LG’s best OLED yet? The OLED65G6 delivers an excellent picture performance across a range of sources. There are a few flaws and aspects I’m not fond of, but this is a strong start to LG’s 2026 TV line-up
Bright, colourful, accurate-looking HDR picture
Impressive upscaling
Anti-reflection panel
Robust gaming performance
Wealth of entertainment options
Sound system is just ‘fine’
Apps ringfenced webOS sign-up
Dolby Vision x Filmmaker mode doesn’t seem to ‘adapt’
Anti-glare panel produces purple colour
Game mode is a little too bright and sounds a too sharp
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Key Features
Hyper Radiant Colour Tech
2nd Gen panel of the Primary RGB OLED panel
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LG Shield Security
Secures data, offers multi-year updates
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Dolby Atmos FlexConnect
Supports wireless immersive sound
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Introduction
Another year, another G-series OLED from LG. But don’t assume that this is another rehash because there have been changes under the hood.
LG has bet big on OLED with only Samsung as its main challenger, while others have placed their chips on alternatives such as Mini LED and RGB TVs.
The reasoning behind Mini LED/RGB is that they offer higher brightness, wider colour range and better performance in bright rooms. LG disagrees.
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And with the OLED G6, it’s taking on the naysayers to disprove the notion that OLED may be inferior.
This is LG’s brightest OLED yet, and more than a decade after it launched its first OLED, it wants customers to know that OLED is still the best in the business.
So the gloves are off (again). Can LG’s G6 OLED knock its RGB rivals out, or is this going to go the distance?
Design
Stand or wall-mount version
Vanta Black Anti-Reflective panel
Strong viewing angles
There haven’t really been any significant changes to LG’s design of the G6-series in years – ‘if it ain’t broke, don’t fix it’.
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The stand takes about four minutes to assemble, but it seems to be the same as the G5 and G4 stands. Of course, if you buy the wall-mounted version, you just deal with hanging it up on your preferred surface. Connections are side- and downward-facing for feeding sources to the TV.
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The stand is adjustable. You can hang it in its low orientation, or if you want to put a soundbar below, put the stand into its high position.
The OLED65G6 features LG’s Vanta Black Anti-Reflective coating to reduce reflections and maintain black levels in a bright room. Black levels remain strong, but I don’t find the G6 necessarily as good as Samsung’s glare-free OLEDs at mitigating glare and reflections. That said, the S95H does raise blacks slightly in a dark room but the OLED G6’s panel does create a purple tinge to reflections.
Wide angles are very strong, and while brightness and colour saturation do tail off, you’d have to be very wide and far to notice this.
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User Experience
Five-year software updates
LG webOS platform
LG’s webOS interface still fundamentally looks like the webOS it’s been for the last few years. There’s no room for Freely but all the UK catch-up and on-demand apps are provided, side-by-side with the big global apps such as Disney+, Netflix and Apple TV.
Accessing these apps requires an LG account. In previous years, this was ring-fenced to some but not all apps; now it’s required for all apps. It’s not a change most will like unless they already have an LG account.
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You get five years of updates with LG’s Re:New program that guarantees four major software updates.
The interface itself is swift and responsive. Scrolling down to the bottom doesn’t take long, the interface free from clutter or meaningless diversions. There are ads, of course, but I don’t find them intrusive. Flick to the left and you’ll be received by LG’s Information Board, which offers weather updates, Google Calendar and any smart tech in your Home Hub.
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Given this is the G-Series TV (which once upon a time stood for Gallery), there is LG’s Gallery+ app, where you turn the G6 into a picture painting (not to be confused with LG’s Gallery TV, which can also do the same thing). A subscription is required, but there’s free content alongside AI-generated… things.
With the LG Sports app, you can keep track of your favourite teams across a range of sports, as well as access content via Prime Video, YouTube, Apple TV, and DAZN. Currently, there’s a spotlight on the World Soccer Festival (you can guess what that is).
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Gaming
Cloud gaming
4K/165Hz for PC gaming
AMD and Nvidia VRR
LG still pushes the G-Series as a gaming TV despite its more lifestyle focus, and I measured input lag remains quick at 12.9ms. All four HDMI 2.1 inputs support ALLM, VRR and 4K/120Hz.
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PC gamers get a boosted 165Hz refresh rate with both AMD FreeSync Premium and Nvidia G-Sync included. There’s also Dolby Vision Gaming (4K/120Hz) and the HGIG standard, which covers off most of the gaming HDR formats aside from HDR10+ Gaming.
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For further tweaking, press the Settings button when the TV is in its game mode, and the Game Optimiser pop-up allows for deeper customisation, including adjusting black levels or switching the Game Genre setting to optimise for specific game types.
Head to LG’s gaming portal and that has cloud gaming options in GeForce NOW (which supports 4K/120Hz in the cloud), Amazon Luna, Xbox app, Utomik, and Blacknut, while Twitch broadcasting is built in too.
Connectivity
Four HDMI 2.1 inputs
Bluetooth
If this feels like Déjà vu, then that’s because nothing much has changed on the connectivity front. There are four HDMI 2.1 inputs, one of which supports eARC for a sound system. Other HDMI 2.1 features include QFT to reduce latency during gaming and QMS, which eliminates black screens when switching to other HDMI sources.
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The rest covers a headphone output, digital optical output, two RF aerials for broadcasts, Ethernet, three USB 2.0 inputs, and a CI+ 1.4 common interface slot.
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That’s virtually the same as it’s been for the last few years, which is fine, though the Hisense UR9 drops a HDMI input for a DisplayPort, which is different from the accepted norm.
This is the second year of LG Display’s Primary RGB Tandem panels, and the G6 is upping brightness further.
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This year, it boasts what LG calls its Hyper Radiant Colour Tech, and along with the Alpha 11 AI Processor Gen3, it says it can boost peak brightness by 3.9 times.
That sounds like the usual marketing mumbo jumbo that doesn’t mean much to most people. I wasn’t able to record the figures of the OLED65G5 as I didn’t have the necessary equipment, but now I do and the OLED65G6 is one of the brightest OLEDs I’ve tested. In its Standard mode it registers the following:
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HDR Window (%)
Nits
2
2668
5
2499
10
2458
100
400
The OLED65G6 can go even brighter, registering above 3000 nits in Filmmaker and Vivid modes, while very briefly reaching 4000 nits in the latter. If you’re of the opinion that OLEDs aren’t bright enough to watch during the day, the OLED G6 rebuffs that. And I suspect that when the G7 turns up, it’ll be even brighter.
HDR support covers HDR10, HLG, and Dolby Vision, and LG says there’s Dolby Vision x ambient Filmmaker mode, though as I’ll get to later, I’m not entirely convinced this is the case.
The 4.2-channel system has 60W of power at its disposal. On paper, it’s the same as the OLED65G5 model, but LG has re-tuned it to sound warmer and offer more bass. As always, we’ll hear whether that’s the case.
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LG’s α11 AI Sound Pro feature claims to up-mix Dolby Atmos sound to 11.1.2 virtual channels, and I’d recommend using it – it’s a much more expansive sound when enabled.
WOW Orchestra combines the TV’s speakers with an LG soundbar to create a bigger sound, but the OLED65G6 also supports Dolby Atmos FlexConnect and will work with the Sound Suite speaker system LG launched in 2026.
The G6 features AI experiences powered by Google Gemini and Microsoft Copilot, which you can mostly (if not completely) avoid. LG’s Shield security system protects your data through the cloud and in real-time.
Picture Quality
Crisp, clear, detailed 4K images
Not the brightest Dolby Vision performance
Slick motion processing
There’s been a lot of kerfuffle surrounding the launch of LG’s new 2026 TVs. Reviewers have mentioned different issues, different firmware updates – it’s all been a slightly messy rollout.
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On my part, the G6 OLED I received seemed to have firmware dating back to 2024, which I couldn’t believe and thought I’d misread, but I updated the TV anyway. I’ve not experienced the issues some have, but there is one issue I’d like to point out.
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I don’t think the Dolby Vision x Filmmaker mode is working properly.
On its website, LG notes it is the ‘ambient’ version of Filmmaker mode, but this is either not true, or it’s not working. Dolby Vision x Filmmaker mode is dark – and it’s meant to be like that as it’s tuned for watching with the lights off. The problem is that when the TV asks you to watch in this mode, it doesn’t compensate for ambient light. In a bright room, it’s so dark that detail is missing. I’ve turned on the AI Brightness mode in the settings, and that’s had zero effect.
Dolby x Filmmaker
Dolby Vision Home Cinema
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Whether it was night-time scenes in Civil War, Dune or Sinners; detail is lost to the darkness in a bright room. Switching to Dolby Vision Home Cinema fixed this, but every time the LG G6 OLED receives a Dolby Vision signal, it’ll ask to watch in Filmmaker mode. My advice is to decline unless you’re watching in a dark room.
Aside from that, the LG OLED65G6 looks terrific in virtually all its picture modes. It’s not a massive increase in a real-world sense from the G5, but it is better.
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Colours are rich, punchy, varied, but also seem accurate out of the box. Compared to a Hisense UR9 sat alongside it for the majority of testing, colours, shades and tones always seem to strike a better expression on the LG, with a more convincing performance.
Sharpness and detail are excellent; the OLED65G6 wrings every last bit of detail from the dank corridors and rusty surfaces of the Romulus station in Alien: Romulus; better than the Hisense UR9, which is softer, not as sharp and not as defined.
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Where the LG loses points is with dark detail, which, while good across the films I demo on the OLED65G6, there are instances where black levels are a little impenetrable. But overall, black levels are rich and rock solid. There’s not a raised black in sight, even in a brightly lit test room. The pixel-perfect control of black levels means OLED TVs still reign over backlit LCD TVs.
In Disney’s Soul when Joe falls into The Great Beyond, highlights are rendered brightly, the sense of contrast from the TV is greater than the Hisense UR9, the pixel-perfect dimming also means it’s more precise with the starfield, picking out the varying brightness of the stars clearly and sharply.
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It’s even more notable with Interstellar as they travel through the wormhole into another galaxy. As the camera pans past stars, the LG picks up more stars – and therefore more detail – than is visible on the Hisense.
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With HDR10 content, the LG can feature white tones that are a little less bright – especially the ‘Construct’ scene in The Matrix Resurrections where Neo wakes up in a white room. Full-screen brightness is an area where Mini LEDs still have the advantage.
The Vivid mode features colours that are punchy, pure and rich – a boost in colour volume over the Home Cinema mode with a wider range of colours, and a performance that’s more balanced than it has been in recent years.
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Brightness is excellent, contrast is terrific, detail levels are excellent and motion is handled with few issues. The Vivid mode boosts brightness and colours in all the right places, and it does so without adding distracting noise or garish colours. There are moments where it is oversaturated, but this the best Vivid mode I’ve seen on an LG TV.
A brief note on the Game Optimiser mode. It’s a little too bright to my eyes, and seems to introduce some clipping (loss of detail) with bright sources.
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Upscaling
Impressive levels of detail
While the LG G6 OLED handles HDR content impressively well, most tend to watch in HD rather than 4K. It’s a good thing the OLED65G6 continues its excellent performance in this area.
With a Blu-ray of Mad Max: Fury Road, colours strike the right look (the red-orange of the ‘wasteland’, the blue skies, the white tones of the clouds). The LG uncovers more detail than the Hisense UR9 with a clearer sense of sharpness and finer detail visible. The LG retrieves more detail in the characters’ clothing, revealing more of the wear and tear they’ve been through.
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The same is true with a Blu-ray of Pacific Rim – colours are consistently better on the LG than on the Hisense, complexions feature more colour and life, and the dark detail performance is the opposite of its HDR picture, offering more insight into dark scenes than the Hisense.
Colours have more punch, solidity and range. It’s a very pleasing HD image.
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With a DVD of There Will Be Blood, the LG handles noise well, although it doesn’t eliminate all of it; it balances noise reduction without affecting film grain better than the Hisense.
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Sharpness and detail are good enough for a DVD source, and I noticed the LG picked out more detail with Plainview’s beard than the Hisense UR9 did. There’s a touch more definition on the LG, colours – again – seem more accurate, with a richer and punchier feel for colours.
Sound Quality
Warm delivery
Clear dialogue
AI Sound Pro with Atmos
LG’s taken the G6 OLED in a different direction with its sound, responding to customer feedback.
The issues ‘fixed’ with the G6 aren’t the ones I’d have gone for. While the G5 sported a thinner sound, it was clear and sharp, especially with the highs. The G6 carries more bass and a warmer tone, but the highs have dulled and it’s not as detailed.
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The built-in system isn’t very loud at my usual listening levels, and has to be pushed to close to 80 to have an impact. You won’t want to listen to stereo programming with AI Sound Pro as the processing can make it sound harsh. If it’s a Dolby Atmos soundtrack, enable AI Sound Pro; otherwise, use Standard mode for everything else.
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For stereo content, the Standard mode is a good choice. Watching The Capture on iPlayer, and it’s clear, with a big, broad soundstage, good bass, and decent dynamism.
Switch to Atmos in AI Sound Pro, and there’s a warmer tone with richer bass and a smoother performance. Despite the emphasis on more bass, the LG can sound a bit tubby at times –in Blade Runner 2049, the lows can sound muddled and soft, and the highs aren’t the sharpest.
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With Civil War, the LG isn’t the most energetic, coming across as tepid and quiet at half volume. Pump the volume up and there’s slight distortion but regardless the action scenes sound sluggish. It’s fine but not exciting.
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Dialogue is clear and, for the most part, natural, though there have been times when the warmth of the sound renders male voices a little bassy. Watching series two of Daredevil: Born Again, and there are moments where the tone of voices isn’t quite right.
Nevertheless, sound is spread across the screen, and at times you can hear effects pushed out from the frame, widening the soundstage even further.
When playing games on the PS5, the sound system goes for a sharper response, and I find it too crisp and sharp in Game Optimiser mode.
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Should you buy it?
It’s too soon to say whether this is the best OLED of 2026, but the LG G6 OLED delivers impressive picture across a range of sources
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The Dolby Vision x Filmmaker mode isn’t quite working
If the Filmmaker mode is meant to be adaptive, changing its performance with regards to the amount of light in a room, then it’s not working properly.
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Final Thoughts
The G6 OLED is another excellent effort from LG. The picture quality is brighter, slightly more colourful, punchier, and feels like it’s more accurate.
The Dolby Vision x Filmmaker mode isn’t working as advertised in terms of its ambient function. It’s preferable to play in Dolby Vision Home Cinema in a room with lots of ambient light (if you’re in a dark room, Filmmaker mode is preferred).
Even though LG has given the sound system a retune, it still struggles with volume and is not the most exciting delivery. I also wish LG hadn’t locked all apps behind an account sign-up, either.
But the LG remains great for gaming, and there’s a wealth of entertainment options (if you get past the sign-up). RGB Mini LEDs are brighter, but they don’t offer the same level of contrast and control as far as black levels go. At least not yet.
Is it the best OLED? It depends on what you want. In terms of respecting the source, I’d say it’s the Sony Bravia 8 II. For sheer spectacle and mitigating reflections, it’s the Samsung S95H.
The LG G6 OLED finds itself in between those two, delivering accurate but great-looking HDR images without the slightly raised blacks of Samsung’s S95H.
LG’s best OLED yet? Absolutely, and a contender for one of 2026’s best TVs.
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How We Test
The 65-inch LG G6 OLED TV was tested over a month with real-world use and benchmark tests that included measuring brightness, input lag and using the Spears and Munsil Benchmark UHD disc to test viewing angles and colour accuracy.
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Tested with real world use
Tested for a month
Benchmarked with Spears and Munsil disc
FAQs
Does the LG G6 OLED come in sizes bigger than 77-inches?
At the time of review, the LG G6 OLED is only available in 48, 55, 65, and 77-inch models.
Test Data
LG OLED65G6
Contrast ratio
Infnity
Input lag (ms)
12.9 ms
Peak brightness (nits) 5%
2499 nits
Peak brightness (nits) 2%
2668 nits
Peak brightness (nits) 10%
2458 nits
Peak brightness (nits) 100%
400 nits
Set up TV (timed)
240 Seconds
Full Specs
LG OLED65G6 Review
UK RRP
£3099
Manufacturer
LG
Screen Size
65.4 inches
Size (Dimensions)
1441 x 263 x 910 MM
Size (Dimensions without stand)
826 x 1441 x 24.3 MM
Weight
27.3 KG
Operating System
webOS
Release Date
2026
Model Number
OLED65G62LW
Model Variants
OLED65G66LS
Resolution
3840 x 2160
HDR
Yes
Types of HDR
HDR10, HLG, Dolby Vision, Dolby Vision x Filmmaker
Refresh Rate TVs
48 – 165 Hz
Ports
Four HDMI 2.1, three USB, ethernet, optical digital out, CI+, two RF tuners
HDMI (2.1)
eARC, ALLM, VRR, 4K/165Hz, QFT, QMF
Audio (Power output)
60 W
Connectivity
Wi-Fi, Google Cast, AirPlay 2, WiSA, Bluetooth 5.3
Coinbase has launched Coinbase for Agents, a tool that lets AI agents like ChatGPT or Claude execute crypto trades and manage payments on a user’s behalf. “For example, customers can prompt their agent to rebalance portfolios, identify trading opportunities, execute strategies and manage positions over time,” reports CNBC. “It will eventually expand these capabilities to stocks and predictions.” From the report: [U]sing Coinbase’s machine-to-machine payments protocol, called x402, agents can pay directly for digital services like paywalled research, data APIs and on-demand compute without a human in the loop — and execute trades based on those insights. The company sees this stage of agentic payments, which lets customers bypass the need to manage traditional logins or subscriptions, as a precursor to agentic shopping, where agents browse, find the best deals, select and make purchases on users’ behalf.
[…] The whole idea is to give agents access to money and, through that financial independence, improve their set of capabilities to pretty much anything on the internet,” Lincoln Murr, Coinbase’s AI product lead, told CNBC. “In the 2010s, every internet company dealt with the transition from desktop and web into a mobile environment. And now in the late 2020s, we’re seeing the exact same thing happen where agents are going to be the new primary economic actors on the internet.”
The x402 protocol was created in May 2025 and has seen more than 100 million transactions since its debut, Murr said. There are about 157,000 agents acting as buyers using the protocol in the past 30 days, according to x402scan.com. “We saw immediate demand and interest in the ability for agents to pay for things autonomously and that was a huge waking up moment for us [on] the ability of agents to become these new primary financial actors across the internet,” he said.
It’s early days yet, but if you rely on vendors’ software for your RAID enclosure, you probably need to find out what their macOS 27 plans are.
We’ve had macOS 27 for all of four days at this point, and there may already be a show-stopping problem for folks that hang on to RAID enclosures. We’ve found several that just don’t work under macOS 27.
For example, I’ve got a Thunderbolt 3 LaCie 12Big enclosure that I’ve had for a while. It runs fine in Tahoe, on a Mac mini home server that I’ve had for years.
That LaCie 12Big doesn’t work at all in macOS 27. I’ve tried fresh installs of the software, different cabling, updating a Mac in place that it worked on in macOS 26, nothing works.
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All of my dumb enclosures work and mount fine. SoftRAID as it stands now from OWC works fine in macOS 27 to set up a new array on those dumb enclosures.
This has happened before, of course. Talk to Drobo and Pegasus enclosure owners about when Apple changed how it handled device drivers a few years ago. It’s just worth mentioning that it’s happening again.
To get in front of this, I’m not talking about RAID arrays with DIP switches, other physical ways to configure the drives, arrays set up with Disk Utility, or Network Attached Storage devices. This is about vendors that sell enclosures that need special software to run on macOS.
Who’s at fault, and why is this happening?
I wish I had a good answer for you. Apple does like changing things, like how it’s done something with the boot selector in macOS 27. So there’s something there.
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Also, macOS 27 also ships with no Intel code remaining, which could affect drivers compiled for Intel-only targets.. That may have something to do with it too.
Beta cycles are intended for developers to update their software to the new macOS. They exist for testing things like this.
But in our experience in the past, some things made by third party vendors get left behind.
Our advice as always stands. If you have mission critical hardware, this is not the time to try out the betas. And, if you’ve got enclosures that rely on older software, like my LaCie 12Big, it’s time to contact the vendor to see what’s going on.
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And come up with a plan if there won’t be support in macOS 27.
It’s the latest case to raise alarms about ChatGPT’s lack of safeguards for suicidal behavior.
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OpenAI is going back to court on another set of charges that its ChatGPT platform failed to protect a user from taking her own life. The company is being sued on behalf of Kristie Carrier, whose daughter Alice died by suicide on July 2, 2025.
The suit claims that Alice discussed her suicidal thoughts and plans with the chatbot in the months leading up to her death, but that OpenAI did not have the appropriate safeguards in place to end the conversation or to alert her family to the situation. In addition to allegations of negligence and wrongful death, the suit is seeking an injunction that would require OpenAI to implement more guardrails in its AI platform.
“As the complaint alleges, OpenAI’s deliberate design decisions led to this tragic suicide. Instead of providing help, OpenAI encouraged suicidal behavior. This lawsuit is about accountability for OpenAI’s actions,” said Justin Nelson, partner at Susman Godfrey, one of the parties that filed the suit.
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The AI company was named in the first wrongful death lawsuit connected with a chatbot last year. Since then, OpenAI was also sued for claims that it reinforced a user’s delusional thinking prior to his own death by suicide, as well as for a case alleging that ChatGPT gave advice that led to a death by accidental overdose. Character AI and Gemini have also been implicated in their own lawsuits regarding the safety of their chatbots.
OpenAI introduced parental controls for ChatGPT last year. In May, it also added a feature that will enable its chatbot to contact someone on a user’s behalf if they share suicidal thoughts with the AI tool. However, that’s an opt-in feature rather than a default, and it’s only for adults.
If you or someone you know is experiencing suicidal thoughts, do not hesitate to contact the National Suicide Prevention Lifeline at 1-800-273-8255. The line is open 24/7 and there’s also online chat if a phone operator isn’t available.
A geothermal energy demo device built by Seattle startup Endurance being tested in the Mariana Islands. (Endurance photo via LinkedIn)
Endurance Energy, a Seattle-based startup developing technology to extract energy from the heat beneath the ocean floor, has raised $54 million.
The team — led by former SpaceX engineerAndrew Redd — is racing to meet surging demand for clean power, with plans to deliver electricity to the grid within two years.
“Our SpaceX heritage enables a pace of development that is unprecedented for new energy projects,” the company said Thursday on LinkedIn.
Redd launched Endurance in 2024. Over the past year, the startup has completed four prototype deployments to deep-sea volcanoes up to nearly 1,000 feet below the surface, where volcanic systems heat water to 728 degrees Fahrenheit.
Geothermal companies produce energy by drilling wells into underground reservoirs of hot water or steam, bringing that fluid to the surface and using it to spin turbines that generate electricity, then reinjecting it back into the reservoir.
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Endurance is unique in its pursuit of undersea geothermal sources and aims to produce power on the gigawatt scale. For comparison: Washington’s Grand Coulee Dam has a generating capacity of 6.8 gigawatts and it’s the largest power station of any kind in the U.S.
Hitting gigawatt generation will take time. Endurance is on track this fall to deploy its 100 kilowatt generator dubbed “Adelie” to the underwater volcanic range called Juan de Fuca ridge, located off the coast of Washington and Oregon. Adelie is the company’s first complete system, which is capable of drilling under the ocean, generating power from that drilling and handling the energy transfer.
Geothermal power has become a hot ticket in the clean energy sector. With Google as a key investor, Fervo Energy raised $462 million in December, bringing its total to more than $1.5 billion. Sage Geosystems closed a round worth over $97 million in January.
Geothermal sources currently account for only 0.4% of U.S. power generation — but that share is expected to grow given the technology’s potential to provide around-the-clock, carbon-free electricity.
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Redd, a Pacific Northwest native, is building his company on the north shore of Seattle’s Lake Union. He praised the location for its ample moorage and allowing the team to load seafloor drills and power generators directly onto seagoing vessels.
“Subsea geothermal and Seattle is a match made in heaven,” Redd said on LinkedIn. “The opportunity to work on renewable energy, with a group of people this talented, right back home, is a dream come true!”
The startup has 25 employees, according to TechCrunch, 12 of whom previously worked at SpaceX.
The Series A round was led by Founders Fund with new investors Felicis, Voyager Ventures, Riot Ventures and Construct Capital. Previous backers Point72 Ventures, First Round Capital and Ascend also participated.
To lose one speech-suppressing SLAPP suit may be regarded as thoughtless. To lose two looks like you’re a censorial hack.
Last month we wrote about how supposed “free speech warrior” Matt Taibbi (who spent years misrepresenting the work of people who study disinformation as inherently censorial, while getting pretty basic facts wrong) had lost his speech suppressing SLAPP suit against author Eoin Higgins. In that case, he argued that some rhetorically hyperbolic metaphors used on the book’s cover defamed him. The court pointed out that’s not at all how defamation works.
The hearing in question was yet another in a ridiculously long line of congressional hearings (multiple ones where Taibbi has appeared peddling nonsense) about the supposed “censorship industrial complex,” a mostly made-up concept pushed by political hacks trying to shield online trolls and bullies from ever facing consequences from private actors for breaking the clearly stated policies of online platforms.
Kamlager-Dove chose to question Taibbi’s credibility. You could argue she could have focused on the factual problems with his continued confused claims about how disinformation research and trust & safety work — but she went for the more salacious (and widely reported) claims about his time in Moscow from a few decades ago, along with a characterization that reads as a clear opinion based on disclosed facts, which (by definition) cannot be defamatory.
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As you may be aware, things said in Congress tend to be protected by the speech and debate clause of the Constitution. Taibbi’s lawyers claimed that because Kamlager-Dove reposted videos of her remarks on social media, that somehow took them outside the clause’s protection. For her part, Kamlager-Dove pointed to the Westfall Act which (as we’ve discussed in the past) allows the government itself to substitute in as a defendant in cases filed against government employees if the lawsuit was based on government work they were doing. In defamation cases, this is fatal: once the federal government substitutes itself in as defendant, the case collapses, because you simply can’t sue the federal government for defamation thanks to sovereign immunity.
Here, the case fails on those grounds exactly. Judge Evelyn Padin finds that the Westfall Act does apply, effectively dooming the case. Taibbi’s lawyers tried to argue that Kamlager-Dove’s statements weren’t part of her job as Congress… because her comments were “partisan communications” and were for “self-aggrandizement on Twitter” rather than serving her constituents. Except politicians making self-aggrandizing partisan communications is (unfortunately) part of their job these days.
Representative Kamlager-Dove’s Statements and republications, however, are precisely the kind of conduct that is “a central part of the job for members of Congress.”…. Indeed, a “primary obligation of a [m]ember of Congress in a representative democracy is to serve and respond to his or her constituents.” …. As the Ranking Member of the Subcommittee holding the Hearing. Representative Kamlager-Dove’s remarks mentioned “taxpayer time and resources” and “foreign policy” topics that are important to members of Congress and that are top-of-mind for their constituents….
Republishing the statements online does not change the analysis. Taibbi claims that the “republications on X, BlueSky, and [Representative Kamlager-Dove’s] website were not legislative work, [and] occurred outside the legislative setting.” …. But members of Congress routinely engage with the public on social media and on the internet as part of their jobs…. (“There is no meaningful difference between tweets and the other kinds of public communications between an elected official and their constituents that have been held to be within the scope-of-employment under the Westfall Act.”). As Taibbi concedes, Representative Kamlager-Dove was simply “talking to voters on Twitter.” …
Thus, while the judge doesn’t get a chance to dismiss the censorial SLAPP suit for being a censorial SLAPP suit, the court does make it pretty clear you can’t sue over this kind of thing.
Two SLAPP suits filed to silence critics. Both dismissed. This is a guy who built his recent brand on the Twitter Files and the “censorship industrial complex” — and who has been a key cog in helping the government suppress speech in the process. He’s now spent quite a lot of time trying to use the courts to shut people up for criticizing him — and failing at that, too.
There’s no shortage of AI chatbots competing for your attention in 2026. However, if you own an Android device or are already immersed in Google’s ecosystem — which, let’s be honest, most of us are — then Gemini is likely the assistant you’ll want to use. The basic service is free, but Google, like its competitors, offers paid plans with extended limits, more storage, and other perks. The Google AI Plus plan is a great way to get more out of Gemini, and Google has recently cut its price from $7.99 to $4.99 a month.
Google is also doubling storage capacity from 200GB to 400GB for the AI Plus plan, allowing users to store twice as much data across Google Drive, Google Photos, and other services. There are plenty of other features the Google AI Plus plan unlocks, too, including the Omni Flash model in Gemini for video generation and increased limits for NotebookLM and Google Flow.
If you don’t plan on using Google’s AI features, you can always subscribe to one of Google’s dedicated storage plans instead; these cost $1.99 or $2.99 a month for 100GB or 200GB, respectively. This will still let you use most of Gemini’s features. If you do decide to join the AI Plus plan, though, you’ll be glad to know that Google is doing really well with AI.
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Google’s other AI plans
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Compared to the free version of Gemini, the Google AI Plus plan gets you double the usage limits across Gemini’s models. For $19.99 a month, you can jump to the Google AI Pro tier. This unlocks 5TB of cloud storage, four times the AI usage limits of a free account, and plenty of other features, including Google’s Nano Banana Pro image generation model. This plan also includes a YouTube Premium Lite subscription, which removes ads on most non-music videos.
Alongside AI Plus and AI Pro, Google also offers two other AI Ultra plans for $99.99 and $199.99. These get you up to 30TB of storage, the highest usage limits, and a full YouTube Premium individual plan. Unless you require it for work or are an avid AI user, though, the Google AI Pro plan should be plenty. If you use AI sparingly, the base Google AI Plus plan is probably the best value here. Plus, increased cloud storage means you can back up your Android phone or any files you frequently work with without worrying about running out of Google Drive storage.
Hybrid meetings can leave remote workers feeling excluded, Jabra study finds
Unsuitable and dated setups cause regular meeting delays and technical failures
Better meeting room kit and clear meeting purposes could improve engagement
Around half of remote participants say they’re forgotten, talked over or excluded during hybrid meetings, a new study from Jabra has revealed, indicating that hybrid in-person and remote meetings might not be as effective as we’d thought.
The issue is particularly evident when multiple participants are in a physical room, with others joining online. But more than that, women (16%) and junior workers (26%) are more likely to feel they’re being excluded.
But it might not be the concept of hybrid that’s at fault – Jabra argues that dated tech is making it hard for all participants to have equal visibility, and that poor tech is only amplifying existing cultural issues around visibility instead of creating them.
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Hybrid meetings are the least effective kind
That much is evidenced in the fact that hybrid meetings are generally worse off than fully remote meetings, with workers more likely to miss content (59% vs. 41%), feel excluded (55% vs. 38%) or need follow-up meetings to clarify details (42% vs. 28%).
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Years after workers were sent home at the height of the pandemic, companies are still failing on their meeting tech. Three in four hybrid meetings experience at least one technical failure, and participants often claim difficulties hearing (73%) or seeing (68%) participants.
Jabra even argues that these failures add an average of 11 minutes to every hybrid meeting, and losses can rise further for the biggest companies.
This comes as workers spend an average of eight hours per week in meetings (more than that in Denmark, India and the UK).
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With more than half (58%) of that time generally considered unnecessary, 66% leave without clear action items and 59% demand follow-ups to clarify missed points.
Meeting infrastructure and purpose hold the keys to success
As for the fix, many companies have turned to AI to help with things like meeting summaries and live transcriptions, but widespread use remains low. Poor trust and privacy/compliance issues also prevent companies from going all-in on AI.
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“AI can enhance a well-run meeting, but it can’t fix a broken one,” Jabra Enterprise Video Business Unit SVP Holger Reisinger said.
To fix the issue, the report urges companies to invest in meeting room technologies like microphones, cameras and connectivity to bring remote participants closer to in-person attendees.
At the moment, 37% use a single laptop as a mic and speaker for the room, 31% revert to audio-only after giving up on video, and 23% have even dialed in by phone for audio. A third (34%) also noted that participants join on their own individual devices, rather than using a central meeting room system designed to capture all participants.
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Jabra is also one of a growing number of researchers to find that workers face increased Zoom fatigue (42% of workers hit their energy limit within two hours of back-to-back meetings, 83% within four hours), stressing the need to reframe meetings entirely and only hold calls when it’s necessary.
That way, workers are more likely to be alert and actively collaborate with all colleagues, hybrid or not.
I am going to start where no good teacher should start, with a $10 word: epistemology. It refers to a branch of philosophy that explores how we know what we know – something scholars like John Dewey argued is deeply tied to experience, not just information.
This word takes me back to my doctoral graduation when my father-in-law said with good-natured humor, “Well, Ev… there’s a lot of [stuff] you can’t learn from a book.” At the time, I didn’t know what to say, but any teacher worth their salt will tell you: he’s right.
Pre-service teachers – myself included – often lament that they didn’t really learn to teach until the rubber-meets-the-road experience of student teaching or that first job. This is the challenge of teaching pre-service teachers. I’ve been doing it for a handful of years now, and I see a trend – the TikTok way of knowing in education. It’s got me wondering how we adapt our practices based on my experience during my recent final exams with pre-service teachers.
The TikTok way
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For example, I ask my students to make two tangible items to try and circumvent AI. One item is a teacher creed. I hand out “fancy” paper and tell them to create something they might read every teaching day – something to remind them not if, but when teaching gets hard. These are heartfelt, colorful creations. They write things like, I will show up with a good attitude.Even on my worst day, I will be someone’s favorite teacher. I cringe a bit, knowing how more seasoned educators might scoff but that is perhaps why I assign them – to bottle that early hopefulness in a landscape that often doesn’t often create it for new teachers.
The second item is to create “One One-Pager to Rule Them All!” Students make non-linear, doodle-style notes throughout the semester, and this final asks them to zoom out and represent everything essential we’ve learned through a map of connections, images, and ideas.
I love this assignment because I can see who is connecting the dots and who is simply regurgitating the text. I sit with each student for five to seven minutes as they “show and tell” the work. As they read their creeds, I am heartened and sometimes even tear up. And in conversation after conversation this semester, I heard the same phrase, almost as a confession mid-conference:
“I know it’s not research-y, but in a TikTok I saw…”
“I know it’s not the best source, but I saw a reel that said…”
“This guy I follow always says…”
Each of these notes expanded or connected my own thinking about course content. Some couldn’t be backed in my mind of research, but others could. So, instead of arguing, I asked questions: Who created that content? What might their motivation be? Why does it matter to you? This kind of questioning reflects what Marilyn Cochran-Smith and Susan Lytle describe as “inquiry as stance” – an orientation where teachers are active investigators of knowledge.
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An epistemological shift
We are in a shift in epistemology. Future teachers are learning not only through peer-reviewed research or textbooks, but also through short-form video, personality-driven content, and lived teacher experience shared in real time – what media scholars like Henry Jenkins describe as a more participatory culture of knowledge. This is democratizing, the dismantling of the silo that has long held educational research out of reach. But this is also destabilizing.
During my first years of teaching, I cried in my car a lot. If I had had the megaphone of TikTok influencers celebrating how they left education, or even my own content microphone, I’m not sure I would have made it through to my later years of teaching that are still hard but more grounded and fulfilling.
Admittedly, some positions are ones to leave. Yes, at times educator working conditions are not what they should be but how do we help pre-service and early-career teachers move through the baptism-by-fire years while being bombarded by voices – many from people who have left the profession and now narrate it from the outside? Some of the content is helpful. Some of it is not. And all of it is loud.
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I wonder if our teacher preparation programs are keeping pace with how knowledge is actually being formed. It leads me to my favorite teacher question, “So what? What do we do now?” How long do we hack away at the plant growing up the wall, and when is it time to embrace the aesthetic of a vine-covered building as something worth studying?
Instead, what if instead we become weavers of stories? What if we help students craft their own and build connections of knowing? What if we engage lived experience not as secondary to research, but as a complementary form of knowing? When have we had so much access to real-time teacher voices about things that happened to them in the classroom that day?
Just because something is visual, narrative, click-baity, and social doesn’t mean it is missing the mark or doesn’t engage a pedagogical question worth exploring. This TikTok wondering is happening whether we embrace it or not, so what if we see it as a new charge to help future teachers engage these voices critically, rather than pretending they don’t exist?
Here are some ideas I’m playing with. I’m curious what you might add.
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Ed Content Fridays. Students bring in content that connects with the week’s readings and learning from their own scrolling. Discuss it in aSpider-Web format that employs elements of alibrarian CRAAP test to help students develop habits of mind around credibility and content creator motivation.
Use a C3WP writing strategy that engages reels and posts to kick off class. Start with what students know as a free write and then bring in content to have them expand their arguments and defend thoughts with research from our shared text. If students bring it in, they find it interesting, and we can require a citation connection to the course text or researchers.
Like/Share/Subscribe. Share strong online content that sings from reputable sources with students. Syllabi and course hubs can be places to curate rich content collaboratively.
Have students create their own content.CapCut on a desktop orEdits on a phone are surprisingly easy plug-and-play tools to make short form videos, and we can up the academic requirements with or without student posting. Thoughtful content can grow out of our rich history of educational research, bringing rich, thoughtful voices in among the pervasive ranting. I’m not saying we shouldn’t be about the work of educational reform and that a good rant doesn’t have its place, but this new way of knowing and sharing knowledge is sitting in our desks waiting for us to light the fire.
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Yes, my step-dad is right, there is so much we can’t learn from a book, but maybe there is still so much we can learn from our own students in their own ways of knowing, even if we don’t fully understand them ourselves. What if our ways of knowing weave together, creating something beautiful?
Congress is reviving one of the most significant antitrust bills Apple has faced in years, reopening a fight over the App Store and platform control that the company helped spend millions to defeat during previous congressional sessions.
Sens. Amy Klobuchar, D-Minn., and Chuck Grassley, R-Iowa, reintroduced the American Innovation and Choice Online Act (AICOA) on June 10. It revives a bipartisan effort to limit how dominant technology companies favor their own products and services.
The bill targets the largest online platforms and seeks to restrict conduct that supporters say gives those companies an unfair advantage. Apple and other technology giants spent years fighting earlier versions of the legislation because of its potential impact on their businesses.
The proposal would prevent dominant technology companies from favoring their own products and services. Lawmakers describe those practices as self-preferencing and argue they can disadvantage competitors.
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Critics argue Apple uses its position as the operator of iOS and the App Store to benefit its own services over competing products. The legislation could directly affect the App Store and Apple’s control over the iPhone ecosystem.
Apple has consistently argued that its policies help protect user privacy, security, and the integrity of its platforms. In a statement provided to AppleInsider, Apple said it “strongly disagree[s] with the Senate’s consideration of European-style regulation” and argued the legislation would undermine privacy, security, and child safety protections while making it harder to do business in the United States.
The company also said importing Europe’s “failed policies” would not increase competition. The reintroduction marks the latest chapter in a legislative battle that has stretched across multiple sessions of Congress.
Earlier versions of AICOA advanced through the Senate Judiciary Committee but never reached a final vote despite bipartisan support. The bill came closer to becoming law than many technology reform proposals.
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The debate around AICOA has changed since Congress first considered the legislation. Apple has already made significant App Store changes in Europe to comply with the Digital Markets Act.
The European law imposed new requirements on how large technology platforms compete and operate. The DMA and AICOA take different approaches to regulation.
Both aim to limit how dominant technology companies use control of their platforms to benefit their own products and services. For Apple, the DMA offers a real-world example of the kinds of changes lawmakers have sought through AICOA.
The company argues AICOA would mirror key elements of Europe’s Digital Markets Act, which required the company to make significant App Store changes in the European Union. According to Apple, the DMA has weakened privacy protections, increased security risks, and created a more difficult environment for product launches and platform development.
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Why Apple fought the bill
Apple was among several technology companies that opposed the legislation during its previous runs through Congress. It argued that some provisions could make it harder to maintain privacy and security protections on its platforms.
Industry groups representing large technology companies also warned that the legislation could have unintended consequences for integrated products and services.
Supporters argue dominant platforms have too much control over businesses that depend on them. They say existing antitrust laws haven’t done enough to address those concerns.
Major technology companies spent heavily to stop AICOA and related antitrust legislation. Previous reporting found that Apple, Amazon, Google, and Meta collectively spent more than $100 million on lobbying and advocacy efforts tied to the proposals.
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Trade groups also joined the fight, and industry-backed advertising campaigns helped amplify the opposition. The legislation ultimately stalled despite advancing through committee and attracting support from both parties.
Why the legislation matters now
The bill’s return doesn’t guarantee it will become law. Previous versions generated substantial attention and bipartisan support but ultimately stalled before reaching the finish line.
For Apple, the debate extends beyond another round of regulatory scrutiny. The legislation could affect how the App Store operates and how Apple Services compete on the company’s platforms.
Whether the latest version gains enough support to advance remains unclear. Its return shows that Congress is still trying to limit how dominant technology platforms use control of their ecosystems to benefit their own products and services.
With Prime Day 2026 fast approaching, Apple deals are heating up, and some of the lowest prices on record are available on new releases.
Prime Day officially starts on June 23, but retailers are slashing prices on popular Mac configurations, iPads, Apple Watches, AirPods, and more. Plus, the in-demand Mac mini is back at Amazon (and marked down). Here are the top deals this Thursday.
AirPods Pro 3 on sale for $179
AirPods Pro 3 have dipped to the lowest price ever.
We covered the $179 AirPods Pro deal yesterday, which marks the steepest discount seen to date. Walmart initially issued the $70 markdown, but the deal has expired at that retailer. Luckily, Amazon is still offering the $179 price.
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If you’re looking for the lowest AirPods price across the range, AirPods 4 are available for $99 (a $30 discount off retail). And AirPods Max 2, which were announced in March 2026, are on sale for $499 after a $50 price cut.
Early Prime Day deals on iPads deliver prices from $299.
Those in search of a budget-friendly tablet can grab Apple’s 11-inch iPad for $299.99. Or if you’d like Apple Intelligence support, the current M4 iPad Air and M5 iPad Pro are on sale, with a detailed selection of the price drops in our iPad Price Guide.
Apple Watch Series 11 prices are down to as low as $299.
Triple-digit discounts are in effect right now on the Apple Watch Series 11. Released in September 2025, the Apple Watch Series 11 is available in 42mm and 46mm case sizes and numerous band styles. Amazon’s markdowns deliver prices as low as $299, but you can also pick up an Apple Watch SE 3 for $219 and an Apple Watch Ultra 3 for $779.
42mm Apple Watch Series 11 GPS (Aluminum Case, Sport Band): $299 ($100 off)
42mm Apple Watch Series 11 GPS + Cellular (Aluminum Case, Sport Band): $399 ($100 off)
42mm Apple Watch Series 11 GPS + Cellular (Titanium Case, Sport Band): $589 ($110 off)
42mm Apple Watch Series 11 GPS + Cellular (Titanium Case, Milanese Loop Band): $609 ($140 off)
46mm Apple Watch Series 11 discounts
46mm Apple Watch Series 11 GPS (Aluminum Case, Sport Band): $329 ($100 off)
46mm Apple Watch Series 11 GPS + Cellular (Aluminum Case, Sport Band): $399 ($130 off)
46mm Apple Watch Series 11 GPS + Cellular (Titanium Case, Sport Band): $609 ($140 off)
Additional Apple Watch deals
MacBooks as low as $589
Apple’s latest MacBooks are marked down to as low as $589.
Early Prime Day deals also include Mac computers, with Apple’s budget-friendly MacBook Neo dipping to $589.99. M5 MacBook Air models are also as low as $949.99, while M5 MacBook Pros with at least 1TB of storage can be picked up for as low as $1,529.99.
14″ MacBook Pro M5 (10C CPU, 10C GPU, 16GB, 1TB, Standard Display): $1,529 ($170 off) with in-cart coupon at B&H
14″ MacBook Pro M5 (10C CPU, 10C GPU, 24GB, 1TB, Standard Display): $1,749 ($150 off)
14″ MacBook Pro M5 Pro (15C CPU, 16C GPU, 24GB, 2TB, Standard Display, Space Black): $2,399 ($200 off)
14″ MacBook Pro M5 Pro (15C CPU, 16C GPU, 48GB, 1TB, Standard Display, Space Black): $2,299 ($300 off)
14″ MacBook Pro M5 Pro (15C CPU, 16C GPU, 48GB, 2TB, Standard Display, Space Black): $2,799 ($200 off)
14″ MacBook Pro M5 Pro (18C CPU, 20C GPU, 24GB, 1TB, Standard Display): $2,199 ($200 off)
14″ MacBook Pro M5 Pro (18C CPU, 20C GPU, 48GB, 1TB, Standard Display, Space Black): $2,499 ($300 off)
14″ MacBook Pro M5 Pro (18C CPU, 20C GPU, 64GB RAM, 1TB SSD, Standard Display): $2,799 ($200 off)
Best 16-inch MacBook Pro discounts
16″ MacBook Pro M5 Pro (18C CPU, 20C GPU, 48GB, 1TB, Standard Display, Space Black): $2,879 ($220 off)
16″ MacBook Pro M5 Pro (18C CPU, 20C GPU, 48GB, 2TB, Standard Display, Space Black): $3,199 ($300 off)
16″ MacBook Pro M5 Pro (18C CPU, 20C GPU, 64GB, 1TB, Standard Display, Space Black): $2,999 ($300 off)
16″ MacBook Pro M5 Pro (18C CPU, 20C GPU, 24GB, 1TB, Nano-texture, Space Black): $2,548 ($301 off)
16″ MacBook Pro M5 Pro (18C CPU, 20C GPU, 48GB, 1TB, Nano-texture, Space Black): $2,949 ($300 off)
16″ MacBook Pro M5 Max (18C CPU, 40C GPU, 64GB, 2TB, Standard Display): $4,299 ($300 off)
16″ MacBook Pro M5 Max (18C CPU, 40C GPU, 128GB, 2TB, Standard Display, Space Black): $5,099 ($300 off)
Mac mini returns with discounts
Apple’s in-demand Mac mini has returned at Amazon.
Apple’s M4 Mac mini has been out of stock for quite some time, as the model has become popular with users looking for a headless AI machine. But the 512GB Mac mini has returned at Amazon, with a $30 discount to boot.
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