some workers banded together to survey colleagues about the removal of their desks and the chaos and lost productivity they believe it caused, according to a person familiar with the efforts who sought anonymity to describe sensitive discussions. The group urged management to return to every employee having their own space. The layoffs appear to have opened up room, while leaving less time to hack.

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