Fashion
Erik Yehezkel on the Strategic Growth of the anOnlyChild Label
In the competitive landscape of contemporary fashion, success is often defined by a brand’s ability to tell a story that extends far beyond the garments themselves. For Miami-born entrepreneur Erik Yehezkel, this narrative approach is second nature. With a background rooted in the demanding fields of commercial real estate and luxury hospitality, Yehezkel transitioned into the fashion sphere with a unique perspective on consumer behavior, curation, and brand architecture. Alongside co-founder and designer Maxwell Osborne, they launched anOnlyChild, a luxury label designed around quiet confidence, sustainability, and the evocative power of individuality.
Officially debuting in 2021, anOnlyChild has carved out a distinct space in the market. The brand is built on a foundation of utilizing deadstock and repurposed fabrics to create rich, textured silhouettes that carry a sense of relaxed sophistication. It is an exploration of circular fashion that refuses to compromise on luxury, transforming fabric remnants into exquisite runway pieces.
We caught up with Erik Yehezkel to discuss the strategic evolution of the anOnlyChild label, the transition from real estate to runway, and the disciplined business philosophy that drives the brand forward.
Q: You have a background in commercial real estate and luxury hospitality in Miami. How did those fast-paced industries prepare you for the fashion world?
A: My background in commercial real estate and hospitality taught me to focus on the “why” behind human behavior. Why we choose to spend time in certain spaces, why we patronize specific establishments, and ultimately, why we wear what we wear. Hospitality is entirely about curation and creating an emotional response. When you walk into a well-designed hotel, every detail, from the lighting to the scent, is intentional. Fashion operates the same way. Navigating those industries in Miami gave me the structured discipline and the appreciation for narrative depth that I now apply to building our brand’s universe.
Q: What was the catalyst for transitioning from property development to co-founding a luxury fashion label?
A: The transition was driven by the realization that the art of curation remains identical regardless of the medium. Whether you are developing a physical property or designing a collection, you are constructing a world for people to inhabit. I wanted to build a brand that consumers could carry with them long after they left a physical space. The opportunity to merge the narrative depth of hospitality with the structured discipline of design was a challenge I couldn’t resist.
Q: How did you and you Maxwell Osborne first connect, and how do your respective strengths complement each other?
A: Maxwell and I connected through mutual creative circles. He told me about the brand he was building, and we quickly realized that we shared a vision of creating something that felt deeply personal and possessed an independent spirit. Maxwell has an incredible design instinct and a rich history in fashion, notably with Public School, which allows him to look at fabric and see possibilities others miss. My strengths lie in business strategy, operations, and brand architecture. We balance each other. He focuses on the creative output, while I ensure we have the disciplined structure and growth model to support that vision.
Q: The brand is named “anOnlyChild.” What does that name mean to you psychologically, and how does it translate into the brand’s identity?
A: The name carries a lot of psychological weight. An only child often has to rely on their own imagination, finding ways to make something out of nothing and giving life to solitude. Strategically, that translates into an independent, singular spirit. It defines our aesthetic and our approach to design. Our customer is someone who possesses a quiet confidence, stands alone in their style, and doesn’t rely on the validation of fleeting trends to feel complete.
Q: Launching a luxury brand during the pandemic presented unique hurdles. What was that early period like, and how did it shape your business model?
A: It was a highly unusual period to launch, but it actually forced us to look inward and adapt. Because textile mills were closed and supply chains were disrupted, we had to make do with what we had. That constraint became our greatest strength. It solidified our commitment to using deadstock and repurposed materials. Strategically, it taught us to be incredibly agile and confirmed that we didn’t need to follow the traditional, bloated fashion calendar to build a meaningful connection with our audience.
Q: Sustainability is at your core, specifically the use of deadstock and repurposed fabrics. How do you manage the logistical challenges of sourcing these materials for a luxury audience?
A: Sourcing deadstock at a luxury level requires an immense amount of discipline and patience. Unlike traditional brands that can order thousands of yards of the exact same fabric, we have to go out and hunt for remnants. Each collection is limited by the physical material we can find. It turns our production process into a puzzle, but it also ensures that every single garment is inherently limited and unique. We have to be meticulous with our quality control so that these repurposed materials feel elevated, cohesive, and undeniably premium.
Q: You’ve mentioned drawing inspiration from lifestyle architects like Ralph Lauren and hoteliers like Ian Schrager. How does the art of curation translate from hospitality to apparel?
A: Both Ralph Lauren and Ian Schrager understood how to build a total universe. When you buy into their work, you aren’t just buying a product or a room night; you are buying into a specific way of seeing the world. In fashion, curation is about editing down the noise. We want anOnlyChild to represent a curated lifestyle. The way we present our collections, the spaces we choose for our events, and the textures of our fabrics are all carefully selected to evoke a specific, nostalgic atmosphere.
Q: How do your Miami roots and upbringing influence your approach to style and the strategic direction of the brand?
A: Miami is a city of diverse cultures and a distinct appreciation for leisure and luxury. Growing up there, I was constantly surrounded by people who used style as a form of self-expression. It taught me that luxury doesn’t have to be rigid or stuffy; it can be relaxed, fluid, and comfortable. Strategically, it influences our focus on ease and versatility. We want our pieces to feel at home, whether you are in New York, Miami, or traveling abroad.
Q: How would you describe the “quiet confidence” of the anOnlyChild aesthetic, and how do you communicate that to consumers?
A: Quiet confidence is about understatement. It is the opposite of loud, heavily branded fashion. Our pieces feature minimal graphics, focusing instead on rich textures, unique silhouettes, and the drape of the fabric. We communicate this through subtle storytelling. We don’t over-explain the garments; we let the craftsmanship, the silk shirting, and the cascading ruffles speak for themselves. The goal is for the outfit to change the wearer’s posture, giving them a sense of ease and strength.
Q: What are the key pillars of the disciplined growth model you’ve implemented to avoid the trap of chasing transient trends?
A: Our growth model relies on scarcity, narrative consistency, and financial discipline. We do not chase high-volume, low-margin sales. Instead, we focus on small, thoughtful drops and capsule collections that respect our materials. By keeping production limited, we maintain high demand and ensure our inventory remains clean. We also prioritize building deep relationships with our retail partners and directly with our community, ensuring that our growth is organic rather than artificial.
Q: What has been the most challenging aspect of scaling a brand that relies so heavily on circular fashion principles?
A: The primary challenge is scalability itself. Traditional fashion business models are built on predictability and mass production. When your design process depends on finding discarded, high-quality deadstock, predictability goes out the window. If we find a beautiful roll of silk, we might only be able to make twenty shirts from it. Scaling under these conditions requires us to treat each piece as a limited edition, educating our consumers and retail partners on why a specific item cannot be restocked once it sells out.
Q: Your runway presentations, including NYFW and LAFW, have garnered major attention. How do these physical showcases drive the brand’s strategic growth?
A: Physical showcases are crucial for a brand like ours because we are so focused on touch, texture, and atmosphere. Our LAFW presentation, “It’s Getting Late B-sides,” brought our community together in a curated space and showcased the movement of our fabrics in real time. It builds brand equity and helps establish the narrative context of the collection. These events aren’t just about showing clothes; they are about inviting people into our world and creating a memorable experience.
Q: How do you approach wholesale partnerships and selective retail expansion, such as working with boutiques like elysewalker?
A: We are extremely selective about where anOnlyChild is sold. We look for retail partners who understand our story, value sustainability, and cater to customers who appreciate craftsmanship. Working with partners like elysewalker is ideal because they curate their spaces with the same care that we design our collections. It ensures our brand is presented in an environment that reinforces its luxury positioning and allows us to reach consumers who appreciate the nuances of our garments.
Q: You’ve spoken about building a “total universe.” In what ways do you envision anOnlyChild expanding beyond apparel into a broader lifestyle brand?
A: Apparel is just the entry point. Because of my hospitality background, I naturally think about physical spaces, home design, and experiential concepts. In the future, I see us expanding into home goods, curated travel accessories, and perhaps even collaborative hospitality spaces. The goal is to build a cohesive lifestyle aesthetic that our customer can integrate into every aspect of their daily life, always maintaining that same independent, thoughtful spirit.
Q: Where do you see anOnlyChild in ten years, and how do you ensure the core philosophy of independent spirit remains intact?
A: In ten years, I want anOnlyChild to be recognized not just for the clothing we produce, but for a specific way of looking at the world. We want to be a global lifestyle brand, but one that has scaled mindfully. To keep our core philosophy intact, we will continue to prioritize our independent spirit and our commitment to circular design principles. No matter how large we grow, the focus will always remain on thoughtful creation, unique materials, and the celebration of the beauty of solitude and individuality.
anOnlyChild has proven that sustainability and high fashion do not have to be mutually exclusive. By treating the brand as a holistic lifestyle universe rather than just an apparel label, the team at anOnlyChild has implemented a disciplined framework that honors both the environment and the consumer’s desire for genuine individuality. Yehezkel’s transition from the physical curation of real estate to the tactile curation of fashion highlights a modern approach to entrepreneurship, where narrative and execution carry equal weight.
As the label continues to expand its retail footprint and explore new creative avenues, its commitment to the independent spirit of the “only child” remains its guiding light. In an industry often rushed by the demands of mass consumerism, Yehezkel’s focus on quiet confidence, limited production, and experiential storytelling offers a compelling blueprint for the future of luxury fashion.
If you spend time on social media networks like TikTok or Instagram, you’ve likely seen a very specific, deeply disturbing viral trend: content creators flashing smiles reduced to needle-sharp little triangular stubs before getting their teeth transformed. These scary videos often have dire captions warning viewers about the reality of cosmetic dentistry. The visual imagery […]
The post The Beauty Lover’s Guide to Veneers and Smile Makeover Myths appeared first on IFB.
Make the most of brighter days with the Runners Need new arrivals running shoes, clothing & accessories collection, built for performance and comfort. As the mornings get lighter and evenings stretch longer, it’s the perfect time to refresh your running gear. This latest collection features advanced running shoes and apparel designed to support every stride. With trusted brands like Asics and Brooks, runners can expect superior cushioning, stability, and durability. Whether you’re training for a marathon or enjoying casual summer runs, these products enhance every experience. Breathable fabrics and innovative designs keep you cool and comfortable on the move. The Runners Need new arrivals running shoes, clothing & accessories collection is your go-to for achieving your fitness goals in style.
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Our daily workwear reports suggest one piece of work-appropriate attire in a range of prices.
When I was in high school, I had a teacher who would teach with the lights off in June because schools in the northeast generally didn’t have air conditioning in the ’90s, and the dark room felt “psychologically cooler.” Something about this cool blue dress from Reiss feels psychologically cooler than all of the black and navy shirtdresses hanging in my closet at the moment.
It might be the flowy fabric or the icy color, but somehow I feel like I could walk onto a subway platform in the middle of July wearing this dress without wanting to pass out from heat exhaustion. That’s probably a fantasy, but I’m willing to give it a try.
The dress is $400 at Reiss and comes in sizes 0-12.
Sales of note for 6/19:
- Nordstrom – 25% off clearance! Nice selection of Vince, Veronica Beard, Boss, Theory, Beyond Yoga, and Zella
- Another Tomorrow – Seasonal sale, 50% off select styles
- Ann Taylor – 50% off everything + free shipping! Readers love this blouse and I always love the variety of colors/textures for this jacket (it’s a great separate)
- Athleta – 30-60%off reader favorites like Brookyn and Endless pants, and the Pranayama wrap is marked down to $55. ,
- AYR – Ooh, good sale section — but lots on final sale. Readers love (LOVE) these comfy work pants and these jeans.
- Bare Necessities – Semi-annual sale, up to 70% off, plus get an additional 40% off clearance swim. Readers have sung the praises of these cooling pajamas and their bra-sized swimwear
- Boden – 15% off new women’s wear styles with code
- Evereve – 20% off dresses!
- Glossier – Last day 6/19: 20-25% off almost everything (including subscriptions!)
- J.Crew – Extra 15% off your purchase (on top of up to 50% off select styles)
- J.Crew Factory – Extra 50% off clearance + extra 15% off orders over $100, and extra 20% off orders over $125 – readers love their schoolboy blazers and sweaters (down as low as $84), and they have a great selection of summer suiting in the sale
- Jenni Kayne – Semi-annual warehouse sale
- M.M.LaFleur – Archive sale! (Try code CORPORETTE15 for 15% off on other items)
- Nordstrom Rack – Clearance, new arrivals up to 75% off! Nice selection of Vince, Veronica Beard, Reiss and Rag & Bone, a ton of affordable work dresses from Calvin Klein, Maggy London, Eliza J, and Donna Morgan
- Ruti – Semi-annual sale, up to 70% off!
- Splendid – Up to 60% off women’s sale!
- Talbots – 6/19 only: free shipping, no minimum! Readers love their cashmere cardigans
Image by Adolfo Félix on Unsplash
Western style has cycled in and out of mainstream fashion for decades, but the current revival feels different. It isn’t just country music, festival circuits, or the Beyoncé effect, though all of those have contributed. What’s happening now is a genuine return of western craftsmanship and silhouettes into everyday wardrobes, with the cowgirl hat at the center of the moment.
For women building outfits around this energy, choosing the right hat brand matters significantly. The wrong cowgirl hat reads as a costume. The right one transforms a look in a way that few other accessories can manage. Below are the seven brands genuinely worth your attention right now, starting with the strongest.
1. American Hat Makers
At the head of the list is the family-run California brand whose hats keep showing up on women who actually understand western style: American Hat Makers. Founded in Watsonville, California in 1972, the company has been handcrafting hats for over fifty years, and the cowgirl hat collection benefits from every year of that experience. These are hats made by people who have spent decades refining what works on a woman’s face and frame, not products designed by trend forecasters chasing a moment.
The construction quality is the foundation of why these hats work so well. American Hat Makers uses real materials (wool felt, full-grain leather, properly woven straw) and builds each hat with the kind of crown shaping and brim integrity that holds up to actual wear. A hat from this collection looks the same after two years of real use as it did the day you bought it, only with the character that real leather and real felt develop over time. The 50-Year Craftsmanship Guarantee on every hat is the practical signal of how confidently the company stands behind what they make.
What makes American Hat Makers womens western hats particularly strong in the cowgirl category is the impressive range of styles available. Traditional western shapes appeal to buyers seeking a classic look, while leaner, more fashion-forward silhouettes suit women who incorporate western-inspired pieces into contemporary wardrobes. The collection also includes leather designs that pair beautifully with denim and boots, lightweight straw options for warm-weather wear, and packable styles ideal for travel and festival circuits. Together, these offerings cover nearly every way a woman might choose to embrace western fashion, which is unusual in a category where many brands tend to specialize in a much narrower range of designs.
The brand also benefits from being genuinely family-owned and operated. Garth Watrous, son of founder Gary Watrous, leads the company today, and the team includes multiple family members. This matters in subtle ways that show up in the product: hats designed by people who actually wear them, retailer relationships that reflect long-term thinking rather than quarterly targets, and a brand voice that feels human rather than corporate. For women building wardrobes around authentic western pieces, this kind of provenance is genuinely meaningful.
The handmade, American-made positioning is real here. Each hat is built by craftsmen in the company’s California facility. Each one passes quality checks before shipping. Each one carries a guarantee that lasts longer than most marriages. For a category as image-conscious as cowgirl hats, having a hat with this kind of underlying integrity makes the styling decisions easier and the everyday wear more rewarding.
2. Lack of Color
The Australian brand Lack of Color has built significant momentum in the cowgirl hat space with hats that lean toward fashion-forward styling rather than traditional western shapes. The aesthetic is clean, contemporary, and works well in editorial styling. The trade-off is that the construction is less heritage-craftsmanship and more contemporary fashion production, which means the hats look great but don’t always wear in over years the way a properly made western hat does.
3. Janessa Leoné
Janessa Leoné occupies the higher-end fashion space with cowgirl-influenced hats that emphasize design sophistication over traditional western credibility. The brand’s pieces are well-made and the aesthetic works for women styling western influences into otherwise polished wardrobes. Higher price points than most alternatives, with the design refinement to justify them for the right buyer.
4. Stetson
Stetson’s women’s collection covers traditional cowgirl hats with the heritage credibility the brand name carries. The premium Stetson lines are well-made and represent the traditional western category authentically. As with the men’s lines, the broader licensed Stetson products are less consistent, so buyers should focus on the higher-tier hats from the brand’s own production.
5. Brixton
Brixton has expanded its cowgirl-styled offerings over the past several seasons, with accessible price points and a contemporary aesthetic that suits younger demographics. The construction is mid-tier rather than premium, but the styling works well for women who want the cowgirl hat aesthetic without committing to the price points or formal western codes of heritage brands.
6. Greeley Hat Works
For women who want a genuinely custom western hat made specifically for them, Greeley Hat Works in Colorado is one of the most respected makers in the category. The brand operates at significantly higher price points and longer lead times than ready-to-wear alternatives, but the result is a hat made to fit you specifically, in materials and shapes you select, that becomes a personal piece in a way that off-the-rack hats cannot.
7. Charlie 1 Horse
Charlie 1 Horse, part of the same parent company as Stetson and Resistol, focuses specifically on fashion-forward western hats for the cowgirl market. The styling tends toward bolder, more decorated pieces with embellishments and color treatments that work well for festival circuits and statement styling. Less suited for everyday wardrobe building, but useful for buyers who want a more pronounced western statement piece.
What’s Driving the Current Western Revival
The cultural moment that’s brought western style back into mainstream fashion has multiple contributors, but a few are worth understanding. Major fashion houses have incorporated western references into recent collections, which gives the aesthetic credibility in style-conscious circles. Music has continued to drive interest, with country and country-adjacent artists reaching genuinely mainstream audiences. And the broader cultural shift toward craftsmanship, heritage, and authenticity over fast-fashion turnover has favored brands that build real products in real ways.
This means the current revival is likely to be more durable than previous western fashion moments. The buyers driving it are interested in real western pieces, not just temporary aesthetic markers, which favors brands like American Hat Makers that have the depth to support genuine engagement with the category.
How to Actually Style the Look
The women who wear cowgirl hats most successfully treat the hat as the anchor of an outfit rather than an addition to one. The hat sets the tone, and the rest of the look is built around it rather than imposed onto it. This is why integration matters: pairing the hat with pieces that share its sensibility (denim, leather, vintage-inspired textures) rather than fighting against an otherwise contemporary outfit.
The other principle worth noting is restraint. A great cowgirl hat carries enough character on its own that the rest of the outfit can be relatively simple. The hat does the work. The wearer’s job is to choose pieces that support it without competing with it.
A Final Note
For women adding a cowgirl hat to their wardrobe, the recommendation is to invest in one hat that’s properly made rather than several that aren’t. A hat from a heritage maker that you keep for years becomes part of how you dress. A trendy hat that falls apart after a season is an expense with nothing to show for it twelve months later.
The cowgirl hat moment isn’t going anywhere soon, and the women who buy into it well now will have built wardrobes that hold up as the style continues to evolve. Choose the hat that you’ll still want to wear in 2030.
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Thank You Have A Good Day Jacket, Flore Flore Tank, Valentino Pants, Miu Miu Flats, Chanel Bag, Sherman Field Necklaces (and this one), Retrosuperfuture Sunglasses (old, similar here)
There’s one thing I always keep in rotation: a white top that works hard, whether it’s a perfect basic or something with a little detail to set it apart. The perfect t-shirt, a tank I can layer or wear on its own, a thin knit with texture. There’s always room for one more. No matter how many trends come and go, it’s one of the few pieces I reach for season after season.
What makes it such an important piece is how many directions you can take it. Paired with an embroidered pant, it feels more luxurious. A mesh skirt makes it summery. A charm-adorned belt or a bright necklace when you want to spotlight the accessories. It’s the perfect starting point for personality pieces with more texture, detail, and richness.
That’s the reason they’ve become such a mainstay in my wardrobe, especially in summer. The formula stays as easy as it gets, but you never get the same outfit twice.
This week’s Amazon Sunday is all about summer outfit combinations. I rounded up four outfit ideas built around pieces that feel colorful, current, and fun to wear, especially as the season brings more beach days, dinners outside, and weekend plans.
From a floral dress paired with a heeled slide to striped pants styled with simple staples, each look is built around the kinds of pieces that make getting dressed feel easy this time of year. There is swim with a pareo and straw bag for days by the water, lightweight separates for everyday wear, and versatile accessories that can instantly change the mood of an outfit. With great price points throughout, these are the kinds of finds that make refreshing your summer wardrobe feel easy and fun.
Browse the full selection below, and explore more in our JB Amazon Shop and Amazon Storefront, refreshed weekly.
This post may contain affiliate links and Corporette® may earn commissions for purchases made through links in this post. As an Amazon Associate, I earn from qualifying purchases.
Something on your mind? Chat about it here.
A few years ago, I unintentionally found a great pair of sandals while shopping for water-friendly shoes to go to splashparks with my kids: the Crocs Isabella. I got them in two colors; they were among my favorites to bring for amusement parks. Lightweight, comfortable, very washable. Who knew a plastic shoe could be so comfortable?
Then, the brand stopped making that shoe, and a lot of their offerings looked like, well, Crocs. Or, like, the shower shoe version of Crocs.
So I’m excited to see that this year they have the Miami line out, and it actually looks like decent sandals that you wouldn’t immediately think “Crocs” when you see them.
They offer a thong, a thong with a strap, a toe loop, and these ankle strap sandals — personally I like the pictured ones or the thong-with-strap variety. You can generally find the shoes for under $50 at stores like Nordstrom, Amazon, Crocs, and more.
Sales of note for 6/12:
- Another Tomorrow – Seasonal sale, 50% off select styles
- Ann Taylor – Last day 6/12: Extra 60% off sale! Readers love this blouse and I always love the variety of colors/textures for this jacket (it’s a great separate)
- Athleta – 40% off tees, dresses, tanks, linen, and swim
- AYR – Ooh, good sale section — but lots on final sale. Readers love (LOVE) these comfy work pants and these jeans.
- Bare Necessities – Semi-annual sale, up to 60% off, plus get an additional 40% off clearance swim. Readers have sung the praises of these cooling pajamas and their bra-sized swimwear
- Boden – 15% off new women’s wear styles with code
- Glossier – 20-25% off almost everything (including subscriptions!)
- J.Crew – 50% off tops, dresses, skirts and more
- J.Crew Factory – Extra 50% off clearance + extra 20% off 3+ styles
- Jenni Kayne – Semi-annual warehouse sale
- Loft – 50% off everything + free shipping
- M.M.LaFleur– This weekend only, 25% off jardigans (Try code CORPORETTE15 for 15% off on other items)
- Nordstrom – 6900+ new markdowns added – nice selection from Boss, Vince, Veronica Beard, Theory, Beyond Yoga, and Zella
- Nordstrom Rack – Clearance, new arrivals up to 75% off! Nice selection of Vince, Veronica Beard, Reiss and Rag & Bone, a ton of affordable work basics from Calvin Klein and dresses from Maggy London, Eliza J, and Donna Morgan
- Talbots – Tons of markdowns, extra 60% off 2+, 50% off one
This post may contain affiliate links and Corporette® may earn commissions for purchases made through links in this post. As an Amazon Associate, I earn from qualifying purchases.
- Elle Canada featured the Quince x Kate Young summer collab.
- Harper’s Bazaar highlighted Michelle Obama’s sartorial tribute to her late mother at the opening reception of the Obama Presidential Center.
- Harvard Business Review observed, “People in their 40s are suffering as a cohort because they’re trying to soldier through careers that might last 50 or 60 years … using outdated assumptions about careers that used to last only 30 years.”
- A New York Times [gift link] op-ed shared the results of research on the impact of remote work on Americans’ mental health.
- Meanwhile, The Wall Street Journal [gift link] noted that research has shown hybrid work boosts job satisfaction and reduces quitting.
- The New York Times [gift link] reported that the Department of Education is reducing interest rates by up to one percentage point for two years if borrowers pay automatically.
- ABC News reported on how Trump’s anti-DEI executive orders from 2025 are harming local Juneteenth celebrations.
- Your Laugh of the Week comes from The Onion, with “Woman Dives Headfirst Into Thrilling Adventure By Blindly Purchasing Different Apple Variety.”
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