Connect with us
DAPA Banner

Tech

Onkyo TX-RZ30 9.2-Channel A/V Receiver Review: Sound Matters

Published

on

Growing up in the 80s, everybody wanted a stereo system. The older guys called it a “HiFi” but we kids just wanted something that could play our records (and eventually tapes and CDs) loud and clear. That system usually included a receiver or integrated amp, a pair of speakers (the bigger, the better) and a turntable. 

Over time, listening to music migrated to headphones and earbuds. Those who wanted to listen to music out loud maybe bought wireless speakers and those who were serious about it might have invested in a whole home music system like a Sonos. 

TVs got bigger and cheaper while picture quality began to rival – or even exceed – that of local movie theaters. But TV sound really never improved that much. So the soundbar market was born for those who wanted better sound from movies and TV shows. Soundbars can play music too, of course, but mostly they just serve the singular purpose of making terrible-sounding TVs sound less terrible.

Receivers never really went away. They just faded into the background. 

Advertisement
Onkyo-TX-RZ30-front
Onkyo’s latest AV Receiver, the TX-RZ30.

Then a global pandemic happened. People stopped going out to dinner or to the movies, to concerts or sporting events. They stopped traveling, too, or at least cut way back. Suddenly people were spending a lot more time at home and found they had a little extra disposable income. Now instead of going out to the movies or concerts, they were watching movies – and concerts – and listening to more music at home. And that’s when many noticed that their little wireless speakers and puny soundbars didn’t actually sound that great. 

Since then, receivers have made a comeback. In 2020-2021, many retailers couldn’t keep popular models in stock as demand exceeded supply. Companies who hadn’t released new models in years started doing exactly that. Brands like Denon, Marantz and Sony all began gearing up production and releasing new models. But this surge in popularity didn’t save Onkyo. On May 13, 2022, Onkyo, one of the top Japanese HiFi brands since 1946, declared bankruptcy. It was a sad day for audiophiles and home theater aficionados.

But dry those eyes, dear readers, because Premium Audio Company, a joint venture between VOXX International and Sharp, stepped in to rescue Onkyo, Integra and Pioneer from oblivion and obscurity. Last year, VOXX was itself acquired by Gentex, and, sadly, Pioneer exited the A/V receiver market as a result. However, Onkyo is still going strong with several new models introduced in the past three years. The Onkyo TX-RZ30 is the latest model from this revitalized brand.

Onkyo-TX-RZ30-angled-alternate-900px

What Is It? 

The Onkyo TX-RZ30 is a home theater receiver or audio/video receiver (AVR). As such, it includes a built-in AM/FM tuner, audio and video decoding, processing and switching, and built-in power amplifiers to drive a multi-channel fully immersive surround sound speaker system. The RZ30 specifically can drive up to nine channels (nine speakers) plus two powered subwoofers with a power rating of 100 Watts/Channel. This means it can power a 5.2.4-channel or 7.2.2-channel Dolby Atmos or DTS:X immersive surround system. Of course, you may not need this many speakers in your specific room, but it’s nice to have the option to expand and upgrade over time. If your system needs are smaller, then you can use the built-in amps to power speakers in a second or even third zone or room. 

In addition to the essentials like Dolby Atmos, multi-channel PCM and DTS:X decoding, the TX-RZ30 is also IMAX-Enhanced Certified which means it can reproduced the full visual and audio bandwidth of IMAX Enhanced content on Blu-ray Disc, UHD Blu-ray and on streaming services such as Disney+ and Sony Pictures Core. The RZ30 also features full-bandwidth Dirac Live optimization and room correction, built-in at no additional charge. This advanced speaker calibration software adjusts speakers in both the level (magnitude) and time (phase) domains so they’ll provide the optimum performance in your specific room. It used to be that Dirac Live was only available in very high end gear or incurred a separate fee, but we’re starting to see this in more budget-friendly products, including the RZ30. 

The RZ30 lacks decoding for Sony 360 Reality Audio, MPEG-H immersive audio and Auro-3D. While none of these codecs are currently that widely used, it’s worth mentioning their lack in case you’re looking for any of these formats in a receiver.

Advertisement

Originally priced at $1,199 (MSRP), but recently lowered to $999, the RZ30 is currently the “entry-level” receiver in Onkyo’s high-end RZ line-up. The “RZ” doesn’t seem to stand for anything official, so I’m going to call it the “Reference Zeries” because it sounds fancy, and maybe slightly French. It joins the RZ70 introduced in 2023 and the RZ50, introduced in 2021. You can find out more about the differences among these models (including a comparison chart) in our earlier news post about the RZ30.

Advertisement. Scroll to continue reading.

For music, the RZ30 supports high resolution audio playback up to 24-bit/192kHz. Digital audio file format compatibility includes MP3, WMA, WAV, MPEG-4/AAC, FLAC, and ALAC. The RZ30 also includes several streaming music services built-in, including Apple Music, Amazon Music HD, Spotify Connect, Tidal, Deezer, Pandora and Tune-In. Additional third party audio networking integration includes DTS Play-Fi support, “Works with Sonos” certification and “Roon ready” certification. Wireless connectivity for the RZ30 includes Bluetooth (aptX HD), AirPlay 2, Chromecast Built-in, and Wi-Fi networking. An ethernet port is also included for those who prefer a hard-wired network connection.

Weighing in at 11.5 kilograms (about 25.4 pounds), the RZ30 feels substantial, and a peek inside its cover shows some pretty solid components including beefy transformers and thick aluminum heat sinks. The unit features Class A/B amplification which means it runs a bit warmer than Class D amps would, but it never got excessively warm during our testing. We sure to leave it some room to breathe in your A/V cabinet and it should be fine.

Advertisement

The Ins and Outs

The TX-RZ30 includes six HDMI inputs and two HDMI outputs. It supports HDMI ARC (Audio Return Channel) and eARC and provides HDMI 2.1a and HDCP 2.3 compatibility. It can handle gaming and other video source devices at 4K/120Hz or 8K/60Hz with up to 40 Gbps transfer rate, VRR (Variable Refresh Rate), ALLM (Auto Low Latency Mode), QFT (Quick Frame Transport), SBTM (Source-based Tone Mapping) and Dynamic HDR. Pass-through support is provided for virtually all the HDR formats, including Dolby Vision, HDR10+, HDR10 and HLG (Hybrid Log Gamma). 

Onkyo-TX-RZ30-rear-900px

The RZ30 supports legacy gear, too with one component video, two composite video, six analog audio, one coax digital audio, one fiberoptic digital audio and one USB input. Analog video sources are converted to digital for output over the HDMI port. Your old laserdisc player and VHS deck are welcome here. There’s also a phono input for moving magnet cartridges, in case you’re still rocking that vintage (or not so vintage) turntable. 

Outputs include the afore-mentioned two HDMI outputs, speaker level outputs for up to nine speakers, two independently adjustable subwoofer outputs, nine channels of preamp out (in case you want to use separate power amps) and a quarter-inch analog headphone output.

To operate the myriad features that the RZ30 has to offer, Onkyo has provided several control options, including a standard remote control, a smartphone app, voice control via Google Assistant and Siri, and third-party CI control via an RS232 connection. Home automation and control standards like Control4, Crestron, Savant, URC, Elan and RTI are all supported.

Advertisement

All things considered, the RZ30 certainly lives up to its “smart receiver” name and provides enough features, inputs, outputs, decoders, processing and third party integration options to satisfy the needs of even the most demanding consumers. 

The Set-Up

A receiver does take a bit more effort to install than most soundbars, but the Onkyo set-up wizard does a decent job walking you through it. There are so many speaker configuration options that you will want to pay attention to plug each speaker into the appropriate output. Also, be sure to keep phase (black and red) consistent for all speakers. Every speaker wire comes with a marked side and an unmarked side in the pair. I usually use the marked side for red (+) and the unmarked side for black (-) on both the receiver and speaker ends of each wire.

If you make any mistakes connecting the speakers, you may find out about phase errors or incorrectly attached speakers during the calibration. If you make phase mistakes, you will still get sound from all speakers but it will affect imaging and tonal balance across the system as some speakers will be canceling each other out at some frequencies.

Onkyo-TX-RZ30-ARC-eARC-HDMI-output
The Onkyo TX-RZ30 features Main and Sub/Zone 2 HDMI outputs, but only the Main output supports ARC/eARC.

With the speakers and subwoofers connected, it’s time to connect your TV to the receiver using a high speed HDMI cable. Use the HDMI ports labeled “eARC” or “ARC” on both the TV and receiver for this connection, if possible. Also, connect any analog source components like a turntable or cassette deck to the receiver. With HDMI eARC, you can connect any video components to the TV and the TV will pass the audio (even lossless multi-channel PCM, Dolby Atmos or DTS:X audio) to the receiver for processing. An exception would be if you’re using a projector or a TV with the older ARC type of HDMI connection. In this case, it’s probably best to connect all components (digital, analog, video and audio) directly to the receiver and just send the video signal to your TV or projector over the HDMI output.

Corrections Corner

Once all the connections are made, it’s time for some corrections. And no, I’m not talking about factual errors or typos (please!). I mean room correction of course. Most receivers come with some sort of speaker calibration routine (with Audyssey being the most popular in AV Receivers). Onkyo offers its own home-grown calibration software called “AccuEQ Room Calibration.” This can take care of the basics like adjusting EQ, crossover points and distance settings for the speakers. But the RZ30 includes Dirac Live, a much more advanced software package which compensates for anomalies in the room itself which can impact the overall sound.

Advertisement

Dirac Live full bandwidth control handles adjustments to all speakers. If you opt for a second subwoofer for deeper, more extended bass response and better bass uniformity throughout your listening room, then you may want to purchase the optional DIRAC Live Bass Control upgrade, which is an additional $299, directly from DIRAC. The RZ-30 is one of most affordable receivers on the market that can even handle Dirac Bass Control and which includes dual independently adjustable subwoofer outputs.

Advertisement. Scroll to continue reading.
Screenshot_20260204_010932-Onkyo-Controller-app-900px
In addition to performing DIRAC Live measurement and room correction, the Onkyo Controller app for Android and iOS allows you to select input, adjust EQ or choose a streaming music service for listening on the TX-RZ30.

To perform Dirac room correction, you’ll need to install the Onkyo Controller app, available in Apple’s App Store and in the Google Play Store. Plug in the included calibration mic to the receiver’s front panel, then click through the instructions in the app. You can perform a basic correction using three measurement points or a full correction using nine measurement points. I opted for the basic 3-point correction, which took less than 30 minutes to complete. I found that Dirac was a bit more sensitive to ambient noise and subwoofer level settings than its competitor, Audyssey, so we had to restart the calibration a couple of times. But once it successfully completed, the results were obvious: better imaging specificity, clearer, more natural sounding dialog, more natural tonal balance overall and smoother transitions from main speakers to the powered subwoofer.

If you prefer, you can also perform Dirac Live room correction on a laptop by downloading the Dirac software and plugging in a compatible microphone like a miniDSP UMIK-1. Doing DIRAC calibration this way can be more accurate and effective as each miniDSP mic has its own unique measurement signature which you identify to Dirac so it can compensate. After performing the calibration, you can then download these Dirac profiles from your laptop to the RZ30 to apply the profile or profiles to the receiver.

Listening Notes

I evaluated the Onkyo TX-RZ30 with a 5.1.4-channel Klipsch reference speaker system I had previously been using with a Denon AVR-X3800H receiver. I hit the system with dozens of my favorite movie clips as well as several music tracks mixed in Dolby Atmos immersive surround as well as some stereo music tracks. I did some listening pre-calibration, but with the big improvement added with DIRAC Live, I left that applied for the remainder of testing.

Advertisement
RC-972R-remote-control-for-Onkyo-Receivers-250px

The RZ30 has a wealth of different listening options, accessible by hitting the “Music” and “Movie/TV” buttons on the remote. Want to listen to your music in Dolby Surround in an orchestral concert hall? No problem! For stereo material, you can choose between Dolby Surround or DTS: Virtual:X to expand the soundstage to fill the room, or select “Direct” or “Stereo” modes for a more purist 2-channel approach. There’s also an “All Channel Stereo” mode if you want to fill a room with background music like for a party or gathering. I found Dolby Surround to work pretty well to expand the soundstage on most stereo music.

Dolby Atmos and DTS:X content in particular sounded wonderfully immersive through the RZ30. Sound objects that traveled around in space moved seamlessly from front to back, side to side and top to bottom. The Dolby Atmos mix of KX5/Deadmau5 “Alive” presented a huge soundstage and the rhythmic synth snare drum roll around 4 minutes into the song presented a nicely defined circle as it moved all around the room. And when the chorus of the Dolby Atmos mix of Elton John’s “Rocket Man” came along, the room came alive with instruments and vocals placed in a virtual dome that expanded beyond the borders of the room. This is an extremely effective mix for those who like to be brought inside the music mix and it was very well represented on the RZ30.

Moving onto IMAX content, the RZ30, with its IMAX Enhanced certification, is able to identify IMAX Enhanced DTS:X content from UHD Blu-ray Disc and from streaming services such as Disney+ and Sony Pictures Core, decode the DTS:X soundtrack and apply the IMAX EQ and processing. This gives IMAX movies a more theatrical sound as it uses the far-field IMAX cinematic mix, which results in more impactful bass, extended dynamic range and, in some cases, more pronounced height effects.

20260203_114438-IMAX-DTS-X-900px
The RZ30’s display screen identifies what type of sound format is being decoded as well as how many speaker channels are active.

The RZ30 delivers these IMAX Enhanced DTS:X soundtracks as expected showing IMAX DTS:X on the front panel display. And the sound on the few titles I was able to test was quite bombastic with deep rumbling bass and enveloping height effects. “Zombieland: Double Tap” is one of the few UHD Blu-ray Discs with IMAX Enhanced certification and a lossless DTS:X soundtrack. Both the RV zombie attack scene and the final battle scene provided great examples of DTS:X IMAX Enhanced audio with gunshots, shuffling zombie growls and other sonic mayhem exploding into the room. And over on Disney+, the “Queen Rock Montreal” IMAX film had a raw power and immediacy in IMAX Enhanced DTS:X making the viewer feel like he (or she) was there in the audience. Marvel IMAX Enhanced titles like “The Fantastic 4” and “Guardians of the Galaxy Volume 3” also sounded dynamic and engaging with their IMAX/DTS:X soundtracks activated.

Sadly, actually finding this IMAX Enhanced content with a DTS:X soundtrack is tricky. There are only a handful of IMAX Enhanced titles on UHD Blu-ray Disc, and only two streaming services — Disney+ and Sony Picture Core — can deliver the necessary DTS:X soundtracks. And DTS:X support on Disney+ is currently limited to select TVs from Hisense, TCL and Sony. Though we were happy to see that the Disney+ app on the Valerion Max projector’s Google TV OS, also supports DTS:X/IMAX Enhanced audio output. This is the first projector we’ve tested that supports the feature.

Comparisons

The Denon AVR-X3800H ($1,699) offers similar features and functionality to the Onkyo TX-RZ30 ($999). They both include nine channels of amplification, but the Denon can be expanded to 11 channels by connecting an external 2-channel amplifier and using the preamp outputs. The Denon also offers Dirac Room Correction, but at an additional cost (ranging from $259 for the basic limited bandwidth DIRAC Live version to $799 for a full license with Bass Control and ART included). To get the same level of Dirac room correction on the Denon vs. the Onkyo would require spending an additional $349 on the full bandwidth Dirac version on the Denon, bringing its price (with Dirac) up to $2048 (MSRP), roughly twice the price of the Onkyo TX-RZ30. However, the 3800H includes four independently adjustable subwoofer outputs compared to the Onkyo TX-RZ30’s two so it can work better in larger or problematic rooms where more subwoofers are preferred.

Advertisement

Sound quality-wise, the Denon 3800H and Onkyo RZ30 are not far off. Both offer excellent dynamics and cohesiveness of sound. The Denon may have a slight warmth compared to the RZ30’s more neutral sonic signature but both can create an outstanding immersive soundstage, particularly on Dolby Atmos and DTS:X content, particularly after DIRAC calibration and room correction. The Denon receiver does add decoding for Sony 360 Reality Audio, MPEG-H immersive sound and Auro 3D, none of which are particularly popular but which may appeal to those who want universal format support.

Compared to the similarly priced Denon AVR-X2800H ($1,199), the Onkyo TX-RZ30 represents a clear upgrade with more channels, more features, a full set of preamp outputs, dual independent subwoofer outputs and Dirac Live room correction.

Onkyo’s own TX-NR7100 may be a more likely competitor to the TX-RZ30 as it also includes nine channels of amplification and has Dirac Live full bandwidth room correction built-in. However, the 7100 does not offer preamp outputs so you can’t upgrade the on-board amplification. Also, the two subwoofer outputs on the NR7100 are identical and not independently adjustable and the 7100 has no option to add Dirac Bass Control. Still, at a street price now of around $750, the TX-NR7100 offers a very compelling value proposition for a 9.2-channel receiver and offers a fine choice if you’re on a more limited budget.

Advertisement. Scroll to continue reading.
Advertisement
onkyo-tx-rz30-editors-choice-2026-02

The Bottom Line

Onkyo’s TX-RZ30 is built to satisfy even the pickiest audiophiles and home theater aficionados with a strong feature set, excellent sonics and best-in-class Dirac Live room correction. It may not offer the upgradability of the Denon AVR-X3800H but it sells for a significantly lower price, particularly when you consider that the Onkyo includes Dirac Live full bandwidth room correction, while that option adds $349 to the cost of the Denon. Its only real competition is from Onkyo itself, in the TX-NR7100, but that unit is less flexible, older and less upgradeable.

If you’re looking for a solid 9-channel A/V receiver with excellent sound quality, best-in-class Dirac Live room correction built-in and a path toward upgrade, the Onkyo TX-RZ30 should definitely be on your short list.

Pros:

  • Full bandwidth Dirac Live room correction included, with upgrade to Direct Live Bass Control available
  • 9 channels of power with full set of preamp outputs for use with external amps
  • Intuitive operation
  • Transparent, neutral sound
  • Dual independently adjustable subwoofer outputs
  • A plethora of analog audio and video inputs including phono input, component and composite video

Cons:

  • Cannot be expanded beyond nine channels (maxes out at 5.2.4 or 7.2.2)
  • Lacks Sony 360RA, MPEG-H and Auro 3D audio decoding and processing
  • No option to upgrade to DIRAC ART
  • Basic remote lacks backlighting

Where to Buy

Onkyo TX-RZ30 9-channel AV Receiver with Dirac Live on Amazon.com or Crutchfield.

Source link

Continue Reading
Click to comment

You must be logged in to post a comment Login

Leave a Reply

Tech

‘No more excuses’ as EU launches free age verification app

Published

on

European Commission President Ursula von der Leyen says the app is technically ready and will be available to citizens soon.

The European Commission yesterday (15 April) unveiled a digital age verification app aimed at shielding children from harmful content online, with European Commission president Ursula von der Leyen declaring there are “no more excuses” for platforms that fail to act.

Announcing the tool in Brussels on Wednesday (15 April), von der Leyen painted a stark picture of the risks children face in the digital world. “One child in six is bullied online. One child in eight is bullying another child online,” she said, warning that social media platforms use “highly addictive designs” that damage young minds and leave children vulnerable to predators.

Users set up the app using a passport or ID card, after which they can confirm their age anonymously. The free app, which the Commission says is technically ready and will soon be available to citizens, allows users to verify their age when accessing online platforms “without revealing any other personal data”, according to von der Leyen. “Users cannot be tracked,” von der Leyen stressed, adding that the app is fully open source and compatible with any device.

Advertisement

Drawing a comparison with the EU’s Covid certificate – adopted in record time and used across 78 countries – von der Leyen said the age verification tool follows “the same principles, the same model.” Seven member states, including France, Italy, Spain and Ireland, are already planning to integrate the app into their national digital wallets.

The announcement comes ahead of the second meeting of the Commission’s Special Panel on Children’s Safety Online, which is due to deliver its recommendations by summer. Von der Leyen was unambiguous about the Commission’s direction of travel on enforcement. “Children’s rights in the European Union come before commercial interest. And we will make sure they do.”

Platforms were put on notice that voluntary compliance alone will not suffice. “We will have zero tolerance for companies that do not respect our children’s rights,” she said, adding that the Commission is “moving ahead with full speed and determination on the enforcement of our European rules”.

Don’t miss out on the knowledge you need to succeed. Sign up for the Daily Brief, Silicon Republic’s digest of need-to-know sci-tech news.

Advertisement

Source link

Continue Reading

Tech

The Mac Mini is no longer a niche product, it's local AI infrastructure

Published

on


Consumer Intelligence Research Partners estimates the Mac Mini accounted for roughly 3% of Apple’s US Mac unit sales last year. That position has shifted quickly.
Read Entire Article
Source link

Continue Reading

Tech

Blue Origin’s New Glenn put a customer satellite in the wrong orbit during its third launch

Published

on

Jeff Bezos’ space company Blue Origin successfully re-used one of its New Glenn rockets for the first time ever on Sunday, but the company failed at its primary mission: delivering a communications satellite to orbit for customer AST SpaceMobile.

AST SpaceMobile issued a statement Sunday afternoon that the upper stage of the New Glenn rocket placed BlueBird 7 satellite into an orbit that was “lower than planned.” The satellite successfully separated from the rocket and powered on, the company said, but the altitude is too low “to sustain operations” and will now have to be de-orbited — left to burn up in the atmosphere of Earth.

The cost of the loss of the satellite is covered by AST SpaceMobile’s insurance policy, according the company, and there are successive BlueBird satellites that will be completed in around a month. AST SpaceMobile has contracts with more than just Blue Origin, and the company said it expects to be able to launch 45 more to space by the end of 2026.

But this represents the first major failure for Blue Origin’s New Glenn program, which only made its first flight in January 2025 after more than a decade in development. This was the second mission where New Glenn carried a customer payload to space, after launching twin spacecraft bound for Mars on behalf of NASA last November. The company did not immediately respond to a request for comment.

Advertisement

The apparent failure of New Glenn’s second stage could have wider implications beyond Blue Origin’s near-term commercial ambitions. The company is pushing hard to become one of the main launch providers for NASA’s Artemis missions to the moon and beyond. The space agency — and the Trump administration — has put pressure on Blue Origin and SpaceX to be able to put landers on the moon by the end of President Donald Trump’s second term, before advancing to returning humans to the lunar surface.

Blue Origin CEO Dave Limp has even said his company “will move heaven and Earth” to help NASA get back to the moon faster.

Blue Origin recently completed testing its first version of its own lunar lander, which the company is expected to try and launch at some point this year (without any crew). Blue Origin had suggested last year that it was considering launching this lander on New Glenn’s third mission, but ultimately decided to launch the AST SpaceMobile satellite instead.

Techcrunch event

Advertisement

San Francisco, CA
|
October 13-15, 2026

The third New Glenn launch seemed to start just fine on Sunday, with the the mega-rocket lifting off at 7:35 a.m. local time from Cape Canaveral, Florida. It was the first time Blue Origin re-used a previously-flown New Glenn booster — the same one that flew during New Glenn’s second mission. Roughly 10 minutes after liftoff, the booster came back down and landed on a drone ship in the ocean, just like it had last November. Jeff Bezos even shared drone footage of the booster’s landing on X, the social media site owned by his rival Elon Musk. (Musk offered congratulations.)

Advertisement

Roughly two hours after the launch, though, Blue Origin announced in its own post that the New Glenn upper stage placed AST SpaceMobile satellite in an “off-nominal orbit.” The company has not released any more information since that post.

Blue Origin spent a long time developing New Glenn, and it has been taken as a sign of confidence in that process that the company decided to start launching commercial payloads during these early missions. By comparison, SpaceX has spent the last few years flying test versions of its massive Starship, but has stuck with using dummy payloads as it works out the rocket’s kinks.

SpaceX did lose payloads deeper into its Falcon 9 program. In 2015, on the 19th Falcon 9 mission, the rocket blew up mid-flight and lost an entire International Space Station cargo spacecraft. In 2016, a Falcon 9 exploded on the launch pad during testing, causing the loss of an internet satellite for Meta.

Source link

Advertisement
Continue Reading

Tech

NYT Connections hints and answers for Monday, April 20 (game #1044)

Published

on

Looking for a different day?

A new NYT Connections puzzle appears at midnight each day for your time zone – which means that some people are always playing ‘today’s game’ while others are playing ‘yesterday’s’. If you’re looking for Sunday’s puzzle instead then click here: NYT Connections hints and answers for Sunday, April 19 (game #1043).

Good morning! Let’s play Connections, the NYT’s clever word game that challenges you to group answers in various categories. It can be tough, so read on if you need Connections hints.

Advertisement

Source link

Advertisement
Continue Reading

Tech

What Is The ‘Green Wave’ When It Comes To Traffic Lights?

Published

on





There are many drivers who often bemoan the very existence of traffic lights. Despite incurring the daily ire of commuters who are running late for work, even those haters have to acknowledge the traffic signal’s invaluable function in helping to keep our roadways safe.

Traffic signals have, of course, evolved considerably since they were first pressed into use in the late-1860s, with the first electric lights coming into play sometime around 1912. It wasn’t long until those signals started using colored lights, and have since evolved into the red, yellow, and green modes we are all too familiar with today. Even as safety remains the primary purpose of the hundreds of thousands of traffic lights currently employed throughout the United States, some theorize that the life-saving devices may one day cease to exist

Until that fateful day, getting stuck at red lights when you’re in a rush will remain a constant source of commuter frustration. On some occasions, however, a stream of greens opens up on the road ahead like the parting of the Red Sea. That stream of green has a name, with researchers dubbing it the “Green Wave.” While they may seem rare, the “Green Wave” is a common occurrence in certain parts of the world, and it serves a very important purpose.

Advertisement

What is the purpose of a traffic light Green Wave?

While it might seem like a weird sort of karmic intervention, that “Green Wave” of traffic lights was actually programmed for a specific purpose by whatever government organization is in charge of maintaining the traffic signals in your city, state or township. They are, however, far more commonly utilized on high-volume roads in urban areas. The purpose of a “Green Wave” is to improve the flow of traffic in those areas, particularly during times with increased traffic volume. 

At its core, the concept is very simple. The idea is to keep traffic flowing during peak volume times by simply reducing the number of stops at concurrent traffic signals. To enact a “Green Wave,” planners and engineers simply synchronize the traffic lights in congested areas to all turn green at the same time and stay that way for a specified period that ensures a steady flow of traffic in one direction. The method is, naturally, easier to manage on one-way streets with no turning lanes, though some cities have attempted to aid traffic flow further by simply outlawing left turns in metropolitan areas. Some have even taken to banning right turns too

Advertisement

In any case, on top of aiding the flow of traffic in congested areas, “Green Wave” traffic patterns are also believed to have a positive effect on the environment. After all, the reduction in stop-and-go traffic also reduces a vehicle’s idling time, which, in turn, leads to reduced greenhouse gas emissions.



Advertisement

Source link

Continue Reading

Tech

Digit Humanoid Nails a 65-Pound Deadlift and Reveals How Agility Trains Its Robots

Published

on

Agility Digit Humanoid Robot Deadlifting Weightlifting
Digit is seen performing deadlifts with a 65-pound weight in the center of a lab. Agility Robotics shared the video a few days ago, and to be honest, the robot maintains a fairly steady balance and completes the task from beginning to end. Someone mentions that the new version can lift significantly more weight than the previous one, while another laughs about how it can run all day without stopping.



The engineers designed the test so that Digit had to work harder than usual. Every additional pound it must lift causes the robot to modify its entire body at simultaneously, including its arms, legs, torso, and everything else. The system must keep the weight centered and avoid tipping over, therefore the legs, arms, and rest of the robot must all function together. These actuators and joints can withstand repeated load without breaking down. Digit’s video simply shows the robot grasping the weight, rising up, then effortlessly placing it down repeatedly in a standard indoor location built for people.


Unitree G1 Humanoid Robot(No Secondary Development)
  • Sleek & Durable Design: Standing at 132cm tall and weighing only approx. 35kg, the G1 is constructed with aerospace-grade aluminum alloy and carbon…
  • High Flexibility & Safe Movement: Boasting 23 joint degrees of freedom (6 per leg, 5 per arm), it offers an extensive range of motion. For safety, it…
  • Smart Interaction & Connectivity: Powered by an 8-core high-performance CPU and equipped with a depth camera and 3D LiDAR. It supports Wi-Fi 6 and…

Simulation is where all of the training takes place, because before it touches a real weight, an engineer creates a digital copy of the same thing in a virtual world. Then they anticipate what will happen when the weight shifts. The grip pressure remains constant, with no slipping or lowering. Any changes to the robot’s equilibrium are registered extremely instantly. The policy learns the perfect lift in the simulated environment with no complications before being transmitted directly to the real robot. When you see the real robot perform it, it looks fairly natural because it has already handled every potential variable thousands of times in the simulation.

Agility Digit Humanoid Robot Deadlifting Weightlifting
Engineers chose deadlifts for the test because the movement requires complete body control. A simple arm raise would not put the hardware under the same level of stress. By incorporating weight into the simulation loop, the team is able to handle balancing changes that a pre-programmed script cannot handle alone. As a result, Digit lifts consistently, with no wobbling or resets. This method is easily adaptable to other objects or larger loads in future tests.

Digit was built by Agility to manage long, repetitive jobs that wear people out, such as working in factories or warehouses where you must squeeze into tight spaces, pick up oddly shaped goods, and continue without taking a break. This deadlift test demonstrates Digit’s ability to lift weight on ordinary floors while remaining steady, which is ideal for picking up boxes, carrying tools, and stacking things in human-designed places.

Advertisement

It also illustrates how far they’ve come in teaching robots to perform physical tasks. Whole-body synchronization was originally a nightmare, with hand-tuned code for each joint angle. But now they can simply train a policy in simulation that adapts on the go. Digit detects weight using its sensors, corrects itself in real time, and completes the lift without assistance, while the hardware can keep up because the training has already taught the actuators and joints to be more durable.
[Source]

Source link

Advertisement
Continue Reading

Tech

Is the Iran War Driving a Surge of Interest in Electric Cars?

Published

on

In October and through November, America’s EV sales reached their lowest point since 2022 after government subsidies expired, remembers Time. “But first-quarter data for 2026 shows that used EV sales were 12% higher than the same time last year and 17% higher than the previous quarter.

“One factor likely helping push buyers toward these cars is high gas prices, which recently topped $4.00 a gallon for the first time in four years,” they write — but it’s not just in the U.S. Instead, they argue the conflict “is driving a global surge of interest in electric vehicles…”


In the U.K., electric car sales reached a record high, with 86,120 vehicles sold in March… The French online used-car retailer Aramisauto reported its share of EV sales nearly doubled from February 16 to March 9, rising to 12.7% from 6.5%, while sales of fueled models dropped to 28% of sales from 34%, and sales of diesel models dropped to 10% from 14%. Germany’s largest online car market, mobile.de, told Reuters that the share of EV searches on its website has tripled since the start of March — from 12% to 36%, with car dealers receiving 66% more enquiries for used EVs than in February.

South Korea reported that registrations for electric vehicles more than doubled in March compared to the prior year, due in part to rising fuel prices and government subsidies… In New Zealand, more than 1,000 EVs were registered in the week that ended on March 22, close to double the week before, making it the country’s biggest week for electric vehicle registrations since the end of 2023, according to the country’s Transport Minister, Chris Bishop.

In America, Bloomberg also reports 605 high-speed EV charging stations switched on in just the first three months of 2025, “a 34% increase over the year-earlier period,” according to their analysis of federal data. A data platform focused on EV infrastructure tells Bloomberg that speedier and more reliable chargers are convincing more drivers to go electric and use public plugs.

Advertisement

Source link

Continue Reading

Tech

La Dolce Audio Current Drive Tube Amplifiers Have a Different Take on Valve Amplification: AXPONA 2026

Published

on

Most loudspeaker designers don’t spend much time debating open versus closed the way headphone enthusiasts do. Cabinets are part of the equation for a reason, offering control, efficiency, and predictable performance. That’s the accepted playbook. But like any good rule in audio, someone is always trying to break it.

At AXPONA 2026La Dolce Audio showed what happens when you ignore that playbook and lean into experimentation. Founder Terry Gesualdo isn’t approaching amplification or speaker design from a traditional standpoint, he’s part of a growing group of builders exploring open designs and current drive amplification as an alternative to the usual voltage driven norm.

I met Gesualdo on the shuttle ride over to the show, which feels about right. This isn’t a polished, corporate origin story, it’s the familiar path of someone who started by modifying gear, then building his own tube amps for himself, then for friends and family. The difference here is that he didn’t stop at tweaking circuits. He kept pushing until the results looked and sounded like something entirely his own.

Current Drive Tube Amplification: Why La Dolce Audio Isn’t Following the Script

Having built a few tube amps, I’m always curious to see what others are doing, and Terry Gesualdo is not following the usual path. Most of his designs are single ended pentode circuits, not triodes, and not push pull designs chasing more voltage swing. That choice alone puts him in a different lane than a lot of tube builders.

Advertisement

Where things really diverge is the move to current drive. Most amplifiers are voltage driven. That’s the standard approach across both solid state and tube designs. Current drive shows up more often inside DACs where signal levels are extremely small, and occasionally in headphone amplifiers, but rarely in loudspeaker systems where current demands are far higher.

la-dolce-amps-rack-axpona-2026

The idea behind current drive is fairly straightforward. By controlling current instead of voltage, the amplifier reduces the impact of back EMF from the driver. That back EMF is the voice coil behaving like a generator as it moves through the magnetic field, feeding energy back into the amplifier. Reduce that interaction and, in theory, you reduce distortion and improve control over the driver.

It’s not a new concept, but it’s one that almost nobody is applying to loudspeakers in this way, especially with tube amplification. That’s what makes what La Dolce Audio is doing worth paying attention to.

Control Over Harmonics Instead of Chasing Purity

Circling back to that idea of ignoring the usual playbook, another aspect that reinforces how La Dolce Audio is taking a different path is the near exclusive use of pentode tubes instead of the more common triodes. Triodes are the simplest form of amplification with three active elements, anode, cathode, and grid. Fewer parts in the signal path is why many listeners and designers gravitate toward them. The assumption is less complexity means lower distortion and fewer unwanted artifacts.

But that’s only part of the story. Harmonic distortion doesn’t disappear just because the circuit is simpler. It just changes character. And not all harmonics are a problem. A lot of what people describe as tube warmth comes from second and third order harmonics, which many listeners actually prefer.

Advertisement

Terry Gesualdo leans into that reality rather than trying to avoid it. By using pentodes, which add additional control elements beyond what a triode offers, he can shape those harmonic structures instead of accepting whatever the circuit gives him. That includes adjusting the balance between second and third order harmonics and even their phase relationships.

It’s a different mindset. Instead of chasing the lowest possible distortion number, the goal is control over how that distortion presents itself, and giving the listener a way to fine tune the result.

Advertisement. Scroll to continue reading.

Some will find that approach a bit sacrilegious. There’s a large part of the hobby focused on removing as much of this behavior as possible, chasing lower distortion numbers and cleaner measurements. That’s not the goal here.

Advertisement

La Dolce Audio leans into a different philosophy. “If it sounds good, do it” is more than a slogan. It reflects the idea that listening is subjective and that not every system needs to be locked into a single interpretation of neutrality. By giving users control over harmonic structure, the design puts some of that decision making back in the listener’s hands.

UA2.5 and UA2.5M: Modular Power and User Tunability

ua-25m-angle
La Dolce Audio UA2.5M monoblock

La Dolce Audio offers two amplifier paths built around the same core ideas but with different roles. The UA2.5 is a dual channel amplifier rated at roughly 3 to 5 watts depending on tube selection, and it’s where most of the flexibility lives. With 24 possible sound signatures, it gives the user direct control over how the amplifier presents harmonic content and overall character.

The UA2.5M monoblocks step things up in output, delivering around 9 watts per channel, but they take a more focused approach. They are designed to be paired with the UA2.5, which handles preamp duties and sound shaping. As a result, the monoblocks do not include the same tuning controls, focusing instead on providing additional power while maintaining the same underlying design philosophy.

HPA2.3 Headphone Adapter

hpa-23-ua-25-front
La Dolce Audio UA2.5 Tube Amplifier (top) with HPA2.3 Headphone Adapter (bottom)

Alongside its amplifiers, La Dolce Audio offers the HPA2.3 headphone “amplifier,” although that label needs a bit of clarification. It’s not an amplifier in the traditional sense. The HPA2.3 is a passive device designed to work with the UA2.5, relying on it for signal processing and gain. In practice, it converts the UA2.5 into a headphone amplifier rather than operating as one on its own.

That means the HPA2.3 can drive a wide range of headphones depending on how the UA2.5 is configured, but it cannot function independently. No preamp, no sound.

Pricing reflects that modular approach. The UA2.5, which serves as the foundation of the system, runs between $1,799 and $2,499 depending on configuration and tube selection. The UA2.5M monoblocks are $1,999 each, and the HPA2.3 adds another $599. A full system lands in the $3,500 range, depending on how far you go down the rabbit hole.

Advertisement

The Bottom Line

La Dolce Audio isn’t trying to fit into the usual mold, and that’s the point. In a category where a lot of designs feel like small variations on the same theme, this is a reminder that there are still different ways to approach amplification and system building.

Beyond the amplifiers, the partnership with ABX Audiophiles on Discord to offer open baffle speaker kits adds another layer. It invites listeners to get involved, not just as buyers but as participants, with a community that shares ideas, solves problems, and pushes designs forward together. We’ll have more on that ABX side of things in a forthcoming article.

It won’t be for everyone. If you want plug and play simplicity, this isn’t it. But if you’re the type who likes to understand what your system is doing and shape it to your preferences, La Dolce offers something most companies don’t. A system you can actually interact with, not just listen to.

For more information: ladolceaudio.com

Advertisement
Advertisement. Scroll to continue reading.

Source link

Advertisement
Continue Reading

Tech

Hisense U7SG TV Review (2026): Better Design, Great Value

Published

on

Unlike previous years in what TV nerds like me call the “brightness wars,” the U7SG doesn’t outblast its predecessor, but it’s not a problem. It gets around three times as bright as anything you can stream (which is naturally capped due to compression), and has enough firepower for all but the flashiest 4K HDR Blu-rays. Its color processing shows a little more restraint than in previous models. It’s not quite what I’d call “accurate to the director’s intent,” like the best TVs I test, but it does keep itself from blasting your eyeballs most of the time.

The high brightness is matched by deep black levels, without much of the “blooming” or “haloing” around bright objects that can dilute the contrast of many budget-friendly TVs. It’s not as striking as OLED TVs, which can control each of their millions of pixels on demand, but it’ll wow you in deep space scenes just the same. I was pleased that the TV’s odd local dimming issue didn’t crop up in real-world content, but the picture does tend to flatten shadows in dark scenes more than expected, even as the matte-like screen does a good job keeping reflections at bay.

Image may contain Electronics Screen Computer Hardware Hardware Monitor Nature Outdoors TV and Scenery

Photograph: Ryan Waniata

There are some other notable flaws. Moving off to the TV’s side in my easy chair led to dimmer colors, washed-out contrast between the brightest and darkest images, and uneven backlighting, aka the “dirty-screen effect.” That stood out most in the green backdrop of the Masters on Sunday as Rory McIlroy held on for the win. It wasn’t an issue when viewing head-on, but even then, I noticed some dingy yellow lines along the screen’s left and right sides with light backgrounds. (I may not have noticed them much if I hadn’t been bombarding this TV with test content first.)

The U7SG still doesn’t feel quite like a premium model. But it’s a very clear, bright TV, and will feel more like it’s worth the money once RGB shows up on other Hisense models and the price on this one drops. If you want something brighter than a similarly priced OLED like the LG B5, the U7 is a great buy and has a few good upgrades over last year’s U75QG.

Advertisement

We’ll know more about the 2026 TV landscape once the new RGB TVs have landed, but if you need a powerful, classy-looking TV before then, the U7SG should be on your list.

Source link

Continue Reading

Tech

Opinion: Whither Microsoft? A view from the neighborhood

Published

on

Microsoft’s Redmond campus. (GeekWire Photo / Todd Bishop)

Feroze Motafram is an operations consultant based in Sammamish, Wash., and founder of Avestan LLC. This piece is adapted from a LinkedIn post.

Someone asked me recently what made me think about writing this. The trigger, I told them, was simpler than you might expect.

I live in Sammamish, in the shadow of Microsoft’s looming presence. Microsoft employees are my neighbors, my social circle, the people I run into at weekend gatherings. Over time I noticed that conversations with them had a distinctive gravitational pull — always inward, toward reorgs, internal politics, who reports to whom now, who’s ascendant, who’s out. Customers were rarely part of the conversation. This usually means navigating the organization has become more consuming than building anything within it.

Microsoft’s stock decline and the softening of real estate in this corridor (both affecting me personally) were the prompts to write it down. The material was already sitting in front of me.

I should be clear about what I am and am not. My formal training is in electrical engineering. The primary instruments of my early career were set squares and slide rules, which will tell you something about both my vintage and my domain. I have spent the intervening decades as a senior executive at Fortune 100 companies and, more recently, as an operations and supply chain consultant. I build and fix things: supply chains, organizations that have lost their way. What I can offer is not insider knowledge. It is 30 years of pattern recognition, applied to what is visible from where I stand.

Advertisement

This is the lens I am bringing. Take it for what it is worth.

The market is asking a question

Microsoft stock declined roughly 25% in Q1 2026, representing its worst quarterly performance since the 2008 financial crisis despite blockbuster results. The market may overreact, but it is not stupid. When the stock of a company of this scale underperforms that of its peer group by double digits, the question worth asking is not “is this a buying opportunity.” The question is: what does the market understand about this organization that the headlines don’t capture?

Part of the answer is visible in the financials. A striking portion of Microsoft’s forward revenue backlog is tied to a single counterparty, OpenAI, an unprofitable startup that has since signed a landmark cloud agreement with Amazon, directly challenging the Azure exclusivity Microsoft had treated as a cornerstone of its AI strategy. Meanwhile, Microsoft is building its own internal AI model as a hedge, an expensive bet layered on top of an already expensive bet.

But the part that does not show up in an earnings report may be the more consequential story. That is what I want to offer here.

Advertisement

The monopoly dividend, and its hidden cost

For the better part of three decades, Microsoft enjoyed something very few companies in history have had: a captive market. Enterprise customers did not use Office because they loved it. They used it because leaving was more painful than staying. That distinction between loyalty and lock-in matters enormously, and it is one that organizations rarely make honestly about themselves.

When your customers cannot leave, the feedback loops that drive genuine innovation go silent. The tendency is to stop asking “what does the customer need?” and start asking “what can we get away with?” Processes multiply. Committees proliferate. Bureaucracy thrives. The organization optimizes for defending territory rather than creating it.

This is not a character failing. It occurs insidiously and unconsciously. It is an entirely rational organizational response to a monopolistic competitive environment. But it leaves a mark. And that mark does not disappear simply because the competitive environment changes.

Satya Nadella earned his laurels, but the work isn’t finished

The Azure pivot was a genuine strategic achievement, and Microsoft CEO Satya Nadella’s cultural reset from “know-it-all” to “learn-it-all,” as he framed it, was real and necessary. The stack-ranking era that preceded him did generational damage to Microsoft’s ability to collaborate, retain talent, and take meaningful risks. He arrested that decline and deserves full credit for it.

Advertisement

But here one must tread carefully. Stack ranking was formally abolished in the final months of Steve Ballmer’s tenure. The announcement was celebrated, the headlines were laudatory. What is rather more interesting is what one hears in conversations since. Ask Microsoft employees about the performance review system that replaced it, and the response is rarely enthusiastic. Whether the underlying mechanics genuinely changed, or whether the organization simply learned to dress the same instincts in more palatable language, is a question I cannot answer from the outside. What I can observe is that the people doing the work don’t appear to believe the answer is reassuring.

Cultural transformation in a 220,000-person organization moves at a glacial pace. You can change the language in a decade. Changing the instincts takes considerably longer. One has to wonder how many of the engineers and managers who learned to survive the Ballmer years by navigating politics rather than building products have since moved on, and how many remain, in leadership positions, still oriented by instinct toward self-protection over bold action.

What I can observe is the output. Copilot (inarguably Microsoft’s most strategically critical product) has converted just 15 million paid subscribers from a captive base of 450 million Microsoft 365 users. That is 3.3%. When your own customers will not buy what you are selling at scale, it is worth asking whether the product is genuinely solving a problem or simply a feature in search of a use case.

Microsoft’s internal preoccupations do not stay inside the building. I have observed versions of this dynamic before, most vividly when I lived in Brookfield, Wis., in the orbit of GE Healthcare’s then-headquarters. But what I observe in this corridor is of a different magnitude. It is not just politics that dominates the conversation. It is the organization itself — its structure, its hierarchies, its shifting priorities — that has become the primary subject of intellectual energy.

Advertisement

The campus, in a very real sense, has become the product. When navigating the organization becomes more consuming than building anything within it, that is not a criticism of the individuals. It is a diagnosis of the system they are operating inside.

The human capital story no one is writing

There is a dimension to this that the financial press has largely missed, and I raise it because I see it in my community every day… including, in ways I did not anticipate, in my own backyard.

A significant proportion of Microsoft’s engineering talent (and the engineering talent of the broader Seattle tech corridor) consists of H-1B visa holders. These are exceptional professionals: highly educated, deeply skilled, often carrying decade-long career investments in the United States. They have built lives here. Many have children born here. They have been, in many cases, the intellectual engine of the products Microsoft is depending on to compete in the AI era.

That population is operating under a level of personal anxiety that is, in my observation, without modern precedent. Travel advisories from their own employers. A $100,000 petition fee for new visa applications. Proposed rule changes touching birthright citizenship. A policy environment that sends a clear and unambiguous message: your presence here is conditional, negotiable, and subject to revision without notice.

Advertisement

The behavioral consequence of that anxiety is not visible in a quarterly earnings report. But it is real and consequential. People operating under existential personal uncertainty do not take professional risks. They do not champion the bold new initiative. They do not volunteer for the high-visibility project that could fail. They execute reliably on what already exists and protect their position. In an organization that already has a cultural predisposition toward risk aversion, this compounds the pathology in ways that will show up — perhaps not this quarter, but in the product decisions made over the next eighteen months.

The effects are visible beyond the campus walls. Conversations with real estate professionals in this corridor tell a consistent story: demand from this community, which has historically been among the most financially capable buyers in the region, has softened measurably. Not because the finances have changed, but because the horizon has. When you are uncertain whether your visa will be renewed, or whether your children’s citizenship status may be revisited, you do not buy a house.

The softening of demand is not merely an abstraction for those of us who live here. But the more significant consequence is not measured in property values. It is measured in the quality of risk-taking inside those campuses. And risk-taking is precisely what Microsoft needs most right now.

The case for optimism, and why it requires more than patience

None of this is to suggest Microsoft is broken beyond repair. Betting against Microsoft has historically been an enterprise for the foolhardy. The balance sheet remains stellar. The enterprise relationships are genuinely extraordinary. Ripping out Azure, Teams, and the M365 stack is not a decision any CIO makes lightly. The installed-base moat is real, and should not be underestimated by anyone, least of all an operations consultant from the suburbs.

Advertisement

What I would offer, more modestly, is this: the bull case requires more than a great balance sheet and sticky products. It requires an organization capable of genuine innovation at speed. Which in turn requires a culture that rewards risk, retains its most creative talent, and executes with urgency. Whether Microsoft can summon those qualities at this particular moment is a question I cannot answer with conviction.

What I can say is that the market, which is considerably more qualified than I am, appears to be asking the same question. The valuation has compressed to levels not seen in a decade, briefly falling below the S&P 500 for the first time in a generation. That is not the posture of a market betting with conviction that the answer is yes.

Perhaps it should be. I honestly don’t know. What I do know is that the signals visible from outside the building — from the neighborhood, from weekend gatherings, from the casual conversations — are worth paying attention to. They usually are.

Source link

Advertisement
Continue Reading

Trending

Copyright © 2025