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Tracee Ellis Ross just gave the classic raffia bag a sophisticated, city-girl twist. Instead of saving the woven accessory for beach vacations, the actress styled it with polished separates, instantly elevating the piece for everyday wear. Luckily, you don’t need a designer budget to recreate her chic look.
Ross was spotted in New York City on July 23, pairing her structured woven raffia bag with a collared blue top, a red jewel-embroidered midi skirt, and sleek black pumps. The tailored styling gave the typically casual summer staple a refined update, proving raffia can look just as at home on city streets as it does by the shore. We found a remarkably similar version for just $34 on Amazon.
Get the Keaidmon Handwoven Straw Tote Bag for just $34 at Amazon! Please note, prices are accurate at the date of publication, July 29, 2026, but are subject to change.
Enter the Keaidmon Handwoven Straw Tote Bag. With its structured silhouette, woven straw finish and top handles, it captures the same sophisticated feel as Ross’ accessory for a fraction of the price. Available in a khaki shade that’s nearly identical to the star’s version, it makes it easy to recreate her polished city-girl look.
Beyond its elevated look, the bag is thoughtfully designed for everyday wear. It’s crafted from tightly woven natural straw that’s lightweight yet durable, while the thick braided handles offer a comfortable grip without digging into your shoulder. Inside, a playful polka-dot lining adds an extra touch of charm.
The best part is how easy the bag is to style. Pair it with wide-leg trousers and a linen button-down for an elevated everyday outfit, or wear it with a breezy midi dress and sandals on the weekend. Just like Ross proved, the right outfit can transform a raffia bag from a beach-day must-have into a polished city accessory.
If Ross’ outfit has you rethinking raffia bags, this affordable find makes it easy to follow her lead. It delivers the same sophisticated, city-girl feel while keeping the natural woven texture that makes the trend a warm-weather favorite. At just $34, it’s an easy way to bring the actress’ elevated style into your own wardrobe without overspending.
Obsessed with Ross’ city-girl take on the raffia bag? Browse more affordable Amazon picks below!
Shop more raffia bags that we love:
Not your style? Explore more raffia bags here and don’t forget to check out all of Amazon’s Daily Deals for more great finds!
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Since its controversial conclusion in 2019, Game of Thrones has been used as one of the prime examples of the trend of multimedia adaptations being of lesser quality than their source material. But although there are some major problems with the final seasons of the blockbuster fantasy series that are hard to deny, one of the middle seasons is, for the most part, stronger than some viewers remember or are willing to admit. By Season 6, most of the source material from the completed entries in George R.R. Martin’s A Song of Ice and Fire series had been exhausted, and, while Martin told the series’ creators David Benioff and D.B. Weiss some of the most crucial aspects of his plans for the still unreleased final novels, for the most part, it was up to them to continue the show how they saw fit. Without the guidance of the books, the ending provided by Seasons 7 and 8 became uneven, but the first full post-book season is one of the series’ most exhilarating and perhaps, its best.
An earlier decision that Season 6 continued to benefit from was the creators’ choice to keep the cast a bit smaller than it is in the books. Both the written and filmed versions of Martin’s world are incredibly expansive, but the former became even more so during the most recent novels in the series, A Feast for Crows and A Dance With Dragons, which each introduced a host of new characters and storylines to the already sprawling narrative. After adhering fairly closely to the written canon of the first three novels throughout the first four seasons, the show began to diverge onto its own path in Season 5 by excluding a number of these additions and reducing the significance of others.
Although these choices remain divisive with the books’ most passionate fans and likely did contribute in at least some ways to the series’ later problems, for the most part, they paid off in Season 6. While the complexities of the world and plot are huge parts of the appeal of both the books and the show, the additions from Feast and Dance complicated things so much that the stories of some longer-running, more central characters arguably lost some of their momentum — and many fans suspect the increased scale is one of the major reasons Martin has not yet completed the final volumes. Reducing the complexity of the storylines centered on Dorne and the Iron Islands, and excluding the character of Young Griff, who was introduced in Dance, with the possibility raised that he is a long-lost relative of Daenerys Targaryen’s (Emilia Clarke) and therefore a possible heir to the Iron Throne, allowed Season 6 to maintain a tighter focus on the main cast and conclude the stories of some other supporting players.
Both the books and the show are famous for their willingness to kill off major characters. But while none of the deaths featured in Season 6 are as dramatically impactful as, say, the death of Ned Stark (Sean Bean) or Tywin Lannister (Charles Dance) from earlier seasons, the sixth installment does have a particularly high body count, with many important supporting characters meeting their fates. Detractors will likely argue that this reduced the intricacy of the series’ plotting, and that’s true to some extent, but it also allowed for significant forward progress to be made in the more central storylines, much more so than in the recent novels.
Most of Season 6’s deaths contribute to the story arcs of main characters in crucial ways. For example, Ramsay Bolton’s (Iwan Rheon) murder of his father Roose (Michael McElhatton) sets the former up as the ultimate tyrannical ruler in the North before his own defeat at the hands of Sansa Stark (Sophie Turner) and Jon Snow (Kit Harington) earns the latter pair their family’s home region back, which in turn allows them to shift their focus to the inevitable battle with the undead White Walkers. Likewise, Cersei Lannister (Lena Headey) assassinating several of her enemies, including the High Sparrow (Jonathan Pryce) and Margaery Tyrell (Natalie Dormer), by bombing the Sept of Baelor, cements her as the series’ main human antagonist, a role she would occupy until Daenerys’ heel turn in the final episodes. And the tragic death of Hodor (Kristian Nairn) reveals the full extent of Bran Stark’s (Isaac Hempstead Wright) supernatural powers.
In addition to propelling the plot forward, these developments also have important relevance to the series’ themes. Cersei taking power just before her son Tommen (Dean-Charles Chapman) kills himself is one of the show’s most devastatingly elegant illustrations of what an empty, costly prize the Iron Throne really is. Sansa feeding Ramsay to the dogs he used to slaughter many of his other victims is somewhat cathartic given the horrible things he did to her, but is also itself pretty chilling, again raising the kinds of questions about vengeance and when and to what extent violence is justified. And Bran’s time-traveling brainwashing of Hodor, though mostly accidental, is a dark turning point in the former’s story that foreshadows the cold character he becomes when he completes his mystical training. Though Hodor’s fate was one of the beats Martin informed the series creators of, Benioff and Weiss still deserve credit for how well the twist is executed within the series, especially given that a finished version of it hasn’t appeared in the books yet.
Another argument against Season 6 is that some of the momentous events that happen within it don’t have their aftermaths explored thoroughly enough. This is hard to completely refute in some cases, but it should really be used as a criticism of the subsequent seasons. Two of the events subject to this kind of discussion are Jon’s resurrection and Cersei’s aforementioned bombing of the Sept. Detractors argue that Melisandre (Carice van Houten) is able to resurrect Jon too easily, but at this point in the series, another follower of her religion, Thoros of Myr (Paul Kaye), is shown to be able to bring Beric Dondarrion (Richard Dormer) back from the dead multiple times. It is only after Jon does not prove instrumental in vanquishing the Whites in Season 8, suggesting that he might not be the prophesied “Prince That Was Promised” after all, that his resurrection and the other supernatural occurrences related to him begin to seem forced.
Similarly, given the earlier worldbuilding, one would assume that Cersei would have a harder time maintaining control over King’s Landing without a living child in whose stead to rule than she does in Seasons 7 and 8. The actual bombing of the Sept is entirely in character for her, as it shows great ambition and ruthlessness while not necessarily being the most strategically wise choice, as has been the case with many of her past plots, to say nothing of the fact that she didn’t know Margaery’s death would lead Tommen to kill himself.
Hindsight seems to have warped the public perception of Season 6. Like earlier seasons, it does an excellent job of weaving the various storylines together and setting up future developments, even if one of the ways it does so is by trimming down the cast. The fact that the subsequent seasons squandered some of the potential it generated should not be held against the season itself. Indeed, between the faster pacing, the expected aesthetic mastery, and some iconic sequences, like the Battle of the Bastards, Hodor holding the door, and Daenerys eliminating the slavers before preparing to finally return to Westeros, Season 6 could easily be dubbed the most eventful and exciting installment and stands as proof that the series didn’t always need to adhere closely to the books to be great.
Nolan Wells’ friend is speaking out as online speculation continues to swirl around his name. Now, Bart Edmiston Jr. and his family are pushing back against the claims, with legal action on the table after what they call a wave of “fabricated” accusations.
A friend of Nolan Wells, Bart Edmiston Jr., is reportedly lawyering up after a viral photo and online theories attempted to connect him to Nolan’s death. Attorney Russell Latino says the photo circulating online does show Bart with a young woman, but he insists the woman is not Katie McCormick — someone social media users have tried to romantically link to both Bart and Nolan. Latino also says Bart never dated Katie and did not know who she was before Nolan’s death.
Latino is also pushing back on claims that Bart had any involvement in Nolan’s death, saying there is no evidence to support those allegations. According to the attorney, Bart helped a boat in distress on July 4 and fully cooperated with investigators by providing access to his boat, GPS device, phone, photos, videos, and answering questions about what happened that day.
In a statement shared by Latino on Facebook, the Edmiston family expressed condolences to Nolan’s loved ones while saying they remained quiet out of respect for the investigation. However, they said recent attacks against Bart Jr. forced them to address what they describe as “dangerous speculation” and “outright fabrications.”
The family claims Bart was among the many people who traveled to Horn Island for the holiday and says he assisted a boat experiencing mechanical issues by helping drain water from the vessel and towing it briefly. They added that Bart was never identified as a suspect and voluntarily worked with law enforcement throughout the investigation. The family also says Bart received a “credible death threat” amid the online accusations and that they have retained legal counsel to pursue action against people they believe spread false claims. They say they are working with authorities, including the FBI and local law enforcement, to address alleged threats and potential cyberstalking concerns.
Photos circulating online have sparked new speculation surrounding Bart Edmiston Jr. and Katie McCormick, with some social media users questioning whether the two have a past connection. However, the claims remain part of online discussion and speculation, while Bart’s attorney has denied that the two ever dated or that Bart even knew Katie before Nolan Wells’ death.
Bart, 21, has become a name frequently discussed online amid the ongoing conversation surrounding Nolan’s case. Some internet users have raised questions about his connection to the events of July 4, while others have focused on his reported role in helping a boat in distress and his cooperation with investigators. Online theories have also attempted to connect Bart and Katie romantically, with some users speculating about a possible motive. However, Bart’s legal team has pushed back on those claims, stating that the rumors are based on false information and that there is no evidence linking Bart to Nolan’s death.
🚨 IS KATIE BART’S GIRL?
Bart Edmiston Jr., 21
affectionately referred to as “My buddy” in Warren Hudson’s interview with Officer Tatum is the one name that seems to have been purposely kept out of the main equation.WHO IS BART EDMISTON JR.?
Bart is a 6’0″, 200-pound… pic.twitter.com/I3BuhcFOOV
— Amy Leigh (@IAmyLeigh) July 29, 2026
What Do You Think Roomies?
Sean “Diddy” Combs’ prison release date has been moved up for a third time amid reports he was involved in a physical altercation with a fellow inmate.
According to records from the Federal Bureau of Prisons viewed by Us on Wednesday, July 29, Diddy, 56, is now eligible for release on January 24, 2028.
“At this point we do not have the necessary information to respond with any clarity,” a spokesperson for Diddy told Us on Wednesday of the rescheduled release date.
Diddy, who is currently serving a 50-month sentence at FCI Fort Dix in New Jersey, was initially scheduled to be released on June 4, 2028. However his release date has changed multiple times. Us reported in March that the disgraced music mogul’s release was moved up a month-and-a-half earlier, to April 25, 2028. Two months later, the date was changed to February 23, 2028.
News of Diddy’s once-again updated release date comes less than a week after multiple outlets reported that the rapper was involved in an alleged altercation with another inmate. The alleged fight was reportedly broken up by prison staff. Diddy was reportedly moved to solitary confinement following the alleged incident.
Diddy’s spokesperson has not publicly addressed the incident. Us previously reached out for comment but did not hear back.
FCI Fort Dix declined to confirm Diddy’s reported stint in solitary confinement.
“We are not at liberty to disclose or provide internal information pertaining to any inmate in our custody,” a spokesperson for the facility told TMZ in a statement on July 24. “Such information would not be available for the public domain.”
In 2024, Diddy was arrested on multiple charges of sex trafficking and racketeering. Diddy has vehemently denied the allegations and pleaded not guilty. After his highly publicized trial took place the following year, Diddy was found guilty of two counts of transportation to engage in prostitution. He was acquitted on the remaining — and most serious — counts.
As part of his prison sentence, Diddy is participating in Fort Dix’s Residential Drug Abuse Program (RDAP). When the musician was initially arrested, federal agents found ketamine, MDMA and prescription drugs in his New York City hotel room. During his trial, Diddy’s former employees testified that they were tasked with procuring illegal substances, including cocaine and marijuana, for him.
In a letter submitted to the judge before his sentencing, Diddy admitted he had “lost his way” in “drugs and excess.”
According to the United States Sentencing Commission, RDAP is a cognitive behavioral therapy program offered in some facilities. Inmates who comply with the program’s requirements may earn up to one year off of their terms of imprisonment.
If you or someone you know has been sexually assaulted, contact the National Sexual Assault Hotline at 1-800-656-HOPE (4673). If you or someone you know is a human trafficking victim, contact the National Human Trafficking Hotline at 1-888-373-7888.
Lil Wayne has the internet doing double takes after popping out shirtless at a recent concert. Weezy hit the stage looking fit and flexing his abs and had folks online asking when he got like that — but fans were quick to remind everybody that the six-pack has always been there!
Okay, so BOOM! Lil Wayne gave fans a trip down memory lane when he recently hit the stage for his ’20+ Years of Carter Classics’ tour. Clips from the epic performance quickly started making their rounds online, with folks giving Weezy his flowers and calling him the GOAt for still performing his iconic hits decades later. But the nostalgia wasn’t he only thing catching attention! Fans locked in on Wayne’s physique after he performed ‘A Milli’ shirtless, and they made it clear that his six-pack deserves its own trophy! While some folks were amazed by his fit appearance, others reminded everybody that Weezy’s six-pack is nothing new.
The Shade Room’s Instagram comment section went crazy with reactions. More fans said they loved to see Weezy looking healthy, while others said they wish folks would put more RESPECK on his name!
Instagram user @thekayla.3 wrote, “He always been like that 💪🏽”
Instagram user @jocelyn_renae wrote, “He’s always been built that way. Y’all just want something bad to say about the goat..”
While Instagram user @_badgalni wrote, “idc what y’all say..Wayne is the 🐐🖤 not too much on him.”
Then Instagram user @godmade1von wrote, “Happy dawg looking healthier 💯”
Another Instagram user @lovergirltaurus007_ wrote, “He’s always been capable of building muscle y’all betta put some respect on Wayne.”
Instagram user @dominiquechinn wrote, “He looking much healthier.”
Then another Instagram user @toot.santana wrote, “I feel like he’s getting back his old self 👏👏🔥🔥”
While another Instagram user @angelatechtalk wrote, “I hate the way y’all play with lil Wayne. He’s literally a legend.”
Finally, Instagram user @fit_x_brit wrote, “The goat can do no wrong in my eyes.”
While the internet continues to crown Weezy F. Baby and his abs as goated, Wayne previously opened up about the goats who inspired him. During a recent interview, Wayne chopped it up and revealed some of his favorite rappers. He didn’t hesitate to name-drop Jay-Z and Missy Elliott. Although he still listens to new artists, Waynes said the legends are more his lane.
What Do You Think Roomies?
Ever since the turn of the century, the adventure genre has delivered several films that can be counted among the greatest of modern times. This is, after all, one of the oldest of all story genres, one essential to humanity’s love and need for storytelling as a whole. Since time immemorial, we’ve craved stories about heroes going on grand quests with very specific goals in mind, overcoming terrible threats on the way to their objectives. Since this is a genre so foundational to storytelling, it’s no surprise that it has been the basis of several of the most entertaining motion pictures ever made—some of them made over the course of the last 26 years.
Whether it’s a space adventure like Interstellar, one following our hero through a post-apocalyptic landscape like that of Mad Max: Fury Road, or one set the past like Gladiator, adventure cinema has offered several of the greatest blockbusters since 2000. These are films which blend the unique affordances of the modern day, like hyper-believable CGI and multi-hundred-million-dollar budgets, with the kinds of timeless tropes that have kept the adventure genre so timeless throughout the years. A few decades from now, it would be unsurprising if they were still remembered among the greatest genre flicks of the early 21st century.
Few filmmakers understand the adventure genre quite as perfectly as Christopher Nolan, as irrefutably proven by Interstellar. Hailed by some as his single greatest film to date, this space opera is one of the best hard sci-fi movies since 2000, and it isn’t surprising in the slightest that it’s among the highest-grossing sci-fi films of the 2010s. The project began development all the way back in 2006 from a treatment by producer Lynda Obst and theoretical physicist Kip Thorne, and it was originally supposed to be directed by Steven Spielberg. The concept evolved greatly through the years until becoming the modern classic we know and love today.
Anchored in the relative scientific realism provided by Thorne’s involvement, Interstellar definitely takes a few creative liberties with the material, but those liberties are all in service of an enthralling story about love, fatherhood, and the future of humanity. The reason Interstellar works as well as the 20th century’s best space adventure movies is that, like them, the plot’s actual adventure element is secondary to the emotional core that gives the narrative its heart.
Once recency bias wears down, only time will tell whether The Odyssey will continue to age as one of Christopher Nolan’s best movies; but for the time being, it can absolutely be considered as one of them. If there is one story that has never been set in stone, it’s Homer‘s poem; the epic that fathered all epics, the story that best represents why storytelling has been so important to humanity throughout the years. Just like the bards of yesteryear shifted details of Homer’s story to fit their audience’s tastes, so too has Nolan created a version of The Odyssey that feels like it’s entirely his, just as much as it is Homer’s.
The Odyssey is a brilliant spiritual successor to Oppenheimer, exploring the natural fears of living in a war-torn world and celebrating the hope of the good people who may still save its future. It’s technically masterful, impeccably acted, scored with tremendous power by Ludwig Göransson, and directed with the utmost authority by Nolan at the very top of his game. Fantasy adventure stories don’t really get much more essential than Homer’s Odyssey, and this new cinematic version of it is the greatest adaptation of the original that we have seen thus far.
With films of the caliber of Alien and Blade Runner, what Ridley Scott did over the course of the late 20th century can only be labeled revolutionary. As such, it feels only fitting that his final outing before the arrival of the 21st century was just as big of a turning point: The Best Picture Oscar-winning Gladiator, one of the greatest and most influential adventure epics of the 2000s. As the years have passed and Scott’s modern filmography has gotten a bit more hit-or-miss, Gladiator has kept aging like fine wine, an action drama and revenge story that’s as emotionally stirring as it is incredibly thrilling.
What’s not to love about this masterpiece? For one, its production values are absolutely stunning, offering some of the most riveting and violent action sequences of any movie set during the age of the Roman Empire. Add to that a phenomenal score by Hans Zimmer, a pair of powerhouse performances by Russell Crowe and Joaquin Phoenix, perfect pacing that makes the two-and-a-half-hour runtime flow right by, and a rousing tale about duty and honor, and it should become all that much less surprising that Gladiator is still as widely beloved as it is.
It’s pretty much humanly impossible to watch Mad Max: Fury Road and not have at least a little bit of fun. George Miller‘s triumphant return to both the Mad Max franchise and the action genre as a whole since 1985 was this cinematic injection of adrenaline straight to the jugular, a non-stop chase that doesn’t let up for two whole hours of intense runtime. There’s virtually no space to breathe when watching Fury Road, but true action adventure movie fans wouldn’t have it any other way. It results in one of the most irresistibly entertaining cinematic experiences of the 21st century so far.
Indeed, this is one of the most amazing blockbuster movies of all time, a masterpiece where Miller throws everything but the kitchen sink at the screen in terms of creative ideas over the course of two hours. The world-building is delightfully bizarre, the character writing has a surprising amount of depth, and the action sequences are all impeccably shot and edited in every single way possible. There really aren’t very many adventure movies like Fury Road being made today, and whether its planned sequel does end up materializing someday or not, this will always be remembered as one of the best action epics of the 2010s.
Frank Herbert‘s Dune is one of the most essential sci-fi adventure novels of the 20th century, a masterpiece so perfect that it’s almost crazy that anyone would even attempt to make a film adaptation of it. Then again, Denis Villeneuve is no ordinary filmmaker. He’s one of the best sci-fi movie directors currently working in Hollywood, and no film of his better demonstrates that fact than Dune: Part Two. As great as its predecessor was, it’s this sequel that deserves to be remembered as a pillar of 2020s science fiction in the same way that The Empire Strikes Back is a pillar of 1980s science fiction.
No film is fully and truly perfect, but there are some that come remarkably close, and Dune: Part Two is one such film. Whether it’s the stunning visual effects, Hans Zimmer‘s rousing score, the cast’s consistently fantastic performances, the narrative’s exceptional pacing, or the flawless way in which Villeneuve’s vision blends with Herbert’s imagination, Dune: Part Two really is one of the greatest sci-fi film sequels ever created. It’s exciting, it’s action-packed, it’s romantic, it’s creative, and it’s proof that adventure cinema is more than alive and well in the 2020s.
There is arguably no adventure novel from the 20th century better, more important, or more influential than J. R. R. Tolkien‘s The Lord of the Rings. Originally designed as a simple sequel to the fantasy children’s book The Hobbit, Lord of the Rings gradually started transforming into something far larger and far more epic. Today, it’s widely regarded as the most foundational works of literary fantasy of the 20th century. As such, Peter Jackson and co.’s attempt at turning the book into an epic trilogy always had sky-high expectations.
And yet, even with those high expectations, the trilogy turned out to be the greatest fantasy film trilogy of all time. Its conclusion in particular, The Return of the King, tied with Ben-Hur and Titanic for the most Oscar wins in history (a whopping 11), is nothing short of one of the greatest feature films of all time. At the very least, it’s one of the greatest Best Picture Oscar winners since 2000, an adventure masterpiece on the same scale as foundational epics of the size of Lawrence of Arabia and Ben-Hur itself.
The groundbreaking HBO miniseries Band of Brothers was unlike any other World War II project released before it. While films like Saving Private Ryan and The Thin Red Line, among others, explored the experiences of soldiers during some of the most critical battles of the conflict, Steven Spielberg and Tom Hanks’ ten-part series followed a group of characters from the moment that they became soldiers. Band of Brothers follows the men of “Easy Company” from the moment they enlist to the last days of the war, offering a more well-rounded perspective on what serving in such a pivotal conflict actually looked like.
While Band of Brothers had its fair share of astounding set pieces and memorable emotional moments, Easy Company’s brutal fight for survival in the episode “The Breaking Point” is the most intense sequence of the entire series. The characters are forced to confront the possibility that the war itself may never end as the weather situation grows increasingly brutal — and that their entire lives could be dedicated to fighting the same war that has stolen their youth from them.
“The Breaking Point” takes place amidst the twilight days of the war in the winter of 1945. Easy Company may have survived the Battle of the Bulge, but they face an entirely different challenge as they fight to survive the grueling weather conditions of the Ardennes. They are critically low on medical supplies and food, and their ammunition appears to be dwindling as well. As the situation escalates, the thought of another potential battle becomes more intimidating. While these men have shown their perseverance time and time again as they survive one assault after another, the next battle could force them to fight at their weakest. Although the episode “Bastogne” focuses heavily on their survival techniques, the men are literally pushed to “The Breaking Point” in the next episode.
One of the best aspects of Band of Brothers is the realism with which the characters are depicted. The humorous banter between the men shows why, at the end of the day, they are human. “The Breaking Point” opens with a sequence involving characters like Sergeant C. Carwood Lipton (Donnie Wahlberg), Lieutenant Lynn “Buck” Compton (Neal McDonough), and Staff Sergeant William Guarnere (Frank John Hughes) reading a map off of Sergeant Donald Malarkey’s (Scott Grimes) back. It’s a moment of bittersweet humor; pinning a map to the back of a soldier is the only thing they have to laugh about as the temperature continues to drop.
Unfortunately, any aspects of humor disappear as the men realize their situation is getting much worse. Despite Lipton’s attempts to keep morale raised among Easy Company, the soldiers are hit with a series of German bombardments as they attempt to dig foxholes in the forest. Any conversation about who will be placed at the front of the line feels almost secondary. These men barely have the resources to survive the weather, and the impending SS invasion only spells potential doom.
Band of Brothers does a great job of shaping individual character arcs as the series progresses. It’s impressive that a show with such a massive ensemble is able to balance its cast members so well. Buck Compton has one of the most interesting trajectories of any character, as he initially brings a level-headed sense of authority to any given situation. However, Buck’s optimism and sense of reason begin to dissipate in “The Breaking Point” after a horrific moment of violence pushes him to his limit. It’s an incredible showcase for McDonogh, who captures the fear and anguish that wash over Buck’s face during these critical moments.
Compton’s excellence as a combat leader is noted by his superiors as he’s placed within the front lines of the conflict. The battle is barely visible due to the heavy bombardments, but Buck is close enough to see his fellow soldiers Guarnere and Staff Sergeant Joe Toye (Kirk Acevedo) fighting closely alongside him. In a moment of shocking body horror, the two men charge through the conflict near a detonation, and both lose their legs in a series of quick moments. It’s a shocking change of tone from the opening moments of the episode. These men seemed like they were joking about the map on Malarkey’s back a moment ago, and now neither soldier can stand on his own.
While the episode obviously shows the pain and fear that wash through Guarnere and Toyes’ faces as they are met with tremendous disfigurement, “The Breaking Point” in the title refers to Buck, who finally loses himself to the madness of war, left shell-shocked as he sees the men under his command receive their wounds. McDonough makes his reaction very empathetic, since Buck feels that he owes a responsibility to his men and is wracked with guilt and anguish as he realizes that he’s placed them in danger. It speaks to Buck’s perseverance that the only thing that truly disturbs him is seeing those that he cares about suffer.
The episode shows how quickly men can experience post-traumatic stress disorder in the midst of combat; as Buck begins to grow agitated, he is taken off of the front lines for the first time in the entire series. This shows how desperate the situation has become, as not even a veteran combat leader like Buck can stand up to the increasingly perilous situation. Given how reliable Buck has been as a leader, his removal from the center of the conflict makes all the other characters in the episode feel more vulnerable. “The Breaking Point” feels like the climax of Band of Brothers, given that the final three episodes show the last days of the conflict and the soldiers adjust to what their lives will look like in the years following the war’s conclusion. However, “The Breaking Point” also reflects the show’s core message: the bravest heroes are those who fight when victory is not guaranteed.
Michael B. Jordan is hyped for the future of Marvel‘s “Black Panther” franchise following David Jonsson‘s casting in the lead role for its forthcoming third installment.
Jordan, who played villain Erik Killmonger opposite the late Chadwick Boseman in the previous films, seems to approve of the decision, calling Jonsson’s casting “amazing.”
The Oscar winner has also been vocal about Boseman’s legacy since his death and has referenced his late co-star in several heartfelt remarks.
Michael B. Jordan has broken his silence following Marvel Studios’ major San Diego Comic-Con announcement that British actor David Jonsson will lead “Black Panther 3.”
Speaking on the red carpet at the Los Angeles premiere of “Spider-Man: Brand New Day” on Monday, Jordan, who starred as Erik Killmonger in 2018’s “Black Panther” and reprised the role in 2022’s “Black Panther: Wakanda Forever,” couldn’t contain his excitement when asked about the casting. “Oh, I love it. It’s amazing! I can’t wait, can’t wait!” he said enthusiastically, per Entertainment Tonight.
Jonsson’s casting as the new Black Panther was announced during Marvel’s presentation at San Diego Comic-Con, where franchise director Ryan Coogler and Marvel Studios president Kevin Feige introduced him alongside returning cast members Letitia Wright, who plays Shuri, and Winston Duke, who portrays M’Baku.
Jonsson, best known for his standout performances in “Alien: Romulus” and “Industry,” will portray the grown-up son of King T’Challa and Nakia, played by the late Chadwick Boseman and Lupita Nyong’o, respectively.
As he soaked in the roaring applause from the crowd, the 32-year-old placed one hand over his heart before thanking Marvel fans.
“I want to say thank you so much,” he began in a viral social media clip. “Thank you, Ryan. Thank you, Kevin. Thank you to this amazing family that I have the honor and privilege and blessing to join.”

For the 2022 sequel, Marvel chose not to recast Boseman’s T’Challa, instead focusing on the character’s death and the grief that spread throughout Wakanda.
However, the child introduced in the film’s mid-credits scene will now become central to the franchise, giving Marvel a way to continue T’Challa’s bloodline without replacing Boseman’s portrayal.
For Jonsson, joining the Marvel Cinematic Universe is both an honor and a major responsibility. While addressing the cheering crowd, he avoided revealing details about the upcoming film and instead let his gratitude take center stage. “I actually don’t want to say too much because I want to let the screen do the talking,” he said. “And believe me, the honor is entirely mine. Thank you.”

Wright, who debuted as Wakandan princess Shuri in the first “Black Panther” film, assumed the Black Panther mantle after T’Challa’s death in the opening scenes of “Wakanda Forever.”
Reacting to Jonsson’s casting, she described the announcement as a beautiful moment, especially because the pair already share a personal connection.
“The news was really beautiful to hear because I have a personal connection to David,” she told Entertainment Weekly. “To see the full circle of that today, I’m still living in it. We’re both still checking in with each other about it.”
She also hinted that Shuri will help guide her nephew as he steps into a larger role within Wakanda.
“I’m going to have a really, really good time, a lot of fun,” she added. “I’m going to pick on him so much.”

Meanwhile, it remains unclear whether Jordan, a longtime Ryan Coogler collaborator, will appear in the new installment, which is reportedly expected to film on 70mm and arrive in theaters in December 2028.
Since Boseman’s death from colon cancer in 2020 at age 43, the “Creed” star has continued honoring his former co-star, often reflecting on their close friendship and the lasting impact Boseman had on his career.
“One of the last times we spoke, you said we were forever linked, and now the truth of that means more to me than ever,” Jordan wrote in a tribute following Boseman’s passing, per The Hollywood Reporter. “I wish we had more time.”
Earlier this year, while accepting the Outstanding Performer of the Year Award at the Santa Barbara International Film Festival, Jordan again spoke about Boseman, saying he felt his presence while filming “Sinners.”
“I loved that guy so much,” Jordan said. “And it saddens me every time I think about it that I won’t get a chance to work with him again.”
Since the release of Game of Thrones in 2011, audiences around the world have become obsessed with the A Song of Ice and Fire franchise by George R. R. Martin. Though the show ended in one of the worst-received final seasons in television history, the franchise keeps people coming back thanks to its rich worldbuilding, gripping political intrigue, and stunning visuals, especially regarding the dragons. Two spin-offs have since come out: House of the Dragon, which focuses on a civil between House Targaryen that sees dragons burning entire armies, and A Knight of the Seven Kingdoms, set many decades later, after the dragons are gone.
While iconic thanks to their size, bonds with their riders, and ties to magic, Martin’s dragons are far from the best in fantasy media, partially because Martin wanted the dragons to be more realistic, with only four limbs instead of six, and keeping their intelligence closer to animals than sentient, ancient creatures. Thus, they lack the presence and personality of dragons from J. R. R. Tolkien‘s Middle-earth, or the ancient majesty of the dragons of Ursula K. Le Guin‘s Earthsea. But another series has dragons that can stand alongside them in terms of their design and execution: Jennifer Rowe‘s (under pen name Emily Rodda) Deltora Quest.
The titular land of Deltora is part of a larger universe made up of Rowe’s other fantasy series, including Rowan of Rin, The Three Doors, and the sequel series Star of Deltora. It is notable for the seven different tribes of people who live on it, each of whom possesses a magic gemstone: a diamond, emerald, lapis lazuli, topaz, opal, ruby, and amethyst. Prior to Deltora’s unification under its first king, Adin, it was known as the Land of Dragons because of how many of the beasts lived there. They, too, were divided based on the seven tribes, resulting in unique visual distinctions, something further emphasized through illustrator Marc McBride‘s beautiful work, which not only gives the dragons vibrant colorations, but appearances that are inspired by marine life.
Like most fantasy series, the dragons of Deltora are sentient creatures, and their personalities vary based on their tribes. Topaz dragons are loyal and thoughtful; Ruby dragons are kind and good-natured; Opal dragons are meticulous and observant; Lapis Lazuli dragons are impulsive and eccentric; Emerald dragons are honorable and stubborn; Amethyst dragons are philosophical and wise; and Diamond dragons are aggressive and dutiful. Their diets are also different, such as Lapis Lazuli hunting vicious Sand Beasts from the Shifting Sands, Topaz hunting cruel gray-furred creatures called Granous who love to bite the fingers and toes off their victims, and Diamond grazing on Blood Lillies when they’re not hunting meat. The dragons have a unique identity compared to other franchises, feeling closer to distinct cultures of people while remaining powerful and ancient.
Many times it is said that dragons are “of the land,” which the series demonstrates in two main ways: the first is physically. While dragons are sentient creatures, they feel more “natural” compared to other franchises. Their soft underbellies are a pale blue that blends into the sky, making them nearly impossible to see from the ground. The reason they kidnap maidens like in fairy tales is not to eat them, but because human hair makes for a great lining for their nests. They are solitary hunters whose territories overlap with other dragons of the same tribe, but socializing is reserved only for mates and their children. Even the way they speak to humans feels like an apex predator speaking to something far beneath them, but they don’t feel like killing unless angered. Winning a dragon’s trust is a very tricky thing; if they tell someone their name, it means they trust that person.
The other example is that their magical presence is tied directly to the land; dragons are an extension of Deltora itself. They cause the land to prosper, while their absence causes crops to fail and animals to reduce in number. They can tell at a glance what tribe a person belongs to, and can sense when things are off, such as disease or the presence of evil magic. In such cases, they try to destroy the source of corruption as quickly as possible, but know to show restraint if humans and non-human tribes of Deltora are caught in the crossfire.
Speaking of the tribes of Deltora, many of them have certain customs based around the dragons. The women of Broome in Ruby territory shave their heads to deter dragons from abducting them for their hair, while the warrior-like Jalis of the Diamond territory often seek out dragons as the ultimate challenge. Others, like the magical Torans of Amethyst territory, befriend dragons and enjoy philosophical conversations with them. Again, this lore helps the dragons feel like integral parts of the world rather than an arbitrary addition.
With how much detail Rowe put into the dragons, you would think they are an ever-present force in the series. However, they are believed to be extinct by the time of the first book, The Forests of Silence. Most of the information about them comes from the in-universe writings of an explorer named Doran the Dragonlover, and is recorded in the companion book Secrets of Deltora. Dragons also feature prominently in the Tenna Birdsong Tales—a collection of myths gathered by a woman who could speak to birds—and the written history of Deltora, which are detailed in Tales of Deltora.
Of course, being believed to be extinct isn’t the same as actually being extinct. The longer the main series goes on, the more Rowe shifts from talking about the dragons in a mythological sense to a theoretical possibility. This approach mirrors how Martin handled the dragons in his first Ice and Fire novel, A Game of Thrones. Rowe isn’t as graphic in the return of her dragons as Martin is, but the result is no less magical. Like how Daenerys hatching her dragons comes at her lowest moment, the return of the dragons in Deltora Quest comes when the land is near its own breaking point. There is a clear shift in tone — not only does magic return to the world, but so too does hope.
Even once they appear, dragons do not dominate this story, an understandable trap that some franchises can fall into. After all, dragons are the most iconic creature in all of fantasy, and nearly every culture on Earth has its take on them. Naturally, authors want to get the most out of them to inject their world with more fantastical wonder. However, Rowe’s restraint in using the dragons sparingly ensures that they never feel mundane. They remain awe-inspiring manifestations of the will of Deltora itself that also serve as a physical representation of hope and renewal, presented in a more naturalistic way in terms of their culture and lifestyle. All these choices make Deltora’s dragons truly singular in the fantasy world, a crucial aspect of the saga’s lore and a natural evolution of the role they usually play in fantasy stories.
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The “Better Call Saul” star also has fond memories of those difficult days: “I was happy because I was doing what I loved.”
Emma Gretzky, the youngest child of hockey icon Wayne Gretzky, is officially engaged to former college football star, Stone Eby.
“The easiest yes to a lifetime with you ❤️,” Emma, 23, shared via Instagram on Tuesday, July 28, announcing the pair’s impending nuptials.
Emma and Eby, 23, a former tight end at Southern Methodist University, have been dating since November 2022. The couple welcomed their first child, son Walter, in August 2025.
Emma is the youngest of Wayne and his wife Janet Gretzky’s five children. The couple, who got married in July 1988, also share daughter Paulina, 37, and sons Ty, 36, Trevor, 33, and Tristan, 25.
“Congratulations ♥️ Love You All!” Janet, 65, commented on her daughter’s post.
Paulina, who is married to PGA golfer Dustin Johnson, wrote, “Im crying!! no one deserves this more 🥹🫶🏼.”
The couple shared that 12-month-old Walter was already on skates in a social media post earlier this month. “He got it from his papa 🏒” she shared via Instagram alongside photos of the trio at an ice rink.
Emma and Eby met at SMU, where she played on the tennis team during her freshman and sophomore years. She graduated in the spring of 2025 with a degree in applied physiology and sports management.
Eby appeared in all 13 of SMU’s games during his redshirt senior season in 2025. He was invited to rookie minicamp by the NFL’s Denver Broncos in April after not being selected in the 2026 NFL Draft. Eby did not make the roster.
Wayne, 65, has long advocated for his children to remain committed to their education alongside their athletic pursuits.
“It’s the greatest life in the world to be a professional athlete, but I always tell parents, the goal should be to get to college,” Wayne told the Ventura County Star in 2019. “Go to college. Pursue that, because there’s only a small percentage of athletes who are fortunate enough to be professionals. But everybody can get a great education, and to me, that’s most important.”
He added, “As parents, we decided to let our kids choose what they wanted to do. Each and every child has their love and their interest.”
Last year, Janet defended her husband from critics of the Canadian hockey legend’s friendship with President Donald Trump.
“I have never met anyone who is more Proud to be a Canadian and it has broken his heart to read and see the mean comments,” she wrote in a since-deleted post via Instagram. “He would do anything to make Canadians Proud, with his Love for Hockey and his Country.”
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