Entertainment
The Real Villain of ‘Supergirl’s’ Box Office Struggles May Be Franchise Expectations
When it comes to superhero films — especially ones that are part of a larger cinematic universe — conversations about casts and plots are usually quickly followed by a very familiar conversation about expectations: Is “superhero fatigue” real? Has the audience moved on from comic books? Will this movie do well enough at the box office to keep the franchise going?
Supergirl, the newest movie in James Gunn‘s fledgling DCU, has inevitably found itself under this exact same microscope. Starring Milly Alcock, featuring Jason Momoa as Lobo and directed by Craig Gillespie, the film — which took inspiration from the Supergirl: Woman of Tomorrow comic — had a lot of the ingredients it needed to succeed as an entertaining film. But in a summer full of blockbusters like The Odyssey and Spider-Man: Brand New Day, there was an expectation that Supergirl would be a hit for the studio, on the order of last year’s Superman. Supergirl was expected to validate the DCU long-term strategy of building a larger cohesive ecosystem for all these characters to flourish, like the Marvel Cinematic Universe (MCU).
Unfortunately, audiences and critics alike were not all that receptive to Supergirl. The film underperformed at the box office, opening at around $68 million globally against a $180 million budget. And despite near-universal praise for Alcock’s performance as Kara Zor-El aka Supergirl, the film hasn’t connected with fans on the level that DC was hoping for.
But while there has been much speculation about why Supergirl didn’t meet expectations (including a report of creative problems behind the scenes between Gunn and Gillespie), the reality is that those expectations may have been an impossible burden to place on the film to begin with, no matter what the finished product was.
‘Supergirl’ Was Never Going to Be Judged on Quality Alone
Modern superhero movies are no longer evaluated by whether they are entertaining. Instead, they have become progress reports for billion-dollar franchises. Every opening weekend is examined on a molecular level, and viewed as evidence that these franchises are succeeding or failing. In the case of Supergirl, much of the discussion has shifted from the film’s qualities to what the box office means for the future of the DC Universe.
It’s also impossible to discuss Supergirl‘s performance at the box office without acknowledging that, like many female-led blockbusters, discourse expanded well beyond ticket sales, as topics like feminism and “wokeness” inevitably became talking points for those who wished to see the movie fail. Despite this, the film’s failure at the box office was not because it starred a woman, even if some people online wished it was.
None of this discussion focused on whether Supergirl tells a compelling a story. Instead, much of the online conversation is fueled by speculation about franchise momentum, and how much of an impact it will have on the DC Universe. But this was an impossible standard for Supergirl, or any film, to meet. No single film will convince everyone that a cinematic universe will work. For every Avengers: Infinity War, there exists a Thor: The Dark World.
Privileging box office discussions over whether films have memorable performances or strong emotional storytelling is the movie equivalent of evaluating athletes purely by their box scores rather than on-the-field impact.
Have Shared Universes Worn Out Their Welcome?
Supergirl found itself at a very interesting flashpoint in the superhero movie ecosystem. It’s not just DC that is in a precarious position. Even with all the goodwill Marvel built over the years, they are facing an uphill climb when it comes to generating excitement for some of their biggest releases, like the upcoming Avengers: Doomsday. Regardless of individual strengths or weaknesses, Supergirl wasn’t just a summer blockbuster, it was expected to reassure the fans and silence the doubters. It did not do that; instead, it raised concerns about long-term viability.
For a casual audience, it can be harder to invest the time necessary to fully understand a shared cinematic universe. It was an issue that Marvel struggled with, but eventually found its path to massive success. But most moviegoers are less concerned with overall studio strategy and how faithful movies are to their source material; they simply want to know if they’re spending money to be entertained for around two hours. If this gets lost in discussions of box office numbers and cohesion between movies, even well-made superhero movies will struggle.
Shared universes aren’t going away, and nor should they, because when done in a way that is constructive and entertaining, audiences resonate with them. One only needs to look at the cultural impact that was made by Avengers: Infinity War and its sequel, Avengers: Endgame. However, as with the Avengers films, they only work if the individual movies can stand on their own. If there’s a lesson to be learned from Supergirl‘s disappointing box office, it’s that audiences have grown cautious of investing time in a film that is seen as the next building block of these universes.
While Supergirl struggled, DC and Warner Brothers do not seem to be worried about the future. Supergirl isn’t going to sink anything, and the character is set to be a major player in the DC Universe going forward. Nevertheless, it can serve as an example of what studios need to do differently to ensure their films succeed.
- Release Date
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June 26, 2026
- Runtime
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108 minutes
- Writers
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Ana Nogueira
- Producers
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James Gunn, Lars P. Winther, Nigel Gostelow, Peter Safran
Entertainment
Michelle Hurd ‘teared up’ after receiving this thoughtful gift from a fan after her dad’s death
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The actress said that the gift “took my breath away” when she received it.
Entertainment
Red Hot! Bethenny Frankel Proves Bold Swimsuits Flatter After 50
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Bethenny Frankel just served up a poolside look that had Us rethinking everything we thought we knew about bold swimsuits. The former Real Housewives of New York star reached for a vibrant red one-piece that felt equal parts timeless, flattering and confidence-boosting, proving women over 50 don’t have to play it safe at the beach. The best part is recreating the look doesn’t require a designer-sized budget.
Frankel recently shared an Instagram Story wearing a striking red one-piece swimsuit with a sleek, one-shoulder neckline and streamlined silhouette. The rich scarlet hue instantly caught our attention, while the asymmetrical cut highlights the shoulders and elongates the frame, proving a thoughtfully designed one-piece can be just as flattering as any bikini. While we’re not sure which swimsuit she’s wearing, we found a $34 lookalike on Amazon.
Get the Century Star One Shoulder One Piece Swimsuit for $23 at Amazon! Please note, prices are accurate as of the publishing date but are subject to change.
Enter: the Century Star One-Shoulder Swimsuit. Featuring the same eye-catching, asymmetrical neckline and bold red shade, the affordable style captures the sophisticated feel of Frankel’s look without a luxury price tag. Whether you’re heading on vacation or simply spending weekends by the pool, it’s the kind of timeless swimsuit you’ll reach for season after season.
Beyond its elegant silhouette, the swimsuit is packed with flattering details. The ruched bodice offers gentle tummy control, while the full-coverage bottom provides comfortable coverage that still feels modern and chic. Available in sizes XS through XXL, it also comes in black, olive, pink and several other colors if you’d like to add more than one to your swimwear collection.
Shoppers say it’s just as confidence-boosting as it looks. One reviewer in her “late 50s” said the swimsuit didn’t make her feel “the slightest bit ‘overly exposed,’” while another buyer called it “comfortable and cute” and added that it “hides the mom tummy.” Those glowing reviews only reinforce why the flattering silhouette has become such a customer favorite.
If you’ve been wanting to step outside your swimsuit comfort zone, let Frankel’s latest poolside look be the inspiration you need. A bold red one-piece is equal parts classic and confidence-boosting, and this affordable Amazon find makes it easier than ever to recreate the look.
Get the Century Star One Shoulder One Piece Swimsuit for $23 at Amazon! Please note, prices are accurate as of the publishing date but are subject to change.
Looking for something else? Explore more from Century Star here and don’t forget to check out all of Amazon’s Daily Deals for more great finds!
UsNow Summer Sale Alert: These Chic Fashion Finds are over 30% off – Plus Free Shipping
Welcome to summer with our biggest sale of the year. This summer’s chicest dresses, tops and swimsuits are all over 30% + free shipping. Inventory is limited so hurry before they’re gone.
Entertainment
George and Amal Clooney Evacuate Home Amid French Wildfires
George and Amal Clooney have evacuated their home in France amid wildfires sweeping through the region.
Us obtained a letter that the couple, 65 and 48 respectively, sent to Didier Brémond, mayor of the southeastern French village of Brignoles. (The Clooneys have lived in an 18th century farmhouse in the Provence-Alpes-Côte d’Azur community since 2021.)
The Clooneys wrote, “Dear Didier, at this point we have no idea whether our beautiful home makes it through this terrible moment and as we evacuate Brignoles we want to emphasise 2 things, first we hope you and the people of our city are safe and second that Amal and I are committed to making sure that whatever happens to our village, we are part of this community and we’ll be part of making it whole. We love Brignoles and our friends who live there.”
Wildfires, fueled by an extreme heatwave, have ravaged Europe in recent days, forcing large-scale evacuations across France, Greece, Italy and Spain.
CNN reported that more than 3,000 people have been evacuated from the Provence-Alpes-Côte d’Azur region, where the Clooneys live, while French and Spanish authorities confirmed that more than 250,000 people total have been evacuated across both countries due to the fires.
“In these hours when the flames are severely testing our country, France reveals what it is: a united people, standing shoulder to shoulder,” French President Emmanuel Macron tweeted on Saturday, July 25. “Thank you to our firefighters, our military personnel, the civil security forces, our gendarmes and police officers, as well as to the farmers and entrepreneurs, who through their commitment and courage, relentlessly combat the fires.”
Macron, 48, continued, “All civil and military resources are mobilized: civil security aerial resources, Canadair, Dash, water-bomber helicopters, reinforcements from across France. … Our thoughts also go to Spain, Italy, Greece, and all the peoples who are also facing wildfires.”
“We will rebuild, we will repair, and we will be there as long as it takes,” the politician vowed.

Firefighters battle a wildfire on July 29, 2026, in Lanton, France. Pierre Crom/Getty Images
George and Amal own various properties throughout Europe, including the historic Mill House estate in Berkshire, England, and a residence known as Villa Oleandra in Lake Como, Italy.
Last October, Clooney told The Guardian that he moved his family to France to give his 9-year-old twins, Alexander and Ella, the best possible childhood.
“We live on a farm in France,” he said. “A good portion of my life growing up was on a farm [in Kentucky], and as a kid I hated the whole idea of it. But now, for [the twins], it’s like – they’re not on their iPads, you know? They have dinner with grownups and have to take their dishes in.”
The two-time Oscar winner went on, “They have a much better life. I was worried about raising our kids in LA, in the culture of Hollywood. I felt like they were never going to get a fair shake at life. France – they kind of don’t give a s*** about fame. I don’t want them to be walking around worried about paparazzi. I don’t want them being compared to somebody else’s famous kids.”
George and Amal officially received French citizenship with their twins in December 2025, per a naturalization decree published by French newspaper Journal Officiel.
Entertainment
Gwyneth Paltrow’s Son Debuts Secret Romance With Sweet Post
Gwyneth Paltrow’s son is letting fans into a part of his life he has largely kept out of the spotlight.
Moses Martin, the 20-year-old son of the Oscar-winning actress and Coldplay frontman Chris Martin, surprised followers by publicly celebrating his girlfriend on social media.
The heartfelt birthday tribute marked the first time the aspiring musician and model has shared a romantic relationship online, offering a rare glimpse into his life beyond his famous family.
Rather than making a grand announcement, Gwyneth Paltrow’s son let two simple photos do the talking.
The Brown University student celebrated his girlfriend’s 21st birthday by sharing affectionate snapshots on Instagram Stories, marking the first time he has publicly featured a romantic partner on his social media.
In one image, the couple coordinated in navy jackets and jeans as Moses wrapped an arm around her, captioning the post, “Favorite person’s Birthday.”
Another photo showed the birthday celebrant enjoying a beach outing while playfully wearing two pairs of sunglasses.
Moses paired the image with an even more heartfelt message, writing, “I love you big time.”
Paltrow’s Son And Campbell Fealy Share More Than Just Brown University
The Daily Mail identified Gwyneth Paltrow’s son’s girlfriend as Campbell Fealy, who recently began her studies at Brown University, where Moses is entering his second year.
Their relationship also brings together two accomplished families. Campbell is the daughter of orthopedic surgeon and sports medicine specialist Dr. Stephen Fealy, who serves as a consultant to the Major League Baseball Players Association after previously playing baseball at Columbia University.
Her mother, Kristen Gesswein Fealy, is known for teaching mah jongg, while Campbell has two brothers, including her twin, James.
Although both come from successful backgrounds, the pair are now forging their own paths while sharing campus life at the Ivy League university.
Gwyneth Paltrow’s Son’s Girlfriend Has Fashion And Athletics Experience
Long before her relationship with Moses attracted public attention, Campbell had already developed interests spanning athletics and fashion.
She previously attended Middlebury College in Vermont, where she competed in varsity track and field before transferring to Brown.
Her résumé also includes a public relations internship with Balenciaga’s New York office, giving her firsthand experience inside one of fashion’s biggest luxury brands.
Even her family’s interests unexpectedly intersect with the Paltrow household. Campbell’s mother teaches mah jongg, a game that has enjoyed renewed popularity in recent years and one that Paltrow famously spotlighted when Goop featured a luxury Hermès mah jongg set in one of its holiday gift guides.
Burberry Gave Moses His First Major Modeling Break
Fashion appears to be another passion Gwyneth Paltrow’s son and Campbell have in common.
While Campbell previously gained experience behind the scenes, Moses has also explored the luxury fashion world, making his modeling debut in Burberry’s “Escape to the Countryside” campaign earlier in July .
The young star appeared alongside Edie Campbell, Nora Attal, and Sang Woo Kim in the British luxury house’s autumn campaign, which follows a group of friends on a countryside road trip inspired by Burberry’s outdoor heritage.
Photographed by Chris Rhodes, Moses modeled a range of signature Burberry looks, including layered polos, trench coats, House Check accessories, and casual separates.
The project also showcased another side of his creativity, with his band, People I’ve Met, providing the soundtrack through its song “For Hire.”
Gwyneth Paltrow Couldn’t Hide Her Pride For Son Moses
If there’s one person who has consistently championed Moses’s creative journey, it’s his mother. Paltrow has never been shy about celebrating her son’s milestones, and that support was on full display when she marked his 20th birthday with a heartfelt Instagram tribute.
Sharing a collection of recent and throwback photos, the Oscar winner described Moses as “the definition of a gentleman” before praising him as “kind, intelligent, thoughtful and soulful.”
She went on to call her son “beyond words… incredible,” telling him she was sending “a big birthday hug from the west coast” while teasing, “Don’t forget to check the mailbox today.”
The doting mom closed the message with, “I love you to bits, mama,” a sentiment that quickly resonated with fans. Moses later responded in the comments with a series of heart emojis.
Entertainment
“House of the Dragon” season 3’s Criston Cole twist marks a first for Fabien Frankel: ‘I never [SPOILER] on TV’
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The actor opens up about how he found out about the character’s big moment and pulling it off on set.
Entertainment
6 Most Perfect Western Movies Released Since 2000
Movie lovers have always had a fascination with Westerns. In the glory days of the genre, they provided an exciting look at a golden age of cowboys and adventures set against a sprawling backdrop of deserts and mountains. As time has gone by, the genre has evolved, inviting neo-Westerns into the conversation while holding true to its ideals.
Since 2000, Westerns have experienced an extraordinary boom. Throughout the past 26 years, there have been some masterpieces, but the six that made this list are the most perfect of them all. From classic themes, remakes of iconic titles, and newfound thrillers that reignited a passion for the Wild West, these six movies are the most perfect. While there are certainly other movies that came oh so close, these six are why the West continues to win.
1
‘3:10 to Yuma’ (2007)
Sometimes a modern eye and newfound cinematic technology can take an already solid story and elevate it into something incredible. Such was the case for the 2007 remake of 3:10 to Yuma. Adapted from Elmore Leonard’s short story, the film follows an impoverished, debt-ridden rancher named Dan Evans (Christian Bale) who agrees to safely escort a notorious, captured outlaw named Ben Wade (Russell Crowe) to a 3:10 train heading to Yuma prison in exchange for money to save his family’s land. Along the way, Wade’s violent gang tracks them relentlessly, while Wade and Dan engage in a tense psychological duel and develop an unexpected mutual respect. An enthralling Western whose action is as gripping as the psychological duel, 3:10 to Yuma elevates a simple escort mission into a tense, character-driven study of morality, duty, and mutual respect.
3:10 to Yuma proudly stands on its own as a masterclass of Western filmmaking. Director James Mangold uses the story to propel a dynamite character-driven drama that could easily be a stage play. The movie explores deep themes of fatherhood, personal redemption, and what it truly means for a broken man to earn back his self-respect in the eyes of his son. Bale and Crowe have extraordinary chemistry as rivals. Bale portrays raw, grounded desperation and quiet honor, while Crowe plays a villain with dangerous charm, intelligence, and an unpredictable moral code. The true unhinged villain performance comes from Ben Foster as Wade’s ruthless, psychopathic right-hand man, Charlie Prince. The film shifts away from the standard good-versus-evil Western narrative, in exchange for how the captive outlaw slowly influences and respects his captor. The film builds tension as the clock ticks toward that departure, keeping the audience on edge.
2
‘Brokeback Mountain’ (2005)
The Western genre may be about cowboys and the love for the job, but in Ang Lee’s beautiful romance Brokeback Mountain, love runs deeper. The film takes Annie Proulx’s short story and expands it into a groundbreaking masterpiece. The story follows the complex, secret love affair between two cowboys, Ennis Del Mar (Heath Ledger) and Jack Twist (Jake Gyllenhaal), spanning from 1963 to 1983 in the American West. Isolated from the rest of the world, Ennis and Jack form a deep emotional and physical bond that changes their lives forever. After the summer ends, they separate and both marry women—Ennis marries Alma (Michelle Williams), and Jack marries Lureen (Anne Hathaway). However, they continue to meet up over the course of twenty years for sporadic, hidden fishing trips. Brokeback Mountain tackles forbidden love as it explores how hard it was to express same-sex love in rural America during a time when it was heavily judged, rejected, and unsafe. Brokeback Mountain is more than that “gay cowboy movie.” It’s a transcendent journey through regret, lost time, and the persistence of love.
Brokeback Mountain has all the makings of a Western, but then subverts it into a sensationally unique tale of true love and the struggle to keep it. The cowboy myth is reshaped as the ultimate symbol of rugged, hypermasculine American patriarchy and exposes how rigidly enforced social codes destroy the people who cannot fit inside them. The story highlights the high emotional cost of unfulfilled desires and living a divided life. And love is at the center of that battle. The film brilliantly blends a deeply moving, universal love story with a powerful deconstruction of traditional American masculinity. Lee directs with immense empathy and quiet precision, avoiding melodrama to let small gestures, glances, and long silences carry the emotional weight. Rodrigo Prieto’s breathtaking cinematography uses the vast Wyoming wilderness as a temporary sanctuary for freedom, which starkly contrasts with the claustrophobic, hostile towns where the men are forced to live their separate, conventional lives. Brokeback Mountain pushed commercial and cultural barriers, proving that an LGBTQ-led narrative could achieve high artistic merit and deeply move mainstream audiences worldwide.
3
‘Django Unchained’ (2012)
There’s not a genre that Quentin Tarantino can’t handle. In 2012, he took a shot at spaghetti Westerns with Django Unchained. The film tells the tale of Django Freeman (Jamie Foxx), an enslaved man in Texas who is freed after being purchased by a German bounty hunter named Dr. King Schultz (Christoph Waltz) for his ability to identify his next targets, the murderous Brittle brothers (M. C. Gainey, Cooper Huckabee, and Doc Duhame). Together, they hunt criminals and travel deep into the American South to rescue Django’s wife, Broomhilda (Kerry Washington), from a brutal, sadistic plantation owner, “Monsieur” Calvin J. Candie (Leonardo DiCaprio). Blending the high-energy style of a spaghetti Western with a powerful revenge story, Django Unchained forces viewers to face the true horrors of American slavery while giving its hero a rare, deeply satisfying victory.
Tarantino uses the style of old exploitation and Western films to tell a story of real justice. It trades the usual tragic ending of slave dramas for a powerful, explosive moment of payback. All with the visceral signature Tarantino style. By using the real-world historical horrors of American slavery, such as brutal whippings, forced dog attacks, and mandingo fights, some scenes feel as terrifying and visceral as a horror movie. So, yes, there is lots and lots of blood. The film is filled with top-notch performances, especially from Foxx, Waltz, and DiCaprio. Foxx brings a quiet strength that counters the charm and a warm heart to his role as a mentor. DiCaprio defies type by leaning into a cruel villain with terrifying ease. Other strong turns come from Samuel L. Jackson as a complex and bitterly hateful house servant, Stephen, and Walton Goggins as the sadistic overseer and enforcer, Billy Crash. Django Unchained is not the easiest film to watch, and yet, it’s extraordinarily entertaining.
4
‘No Country for Old Men’ (2007)
It’s easy for us to toss around terms like magnum opus, but when it comes to Joel and Ethan Coen, their magnum opus truly is No Country for Old Men. Based on Cormac McCarthy‘s 2005 novel, No Country for Old Men follows three individuals. Set in West Texas in 1980, a hunter named Llewelyn Moss (Josh Brolin) finds a drug deal gone wrong and a case with 2 million dollars. He takes the money, which starts a deadly chase. Anton Chigurh (Javier Bardem) is a terrifying and calm hitman sent to find the money. He tracks Moss using a hidden electronic device and kills anyone in his way. Sheriff Ed Tom Bell (Tommy Lee Jones) tries to save Moss and stop Chigurh, but feels old and helpless in a changing, violent world. The neo-Western thriller subverts traditional cinematic expectations through minimalist storytelling, terrifying realism, and profound thematic depth.
No Country for Old Men is not a happy Hollywood Western. In fact, its bleakness makes it more authentic and raw. The movie is full of suspense and keeps you on the edge of your seat from start to finish. The imagery is quite profound. What tends to be a beautiful, vast landscape is reconfigured to capture the dry, empty splendor of the West Texas desert. The film uses very little background music and sparse dialogue, relying on pure atmosphere. With Bardem playing one of the greatest and most terrifying antagonists, the mood was grim. Taking on the remorseless, coin-flipping monster tracking down a stash of cash makes the journey harrowing. The film was widely praised, winning four Academy Awards, including Best Picture and Best Director for the Coen brothers.
5
‘There Will Be Blood’ (2007)
Loosely based on the 1927 novel Oil! by Upton Sinclair, writer and director Paul Thomas Anderson crafted a brilliant period epic that became grander than its source material. There Will Be Blood follows Daniel Plainview (Daniel Day-Lewis), a ruthless silver miner turned oil tycoon, as he builds his fortune in early 20th-century California, using his adopted son H.W. (Dillon Freasier) to project the image of a family man while manipulating landowners into selling their property. Plainview clashes with a charismatic local preacher named Eli Sunday (Paul Dano), leading to a bitter, destructive conflict over wealth, faith, and power that leaves Plainview morally bankrupt and isolated. Anderson brilliantly challenges traditional cinematic expectations through minimalist storytelling, terrifying realism, and profound thematic depth. There Will Be Blood succeeds as a premier modern Western by subverting traditional frontier myths, replacing cowboys and gunfights with the brutal clash of corporate capitalism and religious zealotry during the California oil boom.
There Will Be Blood tells a dark story about greed, capitalism, and the loss of human soul through a brilliant visual and auditory scope. Anderson shoots the bleak landscapes of early California with deep, quiet power. Alongside cinematographer Robert Elswit, the film uses natural light and vast, empty horizons to show how small and empty the characters’ souls are. Jonny Greenwood from Radiohead created a score filled with screeching violins and heavy, pounding dread, operating like a loving, breathing character that builds upon the panic and unease. There Will Be Blood showcases the foundational work of modern American wealth that was built on exploiting the earth, manipulating people, and destroying human connection. The film evokes a psychological horror as Plainview is like a classic movie monster. He starts his journey with cold, calculating ambition and an absolute lack of empathy, turning him into an inhumane force. It’s all part of Day-Lewis’ legendary performance. He does not need many words to show his inner madness. His sharp voice, heavy breathing, and fierce eyes create innate fear. The Western myth of a noble frontier hero is traded away for a misanthropic, hyper-capitalist antihero, making the film a worthy watch.
6
‘True Grit’ (2010)
The original True Grit was an extraordinary classic. But sometimes it takes the right creative team, perfect timing, and faithfulness to the source material to execute the ultimate adaptation. The 2010 iteration of Charles Portis’ novel is simply perfect. Directed by Joel and Ethan Coen, True Grit is the epitome of a classic Western. The story follows 14-year-old Mattie Ross (Hailee Steinfeld), who hires a one-eyed, drunken U.S. marshal named Rooster Cogburn (Jeff Bridges) to track down Tom Chaney (Josh Brolin), the hired hand who murdered her father. They are joined by a Texas Ranger named LaBoeuf (Matt Damon), who is also hunting Chaney for a separate crime. A spellbinding journey into the wilderness, their grit and resolve are tested by harsh weather, shootouts, and violent outlaws hiding out in the territory. True Grit captures the stark, poetic tone of Portis’ original novel, offering a grounded, unromanticized, yet visually stunning look at the American frontier.
The Coens opted to tell the story through Mattie’s eyes; a decision that proved worthwhile. She serves as the emotional anchor of the story. Steinfeld, in a breakthrough role, is treated as a young teenager with fierce agency, with complete seriousness rather than as a cute gimmick. She holds up strongly to the Hollywood legends surrounding her on screen. True Grit presents a moral conundrum for many of the characters. When violence erupts, it is sudden, brief, and brutal, emphasizing the messy and rapid consequences of frontier survival. The Coen brothers approach the classic Western tropes with complete sincerity, creating a timeless myth rather than cynically mocking or deconstructing the genre. Cinematographer Roger Deakins frames the West as a cold, majestic, and indifferent landscape that mirrors the harshness of the journey. True Grit is a razor-sharp Western that honors the classics while setting the blueprint for the 21st century.
True Grit
- Release Date
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December 22, 2010
- Runtime
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110 minutes
- Director
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Joel Coen, Ethan Coen
- Writers
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Joel Coen, Ethan Coen, Charles Portis
Entertainment
“Drag Race” alum Plane Jane explains why she was cast on “Project Runway”, reads Law Roach’s ‘bus driver wig’ after exit
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“I’ve become so known and notorious off the show for being outspoken, people forget a lot of the talents that I possess,” Plane tells EW after her elimination.
Entertainment
Stassi Schroeder’s Husband Beau Clark Compares Them to Roommates
Stassi Schroeder’s husband, Beau Clark, broke down on House of Stassi about the couple’s marriage issues — and even compared them to roommates.
During the Wednesday, July 29, premiere episode of Hulu’s new show, Beau sat down with Taylor Strecker to discuss the problems in his relationship with Stassi.
“I’m trying to balance wanting her to have her space and to be able to not stress out when she’s working,” Beau, 46, who shares kids Hartford, 5, and Messer, 2, with Stassi, 38, noted. “But then also I’m sitting here and I’m angry and resentful.”
Beau said he was “just shoving it down” instead of confronting the problem. ”I just got so detached from her that it’s like we’re roommates,” he continued. “I don’t feel worthy.”
Reality TV fans have had a front row seat to Stassi and Beau’s ups and downs since they started dating in 2017. After filming their relationship dynamic on Vanderpump Rules, Stassi and Beau got married in 2020 and expanded their family twice.
Beau’s decision to stay home with their kids was a point of contention for the pair. The casting director addressed how their professional lives were affecting the duo’s home life.
“I’m trying not to stress out Stassi. She’s got the show going on and she has her podcast. She’s got brand deals and hopefully at some point, I’ll be able to find the words to just have a chat,” Beau told the cameras. “With Stassi, I will let her know how I’ve been feeling.”

Later in the episode, Beau attempted to broach the subject.
“I just literally just feel like a 1950s housewife where I have my apron on and I’m cleaning everything while feeding the kids,” Beau told Stassi about how giving up his job affected his mental health. “Sometimes that’s how I feel because we don’t have that connection all the time.”
Stassi started to tear up once Beau referred to them as roommates, adding, “I want you to say things. I want you to say things the way that you tell me you don’t want things to build up. I need to make more of an effort.”
In a confessional, Stassi gushed over Beau’s support for her.
“All I know is him being with me in the thick of it every day — for the last five years. I became a mom and he was with me the whole entire time,” Stassi recalled.
Stassi was then asked by producers if Beau’s comments made her unsure about returning to reality TV. Stassi, for her part, made it clear that it was time.
“I’ve already been working for years to get here. I can’t just stop now because all of a sudden, Beau waited until this very moment to tell me that,” she explained before telling Beau they would “work through” any potential issues.
Stassi then joked about Beau finding love with someone younger, to which he replied, “I hope you’re joking. Why would you even say something like that? I’m telling you my feelings. I’m not trying to sit there. I know you’re not trying to make me feel bad. I feel guilty. You are not in charge of my feelings.”
House of Stassi premieres Thursday, July 30, on Hulu.
Entertainment
Ben Affleck Makes Bold Gamble Before Million Dollar Win TV
Ben Affleck trusted instinct over strategy, and it turned into one of the most memorable moments of “Who Wants To Be A Millionaire.”
The Oscar winner and “Jeopardy!” champion Jamie Ding found themselves one correct answer away from the show’s elusive $1 million prize, but instead of relying solely on a trivia expert, Affleck put his faith in an unexpected source.
The decision transformed a tense finale into a dramatic victory that will ultimately benefit a cause the actor has championed for years.
Ben Affleck joined forces with “Jeopardy!” standout Jamie Ding during Wednesday’s episode of ABC’s “Who Wants To Be A Millionaire,” hosted by Jimmy Kimmel.
Playing on behalf of charity, the pair advanced all the way to the game’s final question, giving them a chance to win the show’s rare $1 million prize.
Per the Daily Mail, the question asked, “In an annual Thanksgiving tradition, all but which of these have been the names of turkeys pardoned by a U.S. president?”
The four possible answers were Peanut Butter & Jelly, Tater & Tot, Mac & Cheese, and Spaghetti & Meatball.
Although they still had both the Ask the Host and Phone-a-Friend lifelines available, Ding initially leaned toward calling longtime trivia partner Stephen Morrison for help. Affleck, however, saw another option sitting directly across from him.
Affleck Put His Faith In Kimmel’s Hunch

Rather than immediately reaching for the phone, Ben Affleck suggested asking Jimmy Kimmel for his opinion first.
The host jokingly pushed back, quipping, “Alright, I don’t have to give you any of my f-cking thoughts, if you don’t want.”
The “Gone Girl” star then responded by explaining exactly why he valued Kimmel’s input. “Actually, you’re very good with cooking and food, current events, too. Actually, you might know this,” Affleck said
After thinking it over, Kimmel said “Spaghetti & Meatball” sounded like the odd one out. “I could see me adding a big bowl in Donald Trump’s hands and him slurping up the spaghetti and meatballs,” he joked before concluding, “That one sounds like it wasn’t the one to me.”
Affleck appeared convinced, telling the comedian he was “probably the best person in the world to ask this question to.” Even so, he and Ding decided to use their remaining Phone-a-Friend lifeline.
Unfortunately, the lifeline proved unhelpful as Morrison admitted he couldn’t confidently identify the correct answer.
Ben Affleck’s Big Win Will Help Families In Eastern Congo

Without a definitive answer from their trivia expert, Affleck and Ding circled back to Jimmy Kimmel’s original instinct and locked in “Spaghetti & Meatball.”
Moments later, the studio erupted as the answer was confirmed to be correct, making them one of the few celebrity teams to walk away with the show’s coveted $1 million prize.
Confetti filled the stage as the duo embraced to celebrate the dramatic victory.
Rather than keeping the winnings, Affleck and Ding secured the entire amount for the Eastern Congo Initiative, the nonprofit Affleck co-founded with Whitney Williams in 2010.
The organization works to expand access to essential services, strengthen economic opportunities, and promote justice through locally led programs.
Affleck’s Mother Was Surrounded By Family In Her Final Days

Ben Affleck’s $1 million game show victory wasn’t just about winning as it also showcased the values that guided much of his life.
Those principles were largely instilled by his late mother, Chris, whose family recently revealed she died peacefully at 83 after battling pancreatic cancer.
According to reports, she passed away just two days after fulfilling what her family described as her “greatest wish:” attending her grandson Atticus’ high school graduation alongside loved ones.
According to her obituary, Chris had been given six months to live following her diagnosis in December 2025, but remained determined to witness the milestone before her passing.
Throughout her life, she was one of Affleck’s biggest supporters, famously accompanying him to the 1998 Academy Awards when he and Damon won the Oscar for “Good Will Hunting.”
Her legacy extends far beyond Hollywood, encompassing decades as a public school teacher, civil rights activist, and devoted mother and grandmother whose influence shaped generations of her family.
Jennifer Garner And Jennifer Lopez Reportedly Unite To Support Ben Affleck

The outpouring of love surrounding Chris’s life has reportedly extended well beyond Affleck’s immediate family.
According to insiders, the Oscar winner also found comfort in the support of ex-wives Jennifer Garner and Jennifer Lopez, who reportedly rallied around him following the loss of his mother.
A source told PEOPLE that Chris’s death had been “hitting Ben and Casey really hard,” describing it as “an unimaginable loss” for the brothers.
Separate reports claimed both Garner and Lopez had checked in on Affleck, with Garner remaining especially close to Chris even after her divorce from the actor, while Lopez reportedly offered quiet emotional support as a longtime friend.
Surrounded by his children, siblings, and extended family, Affleck was said to be leaning on the people closest to him as he mourns the woman who remained one of his greatest champions throughout his life and career.
Entertainment
10 Things To Know About Jean Grey (for No Reason Whatsoever)
If you’re a fan of Marvel Comics, you surely know who the X-Men are. And if you know who the X-Men are, then you surely know about Jean Grey, if only by name. Arguably the most prominent member of the team that isn’t named Wolverine, Jean is one of the team’s founding members, debuting in the Silver Age of Comics as Marvel Girl before eventually adopting her civilian name as her superhero persona.
Being one of the most popular comic book characters means Jean is never far away from the conversation. However, as with many other figures from the medium, her history is long, complicated, and often bats—t crazy, to the point where even many hardcore comic book fans have trouble keeping up. This list will offer ten key details about Jean Grey’s comic book journey, for no particular reason other than a desire to honor one of Marvel Comics’ most important and powerful female characters.
Jean Is an Omega-Level Mutant
Let’s start with something simple and mostly well-known by both fans and casuals: Jean Grey is an Omega-Level mutant, meaning she has almost limitless potential. In the comics, the term is used for those mutants whose powers reach “an undefinable upper limit of that power’s specific classification.” In other words, it’s mutants whose powers can not be surpassed.
It’s important to note that the Omega classification only applies to one power. In Jean’s case, she’s an Omega-level telepath, but not a telekinetic. There can also be multiple Omega-level mutants for one power. For example, Jean, Charles Xavier, and Kid Omega are all Omega-level telepaths.
Jean Has a Clone
If you’re a fan of X-Men ’97, you might already know who Madelyne Pryor is. For the uninitiated, let’s begin. Following Jean’s death, the villain Mr. Sinister creates a clone of Jean Grey named Madelyne Pryor with the intention of marrying her to Scott and producing a powerful mutant child. Because Scott is apparently clueless to the fact that this woman looks exactly like his presumably death former love, he marries Madelyne and indeed has a son with her, Nathan, AKA Cable.
Once Jean returns to life, Scott goes back to her, and Madelyne descends into madness, becoming the Goblin Queen. She plays a key role in the demonic invasion of Earth during the Inferno storyline before ultimately committing suicide in an attempt to take down Jean. If any of this made you feel bad for Maddie, then congratulations, you’re probably in the right. Few Marvel characters have ever been so mistreated, honestly.
Chris Claremont Changed Jean for the Better
Debuting in the Silver Age of Comics, Jean was introduced as something of a damsel in distress. Her powers had a clear ceiling, causing her to faint in exhaustion. It was up to the other five male X-Men to save the day and, often, Jean. If you’re wondering how that looked, take a look at the ’90s animated show, which also made Jean useless, constantly falling, screaming, or getting shot at while everyone else around her did the heavy lifting.
Then came Chris Claremont, one of the most legendary X-Men writers who completely rehauling the team in the ’70s. It was he who took Jean and completely evolved her character, turning her from the weakest member of the X-Men to the strongest. Claremont created many of the best-known aspects of Jean’s characterization, including the Phoenix Saga (more on that later). He did a lot for the X-Men overall, but his part in Jean’s story is perhaps more notable.
Jean Is a Professional Model
Most superheroes have secret identities and try to lead normal, civilian lives. The X-Men are usually depicted as either students or teachers at Xavier’s school, but Jean actually had a brief stint as a professional model. When the X-Men disband following an FBI order, Scott and Jean get regular jobs to make ends meet in New York City (fun fact: Scott becomes a radio news broadcaster).
The side hustle doesn’t last, and it’s not long before Jean and Scott are back in the X-Men. Still, it’s always fun when superheroes try to lead normal lives, only to realize they either can’t or don’t want to. Because Jean has always been portrayed as something of a role model, she naturally excels as a model. Maybe, in an alternate timeline, she’s gracing the cover of Vogue instead of constantly dying.
Jean Has Died Many, Many Times
And speaking of deaths, Jean has had a lot of them. Comic book characters usually die, but Jean has done so more than the average hero. Jean’s first major death happened in Uncanny X-Men #100, succumbing to radiation while sacrificing herself to save her fellow X-Men. It’s here that the Phoenix Force enters the chat, duplicating her body while preserving the original in a cocoon at the bottom of a lake.
From there, Jean would keep on dying and resurrecting. She dies after the Phoenix Force corrupts her. She then dies after taking a bullet from a Magneto clone. She also vanishes after a certain Mad Titan snaps his fingers and perishes at the hands of Sentinels during an attack on the ORCHIS station. Most recently, she died at the 2023 Hellfire Gala, when ORCHIS launched a devastating mutant attack. At this point, it’s become a recurring joke that Jean Grey dies, but you have to admire her ability to keep coming back, especially because she’s resurrected herself through sheer force of will at least once.
Jean Was Snapped by Thanos
Speaking of the Mad Titan himself, yes, Thanos did snap Jean Grey out of existence in the 1991 event Infinity Gauntlet. If you’ve seen Avengers: Infinity War (and considering you’re reading this article, I’m going to go on a limb and say you have), then you’re familiar with the gist of it. In the comics, Thanos means to impress his long love, Mistress Death, and thus uses the Infinity Gauntlet to both secure power and impress her.
Jean is among the Mad Titan’s many casualties, although the characters don’t exactly die here; rather, they’re wiped out. Similar to the MCU, Thanos’ actions are reversed, so Jean comes back alongside all those who vanished. Jean plays absolutely no role in the storyline, and we only know she disappeared because of her face in a poster of those missing. However, it’s a cool easter egg for MCU fans.
Jean Is Strong Enough to Defeat Galactus
In the Marvel Universe, few characters are stronger than Galactus. The World Eater is a powerful cosmic entity, often described as the “physical, metamorphosed embodiment of a cosmos.” He eats planets to sustain his life force and possesses powers beyond most humans’ comprehension. Although he’s usually represented as a villain of the Fantastic Four, Galactus has fought many other Marvel heroes.
In one memorable instance, Jean used Galactus’ own force against him, constructing a giant fist (lol) that knocked Galactus on his back and scared him enough to not only leave her alone but also spare the star he was planning to consume. The fact that Jean could single-handedly defeat Galactus by using his own force against him proves just how resourceful and capable she is. When ascending to higher planes of existence, such as the White Phoenix of the Crown, Jean is also objectively more powerful than Galactus, so there’s that.
Jean Can Reshape Reality
Jean has many powers, especially when bonded with the Phoenix Force. She infamously consumed a star once, and has shown abilities that transcend even the normal understanding of mutation. On one memorable occasion, Jean literally reshaped reality to create an alternate timeline for Moira MacTaggert, one of the X-Men’s longest-running allies.
After Moira was retconned into being a mutant with reincarnation abilities, and because no one stays fully good in the world of comics, she became evil and an accomplice of the multiversal AI villain Enigma. She is eventually redeemed, though, and Jean creates an alternate timeline where Moira doesn’t have her mutation. We’re talking about manipulation on a molecular level here — Scarlet Witch who?
Xavier Had a Creepy Crush on Jean
Charles Xavier is creepy — there’s really no way around it. The man is a sanctimonious creep with an alarming lack of respect for other people’s physical and mental boundaries. Xavier has crossed so many lines throughout his comic book history that they might as well be dots to him. Arguably, one of his worst hours came with the reveal that this fully grown man harbored a crush on his teenage student.
As previously mentioned, Jean was the only female member of the original X-Men, and at some point, each of her male teammates expressed a romantic interest in her, including Xavier (again, it was the ’60s). However, Xavier was his teacher, and that makes it far more problematic. During an infamous storyline, Onslaught, the entity created through the mix of Xavier and Magneto’s consciousnesses, showed Jean a glimpse into Xavier’s romantic feelings for her. It’s weird, unnecessary, and casts a very ugly shadow over what once was a rather wholesome mentor-mentee dynamic.
Jean and the Phoenix Force
Jean Grey and the Phoenix Force are as inseparable as Wallace and Gromit. Their connection has been retconned multiple times, beginning with Jean being a mere host of the Phoenix to her becoming its cosmic counterpart and physical manifestation. Now, it’s commonly accepted that Jean is the Phoenix’s one true host, even if they can revert to being separate if the storyline demands it.
When fully bonded, Jean adopts the White Phoenix of the Crown persona, becoming a being with power over creation itself. We’re talking about literal gods here — the White Hot Room, the Phoenix’s home dimension, literally exists outside of the multiverse. Jean and the Phoenix Force are two of the most fascinating and complicated beings in the entire Marvel Universe, and while their bond keeps changing, one thing remains certain: they are far more powerful than you could ever imagine,
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