CBS Evening News host Tony Dokoupil paid tribute on air to Scott Pelley following his former colleague’s controversial firing from 60 Minutes.

“When I started at CBS, Scott Pelley was in this very chair, and still doing a dozen stories a year for 60 Minutes. And amid all of that, still meeting every new correspondent to share his view of the mission here,” Dokoupil, 45, told viewers in the second of two CBS Evening News segments on Pelley’s firing on Wednesday, June 3. “[Pelley] believed freedom of the press, to quote [James Madison], was ‘the right that guaranteed all the others.’ And the stakes are always that high in that, if you’d made it to CBS News, you were among the best in the world. He worked every single day to live up to that standard.”

Dokoupil looked back on Pelley’s 37 years at CBS, reminiscing about the “presidential interviews” with every leader from George W. Bush to Donald Trump and “more than 50 Emmy awards along the way.”

“[Pelley] was, in some ways, a man from another era, and that’s not a knock. He didn’t watch the competition, he said, because he knew who he was,” Dokoupil went on. “A journalist who valued truth at all costs. And always kept alive the memory of colleagues killed in the field. A reminder that his chosen line of work could be a dangerous one. But Pelley also made one major break from the past. He changed the signs around here. Under the CBS Evening News logo, where Scott Pelley’s own name would have been, he instead wrote the CBS Evening News with All of Us.”

Dokoupil closed the segment by saying, “Well, Scott, from all of us, thank you.”

The glowing tribute to Pelley, 68 — who anchored the CBS Evening News from 2011 to 2017 — was in sharp contrast to other statements from CBS News in the wake of Pelley’s firing earlier this week.

A tumultuous week at CBS News kicked off at a 60 Minutes staff meeting where new executive producer Nick Bilton introduced himself to his team on Monday, June 1. Per multiple reports, Pelley took issue with Bilton’s qualifications during the meeting and accused CBS editor-in-chief Bari Weiss of “murdering” 60 Minutes by inserting political bias.

A leaked memo from Bilton, 49, announced that Pelley was fired the following day. In that memo, Bilton wrote to Pelley that his “antipathy to the future of the show has come through loud and clear.”

“I therefore write on behalf of CBS News, Inc. to inform you that your employment with CBS is terminated for cause effective immediately,” Bilton confirmed.

Following his firing, Pelley broke his silence by accusing the management of CBS of casting aside the news division’s legacy “to curry a moment of favor with the Trump administration.” (Skydance Media, led by Trump ally David Ellison, the son of billionaire Larry Ellison, purchased CBS parent company Paramount last year.)

Thank You!

You have successfully subscribed.

Advertisement

Related: CBS Staffers Say ‘Trust’ for Execs Is Gone After Scott Pelley’s Firing

Tensions have escalated at CBS in the wake of 60 Minutes reporter Scott Pelley’s firing. “Morale is terrible throughout the company,” a source exclusively tells Us Weekly. “No one knows what to believe or who is working against them. It has never been like this before. The staff in the newsroom all feel like they […]

“For my part, new management has instructed me to inject falsehoods and bias into a politically sensitive story. I’ve been told to include assertions that are unverified,” Pelley claimed. “To date, in every case, I have managed to ignore these instructions or refuse them. Recently, politicians have been invited to choose correspondents for interviews on the broadcast. Giving politicians control over 60 Minutes interviews is not how this is done. Finally, incompetence and unprofessionalism in the new management have wreaked havoc. In a case involving one of my stories, the entire program came within 19 minutes of not getting on the air at all.”

He went on, “At 60 Minutes, we have fought harder than anyone knows to save the program that became an American icon. We owed that to our millions of viewers. I am deeply moved by the thousands of wishes we have received to ‘keep up the good fight,’” Pelley wrote. “Most of the men and women of CBS News are still in that fight. But now the collapse of values at the top has become untenable. The leadership of 60 Minutes is no longer recognizable. The principles I hold dear are gone, and so I must leave as well.”

CBS News denied that journalists faced political pressure over critical stories of the Trump administration.

Camila Cabello and boyfriend Henry Junior Chalhoub have reportedly called it quits.

Multiple outlets reported that the “Havana” singer, 29, and Chalhoub split after one year of dating. TMZ was first to report the news.

Us Weekly has reached out to Cabello for comment.

The pair were last spotted together in April at Coachella.

Related: Camila Cabello Recaps Coachella After Shawn Mendes PDA: ‘It’s Whatever’

A sly acknowledgement? Camila Cabello recapped her Coachella experience with a series of photos — and a very cheeky caption that may have alluded to her headline-making PDA with ex-boyfriend Shawn Mendes. “It’s whatever,” the “Havana” songstress, 26, wrote via Instagram on Monday, April 17, alongside a carousel of snaps from the Indio, California, music […]

Cabello and Chalhoub — whose family owns Dubai-based luxury fashion distribution company Chalhoub Group — were first linked in November 2024. At the time, the pair were both in attendance at a fashion show afterparty in Saudi Arabia, per Billboard. Two months later, they were spotted getting cozy in St. Barts.

The duo were seen together again in March 2025 when they attended Chanel’s fall/winter 2025 fashion show during Paris Fashion Week.

While Cabello kept her romance with Chalhoub private, the pair seemingly went Instagram official in July 2025. The singer included a post from her and Chalhoub’s trip as they held hands.

“Falling in love. reading fiction for hours. practicing guitar. eating every color of tomatoes, putting my hand out in the car, playing with the wind,” the caption read.

Before Chalhoub, Cabello famously dated friend and collaborator Shawn Mendes. The exes had an on-and-off relationship from 2019 to 2023.

Thank You!

You have successfully subscribed.

Related: Camila Cabello Says Shawn Mendes Reconciliation ‘Didn’t Feel Right’

Advertisement

Yes, Camila Cabello and Shawn Mendes attempted to rekindle their relationship — but it was “not a fit” for them to get back together. Cabello, 27, admitted during her “Call Her Daddy” podcast interview on Wednesday, March 6, that things with Mendes, 25, “didn’t feel right” during their brief reconciliation in April 2023. “Luckily, I […]

“I don’t know; people can say whatever they want. They can speculate, but at the same time, we are going to live our own lives, enjoy it and fall for each other like nobody is watching,” Cabello said of her and Mendes’ connection in a 2019 interview with Elle magazine. “That is how I want to live. I never want to open the door for people to feel like they are involved. Like I said, I want it to be mine and [his]. That’s why I’m so tight-lipped about it.”

One year after their 2023 split, Cabello opened up about her and Mendes’ decision to call it quits for good.

“Luckily, I was in a place in my life where it took me less time to realize that. It took us both less time to be like, ‘This doesn’t feel right, and we really don’t need to try so hard to make it work,’” Cabello said during a March 2024 interview on Alex Cooper’s “Call Her Daddy” podcast. “‘It’s all good. This is not feeling good. Let’s be friends. I love you, it’s all good let’s move on, you go do your thing … become the person that you’re becoming, and I’ll root for you.’”

Kathy Hilton will no longer serve as the grand marshal of the West Hollywood Pride Parade due to a backlash from the LGBTQ+ community.

“I am honored to have been considered for this recognition and appreciative of the support I have received from members of the community throughout the years,” Hilton, 67, said in a statement on Wednesday, June 3. “My reason for wanting to be involved in this year’s WeHo Pride weekend was simple: to celebrate, support, and share in the joy of a community that means a great deal to so many people. Pride is, and always will be, about celebrating and uplifting LGBTQ+ voices, experiences, and achievements.”

Her statement went on, “I respect the thoughtful conversations that have taken place and remain deeply committed to supporting LGBTQ+ causes and visibility, including through my participation in GLAAD initiatives and events, and longstanding support of organizations such as the Elton John AIDS Foundation, the Elizabeth Taylor AIDS Foundation since its inception, Dr. Mathilde Krim, God’s Love We Deliver, and Project Angel Food.”

“My support for the community and WeHo Pride is unwavering. This monumentally important event has always had a special place in my heart, and I will always cherish the experience I had acting as Grand Marshal of the LA Pride parade with my daughter in 2005,” she continued. “Thank you to everyone who works so hard to make it happen, and I wish the community nothing but love, joy, and a fantastic WeHo Pride weekend.”

Related: Kyle Richards and Kathy Hilton’s Feud Ends: Their Drama Explained

Keeping it in the family? Kyle Richards and Kathy Hilton‘s relationship has seen its fair share of ups and downs over the years — and filming season 12 of The Real Housewives of Beverly Hills wasn’t any different. The tension between the sisters came to a head during a cast trip to Aspen in a […]

The City of West Hollywood initially touted Hilton as “a vocal and visible supporter of the community” and credited her with using her “platform to champion LGBTQ+ rights.”

Many disagreed, with the AIDS Memorial’s official Instagram account sarcastically replying via Instagram, “Melania Trump not available?”

“I ask sincerely—what has this lady done for the LGBT+ community??” another commenter asked the City of West Hollywood.

A third Instagram user urged WeHo Pride organizers to cancel the booking, writing, “@wehopride it’s not too late to take this back.”

The City of West Hollywood subsequently clarified that Pride Parade grand marshals are chosen “in recognition of their visibility, allyship, and support for the LGBTQ+ community.”

“Kathy Hilton has publicly supported LGBTQ+ causes and visibility, including through her participation in GLAAD events and initiatives,” a statement from the City added. “At the same time, we acknowledge that concerns raised by West Hollywood residents, stakeholders, and LGBTQ+ community members are important and deserve to be heard. We are listening. We believe that WeHo Pride is strengthened by open dialogue, mutual respect, and a shared commitment to equality and inclusion.”

On Wednesday, a new statement from WeHo Pride addressed Hilton standing down as the grand marshal.

“The City of West Hollywood and WeHo Pride Parade organizers thank Kathy Hilton for her grace and her continued support of the LGBTQ+ community,” their statement read. “Pride has always been strongest when it genuinely reflects the community. WeHo Pride is strengthened by open dialogue, mutual respect, and a shared commitment to inclusion.”

They continued, “The City of West Hollywood remains dedicated to ensuring that WeHo Pride continues to be a joyful celebration rooted in visibility, belonging, and respect, and welcomes ongoing community conversations that help it to evolve while honoring its history and purpose. The WeHo Pride Parade is a celebration of community, and we are proud to welcome nearly 120 parade entries this year. We look forward to a parade and weekend that honors the spirit and extraordinary contributions of the LGBTQ+ community.”

Much of the criticism of Hilton’s involvement in WeHo Pride revolved around her past association with President Donald Trump. While Kathy never publicly stated whether or not she voted for Trump, 79, to be president, she and her husband, Rick Hilton, socialized with the Trumps in the past.

Kathy was also accused of using a homophobic slur towards a DJ while filming a Real Housewives of Beverly Hills trip to Aspen in 2022. During that year’s RHOBH reunion, Erika Jayne said that she personally heard Kathy use an offensive term during an alleged outburst.

Thank You!

You have successfully subscribed.

Advertisement

Related: Kyle Richards and Kathy Hilton’s Ups and Downs Over the Years

Kathy Hilton kept her distance from The Real Housewives of Beverly Hills until season 11, but that didn’t mean her rocky relationship with Kyle Richards wasn’t a topic of discussion on the Bravo series. When RHOBH premiered in 2010, Kyle was joined by sister Kim Richards — and by the end of the season, the […]

“I see Kathy coming from the dance floor, very upset,” Erika told host Andy Cohen. “I say, ‘Kathy, what’s wrong?’ She says, ‘The DJ’s an old f***ing f**,’ and walked off.”

Kathy denied ever using a homophobic slur, telling Cohen, 58, “I will admit to what I do, but I will not be painted to be this monster. Nobody else heard that, and anyone who knows me knows I don’t talk like that.”

Cohen later confirmed to Us Weekly that Bravo’s investigation into the scandal was inconclusive because “it was a case of she-said, she-said.”

OnlyFans star Lena the Plug and her estranged husband Adam22’s financial assets have been revealed as part of their shocking divorce.

The OnlyFans content creator (real name Lena Nersesian) filed for divorce from YouTuber Adam22 (real name Adam Grandmaison) on her 35th birthday on Monday, June 1. The former couple were married for three years and share a 5-year-old daughter.

In light of their divorce proceedings, Us Weekly obtained court documents filed by Lena that shed light on her and Adam22’s financial assets. The OnlyFans star listed her and Adam22’s $1.152 million in real estate as their largest asset and requested half of its evaluation at $576,000. (Lena currently resides in a Studio City home with her daughter.)

Lena asked a Los Angeles Superior Court to let her keep the entirety of her and Adam22’s household furniture and appliances, valued at $50,000. She sought $20,000 worth of jewelry, art and collectibles as well.

The content creator specified that she and Adam22 had $100,000 in their savings account — of which she sought an equitable share of $50,000, plus half of the $5,000 that she and Adam22 had on hand in cash.

Lena proposed equally splitting the $40,000 value of her and Adam 22’s two podcasts — ”No Jumper” and “Plug Talk” — while keeping $20,000 that her own social media is estimated to be worth.

In total, Lena asked to keep approximately $730,000 in assets as part of her divorce filings.

Us Weekly has reached out to representatives for both parties for comment.

On Wednesday, June 3, Lena officially sought legal and physical custody of her and Adam22’s daughter. In her divorce petition, Lena listed April 15 as the date of separation.

She reported to the court that she had no job and was dependent on $3,000 in monthly spousal support from Adam22.

“I have no access to any financial resources in this marriage or actual financial information, so all amounts entered are estimates,” she wrote.

Both Adam22 and Lena have seemingly addressed their split in recent days. Lena opened up about growth in her personal life via Instagram on the same day that she filed for divorce.

“A few years ago, I was terrified of turning 30. I thought getting older meant something was ending. Instead, it’s been the opposite,” she wrote in honor of her 35th birthday on June 1. “I’ve learned more about myself, built a life I’m proud of, and found a level of contentment I didn’t know was possible.”

Thank You!

You have successfully subscribed.

She went on, “If my 30s have taught me anything, it’s that life keeps getting better. Here’s to the next five years. And thank you for being part of the journey.”

Adam22 seemed to make light of his estranged wife’s divorce filing, asking via his Instagram Story on Thursday, “All Black women who want to date me please DM me. I will buy you a car.”

He also posted the word “freedom” in an Instagram Story set to Jay-Z’s hit “Girls, Girls, Girls.”

Cinema lovers should always strive to celebrate diversity in film. It might’ve taken long – too long, in fact – but cinema is becoming more inclusive, celebrating stories about every identity in the wide and colorful sexual spectrum. Going back to the New Hollywood Age, stories about LGBTQ+ people have been around, often standing as groundbreaking and pioneering efforts, especially at a time when such films remained controversial and scarce.

Nowadays, representation is much healthier and standardized, with writers, directors, and producers making real and tangible efforts to increase LGBTQ+ presence in mainstream cinema. Fortunately, their efforts have paid off. From certified classics about the seemingly never-ending struggles facing the community to lighthearted comedies about the nuances of gay life, these efforts represent landmark achievements in representation and stand as the best LGBTQ+ films of all time.

35

‘Bottoms’ (2023)

Image via MGM

Taking an LGBTQ+ approach to the classic style of raunchy, over-the-top coming-of-age romcoms that defined the 2000s, Bottoms acts as both a love letter to this classic era of teen movies and a love letter to modern LGBTQ+ film fans. The movie follows unpopular queer best friends PJ and Josie, who, in an attempt to gain some popularity and recognition from the hot girls at their school, decide to start a fight club. While their plan initially works, with the fight club rising in popularity, it doesn’t take long before the vicious jocks become the target of these self-defense lessons, with them going out of their way to destroy the club.

Bottoms feels tailor-made for the more zany, younger audience of LGBTQ+ youth that has grown up with this style of raunchy comedy and wants to see a version that’s both made for them and goes even farther with its chaotic antics. It’s no secret that the film has become an immediate fan favorite among younger, social media-centric film fans, with its relatable characters and instantly quotable dialogue cementing its status as a cult classic for years to come. – Robert Lee

34

‘My Own Private Idaho’ (1991)

Image via Fine Line Features

Gus Van Sant came to the Hollywood scene in the late ’80s as part of the new wave of indie filmmakers about to take over the business.1991’s My Own Private Idaho, a loose adaptation of Shakespeare’s Henry saga, stars the late River Phoenix and Keanu Reeves as two friends on an extensive journey of self-discovery, nostalgia, and coming-of-age.

My Own Private Idaho was a breakthrough at a time when queer cinema was beginning to claim a spot in mainstream cinema. Powered by Phoenix’s quiet, subtle, melancholic performance, My Own Private Idaho is a delicate, introspective, and sad reflection on identity and self-discovery that stands as a pioneering achievement of queer cinema.

33

‘The Incredibly True Adventure of Two Girls in Love’ (1995)

A beautiful story of love and passion that was a massive rarity among movies during the 90s, The Incredibly True Adventure of Two Girls in Love follows the blossoming love story between Randy and Evie. Both girls come from completely different worlds and economic classes, yet despite their differences, find themselves helplessly drawn to one another in a beautiful display of passion and romance. Despite the divides and pushback they receive from their community and even their own families, they stick to their guns in the name of this true, unexpected love that they’ve fostered.

While sapphic romances weren’t completely removed from making appearances during the ’90s in film, the culture of the era simply hadn’t grown to be as accepting as it is nowadays. This makes it all the more special that a film like The Incredibly True Adventure of Two Girls in Love exists, being able to use the strengths of the romantic comedy genre in the ’90s to create an emotional and powerful lesbian love story. While many other films would have their LGBTQ+ relationships as the butt of jokes during the era or treat these characters in a bad light, this film treats this love as something pure, honest, and undeniable. – Robert Lee

32

‘But I’m A Cheerleader’ (1999)

Image via Lionsgate Films

The 1990s were great for campy movies, but few have become as influential for the millennial generation as Jamie Babbit‘s 1999 satirical teen comedy, But I’m a Cheerleader. Natasha Lyonne stars as Megan, a popular girl sent to a conversion camp after her parents suspect her of being a lesbian. Dealing with her sexual identity, Megan becomes close to Graham, a fellow girl at the camp played by Clea DuVall.

Deliciously funny and tongue-in-cheek, But I’m a Cheerleader is a clever and self-aware comedy about the intricacies and struggles of coming out. Opting for a campy approach to a deeply serious subject, the film finds humor in one of the most challenging moments in a queer person’s life, thus finding new power in the experience.

31

‘The Living End’ (1992)

Image via Cineplex Odeon Films

The 1992 drama The Living End is another example of the New Queer Cinema of the 1990s. The plot centers on two men, Luke, a dissatisfied grifter, and Jon, a meek film critic, who embark on a journey of liberation and recklessness after Luke kills a homophobic cop.

Drawing inspiration from Ridley Scott‘s groundbreaking ode to feminism, Thelma and Louise, The Living End was an empowering and disruptive film, especially during the early 90s. The film deals with queer themes crucial at the time, including HIV and homophobia. Sexy, chaotic, and ultimately rewarding, The Living End is an achievement of queer cinema that paved the way for many future films.

30

‘To Wong Foo, Thanks For Everything! Julie Newmar’ (1995)

Image via Universal Pictures

The late Patrick Swayze, Wesley Snipes, and John Leguizamo star in the 1995 comedy To Wong Foo, Thanks for Everything! Julie Newmar. The plot follows three New York drag queens – Vida, Noxeema, and Chi-Chi – stranded in a small town while traveling to Hollywood.

Along with other films from around the same time, To Wong Foo was a major turning point for queer cinema. Swayze and Snipes were major movie stars known for their conventionally manly roles; seeing them starring in an LGBTQ+ film and spending the entirety of the film in drag was not insignificant. To Wong Foo is far from perfect, a tame and superficial look into drag culture; however, it remains a fun and impressive achievement that successfully brought drag into the mainstream.

29

‘I Saw the TV Glow’ (2024)

Image via A24

One of the most notable and exemplary transgender allegories in the genre, I Saw the TV Glow secures director Jane Schoenbrun’s status as a modern master of LGBTQ+ filmmaking. The film follows the story of anxious teenager Owen, who finds an unexpected refuge and escape from the pains of life through a spooky television show called “The Pink Opaque.” However, as Owen reflects upon his youth and experiences watching the show with his friend, Maddy, the lines between reality and fantasy begin to blur together.

While the film’s LGBTQ+ nature is much more tied to symbolism and themes than direct mention by characters, said symbolism and allegory manage to be so overwhelmingly confident that it’s near-impossible to not notice the film’s transgender themes. The film brilliantly uses the concepts of dysmorphia as fuel for its dread and horror, creating a cycle where its characters feel trapped inside a body and life that isn’t their own, slowly dying as a result. The film will only continue to be a mainstay for modern LGBTQ+ horror, as it has already amassed a massive and dedicated selection of fans. – Robert Lee

28

‘Pink Flamingos’ (1972)

Image via New Line Cinema

John Waters is the arbiter of poor taste. The director is infamous for his inflammatory films that offer a campy, excessive, and often disruptive look at queer culture, mocking traditional values and finding the sweet spot between art, camp, and outright sleaze. Nowhere is this remarkable approach more obvious than in his 1972 classic Pink Flamingos.

The film follows notorious drag queen Divine, the self-described “filthiest person alive,” whose title gets challenged by the Marbles, a pair of cheap criminals. Pink Flamingos is not an easy watch – in fact, many might consider it among the all-time sickest movies. However, there’s plenty to admire in its ballsy approach and desire to willfully challenge conventions and notions about appropriate behavior. Pink Flamingos was a major hit in the underground circuit, helping to build a much-needed sense of community during a particularly challenging time.

27

‘The Boys in the Band’ (1970)

Image Via National General Pictures

The 1970 drama The Boys in the Band was a stepping stone in queer cinema’s ongoing journey. Based on Mart Crowley’s eponymous play, the film follows a group of gay men gathering for a party at an Upper East Side apartment. Tensions rise after an unexpected arrival, leading the party into chaos.

Pessimistic, gloomy, and harrowing, The Boys in the Band is not exactly pleasant. However, the film is a major entry in queer cinema, standing as one of the earliest mainstream films to revolve around gay characters. The Boys in the Band offers a decidedly cynical portrayal of the gay community, but its insights into the characters’ self-loathing, doubts, and repression undoubtedly rang true to many in the original 1970s audience – unfortunately, it still rings true today.

26

‘The Favourite’ (2018)

Image via Searchlight Pictures

A trio of mighty performers star in the deliciously wicked comedy The Favourite. Olivia Colman, Emma Stone, and Rachel Weisz star in the film about two cunning and manipulative women vying for the attention of the vulnerable, unstable, and fragile Queen Anne of England.

Sharp, unapologetic, biting, and darkly funny, The Favourite is a stellar achievement of modern queer cinema. Strengthened by a trio of titanic performances from its three leads, the film finds the ideal balance between dark comedy, period drama, and timely subtext, resulting in one of the most complex, layered, and outright hilarious queer films in recent memory.

Cinema lovers should always strive to celebrate diversity in film. It might’ve taken long – too long, in fact – but cinema is becoming more inclusive, celebrating stories about every identity in the wide and colorful sexual spectrum. Going back to the New Hollywood Age, stories about LGBTQ+ people have been around, often standing as groundbreaking and pioneering efforts, especially at a time when such films remained controversial and scarce.

Nowadays, representation is much healthier and standardized, with writers, directors, and producers making real and tangible efforts to increase LGBTQ+ presence in mainstream cinema. Fortunately, their efforts have paid off. From certified classics about the seemingly never-ending struggles facing the community to lighthearted comedies about the nuances of gay life, these efforts represent landmark achievements in representation and stand as the best LGBTQ+ films of all time.

35

‘Bottoms’ (2023)

Image via MGM

Taking an LGBTQ+ approach to the classic style of raunchy, over-the-top coming-of-age romcoms that defined the 2000s, Bottoms acts as both a love letter to this classic era of teen movies and a love letter to modern LGBTQ+ film fans. The movie follows unpopular queer best friends PJ and Josie, who, in an attempt to gain some popularity and recognition from the hot girls at their school, decide to start a fight club. While their plan initially works, with the fight club rising in popularity, it doesn’t take long before the vicious jocks become the target of these self-defense lessons, with them going out of their way to destroy the club.

Bottoms feels tailor-made for the more zany, younger audience of LGBTQ+ youth that has grown up with this style of raunchy comedy and wants to see a version that’s both made for them and goes even farther with its chaotic antics. It’s no secret that the film has become an immediate fan favorite among younger, social media-centric film fans, with its relatable characters and instantly quotable dialogue cementing its status as a cult classic for years to come. – Robert Lee

34

‘My Own Private Idaho’ (1991)

Image via Fine Line Features

Gus Van Sant came to the Hollywood scene in the late ’80s as part of the new wave of indie filmmakers about to take over the business.1991’s My Own Private Idaho, a loose adaptation of Shakespeare’s Henry saga, stars the late River Phoenix and Keanu Reeves as two friends on an extensive journey of self-discovery, nostalgia, and coming-of-age.

My Own Private Idaho was a breakthrough at a time when queer cinema was beginning to claim a spot in mainstream cinema. Powered by Phoenix’s quiet, subtle, melancholic performance, My Own Private Idaho is a delicate, introspective, and sad reflection on identity and self-discovery that stands as a pioneering achievement of queer cinema.

33

‘The Incredibly True Adventure of Two Girls in Love’ (1995)

A beautiful story of love and passion that was a massive rarity among movies during the 90s, The Incredibly True Adventure of Two Girls in Love follows the blossoming love story between Randy and Evie. Both girls come from completely different worlds and economic classes, yet despite their differences, find themselves helplessly drawn to one another in a beautiful display of passion and romance. Despite the divides and pushback they receive from their community and even their own families, they stick to their guns in the name of this true, unexpected love that they’ve fostered.

While sapphic romances weren’t completely removed from making appearances during the ’90s in film, the culture of the era simply hadn’t grown to be as accepting as it is nowadays. This makes it all the more special that a film like The Incredibly True Adventure of Two Girls in Love exists, being able to use the strengths of the romantic comedy genre in the ’90s to create an emotional and powerful lesbian love story. While many other films would have their LGBTQ+ relationships as the butt of jokes during the era or treat these characters in a bad light, this film treats this love as something pure, honest, and undeniable. – Robert Lee

32

‘But I’m A Cheerleader’ (1999)

Image via Lionsgate Films

The 1990s were great for campy movies, but few have become as influential for the millennial generation as Jamie Babbit‘s 1999 satirical teen comedy, But I’m a Cheerleader. Natasha Lyonne stars as Megan, a popular girl sent to a conversion camp after her parents suspect her of being a lesbian. Dealing with her sexual identity, Megan becomes close to Graham, a fellow girl at the camp played by Clea DuVall.

Deliciously funny and tongue-in-cheek, But I’m a Cheerleader is a clever and self-aware comedy about the intricacies and struggles of coming out. Opting for a campy approach to a deeply serious subject, the film finds humor in one of the most challenging moments in a queer person’s life, thus finding new power in the experience.

31

‘The Living End’ (1992)

Image via Cineplex Odeon Films

The 1992 drama The Living End is another example of the New Queer Cinema of the 1990s. The plot centers on two men, Luke, a dissatisfied grifter, and Jon, a meek film critic, who embark on a journey of liberation and recklessness after Luke kills a homophobic cop.

Drawing inspiration from Ridley Scott‘s groundbreaking ode to feminism, Thelma and Louise, The Living End was an empowering and disruptive film, especially during the early 90s. The film deals with queer themes crucial at the time, including HIV and homophobia. Sexy, chaotic, and ultimately rewarding, The Living End is an achievement of queer cinema that paved the way for many future films.

30

‘To Wong Foo, Thanks For Everything! Julie Newmar’ (1995)

Image via Universal Pictures

The late Patrick Swayze, Wesley Snipes, and John Leguizamo star in the 1995 comedy To Wong Foo, Thanks for Everything! Julie Newmar. The plot follows three New York drag queens – Vida, Noxeema, and Chi-Chi – stranded in a small town while traveling to Hollywood.

Along with other films from around the same time, To Wong Foo was a major turning point for queer cinema. Swayze and Snipes were major movie stars known for their conventionally manly roles; seeing them starring in an LGBTQ+ film and spending the entirety of the film in drag was not insignificant. To Wong Foo is far from perfect, a tame and superficial look into drag culture; however, it remains a fun and impressive achievement that successfully brought drag into the mainstream.

29

‘I Saw the TV Glow’ (2024)

Image via A24

One of the most notable and exemplary transgender allegories in the genre, I Saw the TV Glow secures director Jane Schoenbrun’s status as a modern master of LGBTQ+ filmmaking. The film follows the story of anxious teenager Owen, who finds an unexpected refuge and escape from the pains of life through a spooky television show called “The Pink Opaque.” However, as Owen reflects upon his youth and experiences watching the show with his friend, Maddy, the lines between reality and fantasy begin to blur together.

While the film’s LGBTQ+ nature is much more tied to symbolism and themes than direct mention by characters, said symbolism and allegory manage to be so overwhelmingly confident that it’s near-impossible to not notice the film’s transgender themes. The film brilliantly uses the concepts of dysmorphia as fuel for its dread and horror, creating a cycle where its characters feel trapped inside a body and life that isn’t their own, slowly dying as a result. The film will only continue to be a mainstay for modern LGBTQ+ horror, as it has already amassed a massive and dedicated selection of fans. – Robert Lee

28

‘Pink Flamingos’ (1972)

Image via New Line Cinema

John Waters is the arbiter of poor taste. The director is infamous for his inflammatory films that offer a campy, excessive, and often disruptive look at queer culture, mocking traditional values and finding the sweet spot between art, camp, and outright sleaze. Nowhere is this remarkable approach more obvious than in his 1972 classic Pink Flamingos.

The film follows notorious drag queen Divine, the self-described “filthiest person alive,” whose title gets challenged by the Marbles, a pair of cheap criminals. Pink Flamingos is not an easy watch – in fact, many might consider it among the all-time sickest movies. However, there’s plenty to admire in its ballsy approach and desire to willfully challenge conventions and notions about appropriate behavior. Pink Flamingos was a major hit in the underground circuit, helping to build a much-needed sense of community during a particularly challenging time.

27

‘The Boys in the Band’ (1970)

Image Via National General Pictures

The 1970 drama The Boys in the Band was a stepping stone in queer cinema’s ongoing journey. Based on Mart Crowley’s eponymous play, the film follows a group of gay men gathering for a party at an Upper East Side apartment. Tensions rise after an unexpected arrival, leading the party into chaos.

Pessimistic, gloomy, and harrowing, The Boys in the Band is not exactly pleasant. However, the film is a major entry in queer cinema, standing as one of the earliest mainstream films to revolve around gay characters. The Boys in the Band offers a decidedly cynical portrayal of the gay community, but its insights into the characters’ self-loathing, doubts, and repression undoubtedly rang true to many in the original 1970s audience – unfortunately, it still rings true today.

26

‘The Favourite’ (2018)

Image via Searchlight Pictures

A trio of mighty performers star in the deliciously wicked comedy The Favourite. Olivia Colman, Emma Stone, and Rachel Weisz star in the film about two cunning and manipulative women vying for the attention of the vulnerable, unstable, and fragile Queen Anne of England.

Sharp, unapologetic, biting, and darkly funny, The Favourite is a stellar achievement of modern queer cinema. Strengthened by a trio of titanic performances from its three leads, the film finds the ideal balance between dark comedy, period drama, and timely subtext, resulting in one of the most complex, layered, and outright hilarious queer films in recent memory.

Metallics and slip-on shoes are both trending right now. Leave it to Andie MacDowell to combine the two. Ever since she stepped out in shiny silver loafers last month, ‘it’ girls are copying the look for everything from casual errands to fancy dinners. We’re doing the same — for under $50!

Metallic loafers are one of this summer’s biggest trends already, and MacDowell practically wrote the rulebook. She strolled into the Cannes Film Festival looking refreshingly simple, wearing a crisp blue shirtdress and easy, sleek loafers that caught the Mediterranean light just right. No towering heels, just pure, effortless polish.

Get the Beauseen Leather Penny Loafers for $47 at Amazon! Please note, prices are accurate at the date of publication but are subject to change.

These Beauseen Leather Penny Loafers have that same liquid-metal shine and classic round shape, and they’re sitting on Amazon for $47. Real leather, intricate stitching and a classic penny strap are just a few highlights.

Related: PSA! Amazon Prime Day 2026 Is Coming Early This Year

Advertisement

The anticipation is over! We usually have to wait until July for Amazon Prime Day, but the summer savings event is kicking off early (and we mean early) this year. Prime Day 2026 is June 23, 2026, through June 26, 2026, giving you four full days to save big on rich mom fashion, viral beauty […]

Better yet, these stylish shoes are designed with an anti-slip sole, so you can actually walk on cobblestones and slick city sidewalks. The inside is just as notable, featuring a plush insole with real arch support that carries you through dinner, drinks and the walk back.

One happy shopper wrote, “I teach and am on my feet all day and it’s very hard to find comfortable shoes. The material is soft-soft, my feet don’t sweat and they last. I’ve always bought the loafers that are $100 plus from department stores and these hold up better than any of them.”

MacDowell’s Cannes outfit is a reminder that sophistication isn’t about suffering. It’s about finding pieces that feel as good as they look, and these wear-everywhere loafers are the perfect example. Comfy, chic and so ready for summer, they’ll certainly be your most-worn shoes this season.

Get the Beauseen Leather Penny Loafers for $47 at Amazon! Please note, prices are accurate at the date of publication but are subject to change.

Not what you’re looking for? Shop other summer shoes and don’t forget to check out all of Amazon’s Daily Deals for more great finds!

Related: Skip Chunky Sneakers — These Rich Mom Walking Sandals Are Comfier

Advertisement

‘Walking’ and ‘sandals’ might feel like contradictory terms, and for a while, they were. But it’s 2026. Designers have finally heard our wishes, creating chic walking sandals that deliver the support of sneakers with the style of summer. They’re still hard to come by, but we found 15 comfy sandals that effortlessly balance comfort and […]