Entertainment
10 Movies From 1981 That Are Now Considered Classics
1981 was a year of transition. The bold experimentation of 1970s filmmaking was colliding with the emerging blockbuster logic of the 1980s. The result was a diverse slate of films: muscular and thoughtful, mythic and grounded, commercial and deeply personal.
With this in mind, this list looks at some of the most enduring classics of 1981. They helped define what action, horror, romance, historical drama, and political cinema could look like in a changing industry. The best of them more than hold up today.
10
‘Excalibur’ (1981)
“You will be the land, and the land will be you.” Excalibur retells the legend of King Arthur as a dark, operatic myth rather than a chivalric fairy tale. It charts Arthur’s (Nigel Terry) rise from illegitimate child to king, the forging of the Round Table, and the eventual collapse of his kingdom through betrayal, ambition, and moral decay. Knights quest for the Holy Grail, loyalties fracture, and magic slowly drains from the world. As Arthur weakens, so does the land itself.
The film was directed by John Boorman, the mind behind Point Blank and Deliverance, explaining its grimmer, grittier edge. Still, the fantasy aesthetic remains striking and immersive. Watching Excalibur now, the stylized performances, gleaming armor, and ritualistic tone feel intentionally heightened rather than dated. The supporting cast is strong, too, including Patrick Stewart, Liam Neeson, and a bewitching Helen Mirren as Morgan le Fay.
9
‘Body Heat’ (1981)
“You’re not too smart, are you? I like that in a man.” Body Heat follows a small-town lawyer (William Hurt) who becomes entangled in a dangerous affair with a married woman (Kathleen Turner) intent on escaping her wealthy, controlling husband (Richard Crenna). What begins as pure lust quickly evolves into manipulation, deception, and even murder, with the lawyer gradually realizing he may not be the one in control.
The plot is tightly wound, drawing heavily from classic film noir while updating its sexual frankness and moral cynicism. Every decision compounds the last, turning desire into a trap that tightens without warning. In particular, the movie’s understanding of power dynamics, whether sexual, economic, or psychological, gives it lasting bite. In other words, while it has the trappings of an erotic thriller, Body Heat is really a sharp neo-noir. Much of its success hinges on the phenomenal femme fatale performance from Turner.
8
‘Thief’ (1981)
“There’s a thousand ways to get hurt in this business.” Thief was Michael Mann‘s debut, and it contains many of his stylistic calling cards in microcosm. At the center of it is Frank (James Caan), a professional safecracker determined to complete one last big job so he can finally build a normal life. When he agrees to work for a powerful crime boss, his carefully controlled world begins to unravel as independence gives way to obligation. Every step toward legitimacy pulls him deeper into the criminal underworld. Frank’s tragedy isn’t moral failure, but believing he can negotiate with systems that only consume.
All this makes for an unusually smart thriller, one of the best crime films of the early ’80s. While Mann’s later work would get much more ambitious and elaborate, Thief remains punchy even now. Its cool visual style and electronic score have aged well, and its de-romanticized take on crime feels much more honest than you usually find in this genre.
7
‘Reds’ (1981)
“I want to make a difference.” Reds dramatizes the life of American journalist John Reed (Warren Beatty, who also directs), whose radical politics and romantic idealism draw him into the Russian Revolution. The film traces his relationship with fellow writer Louise Bryant (Diane Keaton), their political commitments, and the strain ideology places on their connection. The movie is simultaneously epic and intimate, moving between personal romance and historical upheaval.
To accommodate this ambitious storytelling scope, the movie clocks in at well over three hours long, something that not every viewer will appreciate. Others have taken issue with the way it presents the protagonists’ politics. Still, for those interested in this period, there’s a lot to be enjoyed here. Weatty and Keaton’s acting is great, as one would expect, and the film does make some nuanced points about both potential and the perils of trying to bring about revolution.
6
‘An American Werewolf in London’ (1981)
“Beware the moon.” This seminal comedy-horror follows two American tourists (played by David Naughton and Griffin Dunne) attacked by a mysterious creature on the English moors. One is killed, the other survives, only to discover he is slowly transforming into a werewolf. As his body changes, he’s haunted by visions of his dead friend, who warns him of what he’s becoming. While that sounds like typical horror fare, the story is shot through humor as well, as well as more than a little of that classic John Landis absurdity.
The special effects alone ensure An American Werewolf in London‘s place in genre history. The transformation scenes were groundbreaking for the time: painful and intimate, emphasizing bodily violation rather than spectacle. All in all, this movie is funny, frightening, and unexpectedly sad, a genre hybrid that has never really been replicated. It paved the way for many great comedy-horrors that followed.
5
‘Blow Out’ (1981)
“You can hear the screams.” Blow Out is Brian De Palma‘s pulpier, harder-hitting take on Michelangelo Antonioni‘s Blow-Up, but switches that movie’s focus on photography to a focus on audio recording. John Travolta is great in it as Jack Terry, a sound technician who accidentally records evidence of what may be a political assassination while gathering audio for a low-budget horror film. He begins piecing together the truth using sound, images, and film fragments, but soon becomes entangled in a conspiracy far larger than himself.
While the movie is structured like a paranoid thriller, its real subject is perception itself. Jack believes that if he can assemble the evidence correctly, reality will assert itself. Instead, every step toward clarity reveals how easily truth can be distorted, erased, or repackaged. His technical expertise becomes both his power and his curse. In this sense, Blow Out very much channels the spirit of Alfred Hitchcock.
4
‘Raiders of the Lost Ark’ (1981)
“It’s not the years, honey. It’s the mileage.” One of the most purely entertaining movies of all time, Raiders of the Lost Ark introduces the legendary Indiana Jones (Harrison Ford), an archaeologist-adventurer racing against Nazi forces to locate the Ark of the Covenant, a biblical artifact said to wield immense power. The plot moves briskly across continents, blending chases, puzzles, and narrow escapes into a relentless pursuit, all harking back to the classic adventures of Hollywood’s Golden Age. Every obstacle escalates the stakes, and every action sequence advances the character development.
All these decades later, the movie’s clarity of storytelling, sense of wonder, and tonal confidence remain unmatched. Raiders is joyful and fun, simply jam-packed with plot in the best way. Plus, in contrast to most adventure blockbusters of the era, the protagonist is not invincible. Indy survives through improvisation, endurance, and occasional luck. That vulnerability grounds the spectacle.
3
‘Escape from New York’ (1981)
“Call me Snake.” Escape from New York is set in a near-future where Manhattan has been converted into a maximum-security prison. When the President (Donald Pleasence) crash-lands inside the city, the government recruits Snake Plissken (Kurt Russell), a disgraced former soldier, to rescue him within a strict time limit. The story that follows is spare and cynical. Snake navigates rival gangs, collapsed infrastructure, and shifting alliances, not out of loyalty, but obligation. In this world, authority is corrupt, survival is transactional, and heroism is deeply suspect.
John Carpenter wrote it as a direct response to the Watergate scandal and the pessimistic public mood it engendered. On release, some critics dismissed all this as genre pulp. However, as is often the case with Carpenter movies, Escape from New York went on to become a cult classic. It’s grimy, action-packed, and full of attitude. Snake’s refusal to play along becomes the film’s quiet act of resistance.
2
‘Das Boot’ (1981)
“It’s cold. It’s dark. And it’s very quiet.” Das Boot follows the crew of a German U-boat during World War II as they patrol the Atlantic under constant threat from Allied forces. Hours stretch into days stretch into weeks as tension mounts and morale deteriorates. The film confines the audience within the submarine’s cramped interior, creating a claustrophobic experience that mirrors the crew’s psychological state. Attacks are sudden, survival is uncertain, and victory offers no relief, only temporary reprieve.
This refusal to glorify combat allows fear and exhaustion to dominate. The result is one of the most immersive war films ever made. The tension is tautly controlled throughout, the plot elements are all bolted into their right place, and the realism of the submarine is genuinely impressive. Every movie since that takes place owes Das Boot a debt of gratitude, and probably falls short of the high bar it set.
1
‘Chariots of Fire’ (1981)
“I believe God made me for a purpose.” That year’s Best Picture Oscar was won by this inspirational drama. Chariots of Fire follows two British athletes preparing for the 1924 Olympics: one (Ian Charleson) driven by religious conviction, the other (Ben Cross) by a desire to overcome class prejudice. For them, running becomes an expression of belief, whether spiritual or personal. Their parallel journeys become vehicles to explore faith, discipline, and the cost of ambition. Breaking with genre convention, the emphasis here is on training, doubt, and moral conflict rather than competition itself.
Basically, this is a well-crafted prestige sports drama, anchored by strong performances. The visuals are granded and the score is great. It all builds up that famous slow-mo sequence to the sounds of Vangelis, a sence that has been endlessly referenced and parodied in the decades since. The movie’s admirers include Christopher Nolan, who called it “a masterpiece of British understatement.”
c
- Release Date
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May 15, 1981
- Runtime
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125 Minutes
- Director
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Hugh Hudson
- Writers
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Colin Welland
Entertainment
Bold and the Beautiful 2-Week Spoilers Feb 9-20: Sheila Grows Suspicious While Will Reaches His Limit
Bold and the Beautiful 2-week spoilers for February 9 -20, 2026 suggest Sheila Carter (Kimberlin Brown) is suspicious and Will Spencer (Crew Morrow) is disgusted.
Bold and the Beautiful Spoilers: Sheila Carter Suspicious
Monday, February 9th, we have Sheila trying to get romantic with Deacon Sharpe (Sean Kanan). It looks like she has a surprise for him, but I don’t see him getting intimate with Sheila because his heart now belongs to Taylor Hayes (Rebecca Budig). If Deacon is withholding intimacy when they’ve had such an active bedroom life, Sheila is going to get increasingly suspicious.
Kimberlin Brown did a recent interview and said that what happens when Sheila finds out about Deacon and Taylor is going to be really big. She says fans will not want to change the channel, and I am here for it. Ridge Forrester (Thorsten Kaye) orders Deacon to stay away from Taylor.
Although he doesn’t owe him anything, Deacon tries to explain to Ridge that he is deeply in love with Taylor and can’t stop seeing her. Ridge insists that it’s over between them and tells Deacon to stay away. After Deacon takes off, Taylor gets her two cents in with her ex.
She puts Ridge firmly in his place and tells him that after all the disappointment she’s experienced, this is real. They lift each other up, even though Ridge acts like Taylor is being ridiculous.
Taylor tells him she has been asking for and wanting this kind of commitment for years. Ridge is stunned because she now believes she has that with Deacon. She doesn’t care how Ridge feels about it and tells her ex that he doesn’t get to tell her who to love.
B&B Spoilers: Carter Walton’s Best Man and Daphne Rose’s Disco Bachelorette Party
Tuesday, February 10th, Carter Walton (Lawrence Saint-Victor) asks Ridge if he will be the best man at his wedding. Ridge will likely say yes. This week, we will see Ridge and Carter hanging out and talking in the CEO office at Forrester. This seems to be in lieu of a bachelor party—just the two of them hanging out as best friends. They are also going to be talking in the Forrester Creations showroom, which is where we’re going to see the wedding.
Plus, Taylor and Steffy Forrester (Jacqueline MacInnes Wood) are hosting a surprise disco bridal shower for Daphne Rose (Murielle Hilaire) at the Malibu house. We’re going to see two hunky guys doing disco dancing. Those two are from Dancing with the Stars, by the way. Daphne, Steffy, Taylor, and Donna Logan (Jennifer Gareis) are all going to be partying at Daphne’s bachelorette party.
They are all going to be dancing with these guys, who are looking very good. The ladies toast to Daphne and share some sweet moments. Steffy tells Daphne she’s going to make the most beautiful bride, and they prepare for the wedding over at Steffy’s place.
Will Discovers Ivy’s Blackmail and Dylan’s Secret Job on Bold and the Beautiful
On Wednesday, February 11th, Will is in complete shock when he finds out the actual reason Melissa Dylan (Sydney Bullock) moved out of the guest house at his beach house. It turns out Ivy Forrester (Ashleigh Brewer) told her to leave. Meanwhile, Deke Sharpe (Harrison Cone) gives Dylan a job at Il Giardino.
Dylan is working and winds up talking to Deke and Will out in the alley by the dumpster. And Dylan is upset when Will confronts her about lying about having a new job and leaving Los Angeles. Dylan was cornered, blackmailed, and trashed by Ivy, which forced her into lying. She’s going to have a breakdown, and I think she’s going to confess everything to Will.
B&B Spoilers: Carter and Daphne’s Runway Wedding at Forrester Creations
Meanwhile, Carter and Daphne’s wedding kicks off at Forrester Creations in the showroom. They are going to walk down the aisle on the runway on Thursday, February 12th. Daphne and Carter say their “I do’s” and are officially hitched. Zende Forrester Dominguez (Delon de Metz) will officiate the wedding, followed by a reception.
After that, it is time for the couple to start their family. Several couples will be there, including Steffy and Finn (Tanner Novlan), Brooke Logan (Katherine Kelly Lang) and Ridge, and Donna and Eric Forrester (John McCook). I did not see Taylor in any wedding photos even though she was at the bachelorette party.
Also, Donna may be in a tough spot because Ridge may take some cheap shots at Logan and diss Katie Logan’s (Heather Tom) fashion house while they’re all together. Her lead designer, Eric, is sitting right there. He may have to bite his tongue to keep from spilling the beans that he is Katie’s lead designer if Ridge starts running his mouth again.
Ivy’s Lies Lead to Electra Forrester’s Ultimatum for Will on Bold and the Beautiful
Friday, February 13th, Daphne and Carter are husband and wife. They’re honeymooning, hitting the sheets, and they want to start a family immediately. Ivy, meanwhile, tells Electra Forrester (Laneya Grace) what she supposedly saw going on between Will and Dylan. Ivy didn’t actually see what she thought she saw. So, she gives a heavily interpreted version of things.
We’ll see Will, Dylan, and Electra all at Will’s house as Ivy tells her skewed story. She tells Electra she didn’t want her to find out what Will and Dylan are doing. But says it’s time the truth came out. Electra takes this all in hook, line, and sinker. After Ivy tells her tale, Electra hits Will with an ultimatum. She may tell him to stay away from Dylan or their relationship is over.
Will is not going to appreciate their attitudes or their lack of charity. I expect him to be disgusted with the accusations against him. Electra knows Will slept with Luna Nozawa (Lisa Yamada) while he was drunk, so there is a history of dishonesty, but Will is going to be really bothered by the implication that he’s been unfaithful with Dylan.
Liam Spencer’s Struggles with Eric’s Secret and Sheila’s Growing Suspicion on B&B
The week of February 16th through the 20th, Carter and Daphne settle into married life. We’ll see if they get a honeymoon; they should definitely go to France to visit Daphne’s family. Will is going to reply to Electra’s ultimatum. Ivy and Electra both seem to think they are in charge of what goes on at Will’s house.
I’m interested to see if he turns to his mom, Katie, for advice, as she was supportive of him offering charity to Dylan. We’re also going to see Liam Spencer (Scott Clifton) struggling to keep Eric’s secret from Hope Logan (Annika Noelle). Bill Spencer (Don Diamont) was very insistent that Liam can’t tell Hope or Brooke.
To get the most return on investment, they want to make a big splash in the press. The success of the launch hinges on keeping it a secret that Eric is the lead designer. However, I feel like Liam is going to crack and tell Hope. Taylor and Deacon aren’t going to be able to stay away from each other despite Steffy and Ridge clamping down with threats.
Sheila gets increasingly suspicious of Deacon’s actions and starts snooping because he keeps going missing to spend with Taylor for “therapy sessions.” Plus, Will may have harsh words for Ivy for stalking and overblowing things, especially after she blackmailed a homeless girl.
Ridge and Steffy continue to stress over Taylor and Deacon, while Brooke may have a difference of opinion. Eric and Katie remain hard at work at Logan, and Bill keeps plotting against Ridge. Finally, we may see RJ Forrester (Brayan Nicoletti) asking Dylan out soon. The drama’s picking up!
Savannah Guthrie’s Missing Mom
FBI Unaware of Contact Between Family and Kidnappers
Published
The FBI says it has no knowledge of any continued communication between Savannah Guthrie‘s family and anyone believed to have kidnapped her mother, despite a massive, around-the-clock federal search now stretching into a second week.
In a new statement released Monday, the FBI said agents, analysts and crisis management experts have been working nonstop to reunite 84-year-old Nancy Guthrie with her family, but investigators remain in the dark when it comes to ransom-related contact.
“The FBI is not aware of any continued communication between the Guthrie family and suspected kidnappers,” the agency said, adding it has not identified a suspect or person of interest at this time.
Federal officials revealed they are now operating a 24-hour command post in Tucson, pulling in additional personnel from FBI field offices across the country. The operation includes crisis negotiators, analytic teams and investigators following up on tips.
Instagram/@savannahguthrie
On Monday, Savannah posted to Instagram saying she and her family are not giving up hope Nancy is alive and says they’re desperately asking for the public’s help in locating their mom.
The final deadline to pay the alleged ransom in the kidnapping expired at 5 PM Arizona time Monday. Nancy and her siblings said they would pay the $6 million bitcoin ransom … so far, there hasn’t been any movement on the bitcoin account.
Nancy was abducted early in the morning of Feb. 1 … she went out to dinner Saturday night, but missed church the next morning.
Instagram/@savannahguthrie
Two days ago, Savannah Guthrie and her siblings, Annie and Camron, shared another Instagram video, agreeing to pay the ransom demands to bring their mother home.
Entertainment
Young and Restless 2-Week Spoilers Feb 9-20: Victor Claims Major Victory as Nick’s Life Crumbles
Young and the Restless 2-week spoilers for February 9 -20, 2026 hint Victor Newman (Eric Braeden) scores a huge win and Nick Newman (Joshua Morrow) is suffering.
Young and the Restless Spoilers: Nikki Annoys Victor
Let’s jump right into it. Monday, February 9th: Nikki Newman (Melody Thomas Scott) wants Victor Newman to give her an update on Dominic Chancellor (Ethan Ray Clark), and she’s griping about Lily Winters (Christel Khalil) being kept away from Devon Hamilton (Bryton James) right now when he needs his sister.
Victor says that Cane Ashby (Billy Flynn) wants proof that Lily and the twins are safe. And Nikki says she wants that, too. That really annoys Victor because he thinks Nikki doubts him. But Victor gets the photo and shows Nikki the picture, and then he forwards it to Cane.
Y&R Victoria Schemes to Take Down Phyllis and Help Victor
Meanwhile, Nick tells Adam Newman (Mark Grossman) and Victoria Newman (Amelia Heinle) that Detective Burrow (Matt Cohen) is working Dominic’s abduction case. Victoria doesn’t believe that Lily agreed to go along with Victor. Victoria Newman thinks she can prove Phyllis Summers (Michelle Stafford) stole the AI. If she can get the proof to take to law enforcement, Victoria might be able to leverage Phyllis to flip on Cane to save herself. She thinks they need a backup plan.
Adam thinks that Victor offered Chancellor to Lily, but Victoria thinks he didn’t because that would ruin her parents’ marriage. Nick tends to agree with Victoria. But Adam tells them both Victor has been up late texting him, hasn’t been sleeping, and thinks that their dad would see giving up Chancellor as a small sacrifice if it saved the rest of the Newman Empire.
Victoria wants Nick to talk to Phyllis again and Nick admits to his siblings that he is still in a lot of pain. Victoria warns Nick to be careful with the medication. Then Victor texts them all saying come back to the ranch right now. He shows his three kids the photo and says Lily is safe and Cane is going to make a deal. Adam asks what Victor offered Lily, but Victor won’t answer. Another red flag; it might have been Chancellor.
Young and the Restless Spoilers: Claire’s Investigation in Los Angeles and the Newman Ranch Showdown
Meanwhile, Claire Grace Newman (Hayley Erin) goes with Holden Novak (Nathan Owens) to Los Angeles, but he quickly realizes that Claire came along primarily to dig up dirt on Audra Charles (Zuleyka Silver). Holden tells Claire, “Look, you’re wasting your time.” Claire is also annoyed that Holden is doing something for Cane in Los Angeles. He said he’s looking into Lily’s possible kidnapping, but Claire is absolutely adamant that Victor wouldn’t do that.
Behind Holden’s back, Claire calls the art gallery that was owned by the guy that Holden accidentally killed. He gets the photo that Cane wanted and sends it over. It shows Lily and the kids with a sketchy guy and they are looking scared. Phyllis is gloating up at Newman Enterprises about stealing everything from Victor on Young and Restless.
But she and Billy Abbott (Jason Thompson) are bickering about Cane giving Chancellor to Billy. Then Cane comes in and tells Billy he can’t sign the Chancellor contract yet. Phyllis and Billy keep sniping until Cane gets the photo of Lily and the twins from Holden. Billy takes off, but Phyllis stays and Cane tells her that Victor took Lily and the kids, but Phyllis says it is a bluff.
Victor wouldn’t hurt Neil Winters’ (Kristoff St John) family, but Cane doesn’t believe her. Phyllis keeps on saying he’s being played, but Cane leaves, runs over to the ranch, and tells Victor, “You won.” Cane wants proof that Victor has let the family go and then Cane will give Newman Enterprises back to Victor.
Y&R Spoilers: Phyllis & Billy Scheme for Chancellor as Mariah Flees Genoa City
Meanwhile, Phyllis runs over to Billy’s and says that Cane is caving in and giving everything back to Victor. So, Billy won’t get Chancellor unless he works with Phyllis and they act fast to grab it up, but they have to move now. Tuesday, February 10th: Victor Newman summons the whole family for a meeting. Some of this may be about Dominic. We’ll see. But I think most of it is going to be Victor saying his plan worked. He has defeated Cane. They’re going to be getting everything back.
Meanwhile, Sharon Newman (Sharon Case) is blaming herself for Mariah Copeland (Camryn Grimes) kidnapping Dominic. Obviously, Sharon thinks she didn’t check in on Mariah enough or visit her enough at the clinic in Boston. Elsewhere, and Billy are scheming against Cane because he has turned against them, caved into Victor’s bluff, and is signing assets back over. Billy wants Chancellor, and he and Phyllis may realize that it’s the only thing they can salvage when Cane starts giving Newman assets back.
Wednesday, February 11th: Abby Newman (Melissa Ordway) and Devon get a lead on Dominic and we’re going to see them working with Detective Burrow to take down Mariah and get Dom back. Speaking of those two, at a restaurant wearing matching trucker hats. We’ll see Dominic asking Mariah why she won’t tell him where they’re going.
She says that she’s taking Dominic to the best hideout in the world. Mariah says they are going to a whole different country. Something happens with Dominic where Mariah feels like she has to switch things up. So, we’ll see if she pivots and is still planning to take him out of the country or if she does something else.
Young and the Restless Spoilers: Cane’s Medical Emergency and Nikki’s Desperate Plea to Jack
Thursday, February 12th: Victor uncovers shocking information about Cane. Victor’s in the bedroom of the Cane train as Adam walks in and is looking at Cane unconscious there. Adam asks Victor if he’s dead and he doesn’t answer straight away.
I wonder if Cane is so upset he got drunk and passed out. Maybe it’s alcohol poisoning. Billy and Phyllis get overheard by Victoria, and I’m sure it’s about Chancellor. Of course, Victoria is very insistent that Chancellor needs to come back to her mom.
Nikki goes to Jack Abbott (Peter Bergman) and she’s quite distraught. Nikki may tell him about the fake abduction of Lily and the kids, but bottom line, Nikki’s frantic and telling Jack that she’s worried what Victor will do next. She is worried that if he goes too far, Nikki won’t be able to take it anymore and will have to walk away.
Jack’s comforting Nikki and hugging her right as Diane Jenkins (Susan Walters) is walking in. She does not like what she sees, just like Victor didn’t like when he saw the same thing at his house.
Valentine’s Day Romance and a High-Stakes Private Jet Search on Y&R
Friday, February 13th: Noah Newman (Lucas Adams) goes all out for Sienna Bacall (Tamara Braun). He’s not giving up. It looks like Noah may head to Los Angeles for Valentine’s Day. Chelsea Lawson (Melissa Claire Egan) gets a romantic gesture from Adam for Heart’s Day. Billy is also going all out to woo and impress Sally Spectra (Courtney Hope) and prove himself, but him conspiring with Phyllis to get Chancellor may be a deal breaker, even though he won’t be conspiring with Cane anymore.
The week of February 16th through the 20th, we are going to be seeing Burrow, Devon, and Abby on a private jet soon, and they are trying to chase down Mariah and Dominic. The good news is she’s driving and they’re on a plane, so maybe they can cut her off at the pass. Sally is very conflicted about Billy. And Sally loves him, but she feels like Billy is letting her down. Sally also, though, doesn’t want to walk away while Billy’s mom is sick and possibly dying, so she is really struggling.
Young and the Restless Spoilers: The Return of Patty Williams and Nick Newman’s Dangerous Spiral
Phyllis remains determined that she is going to get one over on Victor. Even though Cane may give back Newman Enterprises, Billy and Phyllis may decide that Chancellor is enough of a consolation prize for them. Diane loses patience with Jack and Nikki, and Noah’s heart is on the line.
He wants Sienna back, but I don’t think she’s going to back down on breaking up with him. She may tell Noah that he needs to leave Los Angeles and not come back, so he may return to Genoa City heartbroken. Claire makes progress in her search for dirt on Audra.
And it looks like Claire may indeed find out that the gallery owner was missing and presumed dead. I wonder if Sienna will help out with sharing more info. Nick is really struggling with his pain and by the end of Sweeps, he may be dabbling in illegal drugs. Sharon is worried about Mariah and racked with guilt. Look for Matt Clark (Roger Howarth) who is likely going to pop up with one last hurrah by the end of Sweeps.
Stacy Haiduk is back soon as Crazy Patty Williams. Paul Williams’ (Doug Davidson) sister, if you remember, was in Fairview Psychiatric with Sharon. She also has a history with Ian Ward (Ray Wise); she saved his life. Patty’s back in March. And Lily is also set to return in March.
Blake Lively is reportedly persona non grata at Taylor Swift‘s upcoming wedding. The former besties are said to have fallen out in the wake of Lively’s lawsuit involving her former co-star, Justin Baldoni.
The pop star is now reportedly keeping the actress off the guest list, as she wants the event to be completely free of legal drama and controversy.
Taylor Swift has also allegedly changed her phone number following the leak of private messages exchanged with Blake Lively, a move said to be aimed at enforcing firmer boundaries.
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Taylor Swift No Longer Trusts Blake Lively And Ryan Reynolds
Swift’s upcoming wedding to her longtime beau, Travis Kelce, is undoubtedly one of the most highly anticipated celebrity events, with rumors about its potential details swirling ever since the pop star reportedly got engaged.
Among the many points of speculation is who will make the guest list when the ceremony eventually takes place. While actress Blake Lively and her husband, Ryan Reynolds, once seemed guaranteed an invitation, that may no longer be the case.
Reports now suggest the duo have been cut from the list, as Swift’s relationship with Lively has soured amid the ongoing legal drama involving the actress and her “It Ends With Us” co-star, Justin Baldoni.
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“They are not invited. Period,” one insider said of Lively and Reynolds, according to journalist Rob Shuter’s #ShutterScoop. “Taylor wants a drama-free day, and she no longer trusts Blake or Ryan.”
Another source claimed that Swift decided long ago to exclude the duo and is said to have no second thoughts about it.
“There’s no ‘will she or won’t she,’” the insider remarked, adding, “She won’t.”
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The Singer ‘Felt Violated’ By Unsealed Private Messages Between Her And Blake Lively
Amid the ongoing legal saga between Lively and Baldoni, Swift has largely remained silent, despite allegations from Baldoni and his lawyers that she was one of the individuals his co-star used to pressure him into accepting Lively’s rewrite of their movie.
At the time, Swift, through her lawyers, denied having any involvement in the film and ultimately avoided being compelled to sit for a deposition after the judge denied Baldoni’s last-minute attempt to subpoena her.
The recent release of text messages between Lively and Swift has seemingly called the pop star’s earlier claims into question.
However, it appears that Swift is more concerned about the exposure of her private communications than the allegations themselves.
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“Taylor felt exposed and violated,” said an insider. “That crossed a line for her.” As for Swift’s relationship with Lively, there is seemingly no hope of it being rebuilt, at least for now.
“There’s been an emotional gap for a long time,” a source notes. “Rebuilding trust doesn’t feel possible right now.”
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Taylor Swift Felt Her Privacy Was ‘Impacted’ By The Leaked Text Messages
According to a source who spoke to People Magazine, the release of the text messages has left Swift feeling very “uncomfortable” as she believes her privacy was impacted.
“Taylor feels like her privacy was impacted,” the insider noted. “Anyone would be uncomfortable if their private texts were suddenly made public.”
Another source noted that the singer never anticipated the drama or being dragged into any controversy, as all she wanted to do was support her friend.
“She was just being a friend to Blake,” the source said. “It’s turned into something bigger than she ever expected. She never thought private messages would become public.”
So now, according to the insider, Swift is “just trying to stay away from the drama.”
The Singer Reportedly Changed Her Phone Number To Set Boundaries
Following the leaked messages, Swift reportedly changed her number, and the alleged reason was shared by a source.
“Taylor needed to set boundaries and protect her peace,” one insider told Rob Shuter’s #ShuterScoop about the decision. “She’s very private and doesn’t take kindly to people overstepping.”
While the move did raise questions at the time, a different insider claimed that it wasn’t “petty or dramatic” but was about Swift “reclaiming control over her life.”
One more source pointed out that only a few close people have access to the pop star’s new contact.
“This was a full reset,” said the source. “She’s in charge of who can reach her and when — and that’s how she keeps her sanity in Hollywood.”
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Other A-Listers Have Been Dragged Into Blake Lively’s Suit
Beyond Swift, several other Hollywood stars have been dragged into the legal saga between Lively and Baldoni.
High-profile names such as Ben Affleck, his ex-wife Jennifer Lopez, and his close friend Matt Damon have been mentioned, a development that is said to have left them, along with other named A-listers, frustrated.
“The feeling is frustration,” an insider close to Affleck and Damon told Us Weekly. “There’s a sense of, ‘Why am I being dragged into this?’ It’s created unnecessary stress and irritation, and people feel like it’s become a black hole.”
Meanwhile, other celebrities acquainted with Lively and Baldoni are said to be worried that they, too, may be mentioned.
“Even those who have nothing to do with it are worried about getting mentioned or dragged into public speculation.”
Ricky Martin stunned fans with his surprisingly youthful appearance during his cameo at the Super Bowl halftime show.
The singer’s facial transformation especially caused so much chatter that experts have now weighed in on how he may have achieved a look that seemingly defies his age.
Ricky Martin, who appeared alongside headlining act Bad Bunny at the annual event, is said to have possibly undergone cosmetic procedures such as dermal fillers or fat grafting.
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Ricky Martin Reportedly Didn’t Have Any Major Face Surgeries
Ricky Martin turned heads during his surprise Super Bowl halftime appearance, with many fans and commentators remarking that he looked surprisingly youthful for his age.
Although the singer has yet to admit whether he recently had any procedure done on his face.
Dr Sean McNally, a board-certified plastic surgeon in Portland, Oregon, believes that Martin did have some work done, but it’s not likely something major.
Speaking with the Daily Mail, the medical expert ruled out surgeries that involve a lift to a part of the face, as well as blepharoplasty. The latter is a surgery that involves the doctor cutting into the creases of the eyelids to trim loose skin and muscle and remove excess fat.
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“To me it doesn’t appear that he’s had a major plastic surgery like facelift, neck lift, browlift, or blepharoplasty,” McNally shared with the outlet about the Puerto Rican singer.
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The Singer Likely Used Fillers And Other Non-Invasive Procedures
Regarding the facial work Martin may have had done, McNally suggested that the singer might have used fillers or fat grafting to achieve better midface shape and volume.
Both procedures are known to be minimally invasive and are commonly used to add volume, alter facial contours, and fill in wrinkled areas.
The expert also noted that the Livin’ La Vida Loca artist displayed significantly improved “skin tone and texture.”
He added that this enhancement may also be the result of filler, particularly in the midface or jawline.
McNally went on to note that a strong skincare regimen likely played a role as well, along with the possible use of laser treatments to help prevent hyperpigmentation.
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“The most likely culprits would be a skin care regimen that utilizes hydroquinone and lighter resurfacing lasers like Moxi or erbium as they’re more appropriate for difficult and reactive skin types,” he continued.
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How Fans Reacted To Ricky Martin’s Youthful Appearance At The 2026 Super Bowl Halftime Show
Fans who were in awe of Martin’s younger look took to social media to make glowing comments about him.
“I can’t get over how good Ricky Martin looked. Like that, man is gorgeous & aging so gracefully,” one fan said.
“For a guy who lived a crazy life, Ricky Martin looks great,” a second user said.
“Ricky Martin might look better now than he did 20 years ago,” a third fan commented, while a fourth wrote, “New life goal is to look as young as Ricky Martin at 54.”
“I am angry that Ricky Martin has always been so much better looking than me, and as we age, the gap keeps getting bigger,” one more person joked.
“Ricky Martin got that face snatched back with a banana clip behind his ears. He look good! #SuperBowl,” yet another commented.
Ricky Martin Showed Support For Bad Bunny Ahead Of The Super Bowl Halftime Show
Days before stepping onto the Super Bowl stage with Bad Bunny, Martin heaped praises on the multiple Grammy Award winner for hitting a milestone at such a prestigious music event.
“Benito, brother, seeing you win three Grammy Awards, one of them for album of the year with a production entirely in Spanish, touched me deeply,” the singer remarked in Spanish.
He added, “Not only as an artist, but as a Puerto Rican who has walked stages around the world carrying his language, his accent, and his story. I know what it means to succeed without letting go of where you come from. I know how heavy it is, what it costs, and what is sacrificed when you decide not to change because others ask you to.”
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The Latin Singer Called Bad Bunny’s Achievement At The Grammys A ‘Human Victory’
In Martin’s emotional message to Bad Bunny, he described his Grammy wins as a “historic musical accomplishment.”
He also branded the Latin rapper’s career achievements as a “cultural and human victory.”
“You won without changing the color of your voice. You won without erasing your roots,” Martin noted.
He concluded, “You won by staying true to Puerto Rico.”
By Chris Snellgrove
| Published
Bill & Ted’s Excellent Adventure proved to be a breakout smash, appealing to sci-fi fans with its time-traveling plot and appealing to general audiences with its affable stoner comedy. The movie (the first big role for former John Wick icon Keanu Reeves) soon got a sequel, one that broke all the rules and subverted all of our expectations. You can now stream this underrated film for free on Tubi and discover for yourself why Bill & Ted’s Bogus Journey (1991) might secretly be the best sequel ever made.
The premise of Bill & Ted’s Bogus Journey is that the titular duo are inexplicably responsible for creating a future utopia, but a bad guy who wants to stop the party sends robot duplicates to kill our heroes in the present day. These bad bots actually succeed, throwing Bill and Ted to their doom before these would-be rock stars can win a local Battle of the Bands. But these two meatheads won’t let a little thing like death keep them down, and once they run into a new frenemy in the afterlife, they realize that their bogus journey is just beginning.
Sci-Fi’s Slacker Dream Team Returns
Bill & Ted’s Bogus Journey has a tight cast of excellent performers, including George Carlin (best known outside this franchise for Dogma) as a groovy mentor from the day after tomorrow. The Grim Reaper is played to hilarious perfection, by William Sadler (best known for Shawshank Redemption), while Alex Winter (best known Adulthood) plays one half of the titular time-trippers. The other is played by Keanu Reeves, who transformed the notoriety of this franchise into headlining roles in action masterpieces like The Matrix and John Wick.
Bill & Ted’s Bogus Journey wasn’t so bogus for audiences: against a budget of $20 million, this film earned $38 million. This was less than the original movie, and Bogus Journey was considered a minor failure until it earned a cult following on home video and streaming. That cult following helped this movie get a sequel, and 2020 (the pandemic? Talk about a bogus journey!) saw the release of the long-awaited Bill and Ted Face the Music.
Declared DOA By The Critics
When Bill& Ted’s Bogus Journey came out, many reviewers decided this sequel was totally heinous. On Rotten Tomatoes, it has a 56 percent rating, with critics acknowledging that this follow-up film had the same sense of humor as the groundbreaking first film and the same cast giving the script everything they had. They just felt like this second trip to the well delivered diminished returns compared to their original romp through time and space.
However, the movie impressed certain reviewers more than others, including legendary film critic Roger Ebert. In his review, Ebert said that Bill & Ted’s Bogus Journey is “the kind of movie where you start out snickering in spite of yourself, and end up actually admiring the originality that went into creating this hallucinatory slapstick.” This is a solid take, and the movie is filled with so many deliciously stupid punchlines that it’s easy to forget how smart the setup to these jokes really is.
A Sequel That Raises The Stakes
I’ll actually go one better than the late, great Ebert and say that Bill & Ted’s Bogus Journey is secretly the best sequel ever made. It would have been insanely easy to just give us a lame retread of the first film, with our not-so-dynamic duo traveling to more time periods and teaming up with more historical figures. Instead, the sequel zigs wherever you expect it to zag, sending our boys to Heaven and Hell in sequences that further our understanding of these characters in unexpectedly complex ways.
It helps that Bill & Ted’s Bogus Journey adds fun new characters, including both the evil robots and the Grim Reaper. William Sadler is always game for genre work, and he turns his Reaper into the best kind of comic figure: a man who takes himself way too seriously. Watching him get his butt kicked in board games is hilarious, and by the end of the movie, he proves himself to be the ultimate third wheel of Wild Stallyns, a band that might just save the world.
A Hauntingly Good Sequel
Bill & Ted’s Bogus Journey will appeal to sci-fi fans looking for something more lighthearted to watch, but it also has undeniable mass appeal thanks to its witty writing, rapid-fire jokes, and affable cast. It’s the kind of movie you can put on at a party, and people can vibe out with between conversations. But it’s also the kind of movie you can watch on your own to enjoy its surprising depth, sophistication, and craft.
Will you agree that Bill & Ted’s Bogus Journey is the best sequel ever made, or would you like to send this ‘90s classic on a one-way trip to the past? The only way to find out is to stream this quirky comedy for free on Tubi. If nothing else, this is the perfect way to see how future action icon Keanu Reeves got his start!
By Jonathan Klotz
| Published
Reboots and remakes aren’t a new Hollywood trend. For decades, studios have been digging into their archives to revive old IP for a new generation. It worked with Battlestar Galactica, but a few years later, Universal attempted the same formula: a TV movie, then a launch of the new, darker, grittier series with Knight Rider.
The deliberately cheesy ’80s series that turned David Hasselhoff into an international star stalled at the starting line when it returned in 2008. Not even a mid-season rework could save the series, which is now mostly forgotten, while the original remains a fan favorite.
A K.I.T.T. For A New Generation
The 2008 series replaces Hasselhoff’s Michael Knight with his son, Michael Tracuer, adopting the name Knight after the first episode (played by Justin Bruening, now a Hallmark movie regular), and Val Kilmer voices K.I.T.T. The two are working for the U.S. government under the watchful eye of FBI Agent Carrie Rivai (Sydney Poitier) and NSA Agent Alex Torres (Yancey Arias), at least for the first dozen episodes before the reboot hits and the pair end up working for the revived Foundation for Law and Government (FLAG). This time around, K.I.T.T. is powered by nanotechnology, and the series attempted to tell overarching storylines digging into both Mike’s forgotten past and the return of K.I.T.T.’s archenemy, K.A.R.R.
As with most network procedurals, the overarching storylines came into play during the opening and closing of most episodes, with the bulk of the runtime an adventure of the week. Mike goes undercover to foil assassination plots, has to drive over 100 MPH to keep a bomb from exploding, goes undercover to prevent an assassination, races a terrorist, and you’re starting to get the picture. To Universal’s credit, they put a hefty budget behind the Knight Rider reboot, with every episode featuring great shots of K.I.T.T., but in 2008, no one could get excited over the return of a show that was mostly known for being a punchline.
Once he finally appears, K.A.R.R. was voiced by Peter Cullen, most famous as the voice of Transformers’ Optimus Prime, which is a little ironic as the reboot series decided to turn K.I.T.T. into a transformer. Taking advantage of the nanomachine concept and an increased special effects budget, K.I.T.T. would shift forms into “attack mode” and even “turbo boost,” resulting in exterior modifications to the Ford Mustang Shelby GT500. It was the right type of updating from the original’s “Super Pursuit Mode” but overshadowed by every other misguided attempt to modernize the series.
No One Cares About Michael Knight’s Love Life
Knight Rider was so ignored that NBC dropped the series from 22 to 17 episodes, and dropping the extended cast halfway through to focus more on Michael and K.I.T.T. proved to be too little, too late. The TV movie pilot brought in 12 million viewers, but by going darker, it alienated fans of the original, and everyone else realized the goofy concept didn’t work in the 21st century. If the studio had embraced the inherent absurdity of a superpowered car used to perform clandestine government missions, it could have been a weekly Fast and Furious adventure.
Universal tried to replicate Knight Rider in 1985, while the original was still airing, with Street Hawk by turning the car into a motorcycle, but as Torque proved, that never works. The success of the Battlestar Galactica reboot has never been duplicated, no matter how many times studios try. Instead of attempting to make something new and different, we’re subjected to more NCIS spin-offs, more updated revivals that miss the entire point of the original (looking at you, Charmed), and another Dexter sequel series.
Knight Rider 2008 attempted to do something different by shifting its missions and featuring a larger, more diverse cast. In the process, it forgot that what made the original a fan favorite was the relationship between Michael and K.I.T.T., not Michael’s love life, and especially not by forcing a love triangle into the story. Back in 2008, giving fans a campy show that winks at the audience would have been new and original; instead, they got another “modern” update, and Universal had to handle another early cancellation.
Marc Anthony on Beckham Drama
It’s Unfortunate How It’s Playing Out!!!
Published
Marc Anthony isn’t diving headfirst into the Beckham family drama but he is acknowledging it.
The singer and longtime friend of the famous family briefly addressed the ongoing tension between David and Victoria Beckham and their eldest son, Brooklyn Beckham, calling the situation “unfortunate” while making it clear he’s not interested in fueling the fire.
In an interview with The Hollywood Reporter, Marc praised the Beckham family and emphasized his long history with them, saying the public narrative doesn’t reflect the full reality of what’s going on behind closed doors.
“I have nothing to say about what’s happening with the family,” Marc said. “They’re a wonderful, wonderful family. I’ve known them since before the kids were born. I’m godfather to Cruz. I’m really close to the family.”
While he avoided specifics, Marc did hint the story circulating publicly may not be entirely accurate. “It’s extremely unfortunate how it’s playing out but [how it’s playing out] is hardly the truth,” he added.
Marc’s comments come weeks after Brooklyn publicly aired grievances about his parents and siblings in a series of Instagram Stories. In the posts, Brooklyn accused his parents of controlling him for much of his life and claimed his anxiety disappeared after stepping away from his family. He also defended his wife, Nicola Peltz, pushing back against claims she influences or controls him.
Brooklyn further alleged tensions boiled over at his wedding, claiming Victoria interrupted a planned moment when Marc was serenading the newlyweds. According to Brooklyn, his mom instead danced with him in a way he described as inappropriate and humiliating.
Entertainment
Bill Maher says Jimmy Kimmel is 'very mad' and may not talk to him again: 'I'm sorry that it got bent out of shape'
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“I think he’s a great guy, and it bugs me,” Maher said of their potential permanent fallout.
The timeline has been heating up all week as fans geared up to tune into Bad Bunny’s halftime show. Between Chris Brown’s seemingly subtle reaction and ongoing chatter online, folks haven’t stopped debating who the Super Bowl should’ve booked or who should take the stage next year. Now, DJ Akademiks has sparked a fresh round of discourse after throwing his own nomination into the mix.
RELATED: Oop! Did Chris Brown Just Shade Bad Bunny’s Super Bowl Halftime Performance?
DJ Akademiks Weighs In On The Halftime Conversation
DJ Akademiks took to X to share his thoughts on this year’s halftime show, praising the energy while also throwing shade at last year’s performance.
“This halftime show was fun.. had ppl vibing and dancing on some positive togetherness sht… last year Kendrick did a PSA for PDFS the whole performance .. sht was awkward and tone deaf. N**a we ain’t tryna hear dat sht.. we tryna get lit and turnt! Bad Bunny clears sorry!”
He then shifted the conversation toward next year, officially throwing his own pick into the ring. “Next year I nominate NBA YOUNGBOY to perform. Roc Nation I have sent my official recommendation via email and courier mail. Thanks for yall consideration!!! YB 2027 SUPERBOWL!” Akademiks also showed love to Chris Brown as a potential headliner, calling him one of the best performers alive right now and saying organizers should book him while he’s still flipping across stages.
I agree next year let’s put on BRIS BREEZY! ngl ain’t nobody alive rn can perform like him rn. We gotta book him before he get too old to do triple backflips and Gabbie Douglas somersaults n shit. Chris put his heart into every performance. Usher was good. BREEZY da GOAT! pic.twitter.com/8YYUmF326l
— DJ Akademiks (@Akademiks) February 9, 2026
Social Media Reacts
Folks gathered under The Shade Room Teens to debate DJ Akademiks’ tweet. Many said they don’t think it will ever happen. Others added it better not happen before Chris Brown or Lil Wayne. Meanwhile, YoungBoy’s fans are already ready to buy tickets, sharing why they believe he’d deliver the perfect halftime show.
Instagram user @_pooh_215_ wrote. “Bring the slime im ready that definitely be the best superbowl ever rs make America slimy again”
Instagram user @kngmilly added, “I’m buying that ticket 💯”
While Instagram user @getmakyo wrote, “First time Akademics has said sum I agree with”
Instagram user @whodontluv_bucks wrote, “I just went to a halftime show where I didn’t understand one word I don’t need that sh** again”
Instagram user @1mblivin_ wrote, “Them grey folks would not let that happen let’s be real”
While Instagram user @sexytoocutee wrote, “Hmm not before Chris brown”
Instagram user @clipjunkie11 wrote, “I don’t think people understand that for the past 4-5 years all the teams been playing yb after they win”
Instagram user @povpadro added, “Record breaking halftime show hands down !!!
While Instagram user @loveetea_ wrote, “Him over wayne? Please stfu”
Reginae Carter And Joseline Hernadez Enter The Chat
While the internet continues to debate who should’ve performed at the 2026 Super Bowl halftime show, Reginae Carter made it clear she’s over it. She took to her Instagram Story writing, “I’m so tired of y’all fighting about this Super Bowl show every year! Lolll.”
If y’all recall, last year’s debate centered around her father, Lil Wayne, after many fans felt he should’ve headlined, especially since the game took place in his hometown of New Orleans. Some even argued he should’ve been chosen over Kendrick Lamar.
Meanwhile, on the other side of the internet, Joseline Hernandez chimed in after a fan tweeted that Bad Bunny should’ve brought her out during the show. Joseline replied, “That s**t would have been jumping.”
RELATED: Yikes! DJ Akademiks Enters The Chat After DDG Claims Streamers Make More Money Than Celebrities & NFL Players
What Do You Think Roomies?
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