Entertainment
Jason Momoa Officially Addresses The Future of His R-Rated Apple TV War Drama Series
Summary
- Collider’s Steve Weintraub talks with Jason Momoa and Brian Andrew Mendoza for HBO Max’s On the Roam Season 2.
- Momoa discusses how Season 2 highlights the punk band The Bobby Lees and painter Julian Schnabel, and major tech leaps with vintage bikes.
- Momoa also teases a future for Apple TV’s Chief of War series.
As fans gear up for Season 2 of HBO Max’s docuseries On the Roam with Jason Momoa, the DC star and jack of all trades took some time to chat with Collider’s Steven Weintraub about what to expect this time around. Talking alongside director and executive producer Brian Andrew Mendoza, Momoa shares the art, adventures, and bonds he explored while juggling his “manic schedule” (on top of filming Supergirl), plus an exciting tease for more from Apple TV’s hit series Chief of War.
On the Roam Season 2 takes viewers across the country with Momoa once again for even more artistry, craftsmanship, and pushing technological boundaries for the sake of passion, admiration, and curiosity. This time around, Momoa chronicles the resurfacing of garage punk band The Bobby Lees, spotlighting the struggle of artists and the state of the music industry; meets and collaborates with yet another “top hero,” painter and filmmaker Julian Schnabel; and breaks down the innovative mechanics that make Season 1’s Rolls-Royce look easy. Don’t miss the full conversation in the video above, or the transcript below.
Jason Momoa Says ‘Chief of War’ Is at a “Standstill”
But he’s eager to tell more stories from the hit Apple TV series.
COLLIDER: You guys know that I love Chief of War, and before I get into On the Roam, I think you envisioned it as a one-season show, but did Apple ever tell you how it did? Is there more in that world you want to explore, or other stuff that you want to explore from Hawaiian stories?
JASON MOMOA: No, absolutely. We sold it as a one-shot with the inspiration to hopefully do more. We’re just waiting for it to do its run and hopefully get some more words. But basically, right now, it’s kind of at a bit of a standstill. But yeah, there’s definitely high hopes to do more with that storyline because there’s so much to tell.
Momoa delivers a powerful performance in a show that shines a light on a forgotten chapter of history.
‘On the Roam’ Turned Heroes Into Family
Momoa discusses working with The Bobby Lees and meeting Julian Schnabel.
If you make more, I would watch more. Jumping into why I get to talk to you guys. On the Roam feels like a love letter to things that take time in a world that moves too fast. So after two seasons of meeting these masters of time, how has that changed your relationship with time and with your work?
MOMOA: Great question.
BRIAN ANDREW MENDOZA: There’s not enough time. Realizing there’s not enough time. One of the things I really love about this is that the people that we get who let us go into their homes are really good at knowing how to control their time. They’re artists. They’re craftsmen. They’re fulfilled by what they’re able to complete at the end of the day, if it’s a song or if it’s just part of an engine or it’s a piece of art on canvas. I love being able to get in these spaces because each one of them really knows how precious that time is, and they do a really good job of slowing down and making sure that the world moves at their speed. They’re not moving at anybody else’s speed, and it’s a good thing to see.
MOMOA: I love watching the show, and the sense of where we start with our idea and where we were at. For The Bobby Lees, for instance. We just read that I was doing SNL, and in between doing SNL, which is the hardest thing you could ever do in your life, I’m literally trying to meet this band to try to pull something off to shoot their last show, and then get up to see them in their hometown.
So, we’re trying to plan all this stuff, and in between, probably doing Lobo at that time. It’s just a manic schedule. But you get to see that section of time that, if I just were doing that passion without shooting it, it would be just in pictures and maybe lost, but you get to relive that moment, like, “Holy shit, we had so much going on.” I mean, Sam [Quartin] literally got knocked up, had a kid, had a baby. We went through a whole thing with them. We went to record the album. I didn’t get to be there because I was doing Lobo. Brian was there.
MENDOZA: [Julian] Schnabel made a whole film.
MOMOA: Yeah. I mean, I was scared meeting Schnabel in the very beginning, and now he’s, like, frickin dad, the great uncle you got. So, everything changes so much. Even the thing with Kirk Hammett, like, “Bro, tonight?” We’re on camera having my first conversation with Kirk, and trying to just talk about this guitar that we want to talk about that’s so special, getting invited over to his house. He’s cooking fucking breakfast omelets for us and wants to go surfing. We’re talking about this amazing guitar that then we’re going to make duplicates of it so that we can auction it off.
Next thing you know, the person who shot his book, they call us, and Sharon Osbourne wants us to be a part of the fucking Black Sabbath concert. Then that thing opens up, and now it’s turned into this huge thing, and we’re here in Hawaii, I just wrapped this movie, and we’re doing a benefit thing. I’m playing with my band, who I didn’t have in Season 1 because all this happened, and now I’m playing music, and then Kirk Hammett is going to come play fucking “For Whom the Bell Tolls” with us for flood relief!
All this shit is happening right now. So it starts like this, and you talk about time, you get to go, like, “Wow, I get to relive all this shit.” You’re like, “Wow, this started as, really, this idea of like, ‘I hope, hope, hope he’ll pick up the phone.’” Now I’m like, I hope he fucking leaves me alone because I just want to play guitar with my friends. Like, leave us alone, Kirk. You already did it. We’re playing your song our way. [Laughs]
It just keeps evolving. It’s just a really cool marker of time. And for us just to go, “I have an idea,” and then to see what the universe offers us, and then see if it opens up and we’re making the right steps.
Jason, have you thought about playing the lottery? Because you have clearly won life.
MOMOA: I’m the most unlucky fucking person! I gamble on my life in the things that I do, so I’m lucky that way, but man, if you see me at a poker table, sit next to me because I’m going to lose. If I pick black, pick red. You’re going to win.
‘On the Roam’ Addresses the Real Cost of Being an Artist
“We literally can’t buy a fucking sandwich.”
Being serious, is On the Roam, the entire series, really just a covert thing for you to become friends with Julian Schnabel?
MOMOA: Well, he’s actually kind of our hero. Same thing with Todd Hido. He was our hero. If we were to think, “Who are our top heroes?” It’s Tom Waits, Julian Schnabel, and Todd Hido. Those were our holy grail. And through that, he’s almost like a dad, man. He’s like a fucking uncle to us. Just mutual respect. Then he forced me to do a movie I did not want to do. It’s a weird thing to say that, but I had to play this crazy character, and I was like, “I cannot do this, Julian. I cannot do this.” And he literally made me do it, and we killed it. But I’ve never had a bigger fan believe in me. Because he was stoked on See. That really hit it off for him.
Then, when we were doing Chief of War, [Brian]’s directing and I’m producing, we’re both producing, we’re doing everything, and he’s watching us do it behind the scenes, and he’s going, “You motherfuckers…” Like, Julian couldn’t believe it. He was so stoked to be watching us do Chief. I’m like, “We’re just your bastard children now. You are our inspiration.” He’s like, “How do you have time to do all this?” I’m like, “Motherfucker, you have a book this big of paintings by Taschen, and then seven films and fucking seven kids. What do you mean you don’t have the fucking goddamn time? He’s got one, I got two. I’m barely trying to make good cinema, you know? You fucking just decide to go, like, “Oh, painting! Let’s try cinema,” and just pop out four… I mean, The Diving Bell and the Butterfly — what the hell? Before Night Falls, Basquiat. I haven’t made that. Sure, we did Chief of War, but I ain’t you, man. How did you do it?
So yeah, I think all of it just comes down to, like, we want to do stuff that is like, what are the dreams? But at the same time, showcase small things, big things. Just the idea of talking about the music industry. Until I talked to Sam, like, “What’s going on? You look so great on Instagram. Blah, blah, blah.” And she just explains, “We don’t make any money. By the time we come back, there’s nothing left. We’ve been gone for two years.” She’s like, “We literally can’t buy a fucking sandwich.” You’re just like, wow, and she’s like, “Yeah, if you don’t sell this and this and that, you’re not making any money.” We pay $4 for a coffee every day, but you won’t buy your artist’s fucking favorite songs. It hit me, where I’m like, oh my god, we gotta explain this to the world so they understand art is not free. We need to support the arts. So, it was nice to make an episode without bitching at someone just to go, like, “Hey, this is what state some artists are in. Support your artists. Get that shirt, buy that sticker.” If you love it, do it.
No, 100%. This is a whole bigger conversation, but I want to ask a specific question.
Jason Momoa Breaks Down the Ambitious Tech Behind ‘On the Roam’ Season 2
“The Rolls-Royce was easy compared to what they pulled off.”
In Season 1, the 1927 Rolls-Royce Phantom electric conversion was a highlight of technical rule-breaking. Is there something in Season 2 that pushed the boundaries of what you thought was possible with craftsmanship?
MOMOA: The shit that we pull off for our electric, the stuff that we went for, the technology has never gone to. We fucking did it. I’m like, “It should be easy, right? Blah blah blah blah.” He’s like, “This is the hardest…” Dude, the Rolls-Royce was easy compared to what they pulled off. So, Electrogenics, we do four different types of things, whether it’s solar or whether it’s batteries, but basically just working on green energy. We took all these old bikes…. Say your grandfather had a 1920s bike, right? A 1920s bike doesn’t work. It’s frozen. You take that back wheel off, you put a wheel on. That hub will basically power it. You put the batteries, like, on the side, and that bike from the 1920s is all E. That’s with it not even running, the motor. We also did, it could be gas and oil, so say you’re an 80-year-old guy that can’t kick his bike over anymore. You basically switch it over; you’re just changing out the back wheel. It’s still gas and oil, and it goes E. So the hub works as E, then you pop the clutch and it kicks over in and goes into gas.
So you can ride it in gas. Say you break down and don’t have enough gas, switch it over to E, and it’ll get you home. Or if you wanted to combine it at the same time, where it’s E and gas, which I wouldn’t recommend because those bikes weren’t meant to go that fast, but we did it, is to go gas and E at the same time. So you’re taking something that’s a historical piece, keeping it in its original form, adding just the rear wheels so if you wanted to take it off, you can go back to the way it was, but you just put that tire on, and that tire would be E technology. So you can ride all these really beautiful old things and not hurt the planet.
MENDOZA: Also, the technology in some of the places that we went, like we went to Poland, with this company called Sunreef that is pushing the boundaries of solar panels.
MOMOA: Basically, having the whole mast and the whole side of the boats all solar panels. It’s called solar skin. So being able to run the whole fucking boat, just going off sails for your energy, and then you’re going off of your motors. So it’s only getting better using the marine motors. But when that gets to a certain level, it’s like, oh my god, we’re not putting all that shit into the ocean. So it’s just touching on everything that we’re moving and shipping being able to have E motors. There’s just a lot of stuff that I’m curious about where things are at, and so we talk about a lot of those things.
On the Roam Season 2 premieres on HBO Max on May 14. Episodes will release weekly.
- Release Date
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January 16, 2024
- Writers
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Ben Holmes, Adam McClaughry
Entertainment
Doctor Who’s Greatest Creator Just Admitted He Lied To Fans
By Chris Snellgrove
| Published

Every fandom has its wildly polarizing figures. In Star Trek, for example, many fans revere William Shatner as an acting legend, but others see him as an egomaniac who’d phaser his costars in the back if it meant getting an extra minute or two of screentime. In Doctor Who, very few of the actors are quite as polarizing (not counting John Barrowman and his alleged problematic sexploits onset), but the same can’t be said about the showrunners. When the show goes off the rails, the fandom tends to blame the man at the top, which is why Chris Chibnall gets so much heat for Jodie Whittaker’s subpar seasons as the Doctor.
Historically, Russell T. Davies was one of the most beloved showrunners. He was in charge during the first four seasons of the 2005 Doctor Who revival, essentially turning this venerable ‘60s franchise into something hip and sexy enough to win over younger fans. But Davies became significantly more controversial when he returned to Doctor Who nearly two decades later, and his run was canceled after two bad seasons that barely anyone watched. That was bad enough, but fans are now ready to take out their pitchforks because Davies took to Instagram and confirmed that he had been lying about working on a Christmas special, which was, seemingly, also a complete fabrication!
A Timey Wimey Rise And Fall

Once upon a time, Russell T. Davies’ return to Doctor Who was hailed as a return of the king. The original series had fizzled out in 1989, and an attempt to bring it back as a made-for-TV movie in the ‘90s was dead on arrival. Davies was the showrunner for the 2005 reboot, which was an unqualified success: with exciting stories and beloved actors like David Tennant, NuWho filled the sci-fi TV void that was left by the early cancellation of Star Trek: Enterprise. He eventually left the franchise, leaving it in the capable hands of Steven Moffat, a showrunner who added a distinctly movie-like feel to almost every episode.
When Moffatt left the franchise in 2017, the series got a new showrunner: veteran Doctor Who writer Chris Chibnall. Unfortunately, things went downhill, as fans were divided on new Doctor actor Jodie Whittaker and controversial changes to franchise lore. Eventually, the BBC threw a Hail Mary, partnering with Disney and bringing back Russell T. Davies as showrunner. Sadly, the new show failed to gain much of a viewership and was canceled after two seasons. Davies previously mentioned writing a script for an upcoming Christmas episode that fans hoped would tie everything together. Incredibly, though, Davies hopped onto Instagram to verify that he made up the Christmas special and had never written anything for it!
Everything Falls Apart

While Russell T. Davies’ Instagram post was long-winded, it got to the point relatively quickly. He verified that he was saying “GOODBYE” to Doctor Who and that the BBC is “putting the show out to tender.” After that, Davies clarified that “there won’t be a Christmas Special–we only cooked that up to guarantee a future when no one knew what would happen, but now we do know, there’s no need for it.” Following on the heels of that rather stunning admission about the Christmas Special, he added, “For the record: there was no script, I never wrote it, and no actor was ever approached to play the next Doctor.”
Fans were salty about Davies’ admissions for several different reasons. First, he had claimed to be writing the script in December of 2025, a claim that had seemingly been backed up by Doctor Who composer Murray Gold. Taking his Instagram post at face value, we can’t help but wonder why Davies was comfortable just straight-up lying to fans about this Christmas special. Even more incredibly, it seems he is saying that the special was never in any level of active development and was simply announced as a last-ditch attempt to keep the franchise alive.

Adding insult to injury, no script development and no attempt to cast a new lead means that even Davies (the man in charge!) had no idea how to wrap up the cliffhanger in which Ncuti Gatwa’s Doctor somehow regenerated into the body of Billie Piper’s Rose Tyler, a former Companion. When the episode aired, some cynical fans thought that bringing this sexy, beloved actor back was a last-ditch attempt to save the show. Now, that theory seems accurate, given that Rose was apparently plonked back into the franchise with no real idea of how to use her character. Now, that will be a problem for another showrunner, assuming that Doctor Who ever comes back.
The Crankiest Doctor Is Now Validated

Amid the hate spurred on by Russell T. Davies’ Instagram posts, more and more Doctor Who fans came to a simple conclusion: Christopher Eccleston was right! Eccleston played the Doctor for the first season of the 2005 revival; when fans asked why he left the show, the actor responded that he had concerns about how the crew was treated and that he was told to ignore these concerns. After leaving, he claimed that he had lost all trust in Davies. More recently, when Eccleston was asked at a fan convention what it would take for him to return to Doctor Who, he bluntly responded, “Sack Russell T Davies…and I’ll come back.”
For a long time, it was easy to dismiss some of Eccleston’s claims as sour grapes. Now, though, Davies returned to Doctor Who only to run it into the ground, and on his way out, he gloated about lying to fans about a Christmas special that will never come to be. In the rest of his Instagram post, he alternates between being weirdly defensive and mildly snarky. Now, it seems increasingly clear that Eccleston was right about the other man. However, we’re left with one silver lining: with Davies now sacked, Eccleston is one step closer to returning to the franchise that made him a household name!
Entertainment
Gene Roddenberry Redeemed Iconic Star Trek Villain Before Dying
By Chris Snellgrove
| Published

Star Trek: The Next Generation brought back some of the most famous bad guys from The Original Series, including the Klingons and the Romulans. This beloved spinoff also introduced some memorable new villains, including the Cardassians, the Nausicaans, and the Borg. While all of those new baddies resonated with fans, none struck a chord with the fandom quite as much as Q, the godlike being played by John de Lancie. He appeared in both the very first and very last episode of The Next Generation and several episodes in between, and he was always the perfect chaos agent to get under Captain Picard’s skin.
Over time, Q became less of a villain and more of an antagonistic ally: by the end of TNG, he was helping Picard to literally save all of humanity. Originally, though, he was written to be a recurring Big Bad, a kind of ultimate foe who can’t be overcome by advanced Starfleet technology. When did he begin his transformation from evil villain to the unexpected savior of mankind? It all started with “Deja Q,” an episode where Q was written to be a manipulator who merely lied about losing his powers. But Gene Roddenberry insisted he actually lose his powers, causing the former villain to discover humanity he didn’t even know he had.
Naked And Afraid

“Deja Q” is the memorable Next Generation episode in which Q shows up on the Enterprise, completely naked. He reveals that the Q Continuum decided to punish him for because he frequently torments lesser beings; subsequently, they stripped all of his powers, effectively leaving him at the mercy of previous alien victims such as the Calamarain. They attack Q when he is adjusting to life as a human, and he freaks out when he sees how the aliens hurt his new buddy, Data. Q tries to sacrifice himself to the Calamarain so the Enterprise crew would be safe, and his altruistic behavior is rewarded when the Q Continuum give him his powers back.
It’s a very heartwarming episode that quite literally humanizes Q, who was, up to this point, the scariest villain in Star Trek: The Next Generation. As recorded in Captains’ Logs: The Unauthorized Complete Trek Voyages, “Deja Q” was originally written as an episode where Q was lying about losing his powers. Showrunner Michael Piller said that Q spun “a whole story about how we were about to come into a war with the Klingons,” with the big reveal being that the godlike being “was just playing with us and pulling our strings just so that he could make himself a hero, become an officer and prove his value.”
Til Death Do Them Part

Such an elaborate ruse would be perfectly in line with the mustache-twirling villain that we saw in earlier episodes like “Encounter at Farpoint” and “Hide and Q.” So, why did the plot for “Deja Q” change so dramatically? This was because Star Trek creator Gene Roddenberry decided to effectively redeem TNG’s most iconic villain. According to Piller, Roddenberry “threw cold water” on him and the other producers with a very straightforward storytelling note: “If you’re going to do a story–Godlike and brought to Earth–then do it. Do a story about what it’s like to lose everything that you are and having to discover your own Humanity.”
It turned out to be great advice, and “Deja Q” became one of the best episodes of the entire series. This humanization of Q set up some important later arcs for the character, including him helping Picard save humanity in the TNG finale “All Good Things.” The godlike being also returned in Picard Season 2 to help give his oldest frenemy some closure. Sadly, Roddenberry didn’t live to see any of this; he died in October 1991, one year after the original broadcast of “Deja Q.” Fortunately, he had time before his death to help redeem his favorite villain, one named for a passionate Star Trek fan.

Obviously, Gene Roddenberry wasn’t a perfect storyteller, and some of the Season 1 TNT episodes under his tenure were pretty bad (“Code of Honor,” anyone?). But he always had good instincts when it came to his characters. He knew how to write Q as one of the greatest and most menacing villains in television history, but he also knew exactly when and how to transform that bad guy into one of Star Trek’s most unexpected heroes. He also gets the coolest hero-to-villain glow-up, ever. After all, how many do-gooders have you seen that have their own mariachi band?
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Meghan Markle Compared To Anne Boleyn In New Book
Meghan Markle has been compared to one of the most controversial figures in royal history, Anne Boleyn, amid ongoing debate about her departure from royal life alongside Prince Harry.
The comparison was made by author Catherine Mayer, who argued that both women were viewed as outsiders and faced intense hostility after entering the royal fold. The remarks come as reports suggest Harry and Meghan are considering spending more time in Australia following their warmly received visit to the country earlier this year.
Meghan Markle has been linked to controversial royal predecessor Anne Boleyn, who served as Queen Consort during her marriage to King Henry VIII.
On the surface, the two women appear to have little in common. Meghan lives in Montecito with Prince Harry and their two children, while Anne met a notorious end in 1536 after being accused of treason.
However, while promoting her new book, “Divide and Rule: Royal Women and Their Battles,” author Catherine Mayer suggested that Meghan’s “brutal” departure from royal life mirrors Anne’s experience in several ways, particularly as both women were viewed as cultural outsiders.
“Critics hold [Anne] solely responsible for her own downfall. If you assume this to be a description of Meghan, you’re right – but here’s the thing: the same details apply, word for word, to Anne Boleyn,” Mayer wrote in the book, per Sky News.
Meghan’s Reputation Was ‘Damned,’ Author Claims

Mayer went on to describe Meghan as the least popular royal “except for Andrew Mountbatten-Windsor,” who lost his royal patronages and military affiliations following scrutiny over his association with Jeffrey Epstein.
According to Mayer, Meghan’s reputation may have been “damned” by a palace culture she characterized as hostile toward outspoken women.
“To those who clamour for Meghan to be expunged from public life like a latter-day Anne Boleyn, I’d ask one question: what exactly has she done to earn such hostility?” Mayer added.
Meghan Markle Continues To Face Online Criticism

Meghan has frequently found herself at the center of online criticism, so much so that she once claimed she was the “most trolled person in the world” during the past decade.
Whether through products released under her As Ever lifestyle brand, her Netflix series “With Love, Meghan,” or her social media activity, critics have regularly questioned the Duchess’s decisions.
Most recently, Meghan marked Princess Lilibet’s birthday by sharing photos of herself and Harry with their daughter. Days earlier, she posted images from a family outing that included Archie and Lilibet.
The posts sparked criticism from some social media users, who argued that sharing images of her children conflicted with her advocacy for child safety and online privacy.
Duchess Defends Sharing Family Photos
The criticism eventually prompted a response from Meghan’s camp, which argued that sharing family moments while protecting children’s identities is entirely consistent with her message on online safety.
“The Duchess has always been clear that there is a distinction between sharing moments from her life and exposing her children to public scrutiny,” a representative told Newsweek.
They continued, “By obscuring their faces, she is demonstrating the very principle she advocates for: giving children privacy, agency, and protection in an increasingly digital world.”
“Far from being contradictory, by concealing their faces she is actually reflecting the message she delivered in Geneva: that parents can choose to share family experiences while still taking deliberate steps to protect identities, privacy, and digital footprint,” the spokesperson added.
Harry Reportedly Wants Meghan Markle Back In Australia

After a challenging few years in the United States, reports suggest Harry and Meghan may be exploring Australia as a potential fresh start.
The couple spent four days in the country in April on what many described as a quasi-royal tour, receiving a warm welcome while participating in charity engagements and private events.
According to reports, Harry has become particularly fond of the country and is eager to return with Meghan and their children.
“He can’t wait to get back with Meghan and the kids,” an insider claimed. “Harry would love to spend an extended amount of time there. It’s no secret they’re looking to make a fresh start somewhere, and Harry seems to think Australia can offer that.”
The Sussexes previously toured Australia in 2018 during an official royal visit while Meghan was pregnant with Prince Archie. They have not undertaken a similar royal tour since stepping back from official duties in 2020.
Entertainment
The Star Trek Icon Who Suddenly Stripped Naked On Set
By Chris Snellgrove
| Published

From the very beginning, Star Trek has been a franchise about exploring strange new worlds. Often, that’s literal, with our intrepid crews learning about new life and new civilizations on one planet after another. More often than you might think, however, the most interesting explorations were more metaphorical, as our characters discovered new facets of their own humanity. However, there was one final frontier this franchise never explored for decades: nudity!
Until its more recent pivot to streaming, Star Trek had always premiered on network television. That meant that it had to abide by certain broadcast standards and practices. As you might imagine, there are plenty of restrictions regarding nudity, most of which focus on how much skin can be shown. That’s why, when Q showed up naked in The Next Generation episode “Deja Q,” we only see so much: one cheek, no crack, and (perhaps most importantly) no genitals. No matter how much they wanted it otherwise, fans could only see so much of Q actor John de Lancie’s body. The actors, however, saw everything because de Lancie stripped completely naked on set!
The Naked Now

“Deja Q” is the Next Generation episode where Q loses all of his godlike powers and is rendered human. He is being punished by the Q continuum for abusing those powers to torment various alien beings who can’t fight back. Aboard the Enterprise-D, Q is attacked by an alien race that he had preyed on before (the Calamarain), and they end up damaging Data. Realizing that he is putting the entire crew at risk, Q steals a shuttle and tries to sacrifice himself to the aliens to keep everyone else safe. Impressed by altruism, the Q Continuum ultimately restores all of Q’s powers.
In previous appearances, Q had always made himself look imposing by dressing like a judge, a soldier, and even a Starfleet captain. To visually underscore that his powers had been stripped, the Star Trek: The Next Generation producers stripped him, and Q showed up completely nude on the bridge. To make that happen, John de Lancie was given a g-string to protect his modesty. According to visual effects supervisor Dan Curry, de Lancie decided to forego the g-string, and nobody else knew until the actor showed up on set.
Star Trek Icon Bares It All

As recorded in Star Trek: The Next Generation 365, Curry said, “The script said ‘Q appears nude.’ We planned to have John de Lancie lay on a wooden board that couldn’t be seen due to Patrick Stewart’s position in the shot.” However, things soon went off-kilter in the most hilarious way. “As we were prepping the shot, John showed up on the set with his bathrobe on. When we were ready to go, he dropped his bathrobe, and he was stark naked. That caused… ummmm… a bit of a stir.”
Curry didn’t elaborate further, so we can only imagine what costars like Patrick Stewart and Brent Spiner felt about seeing the full de Lancie. However, the visual supervisor did note that despite (or perhaps because of) the actor’s unexpected antics, the scene went exactly as planned. “It’s one of the few shots we’ve done that came out looking exactly like the storyboard. I’d picked the spot for the camera in advance, and the scene played out just as I drew it.”

In Star Trek: The Next Generation, Q is a chaotic trickster god, and you never know exactly what he’s going to do next. Now, you know that John de Lancie has the same temperament as his omnipotent onscreen alter ego. While the actor doesn’t, sadly, have his character’s fantastic cosmic powers, he did demonstrate one astonishing ability on the set that day: just like that, he transformed “Deja Q” into a special after-hours rerun: “The Naked Now.”
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Entertainment
Zac Efron Is Living Off the Grid in Australian Rainforest
Zac Efron is in the process of building a sustainable $2 million home in the Australian rainforest.
The High School Musical actor, 38, has partnered with eco-friendly designer Joost Bakker and architect Frank Burridge on a residence he calls “Futurecave”, which is located an hour outside of Australia’s famed Byron Bay, per the Daily Mail.
Efron’s design team is using environmentally responsible building materials — largely made from hemp blocks, recycled oyster shells and agricultural waste — and more than 200 sustainable particle boards to construct the six-bedroom, two-story property as well as its internal bricks, mattresses and even bedsheets. All of the bedroom pods will be connected by an outdoor walkway and each has their own rooftop garden.
In December 2025, Efron confirmed to the Australian Financial Review that he purchased a 128-hectare plot in New South Wales in 2020 and is just now starting to develop it.
“I live a pretty fast-paced life and work quite a bit, so in between movies and press tours, my number one goal is always to take time for myself and rest and recharge and to be in nature as much as possible, and as close to the earth as I can, and this land just feels like it’s perfect for that,” Efron explained.
He expressed hopes that the “Futurecave” could become “the coolest house ever built” once the project is complete.
Eforn spent the COVID-19 pandemic in Australia and later returned to the country to film his Netflix travelogue Down to Earth, during which he met Bakker, 51.
Bakker confirmed last November that he had started developing the concept of “Futurecave.”
“It’s not every day of the week that @zacefron asks you to design his home, I am beyond excited! Especially as it will be the first home he has ever owned,” he revealed via Instagram at the time. “Zac fell in love with @futurefoodsystem and then our family home in Monbulk and now wants a home of his own + best of all he wants me to push my ideas as far as they can go!”
The designer described Efron’s sustainable home as a “dream come true” that was “pushing my team creatively.”
“For the past year we’ve experimented with making hemp blocks, replacing concrete with two materials that restore the environment hemp, possibly the best plant on earth at repairing and restoring soil health and of course oysters, natures ultimate ocean restorer,” he shared.
Bakker went on, “We are using the most cutting edge technology (invented by the Romans 2000+ years ago) I want to create a building material that I hope will become mainstream one day — a material that naturally breathes, is anti mould, naturally fire resistant and improves the indoor air Zac will ultimately breathe.”
More recently, he confirmed on May 8 that his team was “excited to get started on Zac’s house” after more than six months of lining up the concepts.
“Although @zacefron kitchen and bathroom joinery will only use only 200 hundred boards (less than 1000 square metres of crop) if we embrace this product we have the potential to help farmers restore soil health in a natural way,” he revealed via Instagram on May 22.
Us Weekly has reached out to Efron’s representatives for comment.
Efron told Variety in December 20243 that he was actively trying to shift focus from work to his personal life.
“I’m thinking about where I want to build a home base and cultivate my life,” he said. “It’s shocking — sometimes you wake up after doing three movies a year, and you’re like, I’ve neglected thinking about my own personal life for this long.”
He continued, “The goal is always the next mission, the next movie, making sure everyone else is very happy. It can be very lonely at times. But the process of taking your emotions head-on, sort of working with them, was a profound moment in my life. And it’s definitely taken me down a different road.”
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