Murder for Two is a breathtaking, madcap romp that will leave you struggling to keep up as an astonishing pair of actors take silliness to a whole new brilliantly barmy level.
Lucy Keirl and Tom Babbage in Murder for Two (Picture: Tony Bartholomew)
The Octagon really does need to install seatbelts for this production where the humour is so rapid, the switch from one character to another is like lightning and where the audience is clinging on for dear life.
This is a real runaway train of a show which relies on the magnificent Lucy Keirl and Tom Babbage to prevent it from running into the buffers.
Originally written as a murder mystery, this production offers an added twist to the award-winning show.
Set in a BBC radio studio in 1959, the scheduled programme has been cancelled at the last minute and the two studio technicians bring to life a musical murder mystery as a last minute replacement.
Somehow it manages to send up just about every genre you can think of from film noir and the Hollywood musical to the golden age of radio.
A leading literary figure is shot dead at home just before his birthday party. A hapless wannabe detective arrives on the scene to be confronted by an eccentric line-up of party guests who all appear to have a motive. Poirot and Marple never had to deal with anything like this that’s for sure.
The Octagon’s ‘in the round’ setting is perfect for this production with props galore turning the radio studio into the murder victim’s home.
Tom Babbage plays Marcus the beat cop with ambitions, aided by an invisible assistant (obviously). He’s the fulcrum around which the whirlwind that is Lucy Keirl revolves.
Lucy Keirl in Murder for Two (Picture: Tony Bartholomew)
It’s unlikely you will ever see another performer work as hard as she does during this play flipping from one character to another in an instant. There’s a French ballerina, a German psychologist, a couple who constantly row, a widow who dreams of Broadway stardom, an innocent girl with a passion for criminology, three surviving members of a boys’ choir (you don’t want to know what happened to the others) and a slightly deranged fireman. I suspect I’ve missed some off the list but you get the gist.
There are no costume changes, new characters are introduced simply by a new accent – some of which are deliberately and hilariously bad -and an immediate change of stance. It’s such a physical performance as she constantly changes posture to seemlessly move from one of this motley crew to another.
In lesser hands this show could become a total car crash. It is so frenetic, so surreal at times and so plain daft at others, the audience could be left wondering what on earth they had come to.
But this inspired duo pull it off remarkably. It may look to be on the verge of spiralling out of control but you know they are in total command.
There is a discipline and precision that you can only sit back and admire.
They interact with the audience, some of the gags are spontaneous and they have licence to improvise which they both seize on with gusto. And they are clearly having just as much fun on the stage as the audience is having in watching them.
Lucy Keirl and Tom Babbage in Murder for Two (Picture: Tony Bartholomew)
As if all the total nonsense wasn’t enough, the show is also a musical with a grand piano taking centre stage. Both actors are consummate players, often at the keyboard at the same time, and the comedy songs and their antics around the piano are one of the joys of the show.
There are elements of the great silent comedies, with Tom Babbage’s facial expressions worthy of any of the great clowns. There is slapstick, sound effects galore and rubber chickens – it’s just not like any other play.
Murder for Two is not going to be everyone’s cup of tea. Be warned it is a celebration of daftness; it is silly, it is anarchic and even has elements of pantomime thrown in.
Subtle it is not. Logical it is certainly not. But what a hoot! It is inspired lunacy from two comedy actors who surely deserve some sort of recognition for their efforts.
Murder for Two runs until Saturday, June 27. Details from www.octagonbolton.co.uk
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