Clown outfits, trapeze artists and yes, that giant walking elephant meant for a classic 5 ⭐⭐⭐⭐⭐ night out from Take That, as our Dianne Bourne discovered on the first night in Southampton. Roll on Manchester…
“Today this could be the Greatest Day of our lives,” so sings Gary Barlow to open The Circus Live, Take That’s record-breaking tour rebooted and most definitely besuited after 17 years for its 2026 stadium return. And as some 40,000 fans sing those words along with Gary, Howard Donald and Mark Owen at St Mary’s Stadium in Southampton under the clearest of blue skies it certainly felt like the Greatest Day.
The giant cloud balloon is back bobbing up at the start of the show, as are the 40-strong cast of bouncing acrobats, fire-eaters, stilt-walkers and clowns who release a spectacular balloon riot out across the audience to herald the arrival of the Manchester pop idols.
It’s impossible to adequately describe the magic of this show, it’s one that really needs to be seen to believed. Goosebumps from the opening piano chord to the final streamers and confetti bursts shooting out across the crowd.
As Gary said ahead of this show about the performers on stage “this is the best of the best” and he’s right. This is more than just a Take That show – it’s a full on Circus spectacular, a feast for the eyes as much as the ears as Mark, Howard and Gary wrap their biggest hits around the theatrical set pieces worthy of their own Big Top (which aptly shrouds the stage at the start of the night).
When they announced plans last year to take the Circus Live tour back out on the road, fans could barely believe their luck. For those who saw it first time around it made perfect sense – it’s perhaps the band’s most perfect live extravaganza – blending their pop anthems with Las Vegas style showmanship. For those kicking themselves that they missed out back then? Well it’s been the perfect chance to see what they’ve been missing all this time.
If anything the razzle dazzle is even more ramped up for this big return, and anyone who has bagged tickets for the 16 upcoming UK and Ireland shows over the next two months can rest assured they will well and truly be getting their money’s worth with this humdinger of a show. And after all, everybody loves a circus show, as Gary memorably sings in his twinkly-lighted, goosebumps performance of The Circus as a tightrope walker tiptoes across the skyline.
The greasepaint and clown outfits are also back, albeit pimped up with a plethora of sequins, for the up tempo romp through the pop band’s 90s hits – complete with the camp dance moves to the delight of the crowd. The unicycles too return as Howard and Mark show off their athleticism, while Gary is happy to play it for laughs instead on his own little bike.
The trio also sound in better voice than ever.
And what of this show’s most famous moment? When the band emerge on top of a 30ft elephant to be chauffeur driven, pachiderm-style, to the main stage while singing fan anthem The Garden? If anything it’s more mesmerising (and tear-inducing) than the first time around.
There’s no comedown from that – instead we hurtle headlong into the big top as if fired from a cannonball into a glitzy, showgirl-dancing, acrobat-bouncing, tightrope-walking extravaganza for Shine.
These pop stars have a true talent of connecting with their audience, breathlessly taking us from tearjerkers to crowd pleasers in the blink of an eye.
It’s everything you could possibly want from a Take That show – well, bar bringing out departed members Jason Orange and Robbie Williams of course.
Fans had been pondering how the show would work in Jason’s absence, as he had been such a major part of the last Circus Live tour. In particular, his one solo number, Wooden Boat. Would it remain on the setlist? Well, no.
How Did It Come To This is the other omission, the other major song that Jason sings lead vocals on from The Circus album.
In their place is Take That’s newest song, You’re a Superstar, an ode to the fans who have stuck with them through thick and thin, through five then four then three.
There’s also the surprise addition of Babe, allowing Mark to head centre stage for a lovely rendition of the tender 90s classic, while Gary gets to tinkle out a couple of extra treats on the piano too.
As if Take That on stage for two hours were not enough of a treat, we get to hear pop princess Belinda Carlisle in fine voice (and barefoot dancing) to open proceedings with her pop anthems. It was then up to The Script to show off their own stadium-filler form, supporting Take That here fresh from announcing their own big arena tour later this year.
Fans may remember they also supported on the Circus last time around and they did it again here in some style – blasting out with Superheroes and getting the entire stadium in an arm swing along.
Frontman Danny O’Donoghue even urged one fan to ring up their ex – for him to then serenade poor “Alfie” with break-up anthem Nothing.
He also revealed that he went to meet Take That fans who were camping out the night before and even jumped in one tent to the delight of one fan.
I’ve no doubt fans will be camping out at every single one of these shows ahead.
I was there for the Circus tour in its first incarnation and was wowed back then. But I don’t remember it being this good, feeling this good.
The greatest show on earth they say, or so says the giant (and I do mean giant) ringmaster that emerges for the fire festooned finale of Relight My Fire and who would argue with that?
Fireworks end it all because, of course they do. Take That have thrown everything at this show and we have four homecoming nights in Manchester at the Etihad Stadium to look forward to in June and July. It’s really not one to be missed.
Setlist St Mary’s Stadium Southampton May 29, 2026:
Greatest Day
Hello
Could it Be Magic
Pray
A Million Love Songs
Back For Good
The Garden
Shine
Up All Night
Babe
You’re a Superstar
Love Ain’t Here Anymore
Nobody Else
The Circus
What is Love
Do What U Like/Promises/It Only Takes a Minute/Take That and Party
Said it All
Never Forget
Patience
Relight My Fire
ENCORE:
Hold up A Light
Rule The World


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