UFC superstar Conor McGregor is revealing the next steps in his mixed martial arts career following his shocking 69-second loss to Max Holloway at UFC 329 on Saturday, July 11. 

“Surgery. Prehab. Return to martial arts practice. Go again. Final fight of the contract. Please God!” McGregor, 38, shared via Instagram on Monday, July 13. 

McGregor’s comeback dreams hanging on his fight against Holloway, 34, were cut short when McGregor suffered a leg injury just over a minute into the bout. 

“My faith is unconditional and I am thankful I get to prove it!” McGregor wrote. “My lifestyle changes are permanent and not just until. I am thankful I get to prove it.”

Related: Conor McGregor Skips UFC Afterparty After Shocking 69-Second Fight Defeat

Conor McGregor was a no-show at the Marquee Nightclub at The Cosmopolitan’s UFC afterparty after his shocking fight loss, a source exclusively tells Us Weekly.  McGregor, 37, was scheduled to emcee the Las Vegas bash hours after his Saturday, July 11, fight against rival Max Holloway during UFC 329. McGregor ultimately lost the match just […]

He added, “I am a child of God. I am a friend of God. God makes a way for me where there seems to be no way. I am not a victim of my circumstances, I overcome them. God is at work in me to will and to work his good pleasure! My youth is being renewed like the eagles! In Jesus I am thoroughly loved, cherished, adored. I walk in divine health. I live under supernatural protection. All things work out for my good! All things are possible for me because I am a believer!”

McGregor has one fight remaining on his UFC contract, though there is no timetable for his return. Holloway has suggested he may be McGregor’s final fight opponent, which would bring an end to their trilogy. McGregor previously defeated Holloway via decision in 2013. 

Hours after the loss at UFC 329, McGregor broke his silence on social media. 

“I was so sharp and so ready for this fight I cannot believe what has happened,” he wrote via X. “The talk of me being off while walking in to the fight is nonsense. I was calm, ready, and confident. I am in shock what has taken place. The devil is literally staring at me right in front of my face here. I am not engaging. I will be at church tomorrow.”

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UFC president Dana White expressed disappointment in the highly-anticipated fight, telling reporters, “I was expecting at least a one-round war.”

“Who knew what Conor was capable of as far as cardio, whatever else, after a five-year layoff, and there you go,” White said of McGregor, who last fought at UFC 264 against Dustin Poirier in July 2021, when he suffered a broken leg during the first round. “We’re assuming a blown ACL. I’m no doctor, but that’s what I figured when I saw it, and doctors think the same thing too.”

McGregor did not specify the exact injury he suffered against Holloway on Saturday, but in revealing he plans on having surgery, UFC fans can rest assured it will be a long time before they see him in the octagon again.

Editor’s note: The below interview contains spoilers for House of the Dragon Season 3 Episode 4.

We’re at the halfway point of House of the Dragon Season 3, and already the HBO fantasy spin-off has made some decisive moves with its characters on the overall chessboard that is Westeros. Although Rhaenyra (Emma D’Arcy) has definitively claimed the Iron Throne, the strife she’s inherited in King’s Landing is only the half of it. With the knowledge that Ormund Hightower (James Norton) has deceived her — not only by sending her a fake Daeryon Targaryen but also by seizing the adjacent town of Tumbleton instead of retreating — it’s clear that Season 3 is setting up an inevitable clash between these armies, one that could have devastating consequences for the smallfolk caught in the middle.

Ahead of the premiere of Episode 4, “Tumbleton,” Collider had the opportunity to speak with Norton about playing House of the Dragon‘s newest villain and why he wanted to take “big swings” with Ormund’s most pivotal scenes. Over the course of the interview, which you can read below, the actor breaks down that memorable bath moment, the intricacies of Ormund’s admittedly “toxic” relationship with Daeron (Benjamin Evan Ainsworth), what his opinion of House Targaryen and their dragons reveals about his inner nature, and more.

COLLIDER: This episode is so fabulous for your character, starting with the very memorable scene in the bath. What sort of energy did you want to bring to that scene? So often, we associate nudity with vulnerability, and here it feels like he’s using it as a form of intimidation.

JAMES NORTON: Yes, he certainly is. What was lovely about this scene was it was an opportunity to see Ormund really enjoy being Ormund. A lot of the time, we see him very stressed, particularly later on in the series. As the stakes rise, he gets more and more stressed. Obviously, this is a man who lives at a high level of stress. You get a sense that he’s hyper-aware and hypersensitive to certain smells and sounds, and he has a lot of OCD, and so it was really lovely to see him delighting in his power and his playfulness.

What was really great in the scene, for me, was that I was able to give them versions of it where I basically said to the director [Claire Kilner], “Can I go quite camp with this?” And again, testament and credit to the creators of the show, they were like, “Yeah, just go. See how far you can go, and have it still exist within the world.” Getting out of that bath, I got campier and campier until I was literally cocking my head and going, “Is she a queen, or is she a bitch with a dragon?” It felt like I was going so ludicrously big, and then they went with it! They were brave in the edit, and they were like, “Let’s make this character delicious.” And as a result, he kind of feels into all different facets of the contradictory mess that he is, and I just think, “Good for them.”

Sometimes, as an actor, if you don’t trust the creators, you don’t give them the wide parameters of performance, and on this, I gave them very wide parameters. I gave them very subtle and nuanced and very big and panto, and generally, they went with the big swings, and I think the show and the character benefit as a result.

James Norton Nearly Fainted During Ormund’s Sword-Swinging Scene

“Your body just doesn’t know where the hell it’s at…”

Image via HBO

You brought up Ormund’s emotions, and it does call to mind the scene where he gets the raven from Harrenhal. As much as there has been this question hanging over the nature of Ormund and Daeron’s relationship, Daeron is the one who sees Ormund go still and immediately tells everybody else to get out of the line of fire. What did you want to convey not just through Ormund’s reaction, swinging a sword at that table over and over again, but also what Daeron’s response reveals about the history between these characters?

NORTON: It was actually quite a tough scene to shoot because what happens, usually, when you do those types of explosions, those types of physical moments, which are very important in the script, you usually do the scene up to the moment of explosion, and then the shot to shoot the explosion is a pick-up or a pop or a special, whatever you want to call it, so the camera’s set up in a certain way. So, after we shot the bulk of the scene, the meat of the dialogue, and they called action, I would just be smashing the table, and then I would go back to being calm, and then I would smash the table. Your body just doesn’t know where the hell it’s at because you’re going high adrenaline to nothing, to high adrenaline. By the end, I was nearly fainting. My head was spinning. I had a terrible headache. It was kind of weirdly taxing. I don’t know. I felt really drained by the end of it.

In terms of the more important part of that scene and what it tells us about those characters, it was fun for me because it allowed us to show what is below Ormund and all the control, and what happens if that control is undermined, and the danger. Up until that point, we get a sense of there being this kind of fury bubbling underneath; we don’t actually see it manifest. Then, to allow it to be manifested was really important. Also, it just contextualizes the fear and the way people respond to him, particularly Daeron.

There’s also a sinister part of it, which is: how many times has that rage been directed at Daeron? I mean, Daeron is a young boy. He’s been brought up by this man. He’s as close to a father figure as Daeron has. There is a real pain and tragedy in that moment because he’s looking at that young servant and saying, “Get out, because otherwise you’re going to get hurt.” And, implicit in that act is, “Because I’ve been hurt before, as well. So just get out.” And a real selflessness. He doesn’t leave himself. He stays, and he watches, and he observes, partly, I think, probably to protect Ormund against himself and other people. So, there’s a stoicism and a courageousness in Daeron in that moment, but also an acknowledgment that he’s had to suffer this man.

It really goes to the heart of how toxic that relationship is, because despite there being this kind of abusive element, there is love there. I think, almost, Daeron stays because it’s like he might be a menace to himself, and a bit like a parent who needs caring by their child. Daeron stays, I think, partly out of — you’d have to ask Ben [Evan Ainsworth], but I think partly out of affection and love. It’s almost like Stockholm syndrome. He’s under duress. He’s almost imprisoned by Ormund, but also sort of loves him. That, for me, was the most exciting and most interesting part of this journey, excavating that relationship, because it’s really complicated.

James Norton Reveals the Truth at the Heart of Ormund’s Hatred of Dragons

“He sees them as beasts — not just the dragons, but the dragon riders themselves.”

Image via HBO

Ormund is among the characters on the show who have a clear distaste for dragons, and does not hesitate to make those feelings known — but when Tessarion steps to him a little bit, he physically recoils. What did you want to convey about his attitude towards dragons juxtaposed with that reaction?

NORTON: We did one version where I literally fell to the ground as I recoiled from the dragon. In Episode 3, the High Septon describes the dragons as this “impure force.” It’s when Rhaenyra’s asking to be ordained, and the response she gets is that the dragons are a sort of impurity — “They just destroy. They don’t create.” I think Ormund, for all his theatricality and the fun, playful side to him, there is this very sinister side where he’s almost fascistic in his commitment to the Hightower cause and their claim to the throne. The way he talks about Daeron and his Targaryen lineage, being like, “Your blood is tainted,” he really sees them as savages, and he thinks the world should be rid of them. It’s really dark when you go down that. Almost like ethnic cleansing, in a weird way. He’s so binary in his approach and his view of how the two families are so different, and one being superior to the other.

I guess his attitude to dragons is kind of tied up in that. He sees them as beasts — not just the dragons, but the dragon riders themselves. Savages. Beasts. They do not deserve to be on that throne. It goes to the root of him and the darker side of him. It was an opportunity for me, alongside the relationship with Daeron and that particular part of his character, to root him and anger him alongside the more playful, delicious stuff.

Templeton, obviously, is a name that book fans will immediately hear and think about what’s coming. Can you tease any big battle scenes later this season?

NORTON: We’ve obviously already experienced an incredible battle, and there has been no secret about this series being very muscular and delivering what I think fans are excited by. Now, we’re at Episode 4. Ormund is so proud and so committed to the cause. The moment when he pretends to promise fealty to Rhaenyra, when Daemon forces him to bend the knee, you kind of know that that’s all bullshit, and you know that he hasn’t been back to Oldtown.

All I’ll say is, as you know, the setup is pretty spicy. He’s using human shields intentionally. He’s using women and children to protect him and the Hightower army in Templeton. So, we are set up for something. I don’t know what. [Laughs] It’s a very exciting series, is all I can say.

New episodes of House of the Dragon Season 3 premiere Sundays on HBO and HBO Max.

“The Real Housewives of Orange County” OG Vicki Gunvalson is reminding people that she built the franchise from the ground up. In a new interview, the outspoken reality star commented on the franchise’s newest cast, “The Real Housewives of Rhode Island,” and accused them of being inauthentic and desperate for attention.

While chatting with Page Six, Gunvalson, who just returned to season 20 of “RHOC,” slammed the new cast of “RHORI” as “very aggressive.”

“I didn’t even know who they were,” she said. “I was like, ‘Hi, bye. You’re all fighting. I’m staying away from that.’”

Gunvalson recently crossed paths with the Ocean State women while filming scenes for the upcoming “Real Housewives Ultimate Girls Trip: Roaring 20th” special.

The cast, featuring Alicia Carmody, Rosie DiMare, Ashley Iaconetti, Liz McGraw, Rulla Nehme Pontarelli, Kelsey Swanson, and Jo-Ellen Tiberi, will appear in the finale episode, which was filmed at Dorinda Medley’s Massachusetts estate.

Vicki Gunvalson Has Choice Words For The ‘RHORI’ Cast

Based on the trailer, two of the women, Swanson and DiMare, bump heads, forcing Medley to tell them to get their acts together or be removed.

“It’s like, ‘The cameras aren’t here. What’re you guys doing? Shut up. This is my show. We are here for Season 20, ‘Ultimate Girls Trip,’” Gunvalson said. “It was just awkward.”

Gunvalson, who first appeared in season 1 of “RHOC” in 2006, finished by giving the women of “The Real Housewives of Rhode Island” a bit of advice.

“Be authentic,” she said. “Would you do this in real life? Because if you wouldn’t do it in real life, what are you doing it on camera for?”

Vicki Gunvalson Was Asked To Return To ‘RHOC’ During BravoCon 2025

Gunvalson’s return comes seven years after she departed the series in 2019. Host Andy Cohen asked her to make her comeback during BravoCon 2025, per the Daily Dish, and she gladly accepted.

While accepting the Wifetime Achievement award in 2023, Gunvalson reflected on her time on the series, thanking not only her co-stars but also the fans for their unwavering support over the years.

“None of this would be possible without all the fans who supported me and loved me through all the s—t that I had. It has not been easy,” she said.

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According to a previous report from The Blast, Gunvalson said she was more than excited Cohen asked her to return because she had started to believe her time as a full-time cast member had come to an end.

“He’s sending me off into the wilderness by myself without an orange. And when he said that, I kind of lost all where I was. And he goes, ‘Please say yes.’ And I said, “I think I’m getting my orange.’ He goes, ‘We want you back full-time.’ And I just thought, ‘Thank you, Jesus.’ Because I miss filming. I missed my girls. I missed the joy of being an Orange County Housewife,” she said.

Bravo Is Celebrating 20 Years Of ‘The Real Housewives’

Another report from The Blast details the upcoming 20th-anniversary special, which will feature a group of seven All-Star housewives traveling across several states to hang out with beloved cast members from the past and present.

Throughout the upcoming batch of episodes, more than 80 “Real Housewives” alums will appear, including the iconic NeNe Leakes.

Leakes, who has been estranged from Bravo since 2022 after suing the network and Cohen, opened up about her return in an emotional video, thanking everybody who played a role in her comeback.

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Leakes Gets Emotional Thinking About Her Return To Bravo

“This has been a really long, long journey, and gosh, I’m happy, overjoyed to say that I will be returning to Bravo,” the mother of two said in an Instagram video. “I almost can’t believe the words that are coming out of my mouth. I’m so happy. I’m excited to see all of you girls. It’s going to be a time. Yes! B-tches, I am back. Now pick your faces off the floor. OK!? See you on Bravo. Love you.”

“The Real Housewives Ultimate Girls Trip: Roaring 20th” premieres on Sunday, August 9, 2026, at 9 PM ET on Bravo.

Keke “Keep A Man” Wyatt has sparked pregnancy speculation after sharing a new video alongside a mystery man.

RELATED: Issa Wrap! Keke Wyatt Shares Strong Words While Confirming Divorce From Zackariah Darring (Exclusive)

Keke “Keep A Man” Wyatt Shares New Video Alongside Mystery Man

On Monday, July 13, Keke Wyatt took to Instagram to share a short clip with her more than 1.7 million followers. Furthermore, the clip appeared to show her posing in a short white dress, cradled by a man standing behind her, his hands around her waist. To note, as the camera rolled, Wyatt even placed her hand on her stomach.

“💋💋💋,” Wyatt captioned the clip.

Keke Wyatt Sparks Pregnancy Speculation

Immediately, social media users entered TSR’s comment section, noting their questions for Keke Wyatt. Many seemed to wonder if this was a soft pregnancy announcement.

More On Her Mystery Man & Previous Headlines

As The Shade Room previously reported, Keke Wyatt has made headlines in recent years for her apparent romances. In June 2024, she raised eyebrows when she stepped out with a mystery man while apparently still being married to Zackariah Darring.

Later that month, Wyatt seemingly revealed that her marriage to Darring was over, per The Shade Room. Simultaneously, fans came to know her new boo to be an automotive specialist, Anthony Whitehead.

By July of that year, Wyatt confirmed her divorce, exclusively sharing that she was happy to be “free,” per The Shade Room. In February 2025, she shared a clip of Whitehead and her children. But it now appears she has moved on to someone new.

Over the weekend, she shared what appears to be an initial video with her new mystery man. The clip apparently showed them at the movies together. However, his identity remains unclear.

RELATED: Awww! Keke Wyatt Posts Sweet Moment Between Her Boyfriend Anthony Whitehead & Her Youngest Son (WATCH)

By Robert Scucci
| Updated 24 seconds ago

1991’s Killer Nerd is exactly what it sounds like. If you need me to spell it out in a little more detail, it’s about a nerd… who kills people. That’s literally the whole thing. It’s Revenge of the Nerd, singular. But what is he getting revenge for? That’s the problem with films like Killer Nerd: this guy’s life isn’t great because he goes out of his way to make it not great. And when he realizes things aren’t going well for him, he gets very angry and makes everybody else pay for it.

Sometimes you get lucky and stumble across a film that functions as a form of wish fulfillment. Revenge arcs, or stories about somebody taking matters into their own hands, are inherently satisfying because you can live vicariously through these characters. Killer Nerd is no such movie because you go into the film hating the guy, and only continue to like him less as you get to know him better.

It’s Always The Quiet Ones

Killer Nerd tells the story of Harold Kunkle (Toby Radloff), a socially awkward misfit with no friends, no romantic prospects, and a domineering mother whose character archetype will be familiar to anybody who knows serial killer lore.

At work, Harold is ignored by his crush Sally (Heidi Lohr) and constantly mocked by his coworker Jeff (Richard Zaynor). On his way to and from work, he’s tormented by drug dealers TJ (Niko DePofi) and Leelee (Tony Zanoni).

One night, while moping around, Harold sees an infomercial for Slick Dicks’ School of Cool, which, for the low, low price of $79.95, promises to turn him into a babe magnet, or something to that effect. The biggest takeaway from the tapes is that Harold should get a cool (read: terrible) haircut and dress like a washed-up lounge singer. 

As you’d expect, Harold’s sudden makeover, along with his attempts to be too cool for school, is not received well, which only leads to more bullying. Harold then learns that Sally and Jeff are hooking up, and even the two women he meets at a nightclub while sporting his new look, Jenny (Lori Scarlett) and Lilac (Elizabeth Quinn), are similarly repulsed by him.

Refusing to be “that guy” anymore, Harold snaps and, as the title suggests, becomes the Killer Nerd we’ve been waiting for.

That’s Really All There Is To It

If you’re looking for a slow buildup of rage that leads to its obvious and inevitable conclusion, Killer Nerd might be a satisfying watch. Personally, I could never get fully invested because there’s really nothing to latch onto. Harold starts off as a bitter, lonely man, and the movie ends with him as a bitter, lonely man who’s now also a murderer. It never quite makes it into full slasher territory, but his rampage does come with a considerable body count. 

Some of the kills, which look terrible thanks to the film’s $12,000 budget, are fun because Toby Radloff fully commits to the carnage. The problem is that there’s never a moment where Harold is remotely likeable. A couple of pithy one-liners could have elevated it, but what we get is a bumbling Harold who can barely hold it together. 

His “makeover” reminds me of the time in South Park when Cartman tries to act nice, but instead just wears a nice sweater. When he’s called out on the fact that dressing nice and acting nice are two different things, he shrugs and admits he doesn’t know the difference. You get that same kind of clueless energy in Killer Nerd, but since Cartman is a lovable sociopath and Harold is just… Harold, the humor doesn’t land as much as I would have liked.

At the end of the day, Killer Nerd is pretty terrible. When you consider its production budget and the overall chaotic energy everybody brings to the table, there’s an undeniable charm because it plays like a group of friends with no filmmaking experience trying to make a feature-length film. It reminded me of the times my friends and I would film skits just to pass the time, and that nostalgia was cool. But I’d be lying if I said the quality, and the juvenile sense of humor we celebrated, wasn’t about the same as what you see in Killer Nerd.

As of this writing, Killer Nerd is streaming free on Tubi.

Ariana Grande’s highly anticipated debut in the “American Horror Story” universe has been put on hold due to an unavoidable scheduling conflict with her “Eternal Sunshine Tour.”

Grande is no newcomer to major Hollywood franchises, having starred in Universal Pictures’ two-part “Wicked” film series, but a source claims she is now “being extremely picky” about her next movie role.

The singer also recently made an “unfortunate” announcement, revealing that she had to reschedule several tour dates due to production issues.

Ariana Grande will no longer appear in FX’s “American Horror Story” Season 13, which premieres on September 24.

The “Thank U, Next” singer was initially announced as a cast member in October and would have joined familiar faces including Sarah Paulson, Evan Peters, Angela Bassett, Kathy Bates, Jessica Lange, Emma Roberts, Billie Lourd, Gabourey Sidibe, John Waters, Frances Conroy, and Leslie Grossman.

However, sources confirmed that the pop superstar has had to withdraw from the upcoming season due to production schedule changes that conflict with her ongoing “Eternal Sunshine Tour,” per Deadline.

It is understood that she had not yet filmed any scenes for the season. While the focus of Season 13 has been kept under wraps, reports claim that John Carroll Lynch, Mena Suvari, and Matt Fraser will reprise characters they previously portrayed in the anthology series.

Grande Had Teased A Tiny ‘AHS’ Role

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Grande’s appearance would have marked a major reunion with series creator Ryan Murphy after they worked together on the 2015 FOX comedy-horror series “Scream Queens,” where she famously played the ill-fated sorority sister Chanel #2.

It remains unclear what her role would have been, but she previously hinted that it would be brief, telling Variety last fall that she would likely have a “very tiny thing” to do while expressing gratitude for the opportunity to join the franchise.

“I know a little tiny bit [about the role], but what I know I can’t say,” she said. “I’ll probably have a very tiny thing to do in it, but I’ll be grateful to be a part of it because I love everyone involved.”

Ariana Grande Becomes More Selective In Hollywood

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Grande has continued to build her acting career since her days as a child star on Nickelodeon’s “Victorious,” where she played Cat Valentine.

She later focused on music, earning multiple Grammy Awards before landing a major role in the “Wicked” film franchise, which earned her an Academy Award nomination for Best Supporting Actress in 2025.

A source told Life & Style Magazine that following her success with “Wicked,” Grande has received more movie offers but has become highly selective. “Arianna doesn’t need praise or her face on billboards all over town constantly,” a source close to her business team said. “It’s not about ego for her, and everybody knows she’s not dipping her toe into movies because she needs the money.”

“She’s being extremely picky about filmmakers, and she’s quality-controlling everything she can when she commits to a project,” the insider added.

Grande Wants Every Movie To Stand Out

The insider went on to explain that Grande has no interest in making multiple movies each year simply for the paycheck, adding that money is no longer a driving force in her career.

“You’re not going to see her making three or four movies a year just because she can,” the source continued, adding that the pop star “wants every film she agrees to make to be special and singular, and that can mean saying ‘no’ to a lot of pretty tempting offers.”

The source also claimed that Grande is mindful of “overexposure,” but said her years in the spotlight have taught her when to “put her head down, duck out of sight and focus on the work.”

“This gives her a key advantage over other stars in her age bracket,” the insider noted, adding that Grande also knows “she’s in a class by herself” and was highly motivated to earn another Oscar nomination.

Ariana Grande Reschedules Tour Dates

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In the coming months, Grande remains busy with her “Eternal Sunshine Tour” and recently announced changes to three scheduled shows.

She revealed that her July 12 concert at New York’s Barclays Center would move to July 14. She also rescheduled two Boston performances at TD Garden, originally set for July 22 and July 24, to July 23 and July 26, respectively.

According to Page Six, Grande explained in an Instagram Story that the changes were necessary due to production issues and to ensure fans receive the full experience, “delivered safely and as intended.”

“We are so sorry for these unfortunate scheduling changes,” she wrote. “This was our best and safest option as these challenges with production have come to our attention.”

“The utmost important thing to us all is safety, first and foremost, and also making sure you all see the show how it is intended to run,” she continued. “Thank you so much for your understanding, and I cannot wait to see you.”

Young and the Restless fans know Victor Newman (Eric Braeden) has crossed so many lines that most of Genoa City is gunning for him at this point. Even his own family is seeing that he’s out of control, even though most of them are too scared to push back. Victoria Newman (Amelia Heinle), of course, always defends daddy. But the others know he’s doing bad.

We’re going to talk about how Victor is about to get hit from all sides. Because some of his awful behavior may actually trigger some consequences this time.

Young and the Restless: Kyle’s Revenge Plan Against Victor

So, this week, Kyle Abbott (Michael Mealor) showed up at the new ranch to confront Victor. He headed over there, asked Victor if he’s heard about what happened to his dad, Jack Abbott (Peter Bergman). And Victor is insulting and sarcastically says he didn’t force Jack to sleep with Patty Williams (Stacy Haiduk). And won’t be blamed for these marital problems. But Kyle says his parents are better than ever, and taunts Victor, asking how is his marriage doing.

So, Victor keeps denying any blame and asking, “What did I have to do with this?” And Kyle reminds him that he brought Patty to town. And Victor warns Kyle that he’s overstepping. And Victor threatens to have Kyle tossed out. But he tells Victor he is going to make sure he pays for what he did to Jack and Diane Jenkins (Susan Walters).

Victor Mocks Kyle on Y&R

So, Victor’s mocking Kyle, calling these empty threats. And Victor also says plenty of people have tried to take him down and failed. So, it’s pointless for Kyle to even try. Clearly, Victor is awful and doesn’t feel bad about a single thing he’s done to anybody and things that he is still doing and planning to do. Jack getting stabbed and nearly dying and Diane being kidnapped by Patty didn’t even make Victor flinch or feel a shred of remorse. And with so many people fed up with Victor, I really hope we are going to see him face some consequences soon.

There are some red flags. We might. Even though we know that Josh Griffith is incapable of writing any sort of long-term karma for Victor, we might get a little bit. Because some people might try and stop Victor and force some consequences into play. And the top person who wants to see Victor pay right now is obviously Kyle Abbott.

This week he talks to Billy Abbott (Jason Thompson) who said Victor is a big target but always seems to be missed. And Kyle vowed not this time. Then Billy asks what Kyle has planned and he doesn’t have a plan. But he went over to threaten Victor, which accomplished nothing other than Kyle getting more annoyed with the mustache.

Young and Restless: Patty’s Deal and Victor’s Downfall

And then this week, Kyle goes up to see crazy Patty Williams in her cell at the GCPD. And Y&R spoilers say Kyle offers Patty a deal. So, Kyle may dangle the offer of less or no prison time if she flips on Victor. I feel like Patty might take a deal like that after her recent arraignment went so badly. Michael reported to Diane that Patty made a scene in court and was hauled out and denied bail. So, by the time Kyle shows up, Patty might be desperate for a way out and her pal Dr. Laurence Markham (Jere Burns) has totally ghosted her, hung Patty out to dry and run off.

So, if Kyle convinces Patty that the Abbotts will help her, she might tell the cops Victor paid her to do all of this. Patty may say Victor hired her to kidnap and assault Jack, which is true, to kidnap Diane, to try and stab Jack and then try and finish him off in the hospital, which may or may not be true. Patty may blame all this on Victor. And in exchange, we could see Kyle agreeing that he will hire her a lawyer, maybe even Michael Baldwin. Because right now Patty’s got a crappy public defender that’s not doing much for her. So, Kyle might even dangle an offer where if Patty helps, she can go to a psych hospital instead of a state prison.

Patty Has Evidence Against Victor on Y&R

And since Victor paid Patty a whole bag full of cash to destroy Jack and Diane’s marriage, that’s some evidence. Patty might still have some of that cash, and it can be traced back to Victor’s bank. Plus, Patty has hated Victor for a long time. Patty tried to kill Victor years ago, so yeah, I think she’d roll over on him.

And Billy might want in on Kyle’s plan once he finds out that Victor is targeting Sally Spectra’s (Courtney Hope) company, Spectra. That comes out soon. Because she just overheard Adam Newman (Mark Grossman) and Chelsea Lawson (Melissa Claire  Egan) talking and she knows Victor is coming after her company. And when Billy finds out, he will be fuming about that.

Speaking of Victor going after Spectra, him playing hardball with Sally’s company starts this week. And I suspect Chelsea demands that Adam conspire with her against Victor so they can protect Sally. We already know Adam has a big issue with Victor going after Sally’s company. Because she’s pregnant and he worries the stress will give her a miscarriage. But Victor insists that it’s Billy’s fault and that it’s really about him. But Chelsea doesn’t agree.

And while Adam has no issue targeting Billy, we saw Chelsea lecturing Adam about it. Chelsea sees no reason to sit by and let Victor go after Billy or Sally. So, she and Adam might actively try and thwart Victor, especially when Chelsea told Sally she and Adam will never go along with Victor’s plan. And Sally clapped back that Adam never sticks to it when he defies Victor, which is 100% true. So, Sally calling Adam out with that truth bomb might inspire him to agree with Chelsea to interfere with Victor’s plan.

Young and Restless: Family Turns Against Victor

And don’t forget, Jack and Diane are enraged that Victor brought Patty back. Jack does feel bad that he drove Patty off the deep end back in the day. But no way does Jack deserve to be kidnapped, drugged, assaulted, and then stabbed. And he knows Victor is behind all of this. So, Jack and Diane still want Victor to pay as well. And now that they’re reunited, once Jack heals up and is out of the hospital, he and Diane may look for a way to get some of their own revenge on Victor.

I would like to see them rally his own family against him. Because for starters, Abby Newman (Melissa Ordway) won’t like to hear that Victor nearly got her uncle Jack killed. Neither will Summer Newman. Plus, Kyle just rolled up on Nikki Newman (Melody Thomas Scott) and Victoria and told them that Patty nearly killed his parents.

Victoria immediately went into denial about Victor playing a part in it. So, we’re going to see Nikki and Victoria going to visit Jack at the hospital. I’m sure he will reiterate what Kyle said. But Young and the Restless spoilers say that Nikki and Victor agreed to a fresh start this week. And that is after Victor accuses Nikki of betraying him. Which I’m sure is about her going to visit Jack. You know, whom Victor already demanded that Nikki cut out of her life if she wants to be with him.

Young and the Restless: Nikki Walks Away from Victor?

So, with Victor gaslighting Nikki and lying to her face about Patty, we could see Nikki doing her usual where she enables Victor. And excuses his behavior and says it’s just not true. To her credit, Nikki’s off-kilter right now. Because of her medical crisis. But if Patty rolls over on Victor and Christine Williams Romalotti (Lauralee Bell) comes to arrest him, then his days of denials are over. It’s fruitless.

Other Young and the Restless spoilers say that Nikki and Victor’s marriage faces more tests. And it could be the fact that Nikki can’t turn a blind eye, no pun intended, to what Victor did to Jack if he is arrested for these crimes. So, if Patty gives Victor up and Christine has him arrested and charged, then Nikki might change her tune and then we could see Victor finally facing some serious consequences that are long overdue.

I’ve got fingers crossed that Kyle can cut a deal with Patty. And get this revenge train rolling. But with Josh Griffith unfortunately still writing the CBS soap, Victor may walk out of this scot-free as usual, even if he is arrested, it’s no wonder that Josh was shown the door.

Women are making upwards of $30,000 selling foot content online. The industry is now a multi-billion-dollar business. But how does it all work?

The Shade Room’s Justin Carter is sitting down with the industry’s top creators, Abby Nicole and Shamia “Mimi” Capers, as they detail how they create their content, and the subsequent “bidding wars” that ensue. But that’s not all, on this episode of ‘TSR Investigates,’ those doing the bidding wars also share their piece as well.

The $2 Billion Foot Content Industry & The Women Cashing In

According to Carter, content creator Abby Nicole records herself getting pedicures and brings in racks that go toward everyday expenses like groceries. Per Nicole, the $2 billion industry has afforded her over $100,000 within the last year, and down payments on luxury cars.

Meanwhile, Shamia “Mimi” Capers says creating feet content has put her in a position where she doesn’t have to “struggle” anymore.

“When I realized that I can make $50 in five minutes, and I ain’t never made $50 in one hour working at nobody’s job, I’m like, ‘Dang, if I really hone in on this, this could be a second lil job or whatever’… and it really just turned into something so much bigger,” Capers recalled.

More On The Industry & Those Dropping Their Coins

According to Capers, posting regularly, frequent uploads, and content that features good lighting, clear video, enticing angles, and engagement keep customers returning and buying more.

Scroll above to watch as Capers takes Carter step by step through the process of creating feet content. Additionally, details the movements and how to navigate creating face-versus-faceless content. Furthermore, Carter sits down with buyer Stu Worships, who opens up about spending $15,000 a year on feet content. Lastly, the host also gets into the psychology of it all and puts his own soul to the test!

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