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Entertainment

Gore Verbinski’s Near-Perfect Sci-Fi Masterpiece Surges on Streaming After Struggling at the Box Office

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For every unexpected blockbuster like Backrooms, which is breaking box-office records in its debut weekend, there is an unfortunate counterpart that must settle for future cult status. The cult hit of 2026 has already been crowned, and it’s doing tremendously well on the PVOD market even as movies like Backrooms and Obsession break through the clutter to achieve box-office success. In a way, the year 2026 will be seen as a pivotal period in the history of Hollywood, where a contingent of new filmmakers took over the baton from giants who’ve dominated the industry for decades. What else can explain Backrooms, which cost less than $10 million to produce, delivering a domestic debut in the same range as Christopher Nolan‘s Oppenheimer? It’s a figure that even Steven Spielberg will find impossible to surpass with Disclosure Day in a few weeks.

Spielberg, Nolan, and Denis Villeneuve aren’t the only mavericks who are eying theatrical success this year. Some months ago, director Gore Verbinski made his directorial comeback after a decade with a movie so strange that the only logical outcome for it was flopping at the box office and promptly establishing itself as a niche oddity at home. Verbinski, who achieved culture-defining success in the 2000s with his Pirates of the Caribbean trilogy and won an Oscar with the brilliant animated movie Rango, was sent to solitary in director jail following two back-to-back underperformers. In 2016, he directed the psychological horror movie A Cure for Wellness, which failed to recoup its reported $40 million budget. But it was the infamous, Disney-damning failure of The Lone Ranger that caused the most damage to his reputation.











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Collider Exclusive · Sci-Fi Survival Quiz
Which Sci-Fi World Would You Survive?
The Matrix · Mad Max · Blade Runner · Dune · Star Wars
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Five universes. Five completely different ways the future went wrong — or sideways, or up in flames. Only one of them is the world your instincts were built for. Eight questions will figure out which dystopia, galaxy, or desert wasteland you’d actually make it out of alive.

💊The Matrix

🔥Mad Max

🌧️Blade Runner

🏜️Dune

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🚀Star Wars

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01

You sense something is deeply wrong with the world around you. What do you do?
The first instinct is often the truest one.





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02

In a world of scarcity, what resource do you guard most fiercely?
What we protect reveals what we believe survival actually requires.





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03

What kind of threat keeps you up at night?
Fear is useful data — if you’re honest about what you’re actually afraid of.





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04

How do you deal with authority you don’t trust?
Every dystopia has a power structure. Your approach to it determines everything.





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05

Which environment could you actually endure long-term?
Survival isn’t just tactical — it’s physical, psychological, and very much about where you are.





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06

Who do you want in your corner when things fall apart?
The company you keep is the clearest signal of who you actually are.





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07

Where do you draw the line — if you draw one at all?
Every survivor eventually faces a moment that tests what they’re actually made of.





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08

What would actually make survival worth it?
Staying alive is one thing. Having a reason to is another.





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Your Fate Has Been Calculated
You’d Survive In…

Your answers point to the world your instincts were built for. This is the universe your temperament, your survival instincts, and your particular brand of stubbornness were made for.

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The Resistance, Zion

The Matrix

You took the red pill a long time ago — probably before anyone offered it to you. You’re a systems thinker who can’t help but notice the seams in things.

  • You’re drawn to understanding how the system works before figuring out how to break it.
  • You’d find the Resistance, or it would find you — your instinct for spotting constructed realities is the machines’ worst nightmare.
  • You function best when you have access to information and the freedom to act on it.
  • The Matrix built an airtight prison. You’d be the one probing the walls for the door.

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The Wasteland

Mad Max

The wasteland doesn’t reward the clever or the well-connected — it rewards those who are hard to kill and harder to break. That’s you.

  • You don’t need comfort, community, or a cause larger than the next horizon.
  • You need a vehicle, a clear threat, and enough fuel to outrun it — and you’re good at all three.
  • You are unsentimental enough to survive that world, and decent enough — just barely — to be something more than another raider.
  • In the wasteland, that distinction is everything.

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Los Angeles, 2049

Blade Runner

You’d survive here because you know how to exist in moral grey areas without losing yourself completely.

  • You read people accurately, keep your circle small, and ask the questions others prefer not to answer.
  • In a city where humanity is a legal designation rather than a feeling, you hold onto something that keeps you functional.
  • You’re not a hero. But you’re not lost, either.
  • In Blade Runner’s world, that distinction is everything.

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Arrakis

Dune

Arrakis is the most hostile environment in the known universe — and you are precisely the kind of person it rewards.

  • Patience, discipline, and political awareness are your core strengths — and on Arrakis, they’re survival tools.
  • You understand that the long game matters more than any single victory.
  • Others come to Dune and are consumed by it. You’d learn its logic and earn its respect.
  • In time, you wouldn’t just survive Arrakis — you’d begin to reshape it.

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A Galaxy Far, Far Away

Star Wars

The galaxy far, far away is vast, loud, and in a constant state of violent political upheaval — and you wouldn’t have it any other way.

  • You find meaning in being part of something larger than yourself — a cause, a crew, a rebellion.
  • You’d gravitate toward the Rebellion, or the fringes, or whatever pocket of the galaxy still believes the Empire’s grip can be broken.
  • You fight — not because you have to, but because standing aside isn’t something you’re capable of.
  • In Star Wars, that willingness is what makes all the difference.
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A Sci-Fi Gem for the Ages Is Waiting to Be Discovered at Home

Verbinski’s latest movie is Good Luck, Have Fun, Don’t Die — a highly topical sci-fi gem in which a time traveler from the future recruits the patrons of a diner to fight a war against artificial intelligence with him. The movie grossed roughly half of its reported $20 million budget at the box office, despite a “Certified Fresh” 81% score on Rotten Tomatoes. The aggregator website’s consensus reads, “A gleeful high-concept comedy with a serious message at its core, Good Luck, Have Fun, Don’t Die lets Sam Rockwell rip with thrilling results while marking a very welcome return of director Gore Verbinski in peak form.” In his review, Collider’s Aidan Kelley described the movie as “a raucous sci-fi comedy with extremely ambitious goals and insightful commentary.” The film’s positive reviews seem to be fulfilling their purpose and driving audiences toward it on PVOD. According to FlixPatrol, Good Luck, Have Fun, Don’t Die has now spent more than 60 days on the domestic iTunes and Google Play charts. Stay tuned to Collider for more updates.

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Release Date

February 13, 2026

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Runtime

134 Minutes

Director
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Gore Verbinski

Writers

Matthew Robinson

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Producers

Erwin Stoff, Oly Obst, Robert Kulzer

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Entertainment

10 Near-Perfect Sitcoms Nobody Remembers

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Three small children in 'Small Wonder'

Sitcoms arguably aren’t what they used to be. While there are some great new ones, many sitcoms today rely on inspiration from ones that came before them. Some of them are even outright copies, spinoffs, or sequels. There have been some near-perfect sitcoms that changed the game and inspired others, like Friends and Seinfeld. But there are also forgotten ones that, rather than make a mark, have fallen into obscurity despite being so good, and likely used as references for shows we see today.

Fans have either forgotten about them entirely, forgotten how good they were, or simply stopped talking about them. With many of these shows still available to stream, they’re worth a second look. Whether you’re watching again decades later or for the first time, you might be surprised at how much you love them.

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10

‘Small Wonder’ (1985–1989)

Three small children in 'Small Wonder'
Three small children in ‘Small Wonder’
Image via Metroland Video Productions

If there was ever a sitcom from the ’80s that is ripe for being remade today, it’s Small Wonder. The show was so far ahead of its time that the premise might seem more believable today than it did back then. Ted Lawson (Dick Christie) is a robotics engineer working on a humanoid robot designed to work as a domestic servant in homes with disabled children. Before pushing it to market, however, he brings the Voice Input Child Identicant (V.I.C.I), played by Tiffany Brissette, home with him. He calls her Vicki and integrates her into his family as a testing ground. The idea is to pass her off as a real girl.

The humor comes in Small Wonder when guests stop by, including the nosy neighbors who always pop in unexpectedly, and Vicki’s robotic nature draws suspicion. She does not express emotion, of course, and takes things literally. Sometimes, she even malfunctions. Small Wonder is one of the greatest ’80s shows nobody remembers. It’s downright hilarious, and a premise that could totally work today with a humanoid AI robot character, if a network were so inclined to bring it back. Even though the show aired 96 episodes across four seasons, Small Wonder has just become a blip in memories.

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9

‘Raising Hope’ (2010–2014)

The Chance family staring ahead in Raising Hope
The Chance family staring ahead in Raising Hope
Image via Fox Network

Back in the early 2010s, Raising Hope was a witty sitcom with an unbelievable premise. James “Jimmy” Chance (Lucas Neff) has a one-night stand with a woman who turns out to be a serial killer. When she is later sentenced to death, Jimmy learns that she is pregnant and gave birth to his daughter. Now, he has sole custody of Hope (Bayley and Rylie Cregut). At just 23 years old, Jimmy knows nothing about raising a child, so he seeks the help of his family, including his mother, Virginia (Martha Plimpton), and father, Burt (Garret Dillahunt).

The family is working class, Virginia holding down a job as a maid, and Burt running a lawn care/pool cleaning business. But they do the best they can. Airing for four seasons, Raising Hope leans into absurdist humor that combines laughs with sweetness. It has often been compared to Malcolm in the Middle in its tone. It’s one of those classic 21st-century sitcoms that is worth revisiting, helping define what would become a new generation of the genre.

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8

‘Don’t Trust the B—- In Apartment 23’ (2012–2014)

Krysten Ritter and James Van Der Beek looking confused in a tub in Don't Trust the B in Apartment 23
Krysten Ritter and James Van Der Beek looking confused in a tub in Don’t Trust the B in Apartment 23
Image via ABC

There are still some die-hard fans who continue to express their anger for Don’t Trust the B—- In Apartment 23 ending so soon, naming it among the great sitcoms that were canceled too soon. There was some chatter recently about the show following the death of James Van Der Beek, who plays a fictional version of himself in the series. The story centers around Chloe (Krysten Ritter), an irresponsible young woman who cons others into sharing rent. She takes their money up front, then terrorizes them until they leave, declaring the deposit non-refundable. But when she meets small-town, naïve June (Dreama Walker), she can’t seem to get this woman to leave. June is so dejected about her situation, so starved for meaning in her life, that she’ll put up with just about anything.

So begins an unlikely friendship between two very different ladies, like a gender-swapped odd couple pairing. Praised for the acting and snappy dialogue, even called one of the most exciting new series in the year of its debut, Don’t Trust the B—- In Apartment 23 received rave reviews, but got cut from the primetime lineup before it really had the chance to shine. It’s one of those shows that would probably have done better on a streaming platform.

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7

‘Get a Life’ (1990–1992)

Chris talks to his dad in the kitchen in Get a Life
Chris talks to his dad in the kitchen in Get a Life
Image via Fox

You have probably long forgotten about this short-lived Fox sitcom that stars Chris Elliott as Chris Peterson, a 30-year-old man-child who delivers newspapers and lives above his parents’ garage. He gets in lots of trouble, a man of his age shouldn’t, much to the chagrin of his parents. This includes his father, who is played by his real-life father and comedian Bob Elliott.

The show was far more disturbing than your cookie-cutter sitcom, plotlines often involving Chris dying, only to be resurrected in the next episode, much like Kenny in South Park. Elliott has a way about him, his comedic styling absurd and spastic, which was challenging for viewers (and network executives) to wrap their heads around compared to other, more wholesome sitcoms on the air at the time. But some who look back now think Get a Life was one of the most clever, underrated sitcoms made because it completely went against the grain.

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6

‘Smart Guy’ (1997–1999)

Tahj Mowry questions Taylor Negron on the witness stand in a courtroom in Smart Guy
Tahj Mowry questions Taylor Negron on the witness stand in a courtroom in Smart Guy
Image via Walt Disney

While Young Sheldon is a prequel series to The Big Bang Theory, there’s no denying that it, and other shows like Malcolm in the Middle, drew at least some inspiration from the success of shows like Smart Guy. In this late ’90s sitcom, Tahj Mowry plays T.J. Henderson, a child prodigy who is pulled from fourth grade and placed into high school because of his genius-level IQ. This doesn’t necessarily sit well with his two older siblings, including his underachieving older brother Marcus (Jason Weaver). T.J. has a rough time adjusting to being among pubescent kids much older than him.

Airing for three seasons, Smart Guy isn’t just about a smart kid; it’s also a story about fitting in when you’re different. With the kids raised by their widowed single father, the sitcom has lots of heart. It was one of the few at the time centered around a middle-class Black family as well.











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Collider Exclusive · TV Medicine Quiz
Which Fictional Hospital Would You Work Best In?
The Pitt · ER · Grey’s Anatomy · House · Scrubs
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Five hospitals. Five completely different ways medicine goes sideways on television — brutal, chaotic, romantic, brilliant, and ridiculous. Only one of them is the ward your instincts were built for. Eight questions will figure out exactly where you belong.

🚨The Pitt

🏥ER

💉Grey’s

🔬House

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🩺Scrubs

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01

A critical patient comes through the door. What’s your first instinct?
Medicine under pressure reveals who you actually are.





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02

Why did you go into medicine in the first place?
The honest answer says more about you than the one you’d give in an interview.





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03

What do you actually want from the people you work with?
Who you want beside you under pressure is who you are.





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04

You lose a patient you fought hard to save. How do you carry it?
Every doctor who’s worked a long shift has had to answer this question.





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05

How would your colleagues describe the way you work?
Your reputation on the floor is usually more accurate than your self-image.





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06

How do you feel about hospital protocol and procedure?
Every institution has rules. What you do with them is a choice.





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07

What does this job cost you personally?
Nobody works in medicine without paying a price. What’s yours?





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08

At the end of a long shift, what keeps you coming back?
The answer to this question is the most honest thing about you.





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Your Assignment Has Been Made
You Belong In…

Your answers have pointed to one fictional hospital above all others. This is the ward your instincts, your temperament, and your particular brand of dysfunction were built for.

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Pittsburgh Trauma Medical Center

The Pitt

You are built for the most unsparing version of emergency medicine television has ever shown — one that puts you inside a single fifteen-hour shift and doesn’t let you look away.

  • You need your work to be real, not romanticised — meaning over drama, honesty over aesthetics.
  • You find purpose inside the work itself, not in the chaos surrounding it.
  • You’ve made peace with the fact that this job takes from you constantly, and gives back in ways that are harder to name.
  • Pittsburgh Trauma Medical Center demands exactly that kind of person — and you would not want to be anywhere else.

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County General Hospital, Chicago

ER

You are the person who keeps the whole floor running — not the most brilliant in the room, but possibly the most essential.

  • You show up, do the work, absorb the losses, and come back the next day without needing the job to be anything other than what it is.
  • You care about patients as individual human beings, not as cases to solve or dramas to live through.
  • You believe in the system even when it fails you — and you understand that emergency medicine is about holding the line just long enough.
  • ER is television about endurance. You have it.

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Grey Sloan Memorial Hospital, Seattle

Grey’s Anatomy

You came to medicine with your whole self — your ambition, your emotions, your relationships, your history — and you have never quite managed to leave any of it at the door.

  • You feel things fully and form deep attachments to the people you work with.
  • Your personal and professional lives are permanently, chaotically entangled — and that entanglement drives both your greatest disasters and your most remarkable saves.
  • You understand that extraordinary medicine often happens at the intersection of clinical skill and profound human connection.
  • It’s messy at Grey Sloan. You would not have it any other way.

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Princeton-Plainsboro Teaching Hospital, NJ

House

You are drawn to the problem above everything else — the symptom that doesn’t fit, the diagnosis hiding underneath the obvious one.

  • You’re not primarily motivated by the patient as a person — though you are capable of caring, even if you’d deny it.
  • You work best when the stakes are highest and the standard answer is wrong.
  • Princeton-Plainsboro exists to house one extraordinary, impossible mind — and everyone around that mind is there because they’re smart enough to keep up.
  • The only way forward here is to think harder than everyone else in the room. That is exactly what you do.

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Sacred Heart Hospital, California

Scrubs

You understand that medicine is tragic and absurd in almost equal measure — and that the only sane response is to hold both of those things at the same time.

  • You are warm, self-aware, and funnier than most people in your field.
  • You use humour to get through terrible moments — and at Sacred Heart, that’s not a flaw, it’s a survival strategy.
  • You lean on the people around you and let them lean back. The laughter and the grief are genuinely inseparable here.
  • Scrubs is a show about learning to become someone worthy of the job. You are still very much in the middle of that process — which is exactly right.
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5

‘The New Adventures of Old Christine’ (2006–2010)

Christine smiling with her son while sitting at the kitchen table on The New Adventures of Old Christine
Christine smiling with her son while sitting at the kitchen table on The New Adventures of Old Christine
Image via CBS
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Julia Louis-Dreyfus gets so much attention for her roles in Seinfeld and Veep that her work in The New Adventures of Old Christine is overshadowed by these career-defining roles. But the CBS sitcom aired for five seasons and was arguably just as good in its own charming way. In it, she plays Christine, a single mother trying to balance her career with raising her son. She also has to deal with the complicated, albeit friendly, relationship with her ex-husband Richard (Clark Gregg), who has a new, younger girlfriend also named Christine (Emily Rutherford), hence the name of the show.

The sitcom also stars Hamish Linklater as Christine’s brother Matthew and Wanda Sykes as her best friend Barb. It’s a relatable story of a single mother trying to keep up with it all, from the seemingly perfect other moms at her son’s private school to her ex’s younger girlfriend. Adding to the humor, however, is Christine’s self-absorbed nature and insecurities. Funny, witty, and beautifully written and acted, given the high-profile talent at the center of the show, it’s a wonder why The New Adventures of Old Christine was canceled.

4

‘My Wife and Kids’ (2001–2005)

Damon Wayans in My Wife and Kids as Michael Kyle.
Damon Wayans in My Wife and Kids as Michael Kyle.
Image via ABC
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Damon Wayans and Tisha Campbell-Martin star in this sitcom about a wealthy Black family led by Michael (Wayans). But his wife Janet (Campbell-Martin), son Michael Jr. (George O. Gore II), and daughters Claire (Jazz Raycole, Jennifer Nicole Freeman) and Kady (Parker McKenna Posey) really rule the roost over him. That dynamic leads to much of the comedy on the show.

The ABC sitcom, which aired for five seasons and came after Wayans’ forgotten ’90s sitcom Damon, is wholesome, comedic fun. While the show got a lot of attention when it was on the air, in the two-plus decades since it ended, it has been largely forgotten. Wayans has tried his hand at sitcoms again, including in Poppa’s House, in which he starred with his real-life son Damon Wayans Jr. But My Wife and Kids is the sitcom that really put him on the map in the genre, and showed how he could translate his sketch comedy experience from shows like Saturday Night Live and In Living Color into a 30-minute weekly comedy.

3

‘Better Off Ted’ (2009–2010)

Ted (Jay Harrington) and Veronica (Portia de Rossi) talking in front of a frozen Phil (Jonathan Slavin) in 'Better Off Ted'
Ted (Jay Harrington) and Veronica (Portia de Rossi) talking in front of a frozen Phil (Jonathan Slavin) in ‘Better Off Ted’
Image via ABC
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This short-lived satirical sitcom features Ted (Jay Harrington), a head of research and development at a fictional company, often breaking the fourth wall to address the audience about the ridiculous things going on at his work. A workplace comedy like no other, Better Off Ted stars Portia de Rossi as Ted’s supervisor and Andrea Anders as his co-worker and love interest, Linda.

Despite being praised for its witty and satirical humor and being counted among the best 2000s sitcoms, Better Off Ted only lasted two seasons, after which it completely fell off the map. The victim of low ratings, it’s the type of sitcom that might have done better on a streaming service. Aside from the daily antics, it’s also a powerful message about evil corporations, how they can do things like sway politics, and the lengths they’ll go to manipulate people and make money.

2

‘Head of the Class’ (1986–1991)

The cast of Head of the Class posing.
Head of the Class
Image via ABC
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Head of the Class is about history teacher Charlie Moore (Howard Hesseman) and his class of gifted high school students. The show changed for its final two seasons with Billy Connolly taking on the role following Hesseman’s departure. Revived for HBO Max in 2021, the new version only lasted a single season before it was canceled and outright removed from the streamer.

That short-lived revival was the last time anyone heard about Head of the Class beyond mention is the Investigation Discovery docuseries Quiet on Set: The Dark Side of Kids TV. That’s because Dan Schneider, who went to create and produce several Nickelodeon kids’ shows, starred in the series. Beyond that, however, Head of the Class is worth remembering as a lovely glimpse into high school life for students who aren’t exposed to the mainstream curriculum and have their own unique experience.

1

‘Herman’s Head’ (1991–1994)

The top of a man's head looking up at four people inside the skull in Herman's Head.
The top of a man’s head looking up at four people inside the skull in Herman’s Head.
Image via Fox
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Often credited with being a precursor to the animated movie Inside Out, Herman’s Head is a hilarious sitcom about Herman Brooks (William Ragsdale), a research assistant working for a magazine publisher. Viewers get to see what’s going on in Herman’s thought process through actors who represent his most dominant personality traits: sensitivity, lust and hunger, anxiety, and intellect and logic. They are constantly at odds with one another while Herman tries to make pivotal decisions. A few others pop up when the situation calls for them, like jealousy and even once God, played by the late Leslie Nielsen.

A clever way to show how much processing goes on in our brains before we do or say anything, Herman’s Head was cancelled due to low ratings. But it deserved more attention and remains one of the best ’90s shows you probably haven’t seen. The show did come up in recent pop culture when an episode of Only Murders in the Building opens with a character watching an episode of the show.


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Herman’s Head


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Release Date

1991 – 1994-00-00

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FOX

Directors

J.D. Lobue, Andy Cadiff, Gail Mancuso

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Writers

Michael B. Kaplan, Adam Markowitz, Karl Fink, Roberto Benabib, David Landsberg, Bill Freiberger, David Babcock, Cheryl Holliday, Diane Wilk, Andy Guerdat, Don Demaio, Rich Singer, Tim Maile, Barry Stringfellow, Steve Kreinberg, Graham Yost, Douglas Tuber

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    Amber Van Lent

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    Barbara Alyn Woods

    Danielle

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Netflix’s Forgotten 6-Part Noir Thriller Series Is One of Its Best Hidden Gems

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theseance-NWR-golden-key-0015898

Nicolas Winding Refn is a filmmaker who has attracted as much criticism as he has praise, but nothing he’s ever been involved with could be accused of being dull. Refn’s polarizing style of highly mannered, methodical neo-noir storytelling might not be for everyone, but it’s hard to argue that he doesn’t have an eye for craftsmanship and can make visually arresting sequences. The prestige era of television has seen more movie directors dip their toes into the medium, and Refn first attempted to make that transition with his divisive Prime Video neo-Western Too Old To Die Young. Although that show had production values as excellent as one might expect from Refn, it felt closer to a collection of experimental movies than a cohesive series. However, Refn’s now-forgotten Netflix series Copenhagen Cowboy is a wonderful modern noir with striking narrative and aesthetic choices.

Despite the fact that he has often worked with English-language actors on films that are set in America or the United Kingdom, Refn is a Danish filmmaker, and Copenhagen Cowboy is his first Danish-language project since the Pusher trilogy starring Mads Mikkelsen, a spiritual, supernatural neo-noir set in Denmark’s criminal underworld and follows the young psychic Miu (Angela Bundalovic) as she avoids shady powerbrokers who attempt to utilize her abilities for evil. While it might be hard to determine how much of Copenhagen Cowboy is literal and how much is metaphorical, the fact that the series encourages such thoughtful discourse is proof of its value. Rarely does a show feel like it has both created its own language and refuses to tone down its excess.

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Netflix’s ‘Copenhagen Cowboy’ Is Unlike Any Other Revenge Show

Copenhagen Cowboy is a refreshing take on the neo-noir genre because the series is unapologetic in its supernatural qualities and offers commentary about how fairy tales have obscured reality. Miu is considered to be a “good luck” charm, but that isn’t necessarily a virtue when criminal enterprises desire her powers for the sake of their own goals; ironically, being someone who has the ability to improve someone’s fortune has made her life even more dangerous. While Refn very much takes the mythology of curses, ancient rituals, and transformations seriously, there is also a metaphorical message about the way that the world preys upon young women; Miu is desired by characters like Rosella (Dragana Milutinović) and her husband Sven (Per Thiim Thim) because of her youth, which is itself a novelty within the dangerous world of drug dealing and money laundering. It’s a dynamic depiction of the terror felt by young women, but Copenhagen Cowboy turns the tables by giving Miu the power to lead the story and make her own decisions.


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Nicolas Winding Refn Honored at Cannes Ahead of His First Film in Nearly a Decade

His new movie stars Sophie Thatcher and Charles Melton.

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Although he became known for getting great performances from established movie stars like Elle Fanning and Ryan Gosling, Refn pulled off an amazing feat in assembling his cast for Copenhagen Cowboy, as it consists primarily of unknowns. There’s little time spent on exposition because of the mystical way in which the show’s logic operates, but Refn found actors who are able to bring history and humanity to his characters. Andreas Lykke Jørgensen gives a striking breakout performance because his character, Nicklas, is essentially the counterpoint of Miu; he shares her powers, but has become selfish and narcissistic because he grew up with privilege and has never had to learn to be independent. The legendary Croatian character actor Zlatko Burić, who just recently gave a great performance in Wonder Man, is perfectly cast as the shady lawyer Miroslav, who is willing to serve anyone in the underworld if it is for the right price; the eccentricity Burić brings to a truly strange performance indicates that Refn is self-aware of how inherently silly the world of Copenhagen Cowboy is, and is willing to lampoon its aura of self-seriousness.

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‘Copenhagen Cowboy’ Is Auteur Television at Its Finest

It’s depressing to hear how many modern shows are created for viewers who only watch them passively, which makes it exciting that Copenhagen Cowboy is a visual masterpiece that is surprisingly beautiful, despite its ugly subject material. Given that Miu is a character in search of lightness when the world feels obscured by darkness, it makes sense that Refn’s directorial style would adhere to her perspective. Although it’s possible to enjoy Copenhagen Cowboy as a nearly silent experience, it’s made even more enthralling thanks to the amazing score by Cliff Martinez, who has worked with Refn on films like Drive and Only God Forgives.

Copenhagen Cowboy is a show that proves the virtue of streaming services like Netflix because it is a niche project aimed at a very specific section of arthouse cinephiles and doesn’t attempt to “soften” itself for the sake of appeasing the average viewer. At the same time, those who hadn’t previously been engaged with Refn’s work might find that Copenhagen Cowboy is a “gateway” experience that encourages them to look into his cinematic output. Refn has been rather open about the struggles he’s faced in finding funding for his work, especially given how much backlash he earned for something as divisive (albeit brilliant) as Only God Forgives. If anything, Copenhagen Cowboy indicates that he might have found his calling on television, as it’s a medium that best suits his priorities as a storyteller.

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Lisa Vanderpump’s Glam, Shadowy Cocktail Escape

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Gigolo Bar inside The Vanderpump Hotel

The Lisa Vanderpump vibe is strong in her brand-new bar, Gigolo, located inside her new Las Vegas hotel. The moody and mysterious bar officially opened to the public on Friday and The Blast was there to check it out. Let’s just say … it did not disappoint one little bit.

If you’re a Vanderpump fan, this is a must visit for you. The Vanderpump Hotel is now open and taking reservations.

Gigolo Bar inside The Vanderpump Hotel
Caesars Entertainment

The moment Vanderpump fans have been anxiously waiting for is finally here! The Cromwell has been “Vanderpumped” and transformed into The Vanderpump Hotel. On Friday, the stylish bar inside the hotel opened to the public and it was worth every second fans had to wait for it.

Named in honor of Vanderpump’s beloved pup, Gigolo, who many may remember from her time on “The Real Housewives of Beverly Hills,” this is not your typical hotel bar by any means. The 62-inch-tall sculpture of Giggy stands proud on one side of the bar and lounge, with Vanderpump accents and style all around.

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According to a press release sent to The Blast, “Giggy holds a special place in Lisa Vanderpump’s heart, and at the center of Gigolo stands a playful sculptural tribute to him.”

Giggy, who was a constant sight by her side on and off camera for many years, inspired the creation of The Vanderpump Dog Foundation. “The Vanderpump Dog Foundation has been instrumental in writing and passing animal cruelty laws, has saved more than 3,000 dogs in California alone and has aided thousands more worldwide,” the press release continues.

Gigolo Is A Total Vibe, As One Would Expect From Lisa Vanderpump

Gigolo in The Vanderpump Hotel
The Blast | Melanie VanDerveer

The bar, along with the hotel, was designed by Vanderpump Alain, Vanderpump’s and her business partner Nick Alain’s design company. Every detail has been no doubt “Vanderpumped” and brings a feeling of glamour and sophistication.

Gigolo seats 50 guests in multiple types of seating — the bar, tables and chairs, couches — and has decor that matches the vibe completely. With Vanderpump Alain’s signature bespoke aesthetic, crystal lighting, deep red oversized chandelier shades, and much more, it’s the perfect spot to enjoy a delicious signature cocktail and fabulous-feeling relaxation.

“To commemorate my beloved Gigolo, our lovedog who inspired The Vanderpump Dog Foundation, creating a bar in his honor has always been a dream of mine,” said Lisa Vanderpump,” according to the press release.

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“He has meant so much to us and to so many others, and to see a giant statue of him in Las Vegas is a meaningful moment for me. The other meaning of Gigolo is also something we had a lot of fun with – creating a dark, sultry space with a wink and plenty of sexy undertones. I think it will be a welcome respite to guests and visitors, nestled into the bosom of The Vanderpump Hotel.” 

Sip Into Luxury With Vanderpump’s Signature Cocktails

Gigolo in The Vanderpump Hotel
Nikki Ryan Photography

Of course, Gigolo wouldn’t be complete without a signature cocktail list that compliments the decor, ambiance, and style of the space. The menu promises conversation-starting drinks with trendy names and refined flavor profiles.

Drinks include, Talk Dirty To Me, a martini for two with an oversized skewer stuffed with olives, Slow Burn, a blackberry-flavored Old Fashioned smoked with hickory, Hush Hush, a drink that requires customers to spill a secret into a tiny envelope that is locked into the Vanderpump Vault, as well as the Pump & Bump, Pumptini, Giggy Tonic, and signature Vanderpump Wines.

“Lisa has the extraordinary ability to develop lounges that not only attract guests but build a genuine sense of connection,” said Sean McBurney, Chief Commercial Officer and Regional President of Caesars Entertainment, according to the press release. “Every concept she creates becomes the place to be and be seen. Gigolo delivers exactly that: a fun, intimate bar that reflects Lisa’s authenticity, brings her personality to life and reinforces the hotel’s identity as a must-experience destination.”

A New Reality Show Is Being Filmed In The Hotel

The Vanderpump Hotel
Caesars Entertainment

Vanderpump isn’t just launching The Vanderpump Hotel — she’s also filming a reality series centered on its opening. The new limited series reality show will give a behind-the-scenes look at what it takes to open a hotel in Vegas with the famous Vanderpump name.

The “Vanderpump Rules” spin off will share how the “RHOBH” alum took The Cromwell and “Vanderpumped” it into her own.

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The official Bravo description of the show reads, “Lisa Vanderpump has been ruling over the Las Vegas Strip for years now, with three hotspot restaurants serving up chic cocktails in her signature whimsical settings. Now she is expanding her Vegas empire through the opening of her high profile namesake hotel.”

It continues, “In this limited series, we follow the behind-the-scenes dash to make the property worthy of the Vanderpump brand. LVP shares what inspired her newest enterprise and pulls back the curtain on the down-to-the-wire drama.”

Will you be watching the reality show and visit the hotel in Vegas? Find out more on the hotel’s website.

The Blast Visited The New Hotel And Bar

The Vanderpump Hotel
The Blast | Melanie VanDerveer

When The Blast visited the hotel a few weeks ago, it was still very much in “Vanderpumping” mode but visiting on Friday night was a whole different experience. From the carpet to the decor around every bend, the hotel has now been officially “Vanderpumped.”

If you’re a fan of Vanderpump, you’ll immediately catch the vibe from the moment you walk through the doors. Elegance meets trendy, where bold design, luxe details, and a touch of Lisa Vanderpump’s signature glamour create an unforgettable escape on the Las Vegas Strip.

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Check out our videos of the hotel and the bar on The Blast’s social media pages. And stay tuned for more Vanderpump news and excitement.

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Russell Crowe’s $108 Million Sports Masterpiece Is Coming to Streaming Soon

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It’s an oft quoted line that the best sports movies, and particularly boxing movies, are the ones that aren’t actually about the sport itself. Obviously, we’re thrilled when we watch the fighting scenes, the training montages, the highs and the lows and the inevitable triumph, but ultimately, they only really work if we buy into the characters. This is a key example of that particular trope, and it understands it completely. It’s a sports drama, sure, but it’s also a Depression-era survival story about a man trying to keep his family together when, quite literally, all hope appears to be lost.

Cinderella Man comes to Netflix on June 1, bringing Ron Howard‘s $108 million boxing drama back to streaming. The film tells the true story of James J. Braddock, who was a former heavyweight contender, and whose career seemed over and done with before he staged one of the most unlikely comebacks in sports history. During the Great Depression, Braddock returned to the ring because he and his family desperately needed the money, with glory a secondary thought to survival.

Cinderella Man stars Russell Crowe (Gladiator) as James J. Braddock, the struggling boxer fighting for a second chance; Renée Zellweger (Chicago) as Mae Braddock, his wife; Paul Giamatti (Sideways) as Joe Gould, Braddock’s manager; Craig Bierko (The Thirteenth Floor) as Max Baer, the heavyweight champion; Paddy Considine (Hot Fuzz) as Mike Wilson, Braddock’s friend; Bruce McGill (Collateral) as Jimmy Johnston, the boxing promoter; and David Huband (Cube Zero) as Ford Bond, the fight announcer.

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Collider Exclusive · Oscar Best Picture Quiz
Which Oscar Best Picture
Is Your Perfect Movie?

Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country

Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.

🪜Parasite

🌀Everything Everywhere

☢️Oppenheimer

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🐦Birdman

🪙No Country for Old Men

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01

What kind of film experience do you actually want?
The best movies don’t just entertain — they leave something behind.





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02

Which idea grabs you most in a film?
Great films are driven by a central obsession. What’s yours?





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03

How do you like your story told?
Form is content. The way a story is shaped changes what it means.





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04

What makes a truly great antagonist?
The opposition defines the protagonist. What kind of opposition fascinates you?





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05

What do you want from a film’s ending?
The final note is the one that lingers. What do you want it to sound like?





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06

Which setting pulls you in most?
Where a film takes place shapes everything — mood, stakes, what’s even possible.





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07

What cinematic craft impresses you most?
Every great film has a signature — a technical or artistic element that makes it unmistakable.





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08

What kind of main character do you root for?
The protagonist is the lens. Who you choose to follow says something about you.





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09

How do you feel about a film that takes its time?
Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.





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10

What do you want to feel walking out of the cinema?
The best films leave a mark. What kind of mark do you want?





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The Academy Has Decided
Your Perfect Film Is…

Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.

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Parasite

You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho’s Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it’s ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.

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Everything Everywhere All at Once

You want it all — and this film gives you all of it. The Daniels’ Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn’t want cinema to choose between being entertaining and being meaningful. This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it’s about.

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Oppenheimer

You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens. Christopher Nolan’s Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.

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Birdman

You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it’s about. Alejandro González Iñárritu’s Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor’s ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn’t be possible. Michael Keaton’s performance and Emmanuel Lubezki’s restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all.

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No Country for Old Men

You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning. The Coen Brothers’ No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest. No Country for Old Men is honest in a way that most cinema never dares to be.

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How Successful Was ‘Cinderella Man’?

Unfortunately, for such a well-crafted and intimate sports drama, the film wasn’t a success commercially by any means. It grossed around $108.5 million worldwide against an estimated $88 million budget, which means it likely struggled once marketing costs and theater splits were factored in. So, box office-wise, sadly, it wasn’t a hit. That’s not to say the film didn’t get any love at all, though.

Critically, it fared a lot better. It has an 80% Rotten Tomatoes score, a 69 Metascore, and earned three Oscar nominations, including Best Supporting Actor for Paul Giamatti. All in all, it’s one of those familiar tales of a prestige movie that wows the critics but fails to find an audience until it lands on streaming.

Cinderella Man comes to Netflix on June 1.


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Release Date

June 2, 2005

Runtime
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144 minutes

Writers

Akiva Goldsman, Cliff Hollingsworth

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Netflix’s Official ‘Stranger Things’ Replacement Is Your New Favorite Sci-Fi Series

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Netflix has had a big year in 2026 with new releases like The Rip (starring Matt Damon) and War Machine (starring Alan Ritchson). The former was the biggest movie of the year for the streamer until the premiere of the latter, which has added over 130 million views since its debut back in March. Netflix also aired the third season of The Night Agent a few months ago, and while the streamer quickly renewed the show for Season 4, it has since been announced that the next season will be the last. The success for Netflix in 2026 all started with Stranger Things, though — the show may have kicked off its final season at the end of 2025, but it aired the final episode on New Year’s Day, even putting the series finale in theaters around the world.

Stranger Things was written and created for TV by the Duffer brothers, Ross and Matt, and the show exploded to the level it has turned the duo into one of the most sought-after TV producers in Hollywood. The Duffers didn’t take long to come back to Netflix for a new sci-fi series, The Boroughs, which arrived on the platform last weekend. It’s now been over a full week since The Boroughs began streaming, but the show has still yet to concede the #1 spot on Netflix streaming charts — the streamer may have the next version of Stranger Things on its hand. The Duffer brothers did not write The Boroughs — that job fell to Jeffrey Addiss and Will Matthews, but they did produce the show and were involved in the creative direction.











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Collider Exclusive · Sci-Fi Survival Quiz
Which Sci-Fi World Would You Survive?
The Matrix · Mad Max · Blade Runner · Dune · Star Wars
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Five universes. Five completely different ways the future went wrong — or sideways, or up in flames. Only one of them is the world your instincts were built for. Eight questions will figure out which dystopia, galaxy, or desert wasteland you’d actually make it out of alive.

💊The Matrix

🔥Mad Max

🌧️Blade Runner

🏜️Dune

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🚀Star Wars

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01

You sense something is deeply wrong with the world around you. What do you do?
The first instinct is often the truest one.





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02

In a world of scarcity, what resource do you guard most fiercely?
What we protect reveals what we believe survival actually requires.





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03

What kind of threat keeps you up at night?
Fear is useful data — if you’re honest about what you’re actually afraid of.





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04

How do you deal with authority you don’t trust?
Every dystopia has a power structure. Your approach to it determines everything.





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05

Which environment could you actually endure long-term?
Survival isn’t just tactical — it’s physical, psychological, and very much about where you are.





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06

Who do you want in your corner when things fall apart?
The company you keep is the clearest signal of who you actually are.





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07

Where do you draw the line — if you draw one at all?
Every survivor eventually faces a moment that tests what they’re actually made of.





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08

What would actually make survival worth it?
Staying alive is one thing. Having a reason to is another.





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Your Fate Has Been Calculated
You’d Survive In…

Your answers point to the world your instincts were built for. This is the universe your temperament, your survival instincts, and your particular brand of stubbornness were made for.

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The Resistance, Zion

The Matrix

You took the red pill a long time ago — probably before anyone offered it to you. You’re a systems thinker who can’t help but notice the seams in things.

  • You’re drawn to understanding how the system works before figuring out how to break it.
  • You’d find the Resistance, or it would find you — your instinct for spotting constructed realities is the machines’ worst nightmare.
  • You function best when you have access to information and the freedom to act on it.
  • The Matrix built an airtight prison. You’d be the one probing the walls for the door.

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The Wasteland

Mad Max

The wasteland doesn’t reward the clever or the well-connected — it rewards those who are hard to kill and harder to break. That’s you.

  • You don’t need comfort, community, or a cause larger than the next horizon.
  • You need a vehicle, a clear threat, and enough fuel to outrun it — and you’re good at all three.
  • You are unsentimental enough to survive that world, and decent enough — just barely — to be something more than another raider.
  • In the wasteland, that distinction is everything.

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Los Angeles, 2049

Blade Runner

You’d survive here because you know how to exist in moral grey areas without losing yourself completely.

  • You read people accurately, keep your circle small, and ask the questions others prefer not to answer.
  • In a city where humanity is a legal designation rather than a feeling, you hold onto something that keeps you functional.
  • You’re not a hero. But you’re not lost, either.
  • In Blade Runner’s world, that distinction is everything.

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Arrakis

Dune

Arrakis is the most hostile environment in the known universe — and you are precisely the kind of person it rewards.

  • Patience, discipline, and political awareness are your core strengths — and on Arrakis, they’re survival tools.
  • You understand that the long game matters more than any single victory.
  • Others come to Dune and are consumed by it. You’d learn its logic and earn its respect.
  • In time, you wouldn’t just survive Arrakis — you’d begin to reshape it.

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A Galaxy Far, Far Away

Star Wars

The galaxy far, far away is vast, loud, and in a constant state of violent political upheaval — and you wouldn’t have it any other way.

  • You find meaning in being part of something larger than yourself — a cause, a crew, a rebellion.
  • You’d gravitate toward the Rebellion, or the fringes, or whatever pocket of the galaxy still believes the Empire’s grip can be broken.
  • You fight — not because you have to, but because standing aside isn’t something you’re capable of.
  • In Star Wars, that willingness is what makes all the difference.
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What Is ‘The Boroughs’ About?

Netflix has released an official synopsis for The Boroughs, which reads as follows:

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“In a seemingly picturesque retirement community, a group of unlikely heroes must band together to stop an otherworldly threat from stealing the one thing they don’t have: time.”

Alfred Molina, famed for his role as Doc Ock in Spider-Man 2 and Spider-Man: No Way Home, stars in the lead role of Sam Cooper in The Boroughs. Additional cast members include Alfre Woodard (12 Years a Slave), Denis O’Hare (Dallas Buyers Club), and Clarke Peters (The Wire). Euphoria director Augustine Frizzell helmed four episodes of The Boroughs, more than any other director. The show holds scores of 95% from critics and 85% from audiences on Rotten Tomatoes.

Check out all episodes of The Boroughs on Netflix and stay tuned to Collider for more updates and coverage of all the most popular projects on streaming.


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Release Date

May 21, 2026

Network

Netflix

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Showrunner

Jeffrey Addiss, Will Matthews

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Directors

Augustine Frizzell, Kyle Patrick Alvarez, Ben Taylor

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Daughter Emani Celebrates Major Milestone

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Congratulations! Nipsey Hussle's Daughter Emani Celebrates Major Milestone Surrounded By Family (PHOTO)

Roomies, a new family photo has social media deep in their feelings after a rare moment between Nipsey Hussle’s daughter, Emani Asghedom, and Blacc Sam surfaced online. The picture quickly caught fans’ attention as they reflected on how much time has passed and how grown Emani looks these days. While many were focused on the heartfelt family connection, the occasion behind the celebration prompted supporters to flood the comments with congratulations.

RELATED: All Grown Up! Fans Flood Social Media With Heart Eyes Over New Clip Of Nipsey Hussle’s Daughter Emani (VIDEO)

Emani Asghedom Marks Major Milestone In Style

Emani Asghedom has officially graduated from high school. The 17-year-old celebrated the milestone alongside her uncle, Blacc Sam, in photos shared to Instagram by her mother, Tanisha Foster, on Friday, who proudly captioned the post, “Congratulations to my baby.” The achievement marks a significant new chapter for Emani, whose father, the late Nipsey Hussle, often spoke about the importance of instilling values like leadership, confidence, and integrity in his daughter.

Just days before celebrating her latest milestone, Emani Asghedom had social media showing major love after a video of her fresh hairstyle started making rounds online. Celebrity hairstylist Curt Cobain shared a clip of Emani on Instagram, and fans couldn’t stop talking about how grown she looked as she showed off her voluminous curls and effortless glam. While it wasn’t immediately clear whether she was getting ready for graduation festivities or another special event, the comments section quickly filled with heart-eye emojis and messages from supporters who have watched Nipsey Hussle’s daughter grow up over the years.

Fans Say Nipsey Would Be Proud

Fans quickly flooded The Shade Room’s comment section, with many pointing out how much Blacc Sam resembles his late brother, Nipsey Hussle. Several users called the siblings “twins,” saying the family resemblance was especially striking in the graduation photos. Others focused on congratulating Emani on her accomplishment, while many shared heartfelt messages expressing that they know her father would be proud of the young woman she has become.

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One Instagram user @lovingmefirstt_ commented, “She did it Nip !!!! We miss u 🙏🏽🙏🏽💙”

This Instagram user @shantelledominica93 added, “The brother the daddy

And, Instagram user @devika_renade shared, “Why I thought this was Nipsey hussle for second….

Meanwhile, Instagram user @hey.mrs.tre wrote, “I love how Blacc Sam is standing in for Nipsey 😢💙🏁”

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While Instagram user @ebonyisthatdiva said, “Congratulations, Emani. On this great accomplishment, your father would be extremely proud of his babygirl 👏🥳.”

Finally, Instagram user @philly__freckles added, “She’s so beautiful! I know her Dad is smiling down 🏁💙”

Emani’s Graduation Echoes Nipsey’s Lasting Values

Before his passing in 2019, Hussle revealed that he used their daily rides to school to teach Emani about leadership, confidence, and integrity. “That’s our script every morning,” he shared at the time. Fans may also remember Emani accompanying her father to the 2019 Grammy Awards when his debut album, ‘Victory Lap,’ was nominated for Best Rap Album. Hussle is also the father of 9-year-old Kross, whom he shares with Lauren London. London additionally shares son Kameron with her ex-fiancé, Lil Wayne.

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RELATED: Prayers Up! Nipsey Hussle’s Marathon Burger Releases Statement After Fatal Shooting Near Grand Opening In Long Beach (UPDATE)

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Jennifer Lopez’s White Bikini Style Is Under $30 at Amazon

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Green, white and blue and black swim dresses from Amazon

Us Weekly has affiliate partnerships. We receive compensation when you click on a link and make a purchase. Learn more!

Jennifer Lopez seriously soaked up the sun this past Memorial Day, and took to Instagram to share some behind-the-scene snaps. She looked gorgeous (as always), hanging by the pool in a stunning white bikini style that totally feels like a summer classic. We’re ready to channel the same look for pool days and beach hangs, and luckily, we spotted an almost identical bathing suit on Amazon for just $26.

A white bikini always looks good, but you shouldn’t have to stress about it being see-through, especially when you go swimming. This triangle bikini is double-lined, so you don’t have to worry about any wardrobe mishaps. It’s made with a stretchy, smooth fabric blend, and is ultra comfy. Shoppers say it “fits comfortably, as you can tie it to adjust it.” They love it so much, some buy it in other colors, too!

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Get the Tainehs Halter Bikini Set for $26 at Amazon! Please note, prices are accurate as of the publishing date but are subject to change.

If you’re looking for a bikini with plenty of support on top, this one delivers. It features removable push-up padding and a flattering halter neckline that looks incredible on every body type, whether you’re bustier or smaller-chested. One reviewer wrote, “I’m a size 34DD and a medium holds my girls perfectly.”

Green, white and blue and black swim dresses from Amazon


Related: 17 Tummy-Smoothing Swim Dresses That Instantly Flatter a Belly Pouch

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If your usual swimsuit lineup leaves you tugging at your stomach all day, it might be time for a different style. Swim dresses are having a major comeback right now — but not the stiff, old-fashioned versions you’re probably imagining. The new styles feel sleek, flattering and surprisingly chic. From wrapped designs that camouflage the […]

The bottoms are cheeky and a touch sexy, while still feeling comfortable, which make them perfect for your next tropical getaway. They feature a self-tie on each side to give you the perfect fit on the bottom, too.

If you’re looking for a sexy-but-wearable bikini for your next pool day, look no further. This style nicely captures Lopez’s glam summer look, but for under $30.

Get the Tainehs Halter Bikini Set for $26 at Amazon! Please note, prices are accurate as of the publishing date but are subject to change.

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Looking for something else? Explore more swimwear from Tainehs here and don’t forget to check out all of Amazon’s Daily Deals for more great finds!

Cicibird Bathing Suit


Related: Everyone Thinks I Overspent on This Designer-Looking Amazon Swimsuit

I’ve reached the point in my life where I refuse to buy swimsuits that only look good if I’m standing perfectly still with ideal lighting and zero snacks in my system. I want something cute, flattering and comfortable enough that I can actually move around in it, whether I’m chasing my toddler at the splash […]

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Zendaya’s Euphoria Season 3 Finale: When Does It Air?

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Sydney Sweeney 01 Euphoria Cast Then and Now

Season 3 of Zendaya’s hit series Euphoria is coming to an end.

The HBO series, which premiered in 2019, originally followed troubled high school student Rue (Zendaya) as she struggled to remain sober after rehab, and also unpacked the complicated lives of those around her. Euphoria was quickly renewed for a second season after its premiere, but it took nearly three years for the episodes to air.

The wait between season 2 to season 3 was even longer due to scheduling conflicts, industry strikes, a time jump in the plot and other obligations.

Creator Sam Levinson’s commitment to his short-lived series The Idol and the dual WGA and SAG-AFTRA strikes led to season 3 being dragged out. The show officially returned in 2026 with Rue getting caught up in the world of drug trafficking, Cassie (Sydney Sweeney) turning to OnlyFans to make money while her husband, Nate (Jacob Elordi), is pushed to the brink over the debt he owes to some dangerous people.

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Before Euphoria wrapped up its third season, Levinson wouldn’t directly confirm — or deny — what is to come for the show.

“[I write] every season like it’s the last season,” he told Variety in April. “[I have] no plans [for season 4].”

He continued: “I want to finish this as strong as I can. I’m cutting [episodes] 7 and 8 still. I’m putting some finishing touches. I just want to deliver a f**king slam dunk season.”

Keep scrolling for everything to know about Euphoria’s season 3 finale:

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When Does the ‘Euphoria’ Season 3 Finale Air?

The season 3 finale airs Sunday, May 31, on HBO at 9 p.m. ET.

Sydney Sweeney 01 Euphoria Cast Then and Now


Related: ‘Euphoria‘ Cast: See the HBO Show‘s Stars Then and Now

Euphoria fans have watched the cast change on and off screen since the series first debuted. Based on the Israeli series of the same name, Euphoria follows troubled high school student Rue (Zendaya) as she struggled to remain sober after rehab. The series also explores topics including mental illness, toxic relationships, sexuality and more. After […]

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What Is the ‘Euphoria’ Season 3 Finale About?

According to the synopsis, the finale picks up “amid the ruins of her own choices” as Rue “reckons with an agonizing past trying to reach her Promised Land.”

Has ‘Euphoria’ Been Renewed for Season 4?

HBO hasn’t officially confirmed Euphoria’s future but Zendaya was asked on The Drew Barrymore Show in April if the series is coming to end. “I think so, yeah,” she said when Barrymore asked if it was the final season. “That closure is coming.”

Could Someone Die in the Season 3 Finale?

Ahead of the finale, viewers were shocked when Nate (Jacob Elordi) was killed off the show.

“It’s a bittersweet thing,” Elordi said in a segment that aired after the May episode. “This show is a massive part of — not just my career — but my life. It’s been amazing and I’m so proud of being a part of this.”

Going into the last episode of season 3, no one is safe and everyone’s character’s life hangs in the balance.

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41 Must-Watch TV Shows on Hulu Right Now (May 2026)

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41 Must-Watch TV Shows on Hulu Right Now (May 2026)

Detective Ember Manning (Jenna Coleman) has a lot on her plate. A recent widow, she has to investigate a mysterious fire in a scenic small town that seems to exist only in British crime shows. Yet this seemingly simple case of arson leads her to another case involving the abduction of a young girl years ago, and the two seemingly unrelated crimes have a personal connection that will change Ember forever.

The Jetty doesn’t offer anything new to the genre, but what it does, it does well. The central mystery is genuinely compelling, and with only four episodes, the show doesn’t waste any time setting up its red herrings before giving viewers a satisfying resolution.

As Ember, Coleman hits all the right notes, making her detective flawed enough to be believable and relatable. The main highlight, however, is the show’s stunning cinematography, which makes great use of its moody West Yorkshire and Manchester filming locations.

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32 Years Later, Quentin Tarantino’s Cult Classic Crime Epic Still Owns Late-Night Streaming

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Quentin Tarantino on the red carpet

Quentin Tarantino fans are riding high this year off the news that his first official film in eight years is finally set to be released. Tarantino’s last feature film came in 2019 when he wrote and directed Once Upon a Time… in Hollywood, the showbiz epic that won Brad Pitt his first and only acting Oscar. He also penned the script for the spin-off film, The Adventures of Cliff Booth, which will bring back Pitt to his Oscar-winning role — Leonardo DiCaprio is not expected to return as Rick Dalton. Netflix just announced last week that The Adventures of Cliff Booth will begin streaming on Netflix a few days before Christmas, but it will play exclusively in IMAX for two weeks starting in November. For the first time since before the COVID-19 pandemic, fans will enjoy a new Tarantino movie on the big screen later this year.

Fans could spend hours arguing about which of Quentin Tarantino’s movies is his most famous, but one that has a good chance of coming out victorious from the conversation is Pulp Fiction. Tarantino wrote and directed the 1994 film, which won the Oscar for Best Screenplay. It was also nominated for a handful of other awards, including performance recognition for John Travolta, Samuel L. Jackson, and Uma Thurman, but the film was largely overshadowed by Forrest Gump at the 1995 Oscar ceremonies. All these years after Pulp Fiction hit theaters, there is no shortage of ways to watch the film on streaming. It’s available to watch on Paramount Plus and Peacock, as well as AMC+. Pulp Fiction is also one of the most popular VOD purchases in the world on platforms like Prime Video and Apple TV.

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Collider Exclusive · Oscar Best Picture Quiz
Which Oscar Best Picture
Is Your Perfect Movie?

Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country

Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.

🪜Parasite

🌀Everything Everywhere

☢️Oppenheimer

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🐦Birdman

🪙No Country for Old Men

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01

What kind of film experience do you actually want?
The best movies don’t just entertain — they leave something behind.





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02

Which idea grabs you most in a film?
Great films are driven by a central obsession. What’s yours?





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03

How do you like your story told?
Form is content. The way a story is shaped changes what it means.





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04

What makes a truly great antagonist?
The opposition defines the protagonist. What kind of opposition fascinates you?





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05

What do you want from a film’s ending?
The final note is the one that lingers. What do you want it to sound like?





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06

Which setting pulls you in most?
Where a film takes place shapes everything — mood, stakes, what’s even possible.





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07

What cinematic craft impresses you most?
Every great film has a signature — a technical or artistic element that makes it unmistakable.





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08

What kind of main character do you root for?
The protagonist is the lens. Who you choose to follow says something about you.





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09

How do you feel about a film that takes its time?
Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.





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10

What do you want to feel walking out of the cinema?
The best films leave a mark. What kind of mark do you want?





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The Academy Has Decided
Your Perfect Film Is…

Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.

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Parasite

You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho’s Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it’s ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.

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Everything Everywhere All at Once

You want it all — and this film gives you all of it. The Daniels’ Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn’t want cinema to choose between being entertaining and being meaningful. This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it’s about.

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Oppenheimer

You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens. Christopher Nolan’s Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.

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Birdman

You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it’s about. Alejandro González Iñárritu’s Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor’s ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn’t be possible. Michael Keaton’s performance and Emmanuel Lubezki’s restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all.

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No Country for Old Men

You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning. The Coen Brothers’ No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest. No Country for Old Men is honest in a way that most cinema never dares to be.

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What Is ‘Pulp Fiction’ About?

Pulp Fiction follows the lives of two mob hitmen, a boxer, a gangster and his wife, and a pair of diner bandits as they intertwine in four tales of violence and redemption. Pulp Fiction is one of the most impressive success stories of any movie in history — it’s not every day that a film grosses over $210 million at the box office against an $8 million budget. The film also holds scores of 92% from critics and 96% from audiences on Rotten Tomatoes from hundreds of thousands of reviews, making it one of the highest-rated movies of all time.

Check out Pulp Fiction on Peacock or Paramount Plus and stay tuned to Collider for more streaming updates and coverage of Tarantino’s future projects.


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Release Date

September 10, 1994

Runtime

154 minutes

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Producers

Bob Weinstein, Danny DeVito, Harvey Weinstein, Lawrence Bender, Michael Shamberg, Richard N. Gladstein

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